{"title":"Pebeo","description":"\u003cp\u003eCraftiche stocks 68 Pebeo products, including \u003ca href=\"\/collections\/paints\"\u003epaints\u003c\/a\u003e (57) and \u003ca href=\"\/collections\/marker-pens\"\u003emarker pens\u003c\/a\u003e (5). Prices run from £20.71 to £147.89, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Pebeo. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"pebeo-vitrea-160-glass-paint-pink-45-ml-transparent-high-gloss-oven-dishwasher-safe","title":"PEBEO Vitrea 160 Glass Paint Pink 45 ml — Transparent High-Gloss, Oven \u0026 Dishwasher Safe","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Pink is a water-based, transparent glass paint that permanently bonds to glass after baking, producing a glossy, heat- and dishwasher-resistant finish.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for hobbyists and professional crafters, Vitrea 160 reproduces the look of coloured glass in a small 45 ml bottle. The formula is water-based and AP-certified non-toxic, dries to a durable film, and becomes permanent after a low-temperature oven cure. It mixes easily with the rest of the Vitrea 160 range to create custom shades and works on any surface that can tolerate the bake step, including glass, porcelain, glazed earthenware and certain metals.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use Vitrea 160 Pink on glass projects?\u003c\/h3\u003e\n\u003cp\u003ePreparation and technique are straightforward: clean the surface, apply the paint, let it dry fully, then bake in a domestic oven to set. Painting can be done with brushes, sponges or with Vitrea 160 markers and outliners for finer detail. The paint remains removable until fully baked, making adjustments easy before the final cure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWash and degrease glass with alcohol or soapy water; dry completely.\u003c\/li\u003e\n  \u003cli\u003eApply thin coats—multiple layers increase intensity and transparency control.\u003c\/li\u003e\n  \u003cli\u003eAllow air-drying time recommended by PEBEO before baking at 160 °C (325 °F) for 40 minutes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finish and durability can I expect from the pink shade?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 Pink delivers a transparent, high-gloss appearance that mimics coloured glass when baked. The cured film is resistant to UV, dishwashing and common solvents for everyday use. Because the colour is transparent, layering and mixing with other Vitrea 160 tones creates depth and custom hues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent glossy finish that transmits light like stained glass.\u003c\/li\u003e\n  \u003cli\u003eDishwasher- and microwave-safe after proper baking.\u003c\/li\u003e\n  \u003cli\u003eUV- and solvent-resistant once fully cured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Vitrea 160 Pink with other products or use on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eYes—Vitrea 160 colours are designed to be intermixable to expand your palette. They pair with Vitrea markers, dimensional outliners and compatible mediums for texture or opacity adjustments. Use on heat-tolerant surfaces such as glass, glazed ceramics, enameled metals and terracotta; avoid heat-sensitive plastics that can warp in the oven cure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixable with all 36 Vitrea 160 colours for custom shades.\u003c\/li\u003e\n  \u003cli\u003eCompatible with 18 colour markers and 10 outliners for detail work.\u003c\/li\u003e\n  \u003cli\u003eSuitable for glass, porcelain, glazed earthenware, and select metals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat safety and handling steps should I follow when using this paint?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 is water-based and AP-certified non-toxic, but standard studio safety practices still apply. Work in a ventilated area, avoid ingesting paint, and keep out of reach of children when not supervised. After painting, use a domestic oven set to the manufacturer’s instructions to bake and fully fix the paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-toxic formula, conforms to ASTM D-4236 and AP-certified.\u003c\/li\u003e\n  \u003cli\u003eBake at 160 °C (325 °F) for 40 minutes to achieve permanence.\u003c\/li\u003e\n  \u003cli\u003eNot suitable for items that cannot endure oven baking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: PEBEO Vitrea 160 Pink is ideal for makers who want genuine glass-like colour effects—craft hobbyists, stained-glass imitators, ceramic decorators and small-batch gift makers. It’s useful for anyone who needs a transparent, mixable paint that becomes dishwasher- and microwave-safe after a simple home oven cure. If you plan to paint objects that can tolerate 160 °C (325 °F), and you want vibrant, permanent pink tones that transmit light, this bottle is a practical, professional-grade choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to bake Vitrea 160 Pink?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Air-dry first, then bake at 160 °C (325 °F) for 40 minutes to make the paint permanent and dishwasher-safe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paint on ceramics and metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes on heat-tolerant ceramics, glazed earthenware and some enameled metals; avoid plastics that cannot withstand oven temperatures.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249061642577,"sku":"B001U3R9DW","price":30.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-pink-front-label.jpg?v=1791632423"},{"product_id":"pebeo-vitrea-160-glass-paint-pink-transparent-oven-bakeable-high-gloss-finish-for-decorative-glass","title":"PEBEO Vitrea 160 Glass Paint Pink — Transparent, Oven-Bakeable High-Gloss Finish for Decorative Glass","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Pink is a high-gloss, transparent water-based paint that creates a coloured-glass finish on bakeable glass and other heat-safe surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade by PEBEO, Vitrea 160 is a professional-grade, intermixable paint engineered to reproduce the luminous, translucent look of stained or tinted glass. The formula dries to a brilliant, glossy sheen and becomes durable after oven curing, making it suitable for decorative glassware, ornaments, vases, and many craft and home-decor projects.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I prepare and apply Vitrea 160 for a lasting finish?\u003c\/h3\u003e\n\u003cp\u003eSurface prep and technique determine the final look and adhesion. Clean the surface thoroughly to remove oils and residues, apply the paint in thin, even layers, and avoid contamination during drying and curing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDegrease surfaces with isopropyl alcohol or mild soapy water, then dry completely.\u003c\/li\u003e\n  \u003cli\u003eApply with brush, sponge, or pipette depending on detail—thin coats reduce bubbling and pooling.\u003c\/li\u003e\n  \u003cli\u003eAllow paint to air-dry before placing in the oven to minimize dust or fingerprints.\u003c\/li\u003e\n  \u003cli\u003eCure in a cold oven heated to 300°F (160°C) for 40 minutes; cool inside the oven to prevent thermal shock.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat materials can I use Vitrea 160 Pink on, and what results can I expect?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 bonds to a wide range of heat-safe substrates and gives a transparent, glass-like colour when baked. Expect brilliant tinting on clear glass and softer colour overlays on frosted or opaque surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with glass, crystal, ceramic, porcelain, terracotta, metal, and enameled steel.\u003c\/li\u003e\n  \u003cli\u003eProduces a translucent, stained-glass effect—colours layer well for depth and new shades.\u003c\/li\u003e\n  \u003cli\u003eOnce baked correctly, finishes resist common detergents and solvents for everyday use.\u003c\/li\u003e\n  \u003cli\u003eAvoid decorating surfaces intended for direct food contact; use on decorative-only areas.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the finish after baking and how should I care for decorated items?\u003c\/h3\u003e\n\u003cp\u003eProperly cured Vitrea 160 becomes resilient and suitable for routine handling. The painted area becomes resistant to dishwashing, UV fading, and typical household cleaners, though delicate care extends life.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBake-cured pieces are dishwasher-safe and resistant to light and mild solvents.\u003c\/li\u003e\n  \u003cli\u003eHandwashing on fragile or heavily detailed items helps preserve edges and fine work.\u003c\/li\u003e\n  \u003cli\u003eStore painted items away from freezing temperatures and extreme heat to protect the paint film.\u003c\/li\u003e\n  \u003cli\u003eKeep containers flat and avoid freezing to maintain paint quality before use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrea 160 Pink is ideal for artists, hobbyists, and makers who want the look of coloured glass without stained-glass tools—perfect for DIY decorators creating custom glassware, home accents, holiday ornaments, or small ceramic projects. It also suits craft instructors and small studios seeking a dependable, mixable, professional paint that bakes to a glossy, permanent finish.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Vitrea 160 Pink dishwasher-safe after baking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — when oven-cured at 300°F (160°C) for 40 minutes and cooled inside the oven, the finish becomes dishwasher-safe and resistant to common detergents.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Vitrea 160 be mixed with other colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — Vitrea 160 colours are intermixable to create custom shades while keeping the transparent, glass-like quality.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249212342609,"sku":"B09XY43S86","price":30.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-pink-front-bottle.jpg?v=1791633869"},{"product_id":"pebeo-vitrea-160-glass-paint-45-ml-aniseed-transparent-water-based-heat-set-dishwasher-safe","title":"PEBEO Vitrea 160 Glass Paint — 45 ml Aniseed Transparent, Water-Based, Heat-Set Dishwasher-Safe","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 is a water-based, transparent glass paint that dries to a permanent, heat-set, dishwasher- and microwave-resistant finish after baking at 160°C (325°F).\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese professional-grade 45 ml bottles deliver richly transparent colour designed to recreate the look of stained or coloured glass. The formula is water-based and non-toxic, blends smoothly with other colours in the range, and is removable until it is heat-cured in a conventional kitchen oven. Once baked, the paint is UV- and solvent-resistant, making it ideal for decorative glassware and functional decorative pieces.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use Vitrea 160 to create vibrant transparent effects?\u003c\/h3\u003e\n\u003cp\u003eApply the paint directly from the bottle with a brush, or thin and blend colours to achieve translucent layers. The paints are intermixable to expand your palette; work wet-on-wet for smooth gradations or layer after drying for depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake bottle before use and test colour on scrap glass.\u003c\/li\u003e\n  \u003cli\u003eUse brushes or Vitrea 160 markers for details and outlines.\u003c\/li\u003e\n  \u003cli\u003eMix colours on a palette for custom shades; thin with water sparingly.\u003c\/li\u003e\n  \u003cli\u003eAllow paint to air-dry fully before baking to set permanently.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and finishes are compatible with this paint?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 bonds to any oven-safe glazed surface, including glass, crystal, porcelain and glazed earthenware. The range includes glossy, frosted and shimmer finishes so you can choose from high-gloss shine to subtle satin or pearlescent effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlassy surfaces: windows, vases, jars, and bottles.\u003c\/li\u003e\n  \u003cli\u003eCeramics and porcelain that can tolerate 160°C baking.\u003c\/li\u003e\n  \u003cli\u003eMetal and enamelware suitable for oven curing.\u003c\/li\u003e\n  \u003cli\u003eAvailable in 36 shades: 20 glossy, 10 frosted, 6 shimmer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I make the paint permanent and dishwasher-safe?\u003c\/h3\u003e\n\u003cp\u003eAfter the paint has fully air-dried, place the item in a household oven and bake at 160°C (325°F) for 40 minutes. This heat process bonds the paint to the surface, transforming removable wet paint into a durable finish that resists handwashing, UV fading and everyday solvents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLet painted pieces dry completely before baking (follow manufacturer drying times).\u003c\/li\u003e\n  \u003cli\u003ePreheat oven to 160°C (325°F) and bake for 40 minutes on a middle rack.\u003c\/li\u003e\n  \u003cli\u003eCool slowly in the oven to room temperature before removing.\u003c\/li\u003e\n  \u003cli\u003eAfter baking, items are microwave- and dishwasher-resistant under normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Vitrea 160 with other PEBEO products for special effects?\u003c\/h3\u003e\n\u003cp\u003eYes—Vitrea 160 works well with the Vitrea 160 line of markers, dimensional outliners and mediums to create textures and raised details. Use compatible mediums to alter drying time, transparency, or surface texture while maintaining the same oven-cure performance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine with Vitrea 160 markers for fine lines and lettering.\u003c\/li\u003e\n  \u003cli\u003eUse dimensional outliners to create raised borders and patterns.\u003c\/li\u003e\n  \u003cli\u003eMix with PEBEO-compatible mediums to increase flow or add frosting effects.\u003c\/li\u003e\n  \u003cli\u003eTest combinations on sample pieces before final application.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrea 160 is suited to hobbyists, professional decorators and craft artists who want authentic-looking transparent glass colour with long-term durability. If you create painted glassware, decorative bottles, or personalised gifts and need a non-toxic, blendable paint that becomes permanent after heat setting, this series offers versatility in finishes and hues—Aniseed is a lively green option within the 36-colour palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to bake Vitrea 160 for durability?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. After air-drying, bake at 160°C (325°F) for 40 minutes to make the paint permanent and dishwasher-resistant.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Vitrea 160 safe and non-toxic?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The paint is water-based and non-toxic; it conforms to ASTM D-4236 and is AP certified.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249220338001,"sku":"B001U40IV6","price":30.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-front-label-aniseed.jpg?v=1791634074"},{"product_id":"pebeo-studio-acrylics-high-viscosity-acrylic-paint-dark-cadmium-red-hue-250-ml-thick-impasto-matt-satin-finish","title":"PEBEO Studio Acrylics High Viscosity Acrylic Paint Dark Cadmium Red Hue 250 ml — Thick Impasto, Matt-Satin Finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio Acrylics High Viscosity 250 ml in Dark Cadmium Red Hue is a richly pigmented, thick acrylic paint designed for textured, layered and mixed-media work that keeps brush and palette-knife marks visible.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade for artists who work with dimension and bold colour, this fine acrylic offers deep, lightfast pigment in a matt-satin finish and cures to a permanent, flexible film. The high-viscosity formula holds peaks and strokes, adheres to most surfaces, and mixes smoothly with other Studio Acrylics colours and mediums. Available in larger sizes for extended studio use, this 250 ml tube provides enough paint for sustained projects while remaining AP certified.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint perform when I build texture and layers?\u003c\/h3\u003e\n\u003cp\u003eThe thick consistency preserves the imprint of brushes and painting knives, so textural techniques come through clearly after drying. Layers remain flexible and stable, allowing you to work both opaque and semi-transparently without cracking when used appropriately.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-viscosity formula holds shape and peaks for impasto effects\u003c\/li\u003e\n  \u003cli\u003eGood adhesion to canvas, wood, cardboard, metal and panels\u003c\/li\u003e\n  \u003cli\u003eMixable with Studio Acrylics mediums for smoother or stiffer textures\u003c\/li\u003e\n  \u003cli\u003eDries to a matte–satin surface with strong colour retention\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Dark Cadmium Red Hue with other colours or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — the paint mixes readily with other Studio Acrylics colours and a range of Pebeo mediums to expand transparency, flow, or sheen. Diluting with water will reduce viscosity and opacity, while binders and mediums help preserve paint film strength and clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend with other acrylics for custom colour palettes\u003c\/li\u003e\n  \u003cli\u003eUse Bindex binder to maintain fluidity without weakening film strength\u003c\/li\u003e\n  \u003cli\u003eAdd gel or texture mediums for extended open time or sculptural builds\u003c\/li\u003e\n  \u003cli\u003eMetallic, Dyna and Fluo ranges intermix for special effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are best suited for this tube paint?\u003c\/h3\u003e\n\u003cp\u003eStudio Acrylics High Viscosity adapts to many supports and mixed-media approaches. It performs well on traditional stretched canvas and panels, but also adheres to wood, metal, cardboard and prepared Liquid Art Panels — useful when combining collage or found-material elements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for canvas and rigid panels where impasto is desired\u003c\/li\u003e\n  \u003cli\u003eWorks for collage and layered mixed-media pieces\u003c\/li\u003e\n  \u003cli\u003eCan be applied with brush, painting knife or directly from the tube for sculpted marks\u003c\/li\u003e\n  \u003cli\u003eSuitable for underpainting, glazing (when thinned), and finishing layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this acrylic paint?\u003c\/h3\u003e\n\u003cp\u003eOnce dry, the paint forms an indelible, flexible film with good lightfastness for long-term colour stability. It’s formulated for studio practice and general fine-art applications, and the AP certification attests to non-toxicity for typical use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDries to a permanent, flexible matte–satin film\u003c\/li\u003e\n  \u003cli\u003eGood lightfastness preserves vibrancy over time\u003c\/li\u003e\n  \u003cli\u003eAP certified for safer studio handling\u003c\/li\u003e\n  \u003cli\u003eAvailable in multiple sizes (100 ml, 250 ml, 500 ml) for project scalability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Studio Acrylics High Viscosity 250 ml in Dark Cadmium Red Hue is aimed at painters and mixed-media artists who need a viscous, richly pigmented red for expressive impasto, textured layering and studio-scale work. Choose this tube if you want a paint that preserves tool marks, mixes cleanly with a wide range of mediums, and performs reliably on canvas, panels and varied mixed-media supports.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this acrylic suitable for impasto techniques?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its high-viscosity formula holds peaks and brush marks, making it ideal for impasto and textured strokes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint with water or mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Water thins consistency; use Bindex or gel mediums to retain strength and adjust flow without weakening the film.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249402822993,"sku":"B005IW0LEU","price":29.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-studio-acrylics-front-tube-dark-cadmium-red.jpg?v=1791635199"},{"product_id":"pebeo-4artist-marker-4-mm-brown-oil-based-artist-marker-glossy-opaque-coverage-and-blendable-finish","title":"PEBEO 4Artist Marker — 4 mm Brown oil-based artist marker, glossy opaque coverage and blendable finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO 4Artist Marker, 4 mm in Brown is a high-gloss, oil-based artist marker that delivers richly pigmented, paint-like colour with smooth application and quick drying.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 4Artist marker line by PEBEO translates the texture and luminosity of oil paint into a convenient marker format. This 4 mm round-tip brown marker is formulated for artists who need precise lines, dependable coverage, and the ability to blend or rework areas using the brand’s odourless medium. It lays down an opaque, glossy layer that dries to a uniform, scratch-resistant finish and works across many compatible surfaces, making it useful in illustration, mixed media, scenic detailing, and finishing touches.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the 4 mm tip perform for drawing and detail work?\u003c\/h3\u003e\n\n\u003cp\u003eThe 4 mm round tip provides a balance between line precision and area coverage. It’s narrow enough for controlled outlines and handwriting yet broad enough to fill small shapes and add smooth shading when used with overlapping strokes. The consistent flow helps avoid streaking and keeps marks even from the first to last drop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e4 mm round tip for neat outlines, lettering, and moderate-area fills\u003c\/li\u003e\n  \u003cli\u003eEven ink flow reduces patchiness on initial passes\u003c\/li\u003e\n  \u003cli\u003eWorks for both quick sketches and refined finishing touches\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan brown 4Artist marker colours be blended or reworked?\u003c\/h3\u003e\n\n\u003cp\u003eYes — like traditional oil media, PEBEO’s 4Artist colours can be adjusted with the brand’s odourless medium to blend wet areas or rework dry applications. This allows gradual shading, soft gradients, and subtle colour shifts without losing the marker’s glossy surface quality. Blending is especially effective when using compatible colours from the same range.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eUse 4Artist odourless medium to soften edges and blend tones\u003c\/li\u003e\n  \u003cli\u003eWet-on-wet blending for smooth gradients; rework dry spots with medium\u003c\/li\u003e\n  \u003cli\u003eMix different 4Artist colours to create custom brown shades and glazes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and projects suit the PEBEO 4Artist brown marker?\u003c\/h3\u003e\n\n\u003cp\u003eThe oil-based formula adheres well to many prepared surfaces favored by artists. It’s suited to paper, canvas, primed board, illustration board, and mixed-media supports when surface preparation is appropriate. Because the pigment is opaque and lightfast, it’s a strong choice for areas that need coverage and visual depth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIdeal for paper, canvas, primed panels, and mixed-media projects\u003c\/li\u003e\n  \u003cli\u003eUseful in illustration, glazing, scenic touches, and highlights\u003c\/li\u003e\n  \u003cli\u003ePermanent finish—protect with 4Artist varnish for added longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this marker’s finish?\u003c\/h3\u003e\n\n\u003cp\u003eThe brown 4Artist marker is designed for permanence and resistance to wear. The high-gloss oil-like layer dries to a homogeneous, scratch-resistant surface that can be sealed with compatible varnishes for extra protection. Colours are formulated to be lightfast, reducing fade over time when kept away from prolonged harsh light.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDries quickly to a uniform, scratch-resistant sheen\u003c\/li\u003e\n  \u003cli\u003eLightfast pigments reduce colour shift over time\u003c\/li\u003e\n  \u003cli\u003eFinish can be sealed with PEBEO 4Artist varnishes (gloss, satin, matt)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The PEBEO 4Artist 4 mm Brown marker is aimed at professional and hobby artists who want oil-like pigmentation in a marker for illustration, mixed-media work, touch-ups, and glazing. It suits creators who need a compact, pigment-rich tool for both detail and modest area coverage, and who plan to blend or finish pieces using PEBEO’s compatible mediums and varnishes. If you prefer paint-like handling without brushes and want a reliable, permanent brown for studio or on-the-go work, this marker fits those needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 4 mm PEBEO 4Artist marker permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The oil-based formula dries to a permanent, scratch-resistant finish and is compatible with PEBEO varnishes for extra protection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can the brown marker be blended with other colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Use PEBEO 4Artist odourless medium to blend wet areas or rework dry layers and mix colours for gradients.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249404658001,"sku":"B01BYHHAY6","price":29.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-4artist-brown-front-view.jpg?v=1791635213"},{"product_id":"pebeo-vitrea-160-glass-paint-glossy-pepper-red-45-ml-transparent-oven-cured-dishwasher-resistant-finish","title":"PEBEO Vitrea 160 Glass Paint, Glossy Pepper Red 45 ml — Transparent, Oven-Cured Dishwasher-Resistant Finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Glossy Pepper Red is a water-based, transparent glass paint that gives glass and other bakeable surfaces a luminous, stained-glass–style finish.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCrafted by the long-established French manufacturer PEBEO, Vitrea 160 is a professional-quality, intermixable paint formulated to mimic coloured glass. Its transparent, high-gloss finish lets light pass through for vibrant, jewel-like results on windows, glassware, ornaments and many heat-resistant substrates. The 45 ml bottle of Glossy Pepper Red is non-toxic in its formulation and designed to be cured in a home oven so finished pieces become durable and resistant to typical detergents and UV fading.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use Vitrea 160 to get lasting, dishwasher-safe results?\u003c\/h3\u003e\n\u003cp\u003eSurface preparation and heat-curing are essential for durable, washable decorations. Clean the piece thoroughly to remove grease or dust, apply the paint, and then bake the decorated item following the recommended temperature profile to set the paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDegrease surfaces with alcohol or soapy water before painting.\u003c\/li\u003e\n  \u003cli\u003ePlace the item in a cold oven, heat to 300°F (160°C), and bake for 40 minutes.\u003c\/li\u003e\n  \u003cli\u003eAllow the oven to cool with the object inside to avoid thermal shock.\u003c\/li\u003e\n  \u003cli\u003eAfter curing, items are dishwasher- and solvent-resistant for everyday handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich materials can I paint with Vitrea 160 Glossy Pepper Red?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 works on glass and many other heat-tolerant surfaces, letting you adapt the paint for a wide range of projects. It produces an authentic transparent sheen on substrates that can safely be oven-baked.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlass, crystal, mirrors and blown or pressed glassware.\u003c\/li\u003e\n  \u003cli\u003eCeramic, porcelain, china and glazed earthenware.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, enameled steel, metal and copper when oven-safe.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for flexible plastics or materials that cannot endure 160°C.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat creative projects suit this glossy pepper red colour?\u003c\/h3\u003e\n\u003cp\u003eThe vivid, transparent red is ideal when you want a stained-glass or tinted-glass effect that still allows light to shine through. Use it alone for sheer colour or mix with other Vitrea 160 shades to expand your palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCustom glassware, vases and decorative bowls that catch the light.\u003c\/li\u003e\n  \u003cli\u003eHoliday ornaments, suncatchers and window panels for jewel-toned accents.\u003c\/li\u003e\n  \u003cli\u003eTrimmed or accented ceramics and metal pieces where a glossy translucent finish is desired.\u003c\/li\u003e\n  \u003cli\u003eLayering with other colours to achieve gradients and depth in designs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Vitrea 160 safe to use around food and children?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 is a non-toxic, water-based paint, but cured decorations should not be applied to surfaces intended for direct food contact. Accidental contact is not considered a health hazard, yet the manufacturer recommends reserving painted surfaces for decorative use only when they may touch food.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-toxic formulation for crafting and decorative use.\u003c\/li\u003e\n  \u003cli\u003eDo not use on areas intended for direct food contact (plates, bowls used for eating).\u003c\/li\u003e\n  \u003cli\u003eStore paint flat and avoid freezing or extreme temperatures to preserve quality.\u003c\/li\u003e\n  \u003cli\u003eFollow baking instructions to achieve resistance to detergents and solvents.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrea 160 Glossy Pepper Red is designed for hobbyists, artists, and makers who want a professional, transparent glass paint that bakes to a durable, high-gloss finish. It's perfect for crafters customizing ornaments, decorators refreshing vases or glassware, and ceramic artists seeking a stained-glass effect on oven-safe pieces. If you need a vivid, mixable red that endures everyday handling when properly cured, this 45 ml bottle offers a concentrated, long-lasting option.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to bake Vitrea 160 for dishwasher resistance?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Bake decorated pieces at 300°F (160°C) for 40 minutes and let them cool in the oven to achieve dishwasher and detergent resistance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Vitrea 160 on ceramics and metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It adheres to glass, ceramic, porcelain, terracotta, enameled steel and copper—provided the object is heat-safe and oven-bakeable.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55249499652433,"sku":"B09XY2WB12","price":29.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-bottle-front.jpg?v=1791636190"},{"product_id":"pebeo-studio-xl-oil-paint-37-ml-vivid-turquoise-high-pigment-buttery-texture-for-glazing-impasto","title":"PEBEO Studio XL Oil Paint 37 ml — Vivid Turquoise, High-Pigment Buttery Texture for Glazing \u0026 Impasto","description":"\u003cstrong\u003ePEBEO Studio XL Fine Oil in Vivid Turquoise is a richly pigmented, smooth oil paint designed for glazing, thick impasto, and detailed overlays with quick relative drying.\u003c\/strong\u003e\n\n\u003cp\u003ePEBEO's Studio XL Fine Oil line delivers a buttery, finely ground paint that balances luminosity and handling for both studio studies and larger canvases. This 37 ml Vivid Turquoise tube provides high chroma colour with a supple consistency that mixes cleanly with other hues in the range. Formulated to work with PEBEO Oil Colour Auxiliaries, it supports a range of oil painting techniques and allows overlay work after a short surface-dry window.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Vivid Turquoise perform for glazing and thin layers?\u003c\/h3\u003e\n\u003cp\u003eVivid Turquoise offers transparent to semi-transparent characteristics suitable for layered glazing. Its finely ground pigments spread evenly and build luminous depth when thinned with appropriate medium, preserving clarity and colour intensity through multiple layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent translucency for glazes when mixed with glazing medium\u003c\/li\u003e\n  \u003cli\u003eStable handling for thin applications without streaking\u003c\/li\u003e\n  \u003cli\u003eIntermixes cleanly with other Studio XL colours for controlled tonal shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this paint for thick impasto or textured effects?\u003c\/h3\u003e\n\u003cp\u003eYes—this oil paint supports thick brushwork and impasto while remaining pliable. The paste retains raised textures and responds well to palette knife techniques, allowing sculptural surface work that dries to a firm touch in a few days depending on layer thickness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGood body for pronounced brush and knife marks\u003c\/li\u003e\n  \u003cli\u003eMaintains colour intensity in thick passages\u003c\/li\u003e\n  \u003cli\u003eSurface dries sufficiently for overlays after about three days in typical studio conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the drying times and finishing considerations?\u003c\/h3\u003e\n\u003cp\u003eDrying speed depends on film thickness and environment; thin layers can be touch-dry within 2–6 days. For long-term stability, allow full curing—commonly six to nine months—before applying varnish or heavy conservation treatments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTouch dry: approximately 2–6 days for normal film thicknesses\u003c\/li\u003e\n  \u003cli\u003eFull cure: allow 6–9 months before varnishing\u003c\/li\u003e\n  \u003cli\u003eCompatible with PEBEO Oil Colour Auxiliaries to adjust drying and working properties\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour integrate with other paints and materials?\u003c\/h3\u003e\n\u003cp\u003eVivid Turquoise blends seamlessly with the PEBEO Studio XL palette and mixes predictably with Classic, Dyna, and Glaze colours for an expanded range of shades. It is compatible with standard oil mediums and PEBEO auxiliaries, enabling controlled changes to gloss, transparency, and drying behavior without compromising pigment strength.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixable across the Studio XL, Classic, Dyna and Glaze ranges\u003c\/li\u003e\n  \u003cli\u003eWorks with common oil painting mediums and PEBEO auxiliaries\u003c\/li\u003e\n  \u003cli\u003eRetains high chroma when mixed or glazed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a modern, versatile oil paint that combines smooth handling with vivid colour will appreciate the PEBEO Studio XL Fine Oil in Vivid Turquoise. It fits painters who switch between delicate glazing and bold impasto, studio practitioners working on studies or larger canvases, and anyone wanting easy mixing with the broader PEBEO oil palette. The 37 ml tube is convenient for trial or regular use, while larger sizes are available if you need more paint for extended projects.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PEBEO Vivid Turquoise suitable for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It has good translucency and mixes well with glazing mediums for layered depth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: When can I varnish a painting made with this oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait until fully cured—typically six to nine months—before applying varnish for best results.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55250399560017,"sku":"B00266J9JY","price":30.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vivid-turquoise-tube-front.jpg?v=1791638637"},{"product_id":"pebeo-studio-xl-oil-paints-fine-oil-colors-64-shades-buttery-texture-good-for-glazing-and-impasto","title":"PEBEO Studio XL Oil Paints — Fine Oil Colours 64 Shades, buttery texture \u0026 good for glazing and impasto","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio XL Fine Oil is a buttery, finely ground oil paint range that delivers vivid, intermixable colours suitable for glazing, impasto and layered oil work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who want professional-quality oil colour in a versatile format, PEBEO Studio XL combines rich pigmentation with a smooth, workable paste. The range includes Classic, Dyna and Glaze finishes across 64 shades and multiple tube sizes, letting you paint studies or large canvases while controlling drying time and texture. Compatible with PEBEO Oil Colour Auxiliaries, these paints support a wide variety of oil techniques from thin glazes to bold, sculptural brushstrokes.\u003c\/p\u003e\n\n\u003ch3\u003eHow quickly will PEBEO Studio XL oils dry and when can I varnish?\u003c\/h3\u003e\n\n\u003cp\u003eDry time depends on film thickness and colour: thin layers can be touch-dry within 2–6 days, while heavier impasto will take longer. For long-term curing and to avoid trapping solvents, wait the recommended period before varnishing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTouch dry typically in 2–6 days, depending on application thickness.\u003c\/li\u003e\n  \u003cli\u003eAllow 6–9 months before applying final varnish for full cure.\u003c\/li\u003e\n  \u003cli\u003eDrying speed varies by pigment and medium used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques are suitable with these oils?\u003c\/h3\u003e\n\n\u003cp\u003eStudio XL is formulated to perform across many traditional and contemporary oil methods. It’s fluid enough for glazing and thin layers yet retains body for textured strokes and palette knife work, making it a flexible option for mixed approaches.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGlazing and transparent layers with the Glaze series.\u003c\/li\u003e\n  \u003cli\u003eImpasto and heavy-bodied texture for expressive strokes.\u003c\/li\u003e\n  \u003cli\u003eLayering and overpainting—layers adhere and intermix well.\u003c\/li\u003e\n  \u003cli\u003eWorks with PEBEO oil auxiliaries to adjust viscosity and drying.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich sizes and colours are available, and how do they mix?\u003c\/h3\u003e\n\n\u003cp\u003eThe range includes 64 colours available in practical studio sizes, offering great flexibility for daily use or larger projects. Colours are finely ground and formulated to blend smoothly, giving a broad spectrum of hues from mixing without losing luminosity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAvailable tube sizes: 37 ml, 80 ml, and 200 ml (Glaze and Dyna in 180 ml tubes).\u003c\/li\u003e\n  \u003cli\u003e64-pigment palette across Classic, Dyna and Glaze families.\u003c\/li\u003e\n  \u003cli\u003eHigh intermixability for rich, custom shades and gradations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use PEBEO Oil Colour Auxiliaries with these paints?\u003c\/h3\u003e\n\n\u003cp\u003eAuxiliaries let you fine-tune handling and drying without compromising colour strength. Use them sparingly to change flow, transparency or drying rates while following standard oil-paint safety and curing guidelines.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMix small amounts to modify gloss, viscosity, or drying speed.\u003c\/li\u003e\n  \u003cli\u003eUse solvent and medium recommendations on the auxiliary packaging.\u003c\/li\u003e\n  \u003cli\u003eTest mixes on a palette before applying to the painting surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? PEBEO Studio XL Fine Oil suits hobbyists, advanced students and professional painters who need a versatile, high-pigment oil paint that adapts to many techniques. It’s particularly useful for artists who value quick handling, rich colour mixtures and the option to work both thin glazes and thick textured layers. If you paint studies, large canvases, or mixed-technique pieces and want consistent, blendable colours compatible with oil auxiliaries, Studio XL is a strong studio choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I varnish paintings made with PEBEO Studio XL?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — wait until the film is fully cured. Typically allow 6–9 months before applying a final varnish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are these oils mixable with other oil brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — Studio XL colours are intermixable with many artists’ oil paints, but test compatibility and drying when mixing brands.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55250755420497,"sku":"B00266J8T0","price":30.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-studio-xl-front-tube.jpg?v=1791639624"},{"product_id":"pebeo-vitrail-cerne-relief-dimensional-paint-tube-king-gold-37-ml-metallic-raised-outline-for-glass-mixed-media","title":"PEBEO Vitrail Cerne Relief dimensional paint tube — King Gold 37 ml, metallic raised outline for glass \u0026 mixed media","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrail Cerne Relief is a ready-to-use, water-based dimensional outliner that creates raised metallic King Gold contours and accents on glass, metal and mixed-media surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists and crafters who want crisp, raised lines or decorative borders, this Cerne Relief tube delivers a metallic gold finish that complements translucent Vitrail paints and opaque surfaces alike. The product comes in a 37 ml metal tube fitted with a long, slim nozzle for controlled application; squeeze gently to lay down consistent beads, filigree, lettering or outline barriers for liquid paints. Water-based and ASTM D-4236-conforming, it integrates into mixed-media projects without solvent fumes and is available in a range of finishes including opaque, transparent, glitter and metallic shades.\u003c\/p\u003e\n\n\u003ch3\u003eHow precise is the line work with the Vitrail Cerne Relief nozzle?\u003c\/h3\u003e\n\n\u003cp\u003eThe metal tube's long, narrow nozzle is engineered for fine, controlled dispensing so you can produce steady lines, dots and lettering without thinning or extra tools. Precision comes from steady pressure and a clean tip — you can trim the nozzle slightly for a broader bead if needed.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e37 ml metal tube with attached slim nozzle for detailed tracing and outlining\u003c\/li\u003e\n  \u003cli\u003eSqueeze-controlled flow for uniform beads and decorative filigree\u003c\/li\u003e\n  \u003cli\u003eNo need to dilute; product is ready to use straight from the tube\u003c\/li\u003e\n  \u003cli\u003eTrim nozzle tip to increase bead size while maintaining control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and paints work best with King Gold Cerne Relief?\u003c\/h3\u003e\n\n\u003cp\u003eThis dimensional paint bonds well to glass, metal, wood and many primed or painted surfaces, making it a versatile outliner for stained-glass effects and mixed-media pieces. It is commonly combined with PEBEO Vitrail, Ceramic, Fantasy Moon and Prisme paints to create contained colour fields or decorative accents.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIdeal for glass and metal decorative painting and stained-glass imitation\u003c\/li\u003e\n  \u003cli\u003eWorks as an outline to contain liquid paints like Vitrail and Ceramic\u003c\/li\u003e\n  \u003cli\u003eCan be applied over dry paint layers as textured embellishment\u003c\/li\u003e\n  \u003cli\u003eCompatible with mixed-media mediums for added dimension\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the dried metallic finish and how should I handle it?\u003c\/h3\u003e\n\n\u003cp\u003eOnce dry the water-based formula forms a raised, stable bead that resists light handling; avoid heavy abrasion to preserve the metallic sheen. Drying time varies with bead thickness—thin lines dry faster while larger raised motifs will take longer—so allow adequate curing time before cleaning or framing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDrying time depends on bead thickness; thin lines dry quickly, thicker beads need longer curing\u003c\/li\u003e\n  \u003cli\u003eResilient to normal display handling but avoid aggressive scrubbing\u003c\/li\u003e\n  \u003cli\u003eSafe to use indoors; conforms to ASTM D-4236 labeling standards\u003c\/li\u003e\n  \u003cli\u003eMetallic King Gold adds reflective highlights without solvent odour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I get the best results and clean up after use?\u003c\/h3\u003e\n\n\u003cp\u003eFor consistent beads keep the nozzle tip clear and apply steady pressure while guiding the tube. Clean uncured paint from tools and the nozzle with water; once cured the paint is water-resistant and requires mechanical removal. Store the tube upright with the cap on to prevent clogging.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWipe nozzle regularly during long sessions to prevent build-up\u003c\/li\u003e\n  \u003cli\u003eUse gentle, even pressure for uniform line thickness\u003c\/li\u003e\n  \u003cli\u003eClean fresh residue with water; cured paint must be removed carefully\u003c\/li\u003e\n  \u003cli\u003eCap and store tube in a cool place to prolong shelf life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrail Cerne Relief in King Gold suits hobbyists, stained-glass imitators, mixed-media artists and decorators wanting reliable, ready-to-use dimensional outlines. It’s especially useful for creators who need metallic accents or containment lines for liquid glass paints, and for anyone seeking a solvent-free outliner that performs cleanly on glass, metal and painted supports.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Cerne Relief be used on glass for stained-glass effects?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Use the Cerne Relief as an outline to contain Vitrail paints and create stained-glass-style panels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I clean the nozzle and tools after use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Clean uncured paint with water and a cloth; for cured paint, remove mechanically. Keep the cap on to prevent clogging.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55250888819025,"sku":"B005KOGQAE","price":30.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrail-cerne-relief-king-gold-front-tube.jpg?v=1791640734"},{"product_id":"pebeo-vitrea-160-glossy-glass-paint-45-ml-oriental-green-oven-cure-durable-dishwasher-safe","title":"PEBEO Vitrea 160 Glossy Glass Paint 45 ml — Oriental Green, oven-cure durable \u0026 dishwasher-safe","description":"\u003cstrong\u003ePEBEO Vitrea 160 in Oriental Green is a transparent, water-based glossy glass paint that cures permanently after a 40-minute oven bake at 160 °C (325 °F).\u003c\/strong\u003e\n\n\u003cp\u003eDesigned for hobbyists and professional crafters, this 45 ml bottle of Vitrea 160 delivers a luminous, true-coloured glass appearance on glass, porcelain, glazed earthenware and more. The paint is intermixable with the rest of the Vitrea 160 range—including shimmer and frosted finishes—and remains removable until you fix it with an at-home oven bake. Once cured, the finish becomes dishwasher-, microwave- and UV-resistant, offering a durable decorative solution for everyday use.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply and bake Vitrea 160 for permanent results?\u003c\/h3\u003e\n\u003cp\u003eApply Vitrea 160 to clean, grease-free surfaces using a brush, sponge or the matching Vitrea paint markers and outliners. Allow the paint to fully air-dry before baking in a domestic oven to achieve a permanent bond. Follow safe oven practices and use a dedicated baking tray for craft pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean surface with soap and water; avoid residue and fingerprints.\u003c\/li\u003e\n  \u003cli\u003eAir-dry until tack-free, then bake 40 minutes at 160 °C (325 °F).\u003c\/li\u003e\n  \u003cli\u003eCool completely inside the oven to avoid thermal shock.\u003c\/li\u003e\n  \u003cli\u003eAfter baking, pieces are microwave-, dishwasher- and UV-resistant.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces are compatible with this glass paint?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 works on any object that can safely withstand the specified baking temperature. Typical surfaces include glass, crystal, porcelain, glazed earthenware and certain metals with enamelled finishes. Always test a small area first when working on unfamiliar substrates or delicate antiques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlass, bottles, jars and drinkware suitable for decorative use.\u003c\/li\u003e\n  \u003cli\u003ePorcelain, china and glazed ceramics that tolerate oven heat.\u003c\/li\u003e\n  \u003cli\u003eEnameled sheet steel, terracotta, copper and other heat-safe surfaces.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for untreated plastics or heat-sensitive materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix colours and combine finishes within the Vitrea 160 range?\u003c\/h3\u003e\n\u003cp\u003eYes—the formulation is engineered for blending so you can create custom tones and layered effects. Glossy, frosted and shimmer variants are intermixable while wet, and you can apply multiple layers to build opacity or deepen colour. Use dedicated outliners and markers to add fine details or dimensional accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix glossy with shimmer or frosted paints to expand your palette.\u003c\/li\u003e\n  \u003cli\u003eLayer colours wet-on-wet for seamless blends or dry layers for crisp edges.\u003c\/li\u003e\n  \u003cli\u003ePair with Vitrea markers and dimensional outliners for precision work.\u003c\/li\u003e\n  \u003cli\u003eTest mixes on a scrap piece to preview final baked appearance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat safety and certification details should I know?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 is a water-based, non-toxic professional paint that conforms to ASTM D-4236 and carries AP certification for art materials. The product is removable until properly baked; after oven curing it becomes resistant to solvents and light exposure. Always follow label instructions for ventilation and oven safety when curing craft pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWater-based formula with non-toxic classification before baking.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D-4236 and AP certified for art materials.\u003c\/li\u003e\n  \u003cli\u003eRemovable until baked; permanent and resistant after curing.\u003c\/li\u003e\n  \u003cli\u003eFollow oven safety: dedicated tray, cool completely before handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? PEBEO Vitrea 160 in Oriental Green is ideal for artists, DIY decorators, glass hobbyists and small-batch makers who want vibrant, transparent colour with professional permanence. It suits anyone creating decorative glassware, personalised gifts, small home accents or mixed-media pieces that require dishwasher and microwave durability once cured. If you need blendable, high-gloss colour with museum-quality resistance after baking, this 45 ml bottle is a compact, reliable choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a special oven to cure Vitrea 160?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No, a domestic oven works. Bake at 160 °C (325 °F) for 40 minutes and cool completely inside the oven.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Vitrea 160 permanent before baking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No, it remains removable until fully air-dry and then oven-baked per instructions for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55251061309777,"sku":"B00201U6PQ","price":30.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-oriental-green-front-label.jpg?v=1791641540"},{"product_id":"pebeo-studio-xl-oil-paint-neutral-grey-200-ml-artist-grade-opaque-lightfast","title":"PEBEO Studio XL Oil Paint Neutral Grey 200 ml — Artist-Grade, Opaque \u0026 Lightfast","description":"\u003cstrong\u003ePEBEO Studio XL Fine Oil Paint in Neutral Grey is a versatile 200 ml artist-grade oil colour formulated for rich, permanent coverage on canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\n\u003cp\u003eBlending classical oil-painting tradition with modern consistency, this Neutral Grey tube from PEBEO’s Studio XL range delivers a finely ground, bright pigment that’s easy to manipulate for glazing, impasto and mixed techniques. The formula is designed to work well alone or when combined with other colours from the Huile Fine Studio XL line and with PEBEO oil mediums to expand texture and finish options.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Neutral Grey behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eThe Studio XL oil paint is formulated to adhere reliably to a variety of supports. It spreads smoothly on primed canvas and accepts brush and palette-knife work on wood and metal when surfaces are properly prepared.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuits primed canvas, gessoed panels and sealed wood.\u003c\/li\u003e\n  \u003cli\u003eAccepts metal surfaces after degreasing and priming.\u003c\/li\u003e\n  \u003cli\u003eMalleable for both thin glazes and thicker impasto layers.\u003c\/li\u003e\n  \u003cli\u003eMixes well with other Studio XL shades for custom greys and tones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical properties should I expect while painting?\u003c\/h3\u003e\n\u003cp\u003eNeutral Grey from PEBEO features a finely milled pigment for even coverage and a luminous finish. It has strong lightfastness and an opaque character, providing reliable permanence in finished works.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFinely ground pigment for smooth, even application.\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for long-lasting colour integrity.\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage useful for blocking-in and adjustments.\u003c\/li\u003e\n  \u003cli\u003eCompatible with PEBEO oil mediums to alter drying and gloss.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does it take to dry and when can I varnish?\u003c\/h3\u003e\n\u003cp\u003eStudio XL oil paints are formulated for relatively quick surface drying compared with traditional oils, allowing reworking and overcoating without excessive wait. Surface tack will form sooner, but full curing of thick layers requires extended time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface can accept overcoating after approximately 3 days under normal conditions.\u003c\/li\u003e\n  \u003cli\u003eAllow 6–9 months for full through-drying before varnishing thick passages.\u003c\/li\u003e\n  \u003cli\u003eUse PEBEO oil aids to adjust drying speed and handling characteristics.\u003c\/li\u003e\n  \u003cli\u003eEnsure good ventilation and moderate temperature for consistent drying.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I expand creative effects with this oil paint?\u003c\/h3\u003e\n\u003cp\u003eNeutral Grey is a flexible mixing base that helps you create subtle neutrals, midtones and atmospheric layers. Pairing it with oil mediums or other Studio XL colours broadens texture and sheen options for diverse visual effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with white for soft tints or with black for deeper neutrals.\u003c\/li\u003e\n  \u003cli\u003eCombine with glazing mediums for translucent layers and depth.\u003c\/li\u003e\n  \u003cli\u003eUse with impasto medium to build pronounced texture and relief.\u003c\/li\u003e\n  \u003cli\u003eBlend seamlessly with the wider Huile Fine Studio XL palette.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Studio XL Neutral Grey is ideal for students learning oil techniques, hobbyists seeking reliable and affordable artist materials, and professional painters who want a dependable mid-tone grey for sketching, glazing and mixing. The 200 ml tube supplies generous volume for studio work, workshops or classes and integrates easily into established oil-paint workflows without sacrificing pigment performance.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this Neutral Grey with other Studio XL colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes smoothly with other Huile Fine Studio XL shades to create new tones and midtones.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How soon can I apply another layer of paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Surface recoat is typically possible after about 3 days; allow months for full curing before varnishing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55251150078289,"sku":"B00266MTFU","price":29.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-studio-xl-neutral-grey-tube-front.jpg?v=1791642121"},{"product_id":"pebeo-porcelaine-150-fine-tip-marker-agate-orange-0-7mm-oven-set-porcelain-paint-pen","title":"PEBEO Porcelaine 150 Fine Tip Marker — Agate Orange, 0.7mm Oven-Set Porcelain Paint Pen","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Porcelaine 150 Fine Tip Marker in Agate Orange is a water-based, oven-set porcelain paint pen designed for precise detail work on china, glass, metal and glazed ceramics.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUse this fine-tipped marker to draw, write and personalize kitchenware and decorative pieces without a kiln — a household oven will permanently fuse the paint. The 0.7 mm fine point delivers thin, controllable lines ideal for outlining, handwriting and intricate decorations. Colours from the Porcelaine 150 line are removable until heat-set, non-toxic, and formulated to provide a glossy, enamel-like finish after baking.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I prepare and apply the Porcelaine 150 fine tip marker for best results?\u003c\/h3\u003e\n\u003cp\u003eStart with a clean, grease-free surface and shake the marker well before use to mix pigments. Sketch or outline lightly, allow the paint to air-dry fully, then bake according to instructions to set the colour permanently. Avoid overworking a single spot to keep lines crisp.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean surface with rubbing alcohol; dry completely.\u003c\/li\u003e\n  \u003cli\u003eShake marker and depress tip on scrap to activate ink flow.\u003c\/li\u003e\n  \u003cli\u003eApply thin, even lines; wait until fully dry before baking.\u003c\/li\u003e\n  \u003cli\u003eBake in a domestic oven at 150 °C (300 °F) for 35 minutes to enamel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces can I decorate with this Agate Orange fine tip pen?\u003c\/h3\u003e\n\u003cp\u003ePorcelaine 150 works on many glazed or heat-resistant surfaces that tolerate household oven temperatures. It bonds to porcelain, glazed earthenware, ceramic tiles, glass, enameled metal and similar materials once kiln-free baking is completed. Do not use on plastics or non-oven-safe items.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePorcelain, china and glazed ceramics.\u003c\/li\u003e\n  \u003cli\u003eGlassware, museum-quality tiles and decorative plates.\u003c\/li\u003e\n  \u003cli\u003eEnameled sheet metal, copper and some terracotta pieces.\u003c\/li\u003e\n  \u003cli\u003eAvoid oven-sensitive plastics and untreated wood.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the finish after baking, and is it safe for everyday use?\u003c\/h3\u003e\n\u003cp\u003eAfter oven curing the paint becomes permanent and resists dishwasher cycles, microwave exposure, UV fading and many solvents. The product is water-based and non-toxic before firing; once baked it gives a hard, glossy enamel finish suitable for functional and decorative objects. Follow baking and care directions to maintain longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBake at 150 °C (300 °F) for 35 minutes for permanent adhesion.\u003c\/li\u003e\n  \u003cli\u003eFinish becomes microwave- and dishwasher-safe after proper curing.\u003c\/li\u003e\n  \u003cli\u003eResists UV and common household solvents post-bake.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D-4236; non-toxic before firing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan beginners and kids use the fine tip marker safely and easily?\u003c\/h3\u003e\n\u003cp\u003eThe fine tip is designed for detail, making it user-friendly for novices and suitable for supervised children's crafts. Because the marker behaves like an ink pen, it’s often easier to control than brushes, and corrections can be made before baking. Always supervise children during baking and follow safety guidelines.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine 0.7 mm tip for precise lines and lettering.\u003c\/li\u003e\n  \u003cli\u003eInk is removable until oven-cured—good for practice.\u003c\/li\u003e\n  \u003cli\u003eRecommended adult supervision for oven use with children.\u003c\/li\u003e\n  \u003cli\u003ePairs well with Porcelaine 150 paints and outliners for mixed techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Makers, home decorators and gift-makers who want crisp, detailed designs on dishes, mugs, tiles and glass will appreciate the PEBEO Porcelaine 150 Fine Tip Marker in Agate Orange. It fits artists who prefer pen-style control over brushes, hobbyists updating thrifted china, teachers running supervised classroom projects, and anyone seeking a durable, glossy enamel finish without kiln access. If you need a precise, oven-set colour for small-scale personalisation and intricate motifs, this fine tip marker delivers consistent, long-lasting results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a kiln to set this Porcelaine 150 marker?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — bake in a domestic oven at 150 °C (300 °F) for 35 minutes to permanently set the paint.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Agate Orange marker dishwasher-safe after baking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — once properly baked, the finish is dishwasher- and microwave-safe and resists UV fading.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55252064272721,"sku":"B00266FBXM","price":29.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-porcelaine-150-fine-tip-front-packaging.jpg?v=1791647592"},{"product_id":"pebeo-acrylic-decomarker-1-2-mm-fine-round-tip-turquoise-high-pigment-quick-dry-for-detailed-lettering","title":"PEBEO Acrylic decoMarker 1.2 mm Fine Round Tip Turquoise — high-pigment, quick-dry for detailed lettering","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Acrylic decoMarker 1.2mm Fine Round Tip in Turquoise is a highly pigmented, water-based acrylic marker designed for precise lines, lasting coverage and easy layering on most surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 1.2 mm fine round acrylic marker from PEBEO delivers saturated turquoise pigment with strong opacity and quick-drying permanence after application. Water-based and reworkable while wet, it offers artists and crafters the control of a pen with the finish and durability of acrylic paint. The slim tip is ideal for lettering, detailed drawing, touch-ups and decorating a wide range of materials from canvas to wood and ceramics.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the 1.2 mm fine round tip suited for detailed work?\u003c\/h3\u003e\n\u003cp\u003eThe 1.2 mm fine round nib balances control and coverage: thin enough for precise lines yet broad enough to lay down solid colour in short strokes. Its rigid round shape gives consistent ink flow so you avoid skips and uneven edges when drawing or writing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrecise 1.2 mm tip for consistent, even lines\u003c\/li\u003e\n  \u003cli\u003eHigh pigmentation prevents transparency on darker backgrounds\u003c\/li\u003e\n  \u003cli\u003eWet-to-dry stability reduces feathering while working\u003c\/li\u003e\n  \u003cli\u003eReplacement tip included in the cap for longer life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this marker behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003ePEBEO acrylic markers adhere well to many substrates because the formula is acrylic-based and designed for permanence once dry. You can use it on primed canvas, paper, wood, glass, metal and certain plastics, remembering that surface texture and porosity will affect absorption and finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on canvas, wood, paper, glass and some plastics\u003c\/li\u003e\n  \u003cli\u003eForms a durable layer after drying, suitable for overlays\u003c\/li\u003e\n  \u003cli\u003eCan be blended or softened with water while still wet\u003c\/li\u003e\n  \u003cli\u003eAP certified for safety in art projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer or blend colours with this turquoise marker?\u003c\/h3\u003e\n\u003cp\u003eYes — while the paint remains wet you can blend strokes or soften edges with a damp brush for gradient effects. After drying the acrylic film is stable and accepts further layers, so you can overlay different colours without reactivating lower layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend with water and a brush while wet for smooth transitions\u003c\/li\u003e\n  \u003cli\u003eOverlay additional colours after the first layer has fully dried\u003c\/li\u003e\n  \u003cli\u003eAvailable in satin, fluorescent and glitter finishes for varied effects\u003c\/li\u003e\n  \u003cli\u003ePairs well with other PEBEO decoMarker sizes for mixed-line work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and user-friendly is the marker in daily use?\u003c\/h3\u003e\n\u003cp\u003eThe marker is formulated for uniform application and minimal clogging, providing reliable performance during extended sessions. A replacement tip stored in the cap (except on the multi-line tip) extends usable life, and the water-based formula cleans up when wet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsistent ink flow reduces interruptions while working\u003c\/li\u003e\n  \u003cli\u003eCap contains a spare tip to replace worn nibs (not for 5–15 mm)\u003c\/li\u003e\n  \u003cli\u003eWater-based for easy wet cleanup and safe studio use\u003c\/li\u003e\n  \u003cli\u003e47 colours across five tip sizes for flexible project choices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators, sign-makers, DIY crafters and hobbyists who want a fine-line acrylic marker with strong opacity and dependable layering capability will appreciate this 1.2 mm turquoise decoMarker. It's especially useful for detail work, decorative accents, mixed-media projects and touch-ups where precise, permanent colour is needed. Choose this pen if you want the convenience of a marker with the appearance and permanence of acrylic paint.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the turquoise decoMarker waterproof once dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Once fully dried the acrylic layer is water-resistant and accepts overlays; avoid prolonged water exposure for best permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this marker on glass and metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it adheres to glass and metal but surface prep (cleaning or priming) improves durability and adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55252963918161,"sku":"B01J7L6YJ8","price":31.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-decomarker-turquoise-front-packaging.jpg?v=1791654702"},{"product_id":"pebeo-fine-oil-xl-200-ml-bladder-green-oil-paint-fast-drying-transparent-glaze-friendly","title":"PEBEO Fine Oil XL 200 ml Bladder Green oil paint — fast-drying, transparent glaze-friendly","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL Bladder Green is a richly pigmented 200 ml oil paint designed for artists who want a versatile, fast-drying green for glazing, layering and mixed-surface work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCombining Pébéo's long heritage in fine art materials with a modern, easy-to-use formula, this 200 ml tube of Bladder Green oil paint delivers bright colour and dependable performance on canvas, wood, metal and large pictorial surfaces. The Huile Fine Studio XL line is formulated to be workable for both beginners and experienced painters, offering transparent depth, good tinting strength and compatibility with Pébéo oil media to expand texture and finish options.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Bladder Green oil paint suitable for studio practice?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is finely ground to produce vivid, stable colour with a smooth application. It balances body and flow so you can apply thin glazes or build up thicker impasto layers without excessive sinking or cracking when used properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFinely milled pigments for even colour and coverage\u003c\/li\u003e\n  \u003cli\u003eTransparent\/medium opacity useful for glazes and subtle toning\u003c\/li\u003e\n  \u003cli\u003eWorks well straight from the tube or mixed with Pébéo oil mediums\u003c\/li\u003e\n  \u003cli\u003eAppropriate for traditional and contemporary oil techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow fast does the paint dry and when can I varnish?\u003c\/h3\u003e\n\u003cp\u003eThis blend is formulated to speed surface drying compared with very slow traditional oils, allowing you to overpaint after a short interval while still recommending patience before varnishing. Follow safe drying practices and allow full cure before final varnish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface becomes paintable for subsequent layers in about 3 days\u003c\/li\u003e\n  \u003cli\u003eAllow 6–9 months for thorough drying before varnishing\u003c\/li\u003e\n  \u003cli\u003eDrying time varies with layer thickness, ventilation and medium use\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil mediums to modify drying and finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and surfaces does this oil paint support?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL adapts to glazing, scumbling, blending and impasto. It adheres to standard primed supports and performs consistently in extended pictorial work, making it a practical choice for studies, finished pieces and experimental mixed-media applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for primed canvas, wood panels, metal and large-scale surfaces\u003c\/li\u003e\n  \u003cli\u003eCompatible with glazing techniques thanks to transparent formulation\u003c\/li\u003e\n  \u003cli\u003eLayer-friendly when following fat-over-lean painting rules\u003c\/li\u003e\n  \u003cli\u003eMixes easily with other colours in the XL range for custom palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle the 200 ml tube to keep the paint fresh?\u003c\/h3\u003e\n\u003cp\u003eProper storage prolongs shelf life: keep the tube tightly capped, stored upright in a cool, dry place away from direct sunlight. Small practical steps prevent spoilage and help you maintain consistent paint quality over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSeal cap after each use to avoid skinning or thickening\u003c\/li\u003e\n  \u003cli\u003eStore at stable room temperatures, away from heat sources\u003c\/li\u003e\n  \u003cli\u003eUse palette knives for dispensing to limit contamination\u003c\/li\u003e\n  \u003cli\u003eLabel tube with opening date for workshop inventory\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Pébéo Fine Oil XL 200 ml in Bladder Green is aimed at art students, committed hobbyists and professional painters seeking a large-format tube with strong colour payoff and flexible handling. If you paint in layers, enjoy glazing, or need a dependable green that mixes cleanly with other oils and media, this tube is a practical addition to a creative palette. It offers an accessible entry point into traditional oil techniques while remaining robust enough for advanced studio practice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Bladder Green suitable for primed canvas?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — Pébéo Fine Oil XL adheres well to primed canvas and also works on wood and metal when properly prepared.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this oil paint with Pébéo oil mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it mixes cleanly with Pébéo oil mediums to adjust drying time, gloss and flow without compromising colour.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253006221649,"sku":"B00266FIUI","price":31.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-tube-front-bladder-green.jpg?v=1791655196"},{"product_id":"pebeo-acrylic-decomarker-0-7-mm-extra-fine-metallic-marker-precious-silver-opaque-long-lasting-coverage","title":"PEBEO Acrylic decoMarker 0.7 mm Extra-Fine Metallic Marker — Precious Silver, Opaque Long-Lasting Coverage","description":"\u003cp\u003e\u003cstrong\u003eThe PEBEO Acrylic decoMarker 0.7mm Extra Fine Tip in Precious Silver is a water-based, highly pigmented metallic acrylic marker designed for precise lines, fine detail work and long-lasting opaque coverage on most surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis extra-fine metallic marker from PEBEO combines a 0.7 mm tip with a vivid silver acrylic formulation that lays down opaque, permanent colour once dry while remaining blendable when wet. The marker is part of a 47-colour family that includes satin, fluorescent and glitter\/precious finishes, and it's AP certified for safe artistic use. It’s built for decorators, illustrators and hobbyists who need consistent flow, crisp strokes and a compact tool for both professional and craft projects.\u003c\/p\u003e\n\n\u003ch3\u003eHow precise are the lines with the 0.7 mm extra-fine tip?\u003c\/h3\u003e\n\u003cp\u003eThe 0.7 mm tip is engineered for fine, controlled strokes—ideal for lettering, micro-details, outlining and touch-ups. Expect steady ink flow with minimal feathering on prepared surfaces, making it suitable for intricate work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLine width: approximately 0.7 mm for consistent thin lines\u003c\/li\u003e\n  \u003cli\u003eBest for: delicate lettering, fine patterns, tiny highlights\u003c\/li\u003e\n  \u003cli\u003eTip type: extra-fine round for accuracy on tight contours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and finishes does the Precious Silver stick to?\u003c\/h3\u003e\n\u003cp\u003eThe acrylic formula adheres to a wide range of materials including paper, canvas, wood, ceramics (unglazed), metal and many primed surfaces. While wet it can be blended or softened with water; once dry it resists rework and accepts overlays and varnishes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible: paper, canvas, wood, primed metal, some ceramics\u003c\/li\u003e\n  \u003cli\u003eSurface prep: clean, dry and primed surfaces give best adhesion\u003c\/li\u003e\n  \u003cli\u003eFinishing: dries to a durable sheen and can be sealed with protective varnish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend or layer this metallic acrylic marker?\u003c\/h3\u003e\n\u003cp\u003eYes—because the ink is water-based it can be blended or softened while still wet using a damp brush or sponge. After it dries, the layer becomes more permanent and can be overlaid with another colour or finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet blending: use water or a wet brush immediately after application\u003c\/li\u003e\n  \u003cli\u003eLayering: apply additional coats when previous layer is fully dry\u003c\/li\u003e\n  \u003cli\u003eMixing: pair with other PEBEO acrylic decoMarkers for coordinated metallic or matte effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the marker perform for professional or frequent use?\u003c\/h3\u003e\n\u003cp\u003ePEBEO built this marker for dependable pigment delivery and lasting coverage. The cap contains a spare tip on most sizes (not applicable to multi-line models), helping extend useful life and keep projects moving without sudden tip wear.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigmentation: high-opacity metallic silver for vibrant highlights\u003c\/li\u003e\n  \u003cli\u003eDurability: stable wet-to-dry performance and permanence once cured\u003c\/li\u003e\n  \u003cli\u003eConvenience: compact, portable marker for studio or on-site detailing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The PEBEO Acrylic decoMarker 0.7 mm Precious Silver is suited to illustrators, mixed-media artists, model-makers, craft hobbyists and decorators who need a metallic, extra-fine tool for precise detailing. If you work on miniatures, greeting cards, product mockups, or any project that demands thin, bright silver lines with reliable coverage and the option to blend while wet, this marker is a practical choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Precious Silver marker permanent on all surfaces?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Once dry the acrylic layer is permanent on most primed and clean surfaces, but adhesion varies—test on unfamiliar materials first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I blend the silver marker with water?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, you can blend or soften the ink while it's wet using a damp brush; after drying the layer becomes stable.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253054816593,"sku":"B01J7L6A5Q","price":20.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-precious-silver-front-packaging.jpg?v=1791655753"},{"product_id":"pebeo-fine-oil-xl-titanium-white-oil-paint-200-ml-high-opacity-creamy-blending","title":"PEBEO Fine Oil XL Titanium White oil paint 200 ml — high-opacity, creamy blending","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL Titanium White 200 ml is a rich, high-opacity oil paint formulated for versatile studio use on canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists from beginners to professionals, this Titanium White from the Huile Fine Studio XL line delivers bright, stable pigment with creamy handling. Pébéo combines traditional oil-painting know-how with modern manufacturing to produce a finely ground, quick-drying white that mixes cleanly into tints, pastels and neutral greys while retaining long-term lightfastness.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Titanium White perform when mixing colours?\u003c\/h3\u003e\n\u003cp\u003eThis Titanium White offers strong covering power and excellent tinting strength, so you can lift and brighten hues without muddying them. Its opacity makes it ideal to convert saturated colours into pastels or to create high-contrast highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-opacity titanium dioxide pigment for strong coverage\u003c\/li\u003e\n  \u003cli\u003eCreamy consistency that blends smoothly with other oil colours\u003c\/li\u003e\n  \u003cli\u003eGood tinting strength — predictable, clean mixtures\u003c\/li\u003e\n  \u003cli\u003eUse with Pébéo oil mediums to adjust gloss and flow\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques suit this fine oil paint?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is formulated to adhere to a wide range of prepared supports, including primed canvas, wood panels and properly primed metal. It responds well to glazing, scumbling and impasto, enabling both delicate layers and substantial textured strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with primed canvas, gessoed wood and treated metal\u003c\/li\u003e\n  \u003cli\u003eWorks for glazing, layering and heavy-bodied techniques\u003c\/li\u003e\n  \u003cli\u003eMixes with oil mediums for extended working time or faster drying\u003c\/li\u003e\n  \u003cli\u003eRecommended surface preparation improves adhesion and longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does the paint dry and what are finishing considerations?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint dries more rapidly than many traditional oils, allowing surface overcoats after a few days in normal conditions; however full curing takes months. Allow adequate drying time before varnishing and follow recommended intervals between layers to avoid cracking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface dries to touch faster — overpainting possible after a few days\u003c\/li\u003e\n  \u003cli\u003eFull drying and oxidation of thicker layers can require months\u003c\/li\u003e\n  \u003cli\u003eUse proper ventilation and stable temperature for consistent drying\u003c\/li\u003e\n  \u003cli\u003eVarnish only after recommended curing period (several months)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features should artists expect from the 200 ml tube?\u003c\/h3\u003e\n\u003cp\u003eThe 200 ml format is a studio-size tube that balances economy and convenience, offering enough volume for larger works or extended practice sessions. The metal tube and screw cap preserve the paint and help limit waste between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e200 ml tube for economical use in large pieces or frequent practice\u003c\/li\u003e\n  \u003cli\u003eDurable metal tube with secure cap keeps paint fresh\u003c\/li\u003e\n  \u003cli\u003eEasy to squeeze and control dispensing on a palette\u003c\/li\u003e\n  \u003cli\u003eGood price-to-volume ratio for students and professional studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a reliable, opaque Titanium White that mixes predictably and covers well will appreciate Pébéo Fine Oil XL 200 ml. It suits art students, studio painters, mixed-media creators and anyone practicing oil techniques who needs a durable white with flexible application options. Pair it with the rest of the Huile Fine Studio XL range and Pébéo oil mediums to expand effects and control gloss, flow and drying time.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Pébéo Fine Oil XL Titanium White on raw canvas?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — apply a suitable gesso or primer first. Priming improves adhesion and prevents oil from soaking into the fabric.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this white suitable for glazing techniques?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — its tinting strength and consistency make it usable in thin glazes when mixed with an appropriate oil medium.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253199814993,"sku":"B00266DGKM","price":32.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-tube-front-label.jpg?v=1791656857"},{"product_id":"pebeo-4artist-oil-paint-marker-8-mm-chisel-tip-dark-green-high-gloss-opaque-pigment","title":"PEBEO 4Artist Oil Paint Marker — 8 mm Chisel Tip Dark Green, High-Gloss Opaque Pigment","description":"\u003cp\u003e\u003cstrong\u003ePEBEO 4Artist 8 mm oil paint marker in Dark Green is a highly pigmented, high-gloss artist marker designed to lay down oil-like paint smoothly across many surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCombining the expressiveness of oil paint with the convenience of a marker, this 8 mm chisel-tip 4Artist tool delivers opaque, lightfast colour with a durable finish. It flows evenly for broad coverage, crisp edging and quick-drying layers that can still be softened or blended using the 4Artist odourless medium. AP certified and permanent once dry, this marker is available individually and in multiple tip sizes for detailed work through to large fills.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the 8 mm chisel tip perform for different techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 8 mm chisel tip balances broad coverage with line versatility, letting you switch from sweeping fills to sharp edges by changing the angle. Its shape makes it efficient for filling backgrounds, creating bold strokes, and producing clean outlines without frequent reloading.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e8 mm chisel for wide strokes and fine edges depending on angle\u003c\/li\u003e\n  \u003cli\u003eConsistent pigment flow reduces streaking on smooth surfaces\u003c\/li\u003e\n  \u003cli\u003eTip can be saturated for dripping or splatter effects\u003c\/li\u003e\n  \u003cli\u003eDurable felt nib stands up to repeated pressure\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend or alter colours after application?\u003c\/h3\u003e\n\u003cp\u003eYes — although the ink dries to a glossy, permanent finish, you can rework both wet and dry marks using the brand's odourless marker medium. This lets you create gradients, soften transitions and mix hues on the support without resorting to solvents that produce strong odours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse 4Artist odourless medium to blend wet or dry layers\u003c\/li\u003e\n  \u003cli\u003eIntermixable colours permit glazing and layered effects\u003c\/li\u003e\n  \u003cli\u003eFinish protection available with matching varnishes (gloss, satin, matt)\u003c\/li\u003e\n  \u003cli\u003eSuitable for mixed-media pieces when combined with compatible supports\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and applications are best for this marker?\u003c\/h3\u003e\n\u003cp\u003eThis oil-based marker adheres well to a wide range of prepared surfaces, from paper and board to primed wood and canvas, plus many non-porous materials. Its opacity and quick coverage make it ideal for outlining, filling large fields, mixed-media accents and decorative work on objects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on paper, canvas, primed wood, metal and ceramics (test first)\u003c\/li\u003e\n  \u003cli\u003eGreat for large-area fills, bold outlines and illustrative shading\u003c\/li\u003e\n  \u003cli\u003ePermanent, lightfast pigment suited for display pieces\u003c\/li\u003e\n  \u003cli\u003eAvailable in 18 opaque colours for consistent palette choices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I get the best longevity and finish from my artwork?\u003c\/h3\u003e\n\u003cp\u003eAllow fully dried layers before varnishing to avoid tackiness. Once dry, protect your piece with a 4Artist marker varnish that matches the sheen you want; varnishing enhances colour depth and safeguards the surface from abrasion and light exposure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWait until marker is completely dry before applying varnish\u003c\/li\u003e\n  \u003cli\u003eChoose gloss, satin or matt varnish based on desired sheen\u003c\/li\u003e\n  \u003cli\u003eStore markers horizontally and recap tightly to preserve nibs\u003c\/li\u003e\n  \u003cli\u003eUse odourless medium for blending instead of aggressive solvents\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The PEBEO 4Artist 8 mm Dark Green marker is aimed at illustrators, street artists, sign painters, hobbyists, craft-makers and mixed-media artists who want oil-paint aesthetics without traditional brushes and solvents. It fits creators who need bold, opaque coverage and the flexibility to blend or varnish work afterward. Whether you’re filling large backgrounds, adding vivid accents, or building layered colour studies, this marker delivers artist-grade pigment in an easy-to-use format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 4Artist ink permanent and lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 4Artist oil marker dries to a permanent, lightfast finish suitable for display.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I blend colours made with this marker?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can blend wet or dry marks using the PEBEO 4Artist odourless medium for gradients and glazing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253220786513,"sku":"B01BYHHN3E","price":23.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-4artist-dark-green-front-view.jpg?v=1791657069"},{"product_id":"pebeo-fine-oil-xl-oil-paint-yellow-ochre-200-ml-richly-pigmented-durable-coverage","title":"PEBEO Fine Oil XL oil paint Yellow Ochre 200 ml — richly pigmented, durable coverage","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL 200 ml Yellow Ochre is a richly pigmented, easy-to-handle oil paint designed for artists who want durable, vibrant colour on canvas, wood, metal or large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInspired by centuries of oil-painting tradition and refined by Pébéo’s studio expertise since 1930, this 200 ml tube of Yellow Ochre offers an accessible yet professional-grade option for painters at every level. The formula delivers bright, opaque coverage with strong lightfastness and a versatile working range — from transparent glazes to thick impasto. Use it straight from the tube, mix it with other shades in the Huile Fine Studio XL range, or combine with a Pébéo medium to fine-tune flow and drying behaviour.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Yellow Ochre perform across different surfaces?\u003c\/h3\u003e\n\u003cp\u003eYellow Ochre in the Fine Oil XL line was developed to behave consistently on multiple supports. Its finely ground pigments adhere well to primed canvas, wood panels and prepared metal, keeping colour intensity without becoming chalky.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent opacity that covers underlayers when applied in medium to thick passages.\u003c\/li\u003e\n  \u003cli\u003eGood adhesion on acrylic- or oil-primed surfaces; use an appropriate ground for raw wood or metal.\u003c\/li\u003e\n  \u003cli\u003eCompatible with other Huile Fine Studio XL colours for mixing and layering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques can I use with this oil paint?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is formulated to support a broad range of oil painting techniques. Whether you build transparent glazes, model with buttery strokes, or push severe impasto, the paint responds predictably and keeps pigment clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: dilute with a suitable medium for transparent layers that retain luminosity.\u003c\/li\u003e\n  \u003cli\u003eImpasto: apply straight from the tube or with a stiffer medium for textured brushwork.\u003c\/li\u003e\n  \u003cli\u003eLayering: quick initial tack allows for overpainting after a few days; follow safe drying intervals before varnishing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow fast does it dry and what are the finishing recommendations?\u003c\/h3\u003e\n\u003cp\u003eThis fine oil dries faster than traditional heavyweight oils but still follows oil-painting best practices. The surface develops skin within hours, permitting cautious overpainting, while full curing requires longer periods depending on layer thickness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface may be ready for overcoating after approximately 3 days under normal studio conditions.\u003c\/li\u003e\n  \u003cli\u003eAllow extended drying — commonly 6 to 9 months — before applying a final varnish on thick layers.\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil media or auxiliaries to speed or slow drying and to adjust gloss and flow.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose Pébéo Fine Oil XL Yellow Ochre for my palette?\u003c\/h3\u003e\n\u003cp\u003eYellow Ochre is a foundational earth tone valued for its warm, muted yellow-brown character and mixing versatility. The Fine Oil XL formulation offers pigment strength and permanence at a practical price point, making it suited to studies, finished paintings, and instructional settings alike.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable, lightfast pigment that mixes cleanly with whites, umbers and other earths.\u003c\/li\u003e\n  \u003cli\u003eLarge 200 ml tube gives ample paint for large works or repeated practice sessions.\u003c\/li\u003e\n  \u003cli\u003eTrusted brand heritage — Pébéo has supported artists since 1930 with historically informed products.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, students and hobbyists seeking a dependable, richly pigmented Yellow Ochre oil that balances quality and cost. It’s a practical choice if you want a versatile earth tone for landscapes, portraits, underpaintings or expressive texture work. Pair it with Pébéo media to adapt drying time and handling, or work it directly from the tube for bold strokes and thick passages. Prepare your ground, choose your brushes, and incorporate Yellow Ochre into a palette that travels easily from studies to finished canvases.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Pébéo Fine Oil XL Yellow Ochre be used on unprimed wood?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Prefer a primed or sized surface. Use an oil or acrylic ground on raw wood first to ensure proper adhesion and longevity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a painting made with this oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait at least 6 to 9 months for thick layers; thinner layers may be safe sooner, but longer curing yields best results.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253314470225,"sku":"B00266HLJ4","price":31.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-tube-front-yellow-ochre.jpg?v=1791657748"},{"product_id":"pebeo-studio-acrylic-high-viscosity-paint-250ml-sap-green-thick-impasto-rich-pigment","title":"PEBEO Studio Acrylic High Viscosity Paint 250ml Sap Green — Thick Impasto, Rich Pigment","description":"\u003cstrong\u003ePEBEO Studio Acrylic High Viscosity 250 ml in Sap Green is a richly pigmented, thick acrylic paint designed to hold brush and knife marks for textured, layered work.\u003c\/strong\u003e\n\n\u003cp\u003eThis 250 ml tube of PEBEO Studio Acrylic High Viscosity delivers a deep, matte-satin Sap Green formulated for artists who want strong colour with a pronounced body. The high-viscosity texture preserves impasto effects, mixes cleanly with other Studio Acrylics colours and mediums, and adheres well across many surfaces once dry. AP certified and available in multiple sizes and finishes, this formulation is geared toward studio practice, mixed media, and any project that benefits from dimensional paint application.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the high viscosity help shape texture and layers?\u003c\/h3\u003e\n\u003cp\u003eThe thick consistency lets you build raised strokes and ridges that keep their sculptural appearance after drying. Brush and knife marks remain visible, so each gesture contributes to the final surface structure without sagging.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRetains imprint of brush strokes or palette knife for strong impasto effects\u003c\/li\u003e\n  \u003cli\u003eDries to a permanent, flexible film suitable for layered work\u003c\/li\u003e\n  \u003cli\u003eMaintains colour intensity even when applied thickly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Sap Green with other colours or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Sap Green mixes cleanly with the rest of the Studio Acrylics range and responds well to PEBEO acrylic mediums. You can thin it with water for glazes or use the studio binder to keep fluidity without losing body.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other Studio Acrylics for custom hues or tonal shifts\u003c\/li\u003e\n  \u003cli\u003eThin with water for washes or use Binder Brilliant to preserve consistency\u003c\/li\u003e\n  \u003cli\u003eCombine with gels, pastes or retarders for varied texture and drying control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this acrylic?\u003c\/h3\u003e\n\u003cp\u003eStudio Acrylic High Viscosity is formulated for versatility and strong adhesion. It performs well on canvas, wood, cardboard, metal and prepared panels, and is ideal for collage, mixed media and layered painting methods.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdheres to most primed or prepared surfaces used in fine art and craft\u003c\/li\u003e\n  \u003cli\u003eSuitable for collage, layering, and mixed-media compositions\u003c\/li\u003e\n  \u003cli\u003eWorks well both for detail when thinned and for bold texture when applied thick\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is PEBEO Studio Acrylic once dry?\u003c\/h3\u003e\n\u003cp\u003eWhen fully dry, the paint forms a durable and flexible film that resists cracking under normal handling. The formulation offers good lightfastness and remains stable in colour, making it suitable for artworks intended for display.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces a permanent, flexible paint film after drying\u003c\/li\u003e\n  \u003cli\u003eGood lightfastness preserves colour over time in typical display conditions\u003c\/li\u003e\n  \u003cli\u003eAP certified for artists — formulated to professional standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Studio Acrylic High Viscosity 250 ml Sap Green is aimed at painters, mixed-media artists and illustrators who want a buttery, high-pigment acrylic that retains texture. It suits professionals and advanced hobbyists who layer, sculpt with paint, or build collage elements and need a reliable, colour-strong medium that mixes well and adheres across many substrates.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey features at a glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine acrylic with rich pigmentation and a matt-satin finish\u003c\/li\u003e\n  \u003cli\u003eThick consistency preserves brush or knife imprints for dimensional work\u003c\/li\u003e\n  \u003cli\u003eCompatible with Studio Acrylics mediums and binders for extended effects\u003c\/li\u003e\n  \u003cli\u003eVersatile adhesion for canvas, wood, metal, cardboard and more\u003c\/li\u003e\n  \u003cli\u003eOffered in multiple sizes and a broad colour range; AP certified\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint suitable for canvas and wood?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. PEBEO Studio Acrylic High Viscosity adheres well to canvas, wood, cardboard and many prepared surfaces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint without losing texture?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with water for glazes or use Binder Brilliant to keep fluidity without losing body.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253314535761,"sku":"B005IW0MJO","price":32.31,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-studio-acrylic-front-tube.jpg?v=1791657751"},{"product_id":"pebeo-studio-acrylics-high-viscosity-acrylic-paint-250-ml-iridescent-silver-heavy-body-metallic-satin-matte","title":"PEBEO Studio Acrylics High Viscosity Acrylic Paint — 250 ml Iridescent Silver, Heavy Body Metallic Satin-Matte","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio Acrylics High Viscosity 250 ml in Iridescent Silver is a thick, richly pigmented professional acrylic designed to hold brush and palette-knife texture while offering a satin-matte metallic sheen.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePEBEO’s Studio Acrylics High Viscosity line gives you heavyweight body and strong colour payoff in a flexible, permanent film once dry. This 250 ml tube of Iridescent Silver delivers metallic luminosity without thinning out the paint’s structure, so lifted brush marks and knife strokes remain visible. It’s formulated for reliable adhesion on common artist supports and blends smoothly with the rest of the Studio Acrylics range and compatible mediums to expand textural and visual effects.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Iridescent Silver perform for texture and impasto work?\u003c\/h3\u003e\n\u003cp\u003eThe high-viscosity formula is created to keep peaks and ridges when worked thickly, preserving the imprint of brushes and palette knives. Metals and pearlescent pigments are suspended in a heavy body medium, so the shimmer shows across textured surfaces without pooling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains brushstroke and knife marks in thick layers\u003c\/li\u003e\n  \u003cli\u003eMetallic sheen remains even over heavy impasto\u003c\/li\u003e\n  \u003cli\u003eDoesn’t slump on vertical or angled surfaces when applied thickly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this colour with other paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Iridescent Silver blends well with Studio Acrylics tones and most acrylic mediums to change sheen, flow, or drying time. Mixing will modify the metallic intensity, so test small blends to balance shimmer with colour depth before large applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with Studio Acrylics mediums for glazing, retarders, or texture\u003c\/li\u003e\n  \u003cli\u003eMixes with other acrylic colours to tint or mute metallic effects\u003c\/li\u003e\n  \u003cli\u003eSuitable for layering and underpainting when used with appropriate mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques is this paint suitable for?\u003c\/h3\u003e\n\u003cp\u003ePEBEO Studio Acrylics High Viscosity adheres to many traditional and contemporary supports, making it a flexible choice for mixed-media artists. It’s especially well suited to canvas, primed boards, wood panels, cardboard, metal, and specially prepared surfaces like Liquid Art Panels.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for collage, mixed-media assemblies, and layered compositions\u003c\/li\u003e\n  \u003cli\u003ePerforms on canvas, wood, metal, cardboard, and primed panels\u003c\/li\u003e\n  \u003cli\u003eAP certified permanence and flexibility after drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint will I get and what are the colour options?\u003c\/h3\u003e\n\u003cp\u003eThis listing is a single 250 ml tube of Iridescent Silver — a generous size for studio use or larger works. Studio Acrylics are offered across multiple sizes and a broad colour palette, including classic colours, metallics, and specialty ranges.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e250 ml tube size suitable for extended studio projects\u003c\/li\u003e\n  \u003cli\u003eStudio Acrylics available in 100 ml tubes, 250 ml tubes, and 500 ml jars\u003c\/li\u003e\n  \u003cli\u003eLine includes Classic, Dyna, Fluo, and Metallic selections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists and makers who want a professional-grade acrylic with strong body and metallic luster — ideal for painters working in impasto, mixed media creators needing reliable adhesion, and anyone who wants a durable, flexible metallic finish at a studio scale. If you seek a paint that holds texture, blends with specialty mediums, and keeps a luminous silver sheen in thick or layered applications, this 250 ml tube is tailored to studio use and creative experimentation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PEBEO Studio Acrylics High Viscosity permanent when dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — once fully dry it forms a flexible, permanent film suitable for most supports; lightfastness is good for the line.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin it with compatible acrylic mediums or water for glazes, but use dedicated Studio Acrylics mediums to preserve binder balance and sheen.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253317845329,"sku":"B005IW0N4S","price":32.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-iridescent-silver-front-tube.jpg?v=1791657776"},{"product_id":"pebeo-studio-acrylics-high-viscosity-acrylic-paint-vivid-white-250-ml-thick-impasto-matt-satin-finish","title":"PEBEO Studio Acrylics High Viscosity Acrylic Paint — Vivid White 250 ml, Thick Impasto \u0026 Matt-Satin Finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio Acrylics High Viscosity in Vivid White is a thick, richly pigmented acrylic paint formulated for textured, dimensional work and reliable adhesion on most art surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who build layers, sculpt with paint, or integrate bold, opaque whites into mixed-media pieces, this 250 ml tube delivers a matt-satin finish with strong pigment load and brushstroke retention. The formula is AP certified and dries to a flexible, permanent film that works well on canvas, wood, cardboard, metal and prepared panels. Use it straight from the tube for impasto effects, blend it with other Studio Acrylics shades, or modify it with compatible mediums to vary flow, gloss and drying behavior.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave when applied thickly?\u003c\/h3\u003e\n\u003cp\u003eWhen applied in heavy passages, the high-viscosity formula holds peaks and valleys, preserving brush and knife marks so texture remains visible after drying. Thick layers dry to a stable, flexible skin without excessive sagging, making it ideal for sculptural paint techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains clear brushstroke and palette-knife textures\u003c\/li\u003e\n  \u003cli\u003eDries to a matt-satin, non-tacky surface\u003c\/li\u003e\n  \u003cli\u003eFlexible film reduces cracking in moderate impasto\u003c\/li\u003e\n  \u003cli\u003eGood adhesion on primed and unprimed rigid supports\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Vivid White with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Vivid White blends smoothly with other Studio Acrylics hues, allowing you to tint or mute tones without losing opacity. It also accepts a wide range of PEBEO mediums to alter viscosity, drying time, translucency or finish, giving you control over working properties and final appearance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes evenly with water-based acrylic colours for tints and shades\u003c\/li\u003e\n  \u003cli\u003eCombines with gel or texture mediums to enhance body or transparency\u003c\/li\u003e\n  \u003cli\u003eCompatible with varnishes and retouching mediums from the same line\u003c\/li\u003e\n  \u003cli\u003eWorks in layered techniques and collage when allowed to dry between applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces can this acrylic be used on?\u003c\/h3\u003e\n\u003cp\u003ePEBEO Studio Acrylics adheres well to a broad range of supports including stretched canvas, primed board, wood panels, metal and paper. For best permanence, use on prepared or primed surfaces; adhesion and longevity improve with proper surface cleaning and suitable primers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCanvas and linen (primed recommended)\u003c\/li\u003e\n  \u003cli\u003eWood panels and cradled boards\u003c\/li\u003e\n  \u003cli\u003eCardboard, mixed-media papers and mounted panels\u003c\/li\u003e\n  \u003cli\u003eMetal and industrial surfaces with appropriate preparation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint do I get and what are the practical options?\u003c\/h3\u003e\n\u003cp\u003eThis listing is for a 250 ml tube of Vivid White, a size balanced for studio projects and larger works where consistent white coverage is needed. PEBEO offers the High Viscosity range in multiple container sizes and many colour options, so you can choose smaller tubes for trials or larger jars for frequent use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e250 ml tube provides substantial coverage for medium-to-large works\u003c\/li\u003e\n  \u003cli\u003eAlso available in 100 ml tubes and 500 ml jars in selected colours\u003c\/li\u003e\n  \u003cli\u003e62 colours in the line, including metallics, fluorescents and Dyna variants\u003c\/li\u003e\n  \u003cli\u003eAP certification indicates non-toxic formulation for studio use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this product suits: PEBEO Studio Acrylics High Viscosity Vivid White is intended for painters, mixed-media artists, and art students who need a high-opacity, stable white that supports impasto, layering and surface manipulation. If you sculpt with paint, build textured surfaces, or require a reliable white for mixing and highlights, this 250 ml tube offers enough volume and a dependable finish for studio and project work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PEBEO Studio Acrylics High Viscosity Vivid White permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It dries to a flexible, permanent film suitable for most supports when fully cured.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint with water or mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin with water for minor flow adjustments, or use acrylic mediums for controlled changes in viscosity and finish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253335179601,"sku":"B005IW0N02","price":32.31,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vivid-white-front-tube.jpg?v=1791657910"},{"product_id":"pebeo-fine-oil-xl-oil-paint-200-ml-red-ochre-high-pigment-lightfast-professional-oil","title":"PEBEO Fine Oil XL oil paint 200 ml — Red Ochre, high-pigment, lightfast professional oil","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL Red Ochre is a 200 ml professional-grade oil paint that delivers rich, lightfast colour for canvases, wood, metal and large pictorial work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRooted in centuries of oil-painting tradition and modernized by Pébéo's long experience, this 200 ml tube of Red Ochre joins the Huile Fine Studio XL range to offer a versatile, high-pigment option for artists. The formulation provides intense, opaque coverage with excellent permanence and mixes predictably with other oils and mediums. Whether you explore transparent glazes, impasto, or mixed-media applications, this oil helps translate ideas into stable, expressive paint layers.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Red Ochre behave on different supports?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil adheres well to canvas, wood and primed metal, giving steady coverage and predictable drying. For best results, use properly primed or absorbent-treated surfaces to avoid sink-in and to ensure a uniform finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent opacity for strong underpainting and mid-tones\u003c\/li\u003e\n  \u003cli\u003eSuitable for canvas, gessoed wood panels, and primed metal\u003c\/li\u003e\n  \u003cli\u003eCompatible with common oil grounds and absorbent primers\u003c\/li\u003e\n  \u003cli\u003eMixable with other Huile Fine Studio XL shades without separation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does it dry and can I varnish my painting soon after?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint is formulated for relatively quick surface drying compared with traditional oils, allowing safe overpainting after several days. Full curing through the paint film takes longer; follow standard oil-paint curing timelines before final varnishing to avoid trapping solvents or moisture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface becomes paintable for overcoating after about 3 days in normal conditions\u003c\/li\u003e\n  \u003cli\u003eAllow extended drying (months) before applying a final varnish—6 to 9 months recommended\u003c\/li\u003e\n  \u003cli\u003eDrying speed affected by ambient temperature, humidity and layer thickness\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil media to adjust working time and finish when needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques can I use with Pébéo Fine Oil XL Red Ochre?\u003c\/h3\u003e\n\u003cp\u003eThe paint supports a wide range of oil techniques, from thin glazes to thick impasto. Its finely ground pigments and consistent binder let you layer, blend and texture while maintaining colour intensity and permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing for luminous transparent layers\u003c\/li\u003e\n  \u003cli\u003eScumbling and translucent washes for subtle tonality\u003c\/li\u003e\n  \u003cli\u003eImpasto and palette-knife work thanks to stable body\u003c\/li\u003e\n  \u003cli\u003eMixes well with Pébéo oil media for varied sheen and flow\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat colour qualities and permanence can I expect from Red Ochre?\u003c\/h3\u003e\n\u003cp\u003eRed Ochre in the Huile Fine Studio XL collection is formulated for deep, earthy chroma with strong opacity and high lightfastness. The colour remains stable over time when used and stored correctly, keeping the warmth and tonal grounding characteristic of natural earth pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRich, warm red-brown hue ideal for underpainting and natural tones\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for lasting colour saturation\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for archival stability in finished works\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage simplifies layering and corrective passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this product for? Artists at all levels who want a dependable, richly pigmented oil paint—students, hobbyists, emerging professionals and studio painters—will find Pébéo Fine Oil XL Red Ochre a practical and expressive choice. It’s especially useful for those who need a larger 200 ml supply for regular practice, large panels or public art projects and who value a traditional oil feel updated with Pébéo’s modern consistency. Combine it with other Huile Fine Studio XL colours and Pébéo media to expand your palette, accelerate or extend working time, and control final surface effects.\u003c\/p\u003e\n\n\u003cp\u003eReady to use straight from the tube for direct painting or to be mixed into custom blends, this Red Ochre invites exploration across glazing, layering and textured applications while offering the permanence and handling artists expect from a historical medium reinterpreted for contemporary practice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Pébéo Red Ochre with other oil colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes smoothly with other Huile Fine Studio XL oils and standard oil colours to create new tones.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint suitable for varnishing after short drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Surface layers can be overpainted after days, but wait 6–9 months before final varnishing for full cure.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253340586321,"sku":"B00266L802","price":31.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-red-ochre-front-tube.jpg?v=1791657950"},{"product_id":"pebeo-acrylic-decomarker-vermilion-1-2mm-fine-round-tip-opaque-blendable-acrylic-marker-for-lettering-detail","title":"PEBEO Acrylic decoMarker Vermilion 1.2mm Fine Round Tip — opaque, blendable acrylic marker for lettering \u0026 detail","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Acrylic decoMarker 1.2mm (Vermilion) is a highly pigmented, water-based acrylic marker with a fine 1.2 mm round tip for precise lines, opaque coverage and durable finish across most surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis PEBEO fine round acrylic marker in Vermilion delivers intense colour with permanent, water-based acrylic that can be blended while wet and layered once dry. Designed for artists, crafters and pros who need clean, consistent strokes, the marker balances smooth flow and strong coverage. It fits into PEBEO’s wider decoMarker family that includes multiple tip sizes and three distinct finishes so you can pick the tool that suits detailed work, fill-ins, or decorative accents.\u003c\/p\u003e\n\n\u003ch3\u003eHow precise is the 1.2 mm fine round tip for drawing or lettering?\u003c\/h3\u003e\n\u003cp\u003eThe 1.2 mm round nib gives a reliable, narrow line that’s ideal for fine lettering, outlines and controlled detailing. It keeps a consistent ink flow so your strokes remain uniform from start to finish. Because the paint is dense and opaque, one pass already produces good coverage on most backgrounds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLine width: approximately 1.2 mm for thin, defined strokes\u003c\/li\u003e\n  \u003cli\u003eSuitable for lettering, small illustrations and edging\u003c\/li\u003e\n  \u003cli\u003eConsistent wet-to-dry application for crisp outlines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this marker on different materials and layer colours?\u003c\/h3\u003e\n\u003cp\u003eYes — the water-based acrylic formula adheres well to many surfaces including paper, canvas, wood, ceramics (when used decoratively), metal and primed surfaces. While colours can be blended and reworked with water when still wet, they become permanent and receptive to overlays once fully dry. This versatility makes the marker useful for mixed-media projects and touch-ups.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on paper, canvas, wood, primed metal and more\u003c\/li\u003e\n  \u003cli\u003eBlendable with water while wet; overlayable after drying\u003c\/li\u003e\n  \u003cli\u003eOpaque pigment hides underlying colours in most cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat kind of finish and colour options are available in the decoMarker range?\u003c\/h3\u003e\n\u003cp\u003ePEBEO decoMarkers come in three finishes — satin (matt), fluorescent and glitter (precious) — across a palette of 47 colours. The Vermilion tone is vivid and richly pigmented, offering strong visual impact. Tips are offered in five sizes to match different tasks, from ultra-fine detail to broad multi-line effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFinishes: satin (matt), fluorescent, and glitter (precious)\u003c\/li\u003e\n  \u003cli\u003eTip sizes: 0.7 mm extra fine, 1.2 mm fine round, 4 mm medium round, 4 mm chisel, 5–15 mm multi-line\u003c\/li\u003e\n  \u003cli\u003e47 colours available across the full decoMarker selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDoes the marker include replacement parts or special packaging features?\u003c\/h3\u003e\n\u003cp\u003eMost decoMarker caps include a spare replacement tip, ensuring longer use without immediate need for separate nib purchases. The only exception is the 5–15 mm multi-line tip, which does not include a replacement nib in its cap. All markers are AP certified for safety in art applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCaps include a replacement tip for most sizes (not for 5–15 mm)\u003c\/li\u003e\n  \u003cli\u003eAP certified water-based acrylic formula\u003c\/li\u003e\n  \u003cli\u003eCompact, pen-style body for precise handling and portability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this product is for: This PEBEO 1.2 mm Vermilion decoMarker suits hobbyists, illustrators, sign-makers and craft professionals who need a dependable fine-tip acrylic marker with opaque coverage and strong colour. Choose it when you want consistent lines, blendable wet paint, and a colour that layers well once dry—especially useful for detailed work, lettering and small-scale mixed-media projects.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the PEBEO decoMarker Vermilion water-resistant when dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Once fully dry, the acrylic film is water-resistant and can be overpainted; avoid heavy water exposure immediately after application.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I refill or replace the nib on the 1.2 mm marker?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, most decoMarker caps include a replacement nib; the 1.2 mm fine round tip is replaceable via the included spare nib in the cap.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253393047889,"sku":"B01J7L6L6O","price":20.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vermilion-front-packaging.jpg?v=1791658263"},{"product_id":"pebeo-oil-paint-marker-8-mm-chisel-tip-grey-high-gloss-pigment-refill-free","title":"PEBEO Oil Paint Marker 8 mm Chisel Tip – Grey, High-Gloss Pigment \u0026 Refill-Free","description":"\u003cp\u003e\u003cstrong\u003ePEBEO 4Artist Oil Paint Marker (8 mm) in Grey delivers richly pigmented, high-gloss oil paint in a refill-free marker form for broad coverage and fine line control.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4Artist line from PEBEO translates traditional oil paint qualities into an easy-to-use marker: vibrant, opaque pigments, a smooth paint-like texture, and fast surface drying to a homogeneous, scratch-resistant finish. This 8 mm chisel-tip version balances broad coverage with the ability to make varied line widths, making it a go-to tool for artists working on canvases, wood, ceramics, metal, glass, and mixed-media projects. The ink behaves similarly to oil paint—colours can be modified wet or reworked when dry using the brand’s odourless medium, and finished pieces can be protected with compatible varnishes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the 8 mm chisel tip perform for large areas and detail work?\u003c\/h3\u003e\n\u003cp\u003eThe 8 mm chisel tip offers a versatile stroke: hold it flat for wide coverage or use the edge for cleaner, narrower lines. Its marker construction keeps paint flow steady and consistent, so you can block in colour quickly without streaks or interruptions. The result is an even, glossy film that replicates the look of oil paint with the convenience of a marker.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eChisel shape covers large zones and creates fine edges as needed\u003c\/li\u003e\n  \u003cli\u003eSteady ink delivery for uniform, scratch-free finishes\u003c\/li\u003e\n  \u003cli\u003eIdeal for glazing, fills, outlines, and bold layering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend or rework the grey once it dries?\u003c\/h3\u003e\n\u003cp\u003eYes — like traditional oils in marker form, PEBEO’s 4Artist range can be reworked. While the surface dries quickly to a stable film, you can soften or blend dry pigment using the 4Artist marker odourless medium to achieve gradients or fading effects. For long-term protection, finish with the brand’s compatible varnishes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet reworking: blend immediately after application for soft transitions\u003c\/li\u003e\n  \u003cli\u003eDry adjustments: use odourless medium to lift or mix pigments after drying\u003c\/li\u003e\n  \u003cli\u003eSeal artwork with gloss, satin, or matt 4Artist varnishes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces are suitable for this oil paint marker?\u003c\/h3\u003e\n\u003cp\u003eThe 4Artist marker is formulated to adhere to a broad range of surfaces prized by mixed-media makers and illustrators. It bonds well to primed canvas, paper, wood, metal, glass, ceramic, and many other supports used in studio and craft work. For optimal durability, clean and prepare the surface according to the substrate’s needs before application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on canvas, wood, metal, glass, and ceramics\u003c\/li\u003e\n  \u003cli\u003eBest on clean, dry, and primed surfaces for long-lasting adhesion\u003c\/li\u003e\n  \u003cli\u003eCompatible with other 4Artist colours for layered effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical tips help me get the most from this marker?\u003c\/h3\u003e\n\u003cp\u003eShake the marker well before use and saturate the nib by pressing it down on scrap paper until the colour flows evenly. Store horizontally to maintain tip saturation and recap tightly to prevent drying. If you want drips or splashes, over-saturating the tip will create more fluid effects; for crisp lines, use the chisel edge and apply minimal pressure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrime tip by pressing until consistent colour appears\u003c\/li\u003e\n  \u003cli\u003eStore horizontally and recap to preserve flow and nib life\u003c\/li\u003e\n  \u003cli\u003eCombine with medium and varnishes from the 4Artist range for advanced finishes\n  \u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The PEBEO 4Artist 8 mm Oil Paint Marker in Grey suits painters, illustrators, muralists, and mixed-media artists who want oil-paint aesthetics without brushes and solvents. It’s especially useful for creatives needing quick coverage, glossy opaque colour, and the ability to layer or rework pieces. Whether you’re outlining, filling broad zones, glazing, or adding final details, this marker provides artist-grade pigment and handling that blends traditional oil paint behavior with marker convenience.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the grey marker permanent on different surfaces?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, once dry the pigment is permanent and lightfast on prepared surfaces like primed canvas, wood, metal, glass, and ceramics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I blend colours with the 4Artist markers?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Blend wet or rework dry tones using the 4Artist odourless medium for gradients and soft transitions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253399437649,"sku":"B01BYHHO7O","price":32.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-4artist-marker-grey-front-packaging.jpg?v=1791658314"},{"product_id":"pebeo-studio-acrylics-high-viscosity-acrylic-paint-precious-gold-100-ml-metallic-satin-matte-impasto-ready","title":"PEBEO Studio Acrylics High Viscosity Acrylic Paint — Precious Gold 100 ml, Metallic Satin-Matte, Impasto-Ready","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio Acrylics High Viscosity in Precious Gold is a richly pigmented, metallic acrylic paint designed for dimensional brushwork and mixed-media layering.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eStudio Acrylics High Viscosity delivers a dense, satin-matte metallic finish that keeps brush and palette-knife marks intact. This 100 ml tube of Precious Gold offers strong adhesion and flexibility when dry, making it suitable for a wide range of surfaces and techniques—from textured impasto to combined-media applications. AP certified and formulated without heavy metals, it’s built for artists who want lasting metallic colour with controlled thickness.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave when applied thickly?\u003c\/h3\u003e\n\u003cp\u003eThe high-viscosity formula holds peaks and visible brush strokes, preserving the imprint of your tools for sculptural, impasto effects. It dries to a permanent, flexible film while keeping metallic sheen consistent across raised textures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains brush and knife strokes for three-dimensional texture\u003c\/li\u003e\n  \u003cli\u003eDries solid and flexible—suitable for layered work\u003c\/li\u003e\n  \u003cli\u003eRetains metallic reflection in thick passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Precious Gold with other colours or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes—you can blend this metallic acrylic with other Studio Acrylics hues or mediums to alter flow, sheen, or transparency. Use water to slightly adjust consistency or Pebeo binders and mediums to preserve body and gloss while expanding application possibilities.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other Studio Acrylics for custom metallic tones\u003c\/li\u003e\n  \u003cli\u003eUse water for mild dilution; add Bindex or mediums to retain viscosity\u003c\/li\u003e\n  \u003cli\u003eCompatible with common acrylic mediums for glazing, texture, and adhesion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with Precious Gold?\u003c\/h3\u003e\n\u003cp\u003eThis high-viscosity acrylic adheres well to canvas, board, paper, primed wood, and many mixed-media grounds. It’s especially effective for impasto painting, layered metallic highlights, and combining with collage, inks, or pastes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal on primed canvas and rigid supports for textured impasto\u003c\/li\u003e\n  \u003cli\u003eWorks in mixed-media pieces with adhesives, papers, and mediums\u003c\/li\u003e\n  \u003cli\u003eUse with palette knives, stiff brushes, or applicators for crisp edge retention\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is this metallic acrylic?\u003c\/h3\u003e\n\u003cp\u003ePEBEO Studio Acrylics are formulated for permanent, flexible results with good lightfastness for most colours. While metallic pigments can reflect differently than opaque pigments, this paint is made to resist aging and remain adherent once fully cured.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDries to a durable, flexible paint film\u003c\/li\u003e\n  \u003cli\u003eGood lightfastness among acrylic product standards\u003c\/li\u003e\n  \u003cli\u003eAP certified and formulated without heavy metals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists and makers who favor textured, sculptural paint work and need a reliable metallic acrylic—students exploring impasto, professional painters adding gold highlights, and mixed-media creators seeking a high-pigment, thick-bodied metallic for layering. Choose the 100 ml tube of Precious Gold when you want a concentrated metallic tone that keeps tool marks, blends with mediums, and adheres across surfaces while remaining environmentally conscious.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PEBEO Precious Gold acrylic paint water-soluble before drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it can be thinned with water while wet; once fully dry it forms a permanent, flexible film.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paint on unprimed wood or paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It adheres to many surfaces, but priming rigid supports is recommended for best longevity and to prevent absorption.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253484175697,"sku":"B005IW0KNW","price":31.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-precious-gold-front-tube.jpg?v=1791659406"},{"product_id":"pebeo-fine-oil-xl-artist-oil-paint-200-ml-black-ivory-imitation-high-pigment-versatile-drying","title":"PEBEO Fine Oil XL artist oil paint 200 ml — Black Ivory Imitation, high-pigment, versatile drying","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Fine Oil XL 200 ml in Black Ivory Imitation is a richly pigmented, studio-grade oil paint made for artists wanting durable, versatile colour across canvas, wood, metal and large formats.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned from Pébéo’s long tradition in fine art materials, this 200 ml tube of Black Ivory Imitation offers deep, semi-opaque black with excellent permanence and workable handling. The formula is suitable for both students and professionals: it lays smoothly, can be applied thinly or built into thicker impasto, and mixes cleanly with other shades in the Huile Fine Studio XL range. Fast-drying for an oil—allowing earlier overpainting—it also responds predictably to common oil mediums and auxiliaries so you can tailor gloss, flow, or drying time.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint perform on different supports?\u003c\/h3\u003e\n\u003cp\u003ePEBEO Fine Oil XL is formulated to be compatible with a wide range of rigid and flexible surfaces. It adheres well to primed canvas, prepared wood panels, properly prepped metal, and large pictorial installations—always check surface preparation for best results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse gesso-primed canvas or sealed wood for optimum adhesion.\u003c\/li\u003e\n  \u003cli\u003eDegrease and prime metal with a suitable ground before painting.\u003c\/li\u003e\n  \u003cli\u003eFor murals or large work, test adhesion and expand drying time planning.\u003c\/li\u003e\n  \u003cli\u003eWill accept glazing, scumbling and impasto techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat drying times and finishing steps should I expect?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint dries faster than many traditional oils while remaining workable—surface dry enough to overpaint after a few days, with full cure taking much longer. Follow conservative varnishing timelines to protect your work without trapping solvents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface overpainting generally possible after about 3 days depending on thickness and environment.\u003c\/li\u003e\n  \u003cli\u003eAllow months (commonly 6–9) of drying before applying final varnish for heavy layers.\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil mediums to accelerate or retard drying as needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Black Ivory Imitation behave when mixed with other colours?\u003c\/h3\u003e\n\u003cp\u003eBlack Ivory Imitation mixes smoothly and predictably, giving you deep, neutralize tones or soft shadows without overpowering subtler hues. Its finely ground pigments maintain colour strength so small additions darken stands without muddying if mixed thoughtfully.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdd sparingly to preserve chroma when darkening brighter pigments.\u003c\/li\u003e\n  \u003cli\u003eBlend with warm or cool blacks from the same range for tonal control.\u003c\/li\u003e\n  \u003cli\u003eCompatible with Pébéo’s Huile Fine Studio XL palette for consistent handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this paint for? Whether you are a beginner building technique, an art student experimenting with classical and contemporary oil methods, or a seasoned painter completing studio commissions, PEBEO Fine Oil XL 200 ml in Black Ivory Imitation delivers reliable pigment strength and studio performance. It’s useful for practice and polished work alike: think study pieces, finished canvases, mixed-media panels, and large-scale projects where consistency, permanence and flexible handling matter. Pair it with Pébéo media and auxiliaries to customise viscosity, gloss and drying speed and to extend creative possibilities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this oil paint suitable for beginners?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its forgiving handling and compatibility with mediums make it ideal for students and newcomers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I varnish my painting soon after using this paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait until the paint has sufficiently cured—typically several months—before applying a final varnish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253579399505,"sku":"B00266J61U","price":32.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-200ml-front-tube.jpg?v=1791660738"},{"product_id":"pebeo-studio-acrylics-iridescent-orange-yellow-100-ml-high-viscosity-acrylic-paint-satin-matte-impasto-finish","title":"PEBEO Studio Acrylics Iridescent Orange-Yellow 100 ml — High-Viscosity Acrylic Paint, Satin-Matte Impasto Finish","description":"\u003cp\u003e\u003cstrong\u003ePébéo Studio Acrylics Iridescent Orange-Yellow (100 ml) is a high-viscosity, richly pigmented acrylic paint that delivers satin-matte finish and pronounced texture for layering, impasto and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePébéo Studio Acrylics High Viscosity combines concentrated pigments with a thick, buttery binder so colours stay vivid and keep the marks of brush or palette knife. This 100 ml tube of Iridescent Orange-Yellow gives a luminous sheen when light hits the surface and adheres well to canvas, board, wood and many primed surfaces. AP certified and free of heavy metals, it’s formulated for permanence and flexibility when dry and can be thinned with water or mixed with Studio Acrylics mediums for different effects.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave when I apply it thickly?\u003c\/h3\u003e\n\n\u003cp\u003eApplied impasto-style, the pigment maintains brush and knife texture so every stroke and ridge remains visible after drying. The high viscosity means you can sculpt paint and build relief without it sagging or losing volume.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick-bodied: keeps peaks and knife marks crisp.\u003c\/li\u003e\n  \u003cli\u003eSlow enough to manipulate briefly, then forms a flexible film when dry.\u003c\/li\u003e\n  \u003cli\u003eGood adhesion across primed canvas, wood panels and paper.\u003c\/li\u003e\n  \u003cli\u003eLight-reflective iridescence adds depth to textured strokes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this with other paints or mediums for glazing and layering?\u003c\/h3\u003e\n\n\u003cp\u003eYes—Studio Acrylics High Viscosity mixes cleanly with other acrylics and responds well to Pebeo’s mediums to modify flow, gloss or transparency. For glazing, thin with water or Bindex binder to maintain colour strength while reducing body.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with other Studio Acrylics colours and mediums.\u003c\/li\u003e\n  \u003cli\u003eUse Bindex for glossy, fluid layers without weakening the film.\u003c\/li\u003e\n  \u003cli\u003eWater thins for washes; avoid over-thinning to preserve adhesion.\u003c\/li\u003e\n  \u003cli\u003eLayering yields permanent, flexible paint film once fully cured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are best suited for this colour?\u003c\/h3\u003e\n\n\u003cp\u003eIridescent Orange-Yellow works well across traditional and mixed-media supports—canvas, primed paper, wood and certain plastics. It’s ideal for expressive brushwork, palette-knife impasto, underpainting with metallic highlights, and accenting textured collages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface-ready: primed canvas or gessoed board recommended.\u003c\/li\u003e\n  \u003cli\u003eExcellent for impasto, gel-medium builds and collage edges.\u003c\/li\u003e\n  \u003cli\u003eUse with textured grounds to highlight raised areas with shimmer.\u003c\/li\u003e\n  \u003cli\u003eCombine with matte colours for contrast and depth.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePébéo’s Studio Acrylics Iridescent Orange-Yellow brings a radiant, slightly metallic tone to your palette while retaining the practical benefits of acrylics: rapid drying, water-thinnability, and long-term stability. The 100 ml tube is a convenient size for studio use without excess waste, and the flip-top cap improves control during application.\u003c\/p\u003e\n\n\u003cp\u003eWho is this for? Artists who want intense, buildable colour and visible texture will appreciate this High Viscosity formula—students learning impasto techniques, professional painters working in mixed media, and illustrators adding luminous accents. If you need a durable, vivid iridescent orange-yellow that mixes well, holds shape and performs across surfaces, this tube from Pébéo is a versatile studio choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pébéo Studio Acrylics safe and non-toxic?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Studio Acrylics are AP certified and formulated without heavy metals, suitable for standard studio use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin the paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with water for light washes or use Bindex binder for transparent glazes while preserving adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253642707281,"sku":"B005IW0KPU","price":31.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-iridescent-orange-yellow-front-tube.jpg?v=1791661948"},{"product_id":"pebeo-vitrea-160-frosted-glass-paint-azure-45-ml-translucent-dishwasher-microwave-safe-finish","title":"PEBEO Vitrea 160 Frosted Glass Paint — Azure 45 ml, Translucent Dishwasher \u0026 Microwave-Safe Finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Frosted Glass Paint in Azure is a water-based, intermixable glass paint that permanently bonds after baking to create dishwasher-, microwave- and UV-resistant frosted finishes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for hobbyists and professional decorators alike, this 45 ml bottle of Vitrea 160 delivers a translucent frosted azure tone that mimics coloured glass. The paint is non-toxic, AP certified, and comes from a line of intermixable finishes (glossy, shimmer, frosted) to expand colour possibilities. It remains removable until heat-fixed in a domestic oven at 160 °C (325 °F) for 40 minutes, after which it resists solvents, UV fading, dishwashing cycles and everyday handling.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I prepare glass for Vitrea 160 application?\u003c\/h3\u003e\n\u003cp\u003eProper surface preparation helps the paint adhere evenly and bake into a durable finish. Clean with a grease-cutting detergent or isopropyl alcohol, rinse, and dry thoroughly; avoid touching cleaned areas with bare hands to prevent oils transferring.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWash surface with mild detergent, rinse, and dry completely.\u003c\/li\u003e\n  \u003cli\u003eWipe with isopropyl alcohol for a grease-free surface.\u003c\/li\u003e\n  \u003cli\u003eMask edges or use templates for crisp shapes.\u003c\/li\u003e\n  \u003cli\u003eTest on a scrap piece when working on unfamiliar glass types.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the steps to make the paint permanent and dishwasher-safe?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 becomes permanent after a clear and simple heat-set process using a domestic kitchen oven. After the paint is fully dry to the touch, bake at 160 °C (325 °F) for 40 minutes; allow items to cool inside the oven to avoid sudden temperature changes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLet painted item air-dry completely (follow manufacturer drying guidelines).\u003c\/li\u003e\n  \u003cli\u003ePlace in a cold oven, set to 160 °C (325 °F), and bake for 40 minutes.\u003c\/li\u003e\n  \u003cli\u003eTurn off oven and let the piece cool gradually inside the oven.\u003c\/li\u003e\n  \u003cli\u003eAfter baking, the finish is microwave- and dishwasher-safe and UV resistant.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and techniques work best with this frosted Azure paint?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 is formulated for glass and other bakeable substrates like porcelain, glazed earthenware, enameled steel, copper and terracotta. It can be used alone, blended with other Vitrea shades, layered for depth, or combined with markers and outliners for detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for glassware, decorative bottles, jars, vases, and windows.\u003c\/li\u003e\n  \u003cli\u003eIntermixable with Vitrea glossy and shimmer colours to create custom tones.\u003c\/li\u003e\n  \u003cli\u003eWorks with paint markers, dimensional outliners, and compatible mediums.\u003c\/li\u003e\n  \u003cli\u003eNot suited for surfaces that can’t withstand the 160 °C baking step.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does the paint last and is it safe to use?\u003c\/h3\u003e\n\u003cp\u003eWhen cured correctly, Vitrea 160 produces a long-lasting, resistant finish suitable for regular use. The paints are water-based, non-toxic, AP certified, and conform to ASTM D-4236; they remain removable only until heat-fixed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePermanent, low-fade finish after baking; suitable for daily use items.\u003c\/li\u003e\n  \u003cli\u003eResistant to dishwashing, microwave exposure and UV light when cured.\u003c\/li\u003e\n  \u003cli\u003eWater-based and non-toxic in liquid form; follow safety instructions during baking.\u003c\/li\u003e\n  \u003cli\u003eRemains removable prior to oven curing for corrections or reworking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Crafters, glass artists, DIY decorators and small-batch makers seeking a reliable frosted azure translucency that behaves like coloured glass. Use it for giftware, seasonal decorations, custom tableware and upcycled glass projects where a professional, durable finish is required—provided the item can safely be heat-cured at the specified oven temperature.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a kiln to cure Vitrea 160?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—Vitrea 160 cures in a domestic oven at 160 °C (325 °F) for 40 minutes to become permanent.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix the frosted Azure with glossy colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, Vitrea 160 colours are intermixable so you can blend frosted Azure with glossy or shimmer shades.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253902590289,"sku":"B001U3R9EQ","price":31.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-azure-front-bottle.jpg?v=1791666201"},{"product_id":"pebeo-vitrea-160-frosted-glass-paint-lemon-45-ml-squeezable-bottle-dishwasher-and-microwave-safe","title":"PEBEO Vitrea 160 Frosted Glass Paint — Lemon, 45 ml squeezable bottle, Dishwasher- and Microwave-Safe","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Frosted Glass Paint in Lemon is a water-based, intermixable colour that bakes to a permanent, dishwasher- and microwave-safe frosted finish on glass and glazed surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBright, translucent and engineered for lasting adhesion, this lemon-toned Vitrea 160 paint lets you reproduce the look of coloured glass on windows, jars, stemware, ceramics and decorative objects. It comes in a 45 ml squeezable bottle and belongs to a family of paints designed to blend, layer and pair with Vitrea markers, outliners and mediums. The paint remains removable until permanently fixed by oven-baking at 160 °C (325 °F) for 40 minutes, after which it delivers UV and solvent resistance for everyday use.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this frosted paint behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 Frosted Lemon adheres best to surfaces that tolerate domestic oven temperatures: glass, glazed ceramics, porcelain, terracotta and some enameled metals. The finish produces a translucent frosted appearance that mimics sandblasted glass while keeping light transmission.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlass and crystal: strong adhesion after baking, retains translucence\u003c\/li\u003e\n  \u003cli\u003ePorcelain and china: adheres when surfaces are clean and oven-safe\u003c\/li\u003e\n  \u003cli\u003eTerracotta and enameled metal: suitable if items withstand 160 °C\u003c\/li\u003e\n  \u003cli\u003eNot suitable for untreated plastics or heat-sensitive objects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat steps are required to make the paint permanent and dishwasher safe?\u003c\/h3\u003e\n\u003cp\u003eThe paint is removable while wet and after air-drying until you bake it. For permanent durability, let the painted piece dry fully, then place it in a cold oven, heat to 160 °C (325 °F), and bake for 40 minutes; allow gradual cooling inside the oven to avoid thermal shock.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAir-dry painted object thoroughly before baking\u003c\/li\u003e\n  \u003cli\u003eBake at 160 °C (325 °F) for 40 minutes from cold oven\u003c\/li\u003e\n  \u003cli\u003eCool slowly in the oven before removing to prevent cracking\u003c\/li\u003e\n  \u003cli\u003eOnce baked, paint becomes dishwasher-, microwave- and UV-resistant\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I mix or layer Vitrea 160 colours for custom effects?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 colours are formulated to blend easily, letting you create new shades and gradients. Mix glossy, frosted and shimmer finishes together in the bottle or on a palette, and layer thin coats on glass for depth without obscuring light transmission.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermix frosted lemon with other Vitrea colours to shift tone\u003c\/li\u003e\n  \u003cli\u003eUse thin layers to build colour intensity without streaks\u003c\/li\u003e\n  \u003cli\u003eCombine with Vitrea markers and outliners for details and edges\u003c\/li\u003e\n  \u003cli\u003eAdd compatible mediums for texture or slower drying times\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich tools and accessories work best with this bottle format?\u003c\/h3\u003e\n\u003cp\u003eThe 45 ml squeezable bottle offers controlled flow for brushing, stippling and filling small areas. It pairs well with synthetic brushes, sponges and the Vitrea 160 line of markers and dimensional outliners for crisp lines and precise accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSynthetic brushes for smooth coverage and clean edges\u003c\/li\u003e\n  \u003cli\u003eSponges or daubers for frosted texture and gradients\u003c\/li\u003e\n  \u003cli\u003eVitrea 160 markers and outliners to add fine details\u003c\/li\u003e\n  \u003cli\u003ePalettes or glass mixing plates for colour blending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Crafters, hobbyists and professional decorators seeking an authentic coloured-glass look will find PEBEO Vitrea 160 Frosted Lemon especially useful. It suits artists who want blendable, non-toxic, oven-fixable paints for decorative glassware, custom gifts, home décor accents and small-scale craft production. Note that pieces must be oven-safe to be permanently fixed; avoid use on heat-sensitive items.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pebeo Vitrea 160 Frosted Lemon dishwasher safe after baking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — after baking at 160 °C (325 °F) for 40 minutes the paint becomes dishwasher- and microwave-safe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paint on plastic or untreated metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — avoid heat-sensitive plastics and untreated metals; use only on oven-safe glass, glazed ceramics, terracotta or enameled metals.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55253902688593,"sku":"B001U40IRU","price":23.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-lemon-front-label.jpg?v=1791666202"},{"product_id":"pebeo-vitrail-outliner-glass-paint-liner-copper-20-ml-extra-fine-nozzle-glossy-raised-ridge","title":"PEBEO Vitrail Outliner glass paint liner Copper 20 ml — extra-fine nozzle, glossy raised ridge","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrail Outliner Copper is a thin, tube-dispensed liner paint designed to create raised outlines and delicate raised effects on glass, metal and canvas.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis copper-coloured outliner is part of the PEBEO Vitrail range and comes in a 20 ml aluminium tube with an extra-fine nozzle, letting you draw continuous, movable lines, stipples and filigree directly from the tip. It cures into a glossy, dimensional ridge that frames stained-glass effects, highlights painted motifs, and separates colours when used with transparent or opaque glass paints.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the outliner help with detailed work on glass and metal?\u003c\/h3\u003e\n\u003cp\u003eThe outliner’s low-viscosity formula flows smoothly from the nozzle so you can trace fine contours without dragging or blobbing. It creates a raised barrier that prevents adjacent colours from bleeding into each other when filling with glass paints.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtra-fine included nozzle for consistent thin lines\u003c\/li\u003e\n  \u003cli\u003eAluminium tube allows precise pressure control\u003c\/li\u003e\n  \u003cli\u003eDries into a stable raised ridge for neat separations\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application techniques give the best results?\u003c\/h3\u003e\n\u003cp\u003eWork on a clean, grease-free surface and test the flow on scrap glass before outlining the final piece. Apply steady, even pressure and maintain a constant speed to keep line thickness uniform; small pauses can create beads or dots for decorative effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse a single continuous motion for smooth curves\u003c\/li\u003e\n  \u003cli\u003eFor dots or stippling, release pressure quickly at intervals\u003c\/li\u003e\n  \u003cli\u003eClean the nozzle after each session to prevent clogging\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I prepare and finish projects using this liner?\u003c\/h3\u003e\n\u003cp\u003eDegrease and dry the work surface, sketch guidelines if helpful, and allow the outliner to dry fully before applying Vitrail or other glass paints. Finish time varies with film thickness and ambient conditions; follow paint system guidelines for curing if you plan on oven-firing or sealing the piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean surface with solvent-free cleaner or alcohol\u003c\/li\u003e\n  \u003cli\u003eAllow adequate drying time between layers and colours\u003c\/li\u003e\n  \u003cli\u003eStore the tube horizontally and replace cap tightly to keep nozzle usable\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? PEBEO Vitrail Outliner Copper 20 ml is made for hobbyists, stained-glass imitators, mixed-media artists and craft-makers who need a controllable, metallic-coloured liner to define shapes, add metallic highlights, or create raised decorative lines on glass, metal, or canvas. It’s ideal for anyone seeking fine, dimensional borders to enhance translucency and colour separation without specialized tools.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this outliner with other PEBEO glass paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The outliner pairs well with PEBEO Vitrail paints to separate colours and add metallic outlines.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I prevent the nozzle from clogging?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wipe the tip after use, replace the cap securely, and store the tube horizontally to reduce clogging.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254087663953,"sku":"B00HYURARA","price":30.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrail-outliner-copper-front-packaging.jpg?v=1791668457"},{"product_id":"pebeo-fine-oil-xl-oil-paint-200-ml-imitation-ceruleum-blue-high-pigment-and-lightfast","title":"PEBEO Fine Oil XL oil paint 200 ml — Imitation Ceruleum Blue, high-pigment and lightfast","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL in Imitation Ceruleum Blue is a professional-quality, richly pigmented oil paint in a 200 ml tube designed for versatile oil techniques on canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBring deep, stable blue into your palette with this lightfast, opaque oil colour from Pébéo’s Huile Fine Studio XL line. Formulated to deliver concentrated tinting strength and a smooth, workable consistency, this imitation cerulean blue mixes cleanly with other oils and responds well to glazing, impasto and layered approaches. Pébéo builds on almost a century of artist-focused know-how to offer an accessible oil paint that suits both studio practice and large-format work.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this oil paint behave on different supports?\u003c\/h3\u003e\n\u003cp\u003eThe Fine Oil XL formulation is made to adhere to a wide range of supports when used with proper priming. On primed canvas it lays down evenly and keeps brushstrokes visible; on prepared wood or metal it maintains colour density and permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on primed canvas, gessoed panels, sealed wood and treated metal\u003c\/li\u003e\n  \u003cli\u003eMaintains opacity and vibrancy across varied textures\u003c\/li\u003e\n  \u003cli\u003eCompatible with Pébéo oil mediums and aids for surface tuning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does the paint dry and when can I overpaint or varnish?\u003c\/h3\u003e\n\u003cp\u003eDrying speed depends on film thickness, airflow and ambient temperature, but Fine Oil XL is formulated for practical studio flow. Light layers develop surface dryness sooner, enabling reworking, while thicker applications require longer curing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin layers: surface touch-dry in days under normal conditions\u003c\/li\u003e\n  \u003cli\u003eOverpainting: advisable after approximately 3 days for thin films\u003c\/li\u003e\n  \u003cli\u003eFinal curing: allow 6–9 months before varnishing for full hardness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques can I use with Pébéo Fine Oil XL?\u003c\/h3\u003e\n\u003cp\u003eThis oil is versatile for classical and contemporary methods — from transparent glazing to heavy-bodied impasto. It blends smoothly for gradual transitions and retains brush or palette knife texture when applied thickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: mixes well with transparent oil mediums\u003c\/li\u003e\n  \u003cli\u003eImpasto: holds peaks and texture when used thickly\u003c\/li\u003e\n  \u003cli\u003eLayering: works with standard fat-over-lean painting principles\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and lightfast is the Imitation Ceruleum Blue?\u003c\/h3\u003e\n\u003cp\u003ePébéo’s Fine Oil pigments are finely ground for consistent colour and permanence. The imitation cerulean blue offers excellent lightfastness and resists fading when used and stored under normal exhibition conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for lasting chroma\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage ideal for strong passages and tints\u003c\/li\u003e\n  \u003cli\u003eStable when combined with other Huile Fine Studio XL shades\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Whether you are exploring oil painting for the first time, a student developing technique, or a professional tackling commissions and large formats, Pébéo Fine Oil XL 200 ml in Imitation Ceruleum Blue gives you a cost-effective tube with professional behaviour. It’s particularly useful for painters who want a dependable, richly pigmented blue that mixes cleanly, responds to a variety of oil media, and suits glazing, thick-texture work and multi-layered compositions.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cem\u003ePractical tips:\u003c\/em\u003e Prime unvarnished supports, follow fat-over-lean layering, store finished works horizontally during initial cure, and allow recommended drying time before varnishing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cem\u003ePairing ideas:\u003c\/em\u003e Combine with warm earth tones to neutralize or with titanium white for lighter tints; add Pébéo oil mediums to increase gloss or slow drying as needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this cerulean blue with other oils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other Huile Fine Studio XL shades and oil mediums to create tints and glazes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 200 ml tube suitable for large works?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 200 ml size gives ample volume for larger canvases and repeated sessions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254530064721,"sku":"B00266HIQU","price":33.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-front-tube.jpg?v=1791679066"},{"product_id":"pebeo-fine-oil-xl-oil-paint-200-ml-cadmium-red-light-imitation-vivid-semi-opaque-color-fast-drying","title":"PEBEO Fine Oil XL oil paint 200 ml — Cadmium Red Light Imitation, vivid semi-opaque colour \u0026 fast-drying","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL 200 ml Cadmium Red Light Imitation is a rich, versatile oil paint in a large tube designed for artists working on canvas, wood, metal or large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRooted in a long art-making tradition, the Pébéo Fine Oil XL line offers the vibrant colour and handling of classic oil paint with modern convenience. This 200 ml tube of Cadmium Red Light Imitation delivers an intense, semi-opaque red that mixes cleanly with other hues in the Huile Fine Studio XL range and responds well to standard oil painting techniques and mediums.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Cadmium Red Light Imitation behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eThe formula is suitable for canvas, panel, metal and large-scale works. It provides consistent pigment laydown and adapts well to both thin glazes and impasto applications when combined with appropriate mediums.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGood adhesion on primed canvas and gessoed panels.\u003c\/li\u003e\n  \u003cli\u003eStable on wood and metal when surfaces are properly prepared.\u003c\/li\u003e\n  \u003cli\u003eMixes smoothly for underpainting, glazing or thick texture work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat drying times and finish can I expect when using this oil paint?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL dries faster than many traditional oils, allowing overpainting in a few days while full curing continues for months. The finish is bright and permanent, retaining colour intensity over time when used with recommended practices.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface can be reworked or overpainted after about 3 days in typical studio conditions.\u003c\/li\u003e\n  \u003cli\u003eAllow 6–9 months before applying varnish for complete drying.\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque sheen that remains vivid and resistant to dulling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and media pair best with Pébéo Fine Oil?\u003c\/h3\u003e\n\u003cp\u003eThis paint is formulated for versatility: it handles glazing, scumbling, thin washes and heavy-bodied impasto equally well. Combine it with Pébéo oil mediums or auxiliaries to tweak flow, transparency and drying speed to suit your method.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: mix with a transparent medium for luminous layers.\u003c\/li\u003e\n  \u003cli\u003eImpasto: use neat or with thickening mediums for texture.\u003c\/li\u003e\n  \u003cli\u003eBlending: blends smoothly for gradients and subtle transitions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and colourfast is the Cadmium Red Light Imitation?\u003c\/h3\u003e\n\u003cp\u003eThe pigment is finely ground for consistent colour intensity and permanence suitable for studio work and exhibition pieces. Lightfastness is rated medium; it performs well in indoor displays and mixed-media works when stored and framed properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFinely milled pigment for bright, even coverage.\u003c\/li\u003e\n  \u003cli\u003eMedium lightfastness—suitable for most studio and gallery uses.\u003c\/li\u003e\n  \u003cli\u003ePairs well with varnishes and conservation approaches after full cure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists at every level who want a large, economical tube of high-pigment oil paint will appreciate Pébéo Fine Oil XL 200 ml in Cadmium Red Light Imitation. It’s ideal for students practicing oil techniques, hobbyists tackling larger canvases, and professional painters needing a dependable, mixable red for studio work. Use it alone or combine with other Huile Fine Studio XL colours and Pébéo mediums to expand your palette and refine your technique.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Pébéo Fine Oil XL on unprimed wood?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You should prime wood (gesso or oil ground) before applying oil paint to ensure adhesion and prevent discoloration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a finished painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait 6–9 months for full cure before varnishing; light overpainting can be done after about 3 days.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254578430289,"sku":"B00266FGKU","price":33.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-front-tube_0962a211-b67d-4603-aead-ce71a9ac6991.jpg?v=1791680843"},{"product_id":"pebeo-fine-oil-xl-oil-paint-yellow-light-200-ml-high-pigment-buttery-handling-for-glazing-impasto","title":"PEBEO Fine Oil XL oil paint Yellow Light 200 ml — high-pigment, buttery handling for glazing \u0026 impasto","description":"\u003cstrong\u003ePébéo Fine Oil XL 200 ml in Yellow Light is a richly pigmented, versatile oil paint formulated for artists who want intense, long-lasting colour on canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\n\n\u003cp\u003eThis 200 ml tube from Pébéo's Huile Fine Studio XL line brings a high-pigment, durable yellow that mixes cleanly with other oils and responds well to a wide range of oil-paint techniques. Designed from Pébéo's long history in fine arts materials, this formulation balances strong tinting power with a workable consistency suitable for glazing, impasto or thin layers. Whether you are building layers or blending colour, Yellow Light yields a permanent, bright result.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave on my canvas or panel?\u003c\/h3\u003e\n\u003cp\u003eThe Fine Oil XL formula is made to adhere to traditional supports like canvas and wood as well as metal and larger surfaces. It offers a buttery handling that accommodates both smooth blends and textured brushwork. Expect a stable, opaque Yellow Light that resists fading over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for vivid coverage\u003c\/li\u003e\n  \u003cli\u003eGood adhesion to multiple surfaces: canvas, wood, metal\u003c\/li\u003e\n  \u003cli\u003eOpaque finish with excellent lightfastness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Yellow Light with other paints or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — this oil mixes cleanly with other colours in the Huile Fine Studio XL range and with Pébéo oil mediums or auxiliaries to modify drying speed and texture. Mixing expands your palette options and can create glazes, softer tints or denser impasto effects while retaining colour permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with other Huile Fine Studio XL shades\u003c\/li\u003e\n  \u003cli\u003eWorks with Pébéo oil mediums to alter body and drying\u003c\/li\u003e\n  \u003cli\u003eSupports glazing, scumbling, and thick-layer techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow fast does this oil paint dry and when can I varnish?\u003c\/h3\u003e\n\u003cp\u003eThis formulation is designed for relatively prompt handling: it allows overpainting after a short drying period and becomes touch-dry on the surface sooner than many traditional oils. For protective varnishing, follow standard oil-paint practice and allow full curing over several months to achieve a stable finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface overpainting possible after a few days\u003c\/li\u003e\n  \u003cli\u003eFinal curing typically requires months before varnish\u003c\/li\u003e\n  \u003cli\u003eDrying rate can be adjusted with Pébéo oil mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finish and longevity can I expect from Yellow Light?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL offers a bright, permanent finish that resists yellowing and preserves chroma. The colour maintains its intensity when applied alone or mixed, making it reliable for long-term work and exhibition pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBright, stable yellow with strong tinting strength\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness and permanent finish\u003c\/li\u003e\n  \u003cli\u003eRetains colour richness when layered or mixed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists at every level who want a dependable, high-pigment yellow in a large 200 ml format — students practicing oil techniques, studio painters working on substantial canvases, and professionals seeking a lasting, mixable hue. If you need a versatile oil that performs in glazing, thick impasto, and as a mixing primary, Pébéo Fine Oil XL Yellow Light is built to meet those needs without compromise.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pébéo Fine Oil XL Yellow Light suitable for beginners?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its forgiving consistency and large 200 ml tube make it ideal for students and beginners practicing oil techniques.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a finished painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Allow final curing for several months (commonly 6–9 months) before varnishing to ensure a stable surface.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254581117265,"sku":"B00266HHO8","price":35.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-yellowlight-front-tube.jpg?v=1791680980"},{"product_id":"pebeo-fine-oil-xl-200-ml-ultramarine-blue-oil-paint-richly-pigmented-blendable-for-glazing-impasto","title":"PEBEO Fine Oil XL 200 ml Ultramarine Blue oil paint — richly pigmented, blendable for glazing \u0026 impasto","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL Ultramarine Blue is a richly pigmented 200 ml oil paint made for artists seeking intense, blendable colour across canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 200 ml tube from the Huile Fine Studio XL range brings Pébéo’s long history in fine art materials to your studio. Formulated for easy handling and versatile techniques, the Ultramarine Blue offers deep chroma and reliable performance whether you glaze, layer impasto, or mix custom tones. The paint is compatible with Pébéo oil mediums and auxiliaries so you can adjust flow, drying and finish to suit your workflow.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Ultramarine Blue perform during painting sessions?\u003c\/h3\u003e\n\u003cp\u003eThe colour lays down smoothly with a finely ground pigment that keeps brush marks clear and mixing predictable. It is formulated to work well alone or when combined with other oil colours from the Fine XL line.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRich, bright pigmentation for strong colour payoff.\u003c\/li\u003e\n  \u003cli\u003eGood handling for glazing, layering and thicker applications.\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other oil paints for a wide tonal range.\u003c\/li\u003e\n  \u003cli\u003eTransparent tendency—ideal for glazing and subtle shifts in hue.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are suitable for Pébéo Fine Oil XL?\u003c\/h3\u003e\n\u003cp\u003ePébéo designed this oil to be usable on a variety of prepared supports including canvas, wood panels and properly primed metal. It responds well to traditional oil techniques and modern studio practices alike.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on primed canvas and wood panels for traditional studio work.\u003c\/li\u003e\n  \u003cli\u003eAccepts both thin glazes and thicker, textured brushstrokes.\u003c\/li\u003e\n  \u003cli\u003eWorks with Pébéo oil mediums to alter drying rate and finish.\u003c\/li\u003e\n  \u003cli\u003eAppropriate for large pictorial spaces and detail work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does it take to dry and finish a painting made with this paint?\u003c\/h3\u003e\n\u003cp\u003eDrying speed depends on layer thickness, medium use and environmental conditions. Typical surface drying allows overpainting after about three days for thin layers; full curing takes several months before final varnishing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface may be reworked or overpainted after approximately three days for thin applications.\u003c\/li\u003e\n  \u003cli\u003eThicker layers will require longer to tack and cure.\u003c\/li\u003e\n  \u003cli\u003eAllow 6–9 months of full drying before applying varnish for long-term protection.\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil mediums to accelerate or retard drying as needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I get the most colour variety from a single tube?\u003c\/h3\u003e\n\u003cp\u003eUltramarine Blue is a versatile primary-like pigment for mixing; combining it with whites and warm or cool yellows creates a wide spectrum of blues, greens and muted tones. Adjust opacity and transparency with mediums or by layering glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with titanium white for paler blue tints and soft skies.\u003c\/li\u003e\n  \u003cli\u003eBlend with cadmium or lemon yellows to form turquoise and green tones.\u003c\/li\u003e\n  \u003cli\u003eLayer transparent washes for depth without losing luminosity.\u003c\/li\u003e\n  \u003cli\u003eCombine with Pébéo alkyd or drying mediums to speed layering cycles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists of every level who want dependable, richly coloured oil paint will find this Pébéo Fine Oil XL Ultramarine Blue useful. It suits students exploring oil techniques, hobbyists upgrading their palette, and professionals seeking a cost-effective, high-pigment tube for studio work and large-scale pieces. Pair it with Pébéo mediums and other Fine XL colours to expand technical options and finish choices.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pébéo Fine Oil XL Ultramarine Blue suitable for beginners?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It’s easy to handle, mixes well and offers good value, making it suitable for students and hobbyists.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: When can I safely varnish paintings made with this oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait for full curing—typically 6–9 months—before varnishing to ensure proper long-term protection.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254630564177,"sku":"B00266MUFY","price":33.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-ultramarine-blue-front-tube.jpg?v=1791682397"},{"product_id":"pebeo-fine-oil-xl-200-ml-cadmium-yellow-primary-imitation-high-pigment-semi-opaque-oil-paint","title":"PEBEO Fine Oil XL 200 ml Cadmium Yellow (Primary Imitation) — high-pigment semi-opaque oil paint","description":"\u003cstrong\u003ePébéo Fine Oil XL 200 ml in Cadmium Yellow (Primary Imitation) is a high-pigment oil paint tube designed for rich, permanent colour and versatile application across canvas, wood, metal, and large pictorial surfaces.\u003c\/strong\u003e\n\n\u003cp\u003ePébéo’s Fine Oil Studio XL line brings a long artistic tradition into a modern, easy-to-use oil colour. This 200 ml tube of Cadmium Yellow (Primary Imitation) offers a bright, finely ground pigment that mixes well and holds consistent texture whether you work thinned for glazing or thick for impasto. Developed for students, hobbyists and professional artists alike, it pairs smoothly with Pébéo oil media to expand drying times, gloss or body depending on your technique.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Cadmium Yellow perform for everyday painting?\u003c\/h3\u003e\n\u003cp\u003eThe Cadmium Yellow Primary Imitation in the XL tube delivers intense, saturated colour that remains stable on the palette and after drying. It is semi-opaque with moderate lightfastness, making it ideal for vibrant mixes and layered work. The formulation responds well to both thin glazes and thicker brushwork.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRich pigment load for strong chroma and coverage\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque — preserves underlayers while offering solid tinting strength\u003c\/li\u003e\n  \u003cli\u003eFast surface drying allows reworking and overcoating within days\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques suit Pébéo Fine Oil XL best?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint is formulated to adhere to a wide variety of substrates including canvas, primed wood, metal, and large mural panels. It supports glazing, scumbling, alla prima and impasto techniques and mixes cleanly with other tones from the Huile Fine Studio XL range. Use Pébéo oil mediums to modify handling and finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on canvas, primed board, metal and prepared large surfaces\u003c\/li\u003e\n  \u003cli\u003eMixes readily with other XL shades for custom palettes\u003c\/li\u003e\n  \u003cli\u003eCompatible with Pébéo oil mediums and auxiliary products\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does it take to dry and finish a painting with this oil?\u003c\/h3\u003e\n\u003cp\u003eThe paint is formulated for relatively quick surface drying so you can apply varnish layers sooner than with traditional slow oils. Expect to overcoat after about three days under normal studio conditions, but allow longer for full curing. For safe, long-term protection, a recommended drying period before final varnish is several months.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface dry in approximately 3 days for overpainting\u003c\/li\u003e\n  \u003cli\u003eFull cure can take months; follow Pébéo varnishing recommendations\u003c\/li\u003e\n  \u003cli\u003eDrying speed can be adjusted with appropriate oil mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Pébéo Fine Oil XL a dependable choice for artists?\u003c\/h3\u003e\n\u003cp\u003ePébéo draws on nearly a century of manufacturing experience and historical roots in traditional oil painting. The Fine Oil XL line balances quality and economy, giving artists a large-format tube with reliable pigmentation and handling. It’s ideal for studio practice, teaching, and professional work that benefits from bright, lasting colour.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEstablished brand history since 1930 focused on artists’ materials\u003c\/li\u003e\n  \u003cli\u003eLarge 200 ml tube offers good value for frequent use\u003c\/li\u003e\n  \u003cli\u003eStable pigment grind and consistent viscosity for predictable results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists at all levels who need a bold, flexible yellow for mixing and standalone use — from art students building technique to professional painters working on large compositions. Choose Pébéo Fine Oil XL Cadmium Yellow if you want a high-pigment, easy-to-blend oil that performs across surfaces and pairs with oil mediums to refine drying and finish.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Pébéo Cadmium Yellow be mixed with other oil colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other Huile Fine Studio XL shades to create custom hues and glazes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this oil paint suitable for varnishing soon after painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can overcoat after about 3 days, but wait several months before final varnishing for full cure.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254646587729,"sku":"B00266FGXM","price":35.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-cadmium-yellow-front-tube.jpg?v=1791682906"},{"product_id":"pebeo-studio-acrylics-high-viscosity-acrylic-paint-250-ml-primary-magenta-heavy-body-texture","title":"PEBEO Studio Acrylics High Viscosity Acrylic Paint 250 ml — Primary Magenta, Heavy-Body Texture","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Studio Acrylics High Viscosity 250 ml in Primary Magenta is a thick, richly pigmented acrylic paint designed to hold brush and palette-knife texture for vibrant, dimensional artwork.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eStudio Acrylics High Viscosity delivers a deep, matte-satin magenta that performs like a professional-grade artist acrylic. Its heavy body keeps sculpted brushstrokes and knife marks intact, making it great for textured layers, mixed-media pieces and collage work. The formula adheres well to many surfaces and dries to a flexible, permanent film with good lightfastness; it’s also AP certified for safety in artistic use.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave when I build texture and impasto?\u003c\/h3\u003e\n\n\u003cp\u003eThis high-viscosity formula is formulated to retain the tactile imprint of tools: brush hairs, palette knife ridges and sculpted peaks remain visible after drying. It dries to a stable, flexible film so thick applications stay intact without excessive cracking when used correctly.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeavy body consistency holds peaks and marks for impasto techniques.\u003c\/li\u003e\n\u003cli\u003eRetains texture created by brushes and knives even after drying.\u003c\/li\u003e\n\u003cli\u003eCompatible with Studio Acrylics mediums to modify flow or extend working time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces can I use Primary Magenta on?\u003c\/h3\u003e\n\n\u003cp\u003ePEBEO Studio Acrylics adheres well to a wide range of common art supports, making it versatile for mixed-media exploration. Whether you’re working on conventional canvas or unconventional panels, the paint bonds strongly for durable layers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuitable for canvas, cardboard, wood, metal and prepared panels.\u003c\/li\u003e\n\u003cli\u003eWorks with Liquid Art Panels and collage base materials.\u003c\/li\u003e\n\u003cli\u003ePreparation like gesso improves adhesion and surface stability for heavy layers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this colour with other paints or mediums?\u003c\/h3\u003e\n\n\u003cp\u003eYes — Primary Magenta mixes cleanly with other Studio Acrylics shades and accepts the brand’s dedicated mediums. Mixing allows you to create tints, glazes or alter body and drying characteristics without losing pigment strength.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMix with other Studio Acrylics to expand your palette.\u003c\/li\u003e\n\u003cli\u003eUse acrylic mediums to thin, gloss, or retard drying time as needed.\u003c\/li\u003e\n\u003cli\u003eMaintain colour integrity by adding small amounts when tinting or glazing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow lightfast and permanent is Primary Magenta when used in finished work?\u003c\/h3\u003e\n\n\u003cp\u003eDesigned for studio practice, this line offers good lightfastness appropriate for display pieces. Once fully dry it forms an indelible, flexible paint film suitable for layered and mixed-media projects; follow recommended varnishing for long-term protection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDries to a permanent, flexible film with good lightfastness.\u003c\/li\u003e\n\u003cli\u003eAP certified for safe artistic use; ideal for gallery and studio work.\u003c\/li\u003e\n\u003cli\u003eVarnishing recommended for added UV and surface protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? PEBEO Studio Acrylics High Viscosity 250 ml in Primary Magenta suits painters who want bold, concentrated colour with sculptural texture — from professional fine artists to serious hobbyists exploring impasto, mixed media and layered collage. Choose this tube if you need a heavy-body magenta that keeps tool marks, mixes reliably, and performs across varied supports.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PEBEO Studio Acrylics High Viscosity Primary Magenta suitable for outdoor use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It’s designed for indoor studio work; if displayed outdoors, protect with appropriate varnish and UV-resistant measures.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—use an acrylic glazing medium or a small amount of water, but prefer dedicated mediums to maintain adhesion and film strength.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254650913105,"sku":"B001NI5OU4","price":34.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-primary-magenta-front-tube.jpg?v=1791683076"},{"product_id":"pebeo-vitrea-160-glass-paint-frosted-cloud-45-ml-transparent-high-gloss-oven-set-durable-finish","title":"PEBEO Vitrea 160 Glass Paint Frosted Cloud — 45 ml Transparent High-Gloss, Oven-Set Durable Finish","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Frosted Cloud is a water-based, transparent high-gloss glass paint designed to give glass and other bakeable surfaces a luminous, coloured-glass effect.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWith generations of paint-making expertise behind it, this 45 ml Frosted Cloud shade in the Vitrea 160 range delivers a clean, translucent finish that mimics stained or tinted glass. The formula is water-based and intermixable, dries to a glossy transparent film, and can be heat-set in a household oven to improve durability. Use it on glass, crystal, glazed ceramics and several other heat-tolerant surfaces to transform everyday pieces into eye-catching décor.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Vitrea 160 create a stained-glass look?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 lays down a thin, transparent layer of colour that refracts light similar to real coloured glass. The pigments remain luminous once cured, so light passing through painted glass carries the tint and sheen of the chosen shade.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent formulation for true coloured-glass effect\u003c\/li\u003e\n  \u003cli\u003eHigh-gloss finish enhances light transmission\u003c\/li\u003e\n  \u003cli\u003eIntermixable shades let you custom-blend hues\u003c\/li\u003e\n  \u003cli\u003eThin coats avoid obscuring glass clarity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces can I paint and how do I heat-set the finish?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 adheres to glass and many bakeable, heat-tolerant materials like glazed ceramic, porcelain, terracotta, metal and enameled steel. For increased resistance to detergents and solvents, the paint is heat-cured in a cold oven and brought to 160°C (300°F) for 40 minutes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with glass, crystal, glazed earthenware, porcelain and some metals\u003c\/li\u003e\n  \u003cli\u003eDegrease surfaces first with alcohol or soapy water for best adhesion\u003c\/li\u003e\n  \u003cli\u003ePlace items in a cold oven, heat to 300°F (160°C), bake 40 minutes, then cool inside oven\u003c\/li\u003e\n  \u003cli\u003eProper curing improves dishwasher and solvent resistance\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs PEBEO Vitrea 160 safe to use on items that contact food?\u003c\/h3\u003e\n\u003cp\u003eThe formulation is non-toxic, but PEBEO recommends applying Vitrea 160 to decorative surfaces that will not come into direct contact with food. Treated objects that may touch food should be used only for decorative purposes unless explicitly labeled otherwise.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-toxic water-based paint for hobby and decorative use\u003c\/li\u003e\n  \u003cli\u003eDo not apply to surfaces intended for direct food contact\u003c\/li\u003e\n  \u003cli\u003eFollow curing instructions to minimize solvent sensitivity\u003c\/li\u003e\n  \u003cli\u003eRinse tools promptly after use to avoid buildup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle the paint to keep it usable?\u003c\/h3\u003e\n\u003cp\u003eStore the bottle flat in a cool, dry place away from freezing temperatures and heat to preserve consistency and pigment performance. Mix gently before use and apply thin, even coats to avoid runs; clean brushes while paint is wet for easiest maintenance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep bottle flat, protected from freezing and extreme heat\u003c\/li\u003e\n  \u003cli\u003eStir or roll to remix pigments before application\u003c\/li\u003e\n  \u003cli\u003eApply multiple thin coats rather than one thick coat\u003c\/li\u003e\n  \u003cli\u003eClean brushes and tools with water promptly after use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrea 160 Frosted Cloud suits artists, hobbyists, craft-makers and home decorators who want vivid, see-through colour on glass and other oven-safe materials. It’s ideal for anyone customizing vases, mirrors, ornaments, decorative drinkware (for display), tiles, and ceramic pieces—especially creators who value a luminous, stained-glass appearance and durable cured finishes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I wash items painted with Vitrea 160 in a dishwasher?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: If properly cured in a 300°F (160°C) oven for 40 minutes, the finish gains dishwasher resistance; however, handwashing extends longevity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Vitrea 160 be used on metal and ceramic?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it adheres to glass, glazed ceramics, porcelain, terracotta and some metals when surfaces are degreased and heat-cured as instructed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254659072337,"sku":"B09XY5QJ7R","price":35.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-frosted-cloud-front-bottle.jpg?v=1791683408"},{"product_id":"pebeo-vitrea-160-glass-paint-45-ml-sun-yellow-transparent-gloss-oven-bake-durable","title":"PEBEO Vitrea 160 Glass Paint 45 ml — Sun Yellow, Transparent Gloss \u0026 Oven-Bake Durable","description":"\u003cstrong\u003ePEBEO Vitrea 160 Sun Yellow is a transparent, water-based glossy glass paint that dries, bakes in a home oven, and becomes permanent, dishwasher- and microwave-resistant.\u003c\/strong\u003e\n\nPEBEO Vitrea 160 delivers vibrant, true-glass colour in a 45 ml bottle designed for hobbyists and professionals alike. This Sun Yellow shade is part of a palette created to mimic stained glass when mixed or used alone, and it adheres to glass, porcelain, glazed earthenware and other bakeable surfaces. The formula is water-based and non-toxic, intermixable with other Vitrea 160 colours and compatible with Vitrea markers and dimensional outliners for detailed decoration.\n\n\u003ch3\u003eHow long does Vitrea 160 take to dry and how do I make it permanent?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 air-dries initially, but permanence is achieved by baking. Allow painted pieces to dry completely (time varies with thickness), then cure in a domestic oven at 160 °C (325 °F) for 40 minutes to ensure dishwasher, UV and microwave resistance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAir-dry before baking — thin coats dry faster.\u003c\/li\u003e\n  \u003cli\u003eBake at 160 °C (325 °F) for 40 minutes for permanence.\u003c\/li\u003e\n  \u003cli\u003eCool in the oven to avoid thermal shock to glass.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and techniques work best with Sun Yellow glossy glass paint?\u003c\/h3\u003e\n\u003cp\u003eUse Vitrea 160 on any surface that withstands oven baking: glass, crystal, porcelain, glazed earthenware, terracotta, metal, enameled steel and copper. The paint is ideal for stained-glass effects, layered glazing, and fine detailing when combined with outliners or markers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply on clean, grease-free glass or ceramic surfaces.\u003c\/li\u003e\n  \u003cli\u003eMix with other Vitrea 160 shades for custom tones.\u003c\/li\u003e\n  \u003cli\u003eCombine with Vitrea markers and dimensional outliners for precision work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Vitrea 160 Sun Yellow with other finishes or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — the paints are formulated to be intermixable across glossy, frosted and shimmer finishes. You can blend colours to achieve gradients or use mediums to modify flow and texture; always test mixes on scrap glass before applying to final pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix glossy with shimmer or frosted variants for unique effects.\u003c\/li\u003e\n  \u003cli\u003eUse flow mediums to reduce brush marks or thickeners for texture.\u003c\/li\u003e\n  \u003cli\u003eTest colour blends on a sample to check transparency and shade.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Vitrea 160 Sun Yellow is made for craft makers, stained-glass hobbyists, ceramic artists and decorators who want long-lasting, vibrant transparent colour. It suits anyone seeking professional-quality results without specialized industrial equipment — only a domestic oven is needed to cure the paint. Whether you’re personalizing dinnerware, creating decorative panels, or adding coloured accents to glassware, this 45 ml bottle offers a concentrated, blendable colour that becomes durable once baked.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a special oven to bake Vitrea 160?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No special oven is required. Cure in a domestic oven at 160 °C (325 °F) for 40 minutes, then let cool inside the oven.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Vitrea 160 safe for dinnerware after baking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Once baked, the paint is dishwasher- and microwave-resistant. Avoid using on surfaces that can't withstand the baking temperature.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254803382609,"sku":"B002021B1S","price":31.56,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea160-front-bottle-sun-yellow.jpg?v=1791687480"},{"product_id":"pebeo-vitrea-160-glass-paint-lazuli-45-ml-glossy-transparent-oven-baked-dishwasher-resistant","title":"PEBEO Vitrea 160 Glass Paint Lazuli 45 ml — Glossy Transparent, Oven-Baked \u0026 Dishwasher-Resistant","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 in Lazuli is a water-based, transparent glossy glass paint that cures to a permanent, dishwasher- and microwave-resistant finish after baking.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBring coloured-glass effects to glass, porcelain, crystal and other bake-safe surfaces with this professional-grade, intermixable paint. Vitrea 160 was designed to mimic the depth and clarity of stained glass while remaining easy to blend and remove before heat-setting. The 45 ml bottle of Lazuli offers a deep blue, high-gloss pigment that mixes with the full Vitrea range to produce custom shades and layered transparencies.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use Vitrea 160 Lazuli on glass projects?\u003c\/h3\u003e\n\u003cp\u003eApply Vitrea 160 to clean, grease-free surfaces using brushes, sponges or Vitrea-compatible markers and outliners. Let the paint dry fully at room temperature, then bake in a domestic oven at 160 °C (325 °F) for 40 minutes to make the finish permanent and resistant to dishwashers, UV and solvents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean surface with alcohol to remove oils and dust\u003c\/li\u003e\n  \u003cli\u003eApply thin even coats; thicker layers may take longer to dry\u003c\/li\u003e\n  \u003cli\u003eDry fully before baking: follow the 160 °C\/325 °F for 40 minutes guideline\u003c\/li\u003e\n  \u003cli\u003eAllow items to cool inside the oven to avoid thermal shock\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat effects and finishes can I achieve with Lazuli?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 Lazuli is a glossy, transparent blue that yields luminous, glass-like depth when layered. It also blends smoothly with other Vitrea 160 colours and shimmers, enabling gradients, stained-glass looks, and subtle overlays without losing clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGloss finish for bright, reflective colour\u003c\/li\u003e\n  \u003cli\u003eMixable with all Vitrea 160 shades and shimmer\/frosted variants\u003c\/li\u003e\n  \u003cli\u003eLayer to increase colour intensity or create translucent effects\u003c\/li\u003e\n  \u003cli\u003eCombine with outliners for crisp borders and stained-glass designs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and tools are compatible with this paint?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 is formulated for surfaces that tolerate domestic oven temperatures—glass, china, glazed earthenware, porcelain, terracotta and certain metals. Use synthetic brushes, sponges, or Vitrea markers and dimensional outliners to control edges and texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable: glass, crystal, glazed ceramics, enamel, copper (if oven-safe)\u003c\/li\u003e\n  \u003cli\u003eNot recommended for untreated plastics or heat-sensitive materials\u003c\/li\u003e\n  \u003cli\u003eWorks with markers, outliners and mixing mediums from the Vitrea range\u003c\/li\u003e\n  \u003cli\u003eNon-toxic and water-based; conforms to ASTM D-4236 and AP certified\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent is the finish after baking and maintenance tips?\u003c\/h3\u003e\n\u003cp\u003eAfter following the baking instructions, the paint becomes permanent and resists dishwasher cycles, microwave use and UV exposure. For long-lasting results, handwashing is gentler, avoid abrasive cleaners, and do not subject thin-glass pieces to sudden temperature changes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBake at 160 °C (325 °F) for 40 minutes for full durability\u003c\/li\u003e\n  \u003cli\u003eDishwasher and microwave resistant once properly cured\u003c\/li\u003e\n  \u003cli\u003eHandwash recommended to preserve intricate details and edges\u003c\/li\u003e\n  \u003cli\u003eAvoid harsh abrasives or strong solvents on painted areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? PEBEO Vitrea 160 Lazuli is ideal for craft makers, decorators and professional artists who want authentic stained-glass effects on functional objects. It suits hobbyists creating decorative bottles, tableware accents, sun-catchers and jewellery, as well as small studios producing custom, oven-cured glass pieces. If you need vivid translucency, compatibility with other Vitrea products, and a durable finish after heat-setting, this 45 ml Lazuli bottle is a flexible choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a special oven to bake Vitrea 160?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No; a domestic oven that reaches 160 °C (325 °F) works. Follow the 40-minute bake and cool-down inside the oven instructions for best results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Lazuli with other Vitrea 160 colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Vitrea 160 colours are intermixable to create custom shades and transparent layers before baking.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55254832808273,"sku":"B002020CA4","price":32.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea160-lazuli-front-label.jpg?v=1791688511"},{"product_id":"pebeo-fine-oil-xl-prussian-blue-200-ml-oil-paint-high-pigment-faster-surface-dry-for-glazing-impasto","title":"PEBEO Fine Oil XL Prussian Blue 200 ml oil paint — high-pigment, faster surface-dry for glazing \u0026 impasto","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL Prussian Blue is a high-pigment, versatile 200 ml oil paint made for artists working on canvas, wood, metal or large pictorial spaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis professional-style oil from Pébéo’s Fine Oil XL range brings deep, luminous Prussian Blue to your palette. Formulated for both students and experienced painters, this tube balances rich colour, workable consistency and faster surface drying so you can glaze, layer or blend with confidence. It mixes readily with other shades in the Fine Oil line and responds well to Pébéo oil mediums and additives.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Prussian Blue behave during painting sessions?\u003c\/h3\u003e\n\u003cp\u003eThe paint is finely ground for an even, saturated application that spreads smoothly across supports. Its transparent to semi-transparent nature lends itself well to glazing and subtle colour shifts, while the consistency supports thicker impasto techniques when desired. Surface drying occurs relatively quickly for oils, allowing reworking and overpainting in stages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHighly pigmented, luminous Prussian Blue with medium lightfastness.\u003c\/li\u003e\n  \u003cli\u003eTransparent opacity useful for glazes and depth-building.\u003c\/li\u003e\n  \u003cli\u003eWorkable body suitable for brushes and palette knives.\u003c\/li\u003e\n  \u003cli\u003eSurface becomes dry-to-touch faster than traditional oils, enabling overpainting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are compatible with Pébéo Fine Oil XL?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint is formulated to adhere to a wide range of prepared surfaces: canvas, primed wood, metal and large-format pictorial grounds. It responds well to classic oil techniques — glazing, blending, scumbling and impasto — and pairs well with Pébéo oil media to alter drying time, gloss and flow.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on primed canvases, gessoed panels, and properly prepared metal or board.\u003c\/li\u003e\n  \u003cli\u003eMix with other Fine Oil colours for custom shades and gradients.\u003c\/li\u003e\n  \u003cli\u003eCombine with Pébéo oil mediums\/additives to change viscosity or drying speed.\u003c\/li\u003e\n  \u003cli\u003eLayering possible after surface drying; allow full cure before varnishing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical drying and preservation guidelines?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is designed to speed up the typical oil workflow: surfaces reach a workable dry stage faster so you can apply subsequent layers after a few days. For archival stability, allow the painting to cure thoroughly before varnishing; follow standard oil-paint conservation recommendations for best results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface becomes workable for overpainting within a few days (surface-dry time varies with layer thickness).\u003c\/li\u003e\n  \u003cli\u003eFull drying\/cure may take several months; recommended 6–9 months before varnishing.\u003c\/li\u003e\n  \u003cli\u003eStore in a stable, dust-free environment while curing to prevent surface contamination.\u003c\/li\u003e\n  \u003cli\u003eUse proper ventilation and follow safety advice on solvents and mediums.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this product fit into an art practice or studio setup?\u003c\/h3\u003e\n\u003cp\u003eAt 200 ml, the tube supplies a substantial quantity of colour for frequent use or large works while remaining manageable for hobbyists and professionals alike. The paint’s consistency and compatibility with standard oil media make it a practical choice for teaching, studio practice and exhibition work where strong, lasting colour is desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e200 ml format provides value for regular studio use and larger compositions.\u003c\/li\u003e\n  \u003cli\u003eIdeal for mixing with other Fine Oil shades to build palettes and gradients.\u003c\/li\u003e\n  \u003cli\u003eSuits both learning environments and professional workflows.\u003c\/li\u003e\n  \u003cli\u003eFrom Pébéo, a long-standing brand with a history in artist materials since 1930.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, art students and committed hobbyists seeking a dependable, richly pigmented Prussian Blue oil paint in a generous 200 ml tube. If you work across surfaces and value a paint that mixes well, dries reasonably fast at the surface, and yields deep, lasting colour, Pébéo Fine Oil XL Prussian Blue is a versatile choice to add to your studio palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Pébéo Fine Oil XL Prussian Blue be used on unprimed wood?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Use on primed or gessoed wood; priming prevents absorption and improves adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can apply a varnish?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait until the paint is fully cured—typically 6 to 9 months—before varnishing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55255019225425,"sku":"B00266HKAY","price":38.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-prussian-blue-front-label.jpg?v=1791695968"},{"product_id":"pebeo-fine-oil-xl-oil-paint-200-ml-dark-red-crimson-richly-pigmented-versatile-for-canvas-and-impasto","title":"PEBEO Fine Oil XL oil paint 200 ml — Dark Red Crimson, richly pigmented \u0026 versatile for canvas and impasto","description":"\u003cb\u003ePébéo Fine Oil XL 200 ml in Dark Red Crimson is a professional-quality oil paint offering intense, permanent colour for use on canvas, wood, metal and large pictorial surfaces.\u003c\/b\u003e\n\n\u003cp\u003eMade by Pébéo — a brand with a long history in fine arts — this 200 ml tube of Dark Red Crimson delivers richly pigmented, finely ground oil colour formulated for both students and experienced painters. It is designed to be versatile across techniques from thin glazes to impasto, to mix well with other shades in the Huile Fine Studio XL range and to respond predictably when combined with Pébéo oil media or auxiliaries.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave on different supports?\u003c\/h3\u003e\n\u003cp\u003eThe formula is intended for use on canvas, wood, metal and other prepared pictorial supports. It adheres well to primed surfaces and maintains colour intensity across layers, so you can build depth or produce flat, vivid areas depending on technique.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for primed canvas, gessoed wood and prepared metal\u003c\/li\u003e\n  \u003cli\u003eWorks in thin glazes and thick impasto layers\u003c\/li\u003e\n  \u003cli\u003eMixable with other XVL Huile Fine shades for custom tints\u003c\/li\u003e\n  \u003cli\u003ePairs with Pébéo media to alter flow, gloss and drying time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does the Dark Red Crimson dry and can I varnish my painting?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is formulated for relatively fast skin formation compared with traditional studio oils, enabling you to rework or apply light overcoats within hours to days depending on layer thickness and environmental conditions. For final varnishing, allow the painting to cure thoroughly — typically several months — to ensure a stable, durable finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface may be ready for light overcoating within hours to a few days\u003c\/li\u003e\n  \u003cli\u003eDrying speed varies with film thickness, temperature and ventilation\u003c\/li\u003e\n  \u003cli\u003eRecommended full curing time before varnishing: about 6–9 months\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil media to accelerate or retard drying as needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat colour characteristics and permanence can I expect?\u003c\/h3\u003e\n\u003cp\u003eDark Red Crimson is a semi-opaque, richly coloured red with medium lightfastness suitable for artworks intended to keep colour integrity over time. Its pigment load and fineness provide bright, saturated tones that remain stable when used correctly and stored appropriately.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntense, bright finish with semi-opaque covering power\u003c\/li\u003e\n  \u003cli\u003eMedium lightfastness — suitable for many studio and gallery works\u003c\/li\u003e\n  \u003cli\u003eFinely ground pigments for smooth handling and even coverage\u003c\/li\u003e\n  \u003cli\u003eCompatible with other oils for glazing and tonal adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I integrate this tube into my workflow and techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 200 ml tube provides a generous supply for extended projects and practice sessions. Use it straight from the tube for saturated passages, thin it with approved oil mediums for glazing, or combine with texture-building tools for impasto effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLarge 200 ml tube reduces waste for studio work and larger canvases\u003c\/li\u003e\n  \u003cli\u003eMix with Pébéo oil mediums to control gloss and viscosity\u003c\/li\u003e\n  \u003cli\u003eCompatible with brushes, palette knives and textured additives\u003c\/li\u003e\n  \u003cli\u003eStore upright with cap sealed to preserve freshness between sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists at every level who want a reliable, richly pigmented oil in a large working format will find the Pébéo Fine Oil XL 200 ml in Dark Red Crimson useful. It suits students practicing oil techniques, hobbyists working on larger compositions, and professional painters who need consistent mixing behaviour and colour payoff. Whether you paint layered portraits, expressive abstracts, or mixed-media panels, this tube offers a versatile red that integrates easily into conventional oil painting workflows.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Pébéo Fine Oil XL on unprimed wood?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — prime wood with gesso or suitable ground first to ensure adhesion and prevent oil penetration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint mixable with other oil brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it mixes with conventional oil colours, but test small mixes to check drying and finish compatibility.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55255020175697,"sku":"B00266HIXI","price":37.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-front-tube_eb605a49-ec70-42e7-aa12-c98e5a9125bb.jpg?v=1791695989"},{"product_id":"pebeo-gedeo-mirror-effect-gold-leaf-adhesive-sheets-12-pack-5-5-in-high-shine-gilding-for-art-decor","title":"PEBEO Gédéo Mirror Effect Gold Leaf Adhesive Sheets — 12-Pack 5½×5½ in, High-Shine Gilding for Art \u0026 Decor","description":"\u003cp\u003e\u003cstrong\u003ePébéo Gédéo Mirror Effect Gold Leaves are ultra-thin adhesive gold foil sheets sold in a 12-pack of 5½ x 5½-inch squares for adding metallic accents to paintings, furniture, crafts, and decor.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese mirror-effect gold leaf adhesive sheets give artists and makers a fast, high-shine way to gild surfaces without traditional water or oil gilding methods. Each protected square peels off its backing and transfers to clean, non-porous or primed porous surfaces, producing a luminous metallic finish ideal for mixed media, furniture highlights, decorative trims, resin work, and more. The sheets are delicate, require careful handling, and are intended for decorative use only (not edible or food-grade).\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply the Pébéo Gédéo gold leaf sheets to my artwork?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward when you work slowly and use a suitable adhesive. Peel a sheet from its white protective backing, position it over the tacky surface or applied gilding paste, then press and smooth to transfer the metal layer. Finish by brushing away excess flakes with a soft brush.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse Pebeo Mixtion Relief Gilding Paste or another tacky adhesive for best adhesion.\u003c\/li\u003e\n  \u003cli\u003eApply to primed canvas, sealed wood, metal, glass (decor only), or prepared paper.\u003c\/li\u003e\n  \u003cli\u003eHandle sheets with tweezers or minimal fingertip contact to avoid tearing.\u003c\/li\u003e\n  \u003cli\u003eSeal finished work with a clear varnish for longer-lasting results (test first).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat creative projects work best with mirror-effect gold leaf?\u003c\/h3\u003e\n\u003cp\u003eThe sheets are versatile across fine art and crafts, instantly adding reflective accents or full gilded areas. They’re especially useful for mixed-media canvases, accenting furniture details, embellishing jewellery castings, and highlighting resin pieces. Because they are adhesive sheets, they speed up gilding jobs that would otherwise require multiple steps.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdd halos, highlights, or geometric panels on paintings.\u003c\/li\u003e\n  \u003cli\u003eGild drawer fronts, frames, and furniture inlays for interior accents.\u003c\/li\u003e\n  \u003cli\u003eEmbed small gold pieces in resin jewellery, beads, and coasters.\u003c\/li\u003e\n  \u003cli\u003eCreate holiday ornaments, decorative cards, or photo-matted accents.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and care for the gold leaf sheets and finished pieces?\u003c\/h3\u003e\n\u003cp\u003eStore unused sheets flat in a cool, dry place away from drafts and moisture; keep them separated by their protective paper to prevent sticking or damage. Finished surfaces will retain their mirror-like shine longer if protected from abrasion, frequent handling, and harsh cleaners.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep sheets in original backing paper until ready to use.\u003c\/li\u003e\n  \u003cli\u003eAvoid humid or windy workspaces; use tweezers or a soft brush to lift sheets.\u003c\/li\u003e\n  \u003cli\u003eSeal completed projects with a compatible clear varnish or resin coat where appropriate.\u003c\/li\u003e\n  \u003cli\u003eDo not use on food-contact items; not food-safe or edible.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill these gold leaves work on glass, metal, or ceramics?\u003c\/h3\u003e\n\u003cp\u003eThey adhere well to many non-porous surfaces when used with the right adhesive or prep, but they are decorative only and not meant for items that will contact food or drink. Test adhesion and finish on a small sample area first and consider a clear protective coating for durability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on painted or sealed wood, metal sculptures, glass décor, and ceramics (for display).\u003c\/li\u003e\n  \u003cli\u003eApply a recommended gilding paste for longer lasting hold on smooth surfaces.\u003c\/li\u003e\n  \u003cli\u003eAvoid using on dishware, glassware for food, or items exposed to washing.\u003c\/li\u003e\n  \u003cli\u003eTest compatibility and seal where needed to protect the gold leaf.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, interior designers, hobbyists, and makers who want the instant impact of genuine-looking gold without complex traditional gilding methods will appreciate these Pébéo Gédéo Mirror Effect Gold Leaves. They suit professional studios and weekend DIYers alike for decorative accents on canvases, furniture, jewellery, resin pieces, and home décor—anyone seeking a bright, reflective gilded finish with quick application and creative flexibility.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are Pébéo Gédéo gold leaves safe for foodware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. These sheets are decorative only and not food-grade; do not use on items that contact food or drink.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I seal the gold leaf after application?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply a compatible clear varnish or resin coat to protect the finish, after testing on a sample first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55255095247185,"sku":"B00JVOJ2NC","price":38.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-gedeo-gold-leaves-front-packaging.jpg?v=1791696878"},{"product_id":"pebeo-fine-oil-xl-oil-paint-200-ml-phthalocyanine-emerald-high-chroma-transparent-green-for-glazing","title":"PEBEO Fine Oil XL oil paint, 200 ml Phthalocyanine Emerald — high-chroma, transparent green for glazing","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL 200 ml in Phthalocyanine Emerald is a professional-quality oil paint delivering a vivid, transparent emerald green for glazing, layering, and mixed-surface painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePébéo’s Fine Oil XL line brings a large 200 ml tube of richly pigmented, quick-working oil colour designed for artists at every level. Formulated to be very workable on canvas, wood, metal and large pictorial surfaces, this Phthalocyanine Emerald offers intense chroma, excellent lightfastness and reliable mixing behavior with other oils and mediums. The XL size reduces the need to reorder frequently and is useful for studio practice, larger canvases or when you want a consistent, long-lasting supply of a favourite green.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this emerald phthalocyanine behave on different painting surfaces?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint was made to adhere and perform across a variety of supports. It spreads evenly for glazes, builds smoothly for impasto, and keeps colour integrity on both absorbent and prepared, non-absorbent surfaces. Expect consistent drying characteristics when used with Pébéo oil media or standard oil painting auxiliaries.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for primed canvas, gessoed panels, sealed wood and treated metal\u003c\/li\u003e\n  \u003cli\u003eTransparent phthalocyanine pigment ideal for glazing and colour mixing\u003c\/li\u003e\n  \u003cli\u003eCompatible with Pébéo and other artist-grade oil mediums\u003c\/li\u003e\n  \u003cli\u003eLarge 200 ml tube for studio-scale work or frequent use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical qualities define this Fine Oil XL colour?\u003c\/h3\u003e\n\u003cp\u003ePébéo’s formulation focuses on pigment strength, permanence and handling. The Phthalocyanine Emerald offers bright, finely ground colour particles that give a brilliant finish while remaining stable over time. Lightfastness rates high, and the pigment behaves predictably in both thin layers and thicker applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh chroma with excellent lightfastness for archival stability\u003c\/li\u003e\n  \u003cli\u003eTransparent degree of opacity, perfect for glazing and tints\u003c\/li\u003e\n  \u003cli\u003eDries faster than some traditional oils—overpaintable after about three days\u003c\/li\u003e\n  \u003cli\u003eBlendable with other Huile Fine Studio XL shades to create custom hues\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and care for this oil paint in my studio workflow?\u003c\/h3\u003e\n\u003cp\u003eUse this Phthalocyanine Emerald straight from the tube for vibrant passages or thin it with medium for glazing. For extended working time or specific textures, mix with appropriate Pébéo oil mediums or painting auxiliaries. Follow standard oil-paint safety and varnishing timelines to preserve your finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply pure for saturated colour or mix with medium for translucence\u003c\/li\u003e\n  \u003cli\u003eAllow approximately 3 days before light overcoating; full cure may take months\u003c\/li\u003e\n  \u003cli\u003eUse proper ventilation and disposable rags; clean brushes with solvent then soap\u003c\/li\u003e\n  \u003cli\u003eVarnish only after thorough drying—typically 6–9 months depending on layer thickness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy pick Pébéo Fine Oil XL over other oil paints?\u003c\/h3\u003e\n\u003cp\u003ePébéo combines decades of artistic heritage with modern pigment technology to offer a reliable, cost-effective oil paint in generous tube sizes. The Fine Oil XL range balances professional-grade pigment load and handling with a price point accessible to hobbyists and students, while still meeting the expectations of experienced painters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLong-standing brand with roots in traditional oil techniques since 1930\u003c\/li\u003e\n  \u003cli\u003eLarge tube reduces frequent repurchasing and supports larger projects\u003c\/li\u003e\n  \u003cli\u003eVersatile performance for study work, commissions, or fine art pieces\u003c\/li\u003e\n  \u003cli\u003eDesigned to integrate smoothly with existing oil painting materials\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists seeking a dependable, intensely pigmented emerald green in a generous 200 ml tube will appreciate Pébéo Fine Oil XL. It suits students learning oil techniques, hobbyists tackling larger canvases, and professional painters who need a vivid, mixable phthalocyanine green with good permanence and flexible handling. If you work across multiple supports or want a reliable glazing green for landscapes, botanical subjects or abstract work, this tube is a practical studio staple.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pébéo Phthalocyanine Emerald suitable for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its transparent phthalocyanine pigment is ideal for glazing and building luminous green layers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a painting painted with this oil?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait until fully dry—typically 6–9 months for thick layers; light overpainting is possible after about 3 days.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55255321903441,"sku":"B00266DFUS","price":37.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-phthalocyanine-emerald-front-tube.jpg?v=1791704154"},{"product_id":"pebeo-vitrail-outliner-glass-paint-liner-vermeil-gold-20-ml-extra-fine-nozzle-raised-metallic-relief","title":"PEBEO Vitrail Outliner glass paint liner, Vermeil Gold 20 ml — extra-fine nozzle, raised metallic relief","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrail Outliner in Vermeil Gold is a squeezable metallic liner designed to draw precise raised lines on glass, metal and canvas for decorative stained-glass and craft effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 20 ml (0.7 fl oz) aluminium-tube outliner delivers a rich vermeil (warm gold) metallic finish in a controllable bead from an extra-fine nozzle. It functions as a relief line paint that helps define shapes, create faux-leading for stained-glass projects, or add metallic accents before filling with translucent paints. The nozzle lets you work freehand or follow patterns, and the tube format keeps excess exposure to air minimal when capped.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply the outliner for clean raised lines?\u003c\/h3\u003e\n\u003cp\u003eUse steady pressure on the tube and a firm, consistent hand to draw continuous raised lines. Practice on scrap glass or paper to control the bead size and speed before working on the final piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake gently and prime the nozzle by squeezing until paint flows.\u003c\/li\u003e\n  \u003cli\u003eKeep the tube at a low angle and use a slow, steady motion for smooth lines.\u003c\/li\u003e\n  \u003cli\u003eFor finer control, use the extra-fine nozzle or trim slightly with scissors if needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and paints work best with Vitrail Outliner?\u003c\/h3\u003e\n\u003cp\u003eThe outliner adheres well to smooth, non-porous surfaces such as glass, glazed ceramic, metal and primed canvas. It's designed to pair with transparent Vitrail-style paints or other solvent-based glass paints to create a classic stained-glass look.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal on clear or coloured glass for faux leaded panels.\u003c\/li\u003e\n  \u003cli\u003eCompatible with many translucent glass paints—test adhesion on a sample first.\u003c\/li\u003e\n  \u003cli\u003eNot intended as a structural adhesive or for high-flex textile use without testing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat tools and drying notes should I plan for?\u003c\/h3\u003e\n\u003cp\u003eWork with basic tools and allow adequate drying time for the relief line to set before applying fills. Ambient temperature and humidity affect cure time; allow longer in cool or humid conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIncluded: extra-fine nozzle and aluminium tube for controlled dispensing.\u003c\/li\u003e\n  \u003cli\u003eClean nozzle with a cloth or solvent after use to prevent clogging.\u003c\/li\u003e\n  \u003cli\u003eLet outlines dry fully before brushing in transparent paints to avoid bleeding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I store and maintain the outliner between sessions?\u003c\/h3\u003e\n\u003cp\u003eCap the nozzle tightly after cleaning to reduce skinning and store the tube horizontally in a cool, dry place. If the nozzle blocks, remove and soak briefly in appropriate solvent to clear hardened paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAvoid prolonged exposure to direct sunlight or heat to protect pigment quality.\u003c\/li\u003e\n  \u003cli\u003eUse within a reasonable time after opening for best flow—store upright with the cap on when possible.\u003c\/li\u003e\n  \u003cli\u003eIf partially used, squeeze out a small amount to re-prime before resuming work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, hobbyists and decorators who want precise metallic outlining for glass painting, faux stained-glass, small-scale metal accents or mixed-media pieces. The PEBEO Vitrail Outliner in vermeil gold suits makers who need a controllable, warm metallic line to enhance translucent paints or add defined decorative borders on smooth surfaces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this outliner with other glass paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it pairs well with many translucent glass paints—test on a sample surface first to confirm compatibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I unclog the nozzle?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wipe the tip after use and soak the nozzle briefly in an appropriate solvent if paint has dried inside.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55256091754833,"sku":"B00HYURAPM","price":37.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrail-outliner-tube-front-vermeil-gold.jpg?v=1791710060"},{"product_id":"pebeo-fine-oil-xl-bright-white-200-ml-high-pigment-opaque-oil-paint-for-canvas-impasto","title":"PEBEO Fine Oil XL Bright White 200 ml — High-Pigment Opaque Oil Paint for Canvas \u0026 Impasto","description":"\u003cb\u003ePébéo Fine Oil XL Bright White is a high-pigment, easy-to-work oil colour in a 200 ml tube designed for expressive painting on canvas, wood, metal and large pictorial surfaces.\u003c\/b\u003e\n\n\u003cp\u003eRooted in Pébéo's long history with fine arts, this Bright White from the Huile Fine Studio XL range delivers rich, opaque coverage and versatile handling whether you are exploring oil techniques for the first time or refining professional work. The formula gives vibrant, permanent whiteness that mixes cleanly with other oils and adapts to glazing, impasto and layered approaches.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this white oil behave on different supports?\u003c\/h3\u003e\n\u003cp\u003eThe Fine Oil XL Bright White is formulated to adhere reliably to traditional painting supports. It tacks and spreads smoothly on primed canvas, seals and layers well on wood or panel, and can also be applied over prepared metal or large pictorial substrates when the ground is properly primed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent opacity for correcting and highlights.\u003c\/li\u003e\n  \u003cli\u003eGood adhesion on primed canvas, gessoed wood, and prepared metals.\u003c\/li\u003e\n  \u003cli\u003eSuits large-format work without excessive sagging when applied correctly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques work best with Pébéo Fine Oil XL Bright White?\u003c\/h3\u003e\n\u003cp\u003eThis white is versatile across common oil techniques: thin glazes, blended passages, and thick impasto. It mixes cleanly with other Huile Fine shades and responds predictably when combined with Pébéo oil media or auxiliaries to alter gloss, flow and drying speed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: dilute with an appropriate medium for transparent layers.\u003c\/li\u003e\n  \u003cli\u003eImpasto: build texture and highlights with undiluted paint.\u003c\/li\u003e\n  \u003cli\u003eLayering: compatible with Pébéo oil media for controlled viscosity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does it dry and how should I finish my painting?\u003c\/h3\u003e\n\u003cp\u003eThe formulation allows surface handling within hours for thin overpainting or adjustments, while full curing of heavy layers requires months. For best archival results, allow extended drying before varnishing and follow standard oil-paint safety and ventilation practices.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin layers: initial overpainting possible after a few hours in typical studio conditions.\u003c\/li\u003e\n  \u003cli\u003eThicker passages: expect prolonged drying; wait months before varnishing heavy layers.\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil mediums to speed or slow drying as needed and to modify sheen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this tube a good choice for students and professionals?\u003c\/h3\u003e\n\u003cp\u003ePébéo’s Fine Oil XL offers a high pigment load and consistent grind that balances performance with value. The 200 ml format supplies a generous working quantity suitable for sustained projects, teaching studios or personal practice without frequent repurchasing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigmentation and lightfastness for lasting whites.\u003c\/li\u003e\n  \u003cli\u003e200 ml tube: economical for study and larger works.\u003c\/li\u003e\n  \u003cli\u003eCompatible with Pébéo’s historical line and modern oil auxiliaries.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Whether you're an art student learning oil technique, an emerging painter building a reliable palette, or an experienced artist seeking a robust, bright titanium white, Pébéo Fine Oil XL Bright White 200 ml is tailored for artists who want vivid, permanent white with flexible handling. It’s ideal for studio practice, workshops, and finished works that require dependable opacity and mixing clarity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eKey tips:\u003c\/strong\u003e Prime supports well, control layer thickness to manage drying time, and experiment with Pébéo oil media to achieve desired surfaces.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStorage:\u003c\/strong\u003e keep tube capped and stored in a cool, dry place away from direct heat and open flame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Pébéo Fine Oil XL Bright White with other oils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other Huile Fine shades and responds well to Pébéo oil media to adjust flow and drying.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a painting made with this oil?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Thin layers can be overpainted in hours, but wait several months for thick layers to fully cure before varnishing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55256818843985,"sku":"B00266J9OE","price":41.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-front-tube_2a98be77-270d-49f0-8b63-dd0ccd8a45b8.jpg?v=1791715865"},{"product_id":"pebeo-fine-oil-xl-oil-paint-natural-shade-brown-200-ml-richly-pigmented-versatile-for-glazing-impasto","title":"PEBEO Fine Oil XL oil paint Natural Shade Brown 200 ml — richly pigmented, versatile for glazing \u0026 impasto","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Fine Oil XL Natural Shade Brown is a 200 ml tube of richly pigmented, versatile oil paint formulated for use on canvas, wood, metal and large pictorial surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 200 ml tube from the Huile Fine Studio XL line delivers an intense, permanent brown that mixes easily with other oils and mediums. Made with finely ground pigments and a stable oil binder, the paint offers excellent lightfastness and a glossy, enduring finish. The formula is designed for both emerging and experienced artists who want a reliable, cost-effective oil paint that works across glazing, impasto and general painting techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Natural Shade Brown perform on different supports?\u003c\/h3\u003e\n\u003cp\u003eNatural Shade Brown is formulated to adhere well to traditional oil supports. It applies smoothly to primed canvas, prepared wood panels and properly treated metal, providing consistent coverage and colour depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks best over primed surfaces (gessoed canvas or sealed wood).\u003c\/li\u003e\n  \u003cli\u003eGood opacity and coverage for brown tones; suitable for underpainting and finishing layers.\u003c\/li\u003e\n  \u003cli\u003eCompatible with oil grounds and metal prepared with an appropriate primer.\u003c\/li\u003e\n  \u003cli\u003eCan be blended or layered for transparent glazes or thick impasto effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and media pair well with this oil paint?\u003c\/h3\u003e\n\u003cp\u003eThe Fine Oil XL line is versatile for classic oil techniques. Use alone for thick passages or combine with PEBEO oil mediums to alter drying, gloss and flow without compromising pigment stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports glazing when thinned with an appropriate medium.\u003c\/li\u003e\n  \u003cli\u003eHolds body for textured brushwork and palette knife impasto.\u003c\/li\u003e\n  \u003cli\u003eMixes reliably with other Huile Fine Studio XL shades to expand your palette.\u003c\/li\u003e\n  \u003cli\u003eSafe to modify with PEBEO oil aids for faster or slower drying times.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does it take to dry and when can I varnish?\u003c\/h3\u003e\n\u003cp\u003eDrying speed depends on film thickness and environmental conditions. A thin layer becomes touch-dry relatively quickly, while thicker passages require more time before safe overcoating or varnishing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin layers: surface firmness and overcoating possible after about 3 days.\u003c\/li\u003e\n  \u003cli\u003eThicker passages: extended drying of several weeks to months is normal.\u003c\/li\u003e\n  \u003cli\u003eRecommended full cure before varnishing: allow approximately 6 to 9 months for complete drying in typical studio conditions.\u003c\/li\u003e\n  \u003cli\u003eUse suitable oil mediums to control drying and film strength.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose PEBEO Fine Oil XL rather than student-grade oils?\u003c\/h3\u003e\n\u003cp\u003ePEBEO's Fine Oil XL balances high pigment concentration and durability at a practical price. The line preserves traditional oil painting characteristics while offering modern manufacturing consistency familiar to practicing artists.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFinely ground pigments deliver bright, permanent colour with excellent lightfastness.\u003c\/li\u003e\n  \u003cli\u003eFormulated since PEBEO’s long history of serving artists, backed by decades of product development.\u003c\/li\u003e\n  \u003cli\u003eGood value for larger 200 ml tubes—sized for frequent use or larger projects.\u003c\/li\u003e\n  \u003cli\u003eCompatible with professional oil mediums and varnishes for archival results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: PEBEO Fine Oil XL Natural Shade Brown 200 ml is suitable for art students, hobbyists and professional painters who need a dependable, richly pigmented oil for studio work and large-format pieces. If you want a versatile brown that mixes cleanly, dries predictably and fits both traditional and contemporary oil techniques, this tube is a practical choice. Prepare your surface, pair it with PEBEO mediums as desired, and explore glazing, layering and textured brushwork with confidence.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this Natural Shade Brown with other oil colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes smoothly with other Huile Fine Studio XL colours and with compatible oil mediums to create custom hues.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a painting made with this oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Allow approximately 6–9 months for full cure before varnishing; thin layers may accept overcoating after about 3 days.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55256819073361,"sku":"B00266DG9S","price":41.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-front-tube-natural-shade-brown.jpg?v=1791715863"},{"product_id":"pebeo-vitrea-160-glass-paint-starter-set-6-x-20-ml-glossy-transparent-bakeable","title":"PEBEO Vitrea 160 glass paint starter set — 6 x 20 ml glossy transparent, bakeable","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Vitrea 160 Initiation Set #1 is a boxed collection of six 20 ml glossy, transparent glass paints designed to create bakeable, waterproof designs on glass and other heat-tolerant surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you want to decorate drinking glasses, ornaments, vases, or ceramic pieces with the look of coloured glass, this starter kit supplies a coordinated palette and a professional water-based formula that mixes easily. The paints are non-toxic, intermixable, and dry to a transparent, high-gloss finish; once cured in a home oven they gain enhanced resistance to washing, UV exposure, and microwaving. This set includes Veil White, Yellow, Indian Red, Light Pink, Light Blue, and Cyan — ideal for jewel tones, pastels, or blended gradients.\u003c\/p\u003e\n\n\u003ch3\u003eHow do these paints achieve a stained-glass effect on household items?\u003c\/h3\u003e\n\u003cp\u003eVitrea 160 uses a transparent, water-based resin that settles into a glossy, coloured film similar to stained glass when dry. You can layer or blend colours for depth, and the formula remains workable for detail or wash techniques before curing. Baking further stabilises the film for everyday use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent pigments mimic coloured glass depth and light transmission\u003c\/li\u003e\n  \u003cli\u003eIntermixable colours let you custom-create tones and gradients\u003c\/li\u003e\n  \u003cli\u003eGlossy finish reflects light for a vitrified appearance\u003c\/li\u003e\n  \u003cli\u003eBakeable to improve durability on functional ware\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces and projects are suitable for Vitrea 160 paints?\u003c\/h3\u003e\n\u003cp\u003eThese paints are formulated for any substrate that tolerates the bake temperature (325 °F\/163 °C). Common surfaces include glass, crystal, glazed ceramics, porcelain, enamel, and metal where a durable decorative finish is desired. Avoid heat-sensitive plastics or untreated earthenware that can crack under oven curing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlassware, mirrors, and window ornaments\u003c\/li\u003e\n  \u003cli\u003eDinnerware and mugs once properly baked for resistance\u003c\/li\u003e\n  \u003cli\u003eCeramic and porcelain décor that accepts glossy paints\u003c\/li\u003e\n  \u003cli\u003eEnameled metal and copper for decorative accents\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the recommended workflow for painting and curing?\u003c\/h3\u003e\n\u003cp\u003eStart with clean, grease-free surfaces, apply thin even coats, and allow full air-dry before oven curing. For best abrasion and wash resistance, bake in a conventional oven at 325 °F (163 °C) for 40 minutes after the paint has fully dried. Follow cooling and handling instructions to avoid sudden temperature shocks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean surface thoroughly with alcohol or mild detergent\u003c\/li\u003e\n  \u003cli\u003eApply thin coats; blend colours while still wet for smooth transitions\u003c\/li\u003e\n  \u003cli\u003eAir-dry completely, then bake 40 minutes at 325 °F (163 °C)\u003c\/li\u003e\n  \u003cli\u003eLet items cool inside the oven or gradually to prevent thermal shock\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do these paints perform for everyday use and cleaning?\u003c\/h3\u003e\n\u003cp\u003eAfter proper curing, Vitrea 160 offers improved resistance to UV light, microwave exposure, and dishwashing compared with uncured paint. While baking significantly increases durability, consider handwashing for longevity of delicate or highly detailed pieces. The formula is non-toxic and conforms to ASTM D-4236.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBaked finish is more resistant to fading and wear\u003c\/li\u003e\n  \u003cli\u003eDishwasher-safe after proper oven curing, though handwashing extends life\u003c\/li\u003e\n  \u003cli\u003eSafe for decorative functional ware when instructions are followed\u003c\/li\u003e\n  \u003cli\u003eAP certified and compliant with labeling standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Vitrea 160 Initiation Set #1 is aimed at hobbyists, craft enthusiasts, and professional artists who want a reliable starter palette for glass-effect painting. It’s ideal for makers designing custom tableware, seasonal ornaments, bespoke gifts, or small-batch home décor. If you need mixable, glossy, bakeable paints with professional pedigree and clear, reproducible results, this kit provides six versatile shades to begin experimenting and scaling projects.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCONTENT: Six 20 ml glossy bottles — Veil White, Yellow, Indian Red, Light Pink, Light Blue, Cyan.\u003c\/li\u003e\n  \u003cli\u003eHIGH GLOSS SHINE: Transparent, non-toxic, water-based formula available in glossy, shimmer, and frosted finishes.\u003c\/li\u003e\n  \u003cli\u003eVERSATILE APPLICATION: Use on glass, crystal, glazed ceramics, porcelain, enameled metal, and more where baking is possible.\u003c\/li\u003e\n  \u003cli\u003eHEAT \u0026amp; WATER RESISTANT FINISH: After full drying and oven curing (325 °F for 40 minutes), enjoy enhanced dishwasher, microwave, and UV resistance.\u003c\/li\u003e\n  \u003cli\u003eTHE ARTIST’S CHOICE: Produced by PÉBÉO with professional-grade materials and AP certification.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Vitrea 160 be used on functional dinnerware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — after full air-dry and oven bake at 325 °F for 40 minutes, the finish gains improved dishwasher and microwave resistance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are these paints safe to mix and blend?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the formula is water-based, non-toxic, and intermixable to create custom colours and gradients.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55257241354577,"sku":"B0D2V7BSPH","price":40.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-vitrea-160-initiation-set-front-view.jpg?v=1791717604"},{"product_id":"pebeo-fine-oil-xl-oil-paint-aureoline-yellow-200-ml-studio-grade-richly-pigmented","title":"PEBEO Fine Oil XL oil paint Aureoline Yellow 200 ml — studio-grade, richly pigmented","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL 200 ml in Aureoline Yellow is a richly pigmented, studio-grade oil paint formulated for versatile use on canvas, wood, metal and large pictorial works.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDrawing on Pébéo's decades of paintmaking expertise, this 200 ml tube of Aureoline Yellow (dark yellow) delivers vivid colour and reliable handling for students, hobbyists and professionals alike. The Huile Fine Studio XL line is designed to be accessible yet capable: pigments are finely ground for an even, lasting finish, and the texture adapts well to glazing, scumbling and impasto techniques. Use it straight from the tube, mix it with other shades in the range, or combine with Pébéo oil mediums to alter flow and finish.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is formulated to adhere to a variety of primed surfaces while maintaining colour intensity. It performs predictably on canvas and wood, and can be used on properly prepared metal and large supports when the surface has suitable priming.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdheres well to oil-primed and acrylic-primed canvas\u003c\/li\u003e\n  \u003cli\u003eStable on sealed or gessoed wood panels\u003c\/li\u003e\n  \u003cli\u003eUse metal only with appropriate primer to prevent adhesion issues\u003c\/li\u003e\n  \u003cli\u003eWorks reliably in large-scale pictorial applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques does Aureoline Yellow support for studio practice?\u003c\/h3\u003e\n\u003cp\u003eThis dark yellow oil paint is versatile across traditional oil methods. Its consistency accepts thin glazes, smooth blends and thicker, textured applications without breaking pigment or losing brightness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: mixes with a medium for transparent layers\u003c\/li\u003e\n  \u003cli\u003eImpasto: holds brush and palette-knife texture when applied thickly\u003c\/li\u003e\n  \u003cli\u003eBlending: softens smoothly for gradients and flesh tones\u003c\/li\u003e\n  \u003cli\u003eMixing: combines cleanly with other Huile Fine Studio XL colours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow quickly does the paint dry and how should I finish my work?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil XL is formulated for relatively fast surface drying for an oil paint, enabling overpainting in a reasonable timeframe. Expect surface drying within a few days under normal studio conditions, while full cure and safe varnishing require longer.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface dry: typically within 2–3 days depending on film thickness and ventilation\u003c\/li\u003e\n  \u003cli\u003eOverpainting: allowed after surface has dried sufficiently (usually a few days)\u003c\/li\u003e\n  \u003cli\u003eFinal curing: can take several months before varnishing—follow safe conservation intervals\u003c\/li\u003e\n  \u003cli\u003eUse Pébéo oil mediums to speed drying or modify gloss when needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat colour characteristics and permanence can I expect from Aureoline Yellow?\u003c\/h3\u003e\n\u003cp\u003eAureoline Yellow delivers a bright, warm yellow with semi-opaque coverage and a lively chroma suited to mixing and layering. Its lightfastness is moderate, so consider display conditions and framing to protect long-term vibrancy.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eColour: deep, warm yellow ideal for highlights and warm mixes\u003c\/li\u003e\n  \u003cli\u003eOpacity: semi-opaque—good for layering and mixing\u003c\/li\u003e\n  \u003cli\u003ePermanence: moderate lightfastness; avoid prolonged exposure to intense sunlight\u003c\/li\u003e\n  \u003cli\u003eCompatibility: mixes cleanly with other oil shades for varied palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Pébéo Fine Oil XL 200 ml in Aureoline Yellow is suited to art students, serious hobby painters and professional artists seeking a cost-effective, high-pigment oil for studies, finished canvases and large works. If you want a flexible, studio-ready yellow that responds well to both traditional oil techniques and contemporary mixed-medium approaches, this tube provides a dependable starting point. Pair it with Pébéo oil mediums, brushes, and properly primed supports to get the best results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this oil paint on unprimed wood or metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Prime wood or metal first—use oil or acrylic primer to ensure adhesion and prevent damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long before I can varnish a finished painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wait several months for full cure; surface overpainting can start after a few days, but varnishing requires full drying.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55293696082257,"sku":"B005IW096U","price":41.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-aureoline-yellow-front-tube.jpg?v=1791925614"},{"product_id":"pebeo-fine-oil-xl-oil-paint-madder-carmine-200-ml-luminous-glazing-impasto-ready","title":"PEBEO Fine Oil XL oil paint Madder Carmine 200 ml — luminous, glazing \u0026 impasto-ready","description":"\u003cp\u003e\u003cstrong\u003ePébéo Fine Oil XL 200 ml in Madder Carmine (Garance) is a richly pigmented, easy-to-use oil paint designed for artists working on canvas, wood, metal and large pictorial projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis professional-style oil from the Fine Oil Studio XL range delivers luminous, permanent colour with a smooth consistency that suits both glazing and impasto techniques. Formulated to be user-friendly while preserving traditional oil-painting characteristics, the 200 ml tube of Garance (Madder Carmine) offers a generous volume and a versatile transparency that blends well with the rest of the Fine Oil palette and Pébéo oil media.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Madder Carmine perform on different surfaces?\u003c\/h3\u003e\n\u003cp\u003ePébéo Fine Oil is formulated to adhere to a wide variety of ground types. Whether you work on primed canvas, wood panels, metal, or large murals, the paint maintains pigment intensity and levelling behaviour typical of fine oil colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmooth application on primed canvas with even sheen.\u003c\/li\u003e\n  \u003cli\u003eGood adhesion and layering on sealed wood or metal surfaces.\u003c\/li\u003e\n  \u003cli\u003eSupports large-format work without excessive sagging or cracking when applied correctly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques can I use with this oil colour?\u003c\/h3\u003e\n\u003cp\u003eThis Madder Carmine is versatile: it responds well to thin glazes as well as thicker, texture-rich passages. It mixes cleanly with other colours in the Fine Oil range and with Pébéo oil media to adapt drying speed and handling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: transparent nature allows luminous layered effects.\u003c\/li\u003e\n  \u003cli\u003eImpasto: supports thicker brush or palette-knife application when used alone or with a stiffening medium.\u003c\/li\u003e\n  \u003cli\u003eMixing: combines predictably with whites, earths and other pigments to expand your chromatic range.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow fast does Pebéo Fine Oil XL dry and how should I varnish it?\u003c\/h3\u003e\n\u003cp\u003eThe Fine Oil formulation dries relatively quickly for an oil paint, allowing overpainting after roughly three days under normal studio conditions. Full curing is longer; Pébéo recommends waiting several months before applying final varnish to ensure deep layers are thoroughly dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface recoat: typically possible after 3 days, depending on film thickness and environment.\u003c\/li\u003e\n  \u003cli\u003eVarnishing: allow 6–9 months of drying time for optimal permanence before varnishing.\u003c\/li\u003e\n  \u003cli\u003eAccelerating\/retarding: use Pébéo oil media to modify drying times and working properties safely.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the colour qualities and lightfastness of Garance Madder Carmine?\u003c\/h3\u003e\n\u003cp\u003eGarance (Madder Carmine) is a finely ground, luminous red with transparent tendencies that make it excellent for glazes and mixing. Its lightfastness is rated medium, so consider layering and protective finishing for works intended for long-term display.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHue: deep, warm carmine suitable for vivid reds and muted mixes.\u003c\/li\u003e\n  \u003cli\u003eOpacity: transparent to semi-transparent, ideal for glazing techniques.\u003c\/li\u003e\n  \u003cli\u003eDurability: medium lightfastness—best preserved with appropriate varnishing and display conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this paint for? Artists at every level who want a reliable, historically rooted oil paint with modern handling will appreciate Pébéo Fine Oil XL 200 ml in Garance. It's particularly well suited to painters exploring glazing, colour mixing and larger-scale works who need a substantial tube size and the ability to combine the paint with Pébéo oil media for tailored drying and texture. If you seek a vivid Madder Carmine that integrates well into a professional or student studio, this tube offers a strong balance of performance and value.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Pébéo Fine Oil XL Garance with other oil colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other Fine Oil shades and responds well to Pébéo oil media for varied effects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Madder Carmine suitable for varnishing soon after painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Wait 6–9 months for full cure before varnishing; surface overcoats may be possible after about 3 days.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55293701062993,"sku":"B00266DFBC","price":41.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-fine-oil-xl-front-tube_785753c3-6694-481b-a124-45ea1ac1eefb.jpg?v=1791925644"},{"product_id":"pebeo-easy-peel-liquid-latex-masking-fluid-250ml-quick-dry-bluish-tint-for-watercolor-gouache","title":"PEBEO Easy Peel Liquid Latex Masking Fluid 250ml - Quick-Dry, Bluish Tint for Watercolour \u0026 Gouache","description":"\u003cp\u003e\u003cstrong\u003ePEBEO Easy Peel Liquid Latex is a quick-dry, easy-to-remove masking fluid that protects areas of your artwork from paint, ink, and wash treatments.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eKeep precise white highlights and untouched paper while you work: this natural liquid latex formula lets you reserve clean areas on paper, board, canvas or glass so you can paint freely without worrying about accidental splatters or stray brush marks. Its bluish tint improves visibility during application, and once dry it forms a water-resistant film that peels away cleanly when you’re ready to reveal the preserved surface underneath.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply Pebeo Easy Peel Masking Fluid for the cleanest results?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward: use a brush, dip pen, or masking-tool to place the fluid where you want to preserve paper or surface colour. The bluish tint helps you see exactly where it goes; allow the film to dry fully before laying washes or heavy paint on top.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply thin even coats to avoid cracking when removed.\u003c\/li\u003e\n  \u003cli\u003eUse synthetic-bristle brushes and rinse immediately after use.\u003c\/li\u003e\n  \u003cli\u003eLet dry completely — tack-free before painting over.\u003c\/li\u003e\n  \u003cli\u003eTest on a scrap surface if working on delicate papers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and media are compatible with this masking liquid?\u003c\/h3\u003e\n\u003cp\u003ePEBEO’s liquid latex works on a wide range of art supports and pairs with many painting media. It’s designed for use with watercolour, gouache, ink, acrylics and mixed-media techniques on paper, cardboard, canvas boards and even nonporous surfaces like glass.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePaper and watercolour blocks — preserves highlights and fine details.\u003c\/li\u003e\n  \u003cli\u003eCanvas boards and primed surfaces — blocks water-based paints.\u003c\/li\u003e\n  \u003cli\u003eGlass and smooth surfaces — creates removable resist areas.\u003c\/li\u003e\n  \u003cli\u003eCompatible with ink, gouache, acrylics, pencils and pastels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I remove the dried masking fluid without harming my artwork?\u003c\/h3\u003e\n\u003cp\u003eRemoval is quick and gentle: once the latex film is fully dry, lift it away by rubbing lightly with your finger or a soft eraser. If needed, a plastic pick or a clean fingernail will lift edges without gouging paper; avoid soaking or aggressive scraping, and remove excess residue carefully.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRub with a finger or soft rubber eraser for most papers.\u003c\/li\u003e\n  \u003cli\u003eUse a plastic pick for small, tight areas to prevent tears.\u003c\/li\u003e\n  \u003cli\u003eDon’t peel until fully dry to avoid ragged edges.\u003c\/li\u003e\n  \u003cli\u003eClean brushes promptly with water to protect bristles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow fast does this masking fluid dry and how visible is it during use?\u003c\/h3\u003e\n\u003cp\u003ePEBEO Easy Peel dries quickly to a water-resistant film so you can continue working without long delays. The formula’s faint bluish tint provides high visibility during placement, making it easier to mask fine details and control shapes precisely.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eQuick-dry formula reduces wait times between steps.\u003c\/li\u003e\n  \u003cli\u003eBluish tint gives clear contrast on light surfaces.\u003c\/li\u003e\n  \u003cli\u003eForms a removable latex film that resists water and washes.\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible film that peels cleanly from many supports.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Pebeo Easy Peel Liquid Latex is suited to illustrators, watercolourists, mixed-media artists, hobbyists and craftmakers who need reliable masking for highlights, fine-line detail, or protected areas. Choose the 250ml bottle when you want a professional-grade, easy-to-use masking fluid for recurring projects, classroom use, or an expanding studio practice — it’s made by a long-standing art materials brand that balances technical performance with artist-friendly handling.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Pebeo Easy Peel on delicate watercolour paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — apply thinly and let it dry fully; remove gently with a soft eraser or fingertip to avoid tearing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this masking fluid work with acrylics and ink?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it resists water-based acrylics and inks when dry and peels away cleanly on most common supports.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"PEBEO","offers":[{"title":"Default Title","offer_id":55293905830225,"sku":"B006H1R1CG","price":45.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/pebeo-easy-peel-front-label.jpg?v=1791926351"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/pebeo-porcelaine-150-fine-tip-front-box.jpg?v=1792143734","url":"https:\/\/craftiche.co.uk\/collections\/pebeo.oembed","provider":"Craftiche","version":"1.0","type":"link"}