{"title":"Pastel Paper","description":"\u003cp\u003e46 products from 8 brands, including Clairefontaine, Uart and Canson. Prices run from £29.50 to £274.46, including VAT. \u003c\/p\u003e\u003cp\u003ePart of our \u003ca href=\"\/collections\/art-paper-sketchbooks\"\u003eart paper \u0026amp; sketchbooks\u003c\/a\u003e department. \u003c\/p\u003e","products":[{"product_id":"strathmore-400-series-tape-bound-pastel-pad-11x14-80-lb-textured-paper-24-sheets-assorted-neutrals","title":"Strathmore 400 Series Tape-Bound Pastel Pad 11x14, 80 lb Textured Paper, 24 Sheets Assorted Neutrals","description":"\u003cp\u003e\u003cstrong\u003eStrathmore 400 Series Tape Bound Pastel Pad is a glue\/tape-bound 11 x 14 inch pad of 80 lb (118 gsm) textured, acid-free paper in assorted neutral colours designed specifically for oil, soft and hard pastels.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pastel pad pairs a toothy, textured surface with mid-weight, archival-quality paper so you can build layers, blend, and preserve pastel work without distortion. The pad includes 24 sheets in a selection of neutral tones that help you judge value and colour relationships as you work. Tape binding keeps pages secure while allowing easy removal for framing or scanning, and Strathmore’s long history of paper-making means consistent performance across every sheet.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper surface affect pastel work?\u003c\/h3\u003e\n\u003cp\u003eThe textured finish provides tooth that grips pastel particles, making layering and subtle blending easier. You’ll notice better adherence for dusting and scumbling techniques compared with smooth papers, and the texture also creates a pleasing surface effect that complements pastel marks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eToothy textured surface for secure pastel application\u003c\/li\u003e\n  \u003cli\u003eWorks well with soft, hard, and oil pastels\u003c\/li\u003e\n  \u003cli\u003eEncourages layering and subtle blends\u003c\/li\u003e\n  \u003cli\u003eNeutral tones help with value control and colour studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pad’s specifications and why do they matter?\u003c\/h3\u003e\n\u003cp\u003eThis pad is 11 x 14 inches, contains 24 sheets, and uses 80 lb (118 gsm) acid-free paper—light enough to handle easily, yet substantial enough to accept multiple pastel layers. Tape\/glue binding secures sheets during drawing but allows clean removal for display or scanning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 11 x 14 inches — convenient for studies and finished pieces\u003c\/li\u003e\n  \u003cli\u003ePaper weight: 80 lb \/ 118 gsm — balanced weight for layers and portability\u003c\/li\u003e\n  \u003cli\u003e24 sheets — enough for practice and several finished works\u003c\/li\u003e\n  \u003cli\u003eAcid-free stock — helps protect artwork over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use other media on this pad besides pastels?\u003c\/h3\u003e\n\u003cp\u003eWhile optimised for pastels, the textured paper also accepts dry media such as charcoal, coloured pencil, and graphite very well. Avoid heavy wet media: the paper isn’t sized for prolonged saturation or heavy washes, but light mixed-media applications that rely on dry adherence are appropriate.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal: soft, hard, and oil pastels; charcoal; coloured pencils\u003c\/li\u003e\n  \u003cli\u003eNot recommended: heavy washes or prolonged wet media\u003c\/li\u003e\n  \u003cli\u003eGood for mixed dry techniques and layering\u003c\/li\u003e\n  \u003cli\u003eGreat for studies, finished pieces, and artwork to be framed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does tape\/glue binding benefit my workflow?\u003c\/h3\u003e\n\u003cp\u003eTape-bound edges hold sheets flat while you work and permit clean removal when you’re ready to mat or frame a piece. The binding keeps the pad compact for travel and storage, and individual sheets can be removed without ragged tears when properly lifted.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTape binding keeps pages secure and flat while drawing\u003c\/li\u003e\n  \u003cli\u003eAllows clean sheet removal for presentation or scanning\u003c\/li\u003e\n  \u003cli\u003eCompact format is portable and studio-friendly\u003c\/li\u003e\n  \u003cli\u003eDurable construction preserves sheets during transport\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Strathmore 400 Series Tape Bound Pastel Pad suits students, hobbyists, and practicing artists who want reliable, textured paper for pastel techniques without investing in heavyweight fine art sheets. It’s an excellent choice for classroom use, plein-air sketches, studies, and finished pastel pieces that benefit from neutral background tones and archival-grade, acid-free construction.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pastel pad acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The paper is acid-free to help protect artwork from yellowing over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use oil pastels on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The textured 80 lb surface accepts oil, soft, and hard pastels effectively.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Strathmore","offers":[{"title":"Default Title","offer_id":55252120731985,"sku":"B004O77O2C","price":29.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/strathmore-front-cover.jpg?v=1791648257"},{"product_id":"meeden-oil-pastel-paper-pad-8-x-8-140lb-300gsm-fine-textured-spiral-sketchbook-with-embedded-tracing-layer","title":"MEEDEN Oil Pastel Paper Pad 8\" x 8\" — 140lb\/300gsm Fine-Textured Spiral Sketchbook with Embedded Tracing Layer","description":"\u003cp\u003e\u003cstrong\u003eMEEDEN 8\" x 8\" Oil Pastel Paper Pad is a portable, 140lb\/300gsm spiral-bound sketchbook engineered for oil pastels, blending, layering, and long-term storage without colour bleed.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact pad combines a fine-toothed, reinforced surface and an embedded oil-resistant tracing layer so artists can layer, blend, and store oil pastel work with confidence. Each 8\" x 8\" sheet is acid-free and heavyweight to resist buckling and yellowing, while twin-wire binding and laser-perforated edges make working and removing pages clean and straightforward. The blank DIY hardcover invites personalisation so the book becomes both a working sketchpad and a presentation-ready portfolio.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper manage oil pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe paper's fine texture holds pigment without letting layers slip or clump, so colours remain vibrant and blend predictably. The tooth gives enough grab for multiple passes while avoiding excessive abrasiveness that would break pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine-tooth surface for smooth colour adhesion and controlled blending\u003c\/li\u003e\n  \u003cli\u003eStrong fibres prevent tearing during heavy layering or scraping\u003c\/li\u003e\n  \u003cli\u003e140lb\/300gsm weight supports multiple layers without buckling\u003c\/li\u003e\n  \u003cli\u003eNon-glaring finish keeps colours looking saturated and true\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the built-in tracing layer stop colour bleed when pages touch?\u003c\/h3\u003e\n\u003cp\u003eYes — the embedded oil-resistant tracing sheet acts as a barrier to oil and moisture, reducing transfer when pages are stacked or stored. It preserves pigment intensity on the working page while preventing ghosting on adjacent sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEmbedded tracing paper blocks oil and water penetration\u003c\/li\u003e\n  \u003cli\u003eHelps avoid colour ghosting when stacking multiple artworks\u003c\/li\u003e\n  \u003cli\u003eMaintains front-side absorption so vibrancy isn’t compromised\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction prevents long-term yellowing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad make creating and removing pages easier?\u003c\/h3\u003e\n\u003cp\u003eThe twin-wire spiral lays flat for uninterrupted double-page spreads, and laser-perforated sheets tear away cleanly for display or framing. The reinforced paper resists fraying, so torn pages present neat edges ready for portfolio use or gifting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTwin-wire binding opens 180° for flat working surface\u003c\/li\u003e\n  \u003cli\u003eLaser-perforated edges produce clean, tear-away sheets\u003c\/li\u003e\n  \u003cli\u003eDurable fibres resist tearing when using tape or masking\u003c\/li\u003e\n  \u003cli\u003eRemovable pages are exhibition- and gift-ready without trimming\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this sketchbook travel- and classroom-friendly?\u003c\/h3\u003e\n\u003cp\u003eAt 8\" x 8\" the pad is compact enough for field sketching yet roomy for detailed studies. The hardcover protects sheets in a bag, and the DIY cover encourages personalisation, which is handy for students and artists who want a unique, durable sketchbook.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortable square format fits backpacks and art totes easily\u003c\/li\u003e\n  \u003cli\u003eHardcover provides protection during transport and storage\u003c\/li\u003e\n  \u003cli\u003eBlank cover for custom decoration or labeling\u003c\/li\u003e\n  \u003cli\u003e30 heavyweight sheets balance portability with ample practice space\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The MEEDEN 8\" x 8\" Oil Pastel Paper Pad suits hobbyists, art students, classroom settings, and professional artists who need a reliable, heavyweight surface for oil pastels and mixed-media exploring. It’s ideal for anyone who values archival-grade paper, neat page removal for portfolios or shows, and a compact pad that travels well. Choose this pad if you want a practical combination of texture, weight, and protection for vibrant, long-lasting pastel work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy layering of oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140lb\/300gsm weight and fine tooth support multiple layers without buckling or slip.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove pages cleanly for framing or displays?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Laser-perforated pages tear away neatly and the paper resists fraying for exhibition-ready sheets.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"MEEDEN","offers":[{"title":"Default Title","offer_id":55254838935889,"sku":"B0H3BRFHMX","price":36.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/meeden-front-cover-8x8.jpg?v=1791688757"},{"product_id":"hahnemuhle-pastel-velour-pad-9-25-x-12-5-in-10-pastel-sheets-260gsm-velour-surface-for-strong-pigment-adhesion","title":"Hahnemühle Pastel Velour Pad 9.25 x 12.5 in — 10 pastel sheets, 260gsm velour surface for strong pigment adhesion","description":"\u003cb\u003eHahnemühle Pastel Velour Pad is a 9.25×12.5-inch, 260gsm pad with ten velour-coated sheets in curated pastel tones engineered for superior pastel adhesion and layered work.\u003c\/b\u003e\n\n\u003cp\u003eThis pad combines Hahnemühle's fine-paper craft with a soft velour surface designed specifically for both soft and oil pastels. The ten-sheet assortment includes a balanced palette — white, medium grey, yellow, green, orange, dark grey, sand, ochre, light grey and black — allowing artists to select coloured grounds that enhance contrast, harmony, or mood without priming. Each sheet weighs 260gsm for enough tooth to hold multiple layers while remaining flexible for mounting, sketching, or finished pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the velour surface different from regular pastel paper?\u003c\/h3\u003e\n\u003cp\u003eThe velour coating gives a plush, fine-textured tooth that grips pigment particles more evenly than smooth or heavily textured papers. This allows pastel to sit on the surface for vivid colour while still permitting burnishing and blending techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft velour finish enhances pigment adhesion and colour saturation\u003c\/li\u003e\n  \u003cli\u003eFine yet consistent tooth for smooth gradients and crisp edges\u003c\/li\u003e\n  \u003cli\u003eCompatible with both soft and oil pastels without rapid abrasion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and workable is this 260gsm pad for layered pastel techniques?\u003c\/h3\u003e\n\u003cp\u003eAt 260gsm each sheet is sturdy enough to accept multiple passes of pastel and light fixative, yet still manageable for trimming or mounting. The weight supports blending, scumbling, and light erasing without immediate tearing or warping when used with dry media.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e260gsm provides a stable base for layering and moderate reworking\u003c\/li\u003e\n  \u003cli\u003eHolds pastel layers without excessive dust loss\u003c\/li\u003e\n  \u003cli\u003eSheets are easy to cut, mount, or scan for digital reproduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich colours are included and how do they influence artwork choices?\u003c\/h3\u003e\n\u003cp\u003eThe pad includes ten thoughtfully chosen tones that serve as pre-selected backgrounds to influence value and atmosphere. Use darker sheets to increase contrast with light highlights, or mid-tones to speed up compositional blocking and harmonious colour relationships.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWhite and light greys for high-key studies and subtle transitions\u003c\/li\u003e\n  \u003cli\u003eSand, ochre and yellow for warm undertones and natural light scenes\u003c\/li\u003e\n  \u003cli\u003eGreen and orange for complementary accents and bold mid-tones\u003c\/li\u003e\n  \u003cli\u003eDark grey and black for dramatic value range and luminous highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad good for beginners, students, or professional work?\u003c\/h3\u003e\n\u003cp\u003eThe combination of approachable sheet size and professional material quality makes this pad useful across skill levels. Beginners benefit from ready-to-use coloured grounds, while advanced artists can exploit the velour surface for refined layering and detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompact 9.25×12.5-inch format fits portfolios and sketchbooks\u003c\/li\u003e\n  \u003cli\u003eTen colours allow experimentation without committing to large rolls or boards\u003c\/li\u003e\n  \u003cli\u003eSuitable for classroom use, plein-air studies, and studio pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, students, and hobbyists looking for a compact, high-quality pastel pad that accelerates compositional decisions and supports layered techniques. If you prefer a soft, velvety tooth that holds pastel pigment with minimal abrasion, and want a ready palette of backgrounds to influence mood and contrast, this Hahnemühle 10-colour velour pad is made for versatile pastel work, from quick studies to finished pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use oil pastels on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The velour coating accepts both soft and oil pastels, holding pigment while allowing blending and burnishing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What are the sheet dimensions and weight?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet measures approximately 9.25×12.5 inches and is 260gsm, with ten sheets per pad.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Hahnemühle","offers":[{"title":"Default Title","offer_id":55255302439249,"sku":"B002RAE6UG","price":39.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/hahnemuhle-pastel-pad-front-cover.jpg?v=1791703449"},{"product_id":"canson-mi-teintes-pastel-pad-12-x-16-assorted-colors-24-sheets-98-lb-dual-texture-pastel-paper-50-cotton-acid-free","title":"Canson Mi-Teintes Pastel Pad 12 x 16 Assorted Colours — 24 Sheets, 98 lb Dual-Texture Pastel Paper (50% Cotton, Acid-Free)","description":"\u003cp\u003e\u003cstrong\u003eCanson Mi-Teintes Pastel Pad 12 x 16 Assorted Colours is a 24-sheet pad of dual-texture, 98 lb (160 g) acid-free paper made with 50% cotton, designed for pastel, drawing and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhether you sketch, layer pastels, or work with charcoal and mixed media, this Canson Mi-Teintes pad offers heavyweight, coloured paper engineered for artists who want consistent texture, colourfast performance and archival quality. Each sheet is dyed through at the pulp stage for lasting hues, and the gelatin sizing helps hold powdery media so colours stay vibrant. The pad’s 12 x 16 inch format is a versatile studio size for studies, finished pieces and craft projects.\u003c\/p\u003e\n\n\u003ch3\u003eHow do the two textures change the way I work?\u003c\/h3\u003e\n\u003cp\u003eThe pad gives you a coarse side for strong tooth and a smoother side for finer detail. Use the heavier texture to layer pastels and build rich colour; flip to the lighter texture for blending, delicate lines, or mixed-media accents. The dual surfaces let you experiment without switching papers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHeavy-textured side: excellent tooth for pastel and charcoal layering\u003c\/li\u003e\n  \u003cli\u003eLight-textured side: better for precise marks and subtle blending\u003c\/li\u003e\n  \u003cli\u003eSame weight both sides: predictable handling and stretching\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill these sheets hold up to layering and erasing?\u003c\/h3\u003e\n\u003cp\u003eThe 98 lb (160 g) weight and gelatin sizing provide a sturdy surface suited to multiple layers of dry media and careful erasing. The paper’s half-cotton composition reduces tearing and surface breakdown so you can lift highlights and rework areas. It is robust enough for spray fixatives and light mixed-media applications when handled properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e50% cotton content increases durability and tactile resilience\u003c\/li\u003e\n  \u003cli\u003eGelatin sizing helps media adhere without excessive dusting\u003c\/li\u003e\n  \u003cli\u003eHeavyweight stock reduces buckling under moderate layering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I know about colorfastness and archival quality?\u003c\/h3\u003e\n\u003cp\u003eThese sheets are coloured through at the pulp stage, so the hue runs through the whole sheet rather than only on the surface, producing even tones and better longevity. The paper is acid-free, which helps protect work from yellowing over time when stored properly. While no paper guarantees absolute permanence, this pad is engineered for long-term stability compared with non-archival alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePulp-dyed colour resists surface fading and shows consistent tone\u003c\/li\u003e\n  \u003cli\u003eAcid-free formulation reduces risk of discoloration in storage\u003c\/li\u003e\n  \u003cli\u003eSuitable for portfolio pieces when combined with proper mounting and framing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets and what size are included?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 24 sheets of 12 x 16 inch paper—large enough for detailed studies yet manageable for framing and mailing. Each sheet weighs 98 lb (160 g), providing a professional feel and handling for both practice and finished work. The assorted colour palette supplies ready-made backgrounds to influence mood and reduce ground-preparation time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e24 sheets per pad, 12 x 16 inch format\u003c\/li\u003e\n  \u003cli\u003e98 lb (160 g) weight per sheet for substantial hand and durability\u003c\/li\u003e\n  \u003cli\u003eAssorted colours: ready-to-use backgrounds without priming\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, students and hobbyists who work primarily with pastels, charcoal, pencil, and mixed dry media will find this Canson Mi-Teintes pad especially useful. It suits professionals crafting studies or finished pieces, art students refining technique, and crafters who want sturdy, coloured papers for collage and paper projects. If you need a reliable, dual-textured sheet that balances tooth with smoothness and holds up to layering, this pad is a practical studio essential.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper good for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—its heavy 98 lb weight and textured surface handle oil pastel layering, though heavier wet media may require additional support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use both sides of each sheet?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Each sheet has two usable surfaces: a heavier tooth for gripping media and a lighter texture for detail work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Canson","offers":[{"title":"Default Title","offer_id":55256376377681,"sku":"B004O7FFE6","price":36.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/canson-mi-teintes-pad-front-cover-12x16.jpg?v=1791713814"},{"product_id":"clairefontaine-pastelmat-heavyweight-pastel-paper-pad-18-x-24-cm-360-g-m-white-glued-12-sheet","title":"Clairefontaine Pastelmat heavyweight pastel paper pad 18 x 24 cm — 360 g\/m², white, glued 12-sheet","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat White is a 18 x 24 cm glued pad of heavyweight 360 g\/m² paper designed for dry media and pastels, offering a textured surface that grips pigment while allowing fine detail.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact pad puts Clairefontaine’s specialty Pastelmat paper in a convenient glued format: 12 sheets of smooth-but-tooth white paper sized 18 x 24 cm. The heavy 360 gsm weight resists warping and handles layering, erasing, and blending without losing surface integrity. Because the pad is glued at the top, individual sheets lift cleanly for removal, mounting, or reference, making it practical for studies, plein air sketches, and finished pastel pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat materials and techniques suit this pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is formulated for dry techniques: soft and hard pastels, charcoal, sanguine, graphite, and coloured pencils all perform well. The surface texture is engineered to hold multiple layers of pigment while preserving crisp lines and rich colour saturation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² weight prevents buckling with heavy pastel layers\u003c\/li\u003e\n  \u003cli\u003eTextured tooth retains pastel particles for vibrant colour\u003c\/li\u003e\n  \u003cli\u003eWorks with erasing and blending tools without surface damage\u003c\/li\u003e\n  \u003cli\u003eSuitable for detail work using pencils or fine charcoal\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued binding affect use and presentation?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s top glue binding keeps pages secure during transport and studio work yet allows sheets to be removed neatly when you’re ready to mount or frame. It’s ideal for sequential studies, workshops, or carrying a small selection of ready-to-use sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued edge enables clean tear-off without ragged edges\u003c\/li\u003e\n  \u003cli\u003ePad stays flat while drawing, improving control\u003c\/li\u003e\n  \u003cli\u003eCompact size fits sketchbooks and small backpacks\u003c\/li\u003e\n  \u003cli\u003e12-sheet count balances practice and preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper perform for layering and erasing?\u003c\/h3\u003e\n\u003cp\u003eThe heavier 360 gsm stock holds multiple pigment layers without collapsing, so you can build depth with successive pastel applications. It also withstands gentle erasing techniques, allowing artists to refine highlights and correct compositions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDense fibre structure reduces dust loss when blending\u003c\/li\u003e\n  \u003cli\u003eAllows lift-off and reworking for highlights and corrections\u003c\/li\u003e\n  \u003cli\u003eSupports fixatives if you choose to seal completed work\u003c\/li\u003e\n  \u003cli\u003eConsistent white tone enhances colour accuracy and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who work primarily with dry media and want a reliable, heavyweight paper in a portable pad format will appreciate Clairefontaine Pastelmat White 18 x 24 cm. It’s suited to students learning pastel techniques, hobbyists doing studies and portraits, and professional artists producing small-format finished pieces. The glued top makes it practical for classes, outdoor work, and sequential practice while the 360 gsm sheet quality provides the durability needed for layering, erasing, and presentation-ready results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 gsm Pastelmat holds oil pastels, but expect different blending behavior—test fixative compatibility first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I frame sheets removed from the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Sheets remove cleanly from the glued edge and can be mounted and framed without trimming.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55294429200721,"sku":"B0090LNSNQ","price":45.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover.jpg?v=1791930002"},{"product_id":"fabriano-artist-pad-white-white-11-75-x-16-5-300gsm-acid-free-paper-top-glued-flip-cover","title":"Fabriano Artist Pad White White 11.75\" x 16.5\" — 300gsm Acid-Free Paper, Top-Glued Flip Cover","description":"\u003cstrong\u003eFabriano White White Pad is a top-glued artist pad of 20 sheets of smooth, acid-free 300gsm paper sized 11.75\" × 16.5\" for pastels, coloured pencil and marker work.\u003c\/strong\u003e\n\n\u003cp\u003eThis pad pairs heavyweight, archival-friendly stock with a neat flip-top binding, giving you a portable block of high-opacity, burnished white paper that stands up to layering and blending. The sheets are made from ECF cellulose pulp and printed with a subtle tone-on-tone cover design; the slick overcover folds back for easy access while keeping pages protected during storage or transport.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the 300gsm paper suitable for my pastel and marker techniques?\u003c\/h3\u003e\n\n\u003cp\u003eThe 300gsm (140 lb.) weight is dense enough to accept multiple layers without buckling, yet still responds well to powdery pastel abrasion and marker ink. Its robust surface supports burnishing and light erasing, so you can refine details without quickly wearing through the sheet.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e300gsm paper resists rippling under wet or heavy media\u003c\/li\u003e\n  \u003cli\u003eBurnished white tone improves colour contrast and vibrancy\u003c\/li\u003e\n  \u003cli\u003eTextured enough for pastel grip, smooth enough for marker strokes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad's top-glued binding and cover design help in practical use?\u003c\/h3\u003e\n\n\u003cp\u003eThe pad is glued along the top edge so pages stay neatly secured until you tear them away for framing or mounting. The cover bends back and folds over the glued edge to keep the remaining sheets flat and protected while you work, making it convenient for sketching on a lap, easel, or table.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTop-glued binding enables clean page removal without perforations\u003c\/li\u003e\n  \u003cli\u003eSlick cover resists scuffs and folds for transport durability\u003c\/li\u003e\n  \u003cli\u003eFold-back design keeps unfinished pages flat during sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and what is it made from?\u003c\/h3\u003e\n\n\u003cp\u003eThe sheets are acid-free, meaning they are formulated to reduce yellowing and deterioration over time compared with standard non-archival papers. They are manufactured from ECF (elemental chlorine-free) cellulose pulp, a common quality standard for artist-grade papers seeking longevity and consistent performance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition helps preserve artwork longer\u003c\/li\u003e\n  \u003cli\u003eECF cellulose pulp supports consistent fibre and texture\u003c\/li\u003e\n  \u003cli\u003eQuality control suited for student projects to finished pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow large is the pad and what creative uses does this size support?\u003c\/h3\u003e\n\n\u003cp\u003eAt 11.75\" × 16.5\", the pad occupies a mid-sized format that balances portability with a generous working area for studies, portraits, or composition experiments. The dimensions make it easy to store in portfolios or carry in a tote, while giving enough room for detailed pieces without needing to step up to sheet sizes that are harder to handle.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e11.75\" × 16.5\" ideal for head-and-shoulders studies, landscapes, and mixed-media thumbnails\u003c\/li\u003e\n  \u003cli\u003e20-sheet count keeps a compact weight for travel or classroom use\u003c\/li\u003e\n  \u003cli\u003eWorks well for practice runs, finished studies, and mixed-media samples\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, students, and hobbyists who want a durable, mid-weight pad for pastel, coloured pencil, marker, and light mixed-media exploration will find this Fabriano pad practical and dependable. It’s aimed at creators who need archival-friendly paper in a manageable pad format that protects unused sheets, supports multiple layers of media, and travels easily between studio, classroom, and plein-air sessions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Fabriano White White Pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 20 sheets of 300gsm paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on this 300gsm paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It tolerates light washes and marker, but heavy wet media may require heavier or watercolour-specific paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55294473994577,"sku":"B0774W36JK","price":40.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-white-white-pad-front-cover.jpg?v=1791930972"},{"product_id":"meeden-oil-pastel-paper-pad-9-x-12-30-sheet-140lb-300gsm-fine-textured-spiral-bound-with-embedded-tracing-barrier","title":"MEEDEN Oil Pastel Paper Pad 9 x 12, 30-Sheet 140lb\/300gsm Fine-Textured — Spiral-Bound with Embedded Tracing Barrier","description":"\u003cp\u003e\u003cstrong\u003eMEEDEN's 9\" x 12\" oil pastel paper pad is a 30-sheet, 140lb\/300gsm fine-textured sketchbook with embedded oil-resistant tracing paper and spiral binding, built for layered pastel work and clean long-term storage.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastelists, students, and mixed-media artists who want sturdy, archival-quality sheets that handle thick pigment, this pad balances a grippy surface with a resilient core. The paper’s heavier weight and fine tooth give pastels something to bite into while the embedded tracing barrier helps stop oils and wet media from migrating when pages touch. Practical features like lay-flat twin-wire binding and laser-perforated pages make studio use, exhibitions, and gifting straightforward.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper hold up to heavy layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe 140lb\/300gsm weight and fabric-like tooth support multiple layers without sagging or clumping. Pastels blend smoothly while remaining vivid; the surface resists glazing-over and preserves colour depth through repeated workups.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine textured surface for dependable pastel grip and smooth blending\u003c\/li\u003e\n  \u003cli\u003eThick 300gsm stock resists warping under heavy pigment\u003c\/li\u003e\n  \u003cli\u003eNon-glaring finish keeps colour saturation clear when layered\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the embedded tracing sheet prevent smudging and bleed-through?\u003c\/h3\u003e\n\u003cp\u003eThe pad includes a built-in oil-resistant tracing layer intended to block oil and moist media from transferring to adjacent pages. It provides security when stacking or storing multiple pieces, reducing the need for separate interleaving sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEmbedded barrier restrains oil and water penetration between sheets\u003c\/li\u003e\n  \u003cli\u003eHelps avoid colour migration and keeps stacked work clean\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction protects against yellowing over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow easy is it to work with the pad in the studio or on location?\u003c\/h3\u003e\n\u003cp\u003eTwin-wire spiral binding lets the pad lay fully flat, ideal for creating double-page spreads or steady single-sheet work. Pages are laser-perforated for neat, tool-free removal so finished pieces can be presented, framed, or sent without trimming.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral-bound to open 180° for flat, even drawing surfaces\u003c\/li\u003e\n  \u003cli\u003eClean tear along perforations—no rough edges or scissors needed\u003c\/li\u003e\n  \u003cli\u003ePortable 9\" x 12\" size fits backpacks and art portfolios\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I personalize the cover or use this pad as a gift?\u003c\/h3\u003e\n\u003cp\u003eThe unprinted DIY cover is designed for customization with pastels, ink, stickers, or paint so you can create a unique look before gifting or showing. Its hardcover protection keeps pages safe during travel and storage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlank cover invites personalised decoration or labeling\u003c\/li\u003e\n  \u003cli\u003eDurable hardcover shields sheets when transporting\u003c\/li\u003e\n  \u003cli\u003eAttractive, ready-to-present format suitable for portfolios or classes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: artists who layer heavily with oil pastels or mixed media, art students needing archival, classroom-ready paper, and hobbyists seeking a portable pad that withstands blending, erasing, and mounting. The MEEDEN 9\" x 12\" pad is also a practical choice for teachers preparing assignments, illustrators testing colour build-up, and creators who want finished pages that can be displayed or sold without extra preparation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper acid-free and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140lb\/300gsm sheets are acid-free to resist yellowing and help preserve artwork long-term.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on these pages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light wet techniques are possible, but the pad is optimised for oil pastels and dry media; heavy washes may buckle the paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"MEEDEN","offers":[{"title":"Default Title","offer_id":55294736761169,"sku":"B0H3B81KKP","price":58.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/meeden-front-cover-9x12_db694033-7a61-464c-931a-468474006248.jpg?v=1791934794"},{"product_id":"uart-sanded-pastel-paper-9x12-in-dark-400-grade-pack-of-10-fine-grit-for-layering-detail","title":"Uart Sanded Pastel Paper 9x12 in — Dark 400-Grade, Pack of 10, Fine Grit for Layering \u0026 Detail","description":"\u003cp\u003e\u003cstrong\u003eUART Sanded Pastel Paper (Dark, 400 grade) is a heavy-duty, fine-grit art surface made for layering pastels, coloured pencil, charcoal and wet underpaintings without needing fixative between passes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt for artists who demand both tooth and stability, this 9 x 12 inch pack of ten sheets gives a uniformly abrasive black ground that grips pigment while remaining archival. The 400-grade texture balances enough grit to hold multiple layers of colour with a fine enough surface for detailed work. Its acid-free composition and consistent grit coverage make the sheets a reliable choice for finished pieces, studies, or mixed-media experiments that begin with wet underpainting and move to dry media.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper behave with soft and oil pastels?\u003c\/h3\u003e\n\u003cp\u003eThe dark, sanded ground locks pastel particles in place so colours keep their saturation and contrast over many layers. Because the abrasive tooth grabs pigment, you can achieve bold coverage and subtle scumbles without the pastel sinking into the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains vivid colour against a black background for strong contrasts.\u003c\/li\u003e\n  \u003cli\u003eAccepts repeated layering without clogging or losing bite.\u003c\/li\u003e\n  \u003cli\u003eWorks for both soft and oil pastels when you need texture and hold.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet media like washes or solvent-based underpainting?\u003c\/h3\u003e\n\u003cp\u003eYes — the sanded surface tolerates water, alcohol, and solvent washes without warping or losing its abrasive quality. This means you can block in tones and values wet, let them dry, then continue with pastel or coloured pencil details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable with thin water or solvent washes for underpainting.\u003c\/li\u003e\n  \u003cli\u003eDries flat without buckling, preserving the surface texture.\u003c\/li\u003e\n  \u003cli\u003eUnderlayers remain compatible with subsequent dry media work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDo I need to use fixative while building layers?\u003c\/h3\u003e\n\u003cp\u003eThe coarse surface inherently anchors pigments, reducing or eliminating the need for intermediate fixatives during layering. Because the grit retains pastel, you can refine, correct, and add multiple passes more cleanly than on smooth papers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThe abrasive tooth holds particles without frequent sprays.\u003c\/li\u003e\n  \u003cli\u003eFewer fixative applications means cleaner colour and less surface sheen.\u003c\/li\u003e\n  \u003cli\u003eFinal spray is optional depending on display needs and medium used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the 400 grade different from other grit levels?\u003c\/h3\u003e\n\u003cp\u003eAt 400 grade, the sheet strikes a middle ground: it’s textured enough for strong pigment adhesion while still permitting fine-line work and blending. Artists who alternate broad strokes with delicate detail will find it versatile across pastel, pencil, and charcoal techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium-fine grit suited for layering and detail.\u003c\/li\u003e\n  \u003cli\u003eConsistent end-to-end grit ensures predictable marks across the sheet.\u003c\/li\u003e\n  \u003cli\u003eAppropriate for finished pieces where both texture and refinement matter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? UART Sanded Pastel Paper, Dark 400 grade is designed for committed pastelists, coloured-pencil artists, charcoal specialists and mixed-media makers who want a durable, archival surface that supports wet underpainting and heavy layering. Choose this pack of ten 9 x 12 sheets if you need a black ground that amplifies colour, holds repeated pigment passes, and minimizes mid-process fixative use while delivering consistent professional results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The sheets are acid-free and pH-neutral for long-term resistance to yellowing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use solvent washes on this surface?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The sanded surface accepts water, alcohol, and solvent washes without buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55296587432273,"sku":"B076M6Y3F4","price":53.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-sanded-pastel-paper-dark-front-packaging.jpg?v=1791943928"},{"product_id":"clairefontaine-pastelmat-no-6-pastel-card-pad-18-24-cm-anthracite-360gsm-12-sheets-tooth-surface-for-layered-pastels","title":"Clairefontaine Pastelmat No.6 Pastel Card Pad 18×24 cm Anthracite — 360gsm, 12 Sheets, Tooth Surface for Layered Pastels","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat No.6 is a 360gsm, anthracite-coloured pastel card pad designed to hold multiple layers of dry and mixed-media pastels without saturation or fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued block contains 12 acid-free sheets sized 18 x 24 cm with a toothy yet soft surface engineered specifically for pastel work. The distinctive Pastelmat texture grips pigment for vibrant strokes, supports both energetic and subtle techniques, and remains stable when used with wet media or alcohol-based methods. A crystal interleaf protects each page, and the glued edge allows easy removal while keeping sheets secure during transport.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat help my pastel layers look richer?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface is slightly abrasive but not harsh, creating friction that catches pigment particles without destroying their softness. That balance lets you build many layers while maintaining colour intensity and avoiding the muddying that happens on overly smooth or overly rough papers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight supports heavy pigment loads without buckling.\u003c\/li\u003e\n  \u003cli\u003eAnthracite tone enhances highlights and midtones for dramatic contrast.\u003c\/li\u003e\n  \u003cli\u003eSurface holds both broad strokes and fine detail firmly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or fixatives on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat tolerates light wetting and adhesive applications without losing its gripping surface. While it performs exceptionally for dry pastel, it also accepts diluted washes and alcohol-based mediums, retaining grain and colour hold, though typical caution with heavy saturation is advised.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable when lightly dampened or when adhesives are applied.\u003c\/li\u003e\n  \u003cli\u003eCompatible with alcohol-based techniques without major surface change.\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition helps long-term preservation after mixed-media use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and sheet protection does this pad include?\u003c\/h3\u003e\n\u003cp\u003eThe pad measures 18 × 24 cm — a compact, studio- and travel-friendly size — and includes 12 sheets. Each sheet is separated by a crystal interleaf to prevent smudging; the glued binding allows clean removal when you’re ready to frame or store completed work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad dimensions: 18 x 24 cm (approx. A5+).\u003c\/li\u003e\n  \u003cli\u003e12 sheets of 360gsm anthracite card per pad.\u003c\/li\u003e\n  \u003cli\u003eCrystal paper interleaves protect finished drawings during handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this archival and suitable for finished pieces?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Pastelmat is acid-free with neutral pH, so it’s appropriate for artworks you want to keep or exhibit. The 360gsm weight and durable surface help artworks survive framing and display without premature deterioration when stored correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition for increased longevity.\u003c\/li\u003e\n  \u003cli\u003eHeavyweight card minimizes warping under framing.\u003c\/li\u003e\n  \u003cli\u003eProven Clairefontaine manufacturing quality for fine-art uses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: artists who work primarily in dry pastels but want the flexibility to experiment with mixed-media and light wet techniques will appreciate this pad. It suits students, hobbyists and professional pastel painters seeking a reliable, archival surface with a dark ground that enhances colour contrast and expedites layered work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 360gsm surface holds oil pastels well, allowing layering and strong colour payoff without rapid saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I frame finished sheets without additional mounting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, sheets are heavy and stable for framing, but using archival mounting or backing is recommended for long-term display.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55296641827153,"sku":"B071RCF1VG","price":45.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad.jpg?v=1791944319"},{"product_id":"clairefontaine-pastelmat-pastel-card-sheets-light-blue-24-32cm-pack-of-5-360gsm-archival-surface-for-layering-and-blending","title":"Clairefontaine PastelMat Pastel Card Sheets — Light Blue 24×32cm Pack of 5, 360gsm archival surface for layering and blending","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat is a heavyweight, lightly textured 360gsm card designed to hold multiple layers of pastel pigments without saturation, supplied as a pack of five 24×32 cm light-blue sheets.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pack of five PastelMat sheets from Clairefontaine gives artists a consistent, archival surface engineered specifically for dry pastel and mixed-media use. The paper’s unique balance of tooth and tenderness grips pastel particles while allowing blending and reworking, and it remains stable with light wetting or alcohol-based techniques. Acid-free and pH-neutral, these sheets are made for studio work, finished pieces, and experimental layering.\u003c\/p\u003e\n\n\u003ch3\u003eHow does PastelMat improve layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelMat’s surface is formulated to accept many successive pigment layers without clogging or losing bite. You can build dense, saturated tones and also feather soft gradations with the same sheet because the paper’s adhesion is steady across multiple passes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight prevents buckling during heavy work or light wetting\u003c\/li\u003e\n  \u003cli\u003eSurface grips pastels for both bold strokes and subtle smudging\u003c\/li\u003e\n  \u003cli\u003eSupports numerous reworks without saturation or grain collapse\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or solvent techniques on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — PastelMat tolerates gentle wetting and alcohol-based solvents without losing its characteristic texture or adhesive quality. It is not paperboard in the sense of dissolving; the sheet retains grip and can be sealed or varnished after full drying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with light water washes and gum arabic sizing\u003c\/li\u003e\n  \u003cli\u003eResistant to alcohol mediums without grain smoothing\u003c\/li\u003e\n  \u003cli\u003eStable for mixed-media pieces combining wet and dry passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat formats and archival properties does this pack offer?\u003c\/h3\u003e\n\u003cp\u003eThis listing contains five monochrome sheets in a convenient 24 × 32 cm size, perfect for studies, portfolios, or framed works. Clairefontaine manufactures PastelMat as an acid-free, neutral-pH paper so completed artwork keeps colour and structural integrity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePack of 5 sheets, each 24 × 32 cm (approx. 9.5 × 12.6 in)\u003c\/li\u003e\n  \u003cli\u003e360gsm weight for durability and professional presentation\u003c\/li\u003e\n  \u003cli\u003eAcid-free and neutral pH for long-term preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho benefits most from using these light-blue PastelMat sheets?\u003c\/h3\u003e\n\u003cp\u003eThese light-blue Clairefontaine sheets are ideal for artists wanting a mid-tone ground to jumpstart compositions or to add luminous atmospheric layers. They suit professional pastelists, art students exploring techniques, illustrators using layered mixed media, and hobbyists seeking a premium, ready-to-use surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional pastel artists needing archival, layerable paper\u003c\/li\u003e\n  \u003cli\u003eStudents and instructors for classroom practice and portfolio pieces\u003c\/li\u003e\n  \u003cli\u003eMixed-media creators who combine pastel with light wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine PastelMat cards are made for anyone who wants to combine vigorous pastel application with fine blending, preserve artworks long-term, and work on a consistent, mid-tone surface. The convenient 24×32 cm size and five-sheet pack make it easy to experiment, complete small to medium pieces, or prepare studies before committing to larger formats.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PastelMat suitable for oil pastel and charcoal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. PastelMat accepts oil pastel and charcoal well, offering grip for bold marks and soft blending without quick saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the paper buckle if I use light water washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Minimal buckling occurs thanks to the 360gsm weight; light wetting is supported and the sheet remains usable when dried flat.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55296740983121,"sku":"B06ZXX4Y33","price":50.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-sheet.jpg?v=1791947795"},{"product_id":"clairefontaine-pastelmat-card-18-x-24-cm-assorted-12-sheet-pack-360gsm-textured-pastel-paper","title":"Clairefontaine Pastelmat Card 18 x 24 cm Assorted 12-Sheet Pack, 360gsm Textured Pastel Paper","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Card is a heavyweight, textured drawing board (360 gsm) in 18×24 cm sheets, provided in a 12-sheet assorted-colour bloc for dry media like pastel, charcoal and pencil.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese compact Pastelmat sheets combine a subtle tooth with a dense, cotton-rich paper core designed to hold layers of dry media. The 18 x 24 cm size is convenient for sketchbooks, studies and finished small-format works, and the assortment includes four complementary tones to help artists judge contrast and colour without priming. Each sheet resists smudging while allowing lift and blending, so it works well for both quick studies and layered pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose Pastelmat Card for pastel and charcoal work?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's surface is engineered to grab pigment and build multiple layers without flaking off. Its weight and texture make it stable under erasing and reworking, while the sheet-edge format fits easily in portfolios and frames.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight for stability and minimal buckling\u003c\/li\u003e\n  \u003cli\u003eConsistent micro-tooth accepts pastel, charcoal, and pencil\u003c\/li\u003e\n  \u003cli\u003eStrong tooth for layering and delicate blending\u003c\/li\u003e\n  \u003cli\u003ePre-cut 18×24 cm sheets ready for framing or mounting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do the assorted colours help my artwork?\u003c\/h3\u003e\n\u003cp\u003eHaving Dark Green, Light Green, Dark Blue and White sheets provides pre-toned grounds to influence mood, midtones and highlights without extra priming. Artists can save time establishing atmosphere and value relationships by choosing a surface that complements their palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDark Green and Dark Blue enhance midtone depth and richer shadows\u003c\/li\u003e\n  \u003cli\u003eLight Green offers a warm midtone for natural subjects\u003c\/li\u003e\n  \u003cli\u003eWhite works as a neutral ground for full-value range work\u003c\/li\u003e\n  \u003cli\u003eMixing tones in a series creates cohesive visual studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best on these sheets?\u003c\/h3\u003e\n\u003cp\u003ePastelmat Card is optimised for dry techniques: soft pastels, hard pastels, pastel pencils, charcoal, sanguine and graphite all adhere well. It tolerates light erasing and scraping, and pigments can be lifted selectively for highlights or textures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft pastels layer richly without excessive dust loss\u003c\/li\u003e\n  \u003cli\u003eCharcoal and sanguine produce clear, textural marks\u003c\/li\u003e\n  \u003cli\u003ePencil and pastel pencils retain crisp detail on the tooth\u003c\/li\u003e\n  \u003cli\u003eEasily accepts blending by finger, stump, or cloth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and prepare the sheets for use?\u003c\/h3\u003e\n\u003cp\u003eKeep the bloc flat and dry to avoid warping; store away from direct sunlight to protect colours. For mounting, use archival adhesive or tape at the edges and consider a fixative sparingly if desired for display or transport.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore flat in a cool, dry place to prevent curling\u003c\/li\u003e\n  \u003cli\u003eMount on rigid backing for framing or display\u003c\/li\u003e\n  \u003cli\u003eUse archival tape or spray fixative according to media needs\u003c\/li\u003e\n  \u003cli\u003eHandle edges to avoid oil transfer from hands onto the surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Card is aimed at artists and students who work in dry media and want a reliable, small-format surface for studies, portfolio pieces or finished small works. It's especially useful for pastel painters, charcoal artists and illustrators who value a heavy, textured paper that supports layering, blending and reworking without frequent surface breakdown.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on Pastelmat Card?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — Pastelmat Card is designed for dry techniques like pastels, charcoal and pencil, not for water-based or oil paints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are these sheets suitable for framing without backing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: For best results, mount on a rigid backing before framing to prevent buckling and protect the paper over time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55297286472017,"sku":"B01HMW5T5Y","price":46.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-packaging.jpg?v=1791952220"},{"product_id":"canson-mi-teintes-velvet-pastel-paper-pad-grey-tones-9-4-x-12-6-in-430-gsm-heavyweight-velvety-texture","title":"Canson Mi-Teintes Velvet Pastel Paper Pad, Grey Tones 9.4 x 12.6 in — 430 gsm Heavyweight, Velvety Texture","description":"\u003cp\u003e\u003cstrong\u003eCanson Mi-Teintes Velvet pastel paper pad is a heavyweight, velvety-textured sheet designed to give pastels rich coverage and reliable layering for sketching and finished artwork.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade by the French papermaker Canson, this pad contains 9.4 x 12.6 in sheets in grey tones on a 430 gsm (264 lb) substrate. The surface is engineered for pastel pigments, charcoal, coloured pencil and mixed-media approaches that include watered pastel or applied textured grounds. With a tactile, low-tooth velvet finish, the paper helps pigments adhere while allowing controlled blending and multiple layers without collapsing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the velvet surface different from standard pastel paper?\u003c\/h3\u003e\n\n\u003cp\u003eThe velvet surface is smoother than traditional toothed pastel boards but still retains enough grip to hold pigment securely. This balance lets you build layered effects and keep fine details while avoiding an overly abrasive feel that can dull soft pastels.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSemi-smooth, velvety texture for even colour laydown\u003c\/li\u003e\n  \u003cli\u003eGrip that secures pigments without excessive abrasion\u003c\/li\u003e\n  \u003cli\u003eGood for soft and hard pastels, pencils, charcoal, and light wet work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the 430 gsm paper for mixed techniques?\u003c\/h3\u003e\n\n\u003cp\u003eAt 430 gsm (264 lb), the sheets are robust enough to accept light washes, watered-down pastel, gesso, or layered media without buckling or tearing. The thickness supports repeated erasing and scumbling, letting you refine compositions or experiment with surface treatments.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHeavyweight construction resists warping with moderate wet applications\u003c\/li\u003e\n  \u003cli\u003eAccepts layering and repeated corrections\u003c\/li\u003e\n  \u003cli\u003eArchival, acid-free composition suitable for display\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad reduce the need for fixative?\u003c\/h3\u003e\n\n\u003cp\u003eThe velvet texture helps pigments adhere more securely than many open-tooth papers, which can make works less prone to smudging under normal handling. While some artists still choose a light fixative for finished pieces or for works that will be heavily transported, many find less reliance on sprays thanks to the paper's adhesion.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eImproved pigment grip potentially lowers fixative frequency\u003c\/li\u003e\n  \u003cli\u003eStill compatible with fixatives when extra protection is desired\u003c\/li\u003e\n  \u003cli\u003eGood for practice pieces and gallery-ready work with minimal spraying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich mediums and subject types work best on these grey-tone sheets?\u003c\/h3\u003e\n\n\u003cp\u003eGrey tones give a mid-value ground that’s helpful for establishing midtones quickly and judging highlights and shadows. The paper is ideal for portrait studies, tonal landscapes, still lifes, and mixed-media sketches that benefit from an instant neutral backdrop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePortraits and figure studies to accelerate value mapping\u003c\/li\u003e\n  \u003cli\u003eLandscapes and urban sketches needing a neutral midground\u003c\/li\u003e\n  \u003cli\u003eMixed-media pieces combining pastel, pencil, and light wet effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a premium, heavy paper that simplifies layering and preserves detail will appreciate the Canson Mi-Teintes Velvet pad. It suits advanced and emerging pastel artists, illustrators working in mixed media, and students practicing tonal control. The grey tones and durable 430 gsm sheets are especially useful for creators who value archival quality and a consistent, professional surface for studies and finished pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Canson Mi-Teintes Velvet safe for light washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 430 gsm heavyweight sheets accept light watered pastel and mild wet techniques without severe buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use both soft pastels and coloured pencils on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. The velvet texture holds soft pastels well and provides enough tooth for coloured pencils and charcoal.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Canson","offers":[{"title":"Default Title","offer_id":55297336213841,"sku":"B0D35VB78F","price":51.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/canson-mi-teintes-velvet-front-pad.jpg?v=1791953496"},{"product_id":"clairefontaine-pastelmat-glued-pad-24x30-cm-360gsm-textured-heavyweight-paper-12-sheets-assorted-tones","title":"Clairefontaine Pastelmat glued pad 24x30 cm, 360gsm textured heavyweight paper — 12 sheets, assorted tones","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat glued pad is heavyweight, textured paper designed specifically for dry media—360 gsm sheets in a convenient 24 x 30 cm glued pad.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad gathers 12 heavyweight Pastelmat sheets in four useful tones so artists can sketch, layer pastels and charcoals, or finish detailed dry-media work without taping or stretching. The textured surface grips pigment for rich colour and easy blending while the glued edge keeps pages secure and accessible for studio or plein-air use.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Pastelmat pad suitable for dry techniques?\u003c\/h3\u003e\n\u003cp\u003eThe paper's tooth and density were developed to hold powdered pigments, pencils and sticks without falling apart. At 360 gsm the sheet resists heavy work and multiple erasures while allowing vibrant layering and subtle blending.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight prevents buckling under heavy pastel application\u003c\/li\u003e\n  \u003cli\u003eTextured “mat” surface captures powdered pigments for strong adhesion\u003c\/li\u003e\n  \u003cli\u003eIdeal for lead, sanguine, charcoal, pastel sticks and pastel pencils\u003c\/li\u003e\n  \u003cli\u003eWorks with blending tools and careful erasing without disintegration\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued pad format benefit everyday use?\u003c\/h3\u003e\n\u003cp\u003eThe glued top edge keeps sheets together for neat storage yet allows clean removal when you’re ready to display or frame a finished piece. This format is portable and keeps individual sheets protected from dust and damage in a studio bag.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top keeps sheets aligned and protected while drawing\u003c\/li\u003e\n  \u003cli\u003eEasy to tear off a single sheet for framing or scanning\u003c\/li\u003e\n  \u003cli\u003eCompact 24 x 30 cm size fits most sketchbooks and portfolio folders\u003c\/li\u003e\n  \u003cli\u003eLightweight and travel-friendly for field studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich colours are included and how do they affect your work?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 12 sheets across four base tones—white, sienna, brown and anthracite—so you can choose a background that complements your palette and reduces the need for underpainting. Mid- and dark-toned papers help conserve dark pigments and enhance highlights, while white gives maximum luminosity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWhite for full-value range and bright highlights\u003c\/li\u003e\n  \u003cli\u003eSienna and brown for warm mid-tones and tonal studies\u003c\/li\u003e\n  \u003cli\u003eAntracite for high-contrast and dramatic highlights\u003c\/li\u003e\n  \u003cli\u003eAssorted selection saves time preparing backgrounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should you care for and finish artwork on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eHandle sheets by the edges to avoid transferring oils; fixatives formulated for pastels can be applied lightly if needed. When framing, use spacers or a mat to protect pigment from direct glass contact and consider a spray fixative test on a scrap first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHandle by edges to prevent smudging from skin oils\u003c\/li\u003e\n  \u003cli\u003eApply fixative sparingly and test first on a spare sheet\u003c\/li\u003e\n  \u003cli\u003eUse framing spacers or a mat to avoid pigment-to-glass contact\u003c\/li\u003e\n  \u003cli\u003eStore unused pad flat and away from humidity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine 96007C Pastelmat glued pad is aimed at artists and students who work primarily in dry media—pastelists, charcoal artists, illustrators and mixed-media painters—who need a robust, portable paper that supports heavy layering and precise detail. Its compact 24 x 30 cm dimensions and assortment of neutral grounds make it a practical choice for studio practice, classroom use and on-location sketching.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the paper weight of the Clairefontaine Pastelmat pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 gsm, sturdy enough for heavy dry media and repeated blending.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and which colours are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad contains 12 sheets in white, sienna, brown and anthracite.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298301690193,"sku":"B0018BUSM0","price":67.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_14e17a63-add4-425d-b35a-79313d821c1d.jpg?v=1791965581"},{"product_id":"uart-sanded-pastel-paper-dark-500-grade-27-40-in-pack-of-10-heavy-duty-acid-free-surface","title":"Uart Sanded Pastel Paper, Dark 500 Grade 27×40 in — Pack of 10, Heavy-Duty Acid-Free Surface","description":"\u003cp\u003e\u003cstrong\u003eUART Sanded Pastel Paper (Dark, 500 grade) is a heavy-duty, acid-free sanded surface sized 27×40 inches that holds repeated layers of pastel, pencil and charcoal without fixative, sold in a pack of 10 sheets.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtists who work with soft pastel, oil pastel, coloured pencil, charcoal and mixed media often need a surface that grabs pigment, resists wear from erasing and accepts wet underpaintings. UART’s Premium sanded paper delivers a uniform abrasive tooth across each sheet so pigments sit on the surface instead of sinking in, letting you build intense colour, blend precisely and correct without quickly filling the grit.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose a sanded dark paper for pastel and pencil work?\u003c\/h3\u003e\n\u003cp\u003eDark, sanded paper enhances colour vibrancy and contrast by providing a deep ground that makes highlights pop. The abrasive texture locks pigment particles in place so layered applications stay crisp and resist smudging, which reduces reliance on fixatives between layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlack ground increases perceived saturation and dramatic contrast.\u003c\/li\u003e\n  \u003cli\u003eAbrasive surface holds heavy, repeated pigment layers without packing down.\u003c\/li\u003e\n  \u003cli\u003eImproves edge control for fine details with coloured pencil and charcoal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does UART 500 grade perform with wet underpainting?\u003c\/h3\u003e\n\u003cp\u003eUART 500-grade sanded paper is engineered to accept water, alcohol and solvent washes without warping or losing its tooth. That means you can block in tones and colour washes, let them dry, then work over them with dry media without damaging the abrasive surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable sheet prevents buckling during wet washes or solvents.\u003c\/li\u003e\n  \u003cli\u003eTooth remains intact after drying, preserving grip for subsequent layers.\u003c\/li\u003e\n  \u003cli\u003eCompatible with mixed-media workflows including solvent blending and underpainting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDo I need fixative when working on UART sanded paper?\u003c\/h3\u003e\n\u003cp\u003eThe sanded texture holds pigment mechanically, so you won’t need to apply fixative between every layer as you build colour. This reduces sprays that can alter colour tones and keeps details clean while you work; you may still choose a final archival fixative for display protection.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAbrasive surface locks pigment, minimizing interim fixative use.\u003c\/li\u003e\n  \u003cli\u003eAllows repeated reworking and corrections without losing tooth.\u003c\/li\u003e\n  \u003cli\u003eOptional final fixative can be applied once artwork is complete for added protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat archival and surface qualities does this pack offer?\u003c\/h3\u003e\n\u003cp\u003eThese 27×40-inch sheets are acid-free and pH neutral for long-term colour stability and reduced yellowing. The consistent grit across each sheet ensures predictable performance from edge to edge, suitable for professional and gallery work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper resists deterioration and discoloration over time.\u003c\/li\u003e\n  \u003cli\u003eEven grit coverage avoids surprises when shifting between areas of the composition.\u003c\/li\u003e\n  \u003cli\u003eLarge sheet size supports scaled pieces, cropping, and matting options for framing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? UART Sanded Pastel Paper 500 grade is aimed at experienced students, professional pastel and mixed-media artists, and advanced hobbyists who need a reliable, archival dark ground for layered, high-contrast work. It suits creators who use wet underpaintings, heavy layering, and frequent corrections, or anyone wanting a durable surface that preserves vibrant pigments and fine detail across large-format pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use solvents and water washes on this sanded paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — UART 500-grade accepts water, alcohol and solvent washes without buckling and keeps its tooth once dry.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is fixative required between layers when working on UART sanded paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — the abrasive surface holds pigment so interim fixatives aren’t needed, though a final fixative is optional for display.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55298693890385,"sku":"B07BFBHS7M","price":274.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-sanded-pastel-paper-front-packaging.jpg?v=1791968535"},{"product_id":"uart-sanded-pastel-paper-dark-500-grit-18-x-24-in-10-sheets-heavyweight-acid-free-surface","title":"Uart Sanded Pastel Paper — Dark 500 Grit, 18 x 24 in, 10 Sheets | Heavyweight, Acid-Free Surface","description":"\u003cp\u003e\u003cstrong\u003eUART Sanded Pastel Paper in Dark 500 grade is a heavyweight, acid-free sanded sheet designed to hold multiple layers of pastel, coloured pencil, and wet underpaint without losing its abrasive tooth.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 18 x 24 inch pack of 10 sheets offers artists a reliable, consistent surface with a black ground that makes colours pop. The sanded texture provides strong pigment grab so you can build, correct, and refine work without repeated fixative applications. It accepts a variety of wet media for underpainting and stands up to multiple reworkings thanks to uniform grit across the entire sheet.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this sanded paper affect colour and contrast on a dark ground?\u003c\/h3\u003e\n\u003cp\u003eThe deep black surface intensifies highlights and increases perceived saturation, making soft and oil pastels, as well as coloured pencils, appear more vivid. Dark grounds can shorten the time needed to establish mood and atmosphere while allowing bright accents to read clearly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlack ground increases contrast for highlights and bright hues.\u003c\/li\u003e\n  \u003cli\u003e500 grade grit holds repeated pigment layers without clogging.\u003c\/li\u003e\n  \u003cli\u003eWorks well for high-contrast portrait, still life, and graphic styles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet underpainting and solvents on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes—UART Sanded Pastel Paper is formulated to accept water, alcohol, and solvent washes without warping or losing its abrasive surface. That makes it suitable for mixed-media workflows that begin with a wet block-in before moving to dry pastel or pencil layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStays flat and maintains tooth after water or solvent washes.\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic, watercolour washes, and alcohol-based inks.\u003c\/li\u003e\n  \u003cli\u003eAllows layering from wet underpainting to dry finishing without damage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDo I need to use fixative between layers when working on UART sanded sheets?\u003c\/h3\u003e\n\u003cp\u003eThe coarse surface grips pigment so effectively that frequent fixative applications are unnecessary during the build-up stages. Artists can rework, lift, and add details with less reliance on spraying, though a final fixative is optional for added protection when framing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAbrasive tooth locks pigment, reducing mid-process fixative use.\u003c\/li\u003e\n  \u003cli\u003ePermits scraping, burnishing, and layering without surface fill-in.\u003c\/li\u003e\n  \u003cli\u003eUse a final archival spray only if extra long-term protection is desired.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the 500 grade offer for detailed work?\u003c\/h3\u003e\n\u003cp\u003eThe 500 grit strikes a balance between strong tooth and the ability to render fine marks, making it suitable for detailed realism and expressive mark-making alike. You’ll get predictable grit coverage across the full 18\"x24\" sheet, so edges and corners behave the same as the centre.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsistent grit from edge to edge supports uniform detail work.\u003c\/li\u003e\n  \u003cli\u003eFine enough tooth for coloured pencil and charcoal detailing.\u003c\/li\u003e\n  \u003cli\u003eRobust enough for repeated corrections and textured effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? UART Sanded Pastel Paper, Dark 500 grade is aimed at pastelists, coloured pencil artists, charcoal and mixed-media creators who want a professional, archival substrate that accelerates high-contrast rendering. It's ideal for studio artists working in portraiture, still life, illustration, and experimental mixed-media who need a dependable sheet that withstands wet underpainting and heavy reworking without losing its abrasive bite.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is UART sanded paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The sheets are acid-free and pH-neutral for long-term resistance to yellowing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use oil pastels and solvent washes on it?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 500-grade surface accepts oil pastels and solvent or water underpaintings without losing tooth.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55298723676497,"sku":"B076MDLY5H","price":146.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-sanded-pastel-paper-pack-front.jpg?v=1791968814"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-6-24-30cm-anthracite-360gsm-12-sheets-heavyweight-tooth-for-layering","title":"Clairefontaine Pastelmat Pastel Card Pad No.6 24×30cm Anthracite 360gsm, 12 Sheets — Heavyweight, Tooth for Layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat No.6 is a 24 × 30 cm glued pad of 12 anthracite 360 g\/m² sheets designed to optimise dry pastel layering and mixed techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade for artists who want a responsive, non-abrasive surface with strong pigment grip, this Pastelmat block combines a slightly textured velvety feel with a durable card core. Each sheet is acid-free and separated by a crystal paper spacer so finished pieces stay protected, while the glued spine lets you remove sheets cleanly when a work is complete.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve pastel layering and detail?\u003c\/h3\u003e\n\u003cp\u003eThe surface is engineered to hold multiple pigment layers without quickly saturating, allowing both bold marks and subtle transitions. The tooth is balanced: it gives enough bite to secure pastel dust while remaining forgiving for blending and reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² heavyweight card for stability and reduced buckling\u003c\/li\u003e\n  \u003cli\u003eAnthracite tone enhances contrast and reduces need for ground layers\u003c\/li\u003e\n  \u003cli\u003eSurface grips soft and hard pastels as well as pastel pencils\u003c\/li\u003e\n  \u003cli\u003eMultiple passes of pigment possible before surface saturation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or mixed techniques on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat retains its texture and adhesion when exposed to light moisture or certain solvents, so artists can combine dry pastel with limited wet applications. The card resists disintegration and keeps its grain, enabling experiments with diluted washes or solvent blending.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts careful, low-volume wet techniques without losing tooth\u003c\/li\u003e\n  \u003cli\u003eCompatible with alcohol-based methods where minimal saturation is used\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity when gently reworked after wetting\u003c\/li\u003e\n  \u003cli\u003eNot a substitute for heavy watercolour washes or sustained immersion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size, protection and finishing features does the pad offer?\u003c\/h3\u003e\n\u003cp\u003eThe No.6 format measures 24 × 30 cm and contains 12 sheets bound in a glued block for neat storage and easy sheet removal. A thin crystal interleaf protects each drawing so pastel dust and smudging are minimised during handling and transport.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad — convenient for studies and small finished works\u003c\/li\u003e\n  \u003cli\u003eCrystal paper between leaves for surface protection\u003c\/li\u003e\n  \u003cli\u003eGlues along the spine for tidy tear-away release\u003c\/li\u003e\n  \u003cli\u003eAnthracite colour reduces glare and boosts tonal depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does archival quality affect my artwork's longevity?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Pastelmat is acid-free and pH neutral, which helps slow paper degradation and preserves colour integrity over time. While pastel pieces still benefit from framing under glass or with a protective spray (per your technique), the base substrate meets fine-art standards for permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free fibres for improved archival stability\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² weight supports mounting and framing\u003c\/li\u003e\n  \u003cli\u003eNeutral pH reduces yellowing risk over decades\u003c\/li\u003e\n  \u003cli\u003eProduced by Clairefontaine with fine-arts focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat No.6 pad suits advanced students, professional artists and hobbyists who frequently work in dry pastel, pastel pencil or mixed dry\/wet approaches. It’s especially useful if you prefer a mid-dark ground to enhance highlights and midtones, want durable sheets that resist warping, and value archival-grade materials for finished pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for charcoal and pastel pencils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The textured surface holds both charcoal and pastel pencils well, allowing layering and erasing without rapid surface wear.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I wet the paper or use solvent blending?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light wetting and controlled solvent blending are possible; avoid heavy soaking to preserve the card’s structure and grain.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298725708113,"sku":"B071R2WN5Y","price":55.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-anthracite.jpg?v=1791968842"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-5-12-sheets-30x40cm-360gsm-glued-block-assorted-colours-archival","title":"Clairefontaine Pastelmat Pastel Card Pad No.5 — 12 sheets 30x40cm, 360gsm glued block, assorted colours, archival","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Pad No.5 is a 30 x 40 cm glued block of 360gsm pastel card in four assorted shades, engineered to hold multiple pigment layers for dry and mixed pastel techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Pastelmat block (Ref 96115C) contains 12 heavyweight sheets — three each of dark green, light green, dark blue and white — with protective interleaving and an easy-tear glued spine. The surface sits between abrasive and velvety: it’s slightly toothy to grip pastel without the sanding feel, yet smooth enough to allow soft gradations and energetic strokes. Acid-free and neutral pH, the pad is built to preserve artwork while supporting wet applications and alcohol-based mediums without losing its surface properties.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve layering and colour intensity?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s engineered surface holds pigment more efficiently than many conventional papers, letting you apply several layers without the look of saturation or the need for fixatives. Pigments remain vibrant because the paper grips and spreads particles evenly, helping both bold marks and delicate blending to read clearly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight prevents warping under heavy pastel or light wash.\u003c\/li\u003e\n  \u003cli\u003eUnique surface texture supports multiple layers without clogging.\u003c\/li\u003e\n  \u003cli\u003eAssorted base colours enhance midtones and contrast options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or alcohol with this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat tolerates moisture and alcohol-based media while keeping its gripping texture intact. That makes it suitable for mixed-media approaches where you might seal areas, apply a light wash, or blend with a solvent without disturbing the underlying tooth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains grain and adherence after being dampened or gummed.\u003c\/li\u003e\n  \u003cli\u003eSuitable for combining dry pastel with light water or solvent work.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness resists buckling when moistened.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes, protection, and presentation does the block offer?\u003c\/h3\u003e\n\u003cp\u003eThe pad delivers 12 sheets at a studio-friendly 30 x 40 cm format with crystal paper between each sheet to protect finished pieces. The glued block design keeps pages secure yet allows clean removal when you’re ready to display or frame a work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12-sheet glued block for easy sheet detachment.\u003c\/li\u003e\n  \u003cli\u003eCrystal interleaving prevents smudging during storage and transport.\u003c\/li\u003e\n  \u003cli\u003eFour base colours (dark green, light green, dark blue, white) included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and safe for finished artwork?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is acid-free with a neutral pH to support long-term preservation of your drawings. Using archival materials throughout your workflow will help artworks age with minimal deterioration when stored or framed correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition for archival stability.\u003c\/li\u003e\n  \u003cli\u003eNeutral pH minimizes long-term discoloration.\u003c\/li\u003e\n  \u003cli\u003eHeavyweight 360gsm supports framing without additional backing in many cases.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists working predominantly with dry pastel who want a versatile, archival surface that accepts strong strokes and subtle blends; mixed-media creatives who combine pastel with light washes, gumming, or solvent blending; art students and professionals needing consistent, heavyweight sheets in a compact, protective block. Clairefontaine’s Pastelmat No.5 is designed for anyone seeking a reliable substrate that keeps pigments vivid while allowing multiple working methods.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet blending?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light wetting and gumming while keeping its surface grain and pigment grip intact.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick is the paper and how many sheets are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets of 360gsm pastel card in a 30 x 40 cm glued block with protective interleaving.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298766307665,"sku":"B01HMW5UF8","price":80.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-block.jpg?v=1791969196"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no5-24x30-cm-360-gsm-12-coloured-sheets-dark-light-green-dark-blue-white","title":"Clairefontaine PastelMat Pastel Card Pad No5 24x30 cm - 360 gsm, 12 Coloured Sheets (Dark\/Light Green, Dark Blue, White)","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat No5 is a heavyweight pastel card pad (360 gsm) offering 12 coloured sheets in 24×30 cm designed for dry media like pastel, charcoal and pencil.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad brings together heavyweight, textured paper and a curated palette to support sketching, finished pastel work and mixed-media dry techniques. Each sheet in the 12-sheet bloc is 24 by 30 centimetres and made at 360 grams per square metre, giving a rigid surface that grips powdery pigments without excessive dusting. The selection of Dark Green, Light Green, Dark Blue and White provides tonal options for mid-tones, accents and underpainting, useful for studies and completed pieces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the surface handle different dry media?\u003c\/h3\u003e\n\u003cp\u003eThe PastelMat surface is engineered to accept a range of dry materials. Its tooth is pronounced enough to hold layers of pastel, charcoal and sanguine, yet smooth enough for pencil detail work. You can blend with tools or fingers while maintaining good adhesion.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong tooth for pastel and charcoal layering\u003c\/li\u003e\n  \u003cli\u003eStable surface for pencil and sanguine line work\u003c\/li\u003e\n  \u003cli\u003eMinimal flaking—less dust loss than loose pastel paper\u003c\/li\u003e\n  \u003cli\u003eDurable for erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the pad support finished artwork or just studies?\u003c\/h3\u003e\n\u003cp\u003eBecause each sheet is 360 gsm, the paper is sturdy enough for finished pieces as well as preparatory sketches. Sheets can be framed or mounted directly, though hinging or backing is recommended for long-term display to prevent warping. The colour options allow you to build compositions without priming a white ground.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm offers rigidity suitable for display\u003c\/li\u003e\n  \u003cli\u003eSingle sheets can be removed for framing\u003c\/li\u003e\n  \u003cli\u003eColoured grounds reduce need for base layers\u003c\/li\u003e\n  \u003cli\u003eGood stability under fixatives if desired\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes and colour assortment are included?\u003c\/h3\u003e\n\u003cp\u003eThis Bloc No5 contains twelve sheets at 24×30 cm, a handy mid-size for sketches and small finished works. The pack mixes four colours—Dark Green, Light Green, Dark Blue and White—so you can choose a ground that complements your subject or atmosphere. The variety makes it easy to test values and colour relationships.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad, each 24 x 30 cm\u003c\/li\u003e\n  \u003cli\u003eFour colours: Dark Green, Light Green, Dark Blue, White\u003c\/li\u003e\n  \u003cli\u003eCompact size is travel- and studio-friendly\u003c\/li\u003e\n  \u003cli\u003eConsistent paper weight across all sheets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and use these sheets for best results?\u003c\/h3\u003e\n\u003cp\u003eWork on a flat, clean surface to make the most of the PastelMat texture. Fixatives can be applied if you need to secure multiple layers, but test first on a scrap. Store the pad flat or upright in a dry place to avoid bending and moisture absorption.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep pad flat during use to prevent flexing\u003c\/li\u003e\n  \u003cli\u003eTest fixatives on a corner before full application\u003c\/li\u003e\n  \u003cli\u003eUse light masking for clean edges when framing\u003c\/li\u003e\n  \u003cli\u003eStore away from humidity and direct sunlight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily in dry media—pastellists, charcoal specialists, pencil illustrators and students—will appreciate the sturdy weight and practical mid-size. The coloured grounds save time when establishing mood or mid-tones, while the heavy 360 gsm stock supports finished pieces destined for framing or portfolio use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for oil pastel?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 gsm surface accepts oil pastels but expect stronger tooth and possible light abrasion; test layering and fixative first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove individual sheets for framing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, individual sheets detach from the bloc and can be mounted or framed; use backing or hinging for long-term stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298889908561,"sku":"B01HMW5TTA","price":67.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_21a691c6-efa8-4573-b5f5-6026f1df3601.jpg?v=1791970301"},{"product_id":"clairefontaine-pastelmat-glued-pad-18-x-24-cm-assorted-colours-12-sheets-360-gsm-heavyweight-tooth-for-pastel-charcoal","title":"Clairefontaine Pastelmat glued pad 18 x 24 cm, Assorted colours — 12 sheets, 360 gsm heavyweight tooth for pastel \u0026 charcoal","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat glued pad is a heavyweight, coloured-paper pad (18 x 24 cm, 360 gsm) designed specifically for dry media and pastels, supplied with 12 sheets in four muted tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIdeal for artists who work with charcoal, pastel, sanguine or graphite, this glued pad combines a tactile, toothy surface with robust weight so you can layer, lift and blend without bleed-through. The four included background colours—maize, buttercup, dark grey and light grey—give you immediate tonal options for mid-tones, highlights or moody studies. The compact 18 x 24 cm format is convenient for sketchbooks, plein-air studies, and portfolio samples while the glued edge keeps sheets secure until you need them.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Pastelmat appropriate for dry techniques?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface has a fine tooth engineered to hold pigment particles while allowing controlled lifting and blending. At 360 gsm the paper supports heavy layering and repeated erasing without warping or tearing. Its composition minimizes dust migration and keeps colours vivid against the coloured grounds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight resists buckling from heavy buildup and erasure.\u003c\/li\u003e\n  \u003cli\u003eTextured surface grips pastel, charcoal and pencil consistently.\u003c\/li\u003e\n  \u003cli\u003eColoured sheets act as instant mid-tone or mood backgrounds.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format secures pages for portable use and flat working.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will the four included colours change my workflow?\u003c\/h3\u003e\n\u003cp\u003eHaving maize, buttercup, dark grey and light grey ready in the pad speeds up tonal decisions and study setups. Warm tones (maize, buttercup) enhance flesh tones and warm highlights; greys create neutral bases for dramatic contrast or monochrome work. You can test composition and value quickly without priming or gesso.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaize and buttercup provide warm mid-tone foundations.\u003c\/li\u003e\n  \u003cli\u003eDark grey deepens shadows and intensifies contrast.\u003c\/li\u003e\n  \u003cli\u003eLight grey helps judge values and refine highlights.\u003c\/li\u003e\n  \u003cli\u003eSwitch colours mid-project for studies of mood and light.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I erase and layer on this paper without damage?\u003c\/h3\u003e\n\u003cp\u003eYes — the sturdy 360 gsm weight and firm tooth let you layer multiple passes of chalk, pastel or charcoal and still lift or lighten areas without tearing. The surface withstands gentle scraping or kneaded eraser work to create highlights. For heavy removal use moderate pressure; the sheet remains stable for continued refinement.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMultiple layering supported without bleed-through.\u003c\/li\u003e\n  \u003cli\u003eSafe for kneaded and vinyl erasers for controlled highlights.\u003c\/li\u003e\n  \u003cli\u003eHolds detail after blending and reworking.\u003c\/li\u003e\n  \u003cli\u003eDurable edge binding keeps the work flat while you adjust.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and practical is the 18 x 24 cm glued pad?\u003c\/h3\u003e\n\u003cp\u003eThe compact format fits most art bags and backpacks, making it a strong choice for travel and plein-air sketching. The glued top edge keeps sheets intact while you work and lets you remove a finished page cleanly. Twelve sheets give enough variety to test techniques or produce a small series without wasting space.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e18 x 24 cm size is easy to carry and store.\u003c\/li\u003e\n  \u003cli\u003eGlued pad keeps pages secure during transport.\u003c\/li\u003e\n  \u003cli\u003eTwelve sheets let you experiment across colours and media.\u003c\/li\u003e\n  \u003cli\u003eFlat sheets are ready for framing or mounting when removed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators and students who favour dry media and need a reliable, heavy-weight coloured paper for studies, finished pieces or portfolio samples. If you work in pastels, charcoal, sanguine or graphite and want immediate tonal backgrounds plus a durable surface for repeated layering and erasure, this Clairefontaine Pastelmat glued pad is a practical studio and travel choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What media work best on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Dry media like soft pastels, charcoal, sanguine and graphite perform best on Pastelmat's textured 360 gsm surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what sizes are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad includes 12 sheets at 18 x 24 cm in maize, buttercup, dark grey and light grey.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298899509585,"sku":"B0018BY0HO","price":46.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_e78a2199-f9b5-465b-801c-898269444fbe.jpg?v=1791970477"},{"product_id":"uart-sanded-pastel-paper-dark-600-grit-12x18-in-10-sheets-archival-tooth-for-layered-pastels-and-colored-pencil","title":"Uart Sanded Pastel Paper — Dark 600 Grit, 12x18 in, 10 Sheets; archival tooth for layered pastels and coloured pencil","description":"\u003cp\u003e\u003cstrong\u003eUART Sanded Pastel Paper (Dark, 600 grade) is a finely abrasive, archival surface designed to hold intense layers of pastel, coloured pencil, charcoal and underpaints without needing fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtists who work in pastels, charcoal, coloured pencil or mixed media need a surface that keeps pigment visible, accepts wet underpainting and holds repeated layering. This 12 x 18 inch pack of 10 sheets from UART offers an even, sanded tooth on a neutral pH base, so colours remain vibrant on a deep dark ground while the sheet resists yellowing and distortion over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this sanded paper improve pastel and coloured pencil work?\u003c\/h3\u003e\n\u003cp\u003eThe abrasive tooth of the 600-grade sanded surface grips pigment so each pass deposits clear, saturated colour. That means deep darks and brilliant highlights stand out on the black ground and you can build value with many layers without filling in the texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e600-grade grit for balanced bite and detail control\u003c\/li\u003e\n  \u003cli\u003eBlack ground increases contrast for vivid colour pop\u003c\/li\u003e\n  \u003cli\u003eHolds multiple layers without losing tooth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet media or underpainting on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — the sheet accepts water, alcohol and solvent-based washes so you can block in tones or underpaint before applying dry media. The sanded surface is dimensionally stable and won’t buckle or dissolve, preserving the abrasive texture needed for later pastel or pencil work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks with aqueous and solvent underpaint layers\u003c\/li\u003e\n  \u003cli\u003eSurface remains intact after washes for dry media application\u003c\/li\u003e\n  \u003cli\u003eEnables mixed-media approaches without compromising tooth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDo I need to spray fixative between layers?\u003c\/h3\u003e\n\u003cp\u003eNo — the abrasive texture locks pigment in place so artists can rework, correct and add colour without continual fixative spraying. Occasional fixative for finished pieces is optional, but the UART surface reduces reliance on sprays during the process.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAbrasive tooth secures pastel and pencil particles\u003c\/li\u003e\n  \u003cli\u003eFewer fixative passes keeps colours truer and cleaner\u003c\/li\u003e\n  \u003cli\u003eGreat for iterative layering and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and consistent enough for professional work?\u003c\/h3\u003e\n\u003cp\u003eUART sanded sheets are acid-free and pH-neutral, designed to resist yellowing and provide consistent grit across each sheet so your results are predictable from edge to edge. That makes them suitable for finished pieces intended for display or long-term storage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free, archival-quality support\u003c\/li\u003e\n  \u003cli\u003eUniform grit coverage for predictable texture\u003c\/li\u003e\n  \u003cli\u003eDurable for finished artwork and exhibition pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: UART Sanded Pastel Paper, Dark 600 grade, is aimed at pastelists, coloured-pencillers, charcoal artists and mixed-media creators who want a professional, abrasive ground that enhances colour saturation and tolerates wet underpainting. Choose this 12 x 18 inch 10-sheet pack if you need a reliable, archival surface for layered, detailed, or high-contrast work without constant fixative use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is UART sanded paper safe for wet underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 600-grade sanded surface accepts water, alcohol, and solvent washes without buckling or losing tooth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need fixative between layers on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. The abrasive surface secures pigment so frequent fixative sprays are not required during layering.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55299050799441,"sku":"B07BFCDVBH","price":97.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-sanded-pastel-paper-front-packaging_babea50a-c425-482f-beb8-9470cc5a958e.jpg?v=1791971310"},{"product_id":"clairefontaine-pastelmat-pastel-card-sheets-50x70-cm-pack-of-5-360gsm-brown-textured-surface-for-dry-pastels","title":"Clairefontaine Pastelmat Pastel Card Sheets 50x70 cm - Pack of 5, 360gsm Brown, Textured Surface for Dry Pastels","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat is a heavyweight 360gsm textured card designed for pastels, offering a grippy, durable surface that accepts many layers of pigment without a fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese five large 50 x 70 cm sheets in warm brown give artists a consistent, acid-free foundation engineered specifically for dry pastel work. The paper’s unique surface sits between abrasive and velvety, holding bold strokes and subtle blending alike while remaining stable when used with light wetting or alcohol techniques. Each sheet’s neutral pH ensures long-term preservation of your drawings.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat handle multiple pastel layers?\u003c\/h3\u003e\n\u003cp\u003eThe surface is formulated to hold additional pigment so you can build up both intense marks and delicate gradations without quickly filling the tooth. Because the texture resists saturation, colours stay vibrant and you can continue layering without smearing or flattening the surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight supports heavy applications without warping.\u003c\/li\u003e\n  \u003cli\u003eAdherent tooth retains both hard and soft pastel particles.\u003c\/li\u003e\n  \u003cli\u003eAllows repeated layering without early saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix wet techniques or fixatives with these sheets?\u003c\/h3\u003e\n\u003cp\u003ePastelmat tolerates light wetting and gumming while keeping its grip and grain, so careful mixed-media experiments are possible. However, avoid heavy washes that could overly saturate the paper; the sheet is optimised for dry pastel first and foremost.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains texture after limited wetting or alcohol-based media.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for heavy watercolour washes.\u003c\/li\u003e\n  \u003cli\u003eWorks well with spray fixatives when applied sparingly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the 50 x 70 cm brown sheets for my work?\u003c\/h3\u003e\n\u003cp\u003eThe large format gives you room for expansive compositions, studies, or multiple smaller works on one sheet, while the brown tone provides a mid-value ground that helps establish warmth and contrast immediately. Using a toned base reduces the need to block in midtones and can speed up the development of highlights and shadows.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e50 x 70 cm offers ample surface for larger pieces.\u003c\/li\u003e\n  \u003cli\u003eBrown ground creates instant midtones and enhances colour contrast.\u003c\/li\u003e\n  \u003cli\u003ePack of 5 sheets lets you test variations or keep backups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow well does this paper preserve a finished pastel piece?\u003c\/h3\u003e\n\u003cp\u003eThe Clairefontaine Pastelmat sheets are acid-free and pH neutral, designed for archival stability. When stored and framed properly behind glass or acrylic with a protective mount, artworks made on this paper have a stable base that resists yellowing or degradation from the substrate.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free construction reduces long-term deterioration.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness supports mounting and framing.\u003c\/li\u003e\n  \u003cli\u003eNeutral pH suitable for fine art preservation practices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Passionate pastel artists, illustrators, and fine-art students who want a heavyweight, large-format sheet that balances tooth and smoothness for multi-layered pastel work. Whether you are building layered portraits, expressive landscapes, or experimental mixed-media pieces, these Clairefontaine Pastelmat sheets provide a reliable, archival surface to develop professional results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are Clairefontaine Pastelmat sheets acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Pastelmat sheets are acid-free with a neutral pH for long-term preservation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or alcohol on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Limited wetting and alcohol-based techniques are supported, but avoid heavy washes to prevent saturation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299155951953,"sku":"B002N7A2J2","price":99.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-packaging_735153f1-84f7-4f94-80f8-be8d2249118f.jpg?v=1791971898"},{"product_id":"the-paper-factory-llc-glassine-paper-roll-24-x-300-neutral-ph-acid-free-grease-resistant","title":"The Paper Factory LLC Glassine Paper Roll 24\" x 91.4 m — Neutral pH, Acid-Free, Grease-Resistant","description":"\u003cp\u003e\u003cstrong\u003eGlassine Paper 24\" x 300' from The Paper Factory LLC is a semi-transparent, neutral pH protective roll designed for archival storage, art protection, and food wrapping.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis heavyweight 25 lb glassine sheet comes on a 24-inch by 300-foot roll and combines archival-safe chemistry with grease- and moisture-resistant surface performance. Made in the USA, it’s formulated to be neutral pH so photographs, prints, drawings, and documents can be stored without accelerated aging. Its smooth, breathable finish also works well for lightweight food wrapping and craft projects where visibility and gentle protection matter.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this glassine paper protect artwork and photos?\u003c\/h3\u003e\n\u003cp\u003eBecause the paper is acid-free and neutral pH, it won’t introduce damaging acids that yellow or embrittle stored items over time. The smooth surface reduces abrasion and dust contact while the translucent quality lets you identify contents without unwrapping.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNeutral pH, archival-grade composition to minimize chemical degradation.\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent finish for quick identification of stored pieces.\u003c\/li\u003e\n  \u003cli\u003eLow-abrasion surface protects prints, negatives, and drawings.\u003c\/li\u003e\n  \u003cli\u003eLong roll format for covering large or multiple items without seams.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use it for wrapping food like sandwiches and baked goods?\u003c\/h3\u003e\n\u003cp\u003eYes — the roll is described as food-safe, making it suitable for direct contact with dry or lightly oily food items. Its grease-resistant surface helps prevent oils from soaking through while remaining breathable, an advantage for certain baked goods and deli items.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFood-safe material appropriate for sandwiches, candy, and pastries.\u003c\/li\u003e\n  \u003cli\u003eGrease-resistant finish reduces oil soak-through compared with plain paper.\u003c\/li\u003e\n  \u003cli\u003eBreathability helps maintain texture for some baked goods.\u003c\/li\u003e\n  \u003cli\u003eSuitable replacement for lightweight wax paper in many applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper durable enough for crafting, folding, and labeling?\u003c\/h3\u003e\n\u003cp\u003eThe 25 lb weight provides a balance of flexibility and strength — it folds, creases, and accepts pencil or pen marks without tearing easily. Crafters and archivists will appreciate the ability to cut, wrap, and annotate the sheets for organization or presentation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong enough to fold and crease while retaining shape.\u003c\/li\u003e\n  \u003cli\u003eSmooth surface takes pencil, pen, and light ink for labeling.\u003c\/li\u003e\n  \u003cli\u003eLarge roll format reduces waste for repetitive craft or storage tasks.\u003c\/li\u003e\n  \u003cli\u003eWorks well in mixed-media projects, scrapbooks, and print protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes and uses make this roll practical for professionals?\u003c\/h3\u003e\n\u003cp\u003eThe 24\" x 300' dimension is convenient for museums, print shops, photographers, and bakeries that need continuous coverage. The roll can be cut to custom lengths, offering flexibility for large-format art, portfolio pages, or bulk food wrapping.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e24-inch width suits posters, large prints, and longer documents.\u003c\/li\u003e\n  \u003cli\u003e300-foot length minimizes frequent reordering and splicing.\u003c\/li\u003e\n  \u003cli\u003eCustom-cut capability simplifies production and shipping prep.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA for consistent quality control and supply chain visibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? This glassine roll is aimed at archivists, artists, photographers, print shops, craft studios, and food operators who need a neutral pH, grease-resistant paper that protects without hiding contents. If you require archival-safe storage, a breathable food-wrap option, or a smooth surface for crafting and labeling, The Paper Factory’s 24\" x 300' glassine provides a versatile, professional-grade solution.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this glassine paper safe for long-term photo storage?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is neutral pH and acid-free, formulated to reduce chemical degradation for long-term storage of photos and prints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paper directly with oily foods?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It’s grease-resistant and suitable for lightly oily foods, but very greasy items may still require additional wrapping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"The Paper Factory LLC","offers":[{"title":"Default Title","offer_id":55299231220049,"sku":"B00O3GQDB2","price":99.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/the-paper-factory-glassine-roll-front-view.jpg?v=1791972351"},{"product_id":"clairefontaine-pastelmat-pastel-pad-white-24x30-cm-360-gsm-glued-pad-12-archival-sheets-for-dry-media","title":"Clairefontaine Pastelmat Pastel Pad White 24x30 cm — 360 gsm glued pad, 12 archival sheets for dry media","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat White is a heavyweight, fine-textured glued pad (24 x 30 cm, 360 gsm) designed for dry media and pastels, offering 12 archival-quality sheets that hold pigment and tooth without excessive dusting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhether you work in soft or hard pastel, charcoal, sanguine, graphite, or mixed dry techniques, this glued pad provides a reliable, lightly textured surface that enhances colour saturation and grip. The 360 gsm weight prevents warping and allows for multiple layers, while the glued top edge keeps sheets secure and easy to remove for framing or scanning. It’s made by Clairefontaine, a well-known paper maker, and is offered here in a neutral white that preserves colour brightness and tonal contrast.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat texture is engineered to catch pigment and hold it in place, reducing excessive smudging and allowing for dense layering without losing vibrancy. The paper’s tooth provides enough bite for both delicate shading and bold strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight keeps layers from pushing through.\u003c\/li\u003e\n  \u003cli\u003eEven surface texture distributes pastel evenly.\u003c\/li\u003e\n  \u003cli\u003eMinimizes dust scatter compared with very loose-textured papers.\u003c\/li\u003e\n  \u003cli\u003eWhite ground preserves true hues and high-key values.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for charcoal, graphite, and sanguine as well?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat is formulated for all dry media. Its surface accepts charcoal and graphite cleanly while maintaining enough tooth for sanguine and conte to adhere without smudging excessively.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCharcoal produces deep blacks with good control.\u003c\/li\u003e\n  \u003cli\u003eGraphite lays down smoothly for detailed work.\u003c\/li\u003e\n  \u003cli\u003eSanguine and conte keep crisp edges and texture.\u003c\/li\u003e\n  \u003cli\u003eSuitable for blending and lift techniques common to dry media.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued (top-bound) format help in practice?\u003c\/h3\u003e\n\u003cp\u003eThe glued top binding secures sheets for stable drawing and keeps your workspace tidy. When a sheet is finished, it detaches cleanly at the glue line so you can mount or scan with minimal edge damage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued edge prevents loose pages while working.\u003c\/li\u003e\n  \u003cli\u003eEasy, neat tear-off for display or scanning.\u003c\/li\u003e\n  \u003cli\u003ePad stays flat on a drawing board or easel.\u003c\/li\u003e\n  \u003cli\u003eCompact pad size (24 x 30 cm) is portable yet large enough for detailed studies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does 360 gsm offer for finished pieces?\u003c\/h3\u003e\n\u003cp\u003eAt 360 gsm the paper is rigid enough to resist cockling and supports multi-layered techniques without needing heavy backing. It’s durable for handling, framing, and light fixative use when required.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduces warping from heavy layering or light fixatives.\u003c\/li\u003e\n  \u003cli\u003eHandles erasing and reworking with minimal surface damage.\u003c\/li\u003e\n  \u003cli\u003eStable for scanning and photographic reproduction of artwork.\u003c\/li\u003e\n  \u003cli\u003eArchival weight suitable for longer-lasting pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat White glued pad fits artists who use dry media and want a dependable, mid-sized surface for studio work, studies, or finished pieces. It’s suited to students sharpening pastel and charcoal technique, professional artists layering colour-rich pastel compositions, and illustrators who need a stable, easy-to-tear sheet for presentation. If you prefer a restrained white ground that preserves colour brilliance and value contrasts while offering excellent pigment grip, this 12-sheet 24 x 30 cm pad is a practical choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are in the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets, each measuring 24 x 30 cm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for fixatives and framing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 360 gsm it tolerates light fixative and framing, though test your fixative first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299672670545,"sku":"B009N9P7VQ","price":68.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_5c444738-5227-4e38-af0b-fcb008cb66c6.jpg?v=1791973595"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-7-x-9-in-18x24-cm-360g-12-sheets-4-palette-colors","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 - 7 x 9½ in (18x24 cm), 360g, 12 Sheets, 4 Palette Colours","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 4 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel while reducing dust and stick wear.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Clairefontaine's Pastelmat in a compact 7 x 9½ inch (18 x 24 cm) format, presented in four rich palette colours: dark blue, light blue, wine, and sand. Each 360 g sheet combines a distinctive tooth and velvety feel that sits between traditional Ingres and sanded papers, giving pastel artists more control for painterly marks, fine lines, and layered work. Glassine interleaving protects surfaces between pages so finished or in-progress pieces remain clean inside the pad.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad change the way pastels apply and blend?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's micro-velvet texture grabs pigment more efficiently than Ingres papers but without the abrasive grit of sanded boards. That surface lets soft pastels lay down buttery strokes while still allowing controlled blending and subtle gradations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth provides even pigment pickup and smooth transitions.\u003c\/li\u003e\n  \u003cli\u003eSupports multiple layers without quickly clogging the surface.\u003c\/li\u003e\n  \u003cli\u003eEnables both soft blending and crisp, fine-line detail.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad help me use less pastel and create less dust?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is engineered to retain more pigment per stroke so pastel sticks wear down more slowly than on coarser sanded sheets. The surface also produces reduced airborne dust, making cleanup easier and minimizing material loss.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsumes pastel sticks roughly 30% more slowly versus typical sanded papers.\u003c\/li\u003e\n  \u003cli\u003eLower dust production keeps studio areas cleaner and colours stronger.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages protect finished work from smudging.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I combine wet techniques or erase without damaging the surface?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is surprisingly durable: it tolerates light water or solvent-based underpainting and handles careful erasing better than grittier surfaces. That versatility allows mixed-media workflows and corrective work without losing tooth or tearing the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts light washes for underpainting with proper drying time.\u003c\/li\u003e\n  \u003cli\u003eSuits precision erasing (including magic erasers) for highlights and corrections.\u003c\/li\u003e\n  \u003cli\u003eHolds up to layering without delamination or excessive abrasion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and presentation-ready is the Palette No. 4 pad?\u003c\/h3\u003e\n\u003cp\u003eAt 7 x 9½ inches and glued at the top, this pad is easy to carry, ideal for sketching outdoors or working in small studio spaces. The four palette colours give artists ready-made background options for studies and finished pieces alike.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompact size fits most sketch bags and tabletop easels.\u003c\/li\u003e\n  \u003cli\u003eGlued edge allows single-sheet removal and keeps pages secure while working.\u003c\/li\u003e\n  \u003cli\u003eTwelve heavyweight 360 g sheets offer durability and good framing compatibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat Glued Pad Palette No. 4 is suited to pastelists who want a mid-tooth surface that balances painterly softness with fine-detail capacity. It's a good match for artists who blend frequently, work in layers, need lower pastel consumption, or who like to combine light washes with pastel. The compact pad format is also convenient for students, plein-air painters, and anyone seeking protected, presentation-ready sheets in attractive background tones.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—Pastelmat accepts light water or solvent-based underpaintings when allowed to dry, enabling mixed-media approaches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Palette No. 4 pad and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets, each 7 x 9½ inches (18 x 24 cm) and 360 g weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300757684561,"sku":"B0BCH2VJ1Y","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-cover_7d457ada-f5f8-4512-9273-be4afa61047d.jpg?v=1791975153"},{"product_id":"clairefontaine-pastelmat-pastel-paper-pad-palette-no-6-charcoal-grey-9-12-in-360g-12-sheet-velvety-tooth","title":"Clairefontaine Pastelmat Pastel Paper Pad Palette No.6 Charcoal Grey 9½×12 in 360g 12-Sheet Velvety Tooth","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 6 is a heavyweight, charcoal-grey pastel paper pad (9½ × 12 in, 360g) designed to hold multiple layers of pastel with painterly control while protecting each sheet with glassine interleaving.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work with soft pastels, coloured pencils, charcoal or mixed-media washes, this glued pad delivers a resilient, velvety surface that sits between traditional Ingres paper and coarser sanded sheets. The Pastelmat surface offers more tooth than classic drawing papers without the abrasiveness that shortens pastel sticks quickly. Each 12-sheet pad is glued at the top for easy flip-through and includes glassine separators to protect finished work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface change pastel handling?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered to pick up and hold pigment more evenly than typical drawing papers while remaining less abrasive than sanded supports. That balance produces buttery strokes, smooth blends and the ability to build many layers without rapidly wearing down sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth captures pigment for vivid colour with less dust.\u003c\/li\u003e\n  \u003cli\u003eSupports painterly strokes—soft, broad coverage and fine detail alike.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastels about 30% slower than sanded papers, saving materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, lift and correct on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat offers controlled blending and reliable erasure. Its unique texture enables precise smudging and feathering while still allowing lift-and-correct techniques with erasers or magic erasers. The surface tolerates multiple adjustments without degrading quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless layered blending with predictable gradations.\u003c\/li\u003e\n  \u003cli\u003eClean lifting and selective removal for highlights and corrections.\u003c\/li\u003e\n  \u003cli\u003eSuitable for fine-line work as well as soft tonal transitions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat compatible with mixed-media and washes?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile: it can take light water or solvent-based washes to establish underpaintings, then accept pastel application once dry. Unlike heavily gritted sanded papers, it remains stable for detailed work after wet treatments and won’t flake or crumble under normal mixed-media use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds light washes for underpainting without losing tooth.\u003c\/li\u003e\n  \u003cli\u003eMaintains structural integrity when layering pastels over dried washes.\u003c\/li\u003e\n  \u003cli\u003eWorks well with charcoal, pencil, soft pastel and pastel pencil.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does this glued pad offer for studio and plein-air use?\u003c\/h3\u003e\n\u003cp\u003eThe pad format is convenient for sketching, studies and finished works: top-glued binding keeps sheets secure, and glassine interleaving protects completed pages. The 9½ × 12 inch size is portable yet large enough for detailed compositions, and 360g weight provides a stable, warp-resistant support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued pad for easy page-turning and tear-off sheets.\u003c\/li\u003e\n  \u003cli\u003eGlassine separators between pages to prevent smudging in storage.\u003c\/li\u003e\n  \u003cli\u003e360g stock resists buckling when applying washes or heavy layers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists, illustrators and mixed-media artists who want a premium, reusable-feeling surface that blends like a painting ground while preserving delicate details. It suits students learning layering techniques, professional artists reducing pastel consumption, and anyone who needs a durable, portable pad that protects finished sheets with glassine interleaves.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size is the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This glued pad contains 12 sheets, each 9½ x 12 inches (24 x 30 cm) at 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or solvent washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; Pastelmat tolerates light water or solvent-based underwashes and accepts pastel once fully dry.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300759093585,"sku":"B0BCH5294K","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-charcoal-grey.jpg?v=1791975175"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-18-24-cm-7-9-in-12-sheets-360-g-velvety-tooth-for-rich-pastel-layering","title":"Clairefontaine Pastelmat Glued Pad Palette No. 3 — 18×24 cm (7×9½ in), 12 sheets, 360 g — Velvety tooth for rich pastel layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 3 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel with painterly blending while protecting each sheet with glassine interleaving.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad contains twelve 360 g\/m² white Pastelmat sheets sized 7 x 9½ inches (18 x 24 cm). Pastelmat's unique velvet-like surface offers more tooth than traditional Ingres papers yet is less abrasive than sanded boards, producing soft, buttery marks and reducing pastel consumption and dust. Each sheet in the pad is separated by a glassine protector to preserve finished work and keep adjacent sheets clean.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered for controlled layering: the texture grabs pigment but still allows smooth transitions, so you can build colour depth without quickly exhausting pastel sticks. Blending works predictably with fingers, stumps, or soft brushes and supports subtle painterly effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety surface holds multiple layers of pigment for richer tones\u003c\/li\u003e\n  \u003cli\u003eAllows precise smudging and soft gradations with minimal graininess\u003c\/li\u003e\n  \u003cli\u003eSupports both gentle blending and stronger, defined marks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad wear down expensive pastels faster than other surfaces?\u003c\/h3\u003e\n\u003cp\u003eCompared with abrasive sanded papers, Pastelmat consumes stick material more slowly. Its composition reduces the rate at which pastel is abraded away, so you use less product for similar coverage while still getting strong adhesion and colour saturation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRated to consume pastel about 30% slower than many sanded surfaces\u003c\/li\u003e\n  \u003cli\u003eProduces less airborne dust, making cleanup easier\u003c\/li\u003e\n  \u003cli\u003eRetains pigment firmly, reducing fallout from finished areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I combine washes or underpaintings with pastel on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is durable and tolerant of mixed techniques. It accepts light water or solvent-based washes for underpainting, and it remains stable when layered with dry pastel on top, opening up mixed-media workflows without rapid degradation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable enough for light aqueous or solvent underlayers\u003c\/li\u003e\n  \u003cli\u003eSurface stays intact while accepting subsequent pastel layers\u003c\/li\u003e\n  \u003cli\u003eSuitable for fine-line detail work as well as broader strokes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does the glued pad format provide for studio and travel use?\u003c\/h3\u003e\n\u003cp\u003eThe glued-pad construction keeps sheets together and makes it simple to remove a single sheet cleanly. The compact 18 x 24 cm size is convenient for studies, small finished pieces, or travel sketching, while glassine interleaves protect both finished pages and unused sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued spine allows easy sheet removal and flat working surface\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent smudging and transfer\u003c\/li\u003e\n  \u003cli\u003e12 heavyweight 360 g\/m² sheets per pad — portable and archival-feeling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily in soft pastel but want more painterly control, lower pastel consumption, and a surface that tolerates mixed-media underpainting will find this pad useful. It suits students and professionals making studies, finished small-format pieces, or travelling with a reliable, non-abrasive pastel ground. If you want a durable, velvety paper that balances tooth and smoothness while protecting each sheet, this Clairefontaine Pastelmat glued pad is engineered for that purpose.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for detailed pastel lines?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat's velvety surface supports fine lines and crisp detail while remaining less abrasive than sanded papers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include protective sheets between pages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Each sheet is separated by a glassine interleave to prevent smudging and protect finished work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300827939153,"sku":"B0BCH656FJ","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_d31cea1f-af4d-491c-bad1-c661cb8ee272.jpg?v=1791975767"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-9-5-12-in-12-sheets-360-g-m-velvet-surface-sanguine-sand-beige-grey","title":"Clairefontaine Pastelmat Glued Pad Palette No.7 9.5×12 in — 12 sheets, 360 g\/m² velvet surface, sanguine\/sand\/beige\/grey","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 7 is a heavyweight, velvety-surfaced pastel pad that grips pastel and charcoal for painterly, layerable results while protecting sheets with glassine interleaves.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat from Clairefontaine is designed for artists who want the lifting, blending, and layering control of a textured ground without the harsh abrasiveness of sanded papers. This glued pad contains twelve 360 g\/m² sheets in a balanced palette of sanguine red, sand, beige, and dark grey, each sheet separated by glassine protectors for travel and storage. The 9 1\/2 x 12 inch (24 x 30 cm) format is convenient for studies, plein-air work, and finished pieces that require a sturdy support capable of handling multiple techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat's surface change the way pastels behave?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is velvet-like with more tooth than traditional Ingres papers but is gentler than sanded grounds, so pigments lay down smoothly while still biting into the sheet. This balance lets you achieve broad, buttery strokes and precise details in the same composition.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong yet soft tooth for solid pigment adhesion\u003c\/li\u003e\n  \u003cli\u003eEnables painterly marks as well as fine line work\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust compared with gritty sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill I be able to blend and layer without losing colour intensity?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat surface supports multiple layers while preserving hue and depth. Because it consumes pastel more slowly, you can build chroma and value through successive applications without quickly burning through expensive sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports gradual layering to intensify colour or mute tones\u003c\/li\u003e\n  \u003cli\u003eAllows controlled blending for smooth transitions or textured effects\u003c\/li\u003e\n  \u003cli\u003eApproximately 30% lower pastel consumption versus many sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or erase details on this paper?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept water- or solvent-based underpaintings, expanding your mixed-media options. It also tolerates careful erasing—specialty erasers and magic erasers can lift pigment while leaving the ground intact for refinements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHandles washes for underpainting or tone blocking\u003c\/li\u003e\n  \u003cli\u003eMaintains strength after limited moisture exposure\u003c\/li\u003e\n  \u003cli\u003eCleanable with erasers for highlights and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does the glued pad format offer?\u003c\/h3\u003e\n\u003cp\u003eThe glued binding keeps sheets secure while allowing you to remove pages cleanly when you finish a work. Glassine interleaves protect each sheet, making this pad suitable for sketching on the go and for storage without smudging adjacent pages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued pad for neat tearing or leaving a tear-bound sketchbook edge\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent transfer and damage\u003c\/li\u003e\n  \u003cli\u003eCompact 9 1\/2 x 12 in size fits common portfolios and backpacks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 7 is aimed at pastelists, charcoal artists, and mixed-media painters who favor a surface that blends the best traits of traditional textured papers and modern pads. It suits students developing technique, experienced artists seeking archival, low-dust performance, and anyone who wants a reliable, durable sheet for layered colour work and refined detail. Choose this pad when you need a portable, protected supply of heavyweight pastel paper in a curated range of useful background colours.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the paper weight and size?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 g\/m² and the pad size is 9 1\/2 x 12 inches (24 x 30 cm).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the pages protected between sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, every page is separated by a glassine interleaf to prevent smudging and abrasion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300828102993,"sku":"B0BCH4YF31","price":76.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_03ddd72d-b7b5-47fb-805a-cec140d7e000.jpg?v=1791975769"},{"product_id":"clairefontaine-pastelmat-glued-pad-30x40-cm-palette-no-2-360g-12-sheets-sienna-white-brown-charcoal","title":"Clairefontaine Pastelmat Glued Pad 30x40 cm Palette No.2 — 360g, 12 Sheets (Sienna\/White\/Brown\/Charcoal)","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a heavyweight, velvety-surfaced pastel pad (30 x 40 cm, 360g) with 12 colour-coordinated sheets and glassine interleaves designed for layered, painterly pastel work.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad gathers four versatile tones—sienna, white, brown, and charcoal grey—on 12 durable 360 g\/m² Pastelmat sheets that grip pastel differently from traditional Ingres and sanded papers. Each sheet is separated by glassine protectors to keep finished surfaces clean, and the pad format keeps your pages flat and portable whether you work in the studio or on location.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface change the way I use pastels?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a finely textured, velvety tooth that holds layers firmly while remaining softer than sanded papers. That balance makes it easier to create broad, buttery strokes as well as crisp details without quickly wearing down expensive pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong velvety tooth for secure pigment adhesion.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers—gentler on pastels and tools.\u003c\/li\u003e\n  \u003cli\u003eEnables both painterly marks and precise lines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend and layer on these sheets without losing colour depth?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat's structure supports multiple layers of pigment and controlled blending to deepen tones and refine transitions. Artists can build up colour intensity while retaining luminosity because the surface consumes less pastel than grittier alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent control for soft gradients and sharp accents.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks about 30% slower than sanded papers.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust compared with coarser surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs the pad suitable for mixed media or experimental underpaintings?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile and resilient—able to accept water or solvent-based washes for underpainting without falling apart. It also stands up to erasing and reworking, making it a practical choice for mixed-media approaches and detailed corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with light washes for underpainting.\u003c\/li\u003e\n  \u003cli\u003eDurable enough for repeated erasing and reworking.\u003c\/li\u003e\n  \u003cli\u003eGood for combining pastel with graphite or ink for fine lines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical pad details I should know before buying?\u003c\/h3\u003e\n\u003cp\u003eThis is a glued pad of 12 sheets in a convenient 12 x 15 3\/4 inch (30 x 40 cm) format, printed in four useful tones that can serve as midtones or backgrounds. Glassine sheets protect artwork between pages, and the 360 g\/m² weight gives a stable, archival-feeling substrate for finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad size: 12 x 15 3\/4 inches (30 x 40 cm).\u003c\/li\u003e\n  \u003cli\u003ePaper weight: 360 g\/m² for sturdiness and reduced cockling.\u003c\/li\u003e\n  \u003cli\u003eContents: 12 sheets in sienna, white, brown, charcoal grey; glassine interleaves.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format keeps pages flat and portable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat Glued Pad Palette No. 2 suits pastel artists who want a professional-grade surface that balances tooth and smoothness—ideal for portrait, landscape, and experimental mixed-media work. It's particularly useful for artists who prefer slower pastel consumption, clean transport with glassine protection, and a selection of built-in background tones to accelerate tone decisions and value planning.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets removable from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Sheets can be detached from the glued edge for framing or mounting while glassine interleaves protect adjacent pages.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light water or solvent-based washes for underpainting are supported; heavy soaking is not recommended to avoid warping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300835967313,"sku":"B0BCH3WK5W","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_jpg.jpg?v=1791975811"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5-12-in-24-30-cm-12-sheets-palette-no-1-360-g-m-velvety-surface-for-painterly-layering","title":"Clairefontaine Pastelmat Glued Pad 9.5×12 in (24×30 cm) 12 sheets Palette No.1 — 360 g\/m² velvety surface for painterly layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No.1 is a heavyweight, velvety-surfaced pastel pad that captures soft pastels and enables painterly layering with minimal dust.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastel artists who want a middle ground between traditional Ingres papers and gritty sanded surfaces, this glued pad gives you a dependable, absorbent base that preserves fine detail while reducing pastel consumption. Each 9 1\/2 x 12 inch (24 x 30 cm) sheet is 360 g\/m² and comes in a set of 12, with glassine interleaving to protect finished work and keep sheets clean in the studio or on location. The Palette No.1 colorway includes Maize, Buttercup, Dark Grey, and Light Grey sheets to help you choose an ideal undertone for portraits, landscapes, or still life.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat compare to sanded or Ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat offers more tooth than Ingres-style papers, giving pastels something to bite into, yet it is noticeably less abrasive than sanded boards. That balance makes it easier to achieve painterly strokes and fine lines without wearing pastel sticks down as quickly as sanded surfaces do.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMore tooth than smooth papers for better pigment grip\u003c\/li\u003e\n  \u003cli\u003eSofter than sanded papers, preserving pastel sticks and reducing dust\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad blending and delicate marks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques does this glued pad support in practical use?\u003c\/h3\u003e\n\u003cp\u003eThe velvety surface is built for layering, blending, and light rescues like erasing highlights. It also accepts water or solvent washes for underpainting, so you can combine pastel with mixed-media approaches while keeping control over tonal values.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer multiple colours to refine tone and depth\u003c\/li\u003e\n  \u003cli\u003eBlend precisely with tools or fingers for smooth transitions\u003c\/li\u003e\n  \u003cli\u003eUse gentle washes for underpaintings, then work dry pastels on top\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad stretch or buckle with mixed-media washes?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust and non-flaking, tolerating moderate water or solvent-based washes without disintegrating. Because the sheets are heavy (360 g\/m²), they resist warping better than lighter papers, but heavier washes or repeated wetting may still cause slight cupping—mount or block if you require perfectly flat results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² weight reduces warping under moderate washes\u003c\/li\u003e\n  \u003cli\u003eHolds water and solvent-based underpaintings without losing tooth\u003c\/li\u003e\n  \u003cli\u003eRecommended to mount for highly wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued pad format help studio and plein-air work?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets secure until you need them and makes it easy to tear off a prepared surface without damaging edges. Glassine interleaving between pages protects finished pieces from smudging while you carry the pad in a bag or store it on a shelf.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge for clean sheet removal and edge consistency\u003c\/li\u003e\n  \u003cli\u003eGlassine guards prevent smudging between pages\u003c\/li\u003e\n  \u003cli\u003ePortable 9 1\/2 x 12 inch size fits backpacks and small easels\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Pastelmat Glued Pad Palette No.1 is ideal for pastel artists who want a practical, versatile surface that supports painterly techniques, careful detail work, and mixed-media underpainting. It suits beginners who need forgiving, low-dust paper, intermediate artists refining layering skills, and professionals who value colour-variant sheets for fast tonal decisions. If you prioritize reduced pastel wear, minimal dust, and a durable sheet that accepts washes, this pad is a reliable studio and plein-air choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are included and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets, each 9 1\/2 x 12 inches (24 x 30 cm), 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or solvent washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—Pastelmat tolerates moderate water or solvent-based washes, but mount heavier wet work to avoid slight cupping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836032849,"sku":"B0BCH432SN","price":82.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-palette-no1.jpg?v=1791975812"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-6-charcoal-grey-30-40-cm-360-g-12-sheets-velvety-tooth","title":"Clairefontaine Pastelmat Glued Pad Palette No.6 — Charcoal Grey 30×40 cm, 360 g, 12 Sheets, Velvety Tooth","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 6 is a heavyweight, charcoal-grey glued pad engineered to hold multiple layers of pastel while offering a velvety, painterly surface that’s less abrasive than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 12-sheet glued pad (12 x 15 3\/4 inches \/ 30 x 40 cm) uses Pastelmat’s distinctive 360 g\/m² texture to secure pastel pigment, reduce dust and extend the life of expensive sticks. Each sheet is separated by a glassine protector so finished work and in-progress pages remain clean. The surface balances strong tooth with a softer hand, giving you control for both broad, buttery strokes and fine-line detail.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface was designed to accept many successive layers of pigment without quickly saturating or becoming overly abrasive. You can build subtle midtones and deep darks while maintaining crisp edges where needed, and blends remain stable after multiple passes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVelvety tooth that grabs pastel for multiple layers\u003c\/li\u003e\n\u003cli\u003eSupports precise blending and smooth tonal transitions\u003c\/li\u003e\n\u003cli\u003eMinimizes pastel consumption versus sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for both soft pastels and fine detail work?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat strikes a middle ground between traditional Ingres-style papers and heavily sanded boards. Its surface is substantial enough to hold soft, creamy pastel marks yet refined enough for controlled lines and erasing work without damaging the sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess abrasive than sanded options for fine-line control\u003c\/li\u003e\n\u003cli\u003eHolds soft pastel and allows for delicate erasures with minimal damage\u003c\/li\u003e\n\u003cli\u003eUseful for both broad colour fields and intricate textures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it affect pastel stick consumption and dust?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is formulated to reduce pigment waste and airborne dust while retaining colour saturation. Artists typically find pastel sticks last longer on this surface, and fewer reapplications are needed to reach deep values.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConsumes pastel at an estimated 30% slower rate than sanded papers\u003c\/li\u003e\n\u003cli\u003eCreates less loose dust for a cleaner studio\u003c\/li\u003e\n\u003cli\u003eGlassine interleaves protect sheets and finished pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use washes or solvents on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes. The pad is strong and versatile enough to accept water- or solvent-based underpaintings and mixed-media approaches. The surface retains its integrity when layered with washes and later reworked with pastel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDurable 360 g\/m² sheet supports wet underlayers\u003c\/li\u003e\n\u003cli\u003eMaintains tooth after washes for further pastel application\u003c\/li\u003e\n\u003cli\u003eIdeal for mixed-media workflows that combine paint and pastel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists who want a professional-grade surface that blends painterly effects with fine detail capability. It’s well suited for studio artists, instructors, and advanced students who need durable, archival-weight sheets that reduce pastel waste and protect work between sessions. If you seek a charcoal-grey ground to enhance midtones and contrast while preserving delicate highlights, this glued pad offers a reliable, gallery-ready foundation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets come in the Palette No. 6 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad includes 12 glued sheets, each separated by glassine protectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 g\/m² paper is sturdy enough for water or solvent washes before applying pastel.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836065617,"sku":"B0BCH5HF6N","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-charcoal-grey.jpg?v=1791975811"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5x12-in-palette-no-5-12-sheets-360gsm-dark-light-green-white-dark-blue","title":"Clairefontaine Pastelmat Glued Pad 9.5x12 in Palette No.5 — 12 Sheets, 360gsm, Dark \u0026 Light Green, White, Dark Blue","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 5 is a heavyweight, velvety pastel paper pad that delivers painterly pastel layering, precise blending, and reduced pastel consumption for professional and hobby artists.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad collects 12 sheets of Clairefontaine's Pastelmat in a compact 9½ x 12 inch (24 x 30 cm) format, featuring four carefully selected tones: dark green, light green, white, and dark blue. At 360 g\/m² the paper is robust enough to accept multiple layers, light washes, and repeated erasing while maintaining its tooth and structure. The surface is engineered to give soft pastels a buttery, painterly response while still supporting fine-line work and controlled detail.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do artists choose Pastelmat over traditional sanded or velour papers?\u003c\/h3\u003e\n\n\u003cp\u003ePastelmat combines a pronounced tooth with a softer, non-abrasive finish that sits between conventional ingres papers and aggressively sanded surfaces. It grips pastel pigments well without shredding sticks, producing less dust and allowing smoother blending movements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety surface with strong tooth but no gritty abrasion.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks more slowly than sanded papers, saving materials.\u003c\/li\u003e\n  \u003cli\u003eSupports fine lines and detailed work that many sanded papers struggle with.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust for cleaner studios and easier cleanup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad perform for layering, blending, and erasing?\u003c\/h3\u003e\n\n\u003cp\u003ePastelmat's specialized surface is made to accept many layers of pigment while preserving clarity and vibrancy. Blending remains responsive, enabling soft transitions and painterly textures, and the surface tolerates gentle erasure for highlights and corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBuilt to accept multiple layers without saturation or flaking.\u003c\/li\u003e\n  \u003cli\u003eAllows precision blending for smooth gradations and subtle colour shifts.\u003c\/li\u003e\n  \u003cli\u003eCompatible with kneaded erasers and detail erasure tools for lifting highlights.\u003c\/li\u003e\n  \u003cli\u003eWorks well with fixatives when desired, due to its stable fibre and sizing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use Pastelmat with water media or solvents?\u003c\/h3\u003e\n\n\u003cp\u003eAlthough designed primarily for dry media, Pastelmat is resilient and will tolerate limited water or solvent-based underpaintings. The sheet's strength and sizing help prevent warping and allow mixed-media approaches when applied carefully.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds up to light washes and solvent-based underlayers without losing tooth.\u003c\/li\u003e\n  \u003cli\u003eDry thoroughly before applying pastels to avoid lifting or paper damage.\u003c\/li\u003e\n  \u003cli\u003eSuitable for mixed-media techniques when used conservatively and tested first.\u003c\/li\u003e\n  \u003cli\u003eRobust 360 g\/m² weight reduces buckling from minimal moisture exposure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat do the included colours and pad format mean for studio workflow?\u003c\/h3\u003e\n\n\u003cp\u003eThe Palette No. 5 pad packs four useful background tones—dark green, light green, white, and dark blue—so you can start compositions on contrasting grounds that affect mood and underpainting. The glued-edge pad format keeps sheets secure while you work and makes it easy to remove finished pieces cleanly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFour tonal options let you test colour relationships without priming or tinting.\u003c\/li\u003e\n  \u003cli\u003eGlued pad edge holds sheets in place while you work and tears out smoothly.\u003c\/li\u003e\n  \u003cli\u003e9½ x 12 in size is portable and fits most portfolios and framing sizes.\u003c\/li\u003e\n  \u003cli\u003e12 sheets give a compact supply for experimentation or small commissions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 5 suits pastelists who want a professional, versatile paper that balances tooth and softness—ideal for artists exploring painterly pastel techniques, layered colour work, or mixed-media pieces that require a durable, high-quality support. It's also a practical choice for students and instructors seeking consistent, easy-to-use sheets that minimize pastel waste while enabling both broad, expressive strokes and refined detail.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for soft and hard pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts both soft and hard pastels well, allowing smooth layering and precise detail with less consumption than sanded papers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use light washes on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light water or solvent washes are tolerated, but dry the sheet fully before applying pastels to avoid damage or lifting.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836131153,"sku":"B0BCGYLBXW","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-view-palette-5.jpg?v=1791975812"},{"product_id":"uart-sanded-pastel-art-paper-off-white-9-12-grit-400-10-sheet-pack-archival-medium-fine-tooth-for-layered-pastels","title":"Uart Sanded Pastel Art Paper — Off-White 9×12, Grit #400, 10-Sheet Pack; archival medium-fine tooth for layered pastels","description":"\u003cstrong\u003eUart Sanded Pastel Art Paper is a durable, off-white, grit #400 sheet designed to hold multiple layers of pastel, coloured pencil, charcoal and mixed wet media without losing tooth.\u003c\/strong\u003e\n\n\u003cp\u003eThis 9\" x 12\" pack of ten archival-quality sheets offers consistent texture and sizing so artists can predict how marks will lay down across the entire surface. The PH-neutral, acid-free base resists yellowing, and the sanded finish delivers a controllable tooth that grips pigment for vibrant colour and crisp detail. Whether you work alla prima in pastels or layer coloured pencil and charcoal, these sheets are engineered to accept repeated passes and blending while maintaining surface integrity.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the grit #400 surface affect pastel and pencil work?\u003c\/h3\u003e\n\u003cp\u003eThe #400 grit provides a medium-fine abrasive texture that balances colour pickup with the ability to render fine lines. It’s abrasive enough to hold several layers of pigment, yet fine enough to allow precise strokes with coloured pencils and charcoal points.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium-fine tooth for detailed mark-making and smooth gradients\u003c\/li\u003e\n  \u003cli\u003eSecurely holds multiple pastel layers without rapid saturation\u003c\/li\u003e\n  \u003cli\u003eSupports sharp edges and subtle blends for realism\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet media or do I need special preparation?\u003c\/h3\u003e\n\u003cp\u003eThese sheets accept wet media, allowing mixed-media approaches without a separate support. Their manufacturing tolerates moderate moisture so you can apply light washes, fixative sprays, or diluted inks; heavy soaking is not recommended to avoid warping.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with light watercolour washes and ink accents\u003c\/li\u003e\n  \u003cli\u003ePH-neutral sizing reduces degradation from water-based media\u003c\/li\u003e\n  \u003cli\u003eUse moderate moisture and allow full drying between layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes these sheets archival and how will they age?\u003c\/h3\u003e\n\u003cp\u003eUart sanded sheets are acid-free and PH-neutral, which slows discoloration and fibre breakdown over time. The off-white tone provides a stable neutral ground that won’t compete with pigments and helps preserve contrast in finished work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free and PH-neutral for long-term colour stability\u003c\/li\u003e\n  \u003cli\u003eOff-white tint maintains visual neutrality for colour work\u003c\/li\u003e\n  \u003cli\u003eDurable sanded surface resists flaking with normal use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose a 10-sheet pack in 9\" x 12\" size?\u003c\/h3\u003e\n\u003cp\u003eThis size is portable and versatile for studies, sketches, and finished pieces. A 10-sheet pack provides enough sheets to experiment with techniques or create a small series without committing to a larger, more expensive block.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e9\" x 12\" is travel-friendly and fits standard portfolios\u003c\/li\u003e\n  \u003cli\u003eTen sheets balance convenience and economy for practice and projects\u003c\/li\u003e\n  \u003cli\u003eConsistent batch quality reduces variability between sheets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who layer pastels, coloured pencils, and charcoal and want a reliable, archival surface that supports both detail work and blended passages. Ideal for students, plein air pastel painters, illustrators exploring mixed media, and anyone seeking a consistent, sanded paper that holds repeated layering and light wet applications without losing texture.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is fixative required for Uart sanded pastel paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No fixative is required for good results, though a light spray can be used for extra protection if desired.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will these sheets handle light watercolour washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, they accept light wet media and delicate washes, but avoid heavy soaking to prevent warping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55300926013777,"sku":"B008EQ3FZE","price":64.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-sanded-pastel-paper-front-packaging_c3c229ee-9873-447e-8999-7f546cf8fc7e.jpg?v=1791976279"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-30-40-cm-12-sheets-360g-velvety-surface","title":"Clairefontaine Pastelmat Glued Pad Palette No. 7 — 30×40 cm (12 sheets), 360g velvety surface","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 7 is a heavyweight, velvety-surfaced pastel pad that grips pigment like a sanded sheet but remains smooth enough for fine detail and multiple layers.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad collects 12 sheets of Clairefontaine's Pastelmat in a handy palette format sized 30 x 40 cm (12 x 15 3\/4 inches). Each 360 g\/m² page is engineered to accept soft pastels, pencil, charcoal and light washes while slowing pastel consumption and reducing dust. The pad includes glassine sheet protectors between pages to keep finished work clean and preserve the textured surface while you work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is uniquely textured: more tooth than traditional Ingres papers but less abrasive than sanded boards. That balance lets pigments anchor firmly without excessive wear on sticks, so marks stay vibrant while remaining blendable for painterly effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety texture produces dense colour with fewer layers.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded paper, reducing pastel waste.\u003c\/li\u003e\n  \u003cli\u003eSupports fine lines and textured strokes without crumbling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, layer and erase on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat was developed for controlled blending and layering: colours mix smoothly, can be built up in multiple passes, and respond well to erasing techniques. The surface tolerates soft reworking and accepts light solvent or water-based underpainting without collapsing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless smudging and feathered transitions for realistic gradients.\u003c\/li\u003e\n  \u003cli\u003eMultiple layers possible without losing tooth or depth.\u003c\/li\u003e\n  \u003cli\u003eClean lifting with rubber erasers or magic erasers for highlights.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad help me save on pastel supplies?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine reports that Pastelmat consumes pastel sticks at a slower rate than typical sanded papers, which means fewer sticks needed to cover the same area. The surface also produces less airborne dust, keeping your workspace tidier and extending the life of expensive pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAbout 30% slower pastel consumption versus sanded surfaces.\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust for cleaner studios and easier cleanup.\u003c\/li\u003e\n  \u003cli\u003eStrong surface that withstands repeated reworking and erasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features come with the glued pad format?\u003c\/h3\u003e\n\u003cp\u003eThe glued-pad construction holds sheets securely while you work and makes it simple to tear out a finished page without fraying edges. Each sheet is separated by a glassine protector to prevent smudging between pages, preserving both finished pieces and unused surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge keeps pages flat and stable during drawing.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect pigments and the next sheet.\u003c\/li\u003e\n  \u003cli\u003eConvenient size (30 x 40 cm) fits easels, portfolios and frames.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 7 is aimed at pastel artists who want a refined, multifunctional surface: hobbyists building technique, dedicated pastel painters chasing rich, layered colour, and mixed-media artists who need a paper that accepts light washes and fine detail. It’s especially useful if you prefer minimal pastel dust, longer-lasting sticks, and a pad format that’s tidy and travel-friendly.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for light washes and mixed media?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent underpainting and supports mixed-media layering without losing its tooth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are included in Palette No. 7?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad includes 12 sheets, each 30 x 40 cm (12 x 15 3\/4 inches), at 360 g\/m² weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301194187089,"sku":"B0BCH568W8","price":116.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_9b9033dc-877d-4c47-ae66-3d53580d715e.jpg?v=1791977775"},{"product_id":"clairefontaine-pastelmat-glued-pad-7-x-9-in-18x24-cm-12-sheet-palette-360-g-m-maize-buttercup-grey-velvety-tooth-low-dus","title":"Clairefontaine Pastelmat Glued Pad 7 x 9½ in (18x24 cm), 12-Sheet Palette — 360 g\/m² Maize\/Buttercup\/Grey, Velvety Tooth \u0026 Low Dus","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 1 is a heavyweight, velvety-surfaced pastel pad that holds multiple layers of pigment while reducing pastel dust and stick wear.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat is engineered for pastel artists who want the grip of a toothy paper without the scratchy abrasiveness of traditional sanded papers. This glued pad contains 12 sheets of 360 g\/m² Pastelmat in a curated palette (Maize, Buttercup, Dark Grey, Light Grey) sized 7 x 9½ inches (18 x 24 cm), with glassine interleaving to protect finished pages and preserve the surface between uses.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat's surface differ from other pastel papers?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is organic and velvety: it provides noticeably more tooth than ingres-style sheets but is softer than sanded boards, giving you bite without excess abrasion. That balance preserves delicate edges and fine-line work while still accepting heavy pigment layering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth that holds pastel particles securely.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers—gentler on pastel sticks.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both bold applications and detailed line work.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages protect finished work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, and erase on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat lets you build multiple layers of colour with precise blending and retains tonal clarity as you work. Because it grips pigment well, you can blend with tools or fingertips and still lift or refine areas using erasers without destroying the surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports controlled blending for soft transitions and painterly effects.\u003c\/li\u003e\n  \u003cli\u003ePermits multiple pigment layers to deepen tone and saturation.\u003c\/li\u003e\n  \u003cli\u003eWorks with gentle erasing methods; \"magic\" erasers can remove pastel cleanly.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust produced compared with sanded alternatives.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat save my pastel sticks and reduce waste?\u003c\/h3\u003e\n\u003cp\u003ePastelmat consumes pastel sticks more slowly than traditional sanded papers—typically around 30% less—so it stretches the life of expensive pigments. The paper’s grip means less vigorous rubbing to achieve coverage, which limits powder loss and keeps more pigment on the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduced pastel consumption extends stick longevity.\u003c\/li\u003e\n  \u003cli\u003eLower dust output helps keep studios cleaner and preserves details.\u003c\/li\u003e\n  \u003cli\u003eGood for economy when using high-cost artist-grade pastels.\u003c\/li\u003e\n  \u003cli\u003eStrong enough to accept water- or solvent-based underpaintings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and protected is the glued pad format?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad design keeps pages together for easy transport and on-the-spot sketching while preserving the textured surface until you’re ready to remove a sheet. Glassine interleaving between pages prevents smudging and protects completed pieces from abrasion in a bag or portfolio.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued edge keeps sheets secure during travel and storage.\u003c\/li\u003e\n  \u003cli\u003eGlassine protector between sheets prevents accidental smearing.\u003c\/li\u003e\n  \u003cli\u003eCompact 7 x 9½ in size fits most sketch bags and small easels.\u003c\/li\u003e\n  \u003cli\u003e12 heavy 360 g\/m² sheets provide a durable working surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad for? Artists who favor pastel as a primary medium—whether beginners exploring techniques or professionals refining complex, layered work—will appreciate this pad’s balance of tooth and smoothness. It suits studio practice, plein-air sketching, and mixed-media approaches that include washes or solvent work beneath pastel. If you want a dependable, protective pad that reduces pastel waste while enabling painterly effects and fine detail, the Clairefontaine Pastelmat Palette No. 1 is tailored to those needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for erasing and corrections?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts gentle erasing and precision removal with magic erasers without damaging the surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet underpaintings on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat is strong enough to take water- or solvent-based washes as underlayers before pastel application.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301208211793,"sku":"B0BCH2CZ2K","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_a9eaeae7-d6eb-42eb-9e65-ca1f8bc5727b.jpg?v=1791977821"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-5-30-x-40-cm-12-sheets-360-g-velvety-surface","title":"Clairefontaine Pastelmat Glued Pad – Palette No.5, 30 x 40 cm, 12 Sheets, 360 g Velvety Surface","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 5 is a heavyweight, velvety art pad designed to hold multiple layers of pastel, offering painterly marks with less abrasion than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad from Clairefontaine contains 12 sheets of Pastelmat in dark green, light green, white, and dark blue at a generous 360 g\/m² weight and 30 x 40 cm (12 x 15¾ in) size. Each sheet is protected by a glassine interleaf to keep pastel surfaces clean and transport-ready. Pastelmat's engineered surface gives pastel pigments something between the tooth of Ingres and the bite of sanded papers, so you can build colour, blend precisely, and preserve fine detail without excessive pastel wear.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve pastel blending and layering?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's dense velvet-like surface grabs pigment firmly while still allowing smooth movement for blending. Because pigments sit on the surface rather than sinking in, you can layer many applications to increase colour depth and adjust tones precisely.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVelvety tooth that accepts multiple layers without rapid saturation.\u003c\/li\u003e\n\u003cli\u003eEnables smooth transitions with tortillon, finger, or soft cloth blending.\u003c\/li\u003e\n\u003cli\u003eSupports both bold scumbled marks and delicate feathering for detail.\u003c\/li\u003e\n\u003cli\u003eLess pastel dust and slower consumption compared with sanded papers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad withstand wet underpaintings or mixed-media techniques?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is more tolerant of light washes and solvent work than many traditional pastel papers. Its strength and composition let you apply water- or solvent-based underlayers, then work pastels on top without the sheet disintegrating or losing tooth.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e360 g\/m² stock resists cockling from light washes.\u003c\/li\u003e\n\u003cli\u003eCan accept water-soluble or solvent underpainting before pastel application.\u003c\/li\u003e\n\u003cli\u003eHolds up to erasing and gentle reworking without tearing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Pastelmat affect pastel stick consumption and cleanup?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is formulated to reduce how quickly pastel sticks are used compared with coarse sanded papers. It captures pigments efficiently, resulting in less pastel dust and lower material usage while keeping colours vivid.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApproximately 30% slower pastel consumption than many sanded boards.\u003c\/li\u003e\n\u003cli\u003eGlassine interleaves between sheets minimize smudging during storage and transport.\u003c\/li\u003e\n\u003cli\u003eSurface dust is reduced, making workspace cleanup easier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Palette No. 5 useful for finished work and studies?\u003c\/h3\u003e\n\u003cp\u003eThe mixed palette of dark green, light green, white, and dark blue makes this pad versatile for landscapes, studies, and compositional underlayers. Each sheet’s size (30 x 40 cm) is convenient for framing and scanning, while the glued pad format keeps pages secure for sketching en plein air or in-studio planning.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAssorted sheet colours support varied tonal backgrounds and mood studies.\u003c\/li\u003e\n\u003cli\u003ePad format with glued edge keeps loose sheets aligned and portable.\u003c\/li\u003e\n\u003cli\u003e360 g\/m² weight offers professional durability for finished pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who work primarily in soft pastel, pastel pencils, or mixed media and want a professional surface that balances tooth and smoothness will value this Clairefontaine Pastelmat pad. It suits advanced students building layered colour, plein-air painters needing protected pages, and illustrators who require fine-line control without the abrasive grit of sanded boards. If you want a receptive, long-lasting surface that reduces pastel waste and keeps your work clean, this Palette No. 5 glued pad is a practical studio and travel choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets removable from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — sheets are glued along one edge for secure transport and can be carefully removed for framing or scanning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does Pastelmat work with pastel pencils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the velvety surface accepts pastel pencils and supports fine details as well as softer pastel sticks.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301251531089,"sku":"B0BCH5TW2S","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-cover_817ebd6c-f250-49bd-85d6-9821db43a7b1.jpg?v=1791977911"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-30-x-40-cm-360-g-m-12-sheets-velvety-tooth","title":"Clairefontaine Pastelmat Glued Pad Palette No. 3 — 30 x 40 cm, 360 g\/m², 12 sheets, velvety tooth","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 3 is a heavyweight, velvety-surfaced pastel pad that locks pigment for painterly layers while remaining gentle on pastel sticks.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad from Clairefontaine delivers a textured, velvet-like support designed specifically for pastel and mixed-media artists who want strong tooth without the abrasiveness of sanded boards. Each 30 x 40 cm (12 x 15 3\/4\") sheet is 360 g\/m², offering stiffness and durability for multiple layers, washes, and erasures. The pad includes glassine interleaving between sheets to protect finished work and preserve the surface condition until you’re ready to use it.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s engineered surface grips pigment so painters can build depth with repeated layers while retaining control for smooth transitions. It enables both soft, buttery strokes and detailed marks without excessive fading of earlier layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth holds multiple pigment layers for richer colour.\u003c\/li\u003e\n  \u003cli\u003eSupports precise blending and feathering with minimal smudging.\u003c\/li\u003e\n  \u003cli\u003eWorks well with soft and hard pastels for varied techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad wear down my pastel sticks faster?\u003c\/h3\u003e\n\u003cp\u003eNo — Pastelmat was developed to reduce abrasive wear compared with sanded papers, so artists use less pastel over time. Its surface consumes pigment more slowly and produces less dust, making it economical and tidier in use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEstimated ~30% lower pastel consumption versus sanded supports.\u003c\/li\u003e\n  \u003cli\u003eProduces less loose dust for a cleaner studio workspace.\u003c\/li\u003e\n  \u003cli\u003eSurface remains stable through multiple passes, reducing stick waste.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use washes or solvents with Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad is robust enough for underpaintings and light washes, whether water-based or solvent-based, expanding mixed-media possibilities. The board maintains integrity so you can combine painting and pastel techniques without delamination.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds up to controlled water or solvent applications as underlayers.\u003c\/li\u003e\n  \u003cli\u003eRetains surface tooth after moderate wet treatments and drying.\u003c\/li\u003e\n  \u003cli\u003eCompatible with erasing tools like magic erasers for corrections.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and protection does this glued pad provide?\u003c\/h3\u003e\n\u003cp\u003eThis is the Palette No. 3 glued pad in a practical 30 x 40 cm format, ideal for studies and finished pieces. Each sheet is glued along one edge for easy removal, and glassine sheets protect every page to prevent smudging and abrasion while stored in the pad.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad format: 12 x 15 3\/4 inches (30 x 40 cm), convenient for framing.\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² heavyweight sheets for stiffness and handling.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleavers between pages protect completed work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily with pastels but want more versatility—illustrators, portraitists, urban sketchers, and mixed-media painters—will benefit from Pastelmat’s balance of grip and smoothness. It’s especially useful to artists who need a surface that supports layering, washes, fine detail, and tidy studios by reducing dust and stick wear. Whether you’re creating detailed line work or building broad, painterly passages, this Clairefontaine glued pad offers a reliable, professional-grade foundation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 360g sheets can take controlled water or solvent-based washes as underpaintings without warping.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Palette No. 3 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad contains 12 sheets, each 30 x 40 cm, with glassine paper between pages.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301570658641,"sku":"B0BCH2G1GD","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_1dd5e6f7-dc72-4a0a-ad16-8f4f60f48dd0.jpg?v=1791978993"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-18x24-cm-7x9-360-g-m-12-sheets-sanguine-red-neutral-tones","title":"Clairefontaine Pastelmat Glued Pad Palette No. 7 — 18x24 cm (7x9½), 360 g\/m², 12 Sheets, Sanguine Red \u0026 Neutral Tones","description":"\u003cstrong\u003eClairefontaine Pastelmat Palette No. 7 is a heavyweight, velvety pastel pad designed to hold many layers of pastel while reducing dust and stick consumption.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Pastelmat in Palette No. 7 tones — sanguine red, sand, beige and dark grey — sized 7 x 9½ inches (18 x 24 cm) on robust 360 g\/m² stock. Pastelmat bridges the gap between traditional Ingres papers and coarse sanded surfaces: it offers more tooth than laid paper for dependable pigment grip but without the abrasive grit that wears sticks quickly. Each sheet is separated by glassine to protect finished work and keep colours pristine while stored in the pad.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from sanded or ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a unique velvety texture that grabs pastel firmly, enabling painterly and precise marks without the heavy wear or powder created by sanded substrates. It’s engineered to let you layer and blend with control while keeping the surface smooth enough for fine details and erasing when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth holds pigment securely without aggressive abrasion.\u003c\/li\u003e\n  \u003cli\u003eAccepts many layers so artists can build complex colour and depth.\u003c\/li\u003e\n  \u003cli\u003eLess pastel consumption and reduced dust compared to sanded papers.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad, buttery strokes and fine line work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques work best on this glued pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile for a wide range of pastel methods: tight, detailed realism; loose, expressive strokes; and underpainting with water- or solvent-based washes. Its surface responds to blending tools, fingers, and erasers while maintaining structure across repeated reworkings.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayering: build dozens of thin or thick layers for richer tones.\u003c\/li\u003e\n  \u003cli\u003eBlending: soft tools and stumps blend cleanly without clogging the tooth.\u003c\/li\u003e\n  \u003cli\u003eErasing: lift highlights precisely using kneaded erasers or melamine sponges.\u003c\/li\u003e\n  \u003cli\u003eMixed media: holds light washes and solvent techniques for underpainting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad affect pastel consumption and studio cleanup?\u003c\/h3\u003e\n\u003cp\u003eThe surface is formulated to retain more pigment on the sheet, which reduces how quickly pastel sticks are used and limits loose dust. That efficiency makes it economical for frequent practice or multi-layered pieces and simplifies cleanup compared with coarser surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApproximately 30% slower pastel wear versus sanded papers.\u003c\/li\u003e\n  \u003cli\u003eProduces less airborne dust, improving studio cleanliness.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect each sheet and finished work in the pad.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical details should I know about the pad itself?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps sheets together for easy handling and travel while allowing individual removal as needed. At 360 g\/m² and 18 x 24 cm, these pages are durable enough for repeated reworking and small-format finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 7 x 9½ inches (18 x 24 cm), convenient for studies and finished small works.\u003c\/li\u003e\n  \u003cli\u003eWeight: 360 g\/m² provides stiffness and resistance to warping.\u003c\/li\u003e\n  \u003cli\u003eCount: 12 sheets with glassine protectors between pages.\u003c\/li\u003e\n  \u003cli\u003eColour selection: sanguine red, sand, beige, dark grey — useful backgrounds for warm or cool compositions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: artists who want a premium pastel surface that blends the handling of traditional papers with the pigment-holding power of sanded boards. It’s ideal for portrait, landscape, and illustrative work where layering, clean blending, and finer detail are important — especially for those looking to conserve pastel sticks and reduce studio dust.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase highlights on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat allows lifting with kneaded erasers and melamine sponges for precise highlights without damaging the surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad good for mixed-media underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 360g sheet accepts light water or solvent washes as underpaintings while still holding pastel layers on top.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301614240081,"sku":"B0BCH4YN4G","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_9ef97cf6-9be4-4274-b814-65e0eb199884.jpg?v=1791979168"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-9-x-12-in-12-sheets-360-g-m-4-tone-pack","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 — 9½ x 12 in, 12 Sheets, 360 g\/m², 4-Tone Pack","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 4 is a glued pad of heavyweight velvety-surfaced sheets designed to grab pastels like sanded papers but work smoothly like traditional ingres stock.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad contains 12 sheets of 360 g\/m² Pastelmat in four rich tone options (dark blue, light blue, wine, sand) sized 9 1\/2 x 12 inches (24 x 30 cm). Each page is separated by a glassine interleaf to protect finished work and keep pastel dust and smudging to a minimum. The surface balances tooth and softness so artists can layer, blend, and erase with greater control while using less pastel material.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat’s surface differ from sanded or Ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a textured, velvety “tooth” that holds pigment firmly but is less abrasive than traditional sanded grounds. This allows for painterly strokes and fine detail without rapid stick wear or excessive dust.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMore tooth than Ingres for better pigment adherence\u003c\/li\u003e\n  \u003cli\u003eSmoother and less abrasive feel than sanded paper\u003c\/li\u003e\n  \u003cli\u003eEnables both soft blending and crisp lines\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks more slowly than sanded surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, and erase on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat surface excels at controlled blending and supports multiple pigment layers without saturating or flaking off. Erasing and lifting colour works well, and you can use soft tools, stumps, or even magic erasers for selective corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports many thin or thicker pigment layers for depth\u003c\/li\u003e\n  \u003cli\u003eClean blending with stumps, fingers, or brushes\u003c\/li\u003e\n  \u003cli\u003eSafe to lift colour for highlights and adjustments\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust production compared with sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat suitable for mixed techniques and underpainting?\u003c\/h3\u003e\n\u003cp\u003ePastelmat holds up to light washes and solvent- or water-based underpaintings, giving artists flexibility to combine media. The sheet’s strength and surface stability mean you can lay down an underpainting then build pastel layers without damaging the support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurable 360 g\/m² weight resists warping from washes\u003c\/li\u003e\n  \u003cli\u003eAccepts acrylic or watercolour underlayers in many cases\u003c\/li\u003e\n  \u003cli\u003eWorks with both soft and harder pastel sticks\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect wet or finished surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the glued pad format provide?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets neat and portable while allowing single-page removal for framing or mounting. The 9 1\/2 x 12 inch size is convenient for studies, final pieces, or travel; the glued edge provides a firm working border and tidy storage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued edge secures pages during drawing or transport\u003c\/li\u003e\n  \u003cli\u003eGlassine separators preserve finished pages from smudging\u003c\/li\u003e\n  \u003cli\u003eCompact, standard size for easy framing and scanning\u003c\/li\u003e\n  \u003cli\u003e12 sheets let you test tones and techniques across colours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Palette No. 4 suits pastel artists who want a balance between grip and smoothness — from plein air painters and studio illustrators to students exploring painterly pastel techniques. It’s ideal for creators who prefer controlled blending, cleaner work with less dust, and a heavyweight support that tolerates light washes and repeated corrections.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick are the Pastelmat sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 g\/m² heavyweight stock, sturdy enough for light washes and repeated layering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the pages separated to prevent smudging?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — each page includes a glassine interleaf to protect finished surfaces and reduce pastel transfer.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301791842641,"sku":"B0BCH5ZP3C","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front.jpg?v=1791979993"},{"product_id":"clairefontaine-pastelmat-glued-pad-7-x-9-palette-no-2-sienna-white-brown-charcoal-360g-velvety-tooth-12-sheets","title":"Clairefontaine Pastelmat Glued Pad 7 x 9½ Palette No.2 — Sienna, White, Brown, Charcoal; 360g velvety tooth, 12 sheets","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a 7 x 9½\" (18 x 24 cm) 360g, 12-sheet pad with a velvety, high-tooth surface engineered to hold pastels securely while enabling painterly layering and precise blending.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad pairs Clairefontaine's Pastelmat paper technology with four versatile palette colours — sienna, white, brown and charcoal grey — and comes with glassine interleaving to protect finished pages. The surface sits between traditional Ingres papers and sanded boards: it has more tooth than ingres-style sheets but lacks the harsh abrasiveness of grit papers, so you can build colour depth and refine fine details without excessive pastel wear.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad change the way pastels behave?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface grabs pigment efficiently, allowing strokes to stay vivid and layered. Marks lay down with a soft, buttery feel that resembles painting, so you can blend broadly or keep crisp edges depending on pressure and tools.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnique velvety tooth for stronger pigment adhesion\u003c\/li\u003e\n  \u003cli\u003ePainterly response: soft strokes that blend like paint\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers, better for delicate lines\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust and slower material consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile: it accepts wet or solvent underpaintings, supports multiple layers of dry pastel, and responds well to erasing for highlights. Because it holds pigment firmly, you can use heavy layering, fine detail work, or broad atmospheric blending with ease.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayering: build depth without shredding pastel sticks\u003c\/li\u003e\n  \u003cli\u003eBlending: smudge or feather pigments precisely with tools\u003c\/li\u003e\n  \u003cli\u003eUnderpainting: compatible with water or solvent washes\u003c\/li\u003e\n  \u003cli\u003eErasing: lift colour cleanly for highlights or corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the pad for studio work and travel?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps sheets secure while the glassine interleaving preserves finished pages from smudging. The 360g weight gives each sheet body and resistance to warping, so it performs well in studio sessions or on-location sketches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge allows easy tear-out while keeping pad intact\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets protect completed artwork between pages\u003c\/li\u003e\n  \u003cli\u003e360g weight resists buckling when working with light washes\u003c\/li\u003e\n  \u003cli\u003eCompact 7 x 9½\" size fits sketchboxes and backpacks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Palette No. 2 colour selection?\u003c\/h3\u003e\n\u003cp\u003eThe quartet of sienna, white, brown and charcoal grey gives artists immediate value: mid-tone grounds, neutral values and both warm and cool base options to influence colour temperature and mood. Ground choice affects contrast and how subsequent layers read, making these four tones practical for many subjects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSienna warms sketches and enriches skin tones\u003c\/li\u003e\n  \u003cli\u003eWhite brightens and makes highlights pop\u003c\/li\u003e\n  \u003cli\u003eBrown provides a natural mid-tone base for landscapes and figures\u003c\/li\u003e\n  \u003cli\u003eCharcoal grey gives a cool, high-contrast foundation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: artists who want a premium pastel surface that balances tooth and gentleness — ideal for pastel painters, illustrators refining line work, and sketchers who layer colour. If you want a sheet that reduces pastel consumption, accepts underpainting, and still allows fine detail without gritty abrasion, the Clairefontaine Pastelmat Glued Pad Palette No. 2 is a practical, travel-friendly choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat can take light water or solvent-based washes for underpainting before applying dry pastels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size does this pad include?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets at 7 x 9½\" (18 x 24 cm), each 360g in weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301797052753,"sku":"B0BCH7S2QQ","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_jpg_3836aded-42f2-4d05-9185-d05e75860056.jpg?v=1791980038"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-6-charcoal-grey-7-9-in-360-g-12-sheets-velvety-tooth-for-layered-pastel","title":"Clairefontaine Pastelmat Glued Pad Palette No.6 — Charcoal Grey 7×9½ in, 360 g, 12 Sheets, Velvety Tooth for Layered Pastel","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 6 is a heavyweight, charcoal-grey glued pad designed for pastel artists who want a velvety, highly toothy surface that holds many layers without the abrasive grit of sanded paper.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Pastelmat glued pad by Clairefontaine combines a resilient 360 g\/m² board with a soft, fabric-like finish that grips pastel pigment efficiently while allowing painterly blending and fine detail work. Each sheet includes a glassine interleaving to protect finished pages, and the glued edge keeps sheets secure yet easy to remove. This Palette No. 6 pad (7 x 9½ inches \/ 18 x 24 cm) offers portability and a compact working area ideal for studies, commissions, and exploration of underpainting techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface is engineered to give more bite than traditional Ingres-style papers without the coarse grain of sanded boards. It accepts both soft and harder pastel sticks, creating smooth, buttery marks while still catching fine particles for strong colour payoff.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety texture gives rich colour deposit with less effort.\u003c\/li\u003e\n  \u003cli\u003eHolds multiple layers without losing tooth for deeper tones.\u003c\/li\u003e\n  \u003cli\u003eSuitable for delicate lines as well as broad strokes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat reduce my pastel consumption and dust?\u003c\/h3\u003e\n\u003cp\u003eBecause the surface grips pigment more efficiently than many sanded alternatives, you’ll typically use less pastel to reach desired saturation. The controlled adhesion also translates to lower airborne dust from finished work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSlower consumption of pastel sticks compared with sanded sheets.\u003c\/li\u003e\n  \u003cli\u003eLess loose dust simplifies cleanup and framing preparation.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves prevent smudging between sheets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, layer, or use washes on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is versatile for blending and layering and stands up well to water- or solvent-based underpaintings. The surface supports gradual build-up of pigments and lets you refine colours and tones with ease.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless precision blending with fingers, stumps, or brushes.\u003c\/li\u003e\n  \u003cli\u003eAccepts washes or thin underlayers for mixed-media approaches.\u003c\/li\u003e\n  \u003cli\u003eEnables multiple passes without rapid surface breakdown.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I correct or erase on this paper without damaging it?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface allows for controlled erasing and corrections unlike very gritty boards. You can lift pigment locally using gentle erasers or specialized cleaning foam without destroying the texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eErases cleanly with kneaded or magic erasers for highlights.\u003c\/li\u003e\n  \u003cli\u003eSpot corrections keep surrounding pigment intact.\u003c\/li\u003e\n  \u003cli\u003eDurable board structure resists tearing during work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists who want a compact, durable pad that combines the best traits of toothy papers and smoother boards. It's ideal for professionals doing detailed pieces, students practicing layering and blending, and mixed-media artists who use washes before applying pastel. If you value pigment economy, precise blending, and a surface that withstands multiple revisions, this 7 x 9½\" charcoal-grey glued pad is a useful addition to your art supplies.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for soft and hard pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts both soft and hard pastels, providing good pigment grip and allowing fine details as well as broader strokes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include sheet protectors between pages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Each sheet is separated by a glassine interleaving to protect finished pieces and minimize smudging.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301797118289,"sku":"B0BCH3W4L5","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_ed7901e5-4057-4665-907d-26b9cdfdecc0.jpg?v=1791980039"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-white-24x30-cm-360gsm-12-sheets-velvety-heavyweight-pastel-paper","title":"Clairefontaine Pastelmat Glued Pad - Palette No. 3 White 24x30 cm, 360gsm, 12 Sheets - Velvety, Heavyweight Pastel Paper","description":"\u003cstrong\u003eClairefontaine Pastelmat Palette No. 3 is a heavy-weight, velvety pastel pad that grips pigments like a painterly ground while remaining smoother than sanded paper.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Pastelmat (24 x 30 cm \/ 9 1\/2 x 12 inches) in white on 360 g paper, designed to make pastel work more controlled, layered, and versatile. Each sheet is protected by glassine interleaving to keep finished pages clean, and the sturdy surface balances tooth and smoothness so artists can build colour, blend precisely, and use washes or solvents without sacrificing detail.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from traditional pastel and sanded papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat combines a noticeable tooth that holds pigment better than classic Ingres-style sheets but avoids the aggressive grit of sanded boards. The result is a surface that captures soft, buttery marks while still allowing for finer lines and less abrasive wear on pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStronger bite than traditional laid papers for improved pigment adhesion.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers to reduce pastel consumption and dust.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad painterly strokes and precise detailing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques are easiest to achieve on this pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is particularly well suited to layering, blending, and creating painterly effects where colour mixing and soft transitions matter. It also accepts light washes for underpainting and can be gently erased to create highlights or correct details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet or solvent-based underpainting without destroying the tooth.\u003c\/li\u003e\n  \u003cli\u003eMultiple pigment layers for richer tones and depth control.\u003c\/li\u003e\n  \u003cli\u003eClean erasing for highlights and fine corrections with minimal damage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill using this paper save my pastel sticks and reduce dust?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is engineered to use pigment more efficiently: it holds pastel particles securely so you need fewer passes to achieve saturation. That firmer hold and smoother abrasion profile also produce noticeably less loose dust than many sanded alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsumes pastel at a slower rate—about 30% less than many sanded papers.\u003c\/li\u003e\n  \u003cli\u003eCreates minimal pastel dust for a cleaner workspace and reduced waste.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect finished sheets from smudging between pages.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and present finished sheets from the pad?\u003c\/h3\u003e\n\u003cp\u003eEach sheet comes separated by a glassine protector; keep finished works flat and interleaved to prevent smudging. For display, consider light framing with a spacer to avoid surface contact, and store unused sheets in a dry, flat place to preserve the paper's tooth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep glassine between completed pages to protect surfaces.\u003c\/li\u003e\n  \u003cli\u003eFrame with matting or spacers to prevent abrasion from glazing.\u003c\/li\u003e\n  \u003cli\u003eStore pad flat and away from moisture to maintain paper strength.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Palette No. 3 is ideal for pastel artists who want a middle ground between soft laid papers and coarse sanded boards—suitable for illustrators, portrait artists, landscape painters, and hobbyists who value layering, clean blending, and reduced pastel wear. The 9 1\/2 x 12 inch glued pad format is convenient for sketching studies, finished pieces, and practice sessions where durability and a painterly surface are priorities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with wet underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent-based washes as underpainting without losing its tooth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in this pad and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This glued pad contains 12 sheets, each 9 1\/2 x 12 inches (24 x 30 cm) on 360 g paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301836144977,"sku":"B0BCH7466Z","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_0be8cb9e-05c6-440c-bf34-57db2588dd04.jpg?v=1791980357"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5-12-in-24-30-cm-palette-no-2-12-sheets-360-g-m-sienna-white-brown-charcoal-grey","title":"Clairefontaine Pastelmat Glued Pad 9.5×12 in (24×30 cm) Palette No.2 — 12 sheets, 360 g\/m², Sienna\/White\/Brown\/Charcoal Grey","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel while offering smoother, painterly blending than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad brings Clairefontaine’s Pastelmat surface in a convenient 12-sheet format sized 9½ × 12 inches (24 × 30 cm). Each sheet is 360 g\/m² with a unique soft-toothed finish that grips pastel pigment reliably, yet remains gentle enough for fine-detail work and erasing. Glassine interleaving protects pages during storage and transport so individual pieces stay clean and ready for framing or further work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from sanded paper and Ingres?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered to offer the best of both worlds: more tooth than traditional Ingres but a noticeably less abrasive feel than sanded boards. The result is a surface that accepts multiple layers of pigment without rapidly wearing down pastel sticks or producing excessive dust.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety grip—captures pastel particles for strong colour adhesion.\u003c\/li\u003e\n  \u003cli\u003eSmoother than sanded paper—safer for fine lines and delicate blending.\u003c\/li\u003e\n  \u003cli\u003eLower pastel consumption—sticks last longer compared with coarse surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques work well on this Pastelmat pad?\u003c\/h3\u003e\n\u003cp\u003eIts balanced tooth supports a wide range of approaches: soft, buttery strokes, tight detailed marks, layered glazing, and even water- or solvent-based underpainting. The surface holds each application cleanly so you can build depth without losing control of edges or highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDirect pastel strokes for vivid coverage and saturated colour.\u003c\/li\u003e\n  \u003cli\u003eFeathered blending for smooth transitions and subtle gradations.\u003c\/li\u003e\n  \u003cli\u003eMixed-media underlayers—accepts thin washes for tonal foundations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad protect and preserve individual sheets?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine supplies glassine interleaving between each sheet to prevent smudging and abrasion while stacked. The glued top edge keeps pages aligned and makes it easy to tear out finished works cleanly for display or framing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlassine sheets reduce transfer and preserve surface cleanliness.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format secures pages but allows neat removal when needed.\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² weight maintains flatness and resists buckling under light washes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat save me money on pastel sticks and dust control?\u003c\/h3\u003e\n\u003cp\u003eBecause the surface holds pigment more efficiently, artists typically use less pastel compared with traditional sanded boards. The pastel binding also creates less airborne dust, which helps maintain a cleaner workspace and reduces material waste.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduced pastel consumption extends the life of sticks and dust-free blending tools.\u003c\/li\u003e\n  \u003cli\u003eLess airborne dust improves studio cleanliness and eases cleanup.\u003c\/li\u003e\n  \u003cli\u003eDurable surface tolerates repeated erasing without losing tooth.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad for? The Clairefontaine Pastelmat Glued Pad Palette No. 2 is aimed at pastelists who want a flexible, professional surface: from students learning layering and blending to experienced artists seeking painterly effects, detailed line work, or a stable base for mixed-media underpainting. It’s particularly useful for anyone who wants stronger colour payoff with less pastel waste and reliable protection between sheets.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat withstands light water or solvent-based underwashes and remains stable for subsequent pastel layers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are pages easy to remove from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pad is glued at the top for secure stacking yet designed to let sheets tear away cleanly when needed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301863997777,"sku":"B0BCH4J6TT","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_01e2e275-b100-495f-b3cd-5ee5524bbe4e.jpg?v=1791980455"},{"product_id":"uart-sanded-pastel-paper-500-grade-off-white-9x12-in-10-sheets-abrasive-archival-tooth-for-layering","title":"Uart Sanded Pastel Paper 500 Grade Off-White 9x12 in 10 Sheets — abrasive archival tooth for layering","description":"\u003cp\u003e\u003cstrong\u003eUART Sanded Pastel Paper is a heavy-duty, abrasive art sheet made for layerable pastel, charcoal, and mixed-media work that holds repeated applications without fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCreated for artists who build colour and texture, UART's premium sanded paper gives a dependable, even-grit surface that accepts wet underpaintings and countless dry layers. The off-white 500-grade sheet balances contrast and tonal range, while archival, pH-neutral sizing preserves your work over time. Its unique abrasive tooth locks pigment so you can glaze, scrub, and refine without losing bite or destroying the surface.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle multiple pastel and pencil layers?\u003c\/h3\u003e\n\n\u003cp\u003eThe coarse, consistent grit of the 500 grade lets pigments embed rather than sit on top, so you can layer colour deeply without filling in the tooth. You can scrape back, blend, or add highlights repeatedly with predictable results.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHolds soft and oil pastel, charcoal, and coloured pencil across many layers\u003c\/li\u003e\n  \u003cli\u003eTooth remains effective after scraping and reshaping\u003c\/li\u003e\n  \u003cli\u003eAllows vivid, saturated glazing without flattening texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet underpainting on UART sanded paper?\u003c\/h3\u003e\n\n\u003cp\u003eYes — the sheet accepts aqueous, alcohol, and solvent washes for underpainting without buckling or losing grip. That lets you establish values and colour foundations before switching to dry media.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStable with water, alcohol, and solvent washes\u003c\/li\u003e\n  \u003cli\u003eMaintains abrasive surface after drying\u003c\/li\u003e\n  \u003cli\u003eEnables mixed-media workflows from wash to pastel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDo I need to spray fixative between layers?\u003c\/h3\u003e\n\n\u003cp\u003eNo — the abrasive surface naturally secures pigments, so frequent interim fixatives are unnecessary. This reduces haze and preserves true colour while letting you rework without building up adhesives on the tooth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSurface locks pigment, minimizing the need for fixative\u003c\/li\u003e\n  \u003cli\u003eCleaner colour transitions and truer hues without spray buildup\u003c\/li\u003e\n  \u003cli\u003eFixative only recommended for final conservation if desired\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the 500 grade different from other grit choices?\u003c\/h3\u003e\n\n\u003cp\u003eThe 500 grade offers a balanced mid-level abrasive: enough tooth to hold heavy pigment and multiple corrections, yet fine enough for detailed drawing and subtle blends. It serves as a versatile middle-ground for artists who alternate between bold texture and finer mark-making.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMedium grit for colour-rich applications and detail work\u003c\/li\u003e\n  \u003cli\u003eConsistent grit coverage across each sheet for predictable results\u003c\/li\u003e\n  \u003cli\u003eSuitable for both large washes and delicate highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: UART Sanded Pastel Paper in off-white 500 grade suits professional and advancing artists working in soft or oil pastel, charcoal, and coloured pencil who want a durable, archival surface for building complex, layered images. It's ideal for mixed-media artists who rely on wet underpainting followed by extensive dry-media layering, and for anyone seeking a reliable, fixative-minimizing substrate that stays workable through corrections and refinements.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is UART sanded paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The sheets are acid-free and pH-neutral for long-term resistance to yellowing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use solvents and water on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. UART accepts water, alcohol, and solvent washes without losing tooth or buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Uart","offers":[{"title":"Default Title","offer_id":55301914263889,"sku":"B09QH6212C","price":59.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/uart-front-packaging.jpg?v=1791980792"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-30-x-40-cm-12-sheets-360-g-dark-blue-light-blue-wine-sand","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 — 30 x 40 cm (12 sheets, 360 g) Dark Blue\/Light Blue\/Wine\/Sand","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 4 is a heavyweight, velvety-surfaced pastel pad in four rich tones (dark blue, light blue, wine, sand) engineered to hold layers of pastel with painterly results and reduced pastel consumption.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad contains twelve 360 g\/m² sheets sized 30 x 40 cm (12 x 15 3\/4 in) and includes glassine interleaving between pages to protect finished work. Pastelmat’s proprietary surface sits between traditional Ingres papers and abrasive sanded boards — offering a pronounced tooth that grips pigment efficiently while remaining soft enough for fine lines, erasing, and detailed finishing. The Palette No. 4 assortment provides four complementary ground colours so you can choose a midtone or experiment with colour relationships from the first layer.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat change the way pastels apply and blend?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface accepts pigment in a way that encourages broad, buttery marks as well as precise strokes. You can layer colours without quickly exhausting pastel sticks, and blending remains controlled — letting you push tones while keeping edges clear when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth that holds pigment firmly for vibrant colour.\u003c\/li\u003e\n  \u003cli\u003eFacilitates painterly strokes and soft gradations with less dust.\u003c\/li\u003e\n  \u003cli\u003eAllows multiple layers without rapid depletion of pastel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paper work with wet underpaintings or erasing techniques?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is engineered to tolerate light water or solvent washes, so you can establish underpainting before applying pastels. Because the surface is less abrasive than sanded papers, it also responds well to careful erasing and fine-detail work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with thin water- or solvent-based washes for mixed-media approaches.\u003c\/li\u003e\n  \u003cli\u003eResilient enough for lifting pigment with erasers or magic erasers.\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity for detailed line work and reworking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad format and colour selection benefit my workflow?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets secure while you work and includes glassine interleaves to protect each drawing. The four-colour palette in this pad gives you built-in background options that can speed up compositional decisions and influence mood without extra priming.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge holds sheets during working; easy to remove when finished.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent smudging and protect finished pieces.\u003c\/li\u003e\n  \u003cli\u003eIncludes dark blue, light blue, wine, and sand for varied tonal starting points.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Pastelmat affect pastel consumption and studio cleanliness?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s formulation reduces how much pastel is transferred from sticks to paper, which stretches expensive materials further and produces less airborne dust. Less consumption means lower replacement costs and a tidier workspace.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface uses approximately 30% less pastel than typical sanded papers.\u003c\/li\u003e\n  \u003cli\u003eGenerates minimal dust, improving cleanup and air quality in the studio.\u003c\/li\u003e\n  \u003cli\u003eDurable sheets stand up to repeated reworking without breaking down quickly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 4 is aimed at pastel artists who want a versatile, heavy-weight surface that supports painterly techniques, careful detailing, and mixed-media underpainting. It’s ideal for professionals and serious hobbyists who value colour-rich grounds, longer-lasting pastels, and the convenience of a protected pad format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent washes so you can create underpaintings before applying pastel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are in this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets sized 30 x 40 cm (12 x 15 3\/4 inches), weight 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55302843269457,"sku":"B0BCH5QK3V","price":118.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-top-view.jpg?v=1791983858"},{"product_id":"clairefontaine-pastelmat-pastel-pad-30x40-cm-palette-no-1-360g-12-sheets-maize-grey-mid-tone-grounds","title":"Clairefontaine Pastelmat Pastel Pad 30x40 cm Palette No. 1 - 360g, 12 Sheets, Maize \u0026 Grey Mid-tone Grounds","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 1 is a heavyweight, velvety pastel pad that holds multiple layers of pastel for painterly effects while reducing pastel consumption and dust.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastel artists who want the control of fine papers without the harsh abrasion of sanded surfaces, this glued pad combines a soft, toothy finish with robust 360g weight and glassine interleaves to protect each sheet. The palette pack includes twelve 30 x 40 cm sheets in coordinated maize, buttercup, dark grey, and light grey tones, giving a ready-made range of mid-tone grounds for quick starts and refined colour work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this surface feel and handle pastel differently?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is velvety and noticeably toothier than classic Ingres papers but much gentler than sanded boards. It allows pastels to adhere firmly without shredding sticks, enabling smoother, painterly marks and finer detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOrganic velvety texture that grips pastel pigments evenly\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers, preserving pastel sticks\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad strokes and delicate lines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, or erase on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes. Pastelmat supports multiple layers and precise blending while still allowing effective erasure when needed. You can build depth and adjust colour intensity without quickly exhausting your pastel supply.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent control for blending and soft transitions\u003c\/li\u003e\n  \u003cli\u003eAllows many pigment layers with stable adhesion\u003c\/li\u003e\n  \u003cli\u003ePastel can be lifted or refined using erasers and blending tools\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill using Pastelmat reduce pastel waste or dust?\u003c\/h3\u003e\n\u003cp\u003eThe dense tooth of Pastelmat uses pigment more conservatively than sanded papers, lowering consumption and creating less airborne dust. That makes it economical and cleaner in studio environments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApproximately 30% slower pastel consumption versus sanded papers\u003c\/li\u003e\n  \u003cli\u003eProduces less dust, simplifying cleanup\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect finished sheets from smudging\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat versatile for mixed techniques and detail work?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept light washes and solvents, yet fine enough for precise line work—offering real versatility between painterly and illustrative approaches. It holds up well to erasing and reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts both dry pastel and limited water\/solvent underpainting\u003c\/li\u003e\n  \u003cli\u003eStrong 360g weight resists cockling and handling\u003c\/li\u003e\n  \u003cli\u003eGood for fine line detail compared with coarser sanded surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Artists who want a middle ground between soft papers and abrasive boards — especially pastel painters seeking lush, buttery marks, extended layering, and less material waste. The Palette No. 1 pack with maize, buttercup, dark grey, and light grey sheets is ideal for portraiture, landscapes, studies, and preparatory work where mid-tone grounds speed up composition and colour decisions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick is the Pastelmat paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360g weight, sturdy enough for layering, light washes, and repeated handling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include protective interleaving?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—each sheet is separated by glassine protectors to prevent smudging between pages.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55303315652945,"sku":"B0BCH1HHDP","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_47a10bf5-87b1-433c-a01b-4ed63d5ef4a8.jpg?v=1791985241"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-5-7-x-9-in-18-24-cm-12-sheets-360g-greens-blues","title":"Clairefontaine Pastelmat Glued Pad Palette No. 5 — 7 x 9½ in (18×24 cm), 12 sheets 360g, greens \u0026 blues","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 5 is a heavyweight glued pad with twelve 360g sheets in dark green, light green, white and dark blue, designed to hold pastel layers cleanly while reducing dust and stick wear.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat reimagines the drawing surface for pastel artists who want strong pigment grip without the heavy abrasion of sanded papers. The pad’s velvety, durable sheets allow buttery pastel application, controlled layering and easy corrections, and each page is protected by a glassine interleaving to keep colours pristine between sessions. Sized at 7 x 9½ inches (18 x 24 cm), this Palette No. 5 glued pad is convenient for studies, plein-air work, and finished pieces that benefit from deep colour fields in green and blue tones.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is engineered to accept multiple layers without flattening or filling in unevenly. It grabs pigment efficiently so you can build depth with fewer strokes, and its texture supports smooth blending while retaining edge clarity for fine detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360g heavyweight sheet resists buckling when layered\u003c\/li\u003e\n  \u003cli\u003eSurface holds successive pastel layers for richer colour\u003c\/li\u003e\n  \u003cli\u003eBalanced tooth—enough grip for pigment, low abrasion for sticks\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaving prevents colour transfer between pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I erase or correct marks on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad tolerates precise erasing and lifting without losing its integrity. Gentle mechanical erasers or specialty sponges remove pigment cleanly; the paper returns to a usable surface for further work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with kneaded and vinyl erasers for selective corrections\u003c\/li\u003e\n  \u003cli\u003eMagic erasers and gentle lifting recover highlights effectively\u003c\/li\u003e\n  \u003cli\u003eSurface durability supports repeated local erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat suitable for wet underpainting or using solvents?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept light water- or solvent-based washes as underlayers, expanding its use beyond dry pastel techniques. The sheet dries flat and keeps its tooth, allowing you to combine media for mixed-technique approaches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds light washes without significant distortion\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity after drying for pastel application\u003c\/li\u003e\n  \u003cli\u003eEnables mixed-media workflows with careful solvent use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does this pad offer for studio and travel use?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps pages secure and portable, while the 7 x 9½\" size fits sketchbooks and tote bags easily. Glassine separators protect finished pages, and the compact format is ideal for quick studies or layered compositions on the go.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad binding keeps sheets organized and transport-ready\u003c\/li\u003e\n  \u003cli\u003eCompact size fits backpacks and art portfolios for plein air work\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaving preserves finished or in-progress sheets\n  \u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who use soft pastels, pastel pencils or mixed media and want a surface that combines strong pigment grip with lower stick wear. This pad fits study sessions, colour tests and finished pieces for students, hobbyists and professional pastelists seeking dependable texture and tidy storage between pages.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The Palette No. 5 glued pad contains 12 sheets of 360g Pastelmat.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based underpainting on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, Pastelmat accepts light water or solvent washes and holds up for subsequent pastel layers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55303753236817,"sku":"B0BCH2Z6M9","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_0709b350-7e18-484e-aac6-b55b31ae4d4b.jpg?v=1791985880"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/clairefontaine-pastelmat-front-pad_0709b350-7e18-484e-aac6-b55b31ae4d4b.jpg?v=1792143626","url":"https:\/\/craftiche.co.uk\/collections\/pastel-paper.oembed?page=3","provider":"Craftiche","version":"1.0","type":"link"}