{"title":"M. Graham \u0026 Co.","description":"\u003cp\u003eCraftiche stocks 164 M. Graham \u0026amp; Co. products. Prices run from £29.14 to £170.98, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with M. Graham \u0026amp; Co.. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"m-graham-co-acrylic-paint-indian-yellow-2-oz-high-pigment-buttery-texture-for-easy-blending","title":"M. Graham \u0026 Co. Acrylic Paint Indian Yellow, 57 g — high-pigment buttery texture for easy blending","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 2-ounce Indian Yellow is a high-pigment, buttery-smooth acrylic paint formulated for professional artists who need vibrant, permanent colour with easy blending.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered from pure acrylic emulsion and concentrated artist-grade pigments, this Indian Yellow offers an intense, luminous warm yellow that mixes cleanly and maintains vibrancy without extenders or fillers. The 2-ounce tube delivers a dense, creamy body with slightly extended open time compared with typical acrylics, making it easier to blend subtle transitions and layered glazing techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Indian Yellow perform on the palette?\u003c\/h3\u003e\n\u003cp\u003eThe colour sits creamy and stable on the palette, resisting excessive skinning and keeping a workable surface longer than many standard acrylics. It spreads smoothly with brushes or palette knives and retains pigment strength when thinned or mixed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for saturated colour and strong tinting strength\u003c\/li\u003e\n  \u003cli\u003eButtery texture that holds brush marks or blends evenly as required\u003c\/li\u003e\n  \u003cli\u003eCompatible with water and acrylic mediums for glazing or extending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill it mix well with other paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eM. Graham Indian Yellow mixes cleanly with other acrylics and with acrylic mediums, producing predictable results without dulling the hue. Because the paint is free from extenders, mixtures remain vivid and stable.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixable with all standard acrylic colours and mediums\u003c\/li\u003e\n  \u003cli\u003eMaintains colour intensity when blended or layered\u003c\/li\u003e\n  \u003cli\u003eSuitable for glazing, scumbling, and colour modulation when thinned\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are suitable for this paint?\u003c\/h3\u003e\n\u003cp\u003eThis acrylic adheres well across common art supports—canvas, wood panels, paper primed for acrylics, and gessoed surfaces—making it versatile for fine art and illustrative work. Its slightly longer open time aids controlled blending, while the permanent nature of the pigments supports durable finished work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdheres to primed canvas, paper, wood, and board\u003c\/li\u003e\n  \u003cli\u003eWorks for brushwork, knife application, and mixed-media layering\u003c\/li\u003e\n  \u003cli\u003ePermanent and lightfast pigments suitable for archival pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage and working time can I expect from a 2-ounce tube?\u003c\/h3\u003e\n\u003cp\u003eA 2-ounce tube provides ample colour for studies, small-to-medium paintings, and colour mixing sessions. Coverage depends on application thickness; it spreads further when thinned with water or acrylic medium but keeps strong tinting power even at lower concentrations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGenerous pigment concentration for efficient tinting and coverage\u003c\/li\u003e\n  \u003cli\u003eThins well for washes while retaining vibrancy when diluted\u003c\/li\u003e\n  \u003cli\u003eLonger open time compared to typical fast-drying acrylics helps blending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a professional-grade Indian Yellow with high pigment load, smooth working consistency, and reliable permanence. Ideal for painters who blend frequently, create layered glazes, or require intense warm yellow tones without compromises from extenders or fillers. Made in the USA and suited to both studio practice and plein-air work where rich, consistent colour is essential.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Indian Yellow permanent and lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paint is made with permanent artist-grade pigments designed for lasting colour and archival stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this acrylic for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — thin with water or acrylic glazing mediums; it keeps strong tinting strength and colour clarity when diluted.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55249164403025,"sku":"B00079IU4M","price":30.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-indian-yellow-tube.jpg?v=1791633556"},{"product_id":"m-graham-co-2-oz-acrylic-paint-ultramarine-violet-high-pigment-buttery-consistency","title":"M. Graham \u0026 Co. 57 g Acrylic Paint Ultramarine Violet — High-Pigment, Buttery Consistency","description":"\u003cstrong\u003eM. Graham Ultramarine Violet is a professional 2-ounce acrylic paint that delivers a rich, permanent violet with a smooth, buttery consistency for precise brushwork and reliable mixing.\u003c\/strong\u003e\n\n\u003cp\u003eThis single-tube statement explains what you hold: a high-pigment acrylic crafted with pure acrylic emulsion and no extenders so the colour stays vivid and mixes cleanly. Formulated to meet the expectations of contemporary painters, this Ultramarine Violet balances intense chroma with a slightly lengthened open time for easier blending. It is made in the USA and engineered to be intermixable with other acrylics and mediums while retaining permanence in finished work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Ultramarine Violet perform on the brush and canvas?\u003c\/h3\u003e\n\u003cp\u003eThe paint's buttery, smooth texture spreads evenly and responds well to both brushwork and palette-knife techniques. Because of its increased pigment load, strokes lay down strong colour without thinning into muddy tones when layered.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-solids acrylic emulsion for even coverage and body\u003c\/li\u003e\n  \u003cli\u003eButtery consistency that holds brush marks or smooths for glazing\u003c\/li\u003e\n  \u003cli\u003eSlightly extended open time for subtle wet-on-wet blending\u003c\/li\u003e\n  \u003cli\u003eReliable permanence for layered work and varnishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this Ultramarine Violet different from student-grade acrylics?\u003c\/h3\u003e\n\u003cp\u003eThis tube uses only top-quality artists' pigments and avoids fillers and extenders that dilute colour intensity. The result is a more saturated, durable violet that mixes predictably and preserves chroma in daylight and under varnish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIncreased pigment concentration for stronger hues\u003c\/li\u003e\n  \u003cli\u003eNo adulterants, so colour stays truer when mixed or glazed\u003c\/li\u003e\n  \u003cli\u003eCompatible with professional acrylic mediums and gessos\u003c\/li\u003e\n  \u003cli\u003eManufactured in small batches to maintain consistency\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Ultramarine Violet in colour mixing and palettes?\u003c\/h3\u003e\n\u003cp\u003eUltramarine Violet is a versatile violet for cool shadows, atmospheric effects, and deep chromatic mixes. It blends cleanly with whites for tints, with yellows for muted greys, and with transparent glazing mediums for luminous layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate vivid purples by mixing with cadmium or pyrrole reds\u003c\/li\u003e\n  \u003cli\u003eSoften into muted neutrals by combining with warm yellows\u003c\/li\u003e\n  \u003cli\u003eLayer thin glazes for depth while maintaining colour integrity\u003c\/li\u003e\n  \u003cli\u003eUse with acrylic retarders sparingly to extend blending time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and care for the tube to preserve quality?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube capped and stored upright in a cool, dry place out of direct sunlight to preserve the emulsion and pigment strength. Clean brushes immediately after use with soap and water to prevent dried acrylic from affecting future colour mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReseal cap tightly to prevent skinning or drying\u003c\/li\u003e\n  \u003cli\u003eStore between 50–75°F (10–24°C) away from freezing\u003c\/li\u003e\n  \u003cli\u003eUse distilled water or appropriate acrylic mediums when thinning\u003c\/li\u003e\n  \u003cli\u003eDispose of excess responsibly; do not pour thick paint down drains\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham Ultramarine Violet in a 2-ounce tube is aimed at professional and serious hobbyist artists who demand strong, permanent colour and a refined working consistency. It suits painters who mix their own palettes, build layered surfaces, or require a high-chroma violet that behaves predictably with other professional acrylics and mediums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFeatures:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist-quality acrylic paint made with high-solids pure acrylic emulsion\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment load for stronger, more vibrant colour\u003c\/li\u003e\n  \u003cli\u003eSlightly longer open time allowing subtle blends of colour\u003c\/li\u003e\n  \u003cli\u003eSmooth, buttery texture for ease of application\u003c\/li\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Ultramarine Violet permanent and lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this professional acrylic uses high-quality pigments formulated for permanence and dependable lightfastness in typical display conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this acrylic with other brands or mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it is compatible and intermixable with other acrylic paints and most acrylic mediums; test small mixes for desired handling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55250980634961,"sku":"B00079KI06","price":29.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-ultramarine-violet-front-tube.jpg?v=1791641046"},{"product_id":"m-graham-co-acrylic-paint-tube-quinacridone-rose-2-oz-high-pigment-transparent-magenta","title":"M. Graham \u0026 Co. Acrylic Paint Tube — Quinacridone Rose 57 g, High-Pigment Transparent Magenta","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. Quinacridone Rose 2-ounce tube is a high-pigment, buttery-smooth artist acrylic that delivers vivid, permanent magenta tones for professional painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis paint is formulated for artists who want the deepest, cleanest colour from a heavy-bodied acrylic without fillers or extenders. M. Graham \u0026amp; Co. uses concentrated artist-grade pigments suspended in a pure acrylic emulsion to create a colour that mixes predictably, spreads evenly, and retains brilliance when dry. The Quinacridone Rose shade offers a transparent, luminous magenta that plays well in glazes, vibrant midtones, and saturated mixes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Quinacridone Rose behave on canvas and panels?\u003c\/h3\u003e\n\u003cp\u003eThe paint lays down with a smooth, buttery feel that makes controlled strokes and soft blending straightforward. It has slightly longer open time than some acrylics, so subtle transitions are easier to achieve before the film sets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong tinting strength and coverage\u003c\/li\u003e\n  \u003cli\u003ePure acrylic emulsion for stable adhesion on primed surfaces\u003c\/li\u003e\n  \u003cli\u003eSlightly extended workability for blending and glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this colour mix well with other paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Quinacridone Rose mixes cleanly with other acrylics and with compatible mediums to expand transparency, flow, or texture. Its transparent, high-chroma character makes it a useful mixing colour for creating rich purples, warm pinks, and nuanced magenta tints.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixes predictably with acrylics from any brand\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic mediums for glazing, thickening, or flow\u003c\/li\u003e\n  \u003cli\u003eMaintains colour intensity when combined with whites or blues\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does this 2-ounce tube offer to studio practice?\u003c\/h3\u003e\n\u003cp\u003eThe 2-ounce size balances economy with portability: enough paint for multiple small pieces or studies while remaining compact for sketchbooks and plein-air kits. The concentrated pigment keeps usage efficient — a little goes a long way, reducing waste and frequency of repurchase.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortable tube ideal for travel or limited storage\u003c\/li\u003e\n  \u003cli\u003eHigh-solids formulation reduces amount needed per application\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with consistent batch quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? This Quinacridone Rose 2-ounce acrylic is aimed at professional and advanced amateur artists who demand vivid, archival colour and a smooth working feel. It's especially suited for painters who rely on transparent, high-chroma hues for glazing, colour mixing, or expressive passages and who prefer paints formulated without extenders or unnecessary additives.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct highlights:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist-grade acrylic with a high pigment concentration\u003c\/li\u003e\n  \u003cli\u003eTransparent, luminous Quinacridone Rose for vibrant colour work\u003c\/li\u003e\n  \u003cli\u003eButtery texture and slightly extended open time for blending\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other acrylics and compatible with acrylic mediums\u003c\/li\u003e\n  \u003cli\u003e2-ounce tube — made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUse tips: start with small amounts when mixing to preserve the hue's clarity, layer thin glazes to build depth without muddying colour, and clean brushes promptly with soap and water to maintain the paint’s handling characteristics.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this acrylic Quinacridone Rose lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; this artist-grade Quinacridone Rose uses quality pigments formulated for good permanence when used on proper supports.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paint with glazing mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with acrylic glazing and flow mediums to increase transparency and working time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55250994987345,"sku":"B003UPW4SI","price":29.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-quinacridone-rose-front-tube.jpg?v=1791641067"},{"product_id":"m-graham-co-transparent-orange-iron-oxide-watercolor-tube-1-2-oz-honey-bound-high-pigment-washes","title":"M. Graham \u0026 Co. Transparent Orange Iron Oxide Watercolour Tube, 1\/2 oz — Honey-bound, High-Pigment Washes","description":"\u003cstrong\u003eM. Graham's Transparent Orange Iron Oxide watercolour in a 1\/2-ounce tube is a richly pigmented, honey-bound artist paint that reactivates easily and produces smooth, even washes.\u003c\/strong\u003e\n\nM. Graham watercolours combine high pigment load with a traditional gum arabic binder and natural blackberry honey to deliver vibrant colour and creamy handling. This Transparent Orange Iron Oxide shade offers warm, earthy orange tones with excellent tinting strength and transparency, ideal for glazing, layering, and mixing. The honey-enriched formulation helps the paint stay moist in the tube and on the palette, so artists can lift or re-wet pigment without waste or hard edges.\n\n\u003ch3\u003eHow does this paint behave for washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eThis paint dilutes smoothly for both broad, luminous washes and delicate glazed layers. Its transparency lets underlying colours show through, enabling subtle colour shifts and gradual depth without producing hard outlines.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for even, consistent colour in washes\u003c\/li\u003e\n  \u003cli\u003eClear transparency suitable for multi-layer glazing\u003c\/li\u003e\n  \u003cli\u003eSoft edges when rewet, preventing unwanted hard lines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the tube stay usable on my palette and over time?\u003c\/h3\u003e\n\u003cp\u003eThe natural blackberry honey in M. Graham's formula absorbs ambient moisture and keeps the paint pliable, so it resists hardening in the tube or on the palette. A quick mist of water revives dried spots, making it convenient for intermittent painting sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney helps retain moisture and extend working time\u003c\/li\u003e\n  \u003cli\u003eEasy to reactivate with a spritz of water\u003c\/li\u003e\n  \u003cli\u003ePackaged in a 1\/2-ounce tube for controlled studio use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Transparent Orange Iron Oxide mix with other colours?\u003c\/h3\u003e\n\u003cp\u003eThis warm, earthy orange blends predictably with both warm and cool pigments, producing muted terra-cotta and rich sienna variations. Its transparency and strong tinting power make it a useful mixing pigment for shadows, midtones, and glazing effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly to create subdued warm browns and burnt-orange hues\u003c\/li\u003e\n  \u003cli\u003eMaintains transparency when layered over cooler colours\u003c\/li\u003e\n  \u003cli\u003eUseful for natural landscapes, portraits, and architectural details\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is this paint best suited for?\u003c\/h3\u003e\n\u003cp\u003eDesigned for classical and contemporary watercolour methods, this paint performs well for wet-on-wet blending, controlled wet-on-dry washes, and fine detail when diluted. It supports lifting and reworking, allowing artists to refine highlights and soft transitions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet-on-wet for soft gradients and atmospheric effects\u003c\/li\u003e\n  \u003cli\u003eWet-on-dry for sharper shapes and defined layers\u003c\/li\u003e\n  \u003cli\u003eGlazing to build colour depth without losing luminosity\u003c\/li\u003e\n\u003c\/ul\u003e\n\nWho is this for?\n\nThis 1\/2-ounce tube of M. Graham Transparent Orange Iron Oxide is aimed at watercolourists who want archival, artist-grade pigments with dependable handling. It's a strong choice for professional illustrators, plein-air painters, and students seeking durable, mixable colour with easy palette maintenance. Made in the USA and formulated for traditional watercolour workflows, it suits anyone looking to achieve warm, transparent oranges and versatile mixes without the frustration of dried-out paint.\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour transparent or opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Transparent Orange Iron Oxide is a transparent pigment, ideal for glazing and layered washes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can the paint be reactivated after drying on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the honey binder keeps it moist and a light spritz of water reactivates dried paint.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55251284885841,"sku":"B001JPK0AK","price":29.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-transparent-orange-iron-oxide-front-tube.jpg?v=1791642938"},{"product_id":"m-graham-co-hookers-green-watercolor-tube-1-2-oz-honey-bound-high-pigment","title":"M. Graham \u0026 Co. Hookers Green Watercolour Tube 1\/2 oz — Honey-Bound, High-Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce Hookers Green watercolour is a professional-grade, honey-bound paint delivering vivid, mixable colour and smooth, liftable washes for artists working in all traditional watercolour techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCrafted in the USA, this small tube holds concentrated, artist-quality pigment suspended in a classic gum arabic binder enhanced with natural blackberry honey. The formulation keeps the paint moist on the palette and in the tube, lets you rehydrate with a single spritz, and produces even, stain-free transitions without unwanted hard edges. Hookers Green gives a deep, versatile green ideal for foliage, landscapes, and layered glazing.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Hookers Green perform for layered washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eHookers Green from M. Graham is formulated for transparency and strength, so it lays down smoothly and lifts cleanly for subsequent layers. The paint dilutes predictably for soft, translucent washes yet retains enough pigment to build rich, darker passages when needed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh pigment load for clear colour at both heavy and light dilution\u003c\/li\u003e\n\u003cli\u003eHoney-plus-gum arabic mix encourages even flow and controlled edges\u003c\/li\u003e\n\u003cli\u003eReactivates easily with water for layered glazing or corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the paint stay workable on the palette and in the tube?\u003c\/h3\u003e\n\u003cp\u003eThe inclusion of natural blackberry honey keeps the paint pliable and slows drying on the palette, reducing waste and the need to remix. In the tube, the same humectant prevents hard clogging so you can squeeze out fresh paint without fuss.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHoney draws in moisture to prevent crusting\u003c\/li\u003e\n\u003cli\u003eReady-to-use with a light spritz of water\u003c\/li\u003e\n\u003cli\u003eConsistent texture from first squeeze to last\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques are best suited to this watercolour?\u003c\/h3\u003e\n\u003cp\u003eThis Hookers Green behaves well on traditional watercolour paper and supports a wide range of techniques, from wet-into-wet blends to dry-brush detailing. It responds predictably whether you’re glazing transparent layers, lifting for highlights, or creating granulated textures.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExcellent for cold- or hot-pressed watercolour papers\u003c\/li\u003e\n\u003cli\u003eWorks for washes, glazing, lifting, and dry-brush marks\u003c\/li\u003e\n\u003cli\u003eCompatible with other traditional watercolour brands and mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow concentrated is the colour, and can it be mixed cleanly?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Hookers Green contains an elevated pigment load, so a little goes a long way in mixes and pure washes. It mixes cleanly with other colours without muddying, allowing you to achieve nuanced greens and natural tonal shifts.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStrong tinting strength for efficient colour usage\u003c\/li\u003e\n\u003cli\u003eMixes harmoniously into both subtle and bold palettes\u003c\/li\u003e\n\u003cli\u003eMaintains clarity when layered over light glazes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a dependable, professional watercolour in a travel-friendly 1\/2-ounce tube—whether you paint plein air landscapes, botanical studies, or studio compositions. It’s especially useful for painters seeking a richly pigmented green that stays workable on the palette, reactivates easily, and mixes cleanly with other colours. Made in the USA and bound with natural ingredients, M. Graham Hookers Green suits both dedicated hobbyists and professional illustrators or fine artists looking for consistent, archival-sounding watercolour performance.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist-quality watercolour bound with natural blackberry honey for lasting moisture retention\u003c\/li\u003e\n\u003cli\u003ePaint resists hardening on the palette or in the tube; reactivates with a spritz of water\u003c\/li\u003e\n\u003cli\u003eHighly pigmented for strong colour at low load and smooth dilution for washes\u003c\/li\u003e\n\u003cli\u003eGreat control for both soft, even washes and deeper, concentrated passages\u003c\/li\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I reactivate this watercolour after it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-gum arabic formula reactivates with a light spritz of water for easy reuse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Hookers Green suitable for mixing other greens?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. Its high pigment strength mixes cleanly to create a wide range of natural green tones.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55251591430481,"sku":"B001JPKOFG","price":29.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-hookers-green-tube-front.jpg?v=1791644033"},{"product_id":"m-graham-co-artist-oil-paint-olive-green-1-25oz-tube-walnut-oil-high-pigment-lightfast","title":"M. Graham \u0026 Co. Artist Oil Paint Olive Green 37 ml Tube — Walnut-Oil, High Pigment, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint in Olive Green is a richly pigmented, walnut-oil-based artist oil paint that delivers clear, vibrant green tones with excellent permanence.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in small batches in the USA, this Olive Green is formulated from pure artist pigments dispersed in American walnut oil rather than common linseed, producing a less-yellowing, fresher-looking green that retains clarity as it dries. The increased pigment load yields deeper saturation and stronger tinting strength, while compatibility with varnishes, mediums and alkyds keeps it versatile for studio processes and mixed-media approaches.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Olive Green differ from ordinary oil paints?\u003c\/h3\u003e\n\u003cp\u003eUnlike many oil paints that use extenders or linseed oil, M. Graham uses walnut oil and no adulterants, so the colour dries with less discoloration and higher chroma. The higher pigment concentration means you get more intense colour with less paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment-packed formula for richer, more vibrant colour\u003c\/li\u003e\n  \u003cli\u003eWalnut oil binder reduces yellowing during drying\u003c\/li\u003e\n  \u003cli\u003eFree from extenders and fillers for purer colour and better permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this with other oils and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Olive Green is fully intermixable with other oil colours, varnishes and oil mediums, including alkyd-based products. Its walnut-oil base is compatible with most standard oil painting techniques and media, so you can glaze, scumble or modify drying times as needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with alkyds, varnishes, and traditional oil mediums\u003c\/li\u003e\n  \u003cli\u003eWorks well for glazing and layered techniques due to strong tinting strength\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other pigments without becoming muddy\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical handling characteristics should I expect?\u003c\/h3\u003e\n\u003cp\u003eThe paint has a smooth, buttery consistency that is easy to work with straight from the 1.25oz (37ml) tube, allowing controlled brushwork and predictable blending. Drying is moderate — not as fast as alkyds but typically quicker and clearer than linseed-based paints that yellow more over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft, workable texture for detailed brushwork and impasto\u003c\/li\u003e\n  \u003cli\u003eModerate drying time suitable for layering and reworking\u003c\/li\u003e\n  \u003cli\u003eTransparent quality useful for glazes and colour mixing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and lightfast is this colour?\u003c\/h3\u003e\n\u003cp\u003eOlive Green from M. Graham carries a Lightfast Rating I (Excellent), indicating strong resistance to fading under normal display conditions. The absence of extenders and the use of quality pigments and walnut oil contribute to long-term colour stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfast rating: I (Excellent) for archival performance\u003c\/li\u003e\n  \u003cli\u003eMade with artist-grade pigments for lasting colour integrity\u003c\/li\u003e\n  \u003cli\u003eManufactured in small batches to ensure consistent quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists who prioritize colour purity and archival quality will appreciate M. Graham Olive Green — whether you’re a realist working in layered glazing, a plein-air painter seeking saturated greens, or a studio artist blending custom palettes. The walnut-oil formulation suits painters who want reduced yellowing and stronger pigment presence without sacrificing compatibility with standard oil painting materials.\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment loads for stronger, more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eColours retain clarity and avoid discoloration associated with some drying oils\u003c\/li\u003e\n  \u003cli\u003eLightfast rating I (Excellent); moderate drying time; transparent\u003c\/li\u003e\n  \u003cli\u003eMade in the USA in small batches for consistency\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Olive Green compatible with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This walnut-oil paint mixes and layers well with alkyds, varnishes, and standard oil mediums for flexible workflows.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much paint is in the tube and where is it made?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The tube contains 1.25oz (37ml) of artist oil paint, made in the USA in small batches.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55251638681937,"sku":"B001JPH6JS","price":30.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-olive-green-front-tube.jpg?v=1791644094"},{"product_id":"m-graham-co-artist-oil-paint-naples-yellow-1-25oz-37ml-walnut-oil-high-pigment","title":"M. Graham \u0026 Co. Artist Oil Paint Naples Yellow 1.25oz (37ml) — Walnut Oil, High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint Naples Yellow is a richly pigmented, walnut-oil-based artist oil paint that delivers clear, luminous Naples Yellow in a 1.25oz (37ml) tube.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Naples Yellow is mixed in small batches using fine artists’ pigments and pure American walnut oil, producing a clean, non-yellowing golden-cream hue that keeps its clarity and depth over time. Without extenders or adulterants, the formulation yields stronger tinting strength and greater colour saturation than many standard linseed-oil paints. The paint is compatible with common oil mediums, varnishes and alkyds, and its moderate drying time allows for layered glazing and smooth blending.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Naples Yellow perform on the palette?\u003c\/h3\u003e\n\n\u003cp\u003eNaples Yellow from M. Graham blends easily and feels buttery on the palette thanks to walnut oil, which provides a smooth, solvent-free texture. The higher pigment load means single-stroke coverage is strong and mixing produces predictable, vibrant results.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for strong coverage and tinting power\u003c\/li\u003e\n  \u003cli\u003eButtery, smooth consistency for even brushwork and glazing\u003c\/li\u003e\n  \u003cli\u003eCompatible mixing with other oil colours and alkyds\u003c\/li\u003e\n  \u003cli\u003eOpaque to semi-opaque body suited for impasto or creamy applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the colour stay true over time?\u003c\/h3\u003e\n\n\u003cp\u003eThis formulation uses non-yellowing walnut oil and artist-grade pigments to minimize discoloration as the paint ages, helping Naples Yellow retain its original tone and clarity. The pigment and oil choices give the paint a Lightfast rating of I (Excellent), so it’s suitable for professional work intended to last.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eNon-yellowing walnut oil reduces darkening during drying\u003c\/li\u003e\n  \u003cli\u003eLightfast rating I for long-lasting colour stability\u003c\/li\u003e\n  \u003cli\u003eMade without extenders that can dull or cloud pigments\u003c\/li\u003e\n  \u003cli\u003eHand-batched in small lots for consistent quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and surfaces is it best for?\u003c\/h3\u003e\n\n\u003cp\u003eM. Graham Naples Yellow adapts to classical and contemporary oil techniques: glazing, scumbling, impasto and smooth blends. Use it on primed canvas, panels and board; the moderate drying time makes it versatile for both wet-on-wet and layered approaches.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIdeal for glazes and transparent mixes when thinned with medium\u003c\/li\u003e\n  \u003cli\u003eHolds brushstrokes for impasto work when applied thickly\u003c\/li\u003e\n  \u003cli\u003eWorks well in underpainting and as a mixing base for skin tones or warm highlights\u003c\/li\u003e\n  \u003cli\u003eCompatible with varnishes and alkyd mediums for varied finishing and drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is this paint made and what sets it apart?\u003c\/h3\u003e\n\n\u003cp\u003eEvery tube is prepared in small batches using artists’ pigments dispersed in locally sourced walnut oil, with no fillers or adulterants. The decision to use walnut oil instead of linseed increases pigment loading and decreases the risk of yellowing, yielding a cleaner, more brilliant Naples Yellow with strong tinting strength.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCrafted in the USA from artists’ grade pigments and American walnut oil\u003c\/li\u003e\n  \u003cli\u003eNo extenders, fillers or synthetic adulterants — just pigment and oil\u003c\/li\u003e\n  \u003cli\u003eProduces higher pigment concentration for vivid, long-lasting colour\u003c\/li\u003e\n  \u003cli\u003eSolvent-free formulation for direct brush use and controlled handling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a professional-quality Naples Yellow with exceptional clarity and pigment strength—ideal for portrait highlights, subtle warms in landscapes, and colorists seeking a dependable, non-yellowing oil paint. Painters who prefer solvent-free, high-pigment paints and those working in archival or gallery pieces will appreciate its stability, versatility and rich tonal response.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: Artist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eFeatures: Increased pigment loads for stronger more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eFeatures: Colours retain their clarity and are free from discoloration\u003c\/li\u003e\n  \u003cli\u003eFeatures: Lightfast rating I Excellent; Moderate drying time; Opaque\u003c\/li\u003e\n  \u003cli\u003eFeatures: Made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Naples Yellow compatible with other oil paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes and layers well with traditional oil paints, alkyds, varnishes and common oil mediums.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this paint yellow or darken as it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Formulated in walnut oil to resist yellowing; it retains clarity better than many linseed-oil paints.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55251702841681,"sku":"B001JPIQLU","price":29.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-naples-yellow-tube-front.jpg?v=1791644582"},{"product_id":"m-graham-co-watercolor-paint-gamboge-1-2-oz-honey-bound-high-chroma-transparent-yellow","title":"M. Graham \u0026 Co. watercolour paint Gamboge 1\/2 oz — honey-bound, high-chroma transparent yellow","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Gamboge 1\/2-ounce watercolour is a professional-grade, honey-bound yellow pigment in a cream-stable tube designed for vibrant, easily rewettable washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description focuses on Gamboge (33-105), a warm, transparent yellow made by M. Graham \u0026amp; Co. The paint combines high pigment load with an old‑style binder of pure gum arabic and natural blackberry honey, producing smooth, even washes without abrupt edges. Because honey helps retain moisture, this paint stays creamy in the tube and on the palette and can be revived with a quick spritz of water.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Gamboge different from other watercolour yellows?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Gamboge is formulated for high chroma and reliable transparency, allowing clean mixing and luminous layers. The honey-infused binder yields a softer texture and longer open time compared with many modern synthetic formulas.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for vivid colour and strong tinting strength\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic combined with natural blackberry honey for smooth handling\u003c\/li\u003e\n  \u003cli\u003eTransparent, warm yellow that layers without losing luminosity\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-quality standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Gamboge behave on palette and paper?\u003c\/h3\u003e\n\u003cp\u003eThis colour reactivates easily and lays down evenly, making it suitable for both delicate glazes and expressive washes. It dilutes cleanly to pale washes while retaining colour integrity when used more concentrated.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRewettable with a spritz — avoids crusting on palette or tube openings\u003c\/li\u003e\n  \u003cli\u003eProduces consistent, streak-free washes on watercolour paper\u003c\/li\u003e\n  \u003cli\u003eHandles wet‑into‑wet blending and controlled layered glazing well\u003c\/li\u003e\n  \u003cli\u003eWorks across traditional watercolour techniques from lifting to glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and store this watercolour to get the best results?\u003c\/h3\u003e\n\u003cp\u003eUse a clean brush and palette for mixing; Gamboge pairs beautifully with cooler blues for greens or with warm reds for oranges. Store the tube capped in a cool, dry place and mist your palette between sessions to maintain workability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with transparent blues for clean green hues; pair with alizarin or quinacridone for warm mixes\u003c\/li\u003e\n  \u003cli\u003eCap tube tightly and keep away from direct heat or bright sunlight\u003c\/li\u003e\n  \u003cli\u003eUse a water spritzer to revive partially dried paint on the palette\u003c\/li\u003e\n  \u003cli\u003eClean brushes promptly to preserve their shape and colour fidelity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the 1\/2-ounce tube format?\u003c\/h3\u003e\n\u003cp\u003eThe compact 1\/2-ounce tube is ideal for sketchbooks, plein air sets, or artists testing a new pigment. It gives you enough paint for multiple studies without committing to a larger tube, while still providing the same formula as M. Graham’s larger sizes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortable size for travel and fieldwork\u003c\/li\u003e\n  \u003cli\u003eCost-effective way to sample a signature colour\u003c\/li\u003e\n  \u003cli\u003eFits standard watercolour sets and storage organisers\u003c\/li\u003e\n  \u003cli\u003eSame artist-grade formula and pigment strength as larger tubes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: This Gamboge 1\/2-ounce tube is aimed at watercolourists who want a dependable, vibrant warm yellow that reactivates easily and mixes cleanly. It suits professional artists, art students, and hobbyists who appreciate archival materials and a traditional gum arabic\/honey binder for creamy handling and long palette life.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour rewettable once dried on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-bound formula reactivates with a light spritz of water, making it easy to reuse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Gamboge with other M. Graham colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. Gamboge mixes cleanly with blues and reds for a wide range of greens and oranges.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55251705332049,"sku":"B001JPKOEM","price":29.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-gamboge-front-tube.jpg?v=1791644670"},{"product_id":"m-graham-co-watercolor-tube-paint-hansa-yellow-1-2-oz-honey-gum-arabic-formula-high-pigment","title":"M. Graham \u0026 Co. Watercolour Tube Paint — Hansa Yellow 1\/2 oz, Honey-Gum Arabic Formula, High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Hansa Yellow is a professional 1\/2-ounce watercolour in a honey-and-gum arabic formula offering vivid, mixable pigment that re-wets easily for smooth washes and consistent colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube listing describes a warm, transparent Hansa Yellow from M. Graham \u0026amp; Co., formulated with generous pigment load in a traditional binder of pure gum arabic and natural blackberry honey. The honey keeps the paint moist on the palette and in the tube, so a quick spritz readies it for work; the result is clear chromatic strength and graceful, even washes without harsh edges. Made in the USA and intended for artists who demand reliable handling and colour purity for watercolour techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Hansa Yellow behave when painting washes and glazes?\u003c\/h3\u003e\n\n\u003cp\u003eHansa Yellow mixes into smooth, even washes that maintain transparency and luminosity. Because the formula dilutes cleanly, it’s easy to build layered glazes or create subtle gradations without muddying the hue.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration gives strong tinting strength for thin glazes.\u003c\/li\u003e\n  \u003cli\u003eTransparent nature preserves light when layered over other colours.\u003c\/li\u003e\n  \u003cli\u003eGum arabic binder ensures even flow and controlled edges.\u003c\/li\u003e\n  \u003cli\u003eNatural honey keeps paint workable for extended sessions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the paint stay workable on my palette or dry out quickly?\u003c\/h3\u003e\n\n\u003cp\u003eThe addition of natural blackberry honey in M. Graham’s recipe helps the watercolours retain moisture, so the paint resists hardening on the palette or in the tube. A brief mist of water is usually all that’s needed to reactivate it, giving you less downtime and smoother blending.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHoney absorbs ambient humidity, slowing surface drying.\u003c\/li\u003e\n  \u003cli\u003eEasy re-wetting — revives with a spritz of water.\u003c\/li\u003e\n  \u003cli\u003eLess cracking or crusting compared with honey-free formulations.\u003c\/li\u003e\n  \u003cli\u003eIdeal for multi-session projects and plein-air painting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Hansa Yellow perform for colour mixing and lightfastness?\u003c\/h3\u003e\n\n\u003cp\u003eHansa Yellow is a versatile mixing primary that pairs well with blues, reds, and earth tones to create a wide range of secondary colours. The tube’s high pigment load yields predictable blends and strong tinting power, useful for both transparent glazing and more saturated passages.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStrong tinting for efficient mixing and reduced pigment waste.\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly into greens and warm oranges without becoming dull.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both delicate washes and more opaque layering when used thicker.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA to consistent quality standards.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat tools and surfaces work best with this watercolour?\u003c\/h3\u003e\n\n\u003cp\u003eM. Graham Hansa Yellow performs well on traditional watercolour papers and boards as well as on heavyweight mixed-media surfaces that accept wet media. Use sable or synthetic rounds and flats for washes and detail brushes for fine lines; the paint responds predictably to both brush types and water ratios.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIdeal on 100% cotton or heavyweight cellulose watercolour paper.\u003c\/li\u003e\n  \u003cli\u003eWorks with natural-hair and synthetic brushes for different textures.\u003c\/li\u003e\n  \u003cli\u003eCompatible with masking fluids and resist techniques.\u003c\/li\u003e\n  \u003cli\u003eSuitable for plein-air, studio, and illustrative work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a clean, bright Hansa Yellow with strong pigment, easy reactivation, and reliable handling will appreciate this 1\/2-ounce tube from M. Graham \u0026amp; Co. It’s appropriate for students progressing to higher-quality materials, professional painters who want consistent mixes and glazing behavior, and anyone who prefers traditional binders and a paint that stays workable between sessions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much paint is in the M. Graham Hansa Yellow tube?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This listing is a 1\/2-ounce (approximately 15 ml) tube of M. Graham Hansa Yellow watercolour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this watercolour dry hard on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — natural blackberry honey in the formula helps prevent hardening; a spritz of water reactivates the paint.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252048150865,"sku":"B001JPKPY6","price":29.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-hansa-yellow-front-tube.jpg?v=1791647217"},{"product_id":"m-graham-co-naples-yellow-watercolor-tube-1-2-oz-honey-bound-artist-grade-rewettable","title":"M. Graham \u0026 Co. Naples Yellow Watercolour Tube 1\/2 oz — Honey-Bound Artist-Grade, Rewettable","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce Naples Yellow watercolour is an artist-quality, honey-bound paint that delivers rich, easily rewettable washes for traditional and modern watercolour techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in the USA with concentrated pigment, pure gum arabic, and natural blackberry honey, this Naples Yellow tube balances opacity and subtlety for reliable mixing, glazing, and graded washes. The honey formula helps keep the paint moist in the tube and on the palette, while the high pigment load preserves clarity and strength even when diluted. Whether you work in detailed botanical studies, portrait underpainting, or sunlit landscapes, this colour provides consistent behavior and trustworthy reactivation with just a spritz of water.\u003c\/p\u003e\n\n\u003ch3\u003eHow does M. Graham Naples Yellow behave when rewet and lifted?\u003c\/h3\u003e\n\u003cp\u003eThis Naples Yellow revives easily after drying because the honey attracts and retains moisture, preventing hard crusts. Lifted areas rehydrate smoothly and allow controlled removing or softening of edges without muddying the hues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReactivates with a single spritz of water for immediate use.\u003c\/li\u003e\n  \u003cli\u003eMaintains colour integrity when diluted for soft glazes.\u003c\/li\u003e\n  \u003cli\u003eAllows gentle lifting for highlights and corrections.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this tube suitable for layering and glazing?\u003c\/h3\u003e\n\u003cp\u003eThe paint’s concentrated pigment and balanced opacity enable both transparent glazes and more opaque passages when needed. Naples Yellow mixes cleanly with other pigments, giving predictable colour shifts for warm neutrals and subtle tints.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load supports vibrant, lasting layers.\u003c\/li\u003e\n  \u003cli\u003eControlled granulation and smooth flow for even washes.\u003c\/li\u003e\n  \u003cli\u003ePairs well with blues and earth tones for natural shading.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the honey and gum arabic formula affect handling and storage?\u003c\/h3\u003e\n\u003cp\u003eUsing natural blackberry honey in the binder helps keep the paint moist and prevents tubes and palette puddles from hardening prematurely. The result is less waste, easier rewetting, and a consistent texture straight from the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney absorbs ambient moisture to reduce crusting on palettes.\u003c\/li\u003e\n  \u003cli\u003eGum arabic provides reliable adhesion and predictable flow.\u003c\/li\u003e\n  \u003cli\u003eStore capped at room temperature; just stir or add water if thicker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow concentrated is the pigment and what techniques does it support best?\u003c\/h3\u003e\n\u003cp\u003eM. Graham paints use generous pigment concentrations for both vivid pure colour and subtle diluted effects. This Naples Yellow excels in washes, glazing, sketching, and mixed-media accents where permanence and clarity matter.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong tinting strength for mixes without losing luminosity.\u003c\/li\u003e\n  \u003cli\u003eSuitable for wet-on-wet blending and crisp wet-on-dry edges.\u003c\/li\u003e\n  \u003cli\u003eWorks with traditional watercolour paper, board, and mixed-media supports.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a reliable Naples Yellow with excellent reactivation, clean mixing behavior, and consistent pigment strength will appreciate this 1\/2-ounce M. Graham tube. Ideal for plein air painters, illustrators, and studio watercolourists who value a natural binder for longer-lasting palette life and precise control. If you seek a dependable mid-value warm yellow that plays well in layers and holds up in washes, this paint is a practical addition to a professional or dedicated hobbyist palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Naples Yellow rewettable after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the blackberry-honey binder makes dried paint easy to reactivate with a spritz of water.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this Naples Yellow with other brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paint mixes cleanly with other watercolours, though results vary with pigment formulas.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252048281937,"sku":"B001JPIRDW","price":29.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-naples-yellow-front-tube.jpg?v=1791647218"},{"product_id":"m-graham-co-neutral-tint-watercolor-paint-1-2-oz-tube-honey-bound-artist-quality-washable-pigment","title":"M. Graham \u0026 Co. Neutral Tint watercolour paint 1\/2-oz tube — honey-bound, artist-quality washable pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce Neutral Tint watercolour is an artist-quality, honey-bound paint tube formulated for smooth, even washes and long-lasting palette usability.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Graham watercolours combine high pigment load with an old-fashioned binder of pure gum arabic and natural blackberry honey to produce intense colour, fluid mixing, and palettes that resist hardening. The Neutral Tint offers a reliable, versatile dark that mixes cleanly with other hues, lifts well, and dilutes predictably for graded washes. Made in the USA and supplied in a convenient 1\/2-ounce tube, this paint is designed for fine-art watercolourists, illustrators, and anyone who values working time and colour integrity.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Neutral Tint behave when I dilute it for washes?\u003c\/h3\u003e\n\u003cp\u003eNeutral Tint maintains strength even when thinned, allowing you to achieve transparent light washes and deep, controlled darks without grainy or muddy edges. Because the formulation uses a high pigment concentration and honey in the binder, the pigment disperses smoothly and refracts consistently across layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVery soluble for even, streak-free washes\u003c\/li\u003e\n  \u003cli\u003eMaintains chroma as you dilute for layered glazing\u003c\/li\u003e\n  \u003cli\u003eRe-wets cleanly from palette or paper for lifting and blending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paint stay workable on my palette between sessions?\u003c\/h3\u003e\n\u003cp\u003eThe honey-based binder absorbs ambient moisture, reducing the tendency to crust or harden on palette or in the tube. A light spritz of water reactivates the paint quickly, so you can resume mixing and painting without wasteful scraping or rehydration hassles.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNatural blackberry honey slows drying and prevents skinning\u003c\/li\u003e\n  \u003cli\u003eEasy reconstitution with just a water spritz\u003c\/li\u003e\n  \u003cli\u003eTubes protect leftover paint and preserve working time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Neutral Tint mix with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eNeutral Tint blends cleanly with other watercolours, producing controlled muted tones or deep neutrals without overpowering delicate pigments. It responds well to layering, allowing subtle shifts in temperature and value when combined with transparent pigments or lifting techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes to create natural shadows and greys without muddiness\u003c\/li\u003e\n  \u003cli\u003eCompatible with traditional watercolour techniques and glazing\u003c\/li\u003e\n  \u003cli\u003eLifts and granulates predictably depending on paper and water\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical details of this 1\/2-ounce tube?\u003c\/h3\u003e\n\u003cp\u003eThe compact tube is easy to carry, store, and squeeze for precise colour dispensing. At 1\/2 ounce, it provides enough paint for studies, plein-air work, or as part of a travel set, while minimizing long-term waste for artists who prefer smaller quantities.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHalf-ounce metal tube for controlled dispensing\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-grade pigments and binders\u003c\/li\u003e\n  \u003cli\u003eIdeal for travel, plein-air sets, or limited-palette use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a professional-grade neutral that blends smoothly, re-wets easily, and holds its richness across washes will appreciate this M. Graham Neutral Tint tube. It's well suited to watercolourists, illustrators, students pursuing archival-quality materials, and plein-air painters who need a dependable shadow colour in a portable format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this watercolour re-wet easily after drying on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The blackberry honey binder prevents hardening and a light spritz of water reactivates the paint quickly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Neutral Tint suitable for glazing and lifting techniques?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It dilutes cleanly for glazing and lifts predictably depending on paper and water.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252052312401,"sku":"B001JPKOHY","price":30.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-neutral-tint-front-tube.jpg?v=1791647301"},{"product_id":"m-graham-artist-oil-paint-ultramarine-violet-37ml-rich-transparent-color-high-pigment","title":"M. Graham Artist Oil Paint Ultramarine Violet 37ml — Rich Transparent Colour, High Pigment","description":"\u003cstrong\u003eM. Graham Ultramarine Violet is a richly pigmented, transparent artist oil paint made with American walnut oil for exceptional clarity, depth, and mixing strength.\u003c\/strong\u003e\n\n\u003cp\u003eThis 1.25 oz (37 ml) tube delivers a luminous ultramarine violet formulated in small batches from genuine artists’ pigments and pure walnut oil. By avoiding extenders and adulterants, and choosing walnut oil instead of traditional linseed, this paint achieves higher pigment loading and reduced yellowing, so the colour stays vivid as it cures. It’s fully compatible with standard oil mediums, varnishes and alkyds, making it easy to incorporate into established studio workflows.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Ultramarine Violet behave on the palette and canvas?\u003c\/h3\u003e\n\u003cp\u003eUltramarine Violet from M. Graham opens evenly on the palette and applies smoothly to support surfaces. Its transparency and high tinting strength make it ideal for glazing, mixing, and layered passages without muddiness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsistent buttery handling thanks to walnut oil binder\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for intense colour with less paint\u003c\/li\u003e\n  \u003cli\u003eTransparent nature suits glazes, glints and atmospheric effects\u003c\/li\u003e\n  \u003cli\u003eSlow drying time allows extended blending and working time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this colour mix well with other oil paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eThe formulation is designed to be intermixable with other oil colours and standard varnishes or mediums, including alkyd resins. Artists can rely on predictable mixing behavior and stable blends when combining Ultramarine Violet with other M. Graham colours or compatible brands.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with linseed, walnut, and alkyd-based mediums\u003c\/li\u003e\n  \u003cli\u003eMaintains colour clarity when mixed with transparent pigments\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength means small amounts alter mixtures distinctly\u003c\/li\u003e\n  \u003cli\u003eSuitable for glazing layers over opaque underpainting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat permanence and finish can I expect from this tube?\u003c\/h3\u003e\n\u003cp\u003eMade with lightfast pigments and a non-yellowing walnut oil vehicle, this Ultramarine Violet rates Excellent (I) for lightfastness and preserves its hue over time. The paint dries slowly, giving you extended working time and a satin to low-gloss finish depending on application and mediums used.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfast rating I (Excellent) for archival stability\u003c\/li\u003e\n  \u003cli\u003eTransparent character yields luminous layered effects\u003c\/li\u003e\n  \u003cli\u003eSlow drying—ideal for wet-on-wet and soft blending\u003c\/li\u003e\n  \u003cli\u003eFinish varies with medium; typically a stable satin sheen when cured\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is this Ultramarine Violet different from other oil paints?\u003c\/h3\u003e\n\u003cp\u003eM. Graham emphasizes purity and pigment load: there are no fillers or extenders, and walnut oil increases pigment suspension without accelerating discoloration. The result is a vivid, alive colour that keeps its brilliance while offering generous handling advantages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall-batch production for quality control and consistency\u003c\/li\u003e\n  \u003cli\u003eWalnut oil binder reduces yellowing compared with many drying oils\u003c\/li\u003e\n  \u003cli\u003eHigher pigment concentration for superior saturation and coverage\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artists’ materials and traditional methods\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Ultramarine Violet in the 1.25 oz tube is aimed at professional and serious amateur oil painters who want a richly pigmented, transparent violet that mixes cleanly, glazes beautifully, and resists discoloration. It’s particularly useful for artists working in layered techniques, portraiture, landscapes, and any application where colour clarity and longevity matter. If you prefer solvent-free, walnut-oil-based paints with high tinting strength and archival credentials, this tube will fit seamlessly into your practice.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: Artist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eFeatures: Increased pigment loads for stronger more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eFeatures: Colours retain their clarity and are free from the discoloration associated with drying oils\u003c\/li\u003e\n  \u003cli\u003eFeatures: Lightfast rating I Excellent; Slow drying time; Transparent\u003c\/li\u003e\n  \u003cli\u003eFeatures: Made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Ultramarine Violet compatible with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it mixes and layers well with alkyd resins, varnishes, and other oil-based mediums without separation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this oil paint yellow over time?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — the walnut oil binder minimizes yellowing compared with many drying oils, preserving colour clarity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252068565329,"sku":"B003UPPQ7O","price":30.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-ultramarine-violet-front-tube_63368bd8-2bf6-4ef8-ac72-ca1aeabb5b67.jpg?v=1791647656"},{"product_id":"m-graham-co-artist-oil-paint-manganese-blue-37ml-tube-walnut-oil-high-pigment-lightfast-i","title":"M. Graham \u0026 Co. Artist Oil Paint Manganese Blue 37ml tube — walnut oil, high pigment, Lightfast I","description":"\u003cstrong\u003eA luminous, artist-grade manganese blue oil paint in a 1.25oz (37ml) tube, formulated with high pigment load and pure American walnut oil for vivid, non-yellowing colour.\u003c\/strong\u003e\n\n\u003cp\u003eThis manganese blue from M. Graham \u0026amp; Co. is blended in small batches to deliver clear, deep colour that handles smoothly and keeps its brilliance over time. Made without extenders or fillers and suspended in non-yellowing walnut oil, the paint offers exceptional tinting strength and a natural gloss. It mixes readily with other oil colours and is compatible with varnishes, mediums and alkyd resin products.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this manganese blue perform straight from the tube?\u003c\/h3\u003e\n\u003cp\u003eThe paint arrives with a creamy consistency that spreads evenly and responds well to brushes and knives. Its higher pigment concentration means strong coverage and vivid strokes even when used thinly. Expect a semi-transparent body with excellent clarity and little loss of chroma as it levels.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreamy, easy-to-work texture ideal for brush or palette knife\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load for intense, saturated strokes\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent handling useful for glazing and layering\u003c\/li\u003e\n  \u003cli\u003eNon-yellowing walnut oil preserves true hue during drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this with other oil paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes—M. Graham manganese blue blends cleanly with other oil colours, enabling a wide range of subtle blues and complex greens. It is formulated to be compatible with traditional oil mediums, varnishes and contemporary alkyd products, so you can adjust drying time and sheen without altering colour stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes predictably with other artist oils for expanded palette options\u003c\/li\u003e\n  \u003cli\u003eCompatible with walnut oil-based and alkyd mediums\u003c\/li\u003e\n  \u003cli\u003eMaintains tinting strength and clarity when blended\u003c\/li\u003e\n  \u003cli\u003eWorks well in glazing, scumbles and impasto techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the permanence and drying characteristics?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s manganese blue is rated Lightfast I (Excellent), offering long-term colour retention when used under appropriate archival practices. The walnut oil binder dries at a moderate rate—faster than some traditional linseed-only formulas but still allowing workable open time for wet blending and adjustments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: I (Excellent) for reliable longevity\u003c\/li\u003e\n  \u003cli\u003eModerate drying time suitable for layering and blending\u003c\/li\u003e\n  \u003cli\u003eColour retains clarity without typical yellowing from drying oils\u003c\/li\u003e\n  \u003cli\u003eStable pigment dispersion due to high pigment-to-oil ratio\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does walnut oil bring to this paint?\u003c\/h3\u003e\n\u003cp\u003eUsing American walnut oil as the vehicle reduces long-term yellowing and supports a more natural, luminous finish. Because walnut oil is less viscous than some drying oils, M. Graham can increase pigment loading, which results in stronger colour payoff and richer saturation per brushstroke.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduced yellowing compared to many linseed-heavy formulations\u003c\/li\u003e\n  \u003cli\u003eAllows higher pigment concentration for improved colour strength\u003c\/li\u003e\n  \u003cli\u003eProvides a natural, satin gloss that enhances colour depth\u003c\/li\u003e\n  \u003cli\u003eSolvent-free manufacturing preserves paint purity and handling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a high-quality, true manganese blue with exceptional colour intensity and archival properties will appreciate this 1.25oz tube from M. Graham \u0026amp; Co. It suits painters working in fine art, illustration, landscape or mixed-technique oil painting who want reliable mixing behavior, non-yellowing varnish compatibility, and a paint that keeps its clarity through glazing and layering processes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham manganese blue compatible with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This manganese blue mixes well with alkyd mediums and traditional oil mediums without compromising colour clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the lightfastness rating of this paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The paint carries a Lightfast I (Excellent) rating, indicating strong resistance to fading when used properly.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252070302033,"sku":"B0044TT824","price":29.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-manganese-blue-tube-front.jpg?v=1791647699"},{"product_id":"m-graham-co-artist-oil-paint-burnt-sienna-1-25oz-37ml-walnut-oil-high-pigment-lightfast-i","title":"M. Graham \u0026 Co. Artist Oil Paint Burnt Sienna 1.25oz (37ml) — Walnut Oil, High Pigment, Lightfast I","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint in Burnt Sienna is a richly pigmented, walnut-oil based artist oil paint delivering warm, transparent sienna with exceptional clarity and working properties.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 1.25oz (37ml) tube of Burnt Sienna is mixed in small batches by M. Graham \u0026amp; Co. using genuine artist pigments dispersed in pure American walnut oil. The walnut oil vehicle resists yellowing, allows a higher pigment load than many linseed-based oils, and produces colours that retain brilliance and crispness as they dry. The paint is solvent-free in its formulation, intermixable with other oil colours and compatible with common varnishes and alkyd mediums.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Burnt Sienna behave on the palette and in layers?\u003c\/h3\u003e\n\u003cp\u003eBurnt Sienna offers a smooth, buttery consistency that spreads and blends easily, yet holds enough body for brushwork and impasto. Because it’s made with walnut oil and concentrated pigment, you’ll get strong colour payoff and excellent tinting strength without needing heavy application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery, easy-to-work texture for wet-on-wet or glazing techniques\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load yields strong coverage and efficient use\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent character works well for washes, glazes, and warm undertones\u003c\/li\u003e\n  \u003cli\u003eDries moderately fast compared with many traditional oil paints\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint permanent and lightfast enough for finished works?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Burnt Sienna carries a Lightfast rating of I (Excellent), indicating durable colour stability under normal display conditions. The walnut oil binder is non-yellowing, which helps maintain the original hue over time when paintings are properly varnished and protected from extreme environments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfast rating I (Excellent) for archival colour retention\u003c\/li\u003e\n  \u003cli\u003eNon-yellowing walnut oil helps preserve midtones and warm shadows\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard conservation practices (varnish, glazing)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and mediums can I use with this Burnt Sienna?\u003c\/h3\u003e\n\u003cp\u003eThis oil paint is compatible with the usual oil-painting supports and mediums: primed canvas, linen, prepared wood panels, and oil-primed papers. It mixes well with other oil colours and accepts varnishes, alkyds, or walnut-oil based mediums for glazing, increased transparency, or faster drying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on primed canvas, linen, wood panels, and oil-primed papers\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other oils and compatible with alkyd mediums\u003c\/li\u003e\n  \u003cli\u003eUse walnut-oil mediums to maintain non-yellowing properties\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint is in the tube and how economical is it to use?\u003c\/h3\u003e\n\u003cp\u003eThe tube contains 1.25oz (37ml) of heavy-bodied paint. Because of the higher pigment concentration, a little goes further than lower-pigment formulations—ideal for both studio mixing and plein air touch-ups.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e37ml tube offers a compact supply for practice, study, or travel\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength reduces the amount needed per application\u003c\/li\u003e\n  \u003cli\u003eSmall-batch production ensures consistent colour across tubes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists who value pigment-rich, archival oil paint with a warm, transparent sienna tone will appreciate M. Graham’s Burnt Sienna. It’s suited to portraitists, landscape painters, illustrators, and anyone who prefers non-yellowing walnut oil binders and concentrated colour for glazing, underpainting, or expressive brushwork. If you want a dependable, studio-quality Burnt Sienna that mixes cleanly and maintains its hue over time, this tube is engineered for that purpose.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eArtist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment loads for stronger more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eColours retain their clarity and are free from the discoloration associated with drying oils\u003c\/li\u003e\n  \u003cli\u003eLightfast rating I Excellent; Fast drying time; Semi-Transparent\u003c\/li\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Burnt Sienna compatible with linseed oil?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—this walnut-oil paint mixes with linseed-based oils and other traditional oil colours, though walnut oil resists yellowing better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the paint’s transparency and lightfastness?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Burnt Sienna is semi-transparent with a Lightfast rating of I (Excellent), offering durable colour stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252070465873,"sku":"B001JPMTY0","price":30.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-burnt-sienna-front-tube.jpg?v=1791647698"},{"product_id":"m-graham-co-viridian-gouache-paint-1-2-oz-tube-opaque-matte-honey-binder-artist-quality","title":"M. Graham \u0026 Co. Viridian Gouache Paint 1\/2 oz Tube — Opaque Matte, Honey-Binder Artist Quality","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Viridian Gouache is an artist-quality, highly pigmented, opaque matte paint in a 1\/2-ounce tube made with natural honey and gum arabic for smooth flow and long-lasting colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis gouache offers professional performance rather than a disposable, student-style alternative. Formulated with the same lightfast pigments used across M. Graham’s oil, acrylic, and watercolour lines, the Viridian hue delivers strong tinting power, deep chroma, and a truly mattified finish. The binder includes Northwest honey and gum arabic to retain moistness, improve flow, and reduce cracking as the paint dries. Conforming to ASTM D4236, this paint is built for finished artwork, illustration, and mixed-media pieces that require reliable colour longevity.\u003c\/p\u003e\n\n\u003ch3\u003eHow opaque and matte is Viridian Gouache when layered over other colours?\u003c\/h3\u003e\n\n\u003cp\u003eViridian in this gouache formulation is designed for excellent covering strength—one opaque pass will often obscure underlying tones. The reflective matte finish eliminates shine, allowing layered passages and scanned reproductions to appear consistent and neutral.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong opacity and tinting power\u003c\/li\u003e\n  \u003cli\u003eTrue matte surface ideal for photography and scanning\u003c\/li\u003e\n  \u003cli\u003eDries evenly with low gloss, reducing need for varnish in many cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes M. Graham gouache different from other artist and student brands?\u003c\/h3\u003e\n\n\u003cp\u003eInstead of filler-heavy or chalk-based extenders, this gouache uses pure pigments and natural honey as the humectant, resulting in a creamier, more permanent film. The formulation avoids common opacifying adulterants, producing purer colour and stronger colour mixing behavior.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade with Northwest honey for improved flow and moisture retention\u003c\/li\u003e\n  \u003cli\u003eFree from chalky opacifiers and unwanted extenders\u003c\/li\u003e\n  \u003cli\u003eShares pigment standards with M. Graham’s higher-end paint ranges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Viridian perform for mixed media, illustration, and fine art?\u003c\/h3\u003e\n\n\u003cp\u003eThis gouache is versatile: use it alone for opaque flat passages or combine with watercolour and ink for layered effects. Its stable, matte film works well in studio originals, commercial illustration, and any application that benefits from intense, consistent colour.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCompatible with watercolour and ink when applied over sealed watercolour washes\u003c\/li\u003e\n  \u003cli\u003eExcellent for graphic shapes, colour flats, and fine detail work\u003c\/li\u003e\n  \u003cli\u003eSmall 1\/2-ounce tube is convenient for sketchbooks, plein air, and limited palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and use the 1\/2-ounce tube to keep the paint usable?\u003c\/h3\u003e\n\n\u003cp\u003eTighten the cap after use and store tubes upright in a cool, dry place to preserve the honey-based binder’s moisture. If the surface skins slightly, knead the tube gently or add a drop of distilled water on the palette to regain workable flow.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eReseal cap after each use to maintain moisture\u003c\/li\u003e\n  \u003cli\u003eUse a palette with wells to keep mixed colour fresher longer\u003c\/li\u003e\n  \u003cli\u003eClean caps and threads to prevent clogging from dried residual paint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Viridian 1\/2-ounce gouache is aimed at professional artists, illustrators, and serious hobbyists who need a small-tube option of high-pigment, lightfast gouache. It’s especially useful for creators who value true colour purity without chalky extenders, want a dependable matte finish for reproduction, or need a portable, professional-grade colour for studios, commissions, and mixed-media work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: Artist quality gouache paint made with pure blackberry honey\u003c\/li\u003e\n  \u003cli\u003ePurity: Free for chalk and opacifying adulterants\u003c\/li\u003e\n  \u003cli\u003eFinish: Reflective matte finish suitable alone or in mixed media\u003c\/li\u003e\n  \u003cli\u003eColour: High pigment loads for deep, dense hues\u003c\/li\u003e\n  \u003cli\u003eOrigin: Made in the USA; conforms to ASTM D4236\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Viridian gouache lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. M. Graham gouache uses the same lightfast pigments as their other lines and conforms to ASTM D4236.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this gouache with watercolour or ink?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with watercolour and ink for mixed-media work, though sealed layers help prevent reactivation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252174471505,"sku":"B000AIF03O","price":29.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-gouache-tube-front.jpg?v=1791649030"},{"product_id":"m-graham-co-artist-oil-paint-phthalo-green-1-25oz-tube-high-pigment-walnut-oil","title":"M. Graham \u0026 Co. Artist Oil Paint Phthalo Green 37 ml Tube — High Pigment, Walnut Oil","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint Phthalo Green is a deeply saturated, easily blended artist-quality oil colour made with high pigment load and pure American walnut oil in a 1.25oz (37ml) tube.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Phthalo Green from M. Graham \u0026amp; Co. is formulated in small batches to maximize clarity, tinting strength and longevity. Instead of common linseed bases, the pigment is suspended in non-yellowing American walnut oil, which lets the paint carry more pigment without becoming gummy or dull. The result is a brilliant, transparent green that mixes cleanly with other colours and remains stable over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Phthalo Green differ from other artist oil paints?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Phthalo Green stands out because of its high pigment concentration and walnut-oil vehicle. That combination produces greater colour saturation and less discoloration as the paint dries, compared with many linseed-based formulations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade in small batches for consistent colour quality.\u003c\/li\u003e\n  \u003cli\u003eHigher pigment load for stronger, more vivid hues.\u003c\/li\u003e\n  \u003cli\u003eWalnut oil reduces yellowing versus some drying oils.\u003c\/li\u003e\n  \u003cli\u003eTransparent character ideal for glazing and layering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the working and drying characteristics I can expect?\u003c\/h3\u003e\n\u003cp\u003eThis paint is solvent-free in formulation and has a slower, controlled drying time suitable for blending, glazing and wet-on-wet work. Because it uses walnut oil, it maintains buttery handling without the rapid tackiness that can occur with some alkyd-modified oils.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSlow drying time gives extended open working time for blends.\u003c\/li\u003e\n  \u003cli\u003eButtery consistency spreads smoothly and retains brushstroke detail.\u003c\/li\u003e\n  \u003cli\u003eCompatible with varnishes, mediums and alkyds when used properly.\u003c\/li\u003e\n  \u003cli\u003eTransparent nature makes it excellent for glazes and washes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this colour archival and safe for long-term artwork?\u003c\/h3\u003e\n\u003cp\u003eM. Graham \u0026amp; Co. rates this Phthalo Green as Lightfast I (Excellent), indicating strong resistance to fading under normal display conditions. The use of high-quality artist pigments and a non-yellowing walnut oil medium contributes to long-term colour stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness rated I (Excellent) for archival permanence.\u003c\/li\u003e\n  \u003cli\u003eNo extenders or adulterants—pure artist-grade pigment.\u003c\/li\u003e\n  \u003cli\u003eWalnut oil minimizes the discoloration sometimes seen with other oils.\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other oil colours, varnishes and mediums.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this paint best for? M. Graham’s Phthalo Green 1.25oz tube suits professional and advancing artists who need intense, clean greens for landscapes, botanical work, figure studies, or abstract colour fields. Painters who value archival quality, extended blending time and a paint that mixes predictably will appreciate the walnut-oil formulation. It also works well for instructors and studio artists seeking consistent small-batch production and ease of use across techniques—glazing, scumbling, and wet-on-wet.\u003c\/p\u003e\n\n\u003cp\u003eUse suggestions: apply straight from the tube for high-chroma accents, thin with walnut oil or approved painting mediums for transparent glazes, or mix with titanium white or earth pigments for muted tones. Follow standard oil-paint safety and conservation practices—allow thorough curing, store away from extreme temperatures, and use proper ventilation when adding solvents or mediums.\u003c\/p\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with alkyd mediums or other oil paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This oil is intermixable with other oil paints and alkyd mediums when used following standard oil-painting practices.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much paint is in the tube and where is it made?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The tube contains 1.25oz (37ml) of paint and is made in the USA by M. Graham \u0026amp; Co.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252175978833,"sku":"B001JPIQ2O","price":30.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-phthalo-green-front-tube.jpg?v=1791649049"},{"product_id":"m-graham-co-watercolor-paint-tube-phthalocyanine-green-yellow-1-2-oz-highly-pigmented-honey-gum-binder","title":"M. Graham \u0026 Co. Watercolour Paint Tube — Phthalocyanine Green Yellow 1\/2 oz, Highly Pigmented Honey-Gum Binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Phthalocyanine Green Yellow is a highly pigmented, artist-grade watercolour in a 1\/2-ounce tube bound with pure gum arabic and natural blackberry honey for fluid, vibrant washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube watercolour delivers vivid, deeply concentrated colour that reactivates easily with a mist of water. Formulated with exceptional pigment load and a traditional honey-gum arabic binder, it resists hardening on palettes and in tubes while producing smooth, even washes, strong glazing, and controlled gradations without unintended hard outlines. Made in the USA, this hue—Phthalocyanine Green Yellow—sits bright in the green spectrum and mixes cleanly for botanical, landscape, and mixed-media work.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this watercolour behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThe paint lays down as a luminous, even wash and reactivates readily for reworking. High pigment concentration means strong tinting power and transparent layering when diluted, yet it holds depth for richer passages when used more concentrated.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBright, even washes with minimal granulation\u003c\/li\u003e\n  \u003cli\u003eExcellent lift-and-reactivate properties for adjustments\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength for bold colour or subtle glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes M. Graham’s honey binder different?\u003c\/h3\u003e\n\u003cp\u003eM. Graham uses natural blackberry honey blended with pure gum arabic instead of synthetic additives. The honey acts as a humectant, slowing moisture loss so paint stays workable longer on the palette and inside the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrevents crusting and hard outlines on palettes\u003c\/li\u003e\n  \u003cli\u003eAllows paint to be reactivated with a light spritz of water\u003c\/li\u003e\n  \u003cli\u003eKeeps consistency creamy and smooth for longer sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Phthalocyanine Green Yellow in my practice?\u003c\/h3\u003e\n\u003cp\u003eThis green is versatile for foliage, cool accents, and clean mixtures; it mixes well with yellows for bright lime tones or with blues for deeper evergreen shades. Use it diluted for transparent glazes or more concentrated for saturated passages and bold accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePerfect for botanical details and leafy washes\u003c\/li\u003e\n  \u003cli\u003eGreat as a mixing primary to create varied greens\u003c\/li\u003e\n  \u003cli\u003eSuitable for layering, glazing, and washes of colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this tube fit into my studio workflow?\u003c\/h3\u003e\n\u003cp\u003eThe 1\/2-ounce aluminium tube is compact for travel and convenient for palette use in both studio and plein-air painting. Because the paint stays moist longer, you’ll spend less time reviving dried pans and more time painting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHalf-ounce tube for controlled usage and portability\u003c\/li\u003e\n  \u003cli\u003eAluminium tube preserves remaining paint between sessions\u003c\/li\u003e\n  \u003cli\u003eReady to spritz and use—minimal rehydration required\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Phthalocyanine Green Yellow in a 1\/2-ounce tube is aimed at watercolourists who want professional-grade pigments with a traditional, natural binder. It suits illustrators, plein-air painters, and fine artists who value vibrant colour, long palette life, and reliable mixing behavior. If you prefer paints that revive easily and offer both strong tinting power and transparent layering, this tube belongs in your kit.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I reactivate dry M. Graham watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Lightly mist the paint with water and let it rest a moment; it reawakens quickly thanks to the honey-gum arabic binder.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Phthalocyanine Green Yellow good for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—its high pigment load and transparency make it ideal for controlled glazes and layered colour effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252249477457,"sku":"B001JPMVCA","price":29.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-phthalocyanine-green-yellow-front-tube.jpg?v=1791649789"},{"product_id":"m-graham-co-watercolor-paint-tube-azo-orange-1-2-oz-honey-bound-high-pigment","title":"M. Graham \u0026 Co. Watercolour Paint Tube AZO Orange 1\/2 oz — Honey-Bound, High-Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham AZO Orange is a professional-grade, honey-bound watercolour in a 1\/2-ounce tube that delivers vivid, blendable colour and stays workable on the palette.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eProduced in the USA, this tube combines high pigment load with a traditional gum arabic and natural blackberry honey binder for smooth, even washes and reliable rewetting. The AZO Orange pigment offers bright, warm orange tones that maintain clarity when diluted or layered. Unlike synthetic fillers, the formulation emphasizes colour strength and predictable handling for a variety of approaches — from wet-in-wet glazing to detailed line work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does M. Graham AZO Orange perform for washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eAZO Orange spreads evenly into transparent washes without forming hard edges, making it ideal for large colour fields and subtle gradients. It dilutes cleanly and retains hue integrity when layered, so you can build depth without muddying the colour.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration yields strong tinting strength for efficient coverage.\u003c\/li\u003e\n  \u003cli\u003eHoney-based binder prevents premature hardening and aids reactivation.\u003c\/li\u003e\n  \u003cli\u003eProduces smooth, even edges for seamless wet-in-wet transitions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the colour stay usable on the palette and how do I reactivate it?\u003c\/h3\u003e\n\u003cp\u003eThe blackberry honey in the binder helps the paint stay moist longer and resists crusting compared with standard gum-only formulas. If the surface skins over, a light mist of water quickly restores full working consistency without altering the paint’s performance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulation resists hardening, extending palette working time.\u003c\/li\u003e\n  \u003cli\u003eSimple spritz of water reconstitutes colour ready for use.\u003c\/li\u003e\n  \u003cli\u003eTube packaging preserves unused paint and reduces waste.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat applications and techniques is AZO Orange best suited for?\u003c\/h3\u003e\n\u003cp\u003eAZO Orange is versatile enough for landscapes, florals, illustration accents, and colour studies where a clear, warm orange is needed. It excels in layered glazing, lifting tests, and when mixed with other transparent pigments to broaden your palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for luminous sunsets, autumn foliage, and warm mid-tones.\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with blues and yellows to create varied warm neutrals and peaches.\u003c\/li\u003e\n  \u003cli\u003ePerforms well in both controlled detail and loose expressive washes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow concentrated is the pigment and what does that mean for usage?\u003c\/h3\u003e\n\u003cp\u003eThis 1\/2-ounce tube contains a rich pigment load so small amounts go a long way, letting you achieve deep chromatic passages or sheer tints with precise control. Strong tinting power means fewer layers are required to reach saturation, saving paint and allowing finer colour mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh tinting strength reduces the quantity needed per project.\u003c\/li\u003e\n  \u003cli\u003eEnables both intense colour passages and delicate glazes from the same tube.\u003c\/li\u003e\n  \u003cli\u003eConsistent quality across dilutions keeps colour predictable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham AZO Orange in a 1\/2-ounce tube suits watercolourists who prioritize colour purity and handling—professional artists, serious students, and hobbyists who want dependable rewettable paint. If you work in transparent layering, plein-air studies, or mixed-media pieces that require crisp warm accents, this honey-bound pigment offers reliable performance and excellent longevity in the studio kit or field bag.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham AZO Orange rewettable after it skins on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey binder helps prevent hardening and a light mist of water will quickly reactivate the paint.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can this orange be mixed to create other hues?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. AZO Orange mixes cleanly with blues and yellows to produce warm neutrals, peaches, and varied orange tones.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252249706833,"sku":"B001JPMV5M","price":29.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-azo-orange-front-tube.jpg?v=1791649789"},{"product_id":"m-graham-co-watercolor-paint-prussian-blue-1-2-oz-honey-bound-high-pigment-tube","title":"M. Graham \u0026 Co. watercolour paint Prussian Blue 1\/2 oz — honey-bound, high-pigment tube","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Prussian Blue 1\/2-ounce watercolour is an artist-quality, highly pigmented tube paint bound with pure gum arabic and natural blackberry honey for smooth, rewettable washes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis tube delivers a deep, cool blue with exceptional tinting strength and the soft handling expected from traditional, honey‑based watercolours. M. Graham's formula uses larger pigment loads and a honey-infused binder that resists skinning in the tube and on the palette, so the colour stays workable and revivable with just a mist of water. The 1\/2-ounce size is convenient for artists who need a reliable primary blue for studies, plein air sketches, or mixed palettes without committing to a larger tube.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Prussian Blue perform for washes and glazing?\u003c\/h3\u003e\n\u003cp\u003ePrussian Blue from M. Graham spreads smoothly and gives even, luminous washes with no hard edges when applied with water. Its high pigment concentration means you can achieve transparent glazes as well as richer layers by increasing pigment-to-water ratios.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces consistent, even washes with minimal granulation\u003c\/li\u003e\n  \u003cli\u003eEasily diluted for large, soft backgrounds or concentrated for deeper shadows\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity and chroma through multiple glaze layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the honey binder make the paint sticky or difficult to use?\u003c\/h3\u003e\n\u003cp\u003eThe blackberry-honey and gum arabic bind the pigment while keeping the paint rewettable; it does not make the paint noticeably sticky when used correctly. The honey’s hygroscopic properties help prevent hardening in the tube or on the palette, and a light spritz of water restores full working consistency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney prevents skinning and extends palette life\u003c\/li\u003e\n  \u003cli\u003eSpritz with water to reactivate dried or semi-dry paint\u003c\/li\u003e\n  \u003cli\u003eRetains smooth flow and brush responsiveness when diluted\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow concentrated is the colour and how does it mix with other pigments?\u003c\/h3\u003e\n\u003cp\u003eM. Graham Prussian Blue is formulated with high pigment load for strong tinting power, so a small amount goes a long way when mixing. It mixes cleanly with warm and cool colours to produce neutral tones, teals, or deep navy blends without muddying if you control ratios.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh tinting strength — good for glazing and mixing\u003c\/li\u003e\n  \u003cli\u003eMarries well with yellows for greens, and with alizarin\/quinacridone for deeper violets\u003c\/li\u003e\n  \u003cli\u003eContributes chromatic depth without overpowering lighter hues when used sparingly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this product suitable for travel or limited studio space?\u003c\/h3\u003e\n\u003cp\u003eThe compact 1\/2-ounce metal tube is ideal for on-location painting, travelling artists, and small studios where space and weight matter. The tube cap seals securely to minimize leaks, and the honey binder helps avoid unnecessary waste or palette skinning between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall, portable 1\/2-ounce tube for plein air or sketchbooks\u003c\/li\u003e\n  \u003cli\u003eSealable cap and stable formulation reduce drying in the tube\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with consistent batch quality for dependable results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a dependable, artist‑grade Prussian Blue with strong pigmentation and traditional handling will appreciate this M. Graham 1\/2-ounce tube. It suits watercolourists who work in washes, glazing, and colour mixing—especially painters who value a honey‑bound formula that stays workable on the palette and reactivates easily for continued sessions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I reactivate M. Graham watercolour if it skins on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Lightly mist the paint with water; the honey binder rehydrates quickly and restores working consistency.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Prussian Blue suitable for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its high pigment load and transparent handling make it excellent for multiple glaze layers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252249608529,"sku":"B001JPKOLK","price":29.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-prussian-blue-front-tube.jpg?v=1791649789"},{"product_id":"m-graham-co-watercolor-paint-tube-burnt-umber-1-2-oz-honey-bound-artist-grade-pigment","title":"M. Graham \u0026 Co. Watercolour Paint Tube - Burnt Umber 1\/2 oz, Honey-Bound Artist-Grade Pigment","description":"\u003cstrong\u003eM. Graham 1\/2-ounce Burnt Umber watercolour is an artist-quality, honey-bound paint delivering rich, highly pigmented transparent browns for controlled washes and deep accents.\u003c\/strong\u003e\n\n\u003cp\u003eM. Graham watercolours use a traditional gum arabic binder blended with natural blackberry honey to create a smooth, rewettable paint that resists hardening. This Burnt Umber shade offers consistent colour strength and mixing reliability for plein air studies, studio illustrations, and layered glazing techniques. The 1\/2-ounce metal tube format keeps paint fresh, portable, and ready to reactivate with a spritz of water.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Burnt Umber perform in washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eBurnt Umber from M. Graham separates cleanly into transparent, controllable washes when diluted, yet retains enough body for darker passages when applied more concentrated. The formulation supports layering without abrupt hard edges, making it suitable for subtle tonal builds and realistic shadowing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for even coverage and fewer streaks\u003c\/li\u003e\n  \u003cli\u003eRewettable honey binder prevents skinning and keeps washes smooth\u003c\/li\u003e\n  \u003cli\u003eMixes predictably with other colours for neutral tones and shadows\u003c\/li\u003e\n  \u003cli\u003eGood lightfastness typical of artist-grade pigment\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the honey binder useful for artists?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s use of natural blackberry honey with gum arabic increases moisture retention, so paint in the tube or on a palette remains workable longer than many conventional watercolours. This means less waste and fewer interruptions to rewet hardened pans or tubes during painting sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eResists hardening on palette and in tube for extended work periods\u003c\/li\u003e\n  \u003cli\u003eEnables easy reactivation with just water or a spritz\u003c\/li\u003e\n  \u003cli\u003eMaintains smooth flow for both wet-on-wet and wet-on-dry techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I use the 1\/2-ounce tube in my practice?\u003c\/h3\u003e\n\u003cp\u003eThe compact metal tube is ideal for artists who travel or who want to refill pans and palettes. Squeeze a small amount onto a mixing surface, dilute to the desired transparency, or load a brush directly for more concentrated marks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePerfect size for plein air kits and limited studio palettes\u003c\/li\u003e\n  \u003cli\u003eEasy to refill empty pans or mix custom blends\u003c\/li\u003e\n  \u003cli\u003eMetal tube protects pigment and helps control amounts dispensed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour integrate with other pigments?\u003c\/h3\u003e\n\u003cp\u003eBurnt Umber is a versatile neutral brown that harmonizes with warm and cool palettes, useful for shadows, earth tones, and desaturated mixes. It tints down brighter colours without drastically shifting hue, making it a reliable choice for naturalistic rendering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates natural greys and muted greens when mixed with blues and yellows\u003c\/li\u003e\n  \u003cli\u003eBalances overly saturated pigments for subtle realism\u003c\/li\u003e\n  \u003cli\u003eGood for underpaintings, tonal studies, and sketching values\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who need a dependable, richly pigmented Burnt Umber in a travel-friendly tube. It suits watercolourists working in techniques from delicate glazing to bold washes, illustrators refining tonal depth, and anyone who prefers paint that stays workable thanks to a honey-infused binder. Made in the USA, this 1\/2-ounce tube is a practical addition to both beginner and professional palettes seeking reliable mixing behavior and long open time.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour rewettable after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-and-gum arabic formula reactivates easily with water, so dried paint can be restored with a spritz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the tube size and where is it made?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This is a 1\/2-ounce (approx.) metal tube of Burnt Umber, manufactured in the USA by M. Graham \u0026amp; Co.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252320682321,"sku":"B001JPF40G","price":30.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-burnt-umber-front-tube.jpg?v=1791650507"},{"product_id":"m-graham-co-watercolor-paint-burnt-sienna-1-2-oz-honey-bound-high-pigment","title":"M. Graham \u0026 Co. Watercolour Paint, Burnt Sienna 1\/2 oz — Honey-Bound High-Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce Burnt Sienna watercolour is a high-pigment, honey-bound artist paint that delivers warm, transparent sienna washes and stays reactivatable on the palette.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered for painters who expect consistent mixing, lively pigment, and easy rewetting, this Burnt Sienna (33-020) uses M. Graham’s traditional gum arabic plus real blackberry honey binder. The formulation prevents crusting in the tube or on the palette, so a quick spritz of water revives the paint to buttery fluidity. Because the colour loads strongly, you can achieve delicate, transparent glazes or concentrated darks with minimal paint.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Burnt Sienna perform for washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eBurnt Sienna from M. Graham spreads evenly into smooth, luminous washes without leaving harsh edges when thinned. Its high pigment concentration allows long, controlled pull-outs and reliable layering for glazing techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces transparent warm brown washes that lift smoothly for soft transitions\u003c\/li\u003e\n  \u003cli\u003eHolds chroma well when diluted for multi-layer glazing\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity without becoming gummy or grainy\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy does the honey binder matter for watercolour use?\u003c\/h3\u003e\n\u003cp\u003eM. Graham blends pure blackberry honey with gum arabic to keep the paint moist and flexible longer than conventional formulas. The natural humectant quality of honey reduces hardening, so paints stay workable on palettes and tube openings remain pliable.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrevents rapid crusting on palettes and in tubes\u003c\/li\u003e\n  \u003cli\u003eEnables quick reactivation with a light mist of water\u003c\/li\u003e\n  \u003cli\u003eSupports smoother brush pickup and more even flow\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow concentrated is the pigment and what mixing behavior should I expect?\u003c\/h3\u003e\n\u003cp\u003eThis 1\/2-ounce tube contains a noticeably high pigment load, so small amounts go a long way. Expect strong tinting strength for mixing neutrals and earth tones, and easy dilution for pale, luminous passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment strength for both subtle and saturated applications\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other watercolours without muddying\u003c\/li\u003e\n  \u003cli\u003eAllows precise control from glazes to dense accents\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and convenient is the packaging for studio or plein-air work?\u003c\/h3\u003e\n\u003cp\u003eThe 1\/2-ounce metal tube is compact for field kits yet provides enough volume for studio practice. The screw-cap closure reduces drying and helps preserve the honey-infused binder between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall, travel-friendly tube fits sketchbox pockets\u003c\/li\u003e\n  \u003cli\u003eMetal construction resists breakage and pinholes\u003c\/li\u003e\n  \u003cli\u003eScrew cap keeps the paint sealed and rewettable\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who prefer traditional, professional-grade watercolours with superior rewetting and dependable pigment strength will appreciate this Burnt Sienna. It suits illustrators, landscape painters, and mixed-media artists who need an earth tone that layers cleanly, mixes predictably, and remains usable over extended painting sessions. Makers who value materials made in the USA and a binder that minimizes waste on the palette will find M. Graham’s honey-based formula especially practical.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I reactivate this paint after it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thanks to the honey binder, a light mist of water reactivates the paint easily.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Burnt Sienna suitable for mixing with other brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other watercolours and maintains colour clarity when blended.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252320747857,"sku":"B001JPH5LW","price":30.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-burnt-sienna-front-tube_766036d8-4643-4165-9ffe-cad114e03fe1.jpg?v=1791650507"},{"product_id":"m-graham-watercolor-paint-tube-1-2-oz-transparent-red-iron-oxide-honey-bound-artist-grade-for-smooth-glazes","title":"M. Graham Watercolour Paint Tube 1\/2 oz — Transparent Red Iron Oxide, Honey-Bound Artist Grade for Smooth Glazes","description":"\u003cstrong\u003eM. Graham Transparent Red Iron Oxide is a richly pigmented, honey-bound watercolour in a 1\/2-ounce tube designed for smooth, even washes and lasting vibrancy.\u003c\/strong\u003e\n\n\u003cp\u003eThis watercolour tube combines high pigment load with an old-fashioned binder of pure gum arabic and natural blackberry honey to deliver consistent, luminous colour. The honey keeps the paint moist in the tube and on the palette, so it revives easily with a spritz of water and lays down without gritty texture or hard edges. Transparent Red Iron Oxide offers warm, earthy tones that are excellent for glazing, mixing neutrals, and adding warmth to landscapes and portraits.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this watercolour behave on paper?\u003c\/h3\u003e\n\u003cp\u003eTransparent Red Iron Oxide flows smoothly for even, controlled washes and retains transparency for layered glazing. It reactivates readily after drying, letting you lift or soften edges without disturbing earlier layers when used with careful technique.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour with minimal application\u003c\/li\u003e\n  \u003cli\u003eHoney binder prevents hard crusting on palette and tube\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other watercolours to create warm neutrals and muted tones\u003c\/li\u003e\n  \u003cli\u003eDries to a consistent, non-grainy finish suitable for glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes M. Graham’s formula different from standard watercolours?\u003c\/h3\u003e\n\u003cp\u003eM. Graham uses natural blackberry honey combined with gum arabic as the binding medium, which holds more moisture than typical gum-only paints. That unique base improves pigment suspension so each wash is even, and colours stay workable longer on the palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney-bound formula resists hardening, extending working time\u003c\/li\u003e\n  \u003cli\u003eHigher pigment load yields stronger, truer colour at lower dilution\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-grade pigments for archival quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and applications suit Transparent Red Iron Oxide best?\u003c\/h3\u003e\n\u003cp\u003eThis pigment excels in transparent glazing, subtle tonal shifts, and natural-looking earth tones. Use it for underpainting, atmospheric backgrounds, skin undertones, and mixed-media pieces where warmth and translucency are needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: builds depth without losing luminosity\u003c\/li\u003e\n  \u003cli\u003eMixing: creates warm greys and muted browns when combined with blues and greens\u003c\/li\u003e\n  \u003cli\u003eDetail work: holds pigment strength even in thin washes for crisp transitions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFeatures: Artist-quality watercolour in a 1\/2-ounce tube, made with natural blackberry honey to prevent drying out, revives easily with water, and offers extraordinary pigment strength for smooth washes and deeper darks. Manufactured in the USA for consistent, professional results.\u003c\/p\u003e\n\n\u003cp\u003eWho is this for? M. Graham Transparent Red Iron Oxide suits watercolour artists who value reliable reactivity, robust pigmentation, and natural binders. It’s ideal for plein air painters needing palette longevity, studio artists layering glazes for depth, and illustrators or mixed-media creators wanting a warm, transparent earth tone that mixes cleanly. Beginners who prefer paints that rewet easily will also find this tube forgiving and easy to work with.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this watercolour dry hard on my palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—M. Graham’s honey binder resists hardening, so the paint stays workable and revives with a spritz of water.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Transparent Red Iron Oxide with other brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—its transparent, pigment-rich nature mixes cleanly with most watercolours for warm neutrals and glazes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252528595281,"sku":"B001JPOZCO","price":29.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-transparent-red-iron-oxide-front-tube.jpg?v=1791651909"},{"product_id":"m-graham-co-watercolor-paint-tube-permanent-green-light-1-2-oz-high-pigment-honey-gum-binder","title":"M. Graham \u0026 Co. Watercolour Paint Tube — Permanent Green Light 1\/2 oz, High Pigment \u0026 Honey-Gum Binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Permanent Green Light 1\/2-ounce tube is a professional-grade watercolour made with high pigment load and a gum arabic–blackberry honey binder for smooth, luminous washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for painters who want reliable, vibrant colour straight from the tube, this Permanent Green Light offers strong tinting strength and graceful rewetting. M. Graham uses a traditional binding recipe that includes pure gum arabic and natural blackberry honey, which helps the paint stay workable on palettes and resist crusting in tubes. The result is a watercolour that responds predictably to dilution and layering while keeping colour clarity across glazes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this watercolour behave on paper?\u003c\/h3\u003e\n\u003cp\u003ePermanent Green Light lays down evenly without producing hard edges when diluted, and it retains brightness even in thinner washes. When loaded heavier, it can deliver concentrated midtones and deeper values for glazing and mixed passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates smooth, even washes with minimal granulation\u003c\/li\u003e\n  \u003cli\u003eReactivates easily with a spritz of water for consistent blending\u003c\/li\u003e\n  \u003cli\u003eHolds pigment strength for transparent layering and glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy does M. Graham add blackberry honey to the formula?\u003c\/h3\u003e\n\u003cp\u003eBlackberry honey is used as a natural moistening agent in the binder to slow drying and prevent paint from becoming hard on palettes or in tubes. This helps artists work longer with wet edges and reduces waste from dried-out paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImproves palette longevity by retaining moisture\u003c\/li\u003e\n  \u003cli\u003eMakes tube paint easier to rehydrate after partial drying\u003c\/li\u003e\n  \u003cli\u003eMaintains even flow and a smooth brush feel during application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is Permanent Green Light best suited for?\u003c\/h3\u003e\n\u003cp\u003eThis hue is versatile for traditional watercolour methods—glazing, wet-on-wet, wet-on-dry, and controlled washes. Its pigmentation and clarity make it suitable for botanical illustration, landscapes, and layered colour studies where transparent colour is important.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for transparent glazing and colour mixing\u003c\/li\u003e\n  \u003cli\u003eGood for wet-on-wet blends that remain luminous\u003c\/li\u003e\n  \u003cli\u003eSuits detailed work when diluted to fine washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and revive the paint?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube capped and stored at room temperature away from direct sunlight to preserve binder quality. If paint on a palette skins slightly, a few sprays of water or a drop of rewetting medium will restore its working consistency quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore capped in a cool, dry place\u003c\/li\u003e\n  \u003cli\u003eRevive palette paint with a light mist of water\u003c\/li\u003e\n  \u003cli\u003eUse a palette knife for heavier pigments to mix and lift without waste\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Permanent Green Light 1\/2-ounce tube is made for professional and dedicated hobbyist watercolourists who want a dependable, high-pigment green that reactivates easily and supports layered, luminous work. If you value strong tinting, smooth washes, and a traditional honey-enhanced binder that keeps paints workable, this tube is a practical addition to palettes for landscape, botanical, and mixed-media projects.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Permanent Green Light lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: M. Graham paints use artist-grade pigments; check the specific pigment lightfastness on the manufacturer's chart for this colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other M. Graham watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with other M. Graham colours and maintains clarity for glazing and custom mixes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55252528660817,"sku":"B001JPH5SU","price":30.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-front-tube-permanent-green-light.jpg?v=1791651908"},{"product_id":"m-graham-co-ultramarine-blue-2-oz-acrylic-paint-artist-grade-butter-soft-texture-with-extended-open-time","title":"M. Graham \u0026 Co. Ultramarine Blue 2-Oz Acrylic Paint — Artist-Grade, Butter-Soft Texture with Extended Open Time","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. 2-ounce Ultramarine Blue is a high-pigment, artist-grade acrylic paint with a buttery texture and extended open time for precise blending and vibrant colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis tube contains a professional acrylic formula made with concentrated pigments suspended in a pure, high-solids acrylic emulsion. The paint is manufactured without extenders or fillers so colour strength and permanence remain uncompromised. Its smooth, slightly slower drying character gives artists more working time than many standard acrylics, while staying fully intermixable with other acrylic colours and mediums.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Ultramarine Blue perform for blending and layering?\u003c\/h3\u003e\n\u003cp\u003eUltramarine Blue from M. Graham \u0026amp; Co. blends smoothly thanks to a buttery consistency and a modestly extended open time compared with fast-dry acrylics. That makes it suitable for soft transitions, glazing, and layering without losing chroma or becoming muddy.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery texture eases brush and palette-knife work.\u003c\/li\u003e\n  \u003cli\u003eSlightly longer open time supports subtle wet-on-wet blends.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load preserves vibrancy through layers.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylic mediums for glazing and glazing retarder.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this paint different from student-grade acrylics?\u003c\/h3\u003e\n\u003cp\u003eThis formula uses higher pigment concentration and a pure acrylic emulsion rather than cheaper extenders, so colour intensity and permanence are greater. The result is a professional-level paint that covers well, mixes predictably, and keeps colour fidelity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIncreased pigment load for stronger, truer colour.\u003c\/li\u003e\n  \u003cli\u003eNo extenders or adulterants to dilute chroma or durability.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA to consistent quality standards.\u003c\/li\u003e\n  \u003cli\u003eBetter lightfastness and mixing behavior than low-cost alternatives.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this acrylic Ultramarine Blue?\u003c\/h3\u003e\n\u003cp\u003eUse straight from the 2-ounce tube for bold strokes or dilute with water or acrylic medium for washes and glazes. Store the tube tightly capped in a cool, dry place and clean tools with water while wet; once cured, the paint becomes water-resistant.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin with water for transparent washes or with acrylic medium for stronger adhesion.\u003c\/li\u003e\n  \u003cli\u003eExtend open time with appropriate acrylic retarders if needed.\u003c\/li\u003e\n  \u003cli\u003eClean brushes immediately with soap and water; cured film resists water.\u003c\/li\u003e\n  \u003cli\u003eKeep cap secure and store away from extreme heat or freezing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it mix with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eBecause it is an uncompromised acrylic made from pure emulsion, this Ultramarine Blue mixes predictably with other M. Graham acrylics and most acrylic brands. It accepts acrylic mediums for texture, gloss control, and extended working time without breaking or altering hue significantly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixes readily with other acrylic pigments for clean blends.\u003c\/li\u003e\n  \u003cli\u003eAdd gels or pastes for texture without reducing pigment strength.\u003c\/li\u003e\n  \u003cli\u003eUse matte or gloss mediums to adjust finish while maintaining colour.\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic flow improvers and varnishes after drying.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Professional and serious hobbyist painters who need a vivid, dependable Ultramarine Blue in a manageable 2-ounce tube will appreciate this M. Graham \u0026amp; Co. acrylic. It's ideal for studio work, plein air accents, mixed-media pieces, and anyone who prefers high-pigment, artist-grade materials that deliver consistent performance and colour intensity.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Ultramarine Blue lightfast and permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated with artist-quality pigments for good permanence and predictable longevity when applied and varnished correctly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other brands of acrylic paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it is compatible with most acrylic paints and mediums, allowing clean mixing and consistent performance.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253142831441,"sku":"B003QWQ05I","price":32.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-ultramarine-blue-front-tube.jpg?v=1791656328"},{"product_id":"m-graham-co-acrylic-paint-hookers-green-2-oz-high-pigment-creamy-consistency","title":"M. Graham \u0026 Co. acrylic paint Hookers Green 57 g — high-pigment, creamy consistency","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. Hookers Green 2-ounce acrylic is a professional-grade, high-pigment green that blends smoothly and maintains strong colour without extenders.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2-ounce tube of Hookers Green from M. Graham \u0026amp; Co. delivers a deep, vivid green formulated for serious artists who want pure pigment strength combined with a creamy working consistency. Made with a high-solids acrylic emulsion and no filler extenders, the colour stays permanent, mixes cleanly with other acrylics and responds well to layering and glazing. The slightly longer open time compared with some acrylics gives more working time for subtle transitions while still drying to a durable finish.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Hookers Green perform when mixing and glazing?\u003c\/h3\u003e\n\u003cp\u003eHookers Green mixes predictably with other colours and keeps its chroma when blended, thanks to increased pigment load and the brand’s pure emulsion vehicle. It’s suitable for glazing or building up opaque passages without becoming muddy.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration preserves hue when mixed\u003c\/li\u003e\n  \u003cli\u003eCleans mixing with both warm and cool tones\u003c\/li\u003e\n  \u003cli\u003eGood for transparent glazes as well as solid coverage\u003c\/li\u003e\n  \u003cli\u003eCompatible with other acrylic mediums and brands\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the working texture and drying behavior like?\u003c\/h3\u003e\n\u003cp\u003eThe paint has a smooth, buttery texture that spreads evenly and responds well to brushes and knives. Its slightly extended open time allows for softer edges and subtle blending before it sets to a permanent film.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery consistency for controlled brushwork\u003c\/li\u003e\n  \u003cli\u003eSlightly longer open time for feathering and softening\u003c\/li\u003e\n  \u003cli\u003eDries to a stable, non-tacky surface\u003c\/li\u003e\n  \u003cli\u003eSuitable for both brush and palette knife techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and compatible is this acrylic colour?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Hookers Green is formulated without extenders or adulterants, increasing permanence and making the colour intermixable with other acrylics and mediums. You can rely on consistent results across layered applications and mixed-media work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment-forward formulation for long-lasting colour\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other artist acrylics and mediums\u003c\/li\u003e\n  \u003cli\u003eStable under varnish and overpaint\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with archival-grade ingredients\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint is in the tube and how is it best used?\u003c\/h3\u003e\n\u003cp\u003eThe tube contains two ounces of Hookers Green—ample for studies, sketching, and detail work in finished pieces. Use it straight from the tube for vivid passages or dilute slightly with acrylic medium or water for washes and underpainting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e2 fl oz tube ideal for portable palettes and plein air kits\u003c\/li\u003e\n  \u003cli\u003eGreat for both fine details and broader strokes\u003c\/li\u003e\n  \u003cli\u003eMixes well with gel mediums, retarders, and varnishes\u003c\/li\u003e\n  \u003cli\u003eStore capped to preserve working properties\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this paint for? Artists who require vibrant, unadulterated colour with a creamy, controllable application will appreciate M. Graham \u0026amp; Co. Hookers Green. It suits professional painters, advanced students, and mixed-media creators who need dependable permanence, strong tinting power, and compatibility with other acrylic products. If you value high pigment load, smooth handling, and a slightly extended open time for nuanced blending, this 2-ounce tube is a versatile addition to your colour palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Hookers Green compatible with other acrylic brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its pure acrylic emulsion mixes well with other artist acrylics and mediums without separation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin lightly with water or acrylic medium for washes; use medium for better adhesion and permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253641331025,"sku":"B003UPS9AU","price":31.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-hookers-green-front-tube.jpg?v=1791661917"},{"product_id":"m-graham-co-acrylic-paint-hansa-yellow-2-oz-high-pigment-buttery-consistency-for-precise-mixing","title":"M. Graham \u0026 Co. acrylic paint Hansa Yellow 57 g — high-pigment, buttery consistency for precise mixing","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Hansa Yellow is a professional 2-ounce acrylic paint that delivers intensely saturated, permanent colour with a smooth, buttery consistency for precise application and reliable mixing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description highlights a high-pigment acrylic designed for artists who demand clarity of hue and a responsive feel. Formulated with a pure acrylic emulsion and concentrated pigment loads, the paint avoids fillers and extenders so the colour remains true, mixable, and long-lasting. The slightly extended open time compared with some acrylics makes subtle blending easier without sacrificing permanence or compatibility with other acrylic mediums.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint perform on the canvas during layering and glazing?\u003c\/h3\u003e\n\u003cp\u003eThe paint lays down evenly with a creamy body that accepts subsequent layers without lifting or cracking. Its high pigment concentration preserves vibrancy when glazed or mixed, and the film formed after drying is stable and strong. You can build translucent glazes or opaque passages depending on dilution and application technique.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh solids acrylic emulsion creates a durable paint film\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment load keeps colours bright in layers\u003c\/li\u003e\n  \u003cli\u003eSlightly longer open time allows smoother transitions and glazing\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylic mediums and varnishes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and tools work best with M. Graham Hansa Yellow?\u003c\/h3\u003e\n\u003cp\u003eBecause of its buttery texture, this acrylic responds well to brushes, palette knives, and impasto tools. It can be thinned for washes or used straight from the tube for strong, defined strokes. The paint also plays well with acrylic gels and pastes for texture or extended open time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrushes: maintains brush marks while offering smooth coverage\u003c\/li\u003e\n  \u003cli\u003ePalette knives: excellent for thick application and sculptural effects\u003c\/li\u003e\n  \u003cli\u003eThinning: mix with water or acrylic medium for glazes and washes\u003c\/li\u003e\n  \u003cli\u003eMediums: compatible with gels, retarders, and varnishes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and mixable is this colour in a studio palette?\u003c\/h3\u003e\n\u003cp\u003eThis Hansa Yellow is formulated for permanence and predictable mixing. With pure pigments and no diluting extenders, the tinting strength is reliable when blended into other hues. Drying produces a stable acrylic film, and the colour is intermixable with other brands' acrylics and M. Graham colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePermanent once fully cured, suitable for finished works\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength for consistent colour mixing\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other acrylic paints and compatible mediums\u003c\/li\u003e\n  \u003cli\u003eMade in the USA and individually formulated for quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Hansa Yellow 2-ounce tube is aimed at serious hobbyists, illustration artists, and professional painters who require pure, highly pigmented acrylic colour with a pleasant working time and a smooth finish. If you want a trustworthy primary yellow that keeps its brilliance through glazing, mixing, and multiple painting sessions, this compact, artist-grade tube is designed to perform in both studio and plein air settings.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey attributes at a glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist-quality acrylic with pure acrylic emulsion and high solids\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment load for vivid results\u003c\/li\u003e\n  \u003cli\u003eSlightly extended open time for refined blending\u003c\/li\u003e\n  \u003cli\u003eButtery, easy-to-apply texture\u003c\/li\u003e\n  \u003cli\u003eMade in the USA and compatible with common acrylic mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNotes for use: Store the tube capped and upright when possible to prevent skinning. For best archival results, allow paintings to cure fully before varnishing, and test mixes when combining with unfamiliar brands or mediums.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Hansa Yellow compatible with other acrylic brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This acrylic mixes and layers well with other acrylic paints and standard acrylic mediums.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How should I thin the paint for glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Thin with water for light washes or use an acrylic glazing medium to retain pigment strength and extend open time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253653946705,"sku":"B0044TTY5U","price":31.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-hansa-yellow-front-packaging.jpg?v=1791662113"},{"product_id":"m-graham-co-walnut-oil-painting-medium-4-oz-slow-drying-non-toxic-flow-enhancer","title":"M. Graham \u0026 Co. Walnut Oil Painting Medium 118 ml — Slow-Drying, Non-Toxic Flow Enhancer","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 4‑ounce Walnut Oil Medium is a slow‑drying, non‑toxic painting medium that improves paint flow, extends open time, and safely cleans brushes without solvent hazards.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtists have used walnut oil for centuries to improve paint handling while avoiding the strong odours and health concerns of petroleum solvents. This compact 4‑ounce bottle from M. Graham \u0026amp; Co. blends a traditional painting medium with modern safety: it slows drying time, reduces yellowing compared with linseed oil, and can replace turpentine or mineral spirits for brush cleaning when used properly. The oil is made in the USA and formulated to keep colour clarity and surface brilliance over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this walnut oil medium change paint handling?\u003c\/h3\u003e\n\u003cp\u003eAdding a small amount of M. Graham Walnut Oil Medium increases paint flow and leveling without drastically speeding drying. Because it dries more slowly than linseed oil, you gain extra working time for blending and glazing while maintaining colour integrity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImproves flow and brushability for smoother strokes\u003c\/li\u003e\n  \u003cli\u003eLengthens open time for easier blending and wet‑into‑wet techniques\u003c\/li\u003e\n  \u003cli\u003eUse sparingly to avoid overly slow drying on thick layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan walnut oil replace solvents for brush cleaning and studio safety?\u003c\/h3\u003e\n\u003cp\u003eM. Graham Walnut Oil Medium is marketed as a non‑toxic alternative for cleaning brushes, reducing reliance on turpentine or odourless mineral spirits. While it removes colour from brushes without producing solvent fumes, proper disposal and occasional solvent use for heavy residue may still be necessary.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSafely removes paint from brushes with less odour and hazard\u003c\/li\u003e\n  \u003cli\u003eHelps keep studio air cleaner compared to traditional solvents\u003c\/li\u003e\n  \u003cli\u003eFollow manufacturer guidance for disposal and deep cleaning needs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill walnut oil yellow or affect long‑term colour brilliance?\u003c\/h3\u003e\n\u003cp\u003eWalnut oil is less prone to yellowing than linseed oil, so it better preserves the original hues and brilliance of pigments over time. M. Graham formulates the medium to retain clarity, making it a good choice for lighter palettes or works where colour fidelity matters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon‑yellowing nature keeps whites and light tones truer\u003c\/li\u003e\n  \u003cli\u003eMaintains colour brilliance and transparency in glazes\u003c\/li\u003e\n  \u003cli\u003eGood option for archival‑minded painters who avoid rapid yellowing oils\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store the 4‑ounce bottle for best results?\u003c\/h3\u003e\n\u003cp\u003eStart with small additions—usually a few drops to a small puddle of paint—and test drying times on sample panels. Store the bottle upright in a cool, dark place with the lid tightly closed to preserve quality and prevent contamination.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdd sparingly to paint to control open time and gloss\u003c\/li\u003e\n  \u003cli\u003eClean brushes by working oil through bristles, then remove excess with soap and water or a final solvent if needed\u003c\/li\u003e\n  \u003cli\u003eKeep container sealed, away from direct sunlight and heat sources\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham 4‑ounce Walnut Oil Medium suits painters who want a traditional oil medium with modern safety features: fine artists working in oils who need extended working time, illustrators and portraitists seeking subtle blending, and studio painters wanting to reduce solvent use. Its small size is convenient for trialing walnut oil benefits without committing to a large bottle, making it ideal for students, plein air painters, and professionals testing walnut oil in their workflow.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRemoves colour from artists' brushes without creating a solvent hazard\u003c\/li\u003e\n  \u003cli\u003eThe addition of walnut oil to colour will increase flow and slow the drying\u003c\/li\u003e\n  \u003cli\u003eNontoxic and solvent free\u003c\/li\u003e\n  \u003cli\u003eNon‑yellowing nature retains brilliance of colour\u003c\/li\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Walnut Oil Medium safe to use instead of turpentine?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it’s a nontoxic, solvent‑free alternative for brush cleaning and reduces solvent fumes, though heavy residue may still need occasional stronger cleaners.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much walnut oil should I add to my paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Start with a few drops per small paint puddle; use sparingly to increase flow and open time without overly delaying drying.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253725643089,"sku":"B0006OJAH4","price":31.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-walnut-oil-front-bottle.jpg?v=1791663638"},{"product_id":"m-graham-co-watercolor-tube-azo-yellow-1-2-oz-honey-bound-highly-pigmented","title":"M. Graham \u0026 Co. Watercolour Tube AZO Yellow 1\/2 oz — Honey-Bound, Highly Pigmented","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce AZO Yellow watercolour is a highly pigmented, honey-bound tube paint that produces luminous, even washes and reactivates easily with water.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for painters who demand vibrancy and dependable reworkability, this professional watercolour uses an old‑style formula of pure gum arabic and natural blackberry honey to hold exceptional pigment loads. The honey helps the paint stay moist in the tube and on the palette, so colours spread smoothly without drying into hard rims. AZO Yellow offers clear, warm lemon tones ideal for glazing, mixing, and bright highlights, packaged in a convenient 1\/2-ounce metal tube made in the USA.\u003c\/p\u003e\n\n\u003ch3\u003eHow will AZO Yellow perform for transparent washes and glazing?\u003c\/h3\u003e\n\n\u003cp\u003eAZO Yellow lays down a clean, translucent layer that keeps its luminosity when diluted. It is formulated to lift slightly with water for subtle adjustments and builds evenly when glazed for richer depth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration ensures bright, transparent colour even at heavy dilution.\u003c\/li\u003e\n  \u003cli\u003eHoney-based binder prevents hard edges, allowing smooth, feathered washes.\u003c\/li\u003e\n  \u003cli\u003eReactivates with a spritz or brush of water for reworking and layering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan this tube colour mix reliably with other watercolours?\u003c\/h3\u003e\n\n\u003cp\u003eYes — AZO Yellow mixes cleanly with other M. Graham pigments and most traditional watercolours to create predictable, vivid secondary hues. Because the paint uses fewer fillers and more pigment, colour shifts during mixing are minimized and mixtures remain vibrant.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMixes to warm oranges, greens, and muted earth tones depending on partner pigments.\u003c\/li\u003e\n  \u003cli\u003eConsistent viscosity matches other M. Graham tube paints for uniform application.\u003c\/li\u003e\n  \u003cli\u003eExcellent for creating a controlled palette of harmonious tints and shades.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the honey-and-gum-arabic formula give me?\u003c\/h3\u003e\n\n\u003cp\u003eThe natural blackberry honey in the binder retains moisture, so paint in the tube and on the palette resists hardening and remains workable longer than paints with drier binders. Gum arabic provides strong adhesion to paper, delivering smooth, even coverage without unwanted texture.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePrevents crusting on palettes and in tubes, reducing waste and remixing time.\u003c\/li\u003e\n  \u003cli\u003eImproves flow and leveling for consistent, streak-free washes.\u003c\/li\u003e\n  \u003cli\u003eStrong adhesion supports multiple layers without lifting or flaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and rehydrate this watercolour for best results?\u003c\/h3\u003e\n\n\u003cp\u003eStore the metal tube capped in a cool, shaded place to maintain consistency. If the paint seems firmer on the palette, a light mist of water brings it back to a creamy, spreadable state.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKeep tube sealed between uses; squeeze gently from the end to avoid air pockets.\u003c\/li\u003e\n  \u003cli\u003eUse a spray bottle or wet brush to re-wet palette amounts; avoid overwatering.\u003c\/li\u003e\n  \u003cli\u003eWorks well with traditional watercolour papers and brushes for predictable application.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham AZO Yellow 1\/2-ounce tube suits watercolourists from experienced illustrators and plein-air painters to dedicated hobbyists who want reliable, high-chroma pigments that remain workable and mix predictably. If you value luminous transparent colour, a creamy, responsive texture, and a paint that stays usable on the palette, this honey-bound AZO Yellow is a practical addition to a professional or studio palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the honey in M. Graham watercolours affect archival quality?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — the blackberry honey is a natural humectant used in the binder; it does not compromise pigment permanence when stored properly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much surface will a 1\/2-ounce tube cover?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Coverage varies by dilution and technique, but a 1\/2-ounce tube supplies multiple washes for small to medium studies and regular touch-ups.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253770502481,"sku":"B001JPF3ZM","price":30.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-azo-yellow-front-tube.jpg?v=1791664452"},{"product_id":"m-graham-co-artist-oil-paint-transparent-orange-iron-oxide-1-25oz-walnut-oil-high-pigment","title":"M. Graham \u0026 Co. Artist Oil Paint — Transparent Orange Iron Oxide 37 ml, Walnut Oil \u0026 High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Transparent Orange Iron Oxide is a richly pigmented, walnut-oil–based artist oil paint that delivers deep, transparent orange-brown colour with excellent permanence and working properties.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis single-tube oil paint is mixed in small batches from artist-grade pigments and pure American walnut oil, so the colour shows clarity, depth and saturation without extenders or fillers. The walnut oil binder resists yellowing compared with many drying oils and lets the pigment load be higher, producing stronger tinting strength and more vibrant glazes. Transparent orange iron oxide is ideal for warm glazes, underpainting, and creating subtle earthy transitions in portraits, landscapes and mixed-media works.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this transparent orange iron oxide different from other artist oils?\u003c\/h3\u003e\n\u003cp\u003eM. Graham formulates this shade with no extenders and uses walnut oil as the vehicle, which preserves colour clarity as the paint dries. The result is a clear, luminous transparent orange that keeps its depth rather than clouding or losing intensity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour and tinting strength\u003c\/li\u003e\n  \u003cli\u003eWalnut oil binder that reduces yellowing and retains vibrancy\u003c\/li\u003e\n  \u003cli\u003eTransparent handling for glazing and layering techniques\u003c\/li\u003e\n  \u003cli\u003eMade in small batches in the USA for consistent quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint perform when glazing, mixing, or scumbling?\u003c\/h3\u003e\n\u003cp\u003eThe transparency and high pigment load make it excellent for glazes that build depth without opacity. It mixes cleanly with other oils and mediums, producing controlled warm tones and subtle atmospheric effects when thinly applied or scumbled over textured ground.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazes: lays down luminous, non-cloudy layers\u003c\/li\u003e\n  \u003cli\u003eMixing: blends to warm midtones without muddying cooler pigments\u003c\/li\u003e\n  \u003cli\u003eScumbling: creates transparent, textured colour shifts over underpainting\u003c\/li\u003e\n  \u003cli\u003eCompatible with varnishes, alkyds and other oil mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the drying and permanence characteristics I should expect?\u003c\/h3\u003e\n\u003cp\u003eThis paint dries at a moderate rate and carries a Lightfast rating of I (Excellent). The walnut oil vehicle minimizes yellowing, helping the colour stay true through curing and long-term aging when used within normal oil painting practices.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: I (Excellent)\u003c\/li\u003e\n  \u003cli\u003eDrying: fast compared with some walnut-oil paints, suitable for layered work\u003c\/li\u003e\n  \u003cli\u003eLongevity: formulated for permanence without extenders or adulterants\u003c\/li\u003e\n  \u003cli\u003eSolvent-free base; compatible with common oil painting media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this 1.25oz (37ml) tube to get optimal results?\u003c\/h3\u003e\n\u003cp\u003eUse thin layers for glazing and allow adequate drying time between applications when building translucent passages. Store tubes capped and upright in a cool, dry place away from direct sunlight to maintain binder integrity and prevent premature skinning in the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApplication tips: thin with walnut oil or approved mediums for glazes\u003c\/li\u003e\n  \u003cli\u003eLayering: follow fat-over-lean principles for durable paint films\u003c\/li\u003e\n  \u003cli\u003eStorage: reseal cap and keep in cool, dark conditions to preserve paint\u003c\/li\u003e\n  \u003cli\u003eCleanup: use appropriate solvents or odourless alternatives per studio safety\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this transparent orange iron oxide for? Painters who value archival quality, clear transparent colour, and strong tinting power will appreciate this M. Graham formula. It's well suited to portrait and landscape painters looking for warm, non-muddy glazes, artists who prefer solvent-free walnut-oil grounds, and anyone who wants a high-pigment, American-made oil paint for mixing, glazing or subtle underpainting work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint compatible with other oil mediums and varnishes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes and layers well with traditional oil mediums, alkyds and varnishes when you follow fat-over-lean painting practice.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How transparent is this orange iron oxide and what is its lightfast rating?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This colour is transparent and carries a Lightfast rating of I (Excellent), suitable for archival work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253773484369,"sku":"B001JPKPCS","price":32.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-tube-front-transparent-orange-iron-oxide.jpg?v=1791664500"},{"product_id":"m-graham-co-quinacridone-violet-gouache-paint-1-2-oz-artist-grade-high-pigment-matte-finish","title":"M. Graham \u0026 Co. Quinacridone Violet Gouache Paint, 1\/2 oz — Artist-Grade, High-Pigment Matte Finish","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. Quinacridone Violet gouache in a 1\/2-ounce tube is an artist-grade, highly pigmented opaque paint that offers a smooth, matte finish ideal for illustration, fine art, and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade with the same premium pigments used across M. Graham’s oil, acrylic and watercolour lines, this quinacridone violet gouache combines deep tinting strength with exceptional coverage. Formulated with natural Northwest honey and traditional gum arabic, the paint stays moist longer on the palette, flows smoothly from the brush, and resists cracking when dry. Conforming to ASTM D4236, this tube gives professional and serious hobby artists a permanent, vibrant violet that mixes reliably and stays true over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow strong is the colour and how does it behave on the palette?\u003c\/h3\u003e\n\u003cp\u003eQuinacridone violet from M. Graham is formulated for high pigment load and vivid chroma, meaning a little paint goes a long way and mixtures remain lively. The honey binder increases workability, keeping the mass workable on the palette longer than many gouaches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVery high tinting strength for saturated glazes or bold opaques\u003c\/li\u003e\n  \u003cli\u003eSmooth, buttery consistency that spreads evenly without streaking\u003c\/li\u003e\n  \u003cli\u003eHoney and gum arabic preserve moistness and minimize surface cracking\u003c\/li\u003e\n  \u003cli\u003eReliable mixing with whites, blacks, and other pigments for predictable blends\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this 1\/2-ounce tube?\u003c\/h3\u003e\n\u003cp\u003eThis gouache is versatile for paper, illustration board, and mixed-media supports. It performs well both as an opaque layer and combined with transparent media when dry or reworked while still moist.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCold-pressed or hot-pressed watercolour paper for smooth or textured effects\u003c\/li\u003e\n  \u003cli\u003eIllustration board and primed panels for durable, archival pieces\u003c\/li\u003e\n  \u003cli\u003eLayering, scumbling, and flat, even coverage for graphic work\u003c\/li\u003e\n  \u003cli\u003eMixing with inks or watercolour for expanded palettes and effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and safe is the paint for finished artwork?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s gouache uses lightfast pigments and a stable binder system to give artworks lasting colour integrity. The product conforms to ASTM D4236, indicating labeling and safety review appropriate for artist materials.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load reduces need for excessive application and improves permanence\u003c\/li\u003e\n  \u003cli\u003eMatte, non-reflective finish suitable for photography and scanning\u003c\/li\u003e\n  \u003cli\u003eFormulated without chalk or opacifying adulterants for genuine pigment opacity\u003c\/li\u003e\n  \u003cli\u003eManufactured in the USA with transparent ingredient practices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and maintain the tube to get the best performance?\u003c\/h3\u003e\n\u003cp\u003eStore tubes capped, upright if possible, in a cool, dry place to maintain texture and prevent skinning. Because the honey keeps the paint moist longer, you can extend working life on the palette, but unused paint should be capped tightly to avoid drying out.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep caps secured to prevent drying and contamination\u003c\/li\u003e\n  \u003cli\u003eClean tube threads after use to ensure a tight seal\u003c\/li\u003e\n  \u003cli\u003eUse palette boxes or damp palettes for longer open-time when painting outdoors\u003c\/li\u003e\n  \u003cli\u003eReconstitute slightly dried paint with a few drops of water or a gum arabic medium\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who need a compact, professional-quality violet that balances brilliant colour with archival stability will appreciate this 1\/2-ounce tube. It’s an excellent choice for illustrators, designers, fine artists, and plein-air painters who require dense coverage, dependable mixing behavior, and a matte finish that photographs and reproduces well. The modest tube size makes it practical for testing colour mixes, travel palettes, or adding a strong accent colour to a larger set without excess waste.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: artist-quality gouache made with natural Northwest honey and gum arabic\u003c\/li\u003e\n  \u003cli\u003eFinish: opaque, reflective matte ideal for scans and photographs\u003c\/li\u003e\n  \u003cli\u003eUse: suitable alone or with watercolour and mixed media\u003c\/li\u003e\n  \u003cli\u003eOrigin: made in the USA; conforms to ASTM D4236\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham quinacridone violet gouache lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; it uses high-quality pigments for durable colour and conforms to ASTM D4236 for artist materials.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can this gouache be rewet after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; the gum arabic and honey formulation allows reworking with water, though texture may change slightly.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55253912617297,"sku":"B000AIEZXU","price":30.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-quinacridone-violet-front-tube.jpg?v=1791666333"},{"product_id":"m-graham-co-watercolor-paint-quinacridone-rose-1-2-oz-tube-artist-grade-honey-gum-arabic-binder","title":"M. Graham \u0026 Co. watercolour paint Quinacridone Rose 1\/2 oz tube — artist-grade, honey-gum arabic binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Quinacridone Rose 1\/2-ounce watercolour is a highly pigmented artist-grade tube paint made with pure gum arabic and natural blackberry honey for vibrant, smooth washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eM. Graham watercolours combine concentrated pigments with an old-fashioned binding blend—pure gum arabic and natural blackberry honey—to deliver intense colour, easy reactivation, and even, controlled washes. Quinacridone Rose is a modern single-pigment colour prized for its luminous pink-magenta hue, strong tinting power, and excellent mixing behavior. Packed into a convenient 1\/2-ounce tube, this version is ideal for artists who want professional performance, portability, and reliable rewetting from palette or paper.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Quinacridone Rose different from other pinks?\u003c\/h3\u003e\n\n\u003cp\u003eQuinacridone Rose stands out for its clarity, depth, and tinting strength. It leans toward a transparent magenta rather than a chalky pastel, giving intense glazes and clean colour mixing without muddiness. Its single-pigment formula preserves chroma when blended with blues or yellows.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSingle-pigment quinacridone formula for pure, vivid colour.\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength for efficient use and strong glazes.\u003c\/li\u003e\n  \u003cli\u003eTransparent character supports clean layering and luminous washes.\u003c\/li\u003e\n  \u003cli\u003eMixes predictably with other pigments for custom palettes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the honey-gum arabic binder help artists?\u003c\/h3\u003e\n\n\u003cp\u003eThe binder in M. Graham watercolours combines pure gum arabic with natural blackberry honey to keep paint moist and responsive. Honey acts as a natural humectant, slowing drying and preventing paint from hardening in the tube or on the palette, while gum arabic provides adhesion and smooth flow on paper.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eNatural honey helps retain moisture for easier reactivation with water.\u003c\/li\u003e\n  \u003cli\u003ePrevents crusting on palettes and makes tubes usable longer between sessions.\u003c\/li\u003e\n  \u003cli\u003eProduces even, non-grainy washes that spread smoothly across paper.\u003c\/li\u003e\n  \u003cli\u003eMaintains performance in varying studio humidity without additives.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do you use this 1\/2-ounce tube effectively in studio and plein air work?\u003c\/h3\u003e\n\n\u003cp\u003eThe 1\/2-ounce tube balances portability with enough volume for multiple studies or a finished piece. Squeeze a small amount onto a palette and rewet with a brush for immediate use; dilute for delicate glazing or apply more concentrated for saturated accents and details.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCarry the tube for plein air sessions—squeeze out what you need and cap the rest.\u003c\/li\u003e\n  \u003cli\u003eCreate washes by diluting with water for backgrounds and large areas.\u003c\/li\u003e\n  \u003cli\u003eUse thicker applications directly from the tube for vivid highlights and notation marks.\u003c\/li\u003e\n  \u003cli\u003eMix with other M. Graham colours for harmonious palettes and colour shifts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint archival and suitable for professional work?\u003c\/h3\u003e\n\n\u003cp\u003eM. Graham formulates their watercolours with high pigment load and traditional binders that meet professional expectations for permanence and handling. Quinacridone pigments are known for lightfastness and stability, and the manufacturer produces these paints in the USA to consistent quality standards.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eArtist-grade pigment concentration supports archival-quality results.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA under controlled production practices.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard watercolour papers and techniques.\u003c\/li\u003e\n  \u003cli\u003eNo synthetic fillers—delivers pure colour performance and mixing reliability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a highly chromatic pink with professional behavior—suitable for illustrators, botanical painters, fine-art watercolourists, and mixed-media creators who value rewettable, strong pigments in a travel-friendly 1\/2-ounce tube. If you prefer vivid, transparent glazes and easy palette management thanks to natural honey in the binder, this Quinacridone Rose is built for your workflow.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I rewet M. Graham watercolour from the tube?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Squeeze a small amount onto a palette and add a drop of water; the honey binder makes the paint rewet quickly and evenly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Quinacridone Rose lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—quinacridone pigments are generally strong in lightfastness, offering reliable longevity when used on archival paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254038675793,"sku":"B001JPLY4Q","price":31.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-quinacridone-rose-front-tube_288a471b-d903-4dbe-baec-43fb604dd7a5.jpg?v=1791666946"},{"product_id":"m-graham-co-watercolor-paint-tube-hansa-yellow-deep-1-2-oz-honey-bound-rewettable-pigment","title":"M. Graham \u0026 Co. Watercolour Paint Tube, Hansa Yellow Deep 1\/2 oz — Honey-bound, Rewettable Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Hansa Yellow Deep is a professional, honey-bound watercolour in a 1\/2-ounce tube that delivers intense, rewettable pigment for smooth washes and strong glazing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in the USA with a time-honored recipe, this Hansa Yellow Deep watercolour combines high pigment load with pure gum arabic and natural blackberry honey. The honey keeps the paint moist in the tube and on the palette, so colours revive with just a spritz of water. That means dependable rewetting, consistent mixing, and clean, transparent layers that preserve luminosity in traditional watercolour techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Hansa Yellow Deep perform for washes and glazing?\u003c\/h3\u003e\n\u003cp\u003eThis colour offers vibrant tinting strength while remaining easily diluteable for broad, even washes or layered glazes. Its formulation keeps pigments suspended so washes lay down smoothly without hard edges, and multiple transparent layers maintain clarity rather than muddying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for vivid colour with minimal paint\u003c\/li\u003e\n  \u003cli\u003eDilutes to clean, even washes with smooth edges\u003c\/li\u003e\n  \u003cli\u003eRetains transparency for successful glazing and colour mixing\u003c\/li\u003e\n  \u003cli\u003eRequires only water to rewet, aiding layered work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy is the honey binder important for everyday painting?\u003c\/h3\u003e\n\u003cp\u003eThe blackberry honey in M. Graham paints acts as a natural humectant, helping the paint resist hardening in the tube or on the palette. Artists get longer working time and reliable reactivation—just a light mist of water brings the paint back to a workable consistency, which reduces waste and keeps colour consistent session to session.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney prevents premature drying and crusting in tubes and pans\u003c\/li\u003e\n  \u003cli\u003eImproves rewetting—single spritz readies paint quickly\u003c\/li\u003e\n  \u003cli\u003eMaintains smooth handling and brush pickup during longer sessions\u003c\/li\u003e\n  \u003cli\u003eNatural binder with a neutral effect on colour clarity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this tube integrate with palettes, mixing, and travel setups?\u003c\/h3\u003e\n\u003cp\u003eThe 1\/2-ounce metal tube is compact and convenient for studio palettes, plein-air kits, or travel cases. Squeezable metal packaging dispenses controlled amounts for palette wells or mixing pans, and the honey-based formula stays workable without special storage when used responsibly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall 1\/2-ounce tube fits easily into field kits and travel sets\u003c\/li\u003e\n  \u003cli\u003eSqueeze tube allows precise control over amount dispensed\u003c\/li\u003e\n  \u003cli\u003eWorks well in pans, wells, or directly on paper when rewet\u003c\/li\u003e\n  \u003cli\u003eSuitable for both controlled studio mixing and loose plein-air washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat mixing and colour-matching advantages does Hansa Yellow Deep offer?\u003c\/h3\u003e\n\u003cp\u003eHansa Yellow Deep mixes cleanly with other transparent pigments for vivid secondary hues and subtle neutrals. Its strong tinting strength means small amounts adjust value and temperature efficiently, giving artists predictable results in both bold and delicate mixes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong tinting power for efficient colour adjustments\u003c\/li\u003e\n  \u003cli\u003eMixes transparently for bright greens, oranges, and muted earth tones\u003c\/li\u003e\n  \u003cli\u003eConsistent behavior across tints helps with repeatable palettes\u003c\/li\u003e\n  \u003cli\u003eMaintains luminosity when layered over or under other washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Hansa Yellow Deep in a 1\/2-ounce tube is aimed at watercolourists, illustrators, and plein-air painters who value artist-grade pigment strength and dependable rewetting. It's also a smart choice for teachers and students seeking less waste and longer usable paint, plus any artist who prefers natural binders and handcrafted, U.S.-made materials for predictable, archival-quality watercolour work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this watercolour rewet easily after drying on a palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The blackberry honey binder makes the paint rewettable with a light mist of water, restoring usable consistency quickly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Hansa Yellow Deep transparent or opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Hansa Yellow Deep is primarily transparent with strong tinting strength, ideal for clean washes and glazing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254038774097,"sku":"B001JPF5IM","price":31.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-hansa-yellow-deep-front-tube.jpg?v=1791666946"},{"product_id":"m-graham-co-watercolor-paint-tube-transparent-yellow-iron-oxide-1-2-oz-honey-based-gum-arabic-rewettable","title":"M. Graham \u0026 Co. Watercolour Paint Tube — Transparent Yellow Iron Oxide 1\/2 oz, Honey-Based Gum Arabic, Rewettable","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce Transparent Yellow Iron Oxide is a professional-grade watercolour in a rewettable, honey-based tube that delivers deep, transparent washes and exceptional pigment strength.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade with an old-fashioned binder of pure gum arabic and natural blackberry honey, this Transparent Yellow Iron Oxide (33-188) offers vivid, consistent colour that stays workable on the palette and in the tube. The formula’s high pigment load produces clean, even washes without hard edges, making it suitable for glazing, layering, and delicate colour transitions. Made in the USA, the paint is concentrated enough to dilute into long, translucent passages or kept denser for richer midtones and shadows.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this watercolour behave on the paper?\u003c\/h3\u003e\n\n\u003cp\u003eThis pigment lays down as a transparent, warm yellow-brown with smooth flow and minimal granulation, depending on paper and water. It reactivates easily, allowing for corrections and extended blending time compared with many standard watercolours.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eProduces smooth, even washes with no harsh outlines when diluted.\u003c\/li\u003e\n  \u003cli\u003eMaintains strong tinting strength even at high dilution.\u003c\/li\u003e\n  \u003cli\u003eRewlttable formula lets you lift, rework, and blend after drying.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is Transparent Yellow Iron Oxide best for?\u003c\/h3\u003e\n\n\u003cp\u003eIts transparent, earthy hue makes it ideal for glazing, underpainting, natural shadows, and adding subtle warmth to landscapes and portraits. Use it for controlled washes, layering over other pigments, or as a low-intensity shadow colour that won’t overpower nearby hues.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGlazing: builds depth through repeated thin layers.\u003c\/li\u003e\n  \u003cli\u003eUnderpainting: establishes warm tonal foundations for subsequent layers.\u003c\/li\u003e\n  \u003cli\u003eMixing: creates muted browns and warm neutrals with other pigments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the honey-based binder affect handling and storage?\u003c\/h3\u003e\n\n\u003cp\u003eThe inclusion of natural blackberry honey in the binder helps the paint remain moist and responsive on the palette and reduces the tendency to form a hard skin. This means less waste, easier reconstitution with a spritz of water, and longer workable times between sessions.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStays moist longer on the palette than conventional pans.\u003c\/li\u003e\n  \u003cli\u003ePrevents tube or palette paint from hardening quickly.\u003c\/li\u003e\n  \u003cli\u003eA simple spritz of water restores full workability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this watercolour durable and suitable for professional work?\u003c\/h3\u003e\n\n\u003cp\u003eYes — M. Graham’s artist-quality pigments and traditional gum arabic binder produce archival-quality results when used with proper care and archival paper. The strong pigment concentration ensures good permanence and predictable mixing behavior for studio or plein-air practice.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong coverage and reliable mixing.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-grade materials.\u003c\/li\u003e\n  \u003cli\u003eCompatible with all traditional watercolour techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a dependable, professional watercolour with excellent rewetting properties and strong tinting power will appreciate M. Graham Transparent Yellow Iron Oxide. It’s well suited for illustrators, plein-air painters, landscape artists, and anyone who values smooth washes, easy lifting, and pigments that blend predictably. Choose the 1\/2-ounce tube when you want a portable, concentrated supply that keeps working session after session.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I reactivate this watercolour after it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-based formula reactivates easily with a spritz of water, restoring full working consistency.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Transparent Yellow Iron Oxide suitable for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its transparency and strong tinting strength make it excellent for glazing and layered colour work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254038872401,"sku":"B001JPOZCY","price":31.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-transparent-yellow-iron-oxide-front-tube.jpg?v=1791666947"},{"product_id":"m-graham-co-phthalo-blue-1-2-oz-artist-grade-watercolor-tube-highly-pigmented-honey-gum-arabic-binder","title":"M. Graham \u0026 Co. Phthalo Blue 1\/2 oz Artist-Grade Watercolour Tube — Highly Pigmented, Honey \u0026 Gum Arabic Binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Phthalo Blue 1\/2-ounce watercolour is an artist-grade, highly pigmented tube paint bound with pure gum arabic and natural blackberry honey for smooth, rewettable washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Phthalo Blue from M. Graham \u0026amp; Co. delivers vivid colour strength and reliable handling for traditional watercolour techniques. Formulated with an old‑style binder of gum arabic and real blackberry honey, the paint resists hardening in the tube or on the palette and reactivates easily with a touch of water. The concentrated pigment allows broad, even washes, crisp glazing, and intense mixing properties while remaining easy to dilute for delicate transparencies.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint perform for transparent washes and glazing?\u003c\/h3\u003e\n\u003cp\u003ePhthalo Blue provides strong tinting power that stretches easily into clean, luminous washes without creating streaks or hard edges when applied wet. Its high pigment load and honey binder keep washes fluid and forgiving, allowing multiple transparent layers for deepening colour or subtle glazing effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces even, streak‑free single washes\u003c\/li\u003e\n  \u003cli\u003eBuilds smooth glazed layers without lifting previous passages\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity even when heavily diluted\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the tube paint stay soft on the palette and in storage?\u003c\/h3\u003e\n\u003cp\u003eThe inclusion of natural blackberry honey in the binder helps the paint retain moisture, slowing the tendency to skin over or harden in the tube compared with drier formulations. When left on the palette, the paint remains rewettable with a light spritz, making it practical for session work and longer painting periods.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney attracts moisture, reducing crusting\u003c\/li\u003e\n  \u003cli\u003eEasy to revive with water — no scraping needed\u003c\/li\u003e\n  \u003cli\u003eTube format preserves colour intensity for storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow versatile is Phthalo Blue for mixing and colour range?\u003c\/h3\u003e\n\u003cp\u003ePhthalo Blue is a high‑strength cool blue that mixes cleanly with other pigments to produce vivid greens, deep indigo shades, and subtle neutrals when paired with warm colours. Its tinting strength means a little goes a long way, offering economical use and predictable mixing behavior for palettes focused on colour control.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates bright turquoise and sap greens with yellows\u003c\/li\u003e\n  \u003cli\u003eYields deep blue‑greens and near‑black mixes with earth tones\u003c\/li\u003e\n  \u003cli\u003eConcentrated pigment provides long lasting value\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the handling and application tips for best results?\u003c\/h3\u003e\n\u003cp\u003eUse soft, water‑holding brushes and work on properly sized paper to maximize the paint's clarity and flow. Because the paint is strongly pigmented, start with small amounts on the brush, and add water gradually for the desired transparency; for stronger chroma, apply fewer, denser layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpritz palette or paint lightly to reactivate\u003c\/li\u003e\n  \u003cli\u003eThin with water for transparent effects, use less for saturated colour\u003c\/li\u003e\n  \u003cli\u003eWork on 100% cotton or high‑quality watercolour paper for optimal pigment lift and bloom control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham Phthalo Blue 1\/2‑ounce tube is aimed at watercolourists who want artist‑grade pigment performance with user‑friendly handling: illustrators and plein‑air painters who need durable, rewettable colour; studio artists who value strong mixing power; and educators or students seeking reliable tubes that resist hardening. Made in the USA, this honey‑bound watercolour sits well in professional palettes where vivid, controllable blues are required.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does M. Graham watercolour tube harden in the tube?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The natural blackberry honey binder helps prevent hardening; tubes stay workable and are easily rewettable with water.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Phthalo Blue good for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — its high pigment concentration and clean mixing properties make it excellent for layered glazes and deepening washes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254040379729,"sku":"B001JPH5TO","price":31.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-phthalo-blue-front-of-tube.jpg?v=1791666989"},{"product_id":"m-graham-co-artist-oil-paint-dioxazine-purple-1-25oz-tube-walnut-oil-rich-pigment-high-tinting-strength","title":"M. Graham \u0026 Co. Artist Oil Paint Dioxazine Purple 37 ml tube — walnut-oil, rich pigment \u0026 high tinting strength","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint in Dioxazine Purple (1.25oz \/ 37ml) is a richly pigmented, walnut-oil-based artist oil paint prized for deep violet saturation and smooth handling.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description explains what makes this Dioxazine Purple distinct: M. Graham formulates each colour in small batches using pure artist pigments dispersed in cold-pressed American walnut oil, not solvents or extenders. The walnut oil base lets the paint carry more pigment, delivering intense colour, excellent tinting strength and a cleaner drying profile than many traditional linseed-oil paints. The result is a transparent, highly workable purple with impressive depth and mixing reliability that remains compatible with conventional oil mediums and varnishes.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose Dioxazine Purple for my palette?\u003c\/h3\u003e\n\u003cp\u003eDioxazine Purple provides a deep, cool violet that reads strong in mixtures and glazes. Its high tinting strength and transparency make it ideal for creating luminous shadows, vivid florals and dramatic colour accents without muddiness. The pigment’s intensity helps you achieve saturation with smaller amounts of paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDeep, concentrated purple with high colour saturation\u003c\/li\u003e\n  \u003cli\u003eTransparent behavior for glazing and layered techniques\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength — stretches farther when mixing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the walnut oil base affect handling and aging?\u003c\/h3\u003e\n\u003cp\u003eWalnut oil alters the paint’s performance compared with linseed oil: it’s less prone to yellowing and supports higher pigment loading for richer colour. The paint remains buttery and easy to blend, with a slower but cleaner drying process. Because it’s solvent-free, the feel at the brush is smoother and less brittle over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-yellowing walnut oil keeps colours clearer as they age\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment load yields stronger, more luminous layers\u003c\/li\u003e\n  \u003cli\u003eSlow drying time gives extended working time for blending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this with other oils, mediums, or varnishes?\u003c\/h3\u003e\n\u003cp\u003eM. Graham Dioxazine Purple is fully intermixable and compatible with standard oil paints, varnishes and mediums, including alkyd-based products. Whether you’re glazing, scumbling or fat-over-lean layering, it integrates reliably into traditional and modern oil workflows. Always follow fat-over-lean principles and test ratios when using faster-drying alkyds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with other oil colours and varnishes\u003c\/li\u003e\n  \u003cli\u003eWorks with alkyd mediums for accelerated drying when needed\u003c\/li\u003e\n  \u003cli\u003eSuitable for glazing, layering, scumbling and impasto techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical attributes should artists expect from this tube?\u003c\/h3\u003e\n\u003cp\u003eThe 1.25oz (37ml) tube is hand-mixed in small batches to ensure pigment clarity and consistency. Expect a transparent hue with a Lightfast rating II (Very Good), excellent tinting power, solvent-free formulation and proudly made in the USA. The consistency is ideal for brush or palette-knife application and for artists who value archival approaches without adulterants.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 1.25oz \/ 37ml tube — convenient for studio or travel\u003c\/li\u003e\n  \u003cli\u003eLightfastness: Rating II (Very Good); transparent\u003c\/li\u003e\n  \u003cli\u003eMade with pure pigments, no extenders; solvent-free walnut oil vehicle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? This Dioxazine Purple is aimed at painters who want a high-pigment, archival-quality violet that mixes cleanly and maintains brilliance over time. Ideal for professional artists, advanced students, illustrators and anyone working with glazing, portraiture, landscapes, abstract colour studies or mixed media oil work. If you prioritize strong colour payoff, buttery handling and a non-yellowing oil binder, this M. Graham tube is built to perform in both studio and plein-air settings.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment loads for stronger, more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eColours retain clarity and avoid discoloration associated with drying oils\u003c\/li\u003e\n  \u003cli\u003eLightfast rating II Very Good; slow drying time; transparent\u003c\/li\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Dioxazine Purple compatible with linseed-oil paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with linseed-oil paints and common varnishes; follow fat-over-lean layering practices.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How lightfast and transparent is this colour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Lightfastness is rated II (Very Good) and the colour is transparent, suited for glazing and deep mixes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254041493841,"sku":"B0044TR4KW","price":30.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-dioxazine-purple-front-tube.jpg?v=1791667037"},{"product_id":"m-graham-co-quinacridone-violet-watercolor-tube-1-2-oz-highly-pigmented-honey-gum-binder","title":"M. Graham \u0026 Co. Quinacridone Violet Watercolour Tube 1\/2 oz — Highly Pigmented, Honey-Gum Binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Quinacridone Violet is an artist-quality, highly pigmented 1\/2-ounce watercolour tube bound with pure gum arabic and natural blackberry honey for smooth, luminous washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis professional watercolour offers vivid, lightfast quinacridone violet pigment in a small, easy-to-squeeze tube that keeps colour fresh and workable. M. Graham \u0026amp; Co. uses a traditional formulation that blends exceptional pigment load with a honey-enriched binder; the result is a paint that reactivates with a simple spritz of water, resists hardening in the tube or on the palette, and delivers even, controllable washes suited to many painting techniques.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Quinacridone Violet from M. Graham different from other watercolours?\u003c\/h3\u003e\n\n\u003cp\u003eThe difference lies in pigment concentration and the binding medium. M. Graham packs more pigment into each tube and uses pure gum arabic with natural blackberry honey, which increases workability and shelf life without synthetic additives. You’ll see cleaner, more saturated colour and fewer hard edges when rewetting dried paint.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for intense, vibrant colour\u003c\/li\u003e\n  \u003cli\u003eHoney in the binder prevents skinning and prolongs usability\u003c\/li\u003e\n  \u003cli\u003eProduces smooth, even washes and gradual granulation where desired\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint perform for transparent glazes and layered washes?\u003c\/h3\u003e\n\n\u003cp\u003eQuinacridone Violet is ideal for layered, transparent work because it dilutes predictably and keeps clarity even at multiple passages. The paint’s strength means you can achieve luminous glazes with very little pigment while still obtaining deep, saturated tones when applied more opaquely.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHighly controllable dilution for subtle glazing\u003c\/li\u003e\n  \u003cli\u003eRetains chroma in thin washes and richer tones when concentrated\u003c\/li\u003e\n  \u003cli\u003eReactivates easily for lifting and softening edges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do you store and reactivate the paint for best results?\u003c\/h3\u003e\n\n\u003cp\u003eStore the tube capped in a cool, dry place away from direct sunlight to preserve pigment and binder integrity. If paint skins on the palette, a light mist of water or a drop of glycerin reactivates it quickly; the honey content helps prevent complete hardening so less rehydration is needed than with many other brands.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKeep tube sealed when not in use to prevent drying\u003c\/li\u003e\n  \u003cli\u003eSplash or mist water to rewet palette paint—no scraping required\u003c\/li\u003e\n  \u003cli\u003eMade in the USA using a traditional honey-gum arabic binder formula\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this tube watercolour?\u003c\/h3\u003e\n\n\u003cp\u003eThis formulation suits traditional watercolour paper, mixed-media paper, and prepared surfaces compatible with water-based pigments. Its versatility supports wet-on-wet blending, detailed wet-on-dry work, and lifting or glazing techniques, making it useful for both sketchbook studies and finished pieces.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWorks on cold-press and hot-press watercolour paper for different textures\u003c\/li\u003e\n  \u003cli\u003eExcellent for wet-on-wet, lifts, and controlled wet-on-dry details\u003c\/li\u003e\n  \u003cli\u003eSmall 1\/2-ounce tube is convenient for travel and limited-palette sets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a professional-grade quinacridone violet with strong tinting power and easy reactivation will appreciate this M. Graham 1\/2-ounce tube. It’s well suited to illustrators, plein air painters, students advancing to higher-quality materials, and anyone who prefers a honey-bound, historically minded watercolour formula that stays workable on the palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Quinacridone Violet lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This artist-grade quinacridone pigment offers good lightfastness suitable for archival artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I rewet the paint after it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-gum arabic binder reactivates with a spritz of water, making rewetting easy.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254044934481,"sku":"B001JPK02I","price":31.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-quinacridone-violet-front-packaging.jpg?v=1791667228"},{"product_id":"m-graham-co-artists-watercolor-paint-anthraquinone-blue-15ml-honey-gum-binder-luminous-rewettable-washes","title":"M. Graham \u0026 Co. Artists' Watercolour Paint Anthraquinone Blue 15ml — honey-gum binder, luminous rewettable washes","description":"\u003cstrong\u003eM. Graham Artists' Watercolour in Anthraquinone Blue is an artist-grade 15ml tube that delivers intense, blendable colour suspended in a honey-and-gum arabic binder.\u003c\/strong\u003e\n\n\u003cp\u003eEngineered for painters who value clean, luminous washes and dependable rewetting, this Anthraquinone Blue offers high pigment load and a smooth, non-gritty laydown. M. Graham uses real blackberry honey in its traditional binder to retain moisture, prevent hardening, and produce even, controllable washes that respond well to lifting and glazing. The 15ml aluminium tube holds a concentrated, creamy watercolour that dilutes without mudding and keeps its chroma across light to dark values.\u003c\/p\u003e\n\n\u003ch3\u003eHow vivid and lightfast is Anthraquinone Blue for layered watercolour work?\u003c\/h3\u003e\n\u003cp\u003eThis pigment provides strong tinting strength and clear, saturated colour that holds through multiple glazes. While individual lightfastness varies by pigment, Anthraquinone Blue is prized for maintaining visual depth when stacked in thin or broad applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for deep, even colour\u003c\/li\u003e\n  \u003cli\u003eRetains transparency for layered glazing\u003c\/li\u003e\n  \u003cli\u003eFlows smoothly for gradient and wet-on-wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy does M. Graham use honey in the binder, and how does that affect use?\u003c\/h3\u003e\n\u003cp\u003ePure blackberry honey replaces some synthetic additives to keep the paint moist and workable longer on palettes and in tubes. The hygroscopic nature of honey helps the paint rehydrate with a simple spritz, eliminating frequent scraping or waste from dried lumps.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrevents hardening on palette and in tube\u003c\/li\u003e\n  \u003cli\u003eEasier rewetting—ready after a light mist of water\u003c\/li\u003e\n  \u003cli\u003eMaintains creamy consistency for smooth brush contact\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich painting techniques benefit most from this 15ml Anthraquinone Blue?\u003c\/h3\u003e\n\u003cp\u003eIts versatility suits detailed illustration, transparent glazing, and loose, expressive washes equally well. The paint dilutes predictably for delicate washes and concentrates to produce rich, deep passages without breaking or muddiness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet-on-wet for soft, diffused backgrounds\u003c\/li\u003e\n  \u003cli\u003eLayered glazing for luminous colour shifts\u003c\/li\u003e\n  \u003cli\u003eDetailing and line work when used more concentrated\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical attributes should artists expect from this tube?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml aluminium tube is portable and protects pigment integrity while the honey-gum arabic formula minimizes surface cracking and graininess. Made in the USA, each tube is designed for longevity and consistent colour performance from the first squeeze to the last.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e15ml size for travel, study, or studio use\u003c\/li\u003e\n  \u003cli\u003eAluminium tube preserves freshness and prevents contamination\u003c\/li\u003e\n  \u003cli\u003eEasy to mix on palette; strong rewetting behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThis Anthraquinone Blue 15ml tube from M. Graham is ideal for watercolourists seeking a reliable, highly pigmented blue that blends, glazes, and rehydrates effortlessly. Whether you sketch outdoors, build layered illustrations in the studio, or practice academic washes, this paint offers dependable handling and luminous results without heavy additive residues. If you want a concentrated, artist-grade blue in a travel-friendly tube that resists hardening and stays true through dilution, this product fits those needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this watercolour tube dry out on my palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Unlikely—M. Graham's honey-based binder helps retain moisture; a light spritz reactivates the paint quickly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 15ml size suitable for professional use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 15ml tube is concentrated and ideal for travel, studies, or supplementing a studio palette.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254045065553,"sku":"B001JPKPV4","price":31.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-anthraquinone-blue-front-tube.jpg?v=1791667229"},{"product_id":"m-graham-co-artist-oil-paint-transparent-red-iron-oxide-1-25oz-37ml-tube-walnut-oil-high-pigment","title":"M. Graham \u0026 Co. Artist Oil Paint Transparent Red Iron Oxide 1.25oz (37ml) Tube — Walnut Oil, High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. Transparent Red Iron Oxide is a richly pigmented, walnut-oil-based artist oil paint that delivers deep, transparent red-brown colour with exceptional clarity and permanence.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 1.25oz (37ml) tube contains an artist-quality transparent red iron oxide made in small batches from pure pigments and non-yellowing American walnut oil. By relying on walnut oil rather than solvent extenders, the formula achieves higher pigment load for stronger saturation, finer immediacy in handling, and clean drying that preserves chroma. The paint mixes readily with other oils, varnishes, and alkyd mediums and is formulated to remain compatible in professional oil painting workflows.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this transparent red oxide different from other oil paints?\u003c\/h3\u003e\n\n\u003cp\u003eThe distinguishing factor is the base: M. Graham uses cold-pressed American walnut oil, which stays clearer as it cures compared with many traditional drying oils. That clarity lets the pigment’s natural depth and warmth show through without muddying or excessive yellowing over time. The company also avoids extenders, so you get a higher pigment-to-oil ratio for greater tinting strength.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWalnut oil binder reduces yellowing and keeps colour clarity\u003c\/li\u003e\n  \u003cli\u003eHigher pigment concentration for richer, more saturated colour\u003c\/li\u003e\n  \u003cli\u003eMade in small batches for consistent mixing and handling\u003c\/li\u003e\n  \u003cli\u003eTransparent hue retains depth in glazes and mixes well\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint behave in practical studio techniques?\u003c\/h3\u003e\n\n\u003cp\u003eTransparent Red Iron Oxide is especially useful for glazing, underpainting, and warm shadow passages because its transparency maintains luminous layers. The paint has a buttery, easily worked consistency straight from the tube and responds predictably to brush and palette-knife work. It also dries at a practical rate and remains compatible with varnishes and alkyd mediums.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eButtery texture for smooth blending and brushwork\u003c\/li\u003e\n  \u003cli\u003eIdeal for thin glazes and transparent layering\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other oils without separation\u003c\/li\u003e\n  \u003cli\u003eFast-drying relative to some heavy-bodied oils, while stable when cured\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this colour durable and archival for finished works?\u003c\/h3\u003e\n\n\u003cp\u003eYes — the paint is formulated with lightfast pigments rated I (Excellent), and the walnut oil binder is chosen for its non-yellowing properties. Because no extenders or adulterants are used, the pigment remains concentrated and stable, ensuring long-term colour integrity when painted and varnished according to standard oil painting practices.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLightfastness: I (Excellent)\u003c\/li\u003e\n  \u003cli\u003eTransparent, permanent iron oxide pigments\u003c\/li\u003e\n  \u003cli\u003eCompatible with common oil painting varnishes and media\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with archival-quality materials\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this walnut-oil paint for best results?\u003c\/h3\u003e\n\n\u003cp\u003eFor maximum longevity, store the tube in a cool, dry place away from direct heat and light and seal the cap after each use. Use sparingly for glaze work or build up in thin layers; avoid excessively thick impastos if you want uniform drying. When combining with other products, test compatibility first — the paint is compatible with most oils and alkyds, but ratios affect drying time and sheen.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStore capped in a cool, dark environment\u003c\/li\u003e\n  \u003cli\u003eApply in thin layers for glazes or moderately thicker for body colour\u003c\/li\u003e\n  \u003cli\u003eTest mixes when adding alkyds or varnishes to adjust drying time\u003c\/li\u003e\n  \u003cli\u003eClean brushes with appropriate solvents per studio safety guidelines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Professional and dedicated hobby artists who want a high-pigment, transparent red-brown with strong tinting strength and archival stability. It’s especially well suited to painters who work in glazing, layered techniques, realist shadow work, or anyone who prefers walnut-oil binders for clearer, less yellowing results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Transparent Red Iron Oxide compatible with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with alkyds and other oil mediums, but test small mixes to adjust drying and sheen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the drying behavior of this walnut-oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It dries comparably fast for walnut-oil paints; thin layers dry quicker while very thick applications take longer.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254056436049,"sku":"B001JPMULC","price":32.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-transparent-red-iron-oxide-front-tube_3992d2d5-fdec-4c3b-9116-3150dbdb7199.jpg?v=1791667556"},{"product_id":"m-graham-co-artist-oil-paint-quinacridone-violet-37ml-tube-walnut-oil-high-pigment","title":"M. Graham \u0026 Co. Artist Oil Paint Quinacridone Violet 37ml Tube — Walnut Oil, High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Quinacridone Violet is an artist-quality, highly pigmented oil paint in a 1.25oz (37ml) tube made with pure walnut oil for vivid, durable colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description highlights a transparent, brilliant quinacridone violet formulated in small batches by M. Graham \u0026amp; Co. The paint uses finely ground artists’ pigments dispersed in non-yellowing American walnut oil, giving greater pigment load and colour clarity compared with many traditional linseed-oil paints. Compatible with common oil painting mediums, varnishes and alkyd products, this colour performs smoothly on primed surfaces and mixes cleanly with other oils for a wide range of hues.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this quinacridone violet perform on the palette?\u003c\/h3\u003e\n\u003cp\u003eThis violet is made for lively mixing and direct application: it has strong tinting power, a transparent character, and a buttery working consistency due to the walnut oil binder. It spreads smoothly, holds brush marks well, and retains chroma without the yellowing associated with some drying oils.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for intense, saturated mixes\u003c\/li\u003e\n  \u003cli\u003eTransparent staining quality ideal for glazes and layering\u003c\/li\u003e\n  \u003cli\u003eModerate drying time that allows blending and adjustments\u003c\/li\u003e\n  \u003cli\u003eSoft, buttery consistency for both brush and palette-knife work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes walnut oil different from other oil paint binders?\u003c\/h3\u003e\n\u003cp\u003eWalnut oil is a non-yellowing, naturally drying oil that keeps colours cleaner over time compared with many linseed formulations. By using walnut oil, M. Graham increases pigment loading, so each stroke reads richer while maintaining long-term stability and clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLess tendency to yellow, preserving cool and saturated purples\u003c\/li\u003e\n  \u003cli\u003eEnables higher pigment-to-oil ratios for stronger chroma\u003c\/li\u003e\n  \u003cli\u003eFully compatible with traditional oil mediums and varnishes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can artists use Quinacridone Violet in their work?\u003c\/h3\u003e\n\u003cp\u003eQuinacridone violet is a versatile colour for glazing, glazing-over-opaque passages, creating deep shadows, or achieving luminous colour blends. Its transparency and tinting strength make it especially effective for atmospheric colour, cool shadows, florals, and vibrant mixes when paired with warmer reds or blues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for transparent glazes and layered colour depth\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with ultramarine, alizarin, and warm reds\u003c\/li\u003e\n  \u003cli\u003eGreat for expressive brushwork, details, and tonal shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint permanent and safe for archival work?\u003c\/h3\u003e\n\u003cp\u003eM. Graham’s Quinacridone Violet carries a Lightfast rating of I (Excellent) and is formulated without extenders or adulterants to maintain permanence. The walnut-oil vehicle dries to a stable film while keeping pigments vivid and reliable for long-term preservation under normal archival conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: I (Excellent) for lasting colour fidelity\u003c\/li\u003e\n  \u003cli\u003eNo extenders—high pigment purity and saturation\u003c\/li\u003e\n  \u003cli\u003eMade in the USA in small batches for quality control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Professional and serious hobbyist oil painters seeking a clear, vividly pigmented quinacridone violet will appreciate this 1.25oz tube. It suits artists who want deeper chroma from each stroke, cleaner glazing colours that resist yellowing, and a paint that mixes predictably with other oils and alkyd mediums. If you prioritize archival properties, strong tinting strength and a buttery working feel, this M. Graham \u0026amp; Co. quinacridone violet is built for studio use and finished work intended to retain visual intensity over time.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This walnut-oil paint is compatible with alkyds, varnishes and traditional oil mediums for varied drying times and finishes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How quickly does it dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Drying is moderate—fast enough for layering in days but slow enough for extended blending and manipulation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254143369553,"sku":"B001JPH60W","price":31.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-quinacridone-violet-tube-front.jpg?v=1791669721"},{"product_id":"m-graham-co-artist-oil-paint-ultramarine-blue-1-25oz-37ml-walnut-oil-high-pigment","title":"M. Graham \u0026 Co. Artist Oil Paint Ultramarine Blue 1.25oz (37ml) — Walnut-Oil, High Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint in Ultramarine Blue (1.25 oz \/ 37 ml) is a richly pigmented, walnut-oil–based ultramarine designed for painters who want deep, brilliant blue with excellent handling and permanence.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMade in small batches in the USA, this Ultramarine Blue is formulated from pure artist-grade pigments and suspended in non-yellowing American walnut oil. The walnut oil vehicle lets M. Graham push pigment load higher than many conventional linseed-based oils, producing stronger colour saturation, improved tinting strength, and a clarity that stays true as the paint dries. The paint is free of extenders and unnecessary additives, mixes readily with other oils and varnishes, and works well with modern alkyd media.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Ultramarine Blue perform on the brush and canvas?\u003c\/h3\u003e\n\u003cp\u003eThe paint offers a smooth, buttery consistency that responds well to brushwork and palette-knife techniques. It levels without stickiness and retains brush marks when desired, making it versatile across expressive and detailed approaches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery, easy-to-spread texture for controlled strokes.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour with minimal layering.\u003c\/li\u003e\n  \u003cli\u003eGood body for impasto and fine glazing when thinned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes M. Graham’s walnut-oil formula different from other oils?\u003c\/h3\u003e\n\u003cp\u003eWalnut oil is less prone to yellowing than many drying oils, which helps preserve the original hue over time. Because it accepts a larger pigment load, the result is a paint film with intense chroma and improved longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-yellowing walnut oil maintains clarity of cool blues.\u003c\/li\u003e\n  \u003cli\u003eHigher pigment-to-oil ratio increases brilliance and tinting power.\u003c\/li\u003e\n  \u003cli\u003eCompatible with linseed, poppy, and alkyd-based mediums and varnishes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and lightfast is this ultramarine colour?\u003c\/h3\u003e\n\u003cp\u003eThis Ultramarine Blue has an Excellent (I) lightfastness rating and is made from stable artist pigments. When applied and varnished according to standard oil-paint practices, it maintains colour integrity and resists fading under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfast rating: I (Excellent) for archival stability.\u003c\/li\u003e\n  \u003cli\u003eTransparent character ideal for glazing and layering techniques.\u003c\/li\u003e\n  \u003cli\u003eFree from extenders or adulterants that can reduce permanence.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it mix with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eUltramarine Blue from M. Graham mixes cleanly with other oil colours, offering predictable shifts in temperature and value for custom mixing. It can be thinned with walnut oil, refined solvents, or blended with alkyd mediums for faster drying without compromising colour strength.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixes smoothly with all oil colours for consistent chroma.\u003c\/li\u003e\n  \u003cli\u003eWorks with varnishes and alkyds to adjust drying time and finish.\u003c\/li\u003e\n  \u003cli\u003eIdeal for creating deep shadows, muted tones, and vibrant skies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Professional and dedicated hobbyist painters seeking a premium ultramarine with superior colour intensity, reliable lightfastness, and a responsive handling quality. It’s particularly suited to artists who prefer solvent-free, walnut-oil vehicles and those who want stronger pigment loads for richer glazing, bold impasto, or precise colour mixing.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures at a glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist quality oil paint made with walnut oil, solvent free\u003c\/li\u003e\n  \u003cli\u003eIncreased pigment loads for stronger more vibrant colours\u003c\/li\u003e\n  \u003cli\u003eColours retain their clarity and are free from the discoloration associated with drying oils\u003c\/li\u003e\n  \u003cli\u003eLightfast rating I Excellent; Moderate drying time; Transparent\u003c\/li\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Ultramarine Blue compatible with linseed oil?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes with linseed and other oil mediums, though walnut oil vehicle preserves clarity better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the lightfastness of this ultramarine?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This Ultramarine Blue carries an Excellent (I) lightfast rating, indicating high colour permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254143336785,"sku":"B001JPF4L0","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-ultramarine-blue-front-tube_33022a4b-a472-4761-96c1-0cc68140bde8.jpg?v=1791669721"},{"product_id":"m-graham-co-oil-paint-terra-rose-venetian-1-25-oz-walnut-oil-studio-grade-high-pigment","title":"M. Graham \u0026 Co. oil paint Terra Rose Venetian 37 ml — walnut-oil, studio-grade, high pigment","description":"\u003cstrong\u003eM. Graham Terra Rose Venetian is a richly pigmented, walnut-oil based artist oil paint in a 1-1\/4-ounce tube designed for lasting clarity, smooth handling, and reliable mixing.\u003c\/strong\u003e\n\n\u003cp\u003eThis single-tube description focuses on the Venetian Terra Rose from M. Graham \u0026amp; Co., a studio-grade oil colour made with pure artists' pigments and dispersed in non-yellowing American walnut oil. Each colour is mixed one batch at a time to preserve pigment strength and transparency, producing a hue prized for its depth and subtle warmth. The formula avoids extenders or fillers, giving artists a concentrated, archival colour that performs predictably with traditional oil mediums and alkyds.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Terra Rose feel and behave while I paint?\u003c\/h3\u003e\n\u003cp\u003eThe walnut-oil vehicle makes the paint glide smoothly without the heavy tack of some linseed oils, providing a buttery consistency that maintains brushstroke definition. It levels well for glazing and also supports impasto when applied thickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery, easy-to-spread consistency for smooth blends\u003c\/li\u003e\n  \u003cli\u003eControls brush marks while still accepting texture\u003c\/li\u003e\n  \u003cli\u003eDries steadily without excessive yellowing over time\u003c\/li\u003e\n  \u003cli\u003eConcentrated pigment load minimizes need for extenders\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this paint archival and compatible with my existing materials?\u003c\/h3\u003e\n\u003cp\u003eM. Graham uses pure artists' pigments and natural walnut oil, creating a permanent paint film with minimal additives. The absence of extenders and adulterants reduces unpredictable aging, and the paint is intermixable with traditional oils, varnishes, and alkyd mediums.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments only — no artificial extenders included\u003c\/li\u003e\n  \u003cli\u003eNon-yellowing American walnut oil helps colour retain clarity\u003c\/li\u003e\n  \u003cli\u003eFully compatible with linseed-oil paints, varnishes, and alkyds\u003c\/li\u003e\n  \u003cli\u003eProduced in small batches for consistent archival quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will this colour perform in mixing and finished work?\u003c\/h3\u003e\n\u003cp\u003eTerra Rose Venetian offers a warm, earthy rose that blends cleanly into neutrals and can enrich flesh tones, landscapes, and muted accents. Its strong pigment concentration yields predictable mixing results without becoming chalky or washed out.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly to create richer midtones and muted greys\u003c\/li\u003e\n  \u003cli\u003eHolds chroma when combined with other high-pigment colours\u003c\/li\u003e\n  \u003cli\u003eGood for glazes, scumbles, and subtle shifts in temperature\u003c\/li\u003e\n  \u003cli\u003eExcellent for achieving transparent layers and deep undertones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the paint delivered and what practical details should I know?\u003c\/h3\u003e\n\u003cp\u003eThe product comes in a 1-1\/4-ounce metal tube, sealed to preserve freshness and make portioning easy. Store in a cool, dry place; a tight cap prevents skinning and prolongs usability between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e1.25-ounce (approx.) metal tube for studio or plein-air use\u003c\/li\u003e\n  \u003cli\u003ePackaged to protect pigment and oil quality in storage\u003c\/li\u003e\n  \u003cli\u003eUse without solvents for a traditional walnut-oil system\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with small-batch manufacturing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: M. Graham Terra Rose Venetian is suited to professional and advanced amateur painters who want an archival, highly pigmented oil colour with refined handling. It's a good choice for portraitists, landscape painters, and studio artists who prefer solvent-free walnut-oil formulas and demand reliable mixing behavior and lasting colour clarity.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Terra Rose Venetian permanent and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Made from pure artists' pigments in non-yellowing walnut oil, it’s formulated for permanence and long-term colour stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this paint with linseed-oil or alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with traditional linseed-based oils, varnishes, and alkyd mediums without compatibility issues.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254143435089,"sku":"B001JPF4ZQ","price":32.32,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-terra-rose-venetian-front-tube.jpg?v=1791669720"},{"product_id":"m-graham-co-artist-oil-paint-phthalo-blue-1-25oz-37ml-high-pigment-walnut-oil-transparent-glazing-blue","title":"M. Graham \u0026 Co. Artist Oil Paint Phthalo Blue 1.25oz (37ml) — high‑pigment walnut‑oil, transparent glazing blue","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Artist Oil Paint Phthalo Blue in a 1.25oz (37ml) tube is a high-pigment, walnut-oil based artist oil paint offering intense, transparent phthalo blue with excellent clarity and permanence.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eM. Graham formulates this phthalo blue in small batches using pure artists’ pigments dispersed in non-yellowing American walnut oil. Without extenders or fillers, the paint achieves higher pigment concentration than many conventional linseed-based oils, resulting in vivid saturation, strong tinting strength, and a smooth, buttery handling character. The paint is fully compatible with standard oil mediums, varnishes and alkyds, and its transparent nature makes it ideal for glazing, layering, and mixing to achieve deep, clean blues.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint perform on the palette and in application?\u003c\/h3\u003e\n\u003cp\u003ePhthalo Blue from M. Graham is formulated to be easy to work with straight from the tube, offering a creamy consistency that spreads evenly and mixes cleanly. It opens well for blending, retains brushstrokes when desired, and lays down transparent, high-chroma colour for glazes or underpainting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eButtery, smooth consistency for controlled application and blending.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load gives intense colour with fewer strokes.\u003c\/li\u003e\n  \u003cli\u003eTransparent character suitable for glazing and layered techniques.\u003c\/li\u003e\n  \u003cli\u003eSlow drying time allows extended working and soft edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes walnut oil different from linseed in this paint?\u003c\/h3\u003e\n\u003cp\u003eM. Graham uses American walnut oil because it yellows less than many drying oils and allows higher pigment loading without thinning the colour. The result is cleaner, less discolored blues over time and a paint film that shows pigment depth and brilliance more clearly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-yellowing walnut oil preserves true chroma and clarity.\u003c\/li\u003e\n  \u003cli\u003eEnables greater pigment concentration for richer hues.\u003c\/li\u003e\n  \u003cli\u003eSolvent-free formulation improves colour purity on the support.\u003c\/li\u003e\n  \u003cli\u003eCompatible with conventional oil mediums and varnishes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint lightfast and suitable for professional work?\u003c\/h3\u003e\n\u003cp\u003eYes — the phthalo blue pigment in this tube has an I (Excellent) lightfast rating, making it appropriate for archival and professional applications. Its permanence and resistance to discoloration, combined with high tinting power, make it reliable for finished works intended to last.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: I (Excellent) — suitable for long-term display.\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength for vibrant mixes and clean greens when combined with yellows.\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other oils, varnishes, and alkyd products.\u003c\/li\u003e\n  \u003cli\u003eMade in small batches in the USA to maintain consistent quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can artists best use this phthalo blue in their practice?\u003c\/h3\u003e\n\u003cp\u003eThis phthalo blue excels in glazing, skies, and deep shadows where a cool, intense blue is required. Because it’s transparent and strong, use sparingly when mixing whites or lighter colours to avoid overpowering hues; combine with warm earth tones for muted, naturalized blues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for transparent glazing layers over dried underpainting.\u003c\/li\u003e\n  \u003cli\u003eMix with warm pigments to create rich neutrals and shadows.\u003c\/li\u003e\n  \u003cli\u003eUse straight from the tube for vivid accents and saturated passages.\u003c\/li\u003e\n  \u003cli\u003eBlend with walnut- or alkyd-based mediums to adjust flow and drying time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Professional and dedicated hobbyist painters seeking a premium phthalo blue that delivers uncompromised pigment strength, archival lightfastness, and a non-yellowing walnut-oil formulation. It’s especially suited to artists who favor glazing, high-chroma colour work, and those who want paints mixed in small batches for consistent, studio-grade performance.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham phthalo blue compatible with other oil paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes and layers with other oil paints, varnishes, and alkyd mediums without issues.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this paint yellow as it ages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. The walnut-oil base resists yellowing, helping maintain the paint’s original clarity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254147105105,"sku":"B001JPF4HE","price":32.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-phthalo-blue-front-tube.jpg?v=1791669744"},{"product_id":"m-graham-co-watercolor-tube-azo-green-1-2-oz-artist-grade-honey-bound-high-pigment-transparency","title":"M. Graham \u0026 Co. watercolour tube AZO Green 1\/2 oz — artist-grade honey-bound, high-pigment transparency","description":"\u003cp\u003e\u003cstrong\u003eM. Graham AZO Green watercolour in a 1\/2-ounce tube is a highly pigmented, honey‑bound artist paint that gives smooth, vibrant washes and long open time.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in the USA, this artist‑grade watercolour combines generous pigment loads with a traditional gum arabic binder and natural blackberry honey. The formulation keeps paint moist on the palette and in the tube, so you get consistent flow, rich chroma, and easy rewetting. AZO Green is ideal when you need a lively, transparent green with dependable mixing behavior and strong tinting power.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes AZO Green different from student‑grade watercolours?\u003c\/h3\u003e\n\u003cp\u003eAZO Green in this M. Graham formulation uses higher pigment concentration and archival binders, producing clearer colour and better permanence than student lines. The honey additive preserves moisture, preventing skinning and ensuring the paint remains usable with minimal effort.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist‑quality pigment load for intense colour and clean mixes\u003c\/li\u003e\n  \u003cli\u003eGum arabic binder for smooth, even washes without hard edges\u003c\/li\u003e\n  \u003cli\u003eNatural blackberry honey extends working time and prevents hardening\u003c\/li\u003e\n  \u003cli\u003eUseful for glazing, lifting, and layered techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint perform on washes and layering?\u003c\/h3\u003e\n\u003cp\u003eAZO Green dilutes evenly for transparent, controllable washes that dry smoothly without unexpected halos. It retains clarity when layered, allowing you to build depth while keeping underlying colours visible.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEasy dilution for broad, uniform washes\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength for both subtle glazes and vivid mixtures\u003c\/li\u003e\n  \u003cli\u003eNo harsh outlines when rewetting or lifting highlights\u003c\/li\u003e\n  \u003cli\u003eConsistent reactivation with a light spritz of water\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and revive tube watercolour to keep it usable?\u003c\/h3\u003e\n\u003cp\u003eBecause this paint includes natural honey, it resists drying but still benefits from basic care. Store tubes capped and in a cool, dry place; if paint skins on the palette, a few light sprays of water will reconstitute it without losing pigment quality.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep caps tightly closed to prevent contamination\u003c\/li\u003e\n  \u003cli\u003eStore away from direct sunlight and high heat\u003c\/li\u003e\n  \u003cli\u003eSpritz palette or dried paint lightly to reactivate\u003c\/li\u003e\n  \u003cli\u003eSqueeze small amounts onto a ceramic or nonporous palette for best behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques pair well with AZO Green?\u003c\/h3\u003e\n\u003cp\u003eAZO Green works across traditional watercolour methods—wet‑into‑wet, glazing, drybrush, and fine detail—thanks to its balance of flow and control. Its transparency and strength make it excellent for botanical subjects, landscape foliage, and any work needing vivid greens that mix cleanly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet‑into‑wet for soft, natural blends in foliage\u003c\/li\u003e\n  \u003cli\u003eLayered glazes to deepen shadows without muddying mixtures\u003c\/li\u003e\n  \u003cli\u003eDetail work when used with thicker, less‑diluted applications\u003c\/li\u003e\n  \u003cli\u003eMixing with other M. Graham colours for consistent hue shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists who want professional watercolour performance in a compact tube—illustrators, plein air painters, botanical artists, and students pursuing higher quality results. If you value vivid colour, reliable rewetting, and a paint that stays workable on the palette, this 1\/2‑ounce AZO Green by M. Graham is a practical choice for studio or travel use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham AZO Green rewettable after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey‑based formula readily reactivates with a light spritz of water, restoring flow without losing pigment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What surfaces work best with this watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fine‑tooth watercolour papers and nonporous palettes are ideal; it also blends well on mixed‑media papers designed for water techniques.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254185345361,"sku":"B001JPF5FK","price":31.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-azo-green-front-tube.jpg?v=1791670494"},{"product_id":"m-graham-co-watercolor-paint-tube-sap-green-1-2-oz-artist-grade-honey-gum-binder","title":"M. Graham \u0026 Co. Watercolour Paint Tube Sap Green 1\/2 oz — Artist-Grade, Honey-Gum Binder","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Sap Green 1\/2-ounce tube is an artist-quality watercolour made with high pigment load and a natural honey-gum arabic binder for smooth, rewettable washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Sap Green from M. Graham \u0026amp; Co. delivers a vibrant, mixable green that performs reliably across washes, glazes and layered techniques. Formulated with extra pigment suspended in pure gum arabic and natural blackberry honey, the paint stays moist in the tube and on the palette, reactivates easily with a spritz of water and yields even, luminous colour without unwanted hard edges.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Sap Green behave when you dilute it for light washes?\u003c\/h3\u003e\n\u003cp\u003eSap Green thins predictably without losing its hue, allowing translucent washes that maintain colour clarity. Because of its honey-enhanced binder, it spreads evenly and avoids granulation or abrupt hard rims, so you get smooth gradations and controlled glazing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration keeps washes luminous even when heavily diluted\u003c\/li\u003e\n  \u003cli\u003eHoney and gum arabic promote consistent flow and rewetting\u003c\/li\u003e\n  \u003cli\u003eProduces soft edges ideal for skies, foliage layers and subtle blending\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan this watercolour create deep, saturated darks?\u003c\/h3\u003e\n\u003cp\u003eYes—Sap Green builds up to rich, saturated tones when applied more heavily or layered. Its strong tinting strength means a little paint goes a long way for deeper shadows or concentrated colour accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConcentrated pigment supports layering without muddying mixes\u003c\/li\u003e\n  \u003cli\u003eExcellent for glazing to deepen tones progressively\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity when combined with other colours for strong mixtures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes M. Graham's honey-based formula different from other watercolours?\u003c\/h3\u003e\n\u003cp\u003eM. Graham uses natural blackberry honey in place of many synthetic additives, which helps the paint retain moisture and remain workable on the palette or in the tube. This old-fashioned approach preserves flow and rewetting properties for longer periods.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney draws moisture from the air to resist drying out and hardening\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder keeps pigments evenly suspended for smoother washes\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-grade pigments for predictable, archival behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and revive the paint for best results?\u003c\/h3\u003e\n\u003cp\u003eStore the tube tightly capped in a cool, dry place to preserve freshness. If the paint on your palette firms up, a light spritz of water reactivates the honey-bound pigment quickly and restores buttery flow.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep tube sealed to prevent unnecessary drying\u003c\/li\u003e\n  \u003cli\u003eUse a spray bottle to rewet palette lifts without oversaturating paper\u003c\/li\u003e\n  \u003cli\u003eSqueeze small amounts onto a ceramic or plastic palette for easy mixing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham Sap Green 1\/2-ounce tube is suited to watercolourists who want a reliable, mixable green with excellent rewetting properties—from plein air painters who need paint that resists crusting on the palette, to studio artists seeking consistent glazing and strong pigmentation. It’s a good choice for illustrators, fine artists and anyone looking to expand their colour range with an authentic, artist-grade sap green produced in the USA.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Sap Green reactivatable after it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-gum arabic formula reactivates easily with a light spritz of water, restoring flow and colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What size tube is this and where is it made?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This product is a 1\/2-ounce tube made in the USA by M. Graham \u0026amp; Co.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254232858961,"sku":"B001JPLY7S","price":31.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-sap-green-tube-front-packaging.jpg?v=1791671384"},{"product_id":"m-graham-co-peyrelene-maroon-watercolor-tube-1-2-oz-honey-bound-high-pigment-rewettable","title":"M. Graham \u0026 Co. Peyrelene Maroon Watercolour Tube 1\/2 oz — Honey-bound, High-Pigment, Rewettable","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Peyrelene Maroon 1\/2-ounce watercolour is a richly pigmented, honey-bound artist paint that reactivates easily for smooth, even washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered for artists who want vivid, controllable colour, this half-ounce tube of Peyrelene Maroon delivers saturated pigment suspended in a traditional gum arabic binder enriched with natural blackberry honey. The honey helps keep the paint moist in the palette and tube, so a light mist of water restores creamy flow without gritty spots or hard edges. Compatible with conventional watercolour techniques, this formulation is made in the USA and performs well for glazing, layering, and mixed-media work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Peyrelene Maroon behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThe paint lays down as a smooth, even wash with no abrupt halos, allowing for seamless transitions and subtle glazing. It dilutes predictably for pale tints and retains depth when applied more concentrated.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong colour even at thin washes\u003c\/li\u003e\n  \u003cli\u003eHoney binder prevents drying-out and uneven granulation\u003c\/li\u003e\n  \u003cli\u003eConsistent rewetting — mist and reactivate without loss of hue\u003c\/li\u003e\n  \u003cli\u003eWorks well on cold- and hot-press watercolour papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is this tube best suited for?\u003c\/h3\u003e\n\u003cp\u003ePeyrelene Maroon is versatile: use it for flat washes, layered glazing, wet-on-wet blending, or for more controlled wet-on-dry detail work. Its concentrated pigment makes it useful for both transparent layering and richer, near-opaque passages when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet-on-wet for soft, blended backgrounds\u003c\/li\u003e\n  \u003cli\u003eLayered glazes to build colour depth without muddiness\u003c\/li\u003e\n  \u003cli\u003eDetailing and accents with reduced water for strength\u003c\/li\u003e\n  \u003cli\u003eMixing with other M. Graham colours for custom palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and revive the paint for best results?\u003c\/h3\u003e\n\u003cp\u003eStore tubes capped and in a cool, dry place to preserve freshness; the blackberry honey in the formula helps keep the paint pliable. If paint on the palette forms a skin or firms, a gentle spritz of water restores its working consistency quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep tube sealed between uses to retain moisture\u003c\/li\u003e\n  \u003cli\u003eSpiitz palette paint lightly — avoid flooding with water\u003c\/li\u003e\n  \u003cli\u003eUse a palette with shallow wells to maintain rewetting ease\u003c\/li\u003e\n  \u003cli\u003eFor travel, leave a small amount in a travel pan and rewet when needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who value pigment intensity, longevity, and consistent reactivation will appreciate this 1\/2-ounce tube of Peyrelene Maroon. It suits illustrators, plein-air painters, studio watercolourists, and anyone blending traditional techniques with mixed media who needs dependable colour and smooth washes. Made in the USA with a honey-enhanced gum arabic binder, it offers a classic feel with modern handling benefits, ideal for building layered colour, expressive marks, or refined detail work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Peyrelene Maroon is artist-grade with strong pigment permanence; check M. Graham's lightfastness charts for precise ratings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other watercolour brands?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with other watercolours, but expect handling differences due to M. Graham's honey binder and pigment concentration.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254232924497,"sku":"B001JPMV9S","price":31.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-peyrelene-maroon-front-of-tube.jpg?v=1791671384"},{"product_id":"m-graham-co-watercolor-paint-alizarin-crimson-1-2-oz-tube-artist-grade-honey-binder-for-smooth-rewettable-washes","title":"M. Graham \u0026 Co. watercolour paint Alizarin Crimson 1\/2-oz tube — artist-grade, honey binder for smooth rewettable washes","description":"\u003cp\u003e\u003cstrong\u003eM. Graham \u0026amp; Co. Alizarin Crimson 1\/2-ounce watercolour tube is a rich, artist-grade pigment bound with natural blackberry honey for smooth, rewettable washes and intense colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCrafted in the USA, this half-ounce tube of Alizarin Crimson offers painters a classic, deep red with high pigment load and a traditional gum arabic-honey binder. The formulation emphasizes colour strength and ease of use: the honey keeps the paint moist in the tube and on the palette, and the concentrated pigment yields clear glazes, layered washes, and strong colour mixing without graininess or hard edges.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this watercolour perform when diluting for washes?\u003c\/h3\u003e\n\u003cp\u003eAlizarin Crimson from M. Graham dilutes predictably into even, luminous washes without forming streaks or harsh outlines. Its high pigment concentration means you can achieve both very light glazes and saturated passages from the same tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtraordinary pigment strength for long tonal range\u003c\/li\u003e\n  \u003cli\u003eProduces smooth, even washes with minimal granulation\u003c\/li\u003e\n  \u003cli\u003eReactivates easily with a spritz for continued work\u003c\/li\u003e\n  \u003cli\u003eReliable mixing with other M. Graham colours for clean blends\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the honey binder important for studio and plein air work?\u003c\/h3\u003e\n\u003cp\u003eThe natural blackberry honey in the binder attracts and retains moisture so paint stays workable longer on palettes and in tubes. That prevents hardening and reduces waste, especially useful for intermittent painting sessions or outdoor work where glazing time matters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrevents premature drying on palette and in tube\u003c\/li\u003e\n  \u003cli\u003eAllows quick rewetting with water for resumed painting\u003c\/li\u003e\n  \u003cli\u003eMaintains smooth creamy consistency for glazing and lifts\u003c\/li\u003e\n  \u003cli\u003eSupports even pigment suspension for consistent colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Alizarin Crimson behave in colour mixing and glazing?\u003c\/h3\u003e\n\u003cp\u003eThis crimson blends cleanly to produce deep purples, muted browns, or bright intermediate reds depending on partners. Because of the high pigment purity, it gives clear, vibrant mixes and holds its tinting strength well in layered glazing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes into transparent purples with ultramarine or indigo\u003c\/li\u003e\n  \u003cli\u003eTints neutrals and earth tones subtly without muddiness\u003c\/li\u003e\n  \u003cli\u003eHolds up under glazing for richer luminous layers\u003c\/li\u003e\n  \u003cli\u003eUseful for floral, skin tones, and atmospheric effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and rewet the paint for best results?\u003c\/h3\u003e\n\u003cp\u003eStore tubes capped tightly in a cool, dry place to preserve the honey-gum binder and pigment quality. If paint on the palette dries slightly, a light spritz of water reactivates the paint quickly; heavier drying can be revived with a damp brush and gentle mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep tube capped and away from direct heat or sunlight\u003c\/li\u003e\n  \u003cli\u003eUse a spray bottle to rewet palette pools evenly\u003c\/li\u003e\n  \u003cli\u003eFor dried surfaces, soften with a damp brush then mix to desired consistency\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with archival-grade pigments and binder\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Painters who value rich, dependable colour and a traditional, workable formulation will appreciate this M. Graham Alizarin Crimson tube—suitable for fine artists, illustrators, students learning transparent layering, and plein air painters who need rewettable paints. Its concentrated pigment and honey-enhanced binder make it a practical choice for anyone seeking vivid reds that mix cleanly, rehydrate easily, and produce smooth, controlled washes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Alizarin Crimson rewettable if it dries on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The blackberry honey binder lets dried paint be reactivated with a light spritz of water or a damp brush.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other M. Graham watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It mixes cleanly with the M. Graham range to produce transparent glazes, purples, and muted neutrals.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254239609169,"sku":"B001JPKO88","price":32.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-alizarin-crimson-tube-front.jpg?v=1791671636"},{"product_id":"m-graham-co-1-2-oz-watercolor-tube-nickel-quinacridone-gold-honey-gum-rewettable","title":"M. Graham \u0026 Co. 1\/2 oz Watercolour Tube - Nickel Quinacridone Gold, Honey-Gum Rewettable","description":"\u003cstrong\u003eM. Graham 1\/2-ounce Nickel Quinacridone Gold is a richly pigmented, rewettable artist watercolour in a honey-and-gum arabic formula designed for vibrant, controllable washes.\u003c\/strong\u003e\n\nM. Graham watercolours use concentrated pigments bound with pure gum arabic and natural blackberry honey to produce luminous colour that stays soft on the palette and in the tube. Nickel Quinacridone Gold is a warm, transparent gold with strong tinting strength, ideal for glazing, mixing, and adding metallic warmth without gritty particles. The honey-based binder helps the paint remain moist and easy to rehydrate, so you get consistent flow and smooth gradients whether you work wet-into-wet or layered washes.\n\n\u003ch3\u003eHow does this Nickel Quinacridone Gold behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThe colour lays down as a transparent, luminous gold that blends smoothly and lifts predictably when needed. It maintains clarity in glazes and keeps edges soft in wet-into-wet techniques, giving you control over subtle shifts in tone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent, warm gold suitable for glazing and mixing\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour with minimal paint\u003c\/li\u003e\n  \u003cli\u003eSmooth rewetting for even washes and soft edges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the paint stay usable on my palette or in the tube between sessions?\u003c\/h3\u003e\n\u003cp\u003eThe formula contains natural blackberry honey, which helps the watercolour resist hardening and remain workable longer than gum-only paints. If the surface skins over slightly, a light mist of water reactivates the paint quickly, making it convenient for intermittent studio use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHoney binder prevents quick drying and palette hardening\u003c\/li\u003e\n  \u003cli\u003eEasy reactivation with a spritz of water\u003c\/li\u003e\n  \u003cli\u003eStored in a sealed tube to preserve moisture and colour integrity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour mix with other pigments and mediums?\u003c\/h3\u003e\n\u003cp\u003eNickel Quinacridone Gold blends cleanly with other transparent and semi-transparent watercolours, producing warm greens, rich neutrals, and subtle golds in layered work. Because it is highly pigmented, only small amounts are needed when mixing to avoid muddying midtones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes to warm greens with blues and to rich neutrals with earth tones\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength—use sparingly for precise hues\u003c\/li\u003e\n  \u003cli\u003eCompatible with traditional watercolour techniques and overglazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the M. Graham honey-and-gum formula provide?\u003c\/h3\u003e\n\u003cp\u003eThe old-fashioned binder system of pure gum arabic plus blackberry honey yields creamy, vivid washes with exceptional clarity and flow. That combination delivers durable, workable paint that responds well to lifting, granulation control, and repeated rewetting without losing colour intensity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePure gum arabic ensures adhesion and clean drying\u003c\/li\u003e\n  \u003cli\u003eBlackberry honey adds moisture retention and creamier texture\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with artist-grade pigment loads for lasting vibrancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\nWho is this for?\n\nArtists who value luminous, controllable colour will appreciate M. Graham Nickel Quinacridone Gold — especially watercolourists focused on glazing, botanical painting, illustration, and mixed-media washes. It suits professionals and dedicated amateurs who want a high-pigment, easy-to-reactivate tube paint that performs reliably across traditional watercolour techniques and studio workflows.\n\n\u003cp\u003e\u003cem\u003eFeatures:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist quality watercolour in a 1\/2-ounce tube\u003c\/li\u003e\n  \u003cli\u003eMade with natural blackberry honey to retain moisture\u003c\/li\u003e\n  \u003cli\u003eReady to rewet with a spritz of water for immediate use\u003c\/li\u003e\n  \u003cli\u003eHighly pigmented for smooth washes and deep darks\u003c\/li\u003e\n  \u003cli\u003eManufactured in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour rewettable after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-and-gum formula stays soft and reactivates easily with a light mist of water.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What size is the tube and where is it made?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This tube is 1\/2 ounce (approx. 15 ml) and is manufactured in the USA.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254239641937,"sku":"B001JPIRFA","price":31.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-front-tube-nickel-quinacridone-gold.jpg?v=1791671636"},{"product_id":"m-graham-co-watercolor-tube-dioxazine-purple-1-2-oz-honey-bound-artist-grade-pigment","title":"M. Graham \u0026 Co. Watercolour Tube Dioxazine Purple 1\/2 oz — Honey-bound, Artist-Grade Pigment","description":"\u003cp\u003e\u003cstrong\u003eM. Graham 1\/2-ounce tube watercolour in Dioxazine Purple is a richly pigmented, honey-bound artist-grade paint designed for smooth, luminous washes and reliable reactivation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eM. Graham watercolours use a traditional formulation of pure gum arabic combined with natural blackberry honey to lock in moisture and preserve creamy, workable paint in the tube and on the palette. Dioxazine Purple delivers an intense, deep violet that dilutes cleanly to transparent glazes or layers into dense, saturated passages. The brand’s high pigment load produces strong tinting strength and excellent lightfastness for many professional uses, and the honey binder helps prevent hardening so a quick spritz of water readies the paint for immediate mixing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Dioxazine Purple different from student-grade paints?\u003c\/h3\u003e\n\n\u003cp\u003eThis tube offers artist-quality pigment concentration and a traditional honey-gum arabic vehicle that keeps paint fluid longer than typical student formulations. Expect cleaner lifting, smoother edges, and more predictable colour when you dilute or layer the paint.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for stronger colour and covering power\u003c\/li\u003e\n  \u003cli\u003eNatural blackberry honey binder prevents crusting and improves rewetting\u003c\/li\u003e\n  \u003cli\u003eConsistent, even washes with minimal granulation\u003c\/li\u003e\n  \u003cli\u003eMade in the USA to artist specifications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Dioxazine Purple perform for glazing, wet-on-wet, or lifting?\u003c\/h3\u003e\n\n\u003cp\u003eDioxazine Purple mixes readily into transparent glazes and responds well to both wet-on-wet blending and controlled wet-on-dry layering. Its formulation allows smooth gradients, and it reactivates with water for modest lifting and correction without muddying the surrounding pigments.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGlazing: holds clarity when thinned for layered colour effects\u003c\/li\u003e\n  \u003cli\u003eWet-on-wet: blends into soft transitions without unexpected blooms\u003c\/li\u003e\n  \u003cli\u003eLifting: rewettable for touch-up and softening of edges\u003c\/li\u003e\n  \u003cli\u003eMixing: pairs cleanly with clear pigments for vibrant secondary hues\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and prepare the honey-bound watercolour for use?\u003c\/h3\u003e\n\n\u003cp\u003eStore tubes capped and at room temperature away from direct sunlight to maintain consistency; the honey binder helps keep paint from hardening, but proper storage extends shelf life. When paint has thickened on the palette, a light spritz of water restores workable flow quickly.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKeep tube tightly sealed between uses to prevent contamination\u003c\/li\u003e\n  \u003cli\u003eStore horizontally or upright in cool, dry conditions\u003c\/li\u003e\n  \u003cli\u003eRevive palette paint with a mist of water—no solvents required\u003c\/li\u003e\n  \u003cli\u003eUse a clean brush and fresh water to avoid colour contamination\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does the 1\/2-ounce tube size offer?\u003c\/h3\u003e\n\n\u003cp\u003eThe compact 1\/2-ounce tube is economical for studio sampling, plein-air kits, or travel sets without committing to larger tubes. It provides enough paint for multiple studies while conserving space and minimizing waste if you rotate colours frequently.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePortable size ideal for sketchbooks, field work, or limited studio space\u003c\/li\u003e\n  \u003cli\u003eCost-effective for trying a pigment before buying larger tubes\u003c\/li\u003e\n  \u003cli\u003eEasy to squeeze small, precise amounts and close the cap securely\u003c\/li\u003e\n  \u003cli\u003eGood for mixed-media sets where limited quantity is needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists seeking an intense, professional-grade purple that handles predictably across traditional watercolour techniques will appreciate M. Graham’s Dioxazine Purple. It’s well suited to illustrators, plein-air painters, and fine-art watercolourists who value strong pigment performance, smooth washes, and the convenience of a honey-bound formula that stays workable on palette and in tube. Use it when you need deep, clean violets for shadows, florals, atmospheric washes, or bold colour accents.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Dioxazine Purple rewettable on a palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-gum arabic formula reactivates with a light spritz of water for easy reuse and blending.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What techniques is this colour best for?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It works well for glazing, wet-on-wet blending, and layering to achieve rich shadows or transparent washes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254239838545,"sku":"B001JPKOE2","price":31.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-dioxazine-purple-front-tube_1eaf046e-3daf-431b-bb78-a45ee09e34fd.jpg?v=1791671663"},{"product_id":"m-graham-co-watercolor-paint-tube-bismuth-yellow-1-2-oz-honey-bound-rewettable-pigment","title":"M. Graham \u0026 Co. Watercolour Paint Tube — Bismuth Yellow 1\/2 oz, honey-bound rewettable pigment","description":"\u003cstrong\u003eM. Graham 1\/2-ounce Bismuth Yellow watercolour is a richly pigmented, honey-bound artist paint that rewets easily for smooth, even washes and controlled glazing.\u003c\/strong\u003e\n\n\u003cp\u003eThis single-tube watercolour offers a luminous, opaque-to-semiopaque yellow made with M. Graham \u0026amp; Co.'s traditional formula: high pigment load suspended in pure gum arabic and natural blackberry honey. The honey ingredient keeps the paint moist and reworkable on the palette and in the tube, so a quick spritz is all that's needed to restore creamy flow. Its strong tinting strength and reliable wash behavior make it suitable for illustration, botanical work, mixed-media pieces, and plein-air studies where a dependable yellow is required.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Bismuth Yellow behave on paper compared to other yellows?\u003c\/h3\u003e\n\u003cp\u003eBismuth Yellow from M. Graham leans toward a warm, slightly opaque yellow with good covering power, making it useful when you want a clean, strong yellow that still blends smoothly. It dilutes to transparent glazes without developing hard edges, yet retains enough body when used more concentrated for vibrant highlights or mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWarm, slightly opaque tint that still supports transparent glazing\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load for vivid colour at low usage\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other M. Graham colours for secondary hues\u003c\/li\u003e\n  \u003cli\u003eMaintains smooth edges—minimal granulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy is the honey binder important for artists?\u003c\/h3\u003e\n\u003cp\u003eM. Graham's inclusion of natural blackberry honey in the gum arabic binder slows drying and attracts ambient moisture, which prevents the paint from crusting in the tube or on a palette. This rewettable behavior saves time during long sessions and preserves the paint's creamy working consistency without adding stabilisers that alter the colour's performance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrevents hardening—keeps paint usable between sessions\u003c\/li\u003e\n  \u003cli\u003eReactivates easily with a spritz of water\u003c\/li\u003e\n  \u003cli\u003eNo synthetic fillers—keeps pigment concentration high\u003c\/li\u003e\n  \u003cli\u003eSupports smooth, even washes and controlled lifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques benefit most from this 1\/2-ounce tube?\u003c\/h3\u003e\n\u003cp\u003eThe compact 1\/2-ounce size suits artists who need portability or want to test a new pigment without committing to a larger tube. Its versatility makes it great for layering, wet-on-wet backgrounds, fine detail work when diluted, and stronger passages when loaded on a brush.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePlein-air painting—small tube fits easily in a field kit\u003c\/li\u003e\n  \u003cli\u003eBotanical and illustration—clean hues with precise control\u003c\/li\u003e\n  \u003cli\u003eLayered glazing and washes—rewets smoothly for adjustments\u003c\/li\u003e\n  \u003cli\u003eMixed-media accents—compatible with other water-based media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? M. Graham Bismuth Yellow 1\/2-ounce is aimed at committed watercolourists, illustrators, and mixed-media artists who want a dependable, high-pigment yellow with excellent working properties and minimal waste. It's also a practical choice for students and hobbyists who appreciate quality materials but prefer a smaller tube for experimentation or travel. Made in the USA, this tube delivers museum-quality pigments in a user-friendly format that bridges studio precision and on-the-go convenience.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is M. Graham Bismuth Yellow rewettable after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The honey-gum arabic binder keeps it rewettable—just a light spritz restores creamy flow.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this yellow with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It mixes cleanly with other M. Graham colours and common watercolours for predictable blends.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254281421137,"sku":"B001JPH756","price":31.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-bismuth-yellow-front-of-tube.jpg?v=1791672313"},{"product_id":"m-graham-co-oil-paint-titanium-white-1-1-4-oz-tube-high-pigment-walnut-oil","title":"M. Graham \u0026 Co. Oil Paint Titanium White 1-1\/4 oz Tube — High-Pigment Walnut Oil","description":"\u003cp\u003e\u003cstrong\u003eM. Graham Titanium White is a high-pigment, artist-grade oil paint in a 1-1\/4-ounce tube, ground in non-yellowing American walnut oil for clear, lasting white.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube offering from M. Graham \u0026amp; Co. delivers a bright, opaque titanium dioxide white formulated for painters who want a clean, stable white that mixes predictably. Each colour in the M. Graham range is made in small batches using only artist pigments and walnut oil — no extenders or fillers — resulting in a dense, buttery paint that keeps its clarity over time. The titanium white here is fully compatible with traditional oil painting media and modern alkyds, and its solvent-free walnut oil base reduces the yellowing that can affect some drying oils.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this titanium white behave on the palette and brush?\u003c\/h3\u003e\n\u003cp\u003eExpect a smooth, buttery consistency that is easy to manipulate with brushes or palette knives. The paint spreads evenly, holds brushstrokes well, and blends seamlessly into other oils without becoming chalky.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong hiding power and bright coverage\u003c\/li\u003e\n  \u003cli\u003eButtery texture for controlled brushwork and impasto\u003c\/li\u003e\n  \u003cli\u003eMixes smoothly with other M. Graham oils and conventional oil mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill it remain stable and resist yellowing over time?\u003c\/h3\u003e\n\u003cp\u003eThis formula uses American walnut oil, which has a naturally lower tendency to yellow compared with many other drying oils. Because the paint contains pure pigments without extenders, the resulting films retain clarity and depth as they age.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWalnut oil binder reduces long-term yellowing\u003c\/li\u003e\n  \u003cli\u003ePure artist pigments, no adulterants or extenders\u003c\/li\u003e\n  \u003cli\u003eDesigned for permanence and archival compatibility\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs it compatible with other oil painting materials and techniques?\u003c\/h3\u003e\n\u003cp\u003eYes — the titanium white is intermixable with other oil colours, varnishes, and mediums, including alkyd-based products. It performs well in alla prima work, glazing, and layered approaches when standard oil-painting principles are followed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks with traditional oil mediums and alkyd resins\u003c\/li\u003e\n  \u003cli\u003eSuitable for glazing, scumbling, and impasto techniques\u003c\/li\u003e\n  \u003cli\u003eFully intermixable with the rest of the M. Graham oil range\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical details for studio use and cleanup?\u003c\/h3\u003e\n\u003cp\u003eThe tube contains 1-1\/4 ounces of paint — convenient for sketching studies, plein air work, or as a reliable permanent white in a larger palette. Because the paint is oil-based, brushes should be cleaned with appropriate solvents or brush cleaners followed by soap and water for best results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e1-1\/4 oz tube size for portability and studio refills\u003c\/li\u003e\n  \u003cli\u003eClean brushes with solvent then soap and water for thorough removal\u003c\/li\u003e\n  \u003cli\u003eStore caps tightly and keep in a cool, dark place to prolong shelf life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who prioritize pigment purity and archival stability will appreciate this titanium white: fine artists, illustrators working in oil, plein air painters, and students serious about learning traditional oil techniques. If you want a dependable, non-yellowing white with a concentrated pigment load and the handling qualities of a premium oil colour, this 1-1\/4-ounce M. Graham tube is tailored for those needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this titanium white yellow over time?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The paint is ground in American walnut oil, which resists yellowing more than many drying oils, and uses pure pigments for long-term clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with alkyd mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it is compatible with traditional oil mediums and alkyd products, suitable for mixing, glazing, and layered techniques.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"M. Graham \u0026 Co.","offers":[{"title":"Default Title","offer_id":55254301802833,"sku":"B001JPIQ4M","price":32.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/m-graham-tube-front-titanium-white_jpg.jpg?v=1791672866"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/m-graham-landscape-set-tubes-front.jpg?v=1792143691","url":"https:\/\/craftiche.co.uk\/collections\/m-graham-co.oembed?page=2","provider":"Craftiche","version":"1.0","type":"link"}