{"title":"Golden","description":"\u003cp\u003eCraftiche stocks 357 Golden products, including \u003ca href=\"\/collections\/paint-mediums-additives\"\u003epaint mediums \u0026amp; additives\u003c\/a\u003e (25), \u003ca href=\"\/collections\/paint-additives\"\u003epaint additives\u003c\/a\u003e (3), \u003ca href=\"\/collections\/modelling-clay-compounds\"\u003emodelling clay \u0026amp; compounds\u003c\/a\u003e (3) and \u003ca href=\"\/collections\/primers-gesso-sealers\"\u003eprimers, gesso \u0026amp; sealers\u003c\/a\u003e (3). Prices run from £25.20 to £160.95, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Golden. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"golden-fluid-acrylic-paint-interference-violet-fine-1-oz-iridescent-transparent-glazing-color","title":"GOLDEN Fluid Acrylic Paint Interference Violet Fine 30 ml — Iridescent, Transparent Glazing Colour","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylic Paint — Interference Violet Fine is a 1-ounce, iridescent acrylic designed to create transparent, shimmering violet effects for glazing, staining, spraying, and mixed-media techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis interference violet from GOLDEN is part of the brand's fluid acrylic line formulated for artists who need a light-bodied, high-tinting-strength colour that layers and mixes without clogging detail. The fine interference grade gives a pearlescent sheen that shifts with viewing angle and substrate, while the transparent base makes it ideal for glazes, overlays, and subtle colour modulation. Made in the United States and packaged in a convenient 1-ounce bottle, this paint balances durability with a flexible film and is suited to fabrics, canvas, wood, and experimental surfaces when used with appropriate mediums.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Interference Violet work in glazing and layering?\u003c\/h3\u003e\n\n\u003cp\u003eInterference pigments create colour shifts by reflecting and refracting light rather than relying solely on pigment opacity. When applied in thin layers or thinned with glazing mediums, Interference Violet will add depth, luminosity, and iridescent shifts that change with the viewing angle and underlying colour.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eUse transparent layers to let underlying colours show through and interact with the sheen.\u003c\/li\u003e\n  \u003cli\u003eMix sparingly with opaque pigments to retain iridescence while adjusting hue.\u003c\/li\u003e\n  \u003cli\u003eThin with GOLDEN glazing medium or water-based mediums for smooth, even coats.\u003c\/li\u003e\n  \u003cli\u003eAvoid heavy impasto if you want maximum optical shift and translucency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this paint for spraying, staining, or fabric applications?\u003c\/h3\u003e\n\n\u003cp\u003eYes — the fluid consistency of this 1-ounce bottle is formulated for brushing, spraying, staining, and direct application on fabric with appropriate preparation. The fine particle size and dispersion allow it to flow well through airbrushes and spray systems when reduced correctly with recommended mediums.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eExcellent for airbrush work when thinned to manufacturer guidelines.\u003c\/li\u003e\n  \u003cli\u003eSuitable for staining porous surfaces like wood or prepared fabric.\u003c\/li\u003e\n  \u003cli\u003eProvides good dispersion and tinting strength for dye-like effects.\u003c\/li\u003e\n  \u003cli\u003eTest adhesion on fabric and set according to fabric medium instructions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I mix or alter the effect of Interference Violet for unique colours?\u003c\/h3\u003e\n\n\u003cp\u003eInterference colours respond strongly to small additions of other pigments; adding tiny amounts of standard colours or black can shift the apparent tone and deepen the effect. Because the interference effect depends on thin-film optics, keep additions minimal to preserve translucency and the pearlescent sheen.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAdd small amounts of warm or cool pigments to nudge hue without masking iridescence.\u003c\/li\u003e\n  \u003cli\u003eA touch of black deepens and enriches the opalescent quality without eliminating shimmer.\u003c\/li\u003e\n  \u003cli\u003eCombine with transparent bases for glaze sequences that change with layer order.\u003c\/li\u003e\n  \u003cli\u003eUse gels for impasto when you want texture plus reflectivity; test transparency first.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical handling and durability characteristics?\u003c\/h3\u003e\n\n\u003cp\u003eThis GOLDEN fluid acrylic offers fine dispersion and reliable tinting strength while remaining flexible after cure, reducing the risk of cracking when applied in recommended film thicknesses. It is formulated to be durable for artistic use, but performance will vary with substrate preparation and choice of mediums.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh tinting strength means small amounts go a long way in mixes.\u003c\/li\u003e\n  \u003cli\u003eFlexible film suitable for varied substrates when used within normal acrylic thicknesses.\u003c\/li\u003e\n  \u003cli\u003eDurability and adhesion improve with proper surface prep and compatible primers.\u003c\/li\u003e\n  \u003cli\u003eOne-ounce bottle provides a compact amount for experimentation or detail work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Interference Violet Fine is aimed at painters, mixed-media artists, textile designers, and craft makers seeking a compact, high-quality iridescent violet for glazing, airbrushing, and layered effects. It's especially useful for artists who want to introduce light-responsive sheen into small works, accents, or experimental colour mixes without committing to large quantities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint transparent or opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Interference Violet Fine is relatively transparent, designed for glazing and layered effects rather than full opacity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I airbrush this directly from the bottle?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You should thin the fluid acrylic with an appropriate medium for airbrushing; test nozzle compatibility and strain before spraying.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249040081233,"sku":"B0027AEAS4","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-interference-violet-front-bottle.jpg?v=1791632166"},{"product_id":"golden-heavy-body-acrylics-transparent-red-iron-oxide-2-fl-oz-tube-buttery-glazing-ready-astm-lightfast-i","title":"GOLDEN Heavy Body Acrylics Transparent Red Iron Oxide, 59 ml tube — buttery, glazing-ready, ASTM Lightfast I","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Transparent Red Iron Oxide is a thick, buttery acrylic paint in a warm, glazing-ready transparent red that preserves brushstrokes and palette-knife texture.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube contains GOLDEN's Heavy Body formulation using Synthetic Iron Oxide (PR101) to deliver a brown masstone that reveals rich amber-red tones when diluted or glazed. The paint is made in the USA by an experienced, employee-owned company and contains no added extenders or opacifiers, so the pigment's natural character drives colour response, sheen, and coverage. It has ASTM Lightfastness I (Excellent) and is vegan-friendly, providing reliable durability for studio work and finished pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Transparent Red Iron Oxide different from other reds?\u003c\/h3\u003e\n\u003cp\u003eThis hue is formulated as a transparent iron-oxide red with a brown masstone that shifts to warm amber-reds in tints and glazes. Because GOLDEN doesn't add fillers or opacifiers, the pigment’s clarity and depth remain intact, producing cleaner mixes and predictable glazing effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PR101 (Synthetic Iron Oxide) for stable, earthy red-brown tones.\u003c\/li\u003e\n  \u003cli\u003eTransparency ideal for layered glazing and subtle colour shifts.\u003c\/li\u003e\n  \u003cli\u003eno extenders or opacifiers—pure pigment response in mixes.\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I ensures long-term colour retention.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the Heavy Body texture perform with brushes and palette knives?\u003c\/h3\u003e\n\u003cp\u003eThe Heavy Body formula is exceptionally thick and maintains the physical evidence of application, so brush hairs, tooth, and knife marks stay visible after drying. That tactile hold is useful for artists who want textured strokes, sculptural impasto, or crisp edge control without the paint sagging.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, buttery viscosity retains brush and knife marks.\u003c\/li\u003e\n  \u003cli\u003eGood leveling for controlled edges while keeping texture.\u003c\/li\u003e\n  \u003cli\u003eCompatible with impasto techniques and sculptural layering.\u003c\/li\u003e\n  \u003cli\u003eMaintains pigment integrity when worked or reworked on the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this colour for glazing, mixing, or as an opaque filler?\u003c\/h3\u003e\n\u003cp\u003eTransparent Red Iron Oxide excels in glazing because of its clarity—thin applications reveal warm red-amber glows without muddiness. It’s also a dependable mixing colour for deepening neutrals and warming shadows, though it’s not designed as an opaque filler; opacity varies across GOLDEN’s range depending on pigment.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for multi-layer glazing and subtle colour shifts.\u003c\/li\u003e\n  \u003cli\u003eUseful in mixing to warm neutrals and deepen values.\u003c\/li\u003e\n  \u003cli\u003eNot primarily an opaque coverage colour—expect transparency.\u003c\/li\u003e\n  \u003cli\u003eProduces cleaner mixes thanks to absence of extenders\/opalifiers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and safe is the paint for finished work?\u003c\/h3\u003e\n\u003cp\u003eThe paint is rated ASTM Lightfastness I (Excellent), so properly applied and protected works resist significant fading. GOLDEN’s formulation is vegan and manufactured under consistent quality controls; for best longevity, finish pieces with an appropriate varnish and avoid prolonged UV exposure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I—high resistance to fading.\u003c\/li\u003e\n  \u003cli\u003eVegan formulation, made in the USA with global materials.\u003c\/li\u003e\n  \u003cli\u003ePair with archival varnish for protection and uniform sheen.\u003c\/li\u003e\n  \u003cli\u003eStable pigment behavior in both wet and dried film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this product for? Artists who favor thick-bodied acrylics with strong textural presence and transparent glazing options will appreciate this Transparent Red Iron Oxide. It suits painters working in expressive impasto, layering and glazing techniques, landscape and figure artists seeking warm earth-tones, and anyone who wants predictable mixing behavior from a professional-grade, lightfast pigment.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Transparent Red Iron Oxide permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; it carries ASTM Lightfastness I, indicating excellent permanence under normal display conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this heavy body paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; it thins well for glazing—use acrylic medium or water sparingly to retain clarity and binder strength.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249045389649,"sku":"B0006VBRJQ","price":30.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-heavy-body-transparent-red-iron-oxide-front-tube.jpg?v=1791632224"},{"product_id":"golden-open-slow-drying-acrylic-paint-phthalo-blue-red-shade-2-fl-oz-high-tinting-glaze","title":"GOLDEN OPEN Slow-Drying Acrylic Paint — Phthalo Blue (Red Shade), 59 ml, High Tinting Glaze","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Phthalo Blue (Red Shade) is a slow-drying, highly tinting acrylic that combines deep, versatile colour with extended working time for glazing, blending, and layered techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube contains GOLDEN's OPEN formulation of copper phthalocyanine pigment (PB15:0) in its reddish variant, offering both intense colour strength and the ability to pull transparent glazes. Designed for artists who need longer wet time than conventional acrylics, this paint preserves colour mixes on the palette and supports delicate transitions without compromising pigment permanence.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint help when I need more time to blend and glaze?\u003c\/h3\u003e\n\u003cp\u003eThe OPEN formula is engineered to dry much slower than standard acrylics, so you can blend edges, build layered glazes, and soften passages without the paint skinning over quickly. It keeps workable surfaces for minutes to hours depending on conditions, making techniques typically reserved for oils accessible with acrylic convenience.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtended open time for smooth wet-on-wet blending\u003c\/li\u003e\n  \u003cli\u003eIdeal for glazing: thin transparent layers hold colour depth\u003c\/li\u003e\n  \u003cli\u003eMixable with standard acrylics to adjust drying rate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the colour and permanence characteristics of this Phthalo Blue (Red Shade)?\u003c\/h3\u003e\n\u003cp\u003eThis is the red-shifted version of phthalocyanine blue, offering a slightly warmer, deep blue that remains highly tinting and intense even in thin glazes. It carries an ASTM Lightfastness rating of 1, indicating excellent permanence, and is classified as a transparent pigment, useful for layering and colour mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PB15:0 (copper phthalocyanine)\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness 1 — very durable for artworks\u003c\/li\u003e\n  \u003cli\u003eTransparent body for luminous glazes and subtle colour shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this with my other acrylics and on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eYes — GOLDEN OPEN mixes readily with regular acrylics to fine-tune working time while maintaining adhesion and archival performance. Use it on primed canvas, gessoed boards, acrylic primed papers, and most properly prepared surfaces suitable for acrylic media.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with standard acrylic colours for controlled drying\u003c\/li\u003e\n  \u003cli\u003eWorks on canvas, panels, prepared paper and mixed-media supports\u003c\/li\u003e\n  \u003cli\u003eLayerable for glazing and scumble techniques without cracking when applied properly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does choosing a slow-drying acrylic reduce waste?\u003c\/h3\u003e\n\u003cp\u003eBecause the paint stays workable longer on the palette, you can preserve colour mixes and avoid disposing of prematurely dried blobs. That extended usability means fewer wasted paints and more consistent reuse of custom mixtures across studio sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLonger palette life reduces need to remix colours often\u003c\/li\u003e\n  \u003cli\u003eLess leftover waste when matching tones across a painting session\u003c\/li\u003e\n  \u003cli\u003eSmaller tube size (2 fl. oz.) is convenient for limited palettes and travel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN OPEN Phthalo Blue (Red Shade) in a 2 fl. oz. tube is aimed at painters who want acrylic speed with slower working properties — portraitists, plein-air artists, illustrators, and mixed-media creators who rely on glazing and soft blending. It also suits anyone experimenting with acrylic techniques that benefit from extended wet time while expecting archival pigment performance and transparent layering options.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does GOLDEN OPEN stay wet?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: OPEN dries significantly slower than standard acrylics — workable times vary from minutes to hours depending on temperature and humidity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this safe to mix with other acrylic paints?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes easily with regular acrylics to adjust working time while maintaining adhesion and archival properties.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249169940817,"sku":"B0044TRE70","price":29.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-phthalo-blue-red-shade-front-tube.jpg?v=1791633655"},{"product_id":"golden-high-flow-acrylics-green-gold-1-fl-oz-ink-thin-transparent-airbrush-ready","title":"GOLDEN High Flow Acrylics Green Gold 30 ml — ink-thin, transparent, airbrush-ready","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN High Flow Acrylics in Green Gold is an ink‑thin, artist‑grade acrylic paint designed for airbrushes, dip pens, markers and fluid techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 1 fl. oz. bottle delivers a warm, jewel‑toned green with outstanding transparency and lightfastness, formulated to behave like an ink while remaining compatible with other GOLDEN acrylics and mediums. Its fluid, low‑viscosity consistency makes it ideal for precision work and broad washes alike, and the colour mix in this formula (PY150, PG36, PY175) gives a vibrant green gold that layers beautifully over other colours without becoming murky.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Green Gold perform in airbrushing and refillable markers?\u003c\/h3\u003e\n\n\u003cp\u003eGreen Gold flows smoothly through airbrushes and refillable markers with no thinning required thanks to built‑in flow improvers and retarders. You can expect consistent atomization and reliable nozzle performance even when executing fine gradients or fast detail work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eReady‑to‑use viscosity for most siphon and gravity airbrushes\u003c\/li\u003e\n  \u003cli\u003eStable pigments that resist clogging in fine tips\u003c\/li\u003e\n  \u003cli\u003eEven coverage when refilling brush markers or technical pens\u003c\/li\u003e\n  \u003cli\u003eTransparent layering ideal for glazing and subtle colour shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this with other GOLDEN acrylics and mediums?\u003c\/h3\u003e\n\n\u003cp\u003eYes — because High Flow is an acrylic formulation, it is compatible with GOLDEN acrylic paints and mediums. Use it to tint gels, glazes or other fluid grounds, or integrate it into mixed‑media pieces for controlled colour effects.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly with acrylic mediums without breaking film integrity\u003c\/li\u003e\n  \u003cli\u003eActs as a staining wash when combined with glazing mediums\u003c\/li\u003e\n  \u003cli\u003eWorks alongside heavier body paints for layered techniques\u003c\/li\u003e\n  \u003cli\u003eVegan formula and professional grade pigments for archival results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques suit this High Flow colour?\u003c\/h3\u003e\n\n\u003cp\u003eIts ink‑like nature makes Green Gold versatile across porous and non‑porous surfaces: paper, canvas, primed wood, illustration board and many primed surfaces. Use it for drawing, calligraphy, ink washes, staining, pouring accents and detailed mask‑and‑reveal techniques.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePaper and illustration boards for washes and calligraphy\u003c\/li\u003e\n  \u003cli\u003ePrimed canvas and wood panels for glazing and layered transparencies\u003c\/li\u003e\n  \u003cli\u003ePouring accents when added sparingly to fluid mixes\u003c\/li\u003e\n  \u003cli\u003eDetail work with dip pens, technical pens and airbrushes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is the colour over time?\u003c\/h3\u003e\n\n\u003cp\u003eGreen Gold is rated ASTM I (Excellent) for lightfastness and uses robust single‑pigment and complex pigments known for lasting chroma. Once dry it forms a stable acrylic film that resists typical handling in fine art and illustration contexts, though like all paints it should be displayed away from prolonged direct sunlight for best longevity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) — suitable for professional work\u003c\/li\u003e\n  \u003cli\u003eTransparent behavior preserves underlying layers\u003c\/li\u003e\n  \u003cli\u003eArchival acrylic film when fully cured\u003c\/li\u003e\n  \u003cli\u003eVegan and made in the USA by an experienced employee‑owned company\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, illustrators, calligraphers and designers who need a reliable, ink‑thin acrylic with rich, transparent green gold colour will find this bottle invaluable. It suits anyone working with airbrushes or refillable markers, creators who favor glazing and layering, and mixed‑media practitioners who want archival acrylic compatibility in a highly fluid format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to thin Golden High Flow for an airbrush?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No, it’s formulated with flow improvers and is ready for most airbrushes without thinning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Green Gold lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it’s rated ASTM I (Excellent) and dries to a durable acrylic film for professional use.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249173610833,"sku":"B00E4PLK24","price":29.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-high-flow-green-gold-front-bottle.jpg?v=1791633716"},{"product_id":"golden-heavy-body-acrylic-paint-phthalo-blue-red-shade-2-fl-oz-high-pigment-brushstroke-retaining","title":"GOLDEN Heavy Body Acrylic Paint Phthalo Blue (Red Shade) 59 ml — High-pigment, Brushstroke-retaining","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Phthalo Blue (Red Shade) is a professional-grade, thick-bodied acrylic colour delivering deep, tinting blue with excellent permanence in a 2 fl. oz. tube.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis heavy body acrylic offers a smooth, buttery consistency built to hold brushstrokes and palette knife marks while providing reliable lightfastness and long-term film flexibility. Formulated without fillers or extenders, the pigment-rich tube contains PB15:0 (Copper Phthalocyanine) in the warm, red-leaning phthalo family—use it for intense opaque passages or pulled-out transparent glazes. Made in the USA by GOLDEN, the paint meets ASTM D4236 and ASTM D5098 standards and is sold per colour in convenient 2 fl. oz. tubes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Phthalo Blue perform when applied thickly or thinned for glazes?\u003c\/h3\u003e\n\u003cp\u003eThe heavy body formulation is engineered to retain texture and tool marks when applied straight from the tube, yet it also stretches into clear, vibrant glazes when mixed with medium or water. You can exploit both behaviors for varied surface effects within a single project.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick application: holds peaks, brushstrokes, and palette-knife texture without sagging.\u003c\/li\u003e\n  \u003cli\u003eThin\/glaze use: extends to transparent layers for colour depth and subtle shifts.\u003c\/li\u003e\n  \u003cli\u003eMixing: strong tinting strength for controlled colour modulation with other pigments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat permanence and lightfastness can artists expect from this tube?\u003c\/h3\u003e\n\u003cp\u003eThis pigment rates ASTM Lightfastness I (Excellent), offering high resistance to fading under normal display conditions. The dried film shows flexibility and good resistance to water and UV exposure, supporting long-term archival performance when used and cared for properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I — excellent fade resistance for professional work.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and ASTM D5098 for safety and performance labeling.\u003c\/li\u003e\n  \u003cli\u003eDurable dried film with UV and water resistance for stable results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and surfaces are best suited for this heavy body acrylic?\u003c\/h3\u003e\n\u003cp\u003eBecause of its consistency and pigment load, this paint excels across a range of studio techniques—impasto, scumbling, glazing, and mixed-media layering. It adheres well to primed canvases, panels, and appropriate rigid supports; use primers or grounds recommended for acrylics to maximize longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImpasto and palette-knife work: preserves sculptural texture.\u003c\/li\u003e\n  \u003cli\u003eGlazing and washes: mixes cleanly with glazing mediums for translucency.\u003c\/li\u003e\n  \u003cli\u003eMixed media: accepts additions like pastes and mediums for varied finishes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pigment's red shade influence colour mixing?\u003c\/h3\u003e\n\u003cp\u003eThe red-leaning phthalo blue provides a warmer base than greener phthalo variants, offering a distinct mixing behavior that can produce deep violets with magentas and muted teals with yellow-leaning greens. Its strong tinting power means small additions can shift mixtures decisively, giving you precise colour control.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWith reds: yields vibrant, deep violets and rich shadows.\u003c\/li\u003e\n  \u003cli\u003eWith yellows: mixes to clear, deep greens rather than neon tones.\u003c\/li\u003e\n  \u003cli\u003eTinting strength: use sparingly for subtle shifts or boldly for saturated mixes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Heavy Body Acrylics Phthalo Blue (Red Shade) 2 fl. oz. is made for professional and serious hobby artists seeking a reliable, pigment-dense blue that supports textured, archival painting and precise colour mixing. It suits painters who want both bold impasto capability and the option to create transparent glazes, those working in canvas, panel, or mixed-media formats, and instructors or studios that prefer consistent, ASTM-rated materials. Note: product contains a chemical listed by California as a cancer hazard; use according to product labeling and local regulations.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Phthalo Blue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it rates ASTM Lightfastness I, offering excellent resistance to fading under typical display conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this on canvas and panels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it adheres well to primed canvases and rigid panels; use suitable acrylic primers for best results.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249359241553,"sku":"B0007NQNL0","price":29.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-phthalo-blue-front-tube.jpg?v=1791634723"},{"product_id":"golden-open-slow-drying-acrylic-paint-chromium-oxide-green-dark-2-fl-oz-extended-open-time-astm-i-lightfast","title":"GOLDEN OPEN Slow-Drying Acrylic Paint Chromium Oxide Green Dark 59 ml — Extended Open Time, ASTM I Lightfast","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow‑Drying Acrylics in Chromium Oxide Green Dark is a professional, slow‑drying acrylic paint—PG17 pigment in a 2 fl. oz. tube—delivering durable, lightfast, semi‑opaque green for extended blending and glazing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis slow‑drying acrylic option from GOLDEN is formulated to stay workable longer than conventional acrylics, so artists can blend, glaze and refine transitions without the rush of typical fast‑drying colours. The Chromium Oxide Green Dark shade is based on the historically durable pigment used for deep, stable greens; it’s rated ASTM Lightfastness 1 and comes in a user‑friendly 2 fl. oz. metallic tube designed for studio, plein air, and mixed‑media work. The paint is vegan and mixes predictably with other acrylics when you want to adjust drying time or opacity.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint help when I need more time to blend or glaze?\u003c\/h3\u003e\n\n\u003cp\u003eBecause GOLDEN OPEN slows the drying process, you can keep edges soft, build transparent layers, and adjust hues over an extended period. That makes it especially useful for portraiture, realistic foliage, and subtle tonal work where gradual transitions matter.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eExtended open time for wet‑into‑wet blending without retarder additives\u003c\/li\u003e\n  \u003cli\u003eSupports glazing techniques with thin, buildable layers\u003c\/li\u003e\n  \u003cli\u003eMaintains colour integrity on the palette longer to reduce waste\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the colour and permanence characteristics of Chromium Oxide Green Dark?\u003c\/h3\u003e\n\n\u003cp\u003eChromium Oxide Green Dark (PG17) is a stable, opaque to semi‑opaque earth green known for excellent durability. GOLDEN rates this specific colour ASTM Lightfastness 1, indicating top‑tier resistance to fading under normal display conditions.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePigment: PG17 (Anhydrous Chromium Sesquioxide) for muted, robust green\u003c\/li\u003e\n  \u003cli\u003eOpacity: Semi‑opaque—good for coverage and for mixing without overpowering\u003c\/li\u003e\n  \u003cli\u003eLightfastness: ASTM 1 (Excellent) for long‑lasting colour in finished works\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this slow‑drying acrylic with other paints or mediums?\u003c\/h3\u003e\n\n\u003cp\u003eYes — GOLDEN OPEN was designed to be mixable with faster‑drying acrylics and standard acrylic mediums so you can tailor working time and finish. Mixing with conventional acrylics will slow their dry time proportionally, while adding acrylic mediums changes sheen and viscosity without compromising stability.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCompatible with acrylic colours and mediums for custom drying rates\u003c\/li\u003e\n  \u003cli\u003eMix small amounts to test changes in open time and opacity first\u003c\/li\u003e\n  \u003cli\u003eWorks with glazing medium for transparent layers or with heavier body gels for texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does a slow‑drying formula affect storage, palettes, and studio workflow?\u003c\/h3\u003e\n\n\u003cp\u003eThe extended working time reduces the frequency of mixing fresh colours, letting you preserve mixed passages for longer sessions and minimize paint waste. However, it also means your palette will retain wet paint longer; use airtight palette systems or spritzers to maintain usability between sittings.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLess frequent remixes—saves paint and keeps colour consistency across sessions\u003c\/li\u003e\n  \u003cli\u003eStore open paint in sealed tubes; use airtight palettes for leftovers\u003c\/li\u003e\n  \u003cli\u003ePlan drying racks and curing times—final film dries to an acrylic polymer like conventional acrylics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN OPEN Chromium Oxide Green Dark is aimed at professional and advanced hobby artists who require prolonged open time for refined blending, glazing, or layered techniques. It suits portrait and landscape painters, plein air artists who prefer extended working windows, printmakers needing predictable, durable pigments, and instructors seeking a reliable, lightfast green that mixes cleanly with other acrylics.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does GOLDEN OPEN Chromium Oxide Green Dark stay workable?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Open time is significantly longer than standard acrylics, allowing hours of blending depending on room temperature and film thickness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pigment lightfast and safe for finished artworks?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It uses PG17 with ASTM Lightfastness 1, offering durable, long‑lasting colour when used in finished pieces.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249570627921,"sku":"B0044TTGXU","price":29.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-chromium-oxide-green-dark-front-tube.jpg?v=1791636690"},{"product_id":"golden-high-flow-medium-acrylic-thinner-4-fl-oz-bottle-ultra-low-viscosity-for-smoother-flow-and-extended-pours","title":"GOLDEN High Flow Medium acrylic thinner, 118 ml bottle — ultra-low viscosity for smoother flow and extended pours","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN High Flow Medium is a transparent, ultra-low-viscosity acrylic additive that thins paint for smoother flow, improved leveling, and extended pours without sacrificing binder strength.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHigh Flow Medium is the thinnest acrylic medium in GOLDEN's professional line, formulated to expand how you handle acrylic colour. Use it when you need paints to move like inks and pens, to extend fluid techniques, or to reduce the viscosity of heavier acrylics while maintaining film integrity. Made in the USA by GOLDEN, this 4 fl. oz. bottle gives you precise control over transparency, consistency, and drying behavior for a wide range of creative approaches.\u003c\/p\u003e\n\n\u003ch3\u003eHow does High Flow Medium change the behavior of acrylic paint?\u003c\/h3\u003e\n\u003cp\u003eAdding High Flow Medium makes acrylics runnier and more transparent without weakening the paint film. It improves leveling so brushstrokes and ridges smooth out, and it helps pigments spread evenly for glazing, staining, or fine-line work. The medium is suitable for diluting heavy-body or fluid colours to a very low viscosity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThins paint to an ink-like consistency for pens, airbrush, and fine detail.\u003c\/li\u003e\n  \u003cli\u003eIncreases flow and self-leveling to reduce visible brush marks.\u003c\/li\u003e\n  \u003cli\u003eMaintains the acrylic binder’s adhesion and durability when mixed judiciously.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhen should I choose High Flow Medium over water or other additives?\u003c\/h3\u003e\n\u003cp\u003eUse High Flow Medium whenever you need reliable performance that water alone cannot provide. Water will dilute pigment and compromise film strength; High Flow Medium preserves the acrylic binder and keeps colours more resistant to flaking and fading. It’s also preferable when you want consistent drying and sheen compared with unmodified paint thinned with water.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReplace water for thinning to preserve paint film and longevity.\u003c\/li\u003e\n  \u003cli\u003eUse instead of gloss or matte extenders when extreme fluidity is required.\u003c\/li\u003e\n  \u003cli\u003eCombine with High Flow Acrylics to extend coverage without weakening the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques benefit most from using this medium?\u003c\/h3\u003e\n\u003cp\u003eHigh Flow Medium excels with techniques that demand controlled fluidity and transparency. It’s ideal for glazing layers, washes, airbrushing, drip painting, and detailed line work where pigment needs to move evenly. It also supports mixed-media approaches where you want acrylic colour to behave similarly to inks or dyes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing and layered transparent washes for subtle colour shifts.\u003c\/li\u003e\n  \u003cli\u003eAirbrush and pen work that require consistent, clog-free flow.\u003c\/li\u003e\n  \u003cli\u003ePouring and drip methods where even leveling prevents surface defects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I mix and store High Flow Medium for best results?\u003c\/h3\u003e\n\u003cp\u003eStart with small test mixes to dial in the right proportion for your technique: add a little medium at a time until you reach the desired transparency and flow. Shake the bottle before use, keep containers sealed to prevent skin formation, and store at room temperature. Clean tools promptly with water while the medium is still wet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix gradually—test colour and flow on scrap before committing to a painting.\u003c\/li\u003e\n  \u003cli\u003eShake bottle well; store upright in a cool, dry place with cap tightly closed.\u003c\/li\u003e\n  \u003cli\u003eRemove uncured residues with soap and water; fully cured films require mechanical removal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN High Flow Medium is aimed at painters, illustrators, airbrush artists, and mixed-media creators who want professional-level control over acrylic viscosity and transparency. If your work relies on fine detail, even glazing, or fluid pouring techniques, this transparent medium offers predictable, archival performance. It’s also useful for educators and students seeking a stable alternative to water thinning, and for conservators and designers who require consistent sheen and film strength in decorative or experimental applications.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use High Flow Medium with heavy-body acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix small amounts to thin heavy-body paints to a fluid consistency while preserving binder strength and adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will High Flow Medium change the dry sheen of my paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: High Flow Medium is transparent and has minimal effect on sheen, but test mixes first because results vary with pigments and proportions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249574101329,"sku":"B005SBHCH0","price":29.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-high-flow-medium-front-bottle.jpg?v=1791636705"},{"product_id":"golden-isolation-coat-8-fl-oz-jar-acrylic-sealing-layer-for-even-varnishing-and-paint-protection","title":"GOLDEN Isolation Coat — 237 ml jar acrylic sealing layer for even varnishing and paint protection","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Isolation Coat is a ready-to-use, permanent sealing layer designed to sit between acrylic paint and a removable varnish, creating an even, protected surface for varnishing and future varnish removal.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhen preparing an acrylic painting for varnishing, uneven absorbency and solvent interaction can create mottled finishes or risk lifting pigment during varnish removal. GOLDEN Isolation Coat addresses those issues by sealing porous areas, clarifying surface sheen when used with gloss products, and acting as a barrier that preserves the paint layer if a removable varnish must later be stripped away. This professional-grade product comes in an 8 fl. oz. jar and is formulated by GOLDEN, an experienced, employee-owned US manufacturer.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Isolation Coat make varnishing more even?\u003c\/h3\u003e\n\u003cp\u003eIsolation Coat fills and seals absorbent spots in the paint surface so varnish flows uniformly across the artwork. By creating a single, stable substrate it prevents the varnish from sinking into porous areas, reducing patchiness and sheen variation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSeals absorbent or matte patches to equalize surface absorbency\u003c\/li\u003e\n  \u003cli\u003ePromotes consistent varnish adhesion and uniform gloss\u003c\/li\u003e\n  \u003cli\u003eReduces risk of cloudy or dusty appearance when used correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy use gloss products with the Isolation Coat instead of satin or matte?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN recommends gloss-formulated varnishes and topcoats when working over the Isolation Coat because satin or matte layers can sometimes scatter light and produce a cloudy look. A gloss layer preserves clarity and the original colour depth of the painting while minimizing the chance of a hazy finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGloss finishes maintain colour saturation and surface clarity\u003c\/li\u003e\n  \u003cli\u003eSatin\/matte may reduce clarity or create a dusty appearance\u003c\/li\u003e\n  \u003cli\u003eUse test areas if a lower sheen is required for final presentation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat protection does Isolation Coat provide during varnish removal?\u003c\/h3\u003e\n\u003cp\u003eThe Isolation Coat forms a separating layer between the pigmented paint film and solvents used to remove a removable varnish. This barrier helps preserve the underlying paint when solvents are applied, reducing the chance of disturbing or dissolving pigments during conservation or re-varnishing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates a protective buffer against common varnish solvents\u003c\/li\u003e\n  \u003cli\u003eMakes future varnish removal safer and more predictable\u003c\/li\u003e\n  \u003cli\u003eHelps maintain original paint integrity during conservation work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and finish with GOLDEN Isolation Coat?\u003c\/h3\u003e\n\u003cp\u003eApply the Isolation Coat as a uniform, permanent sealing layer over fully cured acrylic colour. Allow it to dry thoroughly before applying a removable varnish; then choose a compatible gloss varnish to preserve clarity and reduce clouding.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse a clean brush or soft roller for an even coat\u003c\/li\u003e\n  \u003cli\u003eEnsure acrylic paint is fully dry and cured before sealing\u003c\/li\u003e\n  \u003cli\u003eTest on a small area to confirm sheen and compatibility with your varnish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Isolation Coat is aimed at professional and advanced hobbyist acrylic painters, studios preparing work for sale or exhibition, and conservators needing a reliable intermediary layer before applying or removing varnishes. It’s ideal for anyone seeking even varnish application, easier varnish removal later, and long-term protection of acrylic paintings.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply Isolation Coat to wet acrylic paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Apply only to fully dry, cured acrylic paint to avoid trapping solvents or causing adhesion problems.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will Isolation Coat change the colour or gloss of my painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: When used as directed, it preserves colour; pairing it with a gloss varnish keeps clarity highest, while satin\/matte may reduce clarity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249701994833,"sku":"B07PNQZ7W2","price":29.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-isolation-coat-front-jar.jpg?v=1791637046"},{"product_id":"golden-fluid-acrylic-paint-1-oz-naphthol-red-light-high-pigment-low-viscosity-for-airbrushing-detail","title":"GOLDEN Fluid Acrylic Paint 28 g — Naphthol Red Light, High-Pigment Low-Viscosity for Airbrushing \u0026 Detail","description":"\u003cstrong\u003eGOLDEN Fluid Acrylic Paint in Naphthol Red Light is a highly concentrated, ink‑like acrylic that delivers intense, lightfast colour with excellent flow for spraying, staining, and fine detail work.\u003c\/strong\u003e\n\n\u003cp\u003eGOLDEN's Fluid Acrylics are formulated from genuine pigments suspended in a 100% acrylic polymer vehicle, not diluted heavy‑body paints. That means you get a consistent, permanent colour with no fillers or extenders, offering strong tinting power and reliable adhesion across surfaces. This 1 ounce bottle of Naphthol Red Light provides vibrant, durable colour in a low‑viscosity formula that behaves like an ink while retaining the durability of acrylic.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this fluid acrylic behave compared with heavy‑body or watered‑down paints?\u003c\/h3\u003e\n\u003cp\u003eThe Fluid Acrylic is made from a thinner acrylic vehicle rather than simply thinning heavy‑body paint with water. The pigment is evenly dispersed, preventing settling and maintaining binder integrity, so the paint film remains strong and flexible.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow viscosity for smooth flow through airbrushes and fine brushes\u003c\/li\u003e\n\u003cli\u003eHigh pigment concentration for strong tinting without using more paint\u003c\/li\u003e\n\u003cli\u003eDurable acrylic film—no weakened binder from dilution\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and tools pair well with Naphthol Red Light?\u003c\/h3\u003e\n\u003cp\u003eThis colour is especially suited to techniques that need fluid, controllable colour: spraying, staining, glazing, and detailed brushwork. It mixes cleanly with other acrylics and mediums to alter transparency or texture while keeping colour strength high.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAirbrushing and spray techniques for smooth, even coverage\u003c\/li\u003e\n\u003cli\u003eFabric staining and garment accents with proper fixatives\u003c\/li\u003e\n\u003cli\u003eLayered glazes and tints when mixed with other GOLDEN acrylics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store, mix, and apply the paint for best results?\u003c\/h3\u003e\n\u003cp\u003eStore upright in a cool, dry place and keep the cap tightly closed to prevent skinning. Use acrylic mediums to adjust gloss, flow, or drying time rather than diluting excessively with water to preserve film integrity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShake or roll gently before use to re‑suspend pigment\u003c\/li\u003e\n\u003cli\u003eAdd GOLDEN fluid mediums or extenders to control flow and drying\u003c\/li\u003e\n\u003cli\u003eClean tools with water while wet; cured paint is water‑resistant\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paint work on multiple surfaces and is it lightfast?\u003c\/h3\u003e\n\u003cp\u003eYes—because the formulation uses high‑quality lightfast pigments rather than dyes, colour stability is improved. It adheres well to primed canvas, paper, wood, and many fabric surfaces when used with appropriate preparation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightfast pigments for longer-lasting colour retention\u003c\/li\u003e\n\u003cli\u003eGood adhesion on prepared surfaces; test for each substrate\u003c\/li\u003e\n\u003cli\u003eSuitable for mixed‑media applications and layering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists and makers who need an intense, dependable red that flows like ink but performs like true acrylic—ideal for illustrators, airbrush artists, textile decorators, and painters seeking strong tinting strength without compromising durability. If you want concentrated colour for fine detail, glazing, or spray work, GOLDEN Fluid Acrylic Naphthol Red Light gives professional results in a compact 1 ounce bottle.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eIdeal for spraying, brushing, and staining\u003c\/li\u003e\n\u003cli\u003eExcellent for fabric application\u003c\/li\u003e\n\u003cli\u003eFine dispersion, high tinting strength, durability and flexibility\u003c\/li\u003e\n\u003cli\u003eBottle contains 1 ounce of acrylic paint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix GOLDEN Fluid Acrylic with heavy‑body acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix to tint or alter consistency; the fluid formula preserves colour strength while improving flow.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Naphthol Red Light lightfast for gallery work?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. GOLDEN uses lightfast pigments rather than dyes, offering improved colour permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249800364369,"sku":"B0006TZLY0","price":30.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-naphthol-red-light-front-bottle.jpg?v=1791637227"},{"product_id":"golden-open-slow-drying-acrylic-paint-light-ultramarine-blue-2-fl-oz-tube-extended-open-time-for-blending-and-glazing","title":"GOLDEN OPEN Slow-Drying Acrylic Paint, Light Ultramarine Blue, 59 ml tube — extended open time for blending and glazing","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow-Drying Acrylic in Light Ultramarine Blue is a professional-grade, slow-drying acrylic paint formulated for extended working time and an opaque, cool light-blue hue.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who need extra blending and glazing time, this 2 fl. oz. tube mixes a Titanium White base with Ultramarine Blue pigments to produce a reliably opaque light blue with excellent lightfastness. The OPEN formulation delays surface skinning, giving you more minutes or hours to soften edges, lift colour, and refine transitions compared with standard acrylics. It remains fully mixable with regular acrylics so you can fine-tune drying behavior and maintain consistent colour families on the palette.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this slow-drying acrylic help with blending and glazing?\u003c\/h3\u003e\n\u003cp\u003eBecause the OPEN formula dries slowly, you can keep paint workable on the canvas and palette longer, which makes soft gradients, subtle glazes, and careful portrait transitions easier to achieve. It's particularly useful when you need to rework edges without rewetting or relying on retarding mediums.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtended open time for smoother transitions and wet-on-wet blending\u003c\/li\u003e\n  \u003cli\u003eIdeal for layered glazes and gradual tonal shifts\u003c\/li\u003e\n  \u003cli\u003eMaintains colour integrity while you manipulate paint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pigment and permanence details for this light ultramarine blue?\u003c\/h3\u003e\n\u003cp\u003eThis colour is an opaque mixture using Titanium White (PW6) combined with Ultramarine Blue (PB29), offering excellent permanence with ASTM Lightfastness rated 1 (Excellent). The opacity makes it useful for covering and mixing without unwanted transparency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments: PW6 (Titanium Dioxide Rutile), PB29 (Ultramarine)\u003c\/li\u003e\n  \u003cli\u003eOpacity: Opaque for strong coverage and mixing base\u003c\/li\u003e\n  \u003cli\u003eLightfastness: ASTM I, suitable for gallery-quality work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this OPEN acrylic with faster-drying acrylics or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — GOLDEN OPEN is formulated to remain compatible with conventional acrylics and acrylic mediums, allowing you to control working time and finish. Mixing lets you dial in a faster or slower drying profile depending on your workflow without changing colour characteristics dramatically.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixable with regular acrylics for tailored drying behavior\u003c\/li\u003e\n  \u003cli\u003eWorks with acrylic mediums for gloss, matte, or texture control\u003c\/li\u003e\n  \u003cli\u003eUse sparingly to adjust open time while preserving handling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint reduce waste and suit plein air or studio work?\u003c\/h3\u003e\n\u003cp\u003eThe slow-drying OPEN formula keeps paint usable on the palette longer, reducing the need to discard partially used mixes and helping preserve colour consistency across sessions. For plein air, you gain more time for colour matching and layering without constant mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLess wasted paint from prematurely skinning palette mixtures\u003c\/li\u003e\n  \u003cli\u003eLonger workable periods support multi-stage colour matching outdoors\u003c\/li\u003e\n  \u003cli\u003e2 fl. oz. tube is portable yet substantial for studies or detail work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who prioritize extended working time, precision blending, and durable, gallery-quality colour will find GOLDEN OPEN Light Ultramarine Blue useful. It's suitable for portraitists, landscape painters working en plein air, printmakers needing open mixing windows, and anyone who wants a dependable, opaque light blue with excellent permanence. If you need faster drying at times, you can blend with conventional acrylics or use appropriate mediums to adapt the drying profile without sacrificing colour fidelity.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does GOLDEN OPEN stay workable?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: OPEN acrylics stay workable significantly longer than standard acrylics, giving minutes to hours depending on temperature and humidity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this colour lightfast and opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the Light Ultramarine Blue is ASTM Lightfastness I (Excellent) and formulated to be opaque for strong coverage.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55249887756625,"sku":"B0044TVUCK","price":27.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-light-ultramarine-blue-front-tube.jpg?v=1791637545"},{"product_id":"golden-fluid-acrylics-interference-blue-fine-1-fl-oz-transparent-iridescent-artist-acrylic-for-glazing-and-glows","title":"GOLDEN Fluid Acrylics Interference Blue (Fine) 30 ml — Transparent Iridescent Artist Acrylic for Glazing and Glows","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylics Interference Blue (Fine) is a transparent, light-shifting professional acrylic in a 1 fl. oz. bottle that lays down a smooth, even film and flips between opalescent blue and its complementary hue as viewing angle changes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInterference Blue (Fine) from GOLDEN is a specialty transparent fluid acrylic that contains titanium-dioxide-coated mica particles to create an iridescent, angle-dependent colour effect. It carries the same high pigment load and archival qualities you expect from GOLDEN, but with a pourable, heavy-cream-like viscosity that makes it easier to spread, glaze, or mix into media. Made in the USA by an employee-owned company, this 1 fl. oz. bottle is formulated for artists who need consistent, professional-grade interference colour in a convenient fluid form.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Interference Blue (Fine) behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eThis interference pigment is transparent and shows best over darker or neutral grounds, where the mica particles can reflect light and reveal the colour flip. On white or very light surfaces the effect will be subtler and more pearlescent; on coloured or textured grounds it can produce luminous overlays. It adheres well to primed canvas, paper, wood, and many prepared mixed-media supports when used straight or mixed with compatible GOLDEN mediums.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBest visibility over darker or toned grounds for stronger flip effect\u003c\/li\u003e\n  \u003cli\u003eAdheres cleanly to acrylic gesso, primed canvas, sealed wood, and paper\u003c\/li\u003e\n  \u003cli\u003eMixes readily into gels and mediums without losing shimmer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques can I use with this fluid acrylic?\u003c\/h3\u003e\n\u003cp\u003eBecause of its flowing consistency and stable pigment load, Interference Blue (Fine) works well for glazing, staining, fine brushwork, and water-media effects. Use it straight from the bottle for luminous washes or thin glazes, or combine with GOLDEN gels and mediums to alter body and sheen while retaining interference characteristics. It also blends smoothly with other acrylic colours to create subtle iridescent shifts in mixed passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing: translucent layers to build luminous depth\u003c\/li\u003e\n  \u003cli\u003eStaining and washes: even coverage with flow control\u003c\/li\u003e\n  \u003cli\u003eTinting mediums and gels: keep interference effect while changing viscosity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this paint?\u003c\/h3\u003e\n\u003cp\u003eThis formula offers excellent lightfastness and film integrity when used as directed, matching GOLDEN’s professional standards. The pigment is titanium-dioxide coated mica, selected for stability and resistance to fading; the fluid vehicle cures to an acrylic film that adheres strongly to properly prepared supports. For longevity, apply to primed surfaces and avoid prolonged exposure to harsh environmental conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh lightfastness rating for long-term colour retention\u003c\/li\u003e\n  \u003cli\u003eStrong adhesion on primed and sealed supports\u003c\/li\u003e\n  \u003cli\u003eStable interference pigment in an archival acrylic vehicle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and store this colour to keep its properties?\u003c\/h3\u003e\n\u003cp\u003eMix gently to preserve the mica orientation that creates the interference effect—avoid vigorous mechanical agitation that can dust the particles. Combine with GOLDEN acrylic mediums or other Fluid Acrylics for predictable tinting; when mixing with heavier bodies, add the fluid slowly until you reach the desired translucency. Store the bottle upright, tightly sealed, and away from extreme heat or freezing to maintain fluidity and prevent contamination.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStir gently or roll the bottle rather than shaking violently\u003c\/li\u003e\n  \u003cli\u003eTint into gels or other acrylics slowly to control transparency\u003c\/li\u003e\n  \u003cli\u003eStore sealed at room temperature away from direct sunlight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Fluid Acrylics Interference Blue (Fine) is designed for professional artists, illustrators, and advanced hobbyists who want a reliable, light-responsive transparent colour in a fluid format. It's ideal for painters working with glazing, mixed media, water techniques, or any project where a luminous, angle-dependent effect enhances the surface. If you need archival quality, strong tinting power, and a pourable consistency that integrates easily with other acrylic products, this interference blue is well suited to your studio practice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Interference Blue (Fine) transparent or opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It is transparent; best effects appear over darker or neutral grounds where the colour flip shows more strongly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other GOLDEN paints and mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—mix gently with acrylics, gels, or mediums to retain interference shimmer and adjust viscosity or opacity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55250151801169,"sku":"B001MBKUQ0","price":29.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-interference-blue-bottle-front.jpg?v=1791637784"},{"product_id":"golden-heavy-body-acrylic-iridescent-silver-fine-2-fl-oz-tube-metallic-thick-brushstroke-retaining-viscosity","title":"GOLDEN Heavy Body Acrylic Iridescent Silver (Fine) 59 ml Tube — Metallic, Thick Brushstroke-Retaining Viscosity","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Iridescent Silver (Fine) is a thick, brushstroke-retaining metallic acrylic that delivers a luminous silver sheen made from mica and carbon-based pigments.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube from GOLDEN is part of their Heavy Body line, prized by painters for a rich, buttery viscosity that holds texture without added fillers. The Iridescent Silver (Fine) combines coated mica particles with a touch of PBk7 to produce a cool grey-silver luster that sits semi-opaque on the surface, making it versatile for both impasto highlights and delicate glazing. As with other colours in the range, its formulation emphasizes the inherent properties of the pigments themselves, so sheen and coverage vary naturally across the palette.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this silver perform with brushstrokes and palette knives?\u003c\/h3\u003e\n\n\u003cp\u003eThe heavy-body formula is engineered to keep the peaks and valleys created by brushes and knives intact, so your textures read clearly after drying. Expect pronounced tooth and dimensionality when applied thickly, yet smooth blending when thinned slightly.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThick, buttery consistency that preserves strokes and knife marks\u003c\/li\u003e\n  \u003cli\u003eHolds peaks without sagging for impasto techniques\u003c\/li\u003e\n  \u003cli\u003eCompatible with typical acrylic brushes, palette knives, and modelling tools\u003c\/li\u003e\n  \u003cli\u003eDries to a durable film that keeps surface texture visible\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this Iridescent Silver with other paints or mediums?\u003c\/h3\u003e\n\n\u003cp\u003eThis metallic silver mixes cleanly with other heavy body colours and many acrylic mediums, allowing you to adjust tint, transparency, and working properties. Because GOLDEN avoids fillers and extenders, mixing yields predictable shifts in sheen and opacity based on the pigments you add.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMixes reliably with other acrylic colours for tinted metallics\u003c\/li\u003e\n  \u003cli\u003eWorks with acrylic retarders, gels, and mediums for varied effects\u003c\/li\u003e\n  \u003cli\u003eMaintain the metallic look by testing small mixes first\u003c\/li\u003e\n  \u003cli\u003eVegan formulation without added opacifiers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the lightfastness and opacity characteristics?\u003c\/h3\u003e\n\n\u003cp\u003eGOLDEN rates this Iridescent Silver at ASTM Lightfastness I, indicating excellent resistance to fading under normal light exposure. The paint is semi-opaque, so it provides solid coverage in many applications while still allowing subtle layering for metallic depth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) for archival stability\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque coverage—good for both coverage and layered effects\u003c\/li\u003e\n  \u003cli\u003eSheen and opacity reflect the mica-based, pigment-driven formulation\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by an employee-owned company with long-standing experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply, store, and preserve this paint?\u003c\/h3\u003e\n\n\u003cp\u003eApply directly from the tube with brushes or knives; thin with compatible acrylic mediums if you need glazes or increased flow. Store the tube capped in a cool, dry place—proper sealing prevents skinning and keeps the pigment performance stable.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eUse straight from the tube for bold metallic highlights and impasto\u003c\/li\u003e\n  \u003cli\u003eThin with acrylic mediums for glazes or smoother blends\u003c\/li\u003e\n  \u003cli\u003eCap tightly after use and store away from heat and direct sunlight\u003c\/li\u003e\n  \u003cli\u003eClean tools with soap and water before paint dries\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Heavy Body Iridescent Silver (Fine) suits professional and serious hobbyist painters who want a high-viscosity metallic with archive-grade pigments and predictable mixing behavior. It’s ideal for artists working in texture-rich styles, mixed-media applications that need durable metallic accents, and anyone seeking a premium silver that holds form and sheen without added fillers.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Iridescent Silver lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. GOLDEN rates this Iridescent Silver ASTM Lightfastness I, indicating excellent resistance to fading.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin it for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with compatible acrylic mediums or retarders for glazing; avoid water-only thinning for best sheen retention.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55251216335185,"sku":"B0006VBP0C","price":29.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-heavy-body-iridescent-silver-front-tube.jpg?v=1791642449"},{"product_id":"golden-heavy-body-acrylic-paint-yellow-ochre-2-oz-thick-high-pigment-artist-paint","title":"GOLDEN Heavy Body Acrylic Paint — Yellow Ochre 57 g | Thick, High-Pigment Artist Paint","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylic Paint — 2-ounce tube of Yellow Ochre delivers a rich, thick, buttery colour that holds brushstrokes and texture for professional painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGOLDEN Heavy Body Acrylics are formulated for artists who want a dense, paste-like acrylic that keeps peaks and impasto without sagging. This 2-ounce tube in Yellow Ochre offers lasting colour with high pigment load and is made in the USA. The formula avoids fillers and extenders, producing a pure, permanent finish that resists water and UV once fully cured.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint perform for thick texture and impasto work?\u003c\/h3\u003e\n\u003cp\u003eThis heavy body formula was created to retain brush and palette knife marks, making it ideal for visible texture and layered impasto. The paint keeps its shape on canvas or panel and dries to a flexible, stable film.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, buttery consistency holds peaks and knife marks\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong coverage\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible film suitable for stretched canvases\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Yellow Ochre from GOLDEN stay true over time?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN Heavy Body Acrylics are manufactured with an emphasis on permanency and lightfastness so the colour remains consistent under typical display conditions. The acrylic binder provides UV resistance and good durability when allowed to cure properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated for excellent lightfastness and permanency\u003c\/li\u003e\n  \u003cli\u003eWater-resistant when fully dried and cured\u003c\/li\u003e\n  \u003cli\u003eProduced without opacifiers or toners for authentic pigment behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this tube?\u003c\/h3\u003e\n\u003cp\u003eUse this 2-ounce tube for canvases, boards, prepared paper, and mixed-media supports; it's versatile for both brushwork and palette-knife application. You can mix it with other GOLDEN colours or mediums to modify flow, gloss, or drying time without losing body.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for canvas, wood panels, and heavy paper\u003c\/li\u003e\n  \u003cli\u003eBlendable with other acrylics and compatible GOLDEN mediums\u003c\/li\u003e\n  \u003cli\u003eSuitable for layering, glazing (with medium), and thick sculptural passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there safety or composition notes I should know?\u003c\/h3\u003e\n\u003cp\u003eThe paint contains no fillers, extenders, opacifiers, toners, or dyes—only pigment and acrylic binder—so you get pure colour performance. As with many artist-grade products, review the label: this item carries a State of California warning for a chemical listed by that jurisdiction.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eArtist-grade formula with no unnecessary additives\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D 4236 and ASTM D 5098 labeling standards\u003c\/li\u003e\n  \u003cli\u003eMade in the USA; read packaging for safety notices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Heavy Body Acrylic, 2 oz in Yellow Ochre, is made for professional and serious hobbyist painters who need a dependable, high-pigment acrylic that maintains texture and colour integrity. Choose this tube if you work with thick applications, value archival properties, or require consistent mixing behavior with other professional-grade acrylics.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Heavy Body Acrylic Yellow Ochre permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated for high permanency and lightfastness; it dries to a water‑resistant, flexible film.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other acrylic colours or mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it mixes well with other GOLDEN acrylics and compatible mediums to adjust flow, gloss, or drying.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55251275710801,"sku":"B000JEWICK","price":28.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-front-packaging.jpg?v=1791642871"},{"product_id":"golden-heavy-body-acrylic-paint-ultramarine-blue-2-fl-oz-tube-thick-butterly-viscosity-high-pigment","title":"GOLDEN Heavy Body Acrylic Paint Ultramarine Blue — 59 ml Tube, Thick Butterly Viscosity \u0026 High Pigment","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics in Ultramarine Blue is a professional-grade, thick-bodied acrylic paint sold in a 2 fl. oz. tube for artists who need rich pigment and pronounced texture.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis heavy-body acrylic delivers a dense, buttery viscosity that holds brushstrokes and palette-knife textures while offering long-lasting colour permanence. Made in the USA and sold individually, this 2 oz tube of Ultramarine Blue is part of GOLDEN's artist series of acrylics designed to provide consistent pigment load and reliable handling across a wide colour range.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint perform for texture and impasto work?\u003c\/h3\u003e\n\u003cp\u003eThe formula is engineered to retain peaks and ridges, making it ideal for impasto, sculptural brushwork, and knife techniques. It resists sagging as it dries, so three-dimensional effects remain intact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, buttery viscosity that keeps brush and knife marks visible\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for intense colour in textured layers\u003c\/li\u003e\n  \u003cli\u003eGood film strength to prevent cracking in moderate impasto\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Ultramarine Blue lightfast and durable on finished pieces?\u003c\/h3\u003e\n\u003cp\u003eThe pigment offers strong permanence and resistance to fading when used properly; the dried film also resists water and UV exposure better than many student-grade paints. For optimal longevity, finish artworks with an appropriate varnish and display away from prolonged direct sunlight.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated for improved permanence and colour stability\u003c\/li\u003e\n  \u003cli\u003eDried film shows water resistance for surface cleaning and handling\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM standards for labeling and quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this acrylic?\u003c\/h3\u003e\n\u003cp\u003eThis heavy-body acrylic adheres reliably to canvas, heavy paper, wood panels, and properly primed surfaces. It mixes well with gels and mediums to alter sheen and working time, and can be thinned for washes or glazing without losing clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for canvas, primed board, wood, and heavyweight paper\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic mediums to adjust flow, gloss, or transparency\u003c\/li\u003e\n  \u003cli\u003eCan be diluted with water or acrylic medium for washes and glazes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there safety or composition details I should know?\u003c\/h3\u003e\n\u003cp\u003eThe paint is free from fillers, extenders, and opacifiers, focusing on pure pigment and binder for predictable behavior. Follow standard studio safety: use good ventilation, avoid ingestion, and consult the label for any specific cautions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNo added fillers, extenders, opacifiers, toners, or dyes in the formulation\u003c\/li\u003e\n  \u003cli\u003eComplies with ASTM labeling standards for art materials\u003c\/li\u003e\n  \u003cli\u003eContains a California Proposition 65 warning on the package\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Heavy Body Acrylics Ultramarine Blue in a 2 fl. oz. tube is aimed at professional and serious hobbyist painters who want a concentrated, malleable pigment for visible texture, layering, and colour-intense work. If you need a paint that keeps its shape under palette knife work or holds strong brushstroke definition while offering archival qualities, this tube is a compact, studio-ready option.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can this paint be mixed with acrylic mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well with acrylic gels, mediums, and retarders to change sheen, body, or drying time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will heavy application crack as it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Not typically; the formulation resists moderate cracking, but extreme thick layers may still need additives for stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55251421790545,"sku":"B0006VBRUK","price":30.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-ultramarine-blue-front-tube.jpg?v=1791643571"},{"product_id":"golden-heavy-body-acrylic-paint-cobalt-green-2-fl-oz-tube-high-viscosity-lightfast-pigment","title":"GOLDEN Heavy Body Acrylic Paint, Cobalt Green 59 ml Tube — High-Viscosity, Lightfast Pigment","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Cobalt Green in a 2 fl. oz. tube is a thick, buttery acrylic paint formulated for durable, lightfast colour and dependable handling for artists and illustrators.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGOLDEN's Heavy Body line is built around a high-viscosity, pigment-rich formula that lays down textured strokes, holds peaks, and blends smoothly without thinning fillers or extenders. This 2 ounce tube of Cobalt Green delivers concentrated pigment with excellent permanency and resistance to UV degradation once dry. Conforming to ASTM D 4236 and ASTM D 5098, the paint is designed for fine-art use across canvas, wood, and primed surfaces; a California chemical warning applies per the manufacturer.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave on the brush and palette?\u003c\/h3\u003e\n\u003cp\u003eThe formula is notably thick and buttery, allowing you to load brushes for visible brushstrokes, sculpt texture, or smooth blend colours. It keeps its body on the palette and resists running, so you can control impasto effects and sharp edges without immediate dripping.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh viscosity retains peaks and textured strokes\u003c\/li\u003e\n  \u003cli\u003eButtery consistency enables smooth blending when worked\u003c\/li\u003e\n  \u003cli\u003eMinimal slump — good for palette knives and brushwork\u003c\/li\u003e\n  \u003cli\u003eConcentrated pigment means less product needed for opacity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces work best with GOLDEN Heavy Body Cobalt Green?\u003c\/h3\u003e\n\u003cp\u003eApply this acrylic to primed canvas, heavy paper, fine art board, wood panels, and gessoed surfaces for reliable adhesion and flexibility when dry. For non-absorbent or glossy supports, a light sanding or appropriate primer improves mechanical grip and longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrimed cotton or linen canvas — excellent colour hold and texture\u003c\/li\u003e\n  \u003cli\u003eGessoed wood panels for crisp edges and archival stability\u003c\/li\u003e\n  \u003cli\u003eHeavy-weight art papers suitable for acrylic media\u003c\/li\u003e\n  \u003cli\u003eUse proper primers on slick surfaces for better adhesion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and colour-stable is Cobalt Green over time?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN Heavy Body paints prioritize permanence and lightfastness, giving lasting colour integrity when stored and displayed properly. The dried film is formulated for flexibility, water resistance once dry, and improved UV resistance, which helps preserve hue and saturation under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent permanency ratings for long-term colour retention\u003c\/li\u003e\n  \u003cli\u003eDried film becomes water-resistant and flexible\u003c\/li\u003e\n  \u003cli\u003eFormulated to resist UV fading better than lower-grade acrylics\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM standards for artist materials\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do you use and mix this colour effectively?\u003c\/h3\u003e\n\u003cp\u003eCobalt Green mixes well with other Heavy Body colours and mediums for glazing, tinting, or extended open time applications. Use sparingly for glazing or in larger quantities for opaque passages; adding GOLDEN mediums modifies flow, gloss, and drying characteristics while maintaining permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other pigments to create muted or vivid greens\u003c\/li\u003e\n  \u003cli\u003eAdd retarders or open mediums to extend working time\u003c\/li\u003e\n  \u003cli\u003eUse gels or pastes to increase texture or gloss as needed\u003c\/li\u003e\n  \u003cli\u003eThin with acrylic medium rather than water for best film integrity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Heavy Body Acrylics Cobalt Green 2 fl. oz. is for professional and serious hobby artists who want a pigment-dense, high-viscosity acrylic that holds texture, blends smoothly, and offers strong permanence. It suits painters working in impasto, detailed studio work, mixed-media pieces, and colour studies that demand archival quality and predictable behavior. Note: this product carries a California Proposition 65 warning as supplied by the manufacturer; follow all safety and ventilation recommendations during use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this GOLDEN paint lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—GOLDEN Heavy Body paints are formulated for excellent permanency and lightfastness, conforming to ASTM standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint with water?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin slightly with water, but for best film strength use acrylic mediums rather than water for extensive thinning.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252026589521,"sku":"B0006VBQ1A","price":33.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-cobalt-green-front-tube.jpg?v=1791646742"},{"product_id":"golden-heavy-body-acrylic-paint-primary-cyan-2-oz-tube-high-pigment-impasto-ready","title":"GOLDEN Heavy Body Acrylic Paint — Primary Cyan, 57 g tube, high pigment \u0026 impasto-ready","description":"\u003cstrong\u003eGolden Heavy Body Acrylic Paint in Primary Cyan is a professional-grade, thick-bodied artist acrylic sold in a 2-ounce tube for reliable, highly pigmented colour and durable dried film.\u003c\/strong\u003e\n\n\u003cp\u003eThis Heavy Body formula delivers a dense, buttery consistency that holds peaks and brushstrokes, making it ideal for impasto techniques, textured layering, and precise colour mixing. The formula avoids fillers or extenders, offering concentrated pigmentation and long-lasting colour permanence. It dries to a flexible, water-resistant film with strong lightfast performance, and the 2-ounce tube is convenient for studio practice, plein air studies, or testing new palettes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave on canvas and panel?\u003c\/h3\u003e\n\n\u003cp\u003eIts high-viscosity body keeps brush marks and palette-knife textures clearly visible while still being workable. The dried surface remains flexible and resists cracking when applied properly in reasonable film thicknesses. Because it contains no extenders or opacifiers, the colour stays vivid and mixes cleanly with other heavy body colours.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMaintains brushstrokes and impasto texture\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible, water-resistant film\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load for strong colour and clean mixing\u003c\/li\u003e\n  \u003cli\u003eSuitable for canvas, wood, and primed panels\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this tube work for colour mixing and glazing?\u003c\/h3\u003e\n\n\u003cp\u003ePrimary Cyan in a heavy-body formulation is excellent for mixing saturated secondary and tertiary hues without becoming weak or cloudy. For glazing, you can thin it with a reliable acrylic medium rather than water to retain binder strength and clarity. Because there are no fillers or toners, mixed colours remain true to the original pigments.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly to produce vivid blends\u003c\/li\u003e\n  \u003cli\u003eUse acrylic mediums for transparent glazes\u003c\/li\u003e\n  \u003cli\u003eNo fillers means truer colour when combining tubes\u003c\/li\u003e\n  \u003cli\u003e2 oz size is good for testing mixtures before committing to larger tubes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I know about safety, permanence, and standards?\u003c\/h3\u003e\n\n\u003cp\u003eGolden Heavy Body Acrylics are formulated with permanence and lightfastness in mind; the pigments are selected to resist fading over time when used and displayed properly. The product conforms to ASTM D 4236 and ASTM D 5098 standards for artist materials. Note the California Proposition 65 warning: this product contains a chemical recognized by the State of California to be associated with cancer. It is manufactured in the USA.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D 4236 and ASTM D 5098\u003c\/li\u003e\n  \u003cli\u003eDesigned for high lightfastness and archival stability\u003c\/li\u003e\n  \u003cli\u003eIncludes California Proposition 65 warning — handle and store responsibly\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by GOLDEN\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint is in a 2-ounce tube and how should I store it?\u003c\/h3\u003e\n\n\u003cp\u003eThe tube contains 2 fluid ounces (approximately 59 milliliters), a convenient quantity for studies, small works, or as part of a travel kit. Keep the cap tightly closed and store tubes in a cool, dry place away from direct sunlight to preserve the paste consistency and pigment integrity. For longer storage, standing tubes upright with the cap up can reduce drying at the nozzle.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e2 oz (≈59 ml) tube — ideal for testing or limited projects\u003c\/li\u003e\n  \u003cli\u003eSeal cap after use to prevent skinning in the nozzle\u003c\/li\u003e\n  \u003cli\u003eStore cool and out of direct sunlight for best longevity\u003c\/li\u003e\n  \u003cli\u003eUse within reasonable time after opening to ensure peak performance\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who need a heavy-viscosity, highly pigmented cyan for texture-rich work, mixed colour precision, or archival studio pieces will appreciate this GOLDEN Heavy Body 2-ounce tube. It suits professional painters, advanced students, and dedicated hobbyists who want a pure, filler-free acrylic that behaves predictably in thick applications and detailed colour work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHas an exceptionally smooth, thick, buttery consistency\u003c\/li\u003e\n  \u003cli\u003eContains no fillers, extenders, opacifiers, toners or dyes\u003c\/li\u003e\n  \u003cli\u003eComes in a wide variety of colours. Each sold separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this GOLDEN paint lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—formulated for good lightfastness and permanence; conforms to ASTM D 4236 and D 5098 standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin it with water for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin with water for washes, but use an acrylic medium for durable, clear glazes and better binder strength.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252086030673,"sku":"B0007NQNLU","price":30.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-front-tube.jpg?v=1791647898"},{"product_id":"golden-satin-glazing-liquid-acrylic-medium-8-fl-oz-extends-working-time-increases-translucency","title":"GOLDEN Satin Glazing Liquid acrylic medium, 237 ml — extends working time, increases translucency","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Satin Glazing Liquid is a slow-drying acrylic extender that increases translucency and working time for refined glazing and blending effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work with acrylics but want the delicate, layered look of traditional glazes, this medium extends drying time and boosts transparency so colours sit in thin, controllable layers. Formulated by GOLDEN, a U.S.-based paint maker with decades of experience, the satin finish preserves a subtle sheen while keeping pigment handling predictable. Use it to build luminous glazes, feather soft transitions, or longer wet-edge time when mixing and smoothing colour on canvas.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Satin Glazing Liquid change acrylic paint behavior for layering?\u003c\/h3\u003e\n\n\u003cp\u003eThe liquid thins pigments without breaking binder cohesion, producing translucent washes that dry evenly and resist tackiness when handled correctly. Because it slows film formation, you gain more minutes for glazing and soft blending, so edges and colour shifts stay smooth rather than locking too quickly.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIncreases translucency for thin, luminous washes.\u003c\/li\u003e\n  \u003cli\u003eExtends working time to allow longer blending sessions.\u003c\/li\u003e\n  \u003cli\u003eMaintains film integrity so layers adhere reliably.\u003c\/li\u003e\n  \u003cli\u003eLeaves a satin sheen—neither flat matte nor high gloss.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are practical ways artists use this medium in a painting session?\u003c\/h3\u003e\n\n\u003cp\u003eArtists commonly mix a portion of Satin Glazing Liquid with acrylic colour for transparent glazes, use it to pre-wet areas for soft gradients, or apply it as a glazing medium between colour passes. It also works well as a slow-drying additive when blocking in complex colour relationships that require time to refine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMix with pigment for multilayer glazing and colour shifts.\u003c\/li\u003e\n  \u003cli\u003eThin with the medium for subtle glazing washes and veils.\u003c\/li\u003e\n  \u003cli\u003eUse to keep edges workable when feathering transitions.\u003c\/li\u003e\n  \u003cli\u003eApply between layers to modify sheen and transparency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much should I mix with paint and how does it affect drying?\u003c\/h3\u003e\n\n\u003cp\u003eStart with modest ratios—try 10–30% medium to paint by volume—and adjust based on desired transparency and working time. Higher proportions increase translucency and slow drying further, but extremely high ratios will reduce pigment strength and film durability, so balance translucency needs with structural stability.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e10–30% for controlled glazing without losing pigment body.\u003c\/li\u003e\n  \u003cli\u003e30–50% for very thin, watercolour-like glazes.\u003c\/li\u003e\n  \u003cli\u003eAbove 50% reduces pigment saturation and can weaken film.\u003c\/li\u003e\n  \u003cli\u003eTest mixes on a scrap surface to confirm drying and sheen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this medium change surface sheen or final appearance?\u003c\/h3\u003e\n\n\u003cp\u003eSatin Glazing Liquid leaves a low-luster satin surface that subtly reflects light while preserving colour depth. It won’t produce the high gloss of varnishes, nor the fully matte look of matting agents, making it a versatile choice for works where a gentle sheen enhances colour without glare.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eProduces a satin finish—soft, light-reflective, and even.\u003c\/li\u003e\n  \u003cli\u003eHelps colours appear deeper due to increased translucency.\u003c\/li\u003e\n  \u003cli\u003eCompatible with most GOLDEN acrylic colours and acrylic grounds.\u003c\/li\u003e\n  \u003cli\u003eFinal sheen can be adjusted with varnishes if desired.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Satin Glazing Liquid is aimed at painters who want precise control over translucency and working time—fine artists layering glazes, illustrators refining colour transitions, and mixed-media creators who need predictable satin finishes. It's especially useful for acrylic painters seeking extended open time without resorting to water-thinned, unstable washes. Made in the USA by an experienced, employee-owned company, this 8 fl. oz. bottle is sized for studio practice and careful, controlled glazing work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Satin Glazing Liquid with heavy body acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix small amounts to increase translucency and working time; test ratios to maintain desired pigment strength.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this medium change the final sheen of my painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it produces a soft satin finish, subtly reflecting light without high gloss or fully matte appearance.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252362101073,"sku":"B005Z3XYEG","price":29.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-satin-glazing-liquid-front-bottle.jpg?v=1791651000"},{"product_id":"golden-heavy-body-acrylic-paint-ultramarine-violet-2-fl-oz-tube-buttery-impasto-high-pigment","title":"GOLDEN Heavy Body Acrylic Paint, Ultramarine Violet — 59 ml tube, buttery impasto \u0026 high pigment","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics in Ultramarine Violet is a thick, buttery artist-grade acrylic paint in a 2 fl. oz. tube that delivers high pigment strength, exceptional permanence, and durable water- and UV-resistant dried film.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for fine artists, illustrators, and mixed-media makers, this Heavy Body formula offers a smooth, sculptable consistency that holds brushstrokes and palette-knife textures while resisting fillers and extenders. The Ultramarine Violet hue provides a deep, rich violet with strong tinting strength and predictable mixing behavior. Packaged in a convenient 2 fl. oz. metal tube, this colour is produced to GOLDEN's archival standards and sold individually for easy colour-by-colour selection.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Ultramarine Violet perform on the palette and canvas?\u003c\/h3\u003e\n\u003cp\u003eThis Ultramarine Violet maintains a dense, buttery body that preserves peaks and impasto textures, making it ideal for visible brushwork and heavy-bodied applications. It blends smoothly with other GOLDEN colours without becoming watery, so you can mix clean tints and deep chromatic greys.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, sculptable consistency that holds shape and brush marks\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load for strong coverage and tinting strength\u003c\/li\u003e\n  \u003cli\u003eMixes predictably with other acrylics for layered glazing or opaque passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and safe for finished artwork?\u003c\/h3\u003e\n\u003cp\u003eThe dried film is formulated for flexibility and resistance to water and UV, helping finished pieces retain colour and structure over time when used with appropriate supports and varnishes. GOLDEN Heavy Body Acrylics conform to ASTM D 4236 and ASTM D 5098 labeling standards for artists' materials.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWater-resistant and UV-resistant dried surface for longevity\u003c\/li\u003e\n  \u003cli\u003eMeets ASTM artist-material labeling standards\u003c\/li\u003e\n  \u003cli\u003eStable film that resists cracking when applied correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and applications suit this 2 fl. oz. tube?\u003c\/h3\u003e\n\u003cp\u003eThe 2 fl. oz. size is convenient for studio testing, plein-air work, or for adding a new colour to an existing palette. It is versatile for heavy impasto, fine glazing (when thinned or mediumed), and for textural effects using palette knives, brushes, or stamps.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImpasto and heavy-bodied texture with palette knife or stiff brushes\u003c\/li\u003e\n  \u003cli\u003eThin for glazes or combine with GOLDEN mediums for extended working time\u003c\/li\u003e\n  \u003cli\u003ePerfect sample or travel size for workshops and plein-air painting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this product differ from student-grade acrylics?\u003c\/h3\u003e\n\u003cp\u003eUnlike student-grade paints, GOLDEN Heavy Body contains no fillers, extenders, opacifiers, toners, or dyes; the result is purer colour, better permanence, and more predictable aging. The pigment concentration and formulation support professional-level performance in colorfastness and handling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNo fillers or extenders—richer, truer colour per volume\u003c\/li\u003e\n  \u003cli\u003eControlled consistency for consistent studio results\u003c\/li\u003e\n  \u003cli\u003eManufactured in the USA to GOLDEN quality standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a professional, archival-grade violet in a manageable 2 fl. oz. tube will appreciate GOLDEN Heavy Body Ultramarine Violet. It suits painters who favor visible brushwork, heavy texture, or precise colour mixing—students advancing into professional practices, educators stocking curated palettes, and seasoned artists expanding their colour range. Note: this product carries California's Proposition 65 warning for certain chemicals; consult the label for details and use standard studio safety practices.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: exceptionally smooth, thick, buttery consistency; contains no fillers or extenders; sold individually in a wide range of colours; water and UV resistant.\u003c\/li\u003e\n  \u003cli\u003eContents: one 2 fl. oz. tube of GOLDEN Heavy Body Acrylic in Ultramarine Violet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the tube size and pigment strength?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This is a 2 fl. oz. tube with high pigment load for strong coverage and tinting strength.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use it outdoors or layer it with other media?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—works well for plein-air use and layers reliably; consider appropriate ground and varnish for protection.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252533510481,"sku":"B0009H90DM","price":30.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-ultramarine-violet-front-tube.jpg?v=1791651954"},{"product_id":"golden-heavy-body-acrylic-paint-raw-sienna-2-fl-oz-tube-thick-high-pigment-blendable","title":"GOLDEN Heavy Body Acrylic Paint Raw Sienna 59 ml Tube — Thick, High-Pigment Blendable","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics in Raw Sienna is a professional-grade, thick-bodied acrylic paint sold as a 2 fl. oz. tube for artists seeking high pigment concentration and a buttery, sculptable consistency.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 oz. tube from GOLDEN delivers the brand's Heavy Body acrylic formula, prized by painters for its dense, moldable texture and long-lasting pigment performance. Formulated without fillers, extenders, opacifiers, toners, or dyes, the paint dries to a flexible film that stands up to handling and environmental exposure. The colour Raw Sienna is a warm, earthy brown useful for underpainting, natural tones, and glazing layers. Packaged in the United States, the tube conforms to ASTM D 4236 and ASTM D 5098 safety standards; please note the product carries a California Proposition 65 warning.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Raw Sienna heavy body acrylic perform on a primed canvas?\u003c\/h3\u003e\n\u003cp\u003eOn primed canvas, GOLDEN Heavy Body retains brush and palette-knife marks, letting you build texture or smooth blends as you prefer. Its high pigment load keeps washes vibrant when thinned, and it holds peaks when worked with knife tools.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, buttery consistency for visible brushstrokes and impasto.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour payoff.\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible, water- and UV-resistant film.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylic mediums for glazing or texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Raw Sienna with other GOLDEN colours or mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — Raw Sienna mixes predictably with acrylics and most acrylic mediums from GOLDEN, allowing you to create extended palettes or alter handling properties. Mixes retain good permanence and lightfastness when kept within recommended ratios.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine with other heavy body colours for opaque, textured effects.\u003c\/li\u003e\n  \u003cli\u003eThin with acrylic medium (not water alone for permanence) for glazes.\u003c\/li\u003e\n  \u003cli\u003eAdd texture mediums to increase body without diluting pigment.\u003c\/li\u003e\n  \u003cli\u003eTest small mixes first to check drying time and sheen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and care for this 2 fl. oz. tube to maximize lifespan?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube tightly capped and stored in a cool, dry place away from direct sunlight to maintain paint quality between sessions. Clean tube threads after each use to prevent clogging and avoid contamination of the remaining paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSeal cap immediately after use to prevent skinning inside the tube.\u003c\/li\u003e\n  \u003cli\u003eStore horizontally or upright in moderate temperatures (room temp ideal).\u003c\/li\u003e\n  \u003cli\u003eWipe nozzle and cap to keep paint fresh and avoid blockages.\u003c\/li\u003e\n  \u003cli\u003eUse within a reasonable time; unopened tubes have longer shelf life.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there safety or compliance details I should know before buying?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN Heavy Body Acrylics conform to ASTM D 4236 and ASTM D 5098, indicating compliance with recognized labeling and performance standards for art materials. As required, the product carries a California Proposition 65 warning for a chemical identified by the state.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMeets ASTM D 4236 (art material labeling) and D 5098 performance standards.\u003c\/li\u003e\n  \u003cli\u003eContains no fillers, extenders, opacifiers, toners, or dyes.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA in GOLDEN's heavy body formulation.\u003c\/li\u003e\n  \u003cli\u003eFollow local regulations for disposal of leftover materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a compact, professional-grade tube of Raw Sienna for studio painting, plein air touch-ups, or colour studies will appreciate GOLDEN Heavy Body's dense handling and true pigment. It's suited to painters who work in impasto or layered acrylic techniques, those who mix custom palettes, and anyone needing archival-grade colour in a travel-friendly 2 fl. oz. size.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003ePackage includes one 2 fl. oz. tube of GOLDEN Heavy Body Acrylic in Raw Sienna. Each colour sold separately.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003csmall\u003eWarning: This product contains a chemical known to the state of California to cause cancer. Made in USA.\u003c\/small\u003e\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this GOLDEN Raw Sienna permanent and lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: GOLDEN Heavy Body paints are formulated for good permanence and lightfastness; check the label for the specific colour's rating.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint with water for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin with water for temporary washes, but use an acrylic glazing medium to preserve permanence and film integrity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252608680273,"sku":"B0006VBS1S","price":29.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-heavy-body-raw-sienna-front-tube.jpg?v=1791652398"},{"product_id":"golden-heavy-body-acrylics-chromium-oxide-green-2-fl-oz-tube-opaque-buttery-impasto-paint-astm-i-lightfast","title":"GOLDEN Heavy Body Acrylics Chromium Oxide Green 59 ml Tube — opaque, buttery impasto paint, ASTM I lightfast","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Chromium Oxide Green (2 fl. oz.) is a thick, buttery artist-grade acrylic paint prized for opaque, lightfast green that holds brush and knife texture.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2-ounce tube delivers GOLDEN’s Heavy Body formula, known for a concentrated, filler-free pigment load and a robust, flexible dried film. Chromium Oxide Green (PG17) offers a muted, durable green used historically for durable applications and colour mixing, while the heavy-body viscosity preserves brushstrokes and palette knife gestures for textured, impasto work. The paint is manufactured in the USA and conforms to ASTM D 4236 and ASTM D 5098 standards.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint behave on my canvas and palette?\u003c\/h3\u003e\n\u003cp\u003eThe heavy-body consistency is dense and buttery, enabling the paint to keep peaks, ridges, and tool marks without sagging. It levels less than medium-bodied paints, so texture is retained, allowing both controlled brushwork and expressive impasto.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, tacky paste that holds palette knife edges\u003c\/li\u003e\n  \u003cli\u003eRetains visible brushstrokes and sculptural surface texture\u003c\/li\u003e\n  \u003cli\u003eMinimal self-leveling—ideal for layered, textured techniques\u003c\/li\u003e\n  \u003cli\u003eEasy to load on bristles for controlled application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the colour, permanence, and pigment details?\u003c\/h3\u003e\n\u003cp\u003eChromium Oxide Green in this line is opaque and formulated from PG17 (anhydrous chromium sesquioxide), giving excellent hiding power and muted green tones. GOLDEN rates this pigment ASTM Lightfastness I (Excellent), and the dried film is designed for good durability and UV resistance when used and stored properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PG17 (anhydrous chromium sesquioxide)\u003c\/li\u003e\n  \u003cli\u003eOpacity: Opaque—strong covering ability\u003c\/li\u003e\n  \u003cli\u003eLightfastness: ASTM I (Excellent)\u003c\/li\u003e\n  \u003cli\u003eStable for colour mixing and glazing when used with compatible mediums\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I alter the texture, sheen, or working time?\u003c\/h3\u003e\n\u003cp\u003eYes—GOLDEN Heavy Body paints are formulated to accept GOLDEN acrylic mediums, gels, and retarders to modify handling without sacrificing pigment strength. Adding mediums can increase gloss, extend open time, or thin the paint while preserving the heavy-body character when desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdd gloss or matte mediums to adjust sheen\u003c\/li\u003e\n  \u003cli\u003eUse retarders or open mediums to lengthen working time\u003c\/li\u003e\n  \u003cli\u003eMix with gels to enhance texture or translucency for glazes\u003c\/li\u003e\n  \u003cli\u003eCompatible with other acrylic-based GOLDEN products for consistent results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who prioritize pigment strength, texture retention, and archival-grade materials will value this 2 fl. oz. tube of Chromium Oxide Green. It's suited to professional and studio painters working in impasto, colour-mixing, or mixed-media pieces that require an opaque, lightfast green. Because each colour is uniquely formulated for its pigment characteristics, expect slight variations in sheen and opacity across the range. Note: product conforms to ASTM D 4236 and D 5098; contains a chemical listed by California to cause cancer.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Chromium Oxide Green in this line lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. GOLDEN lists Chromium Oxide Green (PG17) as ASTM Lightfastness I (Excellent).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can thin it with acrylic mediums or water, but using GOLDEN flow or glazing mediums preserves film integrity better than water alone.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252671299921,"sku":"B0006VBPR0","price":30.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-chromium-oxide-green-front-tube.jpg?v=1791653026"},{"product_id":"golden-light-molding-paste-8-oz-jar-lightweight-acrylic-texture-paste-matte-absorbent-finish","title":"GOLDEN Light Moulding Paste 8 oz Jar — Lightweight acrylic texture paste, matte absorbent finish","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Light Moulding Paste is a lightweight, opaque acrylic medium that builds thick, textured reliefs while staying significantly lighter than traditional moulding pastes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work at scale or like heavy impasto effects without the structural weight, this 8 oz jar lets you sculpt peaks and hold tool marks while keeping your panels and canvases manageable. The paste dries to a matte, absorbent surface ideal for subsequent colour washes and layering, and it mixes smoothly with acrylic colours and mediums so you can integrate texture directly into your paintwork.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Light Moulding Paste reduce weight in thick applications?\u003c\/h3\u003e\n\u003cp\u003eThis formula is engineered to have a wet density more than 50% lower than standard moulding pastes, so large or tall builds add far less load to support surfaces. The reduced mass makes framed panels, stretched canvases, and mixed-media supports less prone to sagging or warping when you apply heavy texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOver 50% lighter wet density compared with traditional moulding pastes\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible film that resists cracking on moderate builds\u003c\/li\u003e\n  \u003cli\u003eSuitable for larger formats where weight is a concern\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface and finish can I expect once it dries?\u003c\/h3\u003e\n\u003cp\u003eOnce cured, the paste becomes an opaque, matte layer that readies the surface for glazing, washes, or additional paint layers. Its absorbent quality accepts thinned acrylics and pigmented washes for subtle colour effects without sealing out colour penetration.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMatte, non-reflective finish for low-glare presentation\u003c\/li\u003e\n  \u003cli\u003eAbsorbent surface ideal for colour washes and transparent glazes\u003c\/li\u003e\n  \u003cli\u003eRetains visible tool marks and sharp peaks for expressive texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I sculpt fine peaks and maintain texture detail?\u003c\/h3\u003e\n\u003cp\u003eYes — the paste is formulated to hold stiff peaks and preserve the gestures you carve or sculpt. Whether you use palette knives, combs, or sculpting tools, the medium keeps imprint and ridge clarity so textural intent remains intact after drying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDesigned for crisp tool marks and retained peaks\u003c\/li\u003e\n  \u003cli\u003eWorks well with knives, trowels, and texture tools\u003c\/li\u003e\n  \u003cli\u003eBlends into paints without losing structural texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it interact with acrylic colours and other GOLDEN mediums?\u003c\/h3\u003e\n\u003cp\u003eLight Moulding Paste mixes readily with acrylic colours and many acrylic mediums to extend colour into textured areas rather than just sitting on top. Mixing allows you to tint the paste, alter workability, or adjust drying characteristics while maintaining its lightweight properties.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend with acrylic paints to tint texture directly\u003c\/li\u003e\n  \u003cli\u003eCompatible with many GOLDEN acrylic mediums for expanded effects\u003c\/li\u003e\n  \u003cli\u003eCan be used alone for neutral texture or combined for coloured reliefs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Light Moulding Paste is aimed at painters, sculptural mixed-media artists, and anyone who builds substantial texture but needs to limit weight on their supports. It benefits studio artists working on large canvases, museum-prep pieces where substrate stress matters, and educators looking for a forgiving paste that holds detail and accepts colour washes. Made in the USA by an employee-owned company with decades of paint-making experience, this 8 oz jar offers a portable, easy-to-store option for testing and fine-detail work or for layered practice before committing to larger volumes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I tint the Light Moulding Paste with acrylic paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix acrylic paints into the paste to tint texture; keep additions moderate to retain peak-holding strength.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the paste crack on thick builds?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It dries flexible and resists cracking on moderate thick layers, but very extreme or unsupported builds may still need reinforcement.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252874658129,"sku":"B0007W2DCY","price":32.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-light-molding-paste-front-jar.jpg?v=1791653961"},{"product_id":"golden-clear-leveling-gel-acrylic-medium-8-fl-oz-jar-high-gloss-self-leveling-glazing-adhesive","title":"GOLDEN Clear Leveling Gel acrylic medium — 237 ml jar, high-gloss self-leveling, glazing \u0026 adhesive","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Artist Colours Clear Leveling Gel is a thick, resinous acrylic medium that dries to a flexible, high-gloss, crystal-clear film and gives paints a self-leveling, glaze-friendly finish.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 8 fl. oz. jar of Clear Leveling Gel (formerly Self Leveling Clear Gel) is designed to modify acrylic paints without sacrificing clarity. Its unique stringy, resin-like consistency smooths brush marks and flows into a uniform surface while remaining compatible with the rest of the GOLDEN acrylic line. Use it to extend colours, increase translucency and gloss, build controlled thickness, or as a durable glaze base; once cured, it resists water and typical environmental wear while staying flexible.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Clear Leveling Gel change paint handling and finish?\u003c\/h3\u003e\n\u003cp\u003eWhen mixed with acrylic colour, the gel thins the paint film without reducing tinting strength, producing smoother spreading, fewer brush strokes and a glossy surface. Its leveling behavior helps materials settle into a consistent surface, especially useful for large flat areas or layered glazes. The gel also works as a binder to create translucent layers and luminous glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlends smoothly with GOLDEN acrylics to improve flow and reduce brush texture\u003c\/li\u003e\n  \u003cli\u003eIncreases surface gloss while maintaining clarity\u003c\/li\u003e\n  \u003cli\u003eFacilitates thin, transparent glazes for depth and colour modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use it to build texture or is it only for smoothing?\u003c\/h3\u003e\n\u003cp\u003eClear Leveling Gel can do both: its body lets you sculpt subtle raised areas, but its leveling action pulls peaks into a more even film if left to settle. Use it alone for translucent relief or mixed with heavier gels for pronounced texture that still retains clarity. For collages and adhering light materials, its adhesive qualities are effective once tacky.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate low-relief texture that dries clear and flexible\u003c\/li\u003e\n  \u003cli\u003eCombine with heavier texture gels for stronger sculptural effects\u003c\/li\u003e\n  \u003cli\u003eUse as a secure adhesive layer for lightweight collage elements\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the durability and compatibility characteristics?\u003c\/h3\u003e\n\u003cp\u003eOnce fully cured, this medium forms a chemically-stable, water-resistant film with good UV resistance and flexibility—suitable for many fine-art applications. It is formulated to work harmoniously with GOLDEN acrylic colours and other acrylic media, preserving archival quality when used properly. Avoid mixing with non-acrylic binders or solvents that can interfere with the film-forming properties.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDries to a flexible, high-gloss, clear film with water and UV resistance\u003c\/li\u003e\n  \u003cli\u003eCompatible with GOLDEN acrylic paints and most acrylic media\u003c\/li\u003e\n  \u003cli\u003eNot recommended for mixing with oil, alkyd, or solvent-based media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and store this gel for best results?\u003c\/h3\u003e\n\u003cp\u003eApply with a palette knife or brush; thin layers reduce leveling time and avoid long cure delays. For glazes, mix a small proportion into paint until you reach the desired translucency. Keep the jar tightly sealed and store at moderate temperatures to preserve consistency and shelf life.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse palette knives for thick applications and soft brushes for thin glazes\u003c\/li\u003e\n  \u003cli\u003eAllow adequate drying time between layers—thin layers dry faster\u003c\/li\u003e\n  \u003cli\u003eSeal jar after use and store away from extreme heat or freezing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Clear Leveling Gel is intended for professional and studio artists, fine-art students, and craft makers who need a clear, high-gloss medium that improves flow, builds translucent layers, and offers reliable flexibility. It is especially useful for painters working in acrylic who want to create smooth surfaces, luminous glazes, or subtle textural effects while maintaining archival stability.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Clear Leveling Gel with GOLDEN acrylic colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix in small amounts to extend and increase gloss while preserving colour strength and clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the dried film water-resistant and flexible?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. When fully cured it forms a flexible, water-resistant, UV-stable clear film.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252907622737,"sku":"B0007W2P4A","price":32.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-clear-leveling-gel-jar-front_jpg.jpg?v=1791654202"},{"product_id":"golden-fluid-acrylics-titanium-white-4-fl-oz-high-opacity-cream-viscosity-paint","title":"GOLDEN Fluid Acrylics Titanium White 118 ml — High-Opacity, Cream-Viscosity Paint","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylics Titanium White in a 4 fl. oz. bottle is a high-opacity, cream-viscosity acrylic paint made from titanium dioxide for painters who need smooth coverage, strong tinting power, and professional lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work at any scale—from large backgrounds to delicate glazing—this Fluid Titanium White gives you the pigment strength of GOLDEN Heavy Body formulations but with a flowing, pourable consistency similar to heavy cream. It mixes readily with other acrylics, tints gels and mediums with predictable results, and lays down even films for staining, washes, and fine-detail work. Formulated for longevity and consistent handling, this semi-opaque white is a staple for studio painters, illustrators, and mixed-media artists.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Titanium White behave differently from a heavy body white?\u003c\/h3\u003e\n\u003cp\u003eThe Fluid version has significantly lower viscosity while preserving the same pigment concentration, so you get identical colour strength without the thick impasto texture. It levels smoothly for flat, uniform layers and minimizes brushstroke ridges when you want a clean surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFlowing consistency like heavy cream for even coverage\u003c\/li\u003e\n  \u003cli\u003eSame pigment load as GOLDEN Heavy Body for matching colour strength\u003c\/li\u003e\n  \u003cli\u003eReduced brushstroke texture—ideal for glazing and washes\u003c\/li\u003e\n  \u003cli\u003eEasy to pour, thin, or spray depending on technique\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is this paint best suited for?\u003c\/h3\u003e\n\u003cp\u003eThis Titanium White is versatile across many acrylic techniques: mix it into glazes, tint gessoes, thin for transparent stains, or use straight from the bottle for bright highlights. Its combination of flow and pigment load makes it especially useful for layered glazing, soft blends, and water-media approaches where control of opacity matters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing and translucent layering without losing tint strength\u003c\/li\u003e\n  \u003cli\u003eStaining and washes for large-area coverage\u003c\/li\u003e\n  \u003cli\u003eTinting of gels, mediums, gessos, and grounds\u003c\/li\u003e\n  \u003cli\u003eFine detail and highlight work with smooth application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is Goldens' Titanium White?\u003c\/h3\u003e\n\u003cp\u003eThis formulation uses titanium dioxide (PW6) and achieves ASTM Lightfastness I (Excellent), giving you archival-grade permanence under normal display conditions. The fluid film maintains adhesion and colour integrity when applied correctly and allowed to cure, making it suitable for professional art that needs lasting appearance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) for long-term colour stability\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque coverage—balances hiding power and mixability\u003c\/li\u003e\n  \u003cli\u003eStrong adhesion and film integrity when used on compatible grounds\u003c\/li\u003e\n  \u003cli\u003eVegan formulation with globally sourced pigments made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this 4 fl. oz. bottle to get the best results?\u003c\/h3\u003e\n\u003cp\u003eShake or stir before use to ensure even dispersion of pigment. Apply with brushes, palette knives, airbrushes (thinned as needed), or pour directly for staining; clean tools with soap and water while wet. Seal the cap tightly and store away from extreme temperatures to preserve flow and prevent skinning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake\/stir to re-homogenize before application\u003c\/li\u003e\n  \u003cli\u003eThin with water or acrylic medium for sprays and glazes\u003c\/li\u003e\n  \u003cli\u003eClean tools with soap and water before paint dries\u003c\/li\u003e\n  \u003cli\u003eStore upright, sealed, away from freezing or high heat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Fluid Acrylics Titanium White 4 fl. oz. is aimed at professional and serious hobbyist artists who want the pigment strength of a heavy-body titanium white with a low-viscosity, easy-flowing consistency. It suits painters who work in detailed studio painting, mixed media, mural underpainting, illustration, and water-media techniques where precise tinting and even coverage are important. If you need a reliable, archival white that blends, tints, and flows without sacrificing opacity, this bottle is a practical studio essential.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Fluid Titanium White as pigmented as Heavy Body Titanium White?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It shares the same pigment load as GOLDEN Heavy Body Titanium White but has a lower, cream-like viscosity for smoother application.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this fluid white for airbrushing and glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with acrylic medium or water for airbrushing; it also performs well in glazes while retaining tinting strength.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252954153297,"sku":"B0141MJ314","price":30.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-fluid-titanium-white-front-packaging.jpg?v=1791654551"},{"product_id":"golden-open-slow-drying-acrylic-paint-paynes-gray-2-fl-oz-tube-astm-i-lightfast-semi-opaque","title":"GOLDEN OPEN slow-drying acrylic paint Payne's Grey 59 ml tube — ASTM I lightfast, semi-opaque","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow‑Drying Acrylics in Payne's Grey is a professional, slow‑drying acrylic paint formulated to give artists extended working time for blending, glazing and subtle gradations.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube contains a classic Payne's Grey mix—modernly rendered from ultramarine and carbon‑based black pigments—offering a muted cool neutral ideal for shadows, underpainting and refined colour mixing. With ASTM Lightfastness I and a semi‑opaque body, the colour keeps its intensity while remaining controllable and less overpowering than pure black. The OPEN series is designed to stay workable longer on the palette, reducing waste and allowing time for layered techniques that benefit from slow drying.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Payne's Grey help me control shadow and tone?\u003c\/h3\u003e\n\n\u003cp\u003ePayne's Grey delivers a softer, cooler neutral than pure black, making it easier to model form without harsh contrast. Its semi‑opaque nature lets you build transparent glazes or thicker passages depending on the application, giving subtle depth to shadows.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGently mutes highlights without overpowering local colour.\u003c\/li\u003e\n  \u003cli\u003eIdeal for underpainting and developing midtones.\u003c\/li\u003e\n  \u003cli\u003eMakes cooler, more nuanced darks when mixed with other pigments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does 'OPEN' slow‑drying mean for my painting process?\u003c\/h3\u003e\n\n\u003cp\u003eOPEN acrylics extend the time you can blend and rework painted surfaces compared with standard acrylics, so edges and gradients can be softened or reworked over minutes to hours. The formulation preserves brushability and vibrancy while delaying surface skinning, which is especially useful for portraiture, landscapes and glazing methods.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLonger palette life: mixes remain usable across sessions.\u003c\/li\u003e\n  \u003cli\u003eBetter for wet‑into‑wet techniques and subtle transitions.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylics for tuned working times.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and lightfast is this Payne's Grey?\u003c\/h3\u003e\n\n\u003cp\u003eThis tube rates ASTM Lightfastness I, meaning excellent resistance to fading when used with appropriate supports and varnishes. The pigment combination—primarily ultramarine blue (PB29) and a carbon black (PBk7)—provides stable colour performance and predictable mixing behavior over time.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM I (Excellent) lightfast rating for archival confidence.\u003c\/li\u003e\n  \u003cli\u003eSemi‑opaque coverage for layering and glazing.\u003c\/li\u003e\n  \u003cli\u003eVegan formula with pigment IDs for clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint reduce waste and integrate with other acrylics?\u003c\/h3\u003e\n\n\u003cp\u003eThe slow‑drying OPEN formula gives you more time to use mixed colours before they skin over, which cuts down on discarded palette mixes. If you need quicker curing, you can blend small amounts with faster acrylics to customize drying time while keeping working properties you prefer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePreserves mixed palettes between sessions to avoid disposal.\u003c\/li\u003e\n  \u003cli\u003eMixable with standard acrylics for flexible drying control.\u003c\/li\u003e\n  \u003cli\u003eSuited to plein air and studio work where timing matters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN OPEN Payne's Grey in a 2 fl. oz. tube is aimed at professional and advanced amateur artists who value extended working time for blending, glazing and careful tonal work. It's particularly helpful for portraitists, painters who favor subtle shadow work, and anyone who mixes palettes ahead of time and wants less waste. If you need archival lightfastness combined with the ability to manipulate wet paint longer than ordinary acrylics, this tube offers a reliable, neutral dark with controlled intensity.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can GOLDEN OPEN Payne's Grey be mixed with regular acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — small amounts can be blended to adjust drying time and retain working properties.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Payne's Grey lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the pigment mix is rated ASTM I (Excellent) for lightfastness.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252960379217,"sku":"B001TEA9GG","price":25.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-paynes-gray-front-tube.jpg?v=1791654637"},{"product_id":"golden-soflat-matte-acrylic-paint-red-violet-2-fl-oz-jar-opaque-flat-finish-for-studio-mixed-media","title":"GOLDEN SoFlat Matte Acrylic Paint Red Violet — 59 ml jar, opaque flat finish for studio \u0026 mixed media","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN SoFlat Matte Acrylics in Red Violet is a professional-grade, 2 fl. oz. matte acrylic paint formulated for velvety, glare-free fields of rich colour with superior coverage and leveling.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSoFlat is a purpose-built acrylic line designed to give artists the flat, opaque appearance of gouache but with the durability and water resistance of acrylic. This Red Violet mixes Quinacridone Magenta and Ultramarine Blue pigments into a semi-opaque, highly leveled formula that dries to an even matte surface, reducing the need for multiple layers. Packaged in a convenient 2 fl. oz. jar, this paint is produced by GOLDEN in the USA using globally sourced materials and is suitable for studio painting, illustration, stage props, and mixed-media work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint create an even, non-glossy finish?\u003c\/h3\u003e\n\u003cp\u003eThe formulation balances pigment load, binder, and matting components to promote excellent flow and self-leveling. As it dries, the surface minimizes glare and texture so colours read uniformly across the plane.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpecial leveling agents reduce brush marks and surface irregularities.\u003c\/li\u003e\n  \u003cli\u003eMatting components produce a consistent, glare-free finish.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration yields solid colour with fewer coats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the colour and permanence characteristics of Red Violet?\u003c\/h3\u003e\n\u003cp\u003eRed Violet is a semi-opaque hue derived from Quinacridone Magenta and Ultramarine Blue. It carries ASTM Lightfastness I (Excellent), offering dependable permanence for gallery work and long-term display.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments: PR122 (Quinacridone), PB29 (Ultramarine-type), PW6 (Titanium Dioxide).\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque coverage ideal for bold fields and controlled layering.\u003c\/li\u003e\n  \u003cli\u003eRated Excellent for lightfastness under standard display conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does SoFlat perform compared with traditional matte paints or gouache?\u003c\/h3\u003e\n\u003cp\u003eSoFlat aims to deliver the matte, opaque look artists seek from gouache while providing the advantages of acrylic: improved water resistance, durability, and adhesion to a wide range of substrates. It levels more readily than many acrylics, so fewer passes are needed to achieve a uniform field.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDries to a durable, water-resistant surface unlike traditional gouache.\u003c\/li\u003e\n  \u003cli\u003eFlows and levels for fewer visible brushstrokes and smoother applications.\u003c\/li\u003e\n  \u003cli\u003eWorks on canvas, panel, primed paper, and many mixed-media surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and care for this 2 fl. oz. jar in my studio practice?\u003c\/h3\u003e\n\u003cp\u003eThe compact jar is convenient for sketchbooks, plein-air kits, or controlled studio work. Use standard acrylic techniques—thin with GOLDEN mediums for transparency or apply straight from the jar for full opacity—and seal finished pieces with varnish if added protection or altered sheen is desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply with synthetic brushes or palette knives for varied texture control.\u003c\/li\u003e\n  \u003cli\u003eThin with compatible GOLDEN acrylic medium; avoid thinning with too much water to maintain opacity.\u003c\/li\u003e\n  \u003cli\u003eClean brushes with soap and water while wet; cured paint requires mechanical removal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who need a reliably matte, opaque red-violet that levels well and covers evenly will appreciate GOLDEN SoFlat. It suits painters creating large, flat colour fields, illustrators seeking consistent non-reflective areas, prop and set designers needing durable matte surfaces, and mixed-media artists who require acrylic permanence without gloss. The 2 fl. oz. jar offers a studio-friendly size for testing palettes, sketching, or detail work without committing to a larger tub.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN SoFlat Red Violet lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This colour is rated ASTM Lightfastness I (Excellent) for reliable colour permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can SoFlat be thinned for glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: SoFlat can be thinned with compatible GOLDEN acrylic mediums for transparency; avoid excessive water to keep opacity control.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55252963852625,"sku":"B08W6XG9TH","price":26.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-soflat-red-violet-front-jar.jpg?v=1791654704"},{"product_id":"golden-open-slow-drying-acrylic-paint-chromium-oxide-green-pg17-2-fl-oz-opaque-lightfast","title":"GOLDEN OPEN Slow-Drying Acrylic Paint — Chromium Oxide Green (PG17), 59 ml, Opaque \u0026 Lightfast","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow-Drying Acrylic in Chromium Oxide Green is a durable, opaque artist-grade acrylic that stays workable longer for blending, glazing, and detailed finish work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered for painters who need more time on the palette and in the studio, this 2 fl. oz. tube contains a lighter vein of PG17 (anhydrous chromium sesquioxide), the pigment historically used for deep, stable green tones. GOLDEN OPEN series modifies acrylic binder chemistry to extend open time without sacrificing permanence; the result is a slow-drying formula that remains mixable with standard acrylics while offering excellent lightfastness and opacity.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint improve blending and glazing?\u003c\/h3\u003e\n\u003cp\u003eThe extended working time keeps the surface moist longer, which lets you blend soft edges and build transparent glazes that would be difficult with fast-setting acrylics. Because the pigment is highly opaque and stable, repeated glazing preserves colour integrity without muddiness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLonger open time for smoother wet-on-wet transitions\u003c\/li\u003e\n  \u003cli\u003eConsistent colour when layering glazes\u003c\/li\u003e\n  \u003cli\u003eLess frequent re-wetting or medium additions during sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Chromium Oxide Green in this line reliable for archival work?\u003c\/h3\u003e\n\u003cp\u003eThis tint uses PG17, a pigment noted for excellent permanence and resistance to fading. GOLDEN reports ASTM Lightfastness Grade 1, indicating top-tier stability, and the opaque formulation maintains coverage across multiple supports.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness 1 (Excellent) for long-term colour retention\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage for even, durable hiding power\u003c\/li\u003e\n  \u003cli\u003eVegan pigment vehicle suitable for professional studio practice\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this slow-drying acrylic with other paints and mediums?\u003c\/h3\u003e\n\u003cp\u003eYes — OPEN acrylics are formulated to be mixable with fast-drying acrylics, conventional acrylic mediums, and various extenders to tailor working time and finish. You can blend for subtle shifts or add retarders and gloss\/ matte mediums without compromising permanence when used as intended.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with most acrylic mediums and OPEN line products\u003c\/li\u003e\n  \u003cli\u003eMix with fast-drying acrylics for controlled drying rates\u003c\/li\u003e\n  \u003cli\u003ePreserves mixed colour recipes on palettes longer for later reuse\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the slow-drying nature affect waste and palette management?\u003c\/h3\u003e\n\u003cp\u003eA key benefit of the OPEN formula is reduced waste: colours stay usable longer on the palette, which means fewer discarded mixtures and better retention of custom hues. That stability also helps when working across multiple sessions or when colour matching is crucial.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRetains mixed colours for future sessions\u003c\/li\u003e\n  \u003cli\u003eFewer palette scraps and reduced need to remix shades\u003c\/li\u003e\n  \u003cli\u003eIdeal for plein air and portrait work where gradual adjustments are needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN OPEN Chromium Oxide Green is aimed at professional and serious hobbyist painters who require archival stability, dependable opacity, and extended working time — especially portraitists, plein air artists, and anyone who benefits from prolonged blending and glazing. The 2 fl. oz. tube size is convenient for trial and travel while delivering the pigment strength expected from a professional acrylic.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN OPEN Chromium Oxide Green lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This colour uses PG17 with ASTM Lightfastness Grade 1, indicating excellent permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix it with regular acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. OPEN acrylics mix with fast-drying acrylics and most acrylic mediums for controlled drying and finish adjustments.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253015527761,"sku":"B001TE49FS","price":31.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-chromium-oxide-green-front-tube.jpg?v=1791655324"},{"product_id":"golden-open-slow-drying-acrylic-paint-sap-green-hue-2-fl-oz-semi-transparent-for-glazing-extended-blending-time","title":"GOLDEN OPEN slow-drying acrylic paint, Sap Green Hue 59 ml — semi-transparent for glazing \u0026 extended blending time","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow-Drying Acrylics in Sap Green Hue is a professional, slow-drying acrylic paint formulated to give artists extended working time for blending, glazing and subtle transitions.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Sap Green Hue comes in a 2 fl. oz. tube and blends historical pigment character with modern permanence. Formulated to provide a longer open time than standard acrylics, this colour lets you keep wet edges, refine soft transitions and preserve palette mixes for later use. The formula is semi-transparent with excellent lightfastness and a pigment mix designed for stable, vivid greens that layer well over both opaque and transparent passages.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this slow-drying acrylic help with blending and glazing?\u003c\/h3\u003e\n\u003cp\u003eThe OPEN formula extends working time so you can blend edges and build transparent glaze layers without the rush of typical acrylics. That extra open time makes it easier to create portrait flesh transitions, smooth landscape foliage, and delicate colour shifts.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtended working time for gradual colour transitions\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent body ideal for layered glazing\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with slower or faster drying acrylics to tune open time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat’s in the Sap Green Hue and how durable is it?\u003c\/h3\u003e\n\u003cp\u003eSap Green Hue is a contemporary blend intended to echo classic buckthorn-based greens while improving lightfastness and permanence. The pigment mix includes synthetic iron oxide, nickel complex azo, brominated\/chlorinated copper phthalocyanine and amorphous carbon, producing a stable, semi-transparent green with ASTM Lightfastness I.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments: PR101, PY150, PG36, PBk7 for balanced tinting and stability\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) for long-term colour retention\u003c\/li\u003e\n  \u003cli\u003eVegan formula with modern synthetic pigments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it affect palette life and paint management?\u003c\/h3\u003e\n\u003cp\u003eBecause the OPEN line dries much more slowly than standard acrylics, you spend less time re-mixing and more time developing colour relationships. This reduces waste by keeping colour mixtures usable across sessions and lets you preserve intermediate states on the palette for extended periods.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSlow drying keeps palette mixtures workable for longer\u003c\/li\u003e\n  \u003cli\u003eReduces wasted paint and repeated remixes\u003c\/li\u003e\n  \u003cli\u003eMixable with faster-drying acrylics to control drying schedule\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use GOLDEN OPEN Sap Green Hue in different techniques?\u003c\/h3\u003e\n\u003cp\u003eYes — the paint is formulated for versatile use: it performs well in portraiture, plein air, printmaking and any technique that benefits from extended working time. Its semi-transparent nature works especially well for glazing and subtle washes, while still capable of build-up in multiple layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for glazing, blending and soft-edge work\u003c\/li\u003e\n  \u003cli\u003eSuitable for plein air and studio use when slower drying is desired\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic mediums to adjust texture and gloss\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Working artists and advanced students who need extended open time without sacrificing lightfastness will appreciate GOLDEN OPEN Sap Green Hue. It’s especially useful for painters who frequently glaze, refine soft transitions, or want to preserve palette mixtures between sessions. Hobbyists who prefer longer manipulation windows and professional studios that mix large batches of consistent greens will also find this 2 fl. oz. tube a practical addition.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does GOLDEN OPEN Sap Green stay workable on the palette?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: OPEN formulas resist skinning and remain workable far longer than standard acrylics, often for hours depending on temperature and humidity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with regular acrylics or mediums?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paint mixes with faster-drying acrylics and acrylic mediums so you can tailor drying time and finish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253031584081,"sku":"B001TE6DLG","price":32.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-sap-green-tube-front.jpg?v=1791655563"},{"product_id":"golden-fluid-acrylics-burnt-umber-light-4-fl-oz-high-pigment-buttery-fluid-paint-for-glazing-detail","title":"GOLDEN Fluid Acrylics Burnt Umber Light 118 ml — high-pigment, buttery fluid paint for glazing \u0026 detail","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylics in Burnt Umber Light is a buttery, high-pigment fluid paint that flows like heavy cream while keeping the rich colour strength of GOLDEN Heavy Body paints.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 4 fl. oz. bottle contains a semi-opaque, warm-to-neutral beige brown made from PBr7 (calcined natural iron oxide containing manganese). Formulated for artists who need an even, controllable pour with professional lightfastness, it blends seamlessly with other acrylics and tints gels, grounds, and media without sacrificing tinting strength or adhesion. Made in the USA by an employee-owned company, this fluid version is ideal when you want smooth coverage, translucent glazing, or precise detail without the stiffness of heavy-body paints.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Burnt Umber Light behave on different surfaces?\u003c\/h3\u003e\n\n\u003cp\u003eBurnt Umber Light spreads easily across primed canvas, paper, wood, and prepared grounds, producing consistent coverage and predictable drying. Its medium viscosity allows both broad washes and controlled brushwork, and it adheres well to acrylic gesso and typical artist grounds when applied in thin to moderate layers.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eViscosity similar to heavy cream for even laying-in and flowing washes\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque coverage ideal for blocking and glazing\u003c\/li\u003e\n  \u003cli\u003eGood adhesion to gessoed canvas, acrylic-primed board, and paper\u003c\/li\u003e\n  \u003cli\u003eCan be thinned with water or GOLDEN acrylic mediums without losing pigment strength\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques is this fluid acrylic best suited for?\u003c\/h3\u003e\n\n\u003cp\u003eThis paint is engineered for versatility: use it for glazing layers, staining, controlled washes, fine detail, or as a tinting colour for gels and mediums. Because it retains colour intensity when mixed, it’s a favourite for transparent overlays and subtle colour modulation in both fine art and illustration.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGlazing: smooth, even transparent layers for depth and colour shifts\u003c\/li\u003e\n  \u003cli\u003eStaining and water-media effects: predictable flow and absorption\u003c\/li\u003e\n  \u003cli\u003eTinting mediums and gesso: maintains pigment strength when mixed\u003c\/li\u003e\n  \u003cli\u003eDetail work: flows from fine brushes yet holds colour without beading\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow lightfast and permanent is this colour?\u003c\/h3\u003e\n\n\u003cp\u003eBurnt Umber Light carries an ASTM I (Excellent) lightfastness rating, suited for archival work when handled and displayed properly. The pigment PBr7 delivers stable, long-lasting tone; for maximum permanence, avoid prolonged exposure to direct sunlight and follow standard varnishing and conservation practices.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I — excellent resistance to fading\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque pigment behavior offers reliable layer-building\u003c\/li\u003e\n  \u003cli\u003eVegan formulation with high pigment load for lasting colour\u003c\/li\u003e\n  \u003cli\u003eCompatible with GOLDEN varnishes and protective coatings\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I mix and thin this paint without weakening colour?\u003c\/h3\u003e\n\n\u003cp\u003eTo preserve tinting strength, mix with other GOLDEN acrylics or dedicated acrylic mediums rather than excessive water. Small amounts of water can be used for flow adjustments, but for sustained translucency and film integrity, use acrylic mediums or glazing liquid.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThin briefly with water for washes; use mediums for extended transparency\u003c\/li\u003e\n  \u003cli\u003eTint gels, grounds, and mediums directly while retaining pigment intensity\u003c\/li\u003e\n  \u003cli\u003eBlend with Heavy Body or Fluid colours for consistent hue and finish\u003c\/li\u003e\n  \u003cli\u003eUse a palette knife or stirrer to achieve uniform mixtures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Fluid Acrylics Burnt Umber Light is designed for professional and hobby artists who want a fluid paint that keeps the opacity and tinting power of Heavy Body pigments. It’s excellent for painters working in glazing, illustration, mixed media, set design, and fine-detail applications where smooth flow, reliable permanence, and strong tinting are essential. If you need a warm-to-neutral beige brown that layers, tints, and flows predictably, this 4 fl. oz. bottle is a studio-ready option that integrates cleanly into a professional acrylic workflow.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin GOLDEN Fluid Acrylics Burnt Umber Light with water?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes for short-term washes; use small amounts of water. For sustained translucency and film strength, prefer acrylic glazing liquids or mediums.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this colour permanent and lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It has an ASTM I (Excellent) lightfastness rating and uses pigment PBr7 for durable colour.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253134639441,"sku":"B0009H9118","price":30.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-bottle-front-burnt-umber-light.jpg?v=1791656214"},{"product_id":"golden-heavy-body-acrylic-paint-medium-violet-2-fl-oz-tube-high-viscosity-impasto-ready","title":"GOLDEN Heavy Body Acrylic Paint Medium Violet — 59 ml Tube, High-Viscosity Impasto Ready","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Medium Violet is a thick, buttery acrylic paint that keeps brushstrokes and palette-knife textures while delivering clean, strong colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube of Medium Violet from GOLDEN offers artists a high-viscosity acrylic with no fillers or extenders, so the pigment’s true character shows through. The formulation emphasizes pigment purity and handling: it spreads smoothly, holds peaks and impasto, and mixes cleanly without the muddiness some lower-quality paints produce. Made in the USA by an experienced, employee-owned company, this tube is formulated for professional results whether you glaze with transparent hues or block in solid, opaque passages.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Medium Violet different from other violet paints?\u003c\/h3\u003e\n\u003cp\u003eMedium Violet in the GOLDEN Heavy Body line blends two violet pigments with a touch of red, Burnt Umber, and Titanium White to achieve a neutral, opaque violet rather than an intensely cool or warm extreme. The mix balances chroma and coverage, giving you a versatile mid-tone that works well in mixes and finished passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments: PW6, PR122, PV23, PBr7 for depth and opacity.\u003c\/li\u003e\n  \u003cli\u003eOpaque with ASTM Lightfastness II (Very Good).\u003c\/li\u003e\n  \u003cli\u003eNeutralized chroma suitable for mixing and layering.\u003c\/li\u003e\n  \u003cli\u003eNo fillers or extenders—pure pigment behavior.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the heavy body texture affect application and finishes?\u003c\/h3\u003e\n\u003cp\u003eThe heavy-body consistency is intentionally thick so it retains strokes and knife marks, allowing for pronounced texture and sculptural paint surfaces. You can create high-relief impasto or thin it for smoother glazes using appropriate mediums, while individual pigment sheen and opacity remain true to formulation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExceptional body preserves brush and palette-knife marks.\u003c\/li\u003e\n  \u003cli\u003eHolds peaks for impasto techniques without slumping.\u003c\/li\u003e\n  \u003cli\u003eMixes to transparent or opaque effects depending on pigment.\u003c\/li\u003e\n  \u003cli\u003eCompatible with GOLDEN mediums to alter flow or gloss.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this colour durable and suitable for gallery work?\u003c\/h3\u003e\n\u003cp\u003eYes—this tube carries ASTM Lightfastness II, classed as Very Good, and uses durable pigments like Titanium Dioxide and Carbazole Dioxazine. When applied and varnished properly, the colour remains stable and display-worthy for long-term exhibition.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness II ensures good longevity under normal display.\u003c\/li\u003e\n  \u003cli\u003eMade with high-quality, globally sourced pigments.\u003c\/li\u003e\n  \u003cli\u003eVegan formulation—no animal-derived components.\u003c\/li\u003e\n  \u003cli\u003eIdeal for professional painting and archival pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this 2 fl. oz. tube for best results?\u003c\/h3\u003e\n\u003cp\u003eUse directly from the tube for thick passages or squeeze onto a palette for mixing. To preserve unused paint, cap the tube tightly and store it upright in a cool, dry place. For extended work sessions, add compatible GOLDEN mediums to modify flow or drying time as needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCap securely and store upright to prevent skinning or leakage.\u003c\/li\u003e\n  \u003cli\u003eThin with GOLDEN mediums—avoid water-only thinning for heavy-body effects.\u003c\/li\u003e\n  \u003cli\u003eUse palette knives for impasto and brushes for refined strokes.\u003c\/li\u003e\n  \u003cli\u003eVarnish finished work for protection and consistent sheen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Heavy Body Acrylics Medium Violet 2 fl. oz. is aimed at professional and serious hobbyist artists who want a pigment-forward, high-viscosity acrylic that holds marks and mixes cleanly. If you value archival-grade materials, pronounced texture, and a mid-tone violet that plays well in mixes and finished pieces, this tube is built for studio practice, plein air layering, and gallery-quality work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Medium Violet lightfast enough for display works?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is rated ASTM Lightfastness II (Very Good), suitable for professional display when used and varnished correctly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this heavy body paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with GOLDEN glazing or flow mediums for transparent layers; avoid over-diluting with water for best pigment performance.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253134836049,"sku":"B0006VBRBE","price":32.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-medium-violet-front-tube.jpg?v=1791656218"},{"product_id":"golden-heavy-body-acrylic-paint-cobalt-teal-2-fl-oz-tube-high-viscosity-impasto","title":"GOLDEN Heavy Body Acrylic Paint Cobalt Teal — 59 ml Tube, High-Viscosity Impasto","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics in Cobalt Teal is a premium, high-viscosity artist-grade acrylic paint that keeps brush and palette-knife textures while delivering clean, permanent colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube contains a genuine Cobalt Teal pigment (PG50) formulated for professional use. The heavy body consistency is designed to hold peaks, strokes and knife marks without sagging, while the formulation avoids fillers and extenders so the pigment’s true colour, sheen and opacity are preserved. Made in the USA by GOLDEN, this paint offers reliable lightfastness and a semi-opaque coverage that suits glazing, layering and impasto techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave on the brush and palette knife?\u003c\/h3\u003e\n\u003cp\u003eThe Heavy Body formula is thick and buttery, allowing you to load brushes, sculpt with palette knives and keep distinct texture in finished work. It won’t slump, so impasto effects remain crisp as they dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRetains visible brushstrokes and knife marks for expressive texture.\u003c\/li\u003e\n  \u003cli\u003eHigh-viscosity consistency for sculptural paint application.\u003c\/li\u003e\n  \u003cli\u003eSmooth handling that responds to both soft and stiff brushes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pigment and permanence properties of Cobalt Teal?\u003c\/h3\u003e\n\u003cp\u003eCobalt Teal in this line is made from pigment PG50, a stable blend of nickel, cobalt and titanium-based oxides chosen for durability and colour clarity. GOLDEN rates it ASTM Lightfastness I (Excellent), so it resists fading under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PG50 (oxides of nickel, cobalt and titanium).\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I — excellent resistance to light-related fading.\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque coverage suitable for both glazing and opaque passages.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the formulation affect colour mixing and finishing options?\u003c\/h3\u003e\n\u003cp\u003eWith no added extenders or opacifiers, the colour mixes cleanly and predictably, letting you create pure mixtures or subtle glazes. Different pigments in the GOLDEN Heavy Body line display varying sheen and opacity, giving you a wide palette of visual effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCleaner colour mixing thanks to minimal additives or fillers.\u003c\/li\u003e\n  \u003cli\u003eRange of sheen across colours—use for both transparent glazes and solid coverage.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylic mediums to adjust flow, gloss, or drying time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical considerations should I know before buying?\u003c\/h3\u003e\n\u003cp\u003eThe 2 fl. oz. tube is convenient for trial, plein-air work or limited palettes; professional studios may prefer larger sizes. Store caps tightly to prevent skinning and consider pairing with GOLDEN mediums if you need extended workability or altered finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e2 fl. oz. tube size ideal for tests, travel, or controlled use.\u003c\/li\u003e\n  \u003cli\u003eKeep lid sealed to maintain working consistency between sessions.\u003c\/li\u003e\n  \u003cli\u003eMixes well with acrylic gels, glosses, and retarders in GOLDEN’s range.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Heavy Body Acrylics Cobalt Teal suits professional and advanced hobbyist painters who want archival colour with a sculptural, paint-on quality. It's well-suited for artists working in impasto, mixed-media and fine art reproduction who value pigment purity, lasting lightfastness and consistent, professional handling.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Cobalt Teal lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Cobalt Teal (PG50) is rated ASTM Lightfastness I, indicating excellent resistance to fading.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix with GOLDEN acrylic glazing mediums or a small amount of acrylic medium to create transparent glazes without weakening pigment strength.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253141324113,"sku":"B0006VBQ42","price":31.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-cobalt-teal-front-tube.jpg?v=1791656306"},{"product_id":"golden-acrylic-gesso-8-oz-jar-white-flexible-toothy-ground-for-acrylic-oil-painting","title":"GOLDEN Acrylic Gesso 8 oz Jar — White flexible, toothy ground for acrylic \u0026 oil painting","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Acrylic Gesso 8 oz is a flexible, highly pigmented white ground designed to protect supports and create a toothy, semi-absorbent surface for acrylic and oil painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhether you're stretching canvas, prepping wood panel, or refreshing a masonite support, a reliable ground matters. This 8 oz jar of GOLDEN Acrylic Gesso provides an opaque base that blocks support colour, improves paint adhesion, and remains flexible when dry. It can be used straight from the jar as a traditional white gesso or mixed with acrylic colour to create tinted grounds.\u003c\/p\u003e\n\n\u003ch3\u003eHow does GOLDEN Acrylic Gesso improve paint adhesion?\u003c\/h3\u003e\n\u003cp\u003eThe formulation creates a slightly textured, absorbent surface that helps both acrylic and oil paints adhere without slippage. Its pigmentation increases opacity so underlying tones or fibres are concealed, letting colours read truer on top.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eToothy surface promotes mechanical grip for paint layers.\u003c\/li\u003e\n\u003cli\u003eSemi-absorbent quality moderates how paint spreads and dries.\u003c\/li\u003e\n\u003cli\u003eHighly pigmented for strong concealment of supports.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many coats should I apply for oil painting on a prepared support?\u003c\/h3\u003e\n\u003cp\u003eFor oil work, multiple coats are recommended to protect the support from oil penetration. Applying at least three even coats ensures an effective barrier and reduces the risk of oil reaching the substrate.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApply thin, even layers and allow full drying between coats.\u003c\/li\u003e\n\u003cli\u003eSand lightly between coats for an ultra-smooth ground if desired.\u003c\/li\u003e\n\u003cli\u003eUse three or more coats on absorbent or raw supports for best protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I tint GOLDEN Acrylic Gesso or use it on different substrates?\u003c\/h3\u003e\n\u003cp\u003eYes — you can mix acrylic colour into the gesso to make coloured grounds, or use it neat for a classic white base. It performs well on canvas, panel, board, and many other common painting supports when applied correctly.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMix with acrylic paint to create subtle or strong tinted grounds.\u003c\/li\u003e\n\u003cli\u003eSuitable for priming canvas, wood, paper, and prepared masonite.\u003c\/li\u003e\n\u003cli\u003eFlexible when dry so it adapts to stretched or rigid supports without cracking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical finish and handling should I expect?\u003c\/h3\u003e\n\u003cp\u003eOnce dry, GOLDEN Acrylic Gesso offers a matte, slightly textured finish that provides enough tooth for subsequent layers while remaining flexible. It sands well if you need a smoother surface and accepts a wide range of painting media.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMatte, toothy finish favours both brush and palette knife techniques.\u003c\/li\u003e\n\u003cli\u003eDries flexible to reduce crazing on slightly flexible supports.\u003c\/li\u003e\n\u003cli\u003eSands and reworks easily for tailored surface texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists at every level who need a dependable ground—whether preparing small practice panels or archival canvases—will find GOLDEN Acrylic Gesso 8 oz convenient and effective. It's a compact jar that suits studio painters, students, plein air artists, and mixed-media makers who want a high-opacity, flexible foundation for acrylic or oil layers.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use GOLDEN Acrylic Gesso under oil paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Use at least three coats to prevent oil penetration and ensure a stable barrier between oil paint and the support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is it possible to tint this gesso?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix acrylic colour into the gesso to create tinted grounds for different tonal bases.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253148827985,"sku":"B0006IJZF2","price":32.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-acrylic-gesso-8oz-front-label.jpg?v=1791656420"},{"product_id":"golden-qor-cold-press-ground-8-fl-oz-jar-textured-acrylic-ground-for-watercolor-on-panels-enhances-granulation-lifting","title":"GOLDEN QoR Cold Press Ground 237 ml Jar — Textured acrylic ground for watercolour on panels, enhances granulation \u0026 lifting","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN QoR Cold Press Ground is a textured acrylic ground that creates a rough, handmade-paper-like surface designed to amplify the clarity and intensity of QoR artist watercolours.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt to pair with GOLDEN QoR watercolours and mediums, this Cold Press Ground dries with a pronounced tooth that holds pigment, encourages lifted effects, and adapts watercolour techniques to rigid supports like panels and canvas. Made in the USA by GOLDEN, the ground uses the brand’s formulations to keep watercolour behavior predictable while enabling new surface-driven effects beyond traditional paper.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Cold Press Ground change watercolour behavior?\u003c\/h3\u003e\n\u003cp\u003eCold Press Ground introduces texture and absorbency more similar to cold-pressed paper than to a smooth primed panel. Pigments settle into the nooks and crannies, creating natural granulation and edges that react differently to washes and lifting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates a rough, handmade-paper-like surface that captures pigment.\u003c\/li\u003e\n  \u003cli\u003eEncourages granulation and natural pigment pooling for richer textures.\u003c\/li\u003e\n  \u003cli\u003eImproves lifting: pigments can be removed selectively for highlights and texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces can I use it on and how do I apply it?\u003c\/h3\u003e\n\u003cp\u003eThis acrylic ground bonds to rigid and flexible supports—paper, board, canvas, or panel—allowing you to work with QoR watercolours on surfaces not normally suited to wet media. Apply it with a dry or slightly damp palette knife for variable tooth, and allow full drying before painting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for paper, canvas, wood panels, and prepared boards.\u003c\/li\u003e\n  \u003cli\u003eUse a dry palette knife for pronounced texture or a damp knife for subtler tooth.\u003c\/li\u003e\n  \u003cli\u003eMultiple thin coats build deeper texture; sand lightly between coats for nuanced effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill it affect the colour clarity and intensity of QoR watercolours?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN designed QoR watercolours to be used with Aquazol binder for brighter, clearer colour, and the Cold Press Ground is formulated to preserve that optical strength. The ground's surface enhances textural effects without dulling the intense, luminous qualities of QoR paints.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains high chroma and clarity when paints are applied thinly or in washes.\u003c\/li\u003e\n  \u003cli\u003eSurface texture can increase perceived depth and richness of pigments.\u003c\/li\u003e\n  \u003cli\u003eWorks with QoR Mediums to adjust gloss and flow while retaining colour integrity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN QoR Cold Press Ground is aimed at watercolourists, mixed-media artists, and professional painters who want to transfer watercolour techniques to rigid supports or add pronounced texture to their work. It's useful for artists exploring granulation, lifting, and enhanced surface effects, as well as instructors and studios that need a durable, consistent ground. Because it’s made by GOLDEN using globally sourced materials and the company’s long experience in paint production, this ground is a practical choice for professionals seeking repeatable results and expanded creative options.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply GOLDEN Cold Press Ground over canvas?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It bonds to canvas, panels, and paper; use thin even coats and let each coat dry fully for stable texture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need special mediums to use QoR watercolours on this ground?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No special mediums are required, but QoR Mediums can modify gloss and flow for expanded effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253158330705,"sku":"B00KVJGE0A","price":30.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-qor-cold-press-ground-jar-front.jpg?v=1791656503"},{"product_id":"golden-soflat-matte-acrylic-paint-burnt-sienna-2-fl-oz-velvety-matte-finish-high-coverage","title":"GOLDEN SoFlat Matte Acrylic Paint — Burnt Sienna 59 ml, Velvety Matte Finish \u0026 High Coverage","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN SoFlat Matte Acrylics in Burnt Sienna is a fine-art acrylic paint formulated to lay down rich, glare-free matte fields with superior coverage and leveling in a convenient 2 fl. oz. jar.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis paint combines a velvety flat finish with the flow and self-leveling behavior artists need to cover surfaces evenly in fewer layers. Burnt Sienna in the SoFlat line is a deepened natural earth tone produced by heating the original sienna pigment; the result is a robust, semi-opaque warm brown that resists shine once cured. GOLDEN’s SoFlat range was developed for painters who want the visual flatness of gouache but with durable water resistance and the practical handling of acrylics.\u003c\/p\u003e\n\n\u003ch3\u003eHow does SoFlat Burnt Sienna perform on large, uniform colour areas?\u003c\/h3\u003e\n\n\u003cp\u003eSoFlat is engineered to minimize brushstroke texture and surface glare so broad expanses read as one consistent plane of colour. Its formulation promotes excellent flow and leveling, which helps the paint self-correct while drying so fewer passes are required to achieve a flat appearance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eVelvety matte surface that reduces distracting highlights.\u003c\/li\u003e\n  \u003cli\u003eHigh coverage that often needs fewer coats than conventional acrylics.\u003c\/li\u003e\n  \u003cli\u003eFlow and leveling characteristics that even out brush marks.\u003c\/li\u003e\n  \u003cli\u003eSemi-opaque Burnt Sienna provides a strong underlayer or finished field.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this colour hold lightfastness and permanence in artwork?\u003c\/h3\u003e\n\n\u003cp\u003eYes—this specific Burnt Sienna uses a calcined natural iron oxide (PBr7), giving it excellent permanence and stability. GOLDEN lists this pigment at ASTM Lightfastness I (Excellent), so it’s suitable for works intended to retain colour over time when displayed indoors.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePigment: PBr7 (calcined natural iron oxide) for stable earth tone.\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I — rated for excellent permanence.\u003c\/li\u003e\n  \u003cli\u003eVegan formulation without animal-derived additives.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA using globally sourced materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paint handle and cure—can it be varnished or layered?\u003c\/h3\u003e\n\n\u003cp\u003eSoFlat dries to a durable, water-resistant matte film that behaves like traditional acrylic once cured. It can be layered with other acrylics or finished with compatible varnishes, but using a gloss varnish will reduce the original flat appearance; test on a sample first.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDries to a tough, matte film with good water resistance when fully cured.\u003c\/li\u003e\n  \u003cli\u003eLayerable with other acrylic products; prime compatibility checks for mixed finishes.\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard acrylic mediums, but each additive may affect sheen.\u003c\/li\u003e\n  \u003cli\u003eIdeal for achieving gouache-like matte look without gouache’s rework limitations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and practical details should I expect from the 2 fl. oz. jar?\u003c\/h3\u003e\n\n\u003cp\u003eThe 2 fl. oz. jar is a small, studio-friendly package suited to studies, touch-ups, and colour tests or for artists working in small formats. The container closes securely for storage and travel; because the paint is formulated for smooth coverage, that small amount can go a long way when used for even fields or layered glazing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePackage: 2 fl. oz. jar — compact and portable for studio or plein air use.\u003c\/li\u003e\n  \u003cli\u003eGood for small pieces, accents, or testing large-scale colour decisions.\u003c\/li\u003e\n  \u003cli\u003eScrew-top jar helps preserve paint between sessions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: GOLDEN SoFlat Matte Acrylics in Burnt Sienna is aimed at professional and advanced hobbyist painters who need dependable, non-reflective colour for flat planes, stage or set painting, illustration backgrounds, or any work where even, low-sheen colour is essential. It’s also a strong choice for artists seeking an earth tone with excellent permanence and the handling benefits of modern acrylics.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey product notes:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eColour: Burnt Sienna — a darker, calcined natural sienna.\u003c\/li\u003e\n  \u003cli\u003ePigment: PBr7; Semi-opaque; ASTM Lightfastness I (Excellent); Vegan.\u003c\/li\u003e\n  \u003cli\u003eFinish: Ultra-matte, opaque appearance; velvety, durable when dry.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by GOLDEN — employee-owned and over 40 years of paintmaking experience.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN SoFlat Burnt Sienna lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Burnt Sienna uses PBr7 pigment and is rated ASTM Lightfastness I (Excellent).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I varnish SoFlat without losing the matte look?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can varnish, but a gloss varnish will change the sheen; use a matte varnish and test first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253173338449,"sku":"B08W71JQ93","price":31.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-soflat-burnt-sienna-front-jar.jpg?v=1791656634"},{"product_id":"golden-heavy-body-acrylic-paint-iridescent-gold-fine-2-fl-oz-tube-buttery-high-texture-metallic","title":"GOLDEN Heavy Body Acrylic Paint Iridescent Gold (Fine), 59 ml Tube — Buttery, High-Texture Metallic","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Iridescent Gold (Fine) is a thick, buttery metallic acrylic paint that delivers a luminous, traditional gold finish while holding brushstrokes and palette knife texture.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis fine-grade Iridescent Gold is part of GOLDEN's Heavy Body line, formulated without fillers or extenders so the pigment character shines through. The paint uses coated mica particles to create a classic metallic effect with semi-transparent coverage and ASTM Lightfastness I performance. Its dense, buttery consistency preserves tool marks, making it ideal for artists who want both a radiant metallic sheen and pronounced surface texture.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Iridescent Gold behave on my canvas?\u003c\/h3\u003e\n\u003cp\u003eThis heavy body acrylic maintains strong peak retention from brushes and knives, so impasto work keeps its shape as it dries. The semi-transparent nature lets underlying layers show through when thinned for glazes, while at full body it gives a reflective gold surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThick, paste-like viscosity for sculptural strokes\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent—use thicker application for opacity\u003c\/li\u003e\n  \u003cli\u003eRetains texture from palette knives and heavy brushwork\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic mediums to adjust flow or sheen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this metallic different from other gold paints?\u003c\/h3\u003e\n\u003cp\u003eInstead of metal flakes, this colour uses coated mica particles to produce a traditional gold appearance with a fine iridescent reflection. GOLDEN avoids extenders and opacifiers in their Heavy Body series, so colour mixing remains predictable and pigment-driven.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCoated mica for luminous metallic effect\u003c\/li\u003e\n  \u003cli\u003eNo added fillers—cleaner colour mixing with other paints\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I for lasting vibrancy under normal display conditions\u003c\/li\u003e\n  \u003cli\u003eVegan formulation, made in the USA by an employee-owned company\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use and mix this Iridescent Gold effectively?\u003c\/h3\u003e\n\u003cp\u003eUse straight from the tube for high-relief metallic strokes or mix sparingly with other heavy body colours to introduce metallic highlights without muddying hues. For glazes, thin with GOLDEN acrylic medium or glazing medium to retain sheen while increasing transparency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply directly for strong metallic impasto\u003c\/li\u003e\n  \u003cli\u003eBlend with heavy body colours for subtle gilding\u003c\/li\u003e\n  \u003cli\u003eThin with glazing mediums for translucent layers\u003c\/li\u003e\n  \u003cli\u003eUse compatible varnishes to protect and unify finish after drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: This tube suits professional painters, mixed-media artists, and serious hobbyists seeking a high-quality, pigment-forward metallic acrylic that keeps sculptural marks. If you prioritize archival lightfastness, pronounced texture retention, and clean mixing behavior in a fine iridescent gold, this Heavy Body Iridescent Gold delivers reliable performance on panels, canvas, and textured grounds.\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTraditional metallic gold appearance from coated mica particles\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent); Semi-Transparent; Pigments include titanium dioxide and iron oxide coated mica; Vegan\u003c\/li\u003e\n  \u003cli\u003eExceptionally smooth, thick texture that preserves brush and palette knife marks\u003c\/li\u003e\n  \u003cli\u003eUnique formulation per pigment, offering varied sheen and opacity across the range\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by an employee-owned company with over 40 years of paint-making experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Iridescent Gold lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Heavy Body Iridescent Gold has ASTM Lightfastness I (Excellent) for lasting colour when properly displayed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with an acrylic glazing medium or GOLDEN medium to create translucent glazes while keeping metallic sheen.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253195456849,"sku":"B0006VBOXA","price":31.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-iridescent-gold-front-tube.jpg?v=1791656803"},{"product_id":"golden-crackle-paste-acrylic-texture-medium-8-fl-oz-jar-matte-cracked-finish-for-layering","title":"GOLDEN Crackle Paste acrylic texture medium — 237 ml jar, matte cracked finish for layering","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Artist Colours Crackle Paste is an opaque moulding paste that dries to a controlled cracked texture for building textured surfaces and layering with acrylics.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCrackle Paste is a specialty acrylic medium in an 8 fl. oz. jar formulated to create a durable, matte, fissured surface that accepts paint and additional mediums. It’s designed for artists who want to introduce naturally aged, fractured textures or bold sculptural relief to panels, canvases, and mixed-media work. Conforming to ASTM D4236 and made in the USA, this paste gives predictable handling while leaving an absorbent surface that interworks well with GOLDEN acrylics and other water-based products.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Crackle Paste create its cracked look?\u003c\/h3\u003e\n\u003cp\u003eCrackling occurs as the paste dries and contracts; film formation and thickness determine the size and frequency of cracks. Thinner layers yield fine crazing while thicker applications produce wider fissures and more pronounced surface relief. Environmental factors like humidity and drying speed also influence the final pattern.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply thin coats for subtle, hairline cracking\u003c\/li\u003e\n  \u003cli\u003eBuild thick layers for bold, vintage-style fissures\u003c\/li\u003e\n  \u003cli\u003eLonger open time and controlled drying deepen crack definition\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with this medium?\u003c\/h3\u003e\n\u003cp\u003eCrackle Paste adheres to primed canvas, panels, wood, and many rigid supports; it’s not intended as a flexible ground for unstretched fabric. Because it dries to a matte, absorbent layer, it takes glazes, washes, and opaque acrylic colour treatments very well, making it ideal for layered mixed-media approaches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on gessoed canvas, wooden panels, and heavy watercolour paper\u003c\/li\u003e\n  \u003cli\u003ePaint or glaze over dried paste for colour emphasis in cracks\u003c\/li\u003e\n  \u003cli\u003eCombine with stencils or palette knife application for varied texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and care for the paste during my project?\u003c\/h3\u003e\n\u003cp\u003eApply with a palette knife, trowel, spatula, or stiff brush depending on the texture you want; smoothing tools give even surfaces, while sculpting tools create peaks and valleys. Drying at room temperature yields consistent results—avoid rapid drying from heat that can cause unpredictable splits. Once cured, handle gently and seal with compatible acrylic varnish if protection or sheen change is desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTool options: palette knife for spread, brush for light texture\u003c\/li\u003e\n  \u003cli\u003eAllow full cure before overpainting—time varies with thickness\u003c\/li\u003e\n  \u003cli\u003eSeal finished work with an acrylic varnish recommended by GOLDEN\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan Crackle Paste be combined with other GOLDEN products?\u003c\/h3\u003e\n\u003cp\u003eYes. Crackle Paste integrates into a mixed-media workflow—use it alongside GOLDEN acrylic paints, gels, and varnishes to extend textural vocabulary and colour effects. Its absorbent, matte surface provides excellent tooth for subsequent paint layers, glazes, and washes, expanding creative options without compromising adhesion when used correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer with acrylic colours for colour-in-crack effects\u003c\/li\u003e\n  \u003cli\u003eMix with texture pastes sparingly to modify cracking behavior\u003c\/li\u003e\n  \u003cli\u003eFinish with GOLDEN varnishes for protection and chosen sheen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Artist Colours Crackle Paste is aimed at professional and serious studio artists, mixed-media creators, and craft practitioners who want a reliable, archival-quality medium to introduce authentic cracked textures and sculptural surface interest. Its predictable handling, compatibility with acrylic systems, and USA manufacture make it suitable for fine-art applications, decorative work, and experimental surface development.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does Crackle Paste take to dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Drying time depends on thickness; thin layers may dry in hours, thicker applications can take days to fully cure.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I paint over Crackle Paste?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—once fully dry, the matte, absorbent surface accepts acrylic paints, glazes, and washes for colour effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253201355089,"sku":"B002646MT6","price":32.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-crackle-paste-front-jar.jpg?v=1791656877"},{"product_id":"golden-fluid-acrylics-titan-green-pale-4-fl-oz-low-viscosity-high-pigment-acrylic-for-glazing-and-tinting","title":"GOLDEN Fluid Acrylics Titan Green Pale 118 ml — Low-Viscosity, High-Pigment Acrylic for Glazing and Tinting","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylics Titan Green Pale is a low-viscosity, high-pigment pale green acrylic designed for flowing applications, glazing, and precise tinting of media.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 4 fl. oz. bottle contains a pale, titanium-white–based green that behaves like a cream-thick liquid while preserving the same pigment concentration found in GOLDEN Heavy Body formulas. The fluid consistency makes it easy to spread over wide areas, dilute for washes, or mix into gels, grounds, and gessos without losing colour strength. Crafted in the USA by an employee-owned company, this colour offers excellent lightfastness and versatility for studio and plein air work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Titan Green Pale perform when thinning or glazing?\u003c\/h3\u003e\n\u003cp\u003eBecause the formula retains high pigment load even at a lower viscosity, it maintains strong tinting power when diluted for glazes or washes. You can build transparent layers without the colour breaking or becoming washed out.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlendable with water or acrylic mediums for translucent layers\u003c\/li\u003e\n  \u003cli\u003eMaintains colour intensity in thin applications\u003c\/li\u003e\n  \u003cli\u003eWorks well for glazing and layered glazing techniques\u003c\/li\u003e\n  \u003cli\u003eCompatible with acrylic gels and mediums for extended workability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques benefit most from this fluid acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe fluid body spreads evenly across large supports and is excellent for staining, fine detail work, and water-media techniques. It’s also well suited for mixed-media approaches where you need predictable adhesion and flexibility.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEven coverage on canvas, panel, and paper\u003c\/li\u003e\n  \u003cli\u003eStaining effects on unprimed or absorbent grounds\u003c\/li\u003e\n  \u003cli\u003eFine-line work with small brushes or droppers\u003c\/li\u003e\n  \u003cli\u003eTinting gessoes, grounds, and gels without reducing opacity control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pigment and permanence details I should know?\u003c\/h3\u003e\n\u003cp\u003eTitan Green Pale is an opaque, titanium-white–based blend with a mix of organic and inorganic pigments formulated for excellent permanence. It carries an ASTM I lightfastness rating and is identified by its pigment codes for predictable colour behavior.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments include PW6, PY42, PBr7, PG7 for stable colour\u003c\/li\u003e\n  \u003cli\u003eRated ASTM Lightfastness I (Excellent)\u003c\/li\u003e\n  \u003cli\u003eOpaque handling due to titanium-white base\u003c\/li\u003e\n  \u003cli\u003eVegan formula and made with globally sourced materials\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow easy is it to integrate this colour into my existing palette?\u003c\/h3\u003e\n\u003cp\u003eVery easy—its fluid nature mixes seamlessly with other acrylic colours and additives, providing smooth gradations and predictable tinting strength. Use it to shift temperature or value without changing handling characteristics dramatically.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly with GOLDEN heavy body and fluid colours\u003c\/li\u003e\n  \u003cli\u003eSuitable for pre-mixing with mediums for custom textures\u003c\/li\u003e\n  \u003cli\u003eRetains adhesion when combined with primers and grounds\u003c\/li\u003e\n  \u003cli\u003ePractical for studio sets where consistent colour mixing is required\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a reliable, creamy-flowing pale green with professional-grade pigment performance will appreciate this bottle. It's ideal for painters who layer glazes, work in mixed media, or need a highly blendable tinting colour for gessoes and gels. Studio professionals, art students, and hobbyists who require lasting colour and flexible application options will find this fluid acrylic fits seamlessly into both technical and expressive workflows.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Titan Green Pale suitable for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its fluid consistency and high pigment load make it excellent for glazing and thin transparent layers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with acrylic mediums and gesso?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes readily with gels, mediums, and gessos without losing tinting strength or adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253412905297,"sku":"B079QFYG2T","price":31.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-fluid-titan-green-pale-front-bottle.jpg?v=1791658512"},{"product_id":"golden-high-flow-acrylic-ink-quinacridone-magenta-1-oz-ultra-fluid-transparent-pigment-for-airbrush-markers","title":"GOLDEN High Flow Acrylic Ink - Quinacridone Magenta 28 g, Ultra-Fluid Transparent Pigment for Airbrush \u0026 Markers","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN High Flow Acrylic in Quinacridone Magenta is a one-ounce, ink-like artist paint formulated for smooth flow through brushes, pens, airbrushes, and refillable markers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis ultra-fluid acrylic blends the same high-quality pigments and polymer binders found in GOLDEN Artist acrylics into a consistently thin formula that stays stable in small tips and tools. The Quinacridone Magenta version delivers a vivid, transparent magenta that layers beautifully, mixes cleanly with other colours, and is suitable for paper, canvas, and panels. Designed with flow improvers and leveling agents, this 1 oz bottle is a compact, versatile choice for illustrators, mixed-media artists, calligraphers, and airbrush users.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave when used with pens, markers, and airbrushes?\u003c\/h3\u003e\n\u003cp\u003eThe ink-like viscosity is engineered to pass through fine nibs and nozzles without separating or clogging, giving a consistent stream of colour. It atomizes well in airbrushes and refills smoothly into marker reservoirs.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin, stable consistency for technical pens and refillable markers\u003c\/li\u003e\n  \u003cli\u003eFormulated to reduce pigment settling in small tips\u003c\/li\u003e\n  \u003cli\u003eCompatible with most airbrush setups when thinned appropriately\u003c\/li\u003e\n  \u003cli\u003eFlows evenly for calligraphy and detailed line work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work best with Quinacridone Magenta High Flow?\u003c\/h3\u003e\n\u003cp\u003eThis colour performs across a range of absorbent and nonabsorbent supports — paper, primed panels, and stretched canvas are all suitable. Because it’s highly fluid and transparent, it excels in glazing, washes, fine lines, and layering with other translucent colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for paper and illustration boards for crisp lines\u003c\/li\u003e\n  \u003cli\u003eWorks on primed canvas and panels for mixed-media layering\u003c\/li\u003e\n  \u003cli\u003eGreat for glazing and transparent colour mixing\u003c\/li\u003e\n  \u003cli\u003eSuitable for calligraphy, ink washes, and detailed illustrations\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I mix or alter the colour and consistency safely?\u003c\/h3\u003e\n\u003cp\u003eYou can blend Quinacridone Magenta with other GOLDEN High Flow colours or dilute it with distilled water for lighter washes. For thicker applications or different working properties, mix with compatible mediums rather than household thinners to maintain binder integrity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other High Flow colours for custom hues\u003c\/li\u003e\n  \u003cli\u003eThin with distilled water for delicate washes\u003c\/li\u003e\n  \u003cli\u003eUse GOLDEN-compatible mediums to change sheen or drying time\u003c\/li\u003e\n  \u003cli\u003eAvoid solvents that may damage the acrylic binder\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and care for the bottle to preserve performance?\u003c\/h3\u003e\n\u003cp\u003eKeep the bottle capped and stored upright in a cool, dry place to prevent skinning and evaporation. If pigment settles slightly, gentle inversion or rolling will remix without shaking air into the bottle.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReseal tightly after each use to prevent drying\u003c\/li\u003e\n  \u003cli\u003eStore away from direct heat and freezing temperatures\u003c\/li\u003e\n  \u003cli\u003eRoll the bottle to remix settled pigment; avoid vigorous shaking\u003c\/li\u003e\n  \u003cli\u003eClean nozzle after use to prevent clogging\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN High Flow Acrylic, Quinacridone Magenta, is built for artists seeking a reliable, intensely pigmented magenta that works like ink but retains acrylic permanence. It's especially useful for illustrators, mural designers sketching colour studies, calligraphers wanting saturated strokes, mixed-media artists layering transparent hues, and airbrush users needing consistent atomization. The 1 ounce format offers a convenient, portable supply for studio work, travel, and tool refills without committing to larger bottles.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN High Flow Quinacridone Magenta suitable for airbrush use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its thin, stable consistency atomizes well; thin further with distilled water if needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this colour in refillable markers and technical pens?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Finely ground pigments and flow additives reduce clogging in small tips and nibs.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253535686993,"sku":"B00E4PL7XG","price":32.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-quinacridone-magenta-front-bottle.jpg?v=1791660097"},{"product_id":"golden-soflat-matte-acrylic-paint-ultramarine-blue-2-fl-oz-jar-velvety-non-reflective-finish","title":"GOLDEN SoFlat Matte Acrylic Paint Ultramarine Blue — 59 ml Jar, Velvety Non-Reflective Finish","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN SoFlat Matte Acrylics in Ultramarine Blue is a professional-grade, velvety matte acrylic paint formulated for broad, even fields of saturated colour with minimal glare.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who need a uniform, non-reflective surface, SoFlat combines strong opacity, excellent leveling, and easy brushability so you can cover surfaces in fewer layers than many other acrylics. This Ultramarine Blue comes from a long pigment tradition—now in a modern synthetic formulation—giving you deep, stable colour with ASTM Lightfastness I. The paint dries to a durable, water-resistant matte finish that resembles the opaque appearance of gouache without sacrificing the permanence and flexibility of acrylic.\u003c\/p\u003e\n\n\u003ch3\u003eHow does SoFlat deliver a true matte, non-glare finish?\u003c\/h3\u003e\n\n\u003cp\u003eSoFlat uses a specific binder and pigment balance to scatter light at the surface, producing an even, glare-free appearance when fully dry. The formulation helps paint level out during drying, minimizing brush texture and sheen variation so fields of colour look consistent from edge to edge.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFlat finish engineered for minimal reflection and uniform appearance\u003c\/li\u003e\n  \u003cli\u003eLevelling properties reduce visible brush marks\u003c\/li\u003e\n  \u003cli\u003eDries to a durable, water-resistant film suitable for display pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Ultramarine Blue cover evenly and require fewer layers?\u003c\/h3\u003e\n\n\u003cp\u003eYes—SoFlat emphasizes opacity and coverage, so rich, uniform colour can be achieved with fewer applications than many traditional acrylics. The Ultramarine Blue here is semi-opaque and formulated to lay down smoothly, helping you build intense fields of colour without overly thick buildup.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSemi-opaque pigment mix for strong colour depth\u003c\/li\u003e\n  \u003cli\u003eBetter hiding power compared with some matte paints\u003c\/li\u003e\n  \u003cli\u003eFlows well to create even ground with 1–3 coats depending on substrate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is this Ultramarine Blue?\u003c\/h3\u003e\n\n\u003cp\u003eThis Ultramarine Blue meets ASTM Lightfastness I (Excellent), so it resists fading under normal display conditions. Once dry, the paint film is water-resistant and holds up well to handling and common environmental exposure, preserving the intended matte look over time.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I for excellent permanence\u003c\/li\u003e\n  \u003cli\u003eWater-resistant when fully cured\u003c\/li\u003e\n  \u003cli\u003eMade with artist-grade ingredients and consistent manufacturing standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does SoFlat compare to gouache or other acrylics in studio use?\u003c\/h3\u003e\n\n\u003cp\u003eSoFlat gives the opaque, matte aesthetic many artists seek from gouache but without gouache’s susceptibility to rewetting and surface disturbance. Compared with glossy acrylics, it removes sheen distraction and reduces the need for varnish to achieve a flat look, while preserving acrylic advantages like flexibility and durability.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMatte, opaque look similar to gouache but more durable\u003c\/li\u003e\n  \u003cli\u003eLess reactivation than watercolours or gouache once dried\u003c\/li\u003e\n  \u003cli\u003eBetter coverage and fewer layers than many standard matte acrylics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, muralists, set designers, and fine-art practitioners who require a professional matte finish and reliable coverage will find GOLDEN SoFlat Ultramarine Blue especially useful. It’s ideal for painting large colour fields, stage flats, illustrative panels, or any work where a consistent, low-sheen surface is essential. Made in the USA by an experienced, employee-owned company, this 2 fl. oz. jar gives studio professionals and hobbyists a compact, high-quality option for controlled matte colour.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN SoFlat Ultramarine Blue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Ultramarine Blue rates ASTM Lightfastness I (Excellent) for good colour permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I varnish SoFlat if I want extra protection?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. You can apply compatible acrylic varnishes, but varnishing may alter the flat, non-glare appearance.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253610365265,"sku":"B08W77GS7M","price":32.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-soflat-jar-front.jpg?v=1791661338"},{"product_id":"golden-soflat-matte-acrylic-paint-fluorescent-orange-2-fl-oz-ultra-matte-high-coverage","title":"GOLDEN SoFlat Matte Acrylic Paint, Fluorescent Orange 59 ml — ultra-matte, high-coverage","description":"\u003cstrong\u003eGOLDEN SoFlat Matte Acrylics in Fluorescent Orange is a velvety, ultra-matte acrylic paint that delivers intense fluorescent colour and a glare-free finish for uniform, saturated fields.\u003c\/strong\u003e\n\n\u003cp\u003eThis 2 fl. oz. jar of GOLDEN SoFlat Fluorescent Orange combines dye-based brilliance with a specialized polymer coating to create a striking, flat colour that levels smoothly and dries with minimal sheen. Formulated to help artists lay down rich, even colour in fewer layers than traditional acrylics, SoFlat emphasizes coverage, flow, and a matte surface. The fluorescent component produces a visible glow under black light, while the paint’s composition offers durable water resistance once dry.\u003c\/p\u003e\n\n\u003ch3\u003eHow does SoFlat create a matte, non-reflective finish?\u003c\/h3\u003e\n\u003cp\u003eThe formula uses a balance of pigments and leveling agents that spread evenly and reduce surface glare when dry. Unlike heavily textured or glossy acrylics, SoFlat is engineered to produce a uniform flat plane of colour that replicates the look of gouache without its fragility.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpecial polymer-dye particles for dense colour and reduced sheen\u003c\/li\u003e\n  \u003cli\u003eHigh leveling properties to minimize brush marks\u003c\/li\u003e\n  \u003cli\u003eDries to a durable, water-resistant matte surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Fluorescent Orange glow under black light and how permanent is it?\u003c\/h3\u003e\n\u003cp\u003eThe dye-based fluorescent pigment visibly glows under ultraviolet (black) light, producing a vivid, luminous effect. Because the fluorescence comes from dye particles, lightfastness is very poor (Lightfastness IV), so colour permanence is limited without protective measures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlows under black light for vibrant effects\u003c\/li\u003e\n  \u003cli\u003eNot lightfast—expect colour shift with prolonged light exposure\u003c\/li\u003e\n  \u003cli\u003eVarnishing with UVLS increases permanence but removes black light glow\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use SoFlat Fluorescent Orange for best coverage and texture control?\u003c\/h3\u003e\n\u003cp\u003eApply SoFlat with brush or broad tool strokes to create large flat areas; its flowing consistency lets the paint settle evenly. For the most uniform appearance, work wet-into-wet, avoid overbrushing, and allow adequate drying time between layers when building opacity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse wide, soft brushes or squeegees for even coverage\u003c\/li\u003e\n  \u003cli\u003eThin sparingly with water for flow control; avoid excessive thinning\u003c\/li\u003e\n  \u003cli\u003eLayer in thin coats for opacity without texture buildup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the technical details and practical precautions?\u003c\/h3\u003e\n\u003cp\u003eSoFlat Fluorescent Orange is semi-transparent in some applications and contains dyed polymer particles plus titanium dioxide for opacity where needed. It’s vegan and made in the USA, but because fluorescent dyes are inherently light-sensitive, plan conservation and display conditions accordingly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 2 fl. oz. jar; ideal for trials, studies, and detail work\u003c\/li\u003e\n  \u003cli\u003eIngredients: dyed polymer particles, PW6 (Titanium Dioxide Rutile)\u003c\/li\u003e\n  \u003cli\u003eVegan, water-based, and water-resistant when dry\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN SoFlat Fluorescent Orange is aimed at painters, muralists, set designers, and mixed-media artists who need a reliably matte, intensely coloured acrylic that lays down broad, even colour fields with a unique fluorescent effect. Choose this jar-sized option for experimentation, small-scale work, or as an accent colour in larger palettes. If you require archival lightfastness for long-term exposure, consider varnishing with UVLS (accepting that you will lose the black-light fluorescence) or use SoFlat for indoor, gallery-controlled, or ephemeral projects where glow and surface quality are the priority.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this paint glow under black light?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the fluorescent dye in GOLDEN SoFlat Fluorescent Orange glows under UV\/black light for vivid effects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the fluorescent colour lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — lightfastness is Very Poor (IV); varnish with UVLS can increase permanence but will remove black-light glow.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253610987857,"sku":"B08W72KRNJ","price":31.11,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-soflat-fluorescent-orange-front-jar.jpg?v=1791661361"},{"product_id":"golden-quilting-paper-roll-12-x-20-yd-semi-transparent-yellow-tear-away-stitchable-tracing-paper","title":"GOLDEN Quilting Paper Roll 12\" x 18.3 m - Semi-Transparent Yellow, Tear-Away, Stitchable Tracing Paper","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Threads Quilting Paper is a semi-transparent yellow 12\" roll made for precise tracing, easy marking, and clean tear-away after quilting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 12-inch by 20-yard roll gives quilters a long, flexible surface for transferring pantographs, repeating motifs, and original designs. The light-yellow tint improves visibility on both light and dark fabrics, while the paper’s strength lets you stitch through it when necessary and remove it cleanly afterward. It works well with pencils, pens, and quilting markers, making it a practical addition for domestic machines, longarm setups, classroom demonstrations, and pattern drafting.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper make tracing pantographs and motifs easier?\u003c\/h3\u003e\n\u003cp\u003eThe semi-transparent colour helps designs show through layers of fabric so you can align and repeat patterns accurately. The 12\" width matches many quilting templates and pantograph layouts, so you spend less time adjusting and more time stitching.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12-inch width fits standard quilt rows and pantograph patterns\u003c\/li\u003e\n  \u003cli\u003eTransparent yellow improves contrast on varied fabric colours\u003c\/li\u003e\n  \u003cli\u003eLong 20-yard length reduces roll changes during projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mark on it with common quilting tools?\u003c\/h3\u003e\n\u003cp\u003eYes — GOLDEN Threads paper accepts pencils, fine-tip pens, and quilting markers cleanly without excessive smudging. Marks are clear enough to follow while sewing, yet won’t permanently transfer to your fabric when the paper is removed properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmooth surface for graphite and ink-based marking tools\u003c\/li\u003e\n  \u003cli\u003eHolds fine lines for detailed motifs and repeat patterns\u003c\/li\u003e\n  \u003cli\u003eCompatible with domestic and longarm marking workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill it stay intact while stitching and still tear away afterward?\u003c\/h3\u003e\n\u003cp\u003eThe paper balances strength and removability: it’s robust enough for needlework but engineered to tear away without leaving residue or stressing the fabric. This makes it safe to stitch through when you need stabilising guidelines during quilting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurable enough to be stitched through during quilting\u003c\/li\u003e\n  \u003cli\u003eTears away cleanly for minimal post-quilting cleanup\u003c\/li\u003e\n  \u003cli\u003eReduces risk of puckering or fabric damage when removed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this roll fit into teaching, sampling, or pattern development?\u003c\/h3\u003e\n\u003cp\u003eInstructors and designers will appreciate the continuous roll format for demos, pattern repeats, and sampling. You can draft motifs, test scale, and hand out or store traced templates for classroom use or future projects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLong roll provides plenty of material for multiple demos or classes\u003c\/li\u003e\n  \u003cli\u003eReusable traced patterns can be used as templates or references\u003c\/li\u003e\n  \u003cli\u003eHandy for developing and photographing design variations\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: GOLDEN Threads Quilting Paper is aimed at hobby quilters, longarm operators, sewing instructors, and pattern designers who need reliable, easy-to-mark tracing material. If you want accurate pantograph transfers, a clear view of motifs on different fabric tones, and a paper that withstands stitching yet tears away cleanly, this 12\" x 20-yard roll is a practical choice to streamline your quilting workflow.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Threads Quilting Paper safe to stitch through?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The paper is strong enough to stitch through and is designed to tear away cleanly after quilting without harming fabric.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What marking tools work best on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Pencils, fine-tip pens, and quilting markers work well and produce clear, followable lines that don’t transfer to fabric when removed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253611544913,"sku":"B001R4SZ2I","price":32.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-threads-front-packaging.jpg?v=1791661375"},{"product_id":"golden-heavy-body-acrylic-paint-dioxazine-purple-2-fl-oz-single-pigment-high-viscosity","title":"GOLDEN Heavy Body Acrylic Paint, Dioxazine Purple (59 ml) — Single-Pigment, High Viscosity","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics Dioxazine Purple is a professional-grade, very deep bluish-purple acrylic paint in a thick, buttery 2 fl. oz. tube that holds brushstrokes and palette-knife texture.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered for artists who demand intense, uncompromised pigment, this Dioxazine Purple (PV23) comes from GOLDEN's Heavy Body line that avoids fillers and extenders so the pigment's true character shows through. The paint's high viscosity and pure pigment load make it excellent for expressive impasto, precise glazing, or rich mixing when you want clarity and depth in your purples. Made in the USA by an employee-owned company, the formulation balances archival performance with a range of sheens and opacities across the Heavy Body range.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Dioxazine Purple different from student-grade paints?\u003c\/h3\u003e\n\n\u003cp\u003eUnlike student-grade colours that often include extenders or fillers, this tube contains a single, concentrated pigment (PV23), so colour mixing remains clean and predictable. That higher pigment concentration delivers stronger tinting strength, deeper chroma, and better permanence for professional work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSingle-pigment PV23 for pure colour and predictable mixes\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness II — very good stability under light\u003c\/li\u003e\n  \u003cli\u003eNo added opacifiers or extenders — truer glaze and mixing behavior\u003c\/li\u003e\n  \u003cli\u003eHigh viscosity retains texture from brushes and knives\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paint behave on the brush, knife, and when mixed?\u003c\/h3\u003e\n\n\u003cp\u003eThe heavy body consistency is thick and smooth, designed to keep visible brushstrokes and palette-knife gestures without slumping. It blends readily when you want gradual transitions, yet it also maintains peaks and ridges for impasto work. In mixtures, the strong tinting power lets you alter hue with small amounts while preserving clarity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThick, buttery texture holds strokes and knife marks\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly for transparent glazes or opaque passages\u003c\/li\u003e\n  \u003cli\u003eTinting strength allows subtle shifts with minimal added colour\u003c\/li\u003e\n  \u003cli\u003eSuitable for both blending and textural techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this colour appropriate for archival or gallery work?\u003c\/h3\u003e\n\n\u003cp\u003eGOLDEN Heavy Body Dioxazine Purple is formulated for long-term use in studio and exhibition pieces. With ASTM Lightfastness II and professional-grade pigments, it offers reliable permanence for many fine-art applications when used and stored properly. As with all pigments, consider testing blends and consult GOLDEN guidelines for conservation-sensitive projects.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness II — rated very good for many artistic uses\u003c\/li\u003e\n  \u003cli\u003eMade with professional pigment standards for longevity\u003c\/li\u003e\n  \u003cli\u003eBest practice: document mixes and avoid prolonged UV exposure\u003c\/li\u003e\n  \u003cli\u003eProduced by GOLDEN, a trusted brand used by professional artists\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and care for this 2 fl. oz. tube?\u003c\/h3\u003e\n\n\u003cp\u003eUse the tube to control small amounts of high-strength pigment, ideal for limited palettes, travel, or detailed work. Close the cap tightly after use and store upright in a cool, dry place to preserve viscosity. For cleaning, remove wet paint with soap and water; once cured, GOLDEN acrylics become water-resistant.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDispense sparingly—high tinting power requires less paint\u003c\/li\u003e\n  \u003cli\u003eStore capped upright in a cool, stable environment\u003c\/li\u003e\n  \u003cli\u003eClean brushes with soap and water while paint is wet\u003c\/li\u003e\n  \u003cli\u003eUse mediums from GOLDEN for altering flow, gloss, or drying time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Professional and serious hobbyist artists who want a vivid, deep bluish-purple that behaves predictably in both impasto and glazing techniques will value this 2 fl. oz. tube. It's especially useful for painters working on small to medium canvases, mixed-media pieces, or those who maintain a high-pigment limited palette and need consistent, archival-grade colour without fillers.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What pigment is used in GOLDEN Dioxazine Purple?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It uses pigment PV23 (Carbazole Dioxazine), a single-pigment bluish-purple with strong tinting power.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—thin with GOLDEN glazing medium or acrylic medium for transparent layers while retaining pigment clarity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253615280465,"sku":"B0009H90CS","price":32.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-dioxazine-purple-front-tube.jpg?v=1791661483"},{"product_id":"golden-heavy-body-acrylic-paint-india-yellow-hue-2-fl-oz-thick-transparent-lightfast","title":"GOLDEN Heavy Body Acrylic Paint India Yellow Hue 59 ml — Thick, Transparent, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylics India Yellow Hue is a professional, thick-bodied acrylic paint that holds brushstrokes and palette knife texture while delivering a clean, transparent yellow for glazing and mixing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered for artists who want vivid, dependable pigments, this 2 fl. oz. tube of India Yellow Hue contains no fillers or extenders — only pigment and a stable acrylic polymer binder. The formulation highlights the natural characteristics of its pigments, giving you a paint that mixes cleanly, varies in sheen and opacity across the range, and offers excellent lightfastness and permanence.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this India Yellow Hue different from ordinary acrylics?\u003c\/h3\u003e\n\u003cp\u003eUnlike paints that rely on fillers to bulk up texture, GOLDEN Heavy Body Acrylics are concentrated and intentionally thick. That means stronger colour payoff, clearer colour mixing, and the ability to retain physical marks made by brushes or knives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExceptionally smooth, high-viscosity texture that preserves impasto and tool marks.\u003c\/li\u003e\n  \u003cli\u003eNo added extenders or opacifiers — pigment characteristics remain pure.\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) for long-term colour stability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour perform for glazing and layering?\u003c\/h3\u003e\n\u003cp\u003eIndia Yellow Hue offers transparent properties that make it useful for glazed passages as well as thin washes. When thinned with medium or glazing fluid, it spreads smoothly without becoming muddy, and it builds clean, luminous layers when allowed to dry between applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent hue ideal for warm glazes and subtle undertones.\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other GOLDEN colours for predictable results.\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity when layered, reducing dulling in complex passages.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paint keep brush and palette knife marks?\u003c\/h3\u003e\n\u003cp\u003eThe heavy-body consistency is designed to retain texture, so strokes and knife ridges remain distinct after drying. That physical hold gives you expressive surface structure for impasto techniques and sculptural colour effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-viscosity formula holds peaks and ridges without sagging.\u003c\/li\u003e\n  \u003cli\u003eSuitable for palette knife application and thick brushwork.\u003c\/li\u003e\n  \u003cli\u003eDries to a stable film that preserves three-dimensional texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the technical and ethical attributes of this pigment?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN’s India Yellow Hue is a modern, humane interpretation of a historical colour — reformulated without harmful or archaic materials. The tube lists specific pigments and boasts vegan-friendly production along with American manufacturing and employee ownership.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigments include PY150, PY175 and PR122 for complex, durable colour.\u003c\/li\u003e\n  \u003cli\u003eVegan, urine-free historical substitute with improved permanence.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by an employee-owned company with over 40 years’ experience.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who prioritize pigment purity, brushstroke retention and archival quality will appreciate this GOLDEN Heavy Body India Yellow Hue. It suits painters working in oil-alternative workflows, those who rely on glazing or impasto techniques, and professionals seeking consistent, lightfast colour from a reliable brand. The 2 fl. oz. tube is convenient for studio use, plein air touch-ups, or testing on palettes and panels.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN India Yellow Hue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This colour carries ASTM Lightfastness I (Excellent) for stable, long-lasting colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this heavy body acrylic for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with acrylic glazing medium or a small amount of water for transparent glazes without losing stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253644542289,"sku":"B000EH6EFE","price":31.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-heavy-body-india-yellow-front-packaging.jpg?v=1791662011"},{"product_id":"golden-extra-heavy-gel-matte-acrylic-medium-8-fl-oz-jar-thick-impasto-texture-low-sheen-durability","title":"GOLDEN Extra Heavy Gel Matte acrylic medium, 237 ml jar — thick impasto texture \u0026 low-sheen durability","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Artist Colours Extra Heavy Gel Matte is a very thick, wax-like acrylic medium for building texture, extending paint, and achieving a durable matte surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eExtra Heavy Gel Matte from GOLDEN is an acrylic medium formulated for artists who want dense body and a low-sheen finish while retaining excellent flexibility and durability. It sits between modelling paste and regular gel, allowing you to sculpt peaks, embed collage elements, or thinly glaze colours while maintaining a resolute matte surface. Made in the USA by a longtime paint manufacturer, this 8 fl. oz. jar offers studio-ready performance for mixed media, painting, and surface preparation.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this gel change the texture and look of my acrylic paintings?\u003c\/h3\u003e\n\u003cp\u003eThe extra heavy consistency enables sculptural texture and pronounced impasto effects that hold peaks and knife marks. Drying produces a wax-like matte that reduces surface sheen and enhances subtle light scattering without brittleness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate strong impasto that keeps shape even after drying\u003c\/li\u003e\n  \u003cli\u003eBlend or carve surface once partially cured for refined textures\u003c\/li\u003e\n  \u003cli\u003eUse under or over colour to mute gloss and control final sheen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Extra Heavy Gel Matte with colour or use it as a ground?\u003c\/h3\u003e\n\u003cp\u003eYes — it mixes smoothly with acrylic paints and can act as a ground or primer when you need a toothy, matte surface. Depending on your ratio, it can increase transparency, body, or both, without compromising adhesion.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix 1:1 for thicker paint with reduced sheen and slightly increased translucency\u003c\/li\u003e\n  \u003cli\u003eUse thinner layers as a gesso-like ground to build tooth for subsequent layers\u003c\/li\u003e\n  \u003cli\u003eApply over collage to adhere elements while keeping a uniform matte finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the handling, drying, and long-term durability characteristics?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN Extra Heavy Gel Matte dries to a flexible, chemically stable film resistant to water once fully cured. It resists yellowing and UV effects better than many hobby-grade alternatives, making it suitable for archival work when used properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDries to the touch in hours; full cure can take days depending on thickness\u003c\/li\u003e\n  \u003cli\u003eMaintains flexibility and resists cracking in typical painting thicknesses\u003c\/li\u003e\n  \u003cli\u003eOnce dry it provides water resistance and good adhesion for overpainting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply, clean up, and store this medium?\u003c\/h3\u003e\n\u003cp\u003eApply with palette knives, brushes, or impasto tools; clean tools with water while wet. Store the jar tightly sealed in a cool place to preserve consistency and prevent skinning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSculpt or spread with knives for pronounced peaks; use a stiff brush for toothy surfaces\u003c\/li\u003e\n  \u003cli\u003eClean brushes with soap and water before the medium cures\u003c\/li\u003e\n  \u003cli\u003eReseal jar after use and keep away from freezing temperatures to maintain texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Extra Heavy Gel Matte suits professional and serious hobbyist artists who need a stable, low-gloss acrylic medium for heavy texture, collage, and mixed-media work. If you frequently build layers, carve into wet surfaces, or require a durable matte finish that holds peaks and brush marks, this medium provides studio-grade performance in an 8 fl. oz. jar.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Extra Heavy Gel Matte with acrylic paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix into acrylics to increase body, reduce gloss, or adjust translucency; ratios change texture and drying time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does it take to fully cure?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Touch-dry in hours; full cure may take several days depending on layer thickness and environmental conditions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253656240465,"sku":"B007V5JVN4","price":32.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-extra-heavy-gel-matte-front-jar.jpg?v=1791662134"},{"product_id":"golden-high-flow-acrylics-transparent-shading-gray-4-fl-oz-ultra-fluid-airbrush-ready-acrylic-with-smooth-flow","title":"GOLDEN High Flow Acrylics transparent shading grey 118 ml — ultra-fluid airbrush-ready acrylic with smooth flow","description":"\u003cstrong\u003eGOLDEN High Flow Acrylics Transparent Shading Grey is an ultra-fluid, ink-like acrylic paint made for airbrushing, calligraphy, washes and precise glazing.\u003c\/strong\u003e\n\n\u003cp\u003eThis 4 fl. oz. bottle contains a professional-grade, transparent grey formulated to flow smoothly through airbrushes, refillable markers, dip pens and fine applicators without thinning. It blends the permanence and compatibility of acrylic with the low-viscosity behavior of inks, so you can use it alone or mix it with other GOLDEN acrylic colours and mediums. The pigment is rated ASTM Lightfastness I and provides a neutral, controllable shading grey that is especially useful for glazing, tonal studies and layered colour work.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paint perform in an airbrush or refillable marker?\u003c\/h3\u003e\n\u003cp\u003eThe High Flow formula is designed specifically to work straight from the bottle in small-orifice tools. Flow enhancers and retarders in the formulation keep passages clear and produce consistent atomization so you spend less time thinning and more time spraying predictable gradients.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReady for airbrush and refillable markers with no additional thinning required\u003c\/li\u003e\n  \u003cli\u003eStable flow and reduced clogging because of built-in flow improvers\u003c\/li\u003e\n  \u003cli\u003ePredictable layering for smooth tonal transitions and fades\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix it with other GOLDEN acrylics or use it for glazing?\u003c\/h3\u003e\n\u003cp\u003eYes — although it behaves like an ink, it is still an acrylic emulsion and mixes readily with other GOLDEN colours and mediums. Its transparency makes it ideal for glazing, subtle tinting, and building up delicate values without obscuring underlying paint layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with other GOLDEN acrylic paints and acrylic mediums\u003c\/li\u003e\n  \u003cli\u003eTransparent shading allows controlled colour glazing and tonal adjustments\u003c\/li\u003e\n  \u003cli\u003eGood for layered techniques that require visible underpainting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pigment and permanence characteristics?\u003c\/h3\u003e\n\u003cp\u003eTransparent Shading Grey is made from a carbon-based black pigment that yields a neutral grey when used at reduced opacity. The pigment selection and formulation deliver high lightfastness, so finished work resists noticeable fading under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PBk7 (nearly pure amorphous carbon)\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) for longevity in finished pieces\u003c\/li\u003e\n  \u003cli\u003eTransparent tone, vegan formulation, made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and care for this bottle to maintain performance?\u003c\/h3\u003e\n\u003cp\u003eStore upright with the cap tightly closed to prevent drying and contamination. Clean airbrushes, pens and nozzles promptly after use with appropriate cleaner or water to avoid build-up; dried High Flow acrylic is water-resistant once fully cured.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep cap sealed and store in a cool, stable environment\u003c\/li\u003e\n  \u003cli\u003eFlush tools immediately after use with water or brush cleaner\u003c\/li\u003e\n  \u003cli\u003eUse for drawing, staining, dripping, pouring, calligraphy, washes and spraying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN High Flow Transparent Shading Grey suits professional artists, illustrators, designers and advanced hobbyists who need a reliable, ink-like acrylic that performs in precision tools such as airbrushes and refillable pens. It's especially helpful for those working in glazing, tonal studies, monochrome illustrations, mixed-media layering, and any process that benefits from a controllable transparent grey with archival properties.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to thin GOLDEN High Flow for airbrushing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—this formula is made to spray from airbrushes and refillable markers without thinning for most applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Transparent Shading Grey lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—this shade is ASTM Lightfastness I (Excellent), suitable for durable artwork.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253670461777,"sku":"B00E4PLHHM","price":31.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-transparent-shading-gray-front-bottle.jpg?v=1791662358"},{"product_id":"golden-open-slow-drying-acrylic-paint-ultramarine-violet-2-fl-oz-extended-open-time-smooth-glazing","title":"GOLDEN OPEN slow-drying acrylic paint Ultramarine Violet (59 ml) — extended open time, smooth glazing","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN OPEN Slow-Drying Acrylics Ultramarine Violet in a 2 fl. oz. tube is a deep, slightly-red violet acrylic that stays workable longer for blending, glazing, and fine transitions.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis professional-grade slow-drying acrylic delivers a rich single-pigment violet (PV15) with moderate transparency and excellent ASTM lightfastness. Formulated to extend open time compared with standard acrylics, it lets you blend longer on the canvas, maintain palettes for repeated sessions, and produce smooth glazing effects without the tackiness or flow issues of some retarders. The tube size (2 fl. oz.) suits studio use, plein air setups, or portrait sessions where colour consistency matters.\u003c\/p\u003e\n\n\u003ch3\u003eHow does GOLDEN OPEN Ultramarine Violet improve blending and glazing?\u003c\/h3\u003e\n\u003cp\u003eThe extended working time means edges stay soft and gradients remain controllable without frequent rewetting. That makes subtle shifts in tone and transparent layers easier to achieve than with typical fast-drying acrylics.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLonger open time supports smoother wet-to-wet blending and soft shoulders.\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent PV15 enables layered glazing for richer depth.\u003c\/li\u003e\n  \u003cli\u003eCompatible with fast-drying acrylics to adjust working time selectively.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the colour remain stable and lightfast over time?\u003c\/h3\u003e\n\u003cp\u003eThis Ultramarine Violet uses a single pigment with ASTM Lightfastness 1, indicating excellent resistance to fading under normal indoor conditions. It’s intended for archival studio work but should not be used on unprotected exterior surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness 1 ensures strong permanence for collectors’ pieces.\u003c\/li\u003e\n  \u003cli\u003ePigment: PV15 offers a consistent deep violet with slight red bias.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for long-term outdoor exposure without proper protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I integrate this slow-drying tube into my existing palette and techniques?\u003c\/h3\u003e\n\u003cp\u003eThe formula mixes well with standard, fast-drying acrylics, giving you control over drying rates across a painting. Use it straight from the tube for rich chroma, thin it for transparent glazes, or blend with faster colours when you need edges to set more quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly with other acrylics to expand tonal range and adjust drying time.\u003c\/li\u003e\n  \u003cli\u003eMaintains colour mixtures on the palette longer, reducing waste.\u003c\/li\u003e\n  \u003cli\u003eWorks well with brushes, knives, and glazing techniques used in portraiture and plein air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I expect in terms of opacity, texture, and application?\u003c\/h3\u003e\n\u003cp\u003eThis Ultramarine Violet is moderately transparent and offers a smooth, creamy consistency that levels well. It can be applied in thin transparent washes or built up for richer, deeper passages without cracking when used in standard acrylic layering practice.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent body ideal for glazing and layered depth.\u003c\/li\u003e\n  \u003cli\u003eCreamy viscosity for even coverage and clean brushwork.\u003c\/li\u003e\n  \u003cli\u003eVegan formulation and formulated to reduce premature skinning on palettes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists working in portraiture, studio painting, printmaking, or plein air who need a dependable deep violet with extended open time will find this 2 fl. oz. GOLDEN OPEN Ultramarine Violet especially useful. It suits professionals and experienced hobbyists who value lightfast pigments, controlled blending, and fewer discarded mixtures. If you require permanent exterior finishes, select a product designed for outdoor durability and protection instead.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN OPEN Ultramarine Violet lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It rates ASTM Lightfastness 1 (Excellent) for stable indoor colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix it with regular acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes with fast-drying acrylics to control working time and blends.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253685698897,"sku":"B0044TR2Y0","price":32.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-ultramarine-violet-front-tube.jpg?v=1791662645"},{"product_id":"golden-fluid-acrylic-paint-carbon-black-4-fl-oz-highly-pigmented-low-viscosity","title":"GOLDEN Fluid Acrylic Paint Carbon Black, 118 ml — Highly Pigmented, Low-Viscosity","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Fluid Acrylic Carbon Black is a richly pigmented, low‑viscosity acrylic paint in a 4 fl. oz. bottle designed for flowing techniques while keeping maximum colour intensity.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis fluid acrylic blends the strong pigmentation of GOLDEN's Heavy Body line with a much thinner, more pourable consistency—about the thickness of heavy cream. Formulated by suspending concentrated pigments in a reliable acrylic polymer binder, Carbon Black (PBk7) delivers deep, neutral black coverage without extenders or fillers. It’s produced from soot for an extremely fine particle size and rated ASTM Lightfastness I (Excellent), making it suitable for archival studio work and mixed‑media projects.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint perform for fine detail and dry brushing?\u003c\/h3\u003e\n\u003cp\u003eDespite its fluid body, the paint retains excellent pigmentation and adherence, allowing for crisp, controlled marks when used with small brushes or dry‑brushing techniques. The low viscosity lets you pull thin glazes and delicate lines without sacrificing colour strength.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eViscosity similar to heavy cream for smooth, controlled strokes\u003c\/li\u003e\n  \u003cli\u003eHigh tinting strength — tints mediums and grounds effectively\u003c\/li\u003e\n  \u003cli\u003eAdheres cleanly to prepared surfaces with minimal drag\u003c\/li\u003e\n  \u003cli\u003eOpaque Carbon Black for strong coverage and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use the Carbon Black for pouring, staining, and airbrushing?\u003c\/h3\u003e\n\u003cp\u003eYes—its flowing character is ideal for pouring techniques and staining porous supports. When airbrushing, mix with GOLDEN Airbrush Medium for consistent atomization; for pours, the paint layers smoothly and preserves pigment depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes readily with pouring mediums for marbling and cells\u003c\/li\u003e\n  \u003cli\u003eStains gessoed or unprimed surfaces without clogging brushes\u003c\/li\u003e\n  \u003cli\u003eCompatible with GOLDEN Airbrush Medium for spray applications\u003c\/li\u003e\n  \u003cli\u003eMaintains film integrity and adhesion when thinned appropriately\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the archival and material specifications I should know?\u003c\/h3\u003e\n\u003cp\u003eCarbon Black is formulated from nearly pure amorphous carbon (PBk7) sourced as soot, giving it a neutral, very dark appearance. It carries an ASTM Lightfastness rating of I (Excellent), is opaque, and is produced vegan‑friendly without fillers—qualities that matter for longevity and predictable mixing behavior.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PBk7 (Nearly Pure Amorphous Carbon) for deep neutral black\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent) — suitable for long‑lasting pieces\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage with no added extenders or fillers\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by an employee‑owned company with 40+ years’ experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I integrate this fluid acrylic into my studio workflow?\u003c\/h3\u003e\n\u003cp\u003eUse Carbon Black as a primary black for glazing, underpainting, and mixing rich neutrals. It tints gels, grounds, and mediums cleanly, so you can customize transparency and texture without losing chroma. Keep the bottle capped between uses and clean tools with water while wet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend with gels and mediums to adjust body and finish\u003c\/li\u003e\n  \u003cli\u003eThin with water for staining or medium for airbrushing and pouring\u003c\/li\u003e\n  \u003cli\u003eStore upright and cap tightly to preserve flow and prevent skinning\u003c\/li\u003e\n  \u003cli\u003eClean brushes with soap and water before paint dries\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Fluid Acrylic Carbon Black 4 fl. oz. is meant for painters and mixed‑media artists who need a dependable, intensely pigmented black that flows easily—ideal for detail work, glazing, pouring, airbrush techniques, and staining. It suits professionals and advanced hobbyists who want archival performance, consistent tinting behavior, and the versatility to combine with GOLDEN mediums and grounds.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFeatures include:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduced from soot for the darkest, most neutral black with fine particle size\u003c\/li\u003e\n  \u003cli\u003eASTM Lightfastness I (Excellent); Opaque; Pigment PBk7; Vegan\u003c\/li\u003e\n  \u003cli\u003eBlends easily with acrylic colours, gels, mediums, gessoes, and grounds\u003c\/li\u003e\n  \u003cli\u003eFluid body supports smooth application while preserving pigment strength and film integrity\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by an employee‑owned company with 40+ years of paintmaking experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Carbon Black fluid paint lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is rated ASTM Lightfastness I (Excellent) for long‑term colour stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use it straight from the bottle for airbrushing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Use with GOLDEN Airbrush Medium for best atomization; thinning with water alone can affect flow.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253690089809,"sku":"B015VFUQO8","price":31.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-carbon-black-front-bottle.jpg?v=1791662755"},{"product_id":"golden-open-slow-drying-acrylic-paint-phthalo-green-blue-shade-2-fl-oz-high-tinting-extended-open-time","title":"GOLDEN OPEN Slow-Drying Acrylic Paint — Phthalo Green (Blue Shade), 59 ml, High Tinting \u0026 Extended Open Time","description":"\u003cstrong\u003eGOLDEN OPEN Phthalo Green (Blue Shade) is a slow-drying, highly tinting acrylic paint designed for extended blending, glazing, and subtle transitions.\u003c\/strong\u003e\n\n\u003cp\u003eMade for artists who need more working time than conventional acrylics allow, this 2 fl. oz. tube of Phthalo Green (Blue Shade) combines intense colour strength with exceptional transparency for layered effects. The pigment PG7 (Chlorinated Copper Phthalocyanine) gives powerful tinting power: use it thin for luminous glazes or fuller for deep masstone. With ASTM Lightfastness I and a vegan formulation, it's built for archival-looking studio work without sacrificing flexibility.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint help when I need longer blending time?\u003c\/h3\u003e\n\u003cp\u003eThe slow-drying formula stays workable on the palette and canvas far longer than standard acrylics, giving you more time to feather edges, smooth transitions, and correct passages. That extended open time reduces the need for mixing fresh colour repeatedly and supports techniques that normally require oils.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtended working time for blending and softening edges\u003c\/li\u003e\n  \u003cli\u003ePreserves mixed colours on the palette for future sessions\u003c\/li\u003e\n  \u003cli\u003eBlendable with faster acrylics to adjust drying behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat visual effects can I achieve with Phthalo Green (Blue Shade)?\u003c\/h3\u003e\n\u003cp\u003eThis particular phthalocyanine green is extremely strong in tint while remaining very transparent when thinned, making it ideal for luminous glazing, cool shadow work, and rich underpainting. In masstone it reads as a deep, saturated green; in thin layers it becomes a clean, jewel-like wash.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent glazes for layered colour depth\u003c\/li\u003e\n  \u003cli\u003eIntense masstone for bold, saturated passages\u003c\/li\u003e\n  \u003cli\u003eIdeal for mixing stable, vivid secondary colours without muddiness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and studio-safe?\u003c\/h3\u003e\n\u003cp\u003eGOLDEN OPEN uses lightfast pigments rated ASTM I (Excellent), so colours retain their vibrancy under normal display conditions. The vegan formula avoids animal-derived additives while providing acrylic durability once fully cured.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM Lightfastness I for long-lasting colour\u003c\/li\u003e\n  \u003cli\u003eVegan formulation suitable for conscientious studios\u003c\/li\u003e\n  \u003cli\u003eForms a flexible, archival acrylic film when cured\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and mix this with other paints?\u003c\/h3\u003e\n\u003cp\u003eUse neat for opaque passages or thin with medium, water, or acrylic glazing medium for transparent layers; the paint mixes well with standard acrylics to fine-tune working time and handling. For glazing, apply multiple thin layers and allow tackiness to pass between coats for smooth optical mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with GOLDEN OPEN or fast acrylics to control drying time\u003c\/li\u003e\n  \u003cli\u003eThin with glazing medium or water for transparent layers\u003c\/li\u003e\n  \u003cli\u003eClean brushes with soap and water while wet; fully cured film is water-resistant\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who work in portraiture, plein air, printmaking, or any discipline that benefits from prolonged working time and high tinting strength will find GOLDEN OPEN Phthalo Green (Blue Shade) useful. It suits painters who want oil-like blending with the convenience of acrylics, those who glaze for depth, and anyone needing a dependable, lightfast green for mixing and finishing. This 2 fl. oz. tube is a convenient size for trial, travel, or focused studio use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can GOLDEN OPEN Phthalo Green be mixed with regular acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well; combine to adjust drying time and handling, keeping proportions consistent for predictable results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The PG7 pigment carries ASTM Lightfastness I for excellent colour permanence under normal conditions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253718434129,"sku":"B001TE27L6","price":31.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-open-phthalo-green-front-tube.jpg?v=1791663463"},{"product_id":"golden-heavy-body-acrylic-paint-turquoise-phthalo-2-fl-oz-tube-high-pigment-buttery-impasto-body","title":"GOLDEN Heavy Body Acrylic Paint Turquoise (Phthalo) 59 ml Tube — High-Pigment, Buttery Impasto Body","description":"\u003cstrong\u003eGOLDEN Heavy Body Acrylics in Turquoise (Phthalo) is a thick, buttery artist acrylic paint in a 2 fl. oz. tube, offering high-pigment, lightfast colour for textured brushwork and impasto.\u003c\/strong\u003e\n\n\u003cp\u003eThis 2 fl. oz. tube of GOLDEN Heavy Body Acrylic in Turquoise (Phthalo) delivers a dense, creamy texture favored by painters who need excellent pigment load and surface body. Formulated without fillers, extenders, opacifiers, toners or dyes, it dries to a flexible, water- and UV-resistant film suitable for canvas, board, and mixed-media supports. Conforms to ASTM D 4236 and ASTM D 5098; made in the USA. Note: contains a chemical listed by the State of California.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Turquoise (Phthalo) different from student-grade acrylics?\u003c\/h3\u003e\n\u003cp\u003eThe GOLDEN Heavy Body line uses a higher concentration of pigment and a heavy-bodied acrylic polymer to maintain brush and palette knife marks. Unlike thinner, economy paints, it preserves texture and colour saturation when applied thickly. Artists value it for predictable drying and archival performance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for strong, consistent colour\u003c\/li\u003e\n  \u003cli\u003eButtery, sculptable consistency that holds peaks and strokes\u003c\/li\u003e\n  \u003cli\u003eNo fillers or extenders that dilute colour intensity\u003c\/li\u003e\n  \u003cli\u003eDesigned for archival properties and lightfastness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint behave on different surfaces?\u003c\/h3\u003e\n\u003cp\u003eThe heavy body formula adheres well to primed canvas, gessoed panels, wood, and many prepared surfaces, allowing textured applications and glazing when thinned. It dries to a flexible film that resists cracking even with thick layers. For nonabsorbent or raw surfaces, proper priming is recommended.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks best on primed canvas, board, or gessoed wood\u003c\/li\u003e\n  \u003cli\u003eAccepts dilution with GOLDEN mediums for glazes or washes\u003c\/li\u003e\n  \u003cli\u003eMaintains impasto structure when used undiluted\u003c\/li\u003e\n  \u003cli\u003eDries to a water- and UV-resistant finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques are ideal with Turquoise (Phthalo) Heavy Body?\u003c\/h3\u003e\n\u003cp\u003eThis phthalo turquoise excels at impasto, palette-knife work, textured layering, and bold brushstrokes thanks to its body and tinting strength. It mixes cleanly with other heavy body colours and responds predictably to blending on the palette or wet-on-wet approaches. Mediums can expand working time or alter sheen without sacrificing pigment clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImpasto and sculptural strokes with palette knives\u003c\/li\u003e\n  \u003cli\u003eLayering and scumbling to build complex colour effects\u003c\/li\u003e\n  \u003cli\u003eMixes strongly for tints and deep glazes when used with mediums\u003c\/li\u003e\n  \u003cli\u003eCompatible with GOLDEN gels and retarders for extended open time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle this 2 fl. oz. tube?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube capped tightly and store in a cool, dry place away from direct heat or sunlight to preserve consistency and pigment quality. Clean brushes with water while paint is wet; once cured it forms a durable film. Dispose of contents and container according to local regulations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSeal cap after each use to prevent skinning and contamination\u003c\/li\u003e\n  \u003cli\u003eStore upright in a cool, shaded spot away from freezing or high heat\u003c\/li\u003e\n  \u003cli\u003eClean tools with soap and water before paint dries\u003c\/li\u003e\n  \u003cli\u003eObserve local disposal rules; product contains California-listed chemical\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: GOLDEN Heavy Body Acrylics in Turquoise (Phthalo), 2 fl. oz., suits professional and serious hobby artists who require archival pigments, strong tinting power, and a heavy-bodied consistency for expressive texture work. It is ideal for painters working in impasto, mixed media, and fine-art applications who want predictable behavior, long-lasting colour, and the versatility to combine with GOLDEN mediums and gels.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is GOLDEN Heavy Body Acrylic water-resistant when dry?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Once fully cured it dries to a flexible, water- and UV-resistant film.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with water or GOLDEN glazing mediums for translucent layers without losing adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253797470545,"sku":"B0006VBRR8","price":33.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-heavy-body-tube-front.jpg?v=1791665080"},{"product_id":"golden-heavy-body-acrylic-paint-diarylide-yellow-2-oz-thick-buttery-consistency-for-impasto-lightfast-color","title":"GOLDEN Heavy Body Acrylic Paint, Diarylide Yellow 59 ml — Thick buttery consistency for impasto, lightfast colour","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN Heavy Body Acrylic Paint in Diarylide Yellow is a professional-grade, thick-bodied artist acrylic offered in a 2-ounce tube for richly textured, lightfast colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for painters who want a dense, buttery consistency that holds brushstrokes and palette-knife marks, this Diarylide Yellow formula delivers strong tinting strength and excellent permanence. The Heavy Body line is formulated without fillers or extenders so the dried film remains flexible, durable, and resistant to yellowing. Each 2 oz tube is sold separately and made in the USA; the product also conforms to common ASTM standards for artist materials.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paint behave on canvas and panels?\u003c\/h3\u003e\n\n\u003cp\u003eThe heavy-body viscosity maintains peaks and impasto without sagging, so it's ideal for expressive brushwork and sculptural surface effects. It levels slower than fluid acrylics, preserving texture where you want it and offering predictable drying times for layering.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThick, buttery consistency preserves brush and knife marks\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load produces strong colour and coverage\u003c\/li\u003e\n  \u003cli\u003eDries to a flexible film suitable for stretched canvas and primed boards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the durability and permanence characteristics?\u003c\/h3\u003e\n\n\u003cp\u003eFormulated for lasting colour, this Diarylide Yellow offers excellent lightfastness and permanence within the Heavy Body line. The paint dries to a water-resistant film that resists UV degradation better than many student-grade alternatives.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHigh-quality pigments for long-term colour stability\u003c\/li\u003e\n  \u003cli\u003eDry film is flexible and less prone to cracking when applied appropriately\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM standards for artist acrylics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and layer Golden Heavy Body Diarylide Yellow?\u003c\/h3\u003e\n\n\u003cp\u003eUse directly from the tube for impasto, load brush or knife for bold strokes, or thin with a compatible acrylic medium for washes and glazes. Allow adequate drying between layers—thin applications dry faster, while thick impasto will need more time to cure fully.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eApply thick for texture or mix with Golden mediums to alter gloss and flow\u003c\/li\u003e\n  \u003cli\u003eThin with water or acrylic medium for semi-transparent effects\u003c\/li\u003e\n  \u003cli\u003eDrying time depends on layer thickness; ventilate and avoid extreme temperatures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there any safety or product-composition notes I should know?\u003c\/h3\u003e\n\n\u003cp\u003eThe formulation contains no fillers, extenders, opacifiers, toners, or dyes—just pigment and acrylic binder—so colour strength is concentrated. As with many artist materials, observe safe-studio practices: avoid ingestion, minimize prolonged skin contact, and consult local regulations for disposal. There is a California Proposition 65 warning associated with this product.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eNo inert fillers—pure pigment and binder for maximum performance\u003c\/li\u003e\n  \u003cli\u003eFollow standard ventilation and protective measures in the studio\u003c\/li\u003e\n  \u003cli\u003eProduct labeling includes required regulatory notices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? GOLDEN Heavy Body Diarylide Yellow in a 2-ounce tube is built for professional artists, serious hobbyists, and students who demand archival-grade acrylics with strong tinting power and a durable, texture-friendly vehicle. If you work with palette knives, layered impasto, or need reliable mixing strength for a consistent colour palette, this paint gives you the control and permanence expected from a top-tier acrylic brand.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Diarylide Yellow lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. GOLDEN Heavy Body colours are formulated for good lightfastness and long-lasting colour in typical display conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin this paint for glazing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin with water or a compatible GOLDEN acrylic medium for transparent glazes; avoid over-thinning to maintain film integrity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55253903081809,"sku":"B0006VBPZC","price":32.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-diarylide-yellow-front-tube.jpg?v=1791666218"},{"product_id":"golden-gac-900-fabric-medium-8-oz-jar-heat-set-acrylic-medium-for-wearable-textiles-soft-hand-improved-washability","title":"GOLDEN GAC 900 Fabric Medium, 8 oz Jar — Heat-Set Acrylic Medium for Wearable Textiles, Soft Hand \u0026 Improved Washability","description":"\u003cp\u003e\u003cstrong\u003eGOLDEN GAC 900 is a heat-set acrylic medium that blends with artist paints to create fabric paints with improved washability and a soft hand for wearable textiles.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUse GAC 900 to convert regular acrylics into durable fabric paints that can be applied by brushing, airbrushing, or screen-printing. The medium is formulated to modify the flexibility and launderability of acrylic colours so painted garments, costumes, and textile art maintain appearance and feel after repeated washing when properly heat-set. It mixes transparently with pigments and can be tailored for different application methods and fabric types.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I mix GAC 900 with acrylic paints for fabric projects?\u003c\/h3\u003e\n\u003cp\u003eMix GAC 900 directly into artist acrylics until you reach a paint consistency suited to your technique. Use less medium for stronger colour hold and slightly more for softer hand and better flexibility; test on a fabric scrap to dial in opacity and flow.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTypical ratio: start 1 part medium to 2–3 parts paint, then adjust.\u003c\/li\u003e\n  \u003cli\u003eThin with water sparingly for airbrushing—avoid over-thinning.\u003c\/li\u003e\n  \u003cli\u003eUse palette knife or mechanical stirrer for even blending.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application methods work best with this medium?\u003c\/h3\u003e\n\u003cp\u003eGAC 900 is formulated for brushing, airbrushing, and screen-printing, so it adapts to studio and production workflows. Choose mesh count, nozzle size, or brush type to match your mixed viscosity and the fabric weave for clean results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrushing: soft synthetic brushes for smooth coverage on knits and woven fabrics.\u003c\/li\u003e\n  \u003cli\u003eAirbrushing: strain mixture through a fine mesh and use low pressure for even laydown.\u003c\/li\u003e\n  \u003cli\u003eScreen-printing: medium-to-high viscosity for mesh 110–230 depending on ink load.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I heat-set painted fabric for lasting launderability?\u003c\/h3\u003e\n\u003cp\u003eAfter the paint film dries, follow a heat-setting step to improve durability and wash resistance. Use a household iron or heat press at recommended settings for the fabric type; always test a sample before finishing a garment.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLet paint dry fully (overnight recommended) before heat setting.\u003c\/li\u003e\n  \u003cli\u003eIron on medium heat with a protective cloth for 3–5 minutes, or use a heat press per fabric guidelines.\u003c\/li\u003e\n  \u003cli\u003eWash inside-out on gentle cycles after 72 hours to maximize bond stability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this product for? GOLDEN GAC 900 is designed for artists, costume makers, textile designers, and crafters who want to turn artist-grade acrylics into wearable fabric paints. It suits makers who need control over paint behavior across brushing, airbrushing, and screen processes and want a softer hand and enhanced wash performance after heat-setting. If you produce wearable art, small-batch apparel, or fabric samples that must survive laundering, this medium helps bridge studio acrylics and textile durability without switching to premixed fabric inks.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use GAC 900 with any acrylic paint brand?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. GAC 900 mixes with artist acrylics from most brands; always test blend and adhesion on a fabric scrap first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a heat press to set the paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. A household iron set to appropriate fabric temperature will heat-set the paint effectively when used with a protective cloth.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"GOLDEN","offers":[{"title":"Default Title","offer_id":55254135406929,"sku":"B00263ZGUI","price":32.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/golden-gac900-front-packaging.jpg?v=1791669398"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/golden-soflat-mars-yellow-deep-front-jar_fa4a00c3-8141-406b-a758-3df2923a1fc6.jpg?v=1792143676","url":"https:\/\/craftiche.co.uk\/collections\/golden.oembed?page=13","provider":"Craftiche","version":"1.0","type":"link"}