{"title":"Fabriano","description":"\u003cp\u003eCraftiche stocks 47 Fabriano products, including \u003ca href=\"\/collections\/watercolour-paper\"\u003ewatercolour paper\u003c\/a\u003e (26), \u003ca href=\"\/collections\/sketchbooks\"\u003esketchbooks\u003c\/a\u003e (13) and \u003ca href=\"\/collections\/paper-papercraft\"\u003epaper \u0026amp; papercraft\u003c\/a\u003e (6). Prices run from £29.24 to £213.64, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Fabriano. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"fabriano-1264-drawing-pad-11x14-75-lb-160-gsm-spiral-bound-sketchbook-medium-tooth-for-pencils-dry-media","title":"Fabriano 1264 Drawing Pad 11x14 — 75 lb (160 gsm) Spiral-Bound Sketchbook, Medium Tooth for Pencils \u0026 Dry Media","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Drawing Pad is a 11\" x 14\" spiral-bound sketchbook with 75 lb. medium-texture sheets designed for dry media and precise erasing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad combines a subtle tooth with a satin finish, giving artists a surface that balances grip and smoothness for detailed work. Each sheet is 75 lb. weight (approx. 160 gsm), acid-free, and produced with FSC certification and hydropower, so you get archival-friendly paper made with sustainable processes. The spiral binding opens flat and micro-perforated sheets tear away cleanly, making it a practical choice for studies, finished pieces, and sharable works.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the Fabriano 1264 surface good for pencils and coloured pencils?\u003c\/h3\u003e\n\u003cp\u003eThe paper offers a medium texture that holds pigment without excessive abrasion, allowing fine lines and soft shading to coexist. Its satin-like finish helps blend coloured pencils while preserving crisp details for hatching and cross-hatching techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium tooth captures graphite and coloured-pigment particles evenly.\u003c\/li\u003e\n  \u003cli\u003eSatin finish reduces unwanted shine on heavy layered pencil work.\u003c\/li\u003e\n  \u003cli\u003e75 lb. weight resists buckling from light applications and erasing.\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition keeps drawings from yellowing over time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use charcoal, pastel, or other dry media on this pad?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper supports a range of dry media, from charcoal and soft pastel to oil pastel and pen. The texture provides enough tooth for pigment adhesion, while still permitting lift-off with erasing for corrections and highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCharcoal and soft pastel grip the tooth for rich coverage and blending.\u003c\/li\u003e\n  \u003cli\u003eOil pastel lays down smoothly with subtle texture showing through.\u003c\/li\u003e\n  \u003cli\u003ePen and ink work cleanly for line work and mixed-media sketches.\u003c\/li\u003e\n  \u003cli\u003eWorks well for blending techniques and layered dry-media builds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad’s construction affect workflow and presentation?\u003c\/h3\u003e\n\u003cp\u003eThe spiral-bound format lets you fold pages back completely or lay the pad flat for two-handed techniques. Micro-perforations provide a tidy removal for mounting or framing, and the pad’s 50-sheet count balances portability with enough pages for series work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral binding enables full-page access and easy scanning or tracing.\u003c\/li\u003e\n  \u003cli\u003eMicro-perforations tear out cleanly for framing without jagged edges.\u003c\/li\u003e\n  \u003cli\u003eCompact 11\" x 14\" size fits backpacks and studio shelves conveniently.\u003c\/li\u003e\n  \u003cli\u003eFifty sheets give a good mix of practice and finished pieces per pad.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper environmentally responsible?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 paper is FSC certified and manufactured using hydropower, which reduces environmental impact. The acid-free composition also means less chemical degradation over time, supporting longer-lasting art.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFSC certification confirms responsible forest sourcing.\u003c\/li\u003e\n  \u003cli\u003eHydropower production lowers carbon footprint compared with fossil-powered mills.\u003c\/li\u003e\n  \u003cli\u003eAcid-free paper helps preserve artworks and sketches for years.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Drawing Pad suits students, illustrators, designers, and hobbyists who need a reliable medium-weight paper for pencils, coloured pencils, charcoal, and other dry media. If you want a sustainable, archival-friendly pad that opens flat, erases cleanly, and tears out neatly for display, this format provides a practical studio and field solution without being overly heavy or textured.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for wet media like watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. This 75 lb. paper is designed for dry media; it will buckle with wet washes and is not recommended for watercolour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets come in the pad and are they acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 50 sheets and is acid-free for longer-lasting sketches and drawings.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55249112301905,"sku":"B092N1DQ7P","price":29.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover.jpg?v=1791632701"},{"product_id":"fabriano-1264-drawing-pad-9x12-50-sheets-75-lb-medium-texture-spiral-bound","title":"Fabriano 1264 Drawing Pad 9x12 — 50 Sheets 75 lb. Medium-Texture, Spiral-Bound","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Drawing Pad is a 9\" x 12\" spiral-bound sketch pad with 50 sheets of 75 lb., medium-textured, soft white paper designed for precise dry-media work and clean erasing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Fabriano drawing pad pairs a silky, medium-textured surface with archival-quality, acid-free stock so artists can work confidently in pencil, coloured pencil, pen, charcoal, and pastels. The 75 lb. (approx. 180 gsm) sheets offer a balanced tooth that picks up pigment for detail while remaining forgiving for corrections. Micro-perforations let you remove finished pages neatly, and the spiral binding lets the full page lie flat for unobstructed drawing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the surface suited to detailed pencil and coloured pencil work?\u003c\/h3\u003e\n\u003cp\u003eThe paper’s medium texture provides enough tooth to grab pigment yet stays smooth enough for fine lines and subtle shading. The soft white tone enhances colour fidelity without altering hues, and the silky finish helps pencils glide for consistent strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium tooth for pigment adhesion and layering\u003c\/li\u003e\n  \u003cli\u003eSilky finish for smooth line work and blending\u003c\/li\u003e\n  \u003cli\u003eSoft white base that preserves true colour values\u003c\/li\u003e\n  \u003cli\u003e75 lb. weight gives stability without excessive bulk\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I erase and rework areas without damaging the sheet?\u003c\/h3\u003e\n\u003cp\u003eYes — the Fabriano 1264 surface is formulated to erase cleanly, so you can refine compositions and remove guidelines without roughing the paper. While repeated heavy erasure can affect any paper, normal correction and light lifting perform well on this stock.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean erasure with standard vinyl or kneaded erasers\u003c\/li\u003e\n  \u003cli\u003eSurface resists pilling under typical dry-media corrections\u003c\/li\u003e\n  \u003cli\u003eGood for iterative sketching, studies, and finished drawings\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich dry media work best on this pad and how should I use them?\u003c\/h3\u003e\n\u003cp\u003eThe pad is designed for a wide range of dry materials including graphite, coloured pencils, pen and ink, charcoal, soft pastel, and oil pastel. Each medium interacts slightly differently with the tooth — lighter pressure preserves texture, while layering and burnishing deepen saturation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGraphite \u0026amp; coloured pencil: excellent for layering and fine detail\u003c\/li\u003e\n  \u003cli\u003eCharcoal \u0026amp; soft pastel: good pickup for expressive mark-making\u003c\/li\u003e\n  \u003cli\u003ePen \u0026amp; ink: surface supports fine lines with minimal bleed on quality pens\u003c\/li\u003e\n  \u003cli\u003eOil pastel: suitable for light to medium applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad built for convenience and sustainability?\u003c\/h3\u003e\n\u003cp\u003eThe spiral-bound format lies flat for comfortable drawing and easy access to every corner of the sheet. Micro-perforations make clean removal simple when you’re ready to frame or scan work. Additionally, the paper is FSC certified and made using hydro-power, reflecting sustainable sourcing and reduced environmental impact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral binding for full-page accessibility and flat layout\u003c\/li\u003e\n  \u003cli\u003eMicro-perforated pages tear out cleanly for presentation\u003c\/li\u003e\n  \u003cli\u003eFSC Certified paper and hydro-power production methods\u003c\/li\u003e\n  \u003cli\u003eAcid-free stock for long-term preservation of artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Fabriano 1264 Drawing Pad is ideal for students, hobbyists, and professionals who need a reliable pad for sketches, studies, and finished dry-media pieces. It suits artists who want a balance of texture and smoothness for detailed work, teachers stocking studio classes, or anyone seeking sustainably produced, archival-quality drawing paper in a convenient 9\" x 12\" spiral pad.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for light water or wet washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — the 75 lb. paper is meant for dry media; light solvent or wash use may buckle the sheet.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are included and are they acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 50 acid-free sheets, ideal for archival dry-media work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55250994921809,"sku":"B092MYFKCT","price":29.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_4f1357eb-e09f-4339-ba7e-3f63da81f2b9.jpg?v=1791641072"},{"product_id":"fabriano-watercolour-pad-cotton-18-x-24-cm-12-sheets-300-g-m-cold-pressed-fine-grain","title":"Fabriano Watercolour Pad Cotton 18 x 24 cm — 12 Sheets, 300 g\/m² Cold-Pressed Fine Grain","description":"\u003cp\u003e\u003cstrong\u003eFabriano's 18 x 24 cm cotton watercolour pad is a top-quality, top-glued block of 12 natural-white sheets (300 g\/m²) made for reliable wet and dry painting techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact watercolour block combines a velvet-like, fine-grained surface with a sturdy 25% cotton content and lignin-free cellulose to deliver even absorption and long-lasting archival stability. The cold-pressed texture (fine grain) gives a soft tooth that balances pigment lift and wash control, while the 300 g\/m² weight prevents excessive buckling during multiple wet layers. Because the pad is glued along the top edge, individual sheets can be removed cleanly or painted full-bleed and left to dry flat for easy display or framing.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper handle washes and layered watercolour techniques?\u003c\/h3\u003e\n\u003cp\u003eThe slightly textured, velvet surface moderates pigment flow so washes spread evenly without unexpected pooling or feathering. Its 300 g\/m² density and partial cotton content help prevent heavy buckling, allowing you to layer glazes or lift colour with a brush or sponge. You’ll notice consistent granulation and predictable edge control when working both wet-on-wet and wet-on-dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e300 g\/m² weight reduces cockling during multiple wet layers\u003c\/li\u003e\n  \u003cli\u003eFine, velvet-like surface balances pigment absorption and flow\u003c\/li\u003e\n  \u003cli\u003eGood liftability for reworking or softening edges\u003c\/li\u003e\n  \u003cli\u003eCold-pressed texture supports both detailed strokes and soft washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this pad with other media like gouache, acrylic or ink?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper’s robust weight and acid-free construction make it suitable for a range of water-based and mixed-media techniques. Gouache and ink work well on the textured surface, holding crisp lines without excessive bleed; light acrylic applications adhere fine but heavy impasto is not recommended. The board’s archival composition helps preserve colour fidelity across mediums.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with watercolour, gouache and ink\u003c\/li\u003e\n  \u003cli\u003eLight acrylic layers and mixed-media accents perform well\u003c\/li\u003e\n  \u003cli\u003eNot designed for thick impasto or heavy texture paste\u003c\/li\u003e\n  \u003cli\u003eAcid-free and lignin-free for long-term colour stability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the top-glued pad format provide?\u003c\/h3\u003e\n\u003cp\u003eThe block is glued at the top so sheets stay flat while you paint and dry taut, eliminating the need for stretching for most applications. When a sheet is finished, you can remove it cleanly along the glue line without damaging edges — ideal for study work, plein-air pieces, or series. The compact 18 x 24 cm size makes the pad portable while offering enough working space for detailed compositions or small landscapes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued block keeps paper flat during painting and drying\u003c\/li\u003e\n  \u003cli\u003eClean tear-away sheets ready for framing or scanning\u003c\/li\u003e\n  \u003cli\u003ePortable 18 x 24 cm format for travel and sketch sessions\u003c\/li\u003e\n  \u003cli\u003e12 sheets provide practice runs and finished works in one pad\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad best for? Artists from beginners and students to hobby painters will appreciate the forgiving surface and professional-feel weight. It’s especially suited to those who want a reliable, archival substrate for studies, classwork, or small finished pieces without the hassle of stretching. If you need a compact, versatile, and well-made cotton-blend paper for washes, detailed work, or mixed-media experiments, this Fabriano block delivers consistent results and long-term durability.\u003c\/p\u003e\n\n\u003cp\u003eFeatures at a glance:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormat: 18 x 24 cm, 12 sheets\u003c\/li\u003e\n  \u003cli\u003eWeight: 300 g\/m²; cold-pressed fine grain\u003c\/li\u003e\n  \u003cli\u003eMaterial: 25% cotton, lignin-free cellulose; acid-free\u003c\/li\u003e\n  \u003cli\u003eTop-glued pad construction for flat working surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for heavy washes without stretching?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 300 g\/m² the top-glued pad resists moderate buckling and holds multiple wet layers without needing to stretch most paintings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this paper for ink and gouache as well?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The fine-grain cold-pressed surface performs well with ink and gouache; avoid very heavy acrylic impasto for best results.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55253424374097,"sku":"B01KZXZLF0","price":31.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-watercolour-pad-front-view.jpg?v=1791658710"},{"product_id":"fabriano-studio-watercolor-pad-11-x-14-cold-press-90-lb-student-grade-absorbent-paper-20-sheets","title":"Fabriano Studio Watercolour Pad 11\" x 14\" Cold-Press, 90 lb. student-grade absorbent paper, 20 sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Cold-Press Watercolour Pad is an affordable, student-grade 11\" x 14\" pad with 90 lb. absorbent paper designed for watercolour, gouache, acrylic, ink, and mixed-media studies.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt for learners and anyone practicing wet-media techniques, this machine-made cottolpha cellulose sheet gives the look and feel of higher-end rag papers while keeping cost low. It’s internally and externally sized to control paint spread and accepts washes, layers, and dry media like charcoal and pencil. With 20 sheets per pad, it’s sized for study sessions, class use, and experimental work where you want reliable absorption without a steep price tag.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle watercolour washes and layering?\u003c\/h3\u003e\n\u003cp\u003eThe cold-press surface offers moderate tooth and even absorption so washes sit evenly and layers blend predictably. Because the paper is both internally and externally sized, colours maintain clarity without excessive feathering, and reworking areas is manageable without immediate paper breakdown.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e90 lb. weight resists light buckling with single washes.\u003c\/li\u003e\n\u003cli\u003eCold-press texture holds granulation and brush strokes.\u003c\/li\u003e\n\u003cli\u003eInternal sizing lets you lift and rework colour briefly.\u003c\/li\u003e\n\u003cli\u003eExternal sizing improves surface sheen and pigment flow.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work with media other than watercolour?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper is versatile for multiple media. It’s formulated to accept gouache, acrylic accents, ink lines, and dry tools like charcoal or coloured pencil without rapid degradation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGouache lays opaque and blends well on the sized surface.\u003c\/li\u003e\n\u003cli\u003eThin acrylic glazes adhere without excessive buckling.\u003c\/li\u003e\n\u003cli\u003eInk and pen retain sharp edges on the cold-press texture.\u003c\/li\u003e\n\u003cli\u003eDry media pick up the paper’s tooth for sketching and detail work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is the Fabriano Studio pad?\u003c\/h3\u003e\n\u003cp\u003eThe sheets are acid-free and made for classroom and studio longevity. While crafted from cottolpha cellulose rather than 100% cotton, the paper resists yellowing and breakdown typical of lower-quality sheets, making it suitable for studies and finished practice pieces.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMachine-made for consistent sheet quality.\u003c\/li\u003e\n\u003cli\u003eAcid-free composition reduces discoloration over time.\u003c\/li\u003e\n\u003cli\u003eSized inside and out to protect pigments and surface integrity.\u003c\/li\u003e\n\u003cli\u003e20-sheet pad format keeps pages secure and portable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow big is the pad and what makes it practical for students?\u003c\/h3\u003e\n\u003cp\u003eThe 11\" x 14\" format is a popular mid-size that balances workspace with portability. Twenty sheets provide enough pages for coursework, assignments, and iterative experiments, while the pad design keeps loose pages together for easy transport.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e11\" x 14\" fits classroom easels and desktop areas comfortably.\u003c\/li\u003e\n\u003cli\u003e20 sheets offer multiple practice sessions per pad.\u003c\/li\u003e\n\u003cli\u003ePad construction is convenient for tearing or preserving pages.\u003c\/li\u003e\n\u003cli\u003eLightweight enough to carry between class and studio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Fabriano Studio Cold-Press Watercolour Pad is ideal for students, beginners, and practicing artists seeking an affordable, multi-use sheet that mimics the handling of higher-grade rag papers. Choose it when you need dependable absorption for washes, room to test mixed media, and a cost-effective supply for classes, workshops, or daily sketching.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eProduct features:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMachine-made\u003c\/li\u003e\n\u003cli\u003eAcid-free\u003c\/li\u003e\n\u003cli\u003eSized internally and externally\u003c\/li\u003e\n\u003cli\u003ePad contains 20 sheets\u003c\/li\u003e\n\u003cli\u003eExceptionally absorbent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper 100% cotton?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. The Fabriano Studio pad is made from cottolpha cellulose, designed to emulate cotton rag handling while remaining more affordable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylics on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin acrylic layers and glazes work on the sized surface, though heavy impasto may buckle the 90 lb. sheets.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254087270737,"sku":"B005K0JBXC","price":32.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-front-cover-11x14.jpg?v=1791668435"},{"product_id":"fabriano-hot-press-watercolor-pad-11-x-14-90-lb-20-sheets-smooth-surface-for-fine-detail","title":"Fabriano Hot-Press Watercolour Pad 11 x 14, 90 lb, 20 Sheets — Smooth Surface for Fine Detail","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Hot-Press Watercolour Pad is a student-grade, hot-pressed cellulose paper pad (11\" x 14\", 90 lb, 20 sheets) designed for watercolour, gouache, ink, acrylic accents and mixed-media cards.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad delivers a smooth, hard surface and strong absorbency that mimics the feel of cotton rag papers while keeping costs low for students and hobbyists. Machine-made and acid-free, each sheet is internally and externally sized to control paint uptake and drying behavior, so you get predictable washes and crisp detail when working with wet or dry media. The hot-pressed finish is ideal for fine-line work, scanned reproductions, and projects that need a flat, even surface.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-press surface affect watercolour and ink work?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press surface provides a very smooth, tight tooth that holds fine brush strokes and sharp ink lines without heavy granulation. Colours sit more evenly on the surface, producing clean edges and easier scanning or reproduction. Because the paper is sized, washes blend predictably rather than soaking in immediately.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmooth surface for detailed line work and illustration\u003c\/li\u003e\n  \u003cli\u003eGood for flat washes and controlled glazing\u003c\/li\u003e\n  \u003cli\u003eReduced granulation compared with cold-press papers\u003c\/li\u003e\n  \u003cli\u003eSize helps manage bleeding and feathering of ink\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan this pad handle multiple wet layers or heavier media like acrylic?\u003c\/h3\u003e\n\u003cp\u003eThis 90 lb (approximately 190 gsm) paper performs well with moderate wet layering, light washes of acrylic, and mixed-media techniques, but it is not as heavy as fine-art 100% cotton papers. For heavier impasto acrylics or extensive lifting, consider heavier-weight sheets; for greeting cards, studies, and layered watercolour glazing, the Fabriano Studio pad is well suited.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports several thin to moderate wet layers\u003c\/li\u003e\n  \u003cli\u003eSuitable for gouache and light acrylic accents\u003c\/li\u003e\n  \u003cli\u003eNot recommended for heavy-bodied impasto without support\u003c\/li\u003e\n  \u003cli\u003eWorks nicely for ink, charcoal, and mixed media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does this student-grade pad offer for classes and practice?\u003c\/h3\u003e\n\u003cp\u003eThe pad is priced and sized for classroom use and at-home practice, so students can experiment without the concern of wasting expensive rag paper. The pad format keeps sheets together for portability and safe storage, and the machine-made consistency ensures predictable results from one sheet to the next.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad of 20 sheets for multiple exercises and studies\u003c\/li\u003e\n  \u003cli\u003eMachine-made consistency for repeatable performance\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction preserves artwork over time\u003c\/li\u003e\n  \u003cli\u003eInternal and external sizing controls paint behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should this paper be prepared and cared for during use?\u003c\/h3\u003e\n\u003cp\u003eBecause it's hot-pressed and moderately absorbent, minimal pre-stretching is required for light-to-moderate wet work; taping the edges to a board helps keep sheets flat for larger washes. Use artist-grade brushes and gentle lifting techniques to avoid surface abrasion. Store the pad flat and away from humidity to preserve the sizing and prevent warping.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTape edges to a board for flatter large washes\u003c\/li\u003e\n  \u003cli\u003eAvoid aggressive scrubbing to maintain the smooth surface\u003c\/li\u003e\n  \u003cli\u003eStore flat in a dry place to protect sizing and pages\u003c\/li\u003e\n  \u003cli\u003eUse appropriate medium-specific primers or grounds if needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Fabriano Studio Hot-Press 11\" x 14\" is ideal for students, illustrators, and hobbyists who want a smooth, receptive surface for fine-detail watercolour, ink, gouache studies, and greeting card design without the expense of cotton-rag paper. If you need a reliable, affordable hot-press sheet for practice, classroom projects, or reproducible illustration work, this pad balances performance and value.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMachine-made\u003c\/li\u003e\n  \u003cli\u003eAcid-free\u003c\/li\u003e\n  \u003cli\u003eSized internally and externally\u003c\/li\u003e\n  \u003cli\u003ePad contains 20 sheets\u003c\/li\u003e\n  \u003cli\u003eExceptionally absorbent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for ink and pen illustration?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The hot-press surface holds fine ink lines cleanly and reduces feathering thanks to internal and external sizing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use heavy acrylics on these sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can apply light acrylic layers or accents, but heavy impasto or thick acrylics are not recommended on 90 lb sheets.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254319464785,"sku":"B009YVLGOU","price":31.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-hot-press-front-cover.jpg?v=1791673316"},{"product_id":"fabriano-studio-watercolor-pad-hot-press-11-x-14-140-lb-12-sheet-smooth-surface-for-detail-light-washes","title":"Fabriano Studio Watercolour Pad — Hot-Press 11 x 14, 140 lb, 12-Sheet Smooth Surface for Detail \u0026 Light Washes","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Hot-Press Watercolour Pad is a student-grade, cottolpha cellulose hot-press paper (11\" x 14\", 140 lb, 12 sheets) designed to deliver a smooth, absorbent surface that handles watercolour, gouache, ink and mixed media much like a cotton rag sheet.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned and priced for students, hobbyists and beginner painters, this Fabriano pad offers the look and working response of higher-end watercolour papers while remaining affordable. The machine-made cottolpha cellulose stock is internally and externally sized, acid-free, and engineered for even pigment lift and clean washes. Because it’s hot-press, the surface is smooth and ideal for fine detail, pen-and-ink overlays, and crisp mixed-media work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-press surface affect paint and detail?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press finish produces a smooth, uniform surface that holds fine lines and tight detail better than cold-press textures. Colours tend to sit on the surface slightly more, allowing controlled glazes and precise mark-making without excessive granulation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmooth finish for sharp pen and brush strokes\u003c\/li\u003e\n  \u003cli\u003eControlled washes suited to glazing techniques\u003c\/li\u003e\n  \u003cli\u003eMinimal tooth—good for ink and graphite overlays\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paper handle multiple wet washes or heavy paint?\u003c\/h3\u003e\n\u003cp\u003eAt 140 lb (300 gsm), the pad manages light to moderate wet layering and typical student techniques without severe buckling when taped or stretched properly. It’s best for lighter gouache, watercolour layering, acrylic details, and ink work rather than heavy impasto or continuous reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e140 lb weight supports several light-to-moderate washes\u003c\/li\u003e\n  \u003cli\u003eInternal and external sizing improves absorbency control\u003c\/li\u003e\n  \u003cli\u003ePad format keeps sheets flat for display and study\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and media are suitable for this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThis cottolpha cellulose sheet is versatile: watercolour and gouache perform well, inks and fine pen work remain crisp, and light acrylics or charcoal techniques are supported. It excels for studies, illustration, greeting-card design, and mixed-media experimentation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache for smooth washes and detail\u003c\/li\u003e\n  \u003cli\u003eInk and technical pens for clean lines\u003c\/li\u003e\n  \u003cli\u003eLight acrylic, charcoal, and mixed media work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad constructed and what conveniences does it offer?\u003c\/h3\u003e\n\u003cp\u003eThe pad is machine-made with 12 sheets bound on one edge, making it easy to remove single leaves cleanly for mounting or scanning. Its acid-free stock and sizing treatments increase longevity and consistent handling across media.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12-sheet pad bound on one edge for easy removal\u003c\/li\u003e\n  \u003cli\u003eMachine-made, acid-free stock for archival stability\u003c\/li\u003e\n  \u003cli\u003eInternally and externally sized for predictable absorbency\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? This Fabriano Studio Hot-Press Watercolour Pad is aimed at students, art-class instructors, illustrators and hobbyists who want a reliable, smooth-surfaced watercolour paper without the cost of 100% cotton. If you need crisp detail, controlled washes, and a versatile sheet for mixed media trials, this pad gives a near-rag feel at student-friendly pricing. Choose it for classroom exercises, practice pieces, greeting cards, studies for larger works, or any situation where consistency and a smooth finish matter.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMachine-made cottolpha cellulose\u003c\/li\u003e\n  \u003cli\u003eHot-press smooth surface\u003c\/li\u003e\n  \u003cli\u003e140 lb (300 gsm), 11\" x 14\" format\u003c\/li\u003e\n  \u003cli\u003ePad contains 12 sheets, acid-free\u003c\/li\u003e\n  \u003cli\u003eInternally and externally sized for absorbency control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano Studio hot-press paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paper is acid-free and machine-made, offering good archival stability for studies and finished pieces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use heavy acrylics on this 140 lb sheet?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It supports light to moderate acrylic layers, but heavy impasto may cause buckling; consider heavier or stretched paper for thick applications.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254320218449,"sku":"B009YVLOFQ","price":30.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-hot-press-pad-front.jpg?v=1791673354"},{"product_id":"fabriano-studio-watercolor-pad-hot-press-8-x-10-90-lb-20-sheet-smooth-surface-for-fine-detail-and-mixed-media","title":"Fabriano Studio Watercolour Pad Hot-Press 8\" x 10\" — 90 lb, 20-Sheet Smooth Surface for Fine Detail and Mixed Media","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Watercolour Pad (hot-press, 8\" x 10\", 90 lb., 20 sheets) is a student-focused, highly absorbent cellulose watercolour paper designed for painting, mixed media, and illustration that handles washes like a higher-end rag sheet.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 8\" x 10\" hot-press pad from Fabriano offers a smooth, fine-grain surface with strong absorbency ideal for watercolour, gouache, acrylic, ink and dry media. Machine-made from cottolpha cellulose, the paper is internally and externally sized and acid-free, so colours sit cleanly on the surface while minimizing feathering and allowing for controlled glazing. At 90 lb (190 gsm) and in a convenient 20-sheet pad format, it’s priced and constructed for students, beginners and anyone wanting professional-feeling paper without the higher cost of 100% cotton.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-press surface affect paint behavior?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press finish gives a smooth, tight surface that produces crisp edges and detailed line work. Pigments spread more evenly across the sheet, making it easier to layer fine washes and controlled strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003esmooth texture for fine detail and pen work\u003c\/li\u003e\n  \u003cli\u003eeven pigment distribution for controlled washes\u003c\/li\u003e\n  \u003cli\u003eless granulation than cold-press or rough surfaces\u003c\/li\u003e\n  \u003cli\u003egood for mixed media where a flat surface is preferred\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad handle multiple paint layers or lifting techniques?\u003c\/h3\u003e\n\u003cp\u003eWhile not as durable as heavyweight cotton rag, the 90 lb weight and internal sizing let you apply several light layers and lift modest amounts of pigment. Heavy scrubbing or aggressive lifting may buckle the sheet; moderate wet-on-wet and glazing techniques perform best.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003esupports light to moderate layering and glazing\u003c\/li\u003e\n  \u003cli\u003einternal sizing helps with lifting and reworking\u003c\/li\u003e\n  \u003cli\u003eexpect mild buckle—use a board or minimal stretching for stability\u003c\/li\u003e\n  \u003cli\u003ecompatible with inks and light acrylic washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat media besides watercolour work well on this pad?\u003c\/h3\u003e\n\u003cp\u003eFabriano Studio hot-press is versatile: aside from watercolour and gouache, it accepts acrylic washes, pen and ink, charcoal and coloured pencil. The smooth finish is particularly useful for precise drawing and illustration combined with washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003egouache and light acrylic washes adhere cleanly\u003c\/li\u003e\n  \u003cli\u003eink and technical pens glide for crisp lines\u003c\/li\u003e\n  \u003cli\u003echarcoal and graphite layer well for mixed-media pieces\u003c\/li\u003e\n  \u003cli\u003egreat for handmade cards, studies and ink-illustrations\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad formatted and what should I expect out of the pack?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 20 sheets of 8\" x 10\" hot-press paper, glued at the top edge for easy removal of full sheets. It’s machine-made and acid-free, giving a consistent surface across sheets and reliable archival properties for student and practice work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20 sheets per pad, glued at the top for tear-out\u003c\/li\u003e\n  \u003cli\u003e90 lb \/ 190 gsm weight—lightweight but absorbent\u003c\/li\u003e\n  \u003cli\u003eacid-free and sized both internally and externally\u003c\/li\u003e\n  \u003cli\u003eeconomical choice for classes, practice, and cardmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Fabriano Studio Hot-Press 8\" x 10\" is aimed at students, hobbyists and illustrators who want a smooth, absorbent paper that behaves like higher-end rag stock at an accessible price. Choose this pad if you need consistent smooth surfaces for detailed watercolour work, illustrations with ink, or mixed-media projects where controlled washes and fine line work matter. If you require heavy lifting, extended reworking or archival cotton content for gallery sales, consider upgrading to 100% cotton sheets; for practice, sketchbooks, greeting cards and study pieces, this pad delivers excellent value and predictable results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper acid-free and sized?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pad is acid-free and both internally and externally sized for reliable paint behavior and longer-lasting work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use heavy washes and lift paint on 90 lb paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can apply moderate washes and perform light lifting; heavy scrubbing or repeated wetting may cause some buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254407872849,"sku":"B009YVLETW","price":32.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-hot-press-8x10-front-cover.jpg?v=1791675133"},{"product_id":"fabriano-mixed-media-pad-9-x-12-110-lb-200-gsm-60-sheets-spiral-bound-acid-free","title":"Fabriano Mixed Media Pad 9 x 12, 110 lb (200 gsm) – 60 Sheets, Spiral-Bound, Acid-Free","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad is a 9\" x 12\" spiral-bound art pad with 60 sheets of 110 lb medium-texture, sized paper made for both dry and light wet techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who work across media, this pad combines a resilient surface with careful sizing so pencils, inks, markers, acrylics, gouache and light watercolour washes perform reliably. The sheets are acid-free and micro-perforated for a clean tear, while the spiral binding folds fully flat for uninterrupted work. Made with FSC-certified paper produced using hydro-power, it balances performance with environmental consideration.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this paper suitable for mixed media?\u003c\/h3\u003e\n\u003cp\u003eThe paper in this pad has a medium tooth and special sizing that accepts both dry and light wet applications without excessive buckling or bleeding. Its 110 lb (approximately 200 gsm) weight is substantial enough to handle layers of pigment while remaining easy to erase for preliminary sketches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e110 lb (200 gsm) weight supports marker, ink, and light washes\u003c\/li\u003e\n  \u003cli\u003eMedium texture gives grip for pencils, charcoal, and pastel\u003c\/li\u003e\n  \u003cli\u003eSpecial sizing controls bleed and feathering from wet media\u003c\/li\u003e\n  \u003cli\u003eAcid-free stock preserves colour and paper integrity over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the spiral and micro-perforation help in the studio?\u003c\/h3\u003e\n\u003cp\u003eThe spiral binding lets you fold the pad back or lay it flat so you can work across the whole sheet without obstruction. Micro-perforations produce a tidy edge when you remove a finished page for framing or sharing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral binds securely while enabling 360° page access\u003c\/li\u003e\n  \u003cli\u003eMicro-perforation tears out cleanly for professional presentation\u003c\/li\u003e\n  \u003cli\u003ePad format keeps sheets protected until you’re ready to use them\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use heavy inks and acrylics on this 110 lb paper?\u003c\/h3\u003e\n\u003cp\u003eThis paper is optimised for a wide range of media but is best with light-to-moderate wet applications. It tolerates acrylic and gouache in thin layers and accepts ink and marker well; very heavy impasto or repeated heavy washes may require heavier watercolour or mixed-media boards.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for thin acrylic layers, gouache, and ink washes\u003c\/li\u003e\n  \u003cli\u003eExcellent for markers and brush pens with minimal bleed-through\u003c\/li\u003e\n  \u003cli\u003eWorks well as a sketch-to-finish surface for many techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long will the paper keep artwork looking its best?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s sheets are acid-free and made with archival intention, helping pigments remain stable and preventing yellowing from the paper base. Combined with careful storage, finished pieces will maintain colour fidelity and paper strength for years.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition reduces long-term discoloration\u003c\/li\u003e\n  \u003cli\u003eFSC certification reflects sustainable fibre sourcing\u003c\/li\u003e\n  \u003cli\u003eHydro-power production reduces environmental footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Mixed Media Pad is ideal for students, illustrators, journaling artists and hobbyists who need a dependable, versatile sheet for experimentation and finished pieces. It’s a practical choice for anyone blending pencil, ink, markers and light wet techniques who wants a portable pad that lays flat, tears out cleanly and holds up well to layering.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for watercolour washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it accepts light watercolour and washes well, but heavy or repeated wet layers may require heavier watercolour paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick is each sheet?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 110 lb (about 200 gsm), offering a sturdy surface for mixed media applications.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254432219473,"sku":"B092NBDKPC","price":32.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_86d1d9e0-4ce6-4e17-a466-4c94cc8d2bff.jpg?v=1791676009"},{"product_id":"fabriano-black-pad-9-x-12-20-sheet-300-gsm-black-drawing-pad-for-pencils-pastels-mixed-media","title":"Fabriano Black Pad 9 x 12 — 20-sheet 300 gsm black drawing pad for pencils, pastels \u0026 mixed media","description":"\u003cp\u003e\u003cstrong\u003eFabriano Black Pad 9 x 12 is a 20-sheet top-glued pad of heavy 140 lb (300 gsm) black paper made in Italy for pencil, pastel, light wet media, markers and mixed-media projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists and crafters who need a deep, even black surface, this pad provides a consistent base that makes light tones and metallics stand out. The heavyweight 300 gsm stock resists warping with light water use and holds layers of dry media cleanly. Each sheet is glued at the top so pages stay secure during use but fold back for full access to the paper, making it convenient for sketching, presenting, or creating handmade mats and portfolios.\u003c\/p\u003e\n\n\u003ch3\u003eWhat surfaces and media work best on this black paper?\u003c\/h3\u003e\n\u003cp\u003eThe rich, matte black surface is formulated to receive dry media like coloured pencil, pastel, charcoal, gel pens, and metallic markers with high contrast. It also accepts light washes and water-based highlights when used sparingly, and performs well for collage, paper crafting, and mixed-media accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for coloured pencil, pastel, chalk, and graphite highlights\u003c\/li\u003e\n  \u003cli\u003eGreat for gel pens, metallic inks and alcohol-based markers\u003c\/li\u003e\n  \u003cli\u003eSuitable for light water media and small washes without heavy buckling\u003c\/li\u003e\n  \u003cli\u003eWorks as backing for portfolios, matboards, and paper crafts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the paper and how does it handle layering?\u003c\/h3\u003e\n\u003cp\u003eAt 140 lb \/ 300 gsm, the paper is sturdy enough to support multiple dry layers and moderate mark-making without tearing. The weight gives tooth for pastel and pencil to grab pigment while resisting excessive swelling from minimal moisture. You can erase and rework highlights, and the sheet will still maintain structure for presentation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHeavy 300 gsm stock minimizes warping under light water use\u003c\/li\u003e\n  \u003cli\u003eTooth provides good pigment hold for layering and blending\u003c\/li\u003e\n  \u003cli\u003eDurable enough for erasing and reworking highlights\u003c\/li\u003e\n  \u003cli\u003eGlued top keeps sheets flat in the pad until you remove them\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the pad format and why does the top glue matter?\u003c\/h3\u003e\n\u003cp\u003eThe pad is glued along the top edge and includes 20 sheets sized 9 x 12 inches, making it compact for studio use, travel, or portfolio inserts. The top glue secures pages for transport and display, yet the fold-back design allows full, unhindered access to the working surface and a clean tear when you remove a sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20 sheets per pad for repeated projects or studies\u003c\/li\u003e\n  \u003cli\u003eTop-glued binding keeps pages secure and flat in the pad\u003c\/li\u003e\n  \u003cli\u003eFold-over backing provides full access to each sheet while working\u003c\/li\u003e\n  \u003cli\u003eClean tear lets you remove sheets for framing or presentation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper sustainably made and where is it produced?\u003c\/h3\u003e\n\u003cp\u003eFabriano Black Pad is made in Italy from ECF (Elemental Chlorine Free) cellulose pulp, meeting common environmental preferences for reduced chlorine-based processing. The manufacturing origin also reflects Fabriano’s long history in papermaking quality and consistency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eManufactured in Italy by Fabriano\u003c\/li\u003e\n  \u003cli\u003eMade with ECF cellulose pulp\u003c\/li\u003e\n  \u003cli\u003eConsistent quality suited for professional and student use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano Black Pad 9 x 12 suits illustrators, mixed-media artists, scrapbookers, and designers who want a dependable, heavy black paper for high-contrast work and presentation. It’s a practical choice for classroom projects, portfolio pieces, small framed works, and experimental media where a deep black background enhances light tones and metallics. If you need a compact pad with robust sheets that stay flat and show off highlights, this pad delivers professional-feeling results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what weight is the Fabriano Black Pad 9 x 12?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It contains 20 sheets of 140 lb (300 gsm) black paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based highlights on this black paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it accepts light water media and small washes, but avoid heavy saturation to prevent buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254481011025,"sku":"B07NLH832S","price":36.01,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-black-pad-front-view.jpg?v=1791677236"},{"product_id":"fabriano-1264-watercolor-pad-bright-white-140-lb-300-gsm-cold-press-texture-30-sheets","title":"Fabriano 1264 Watercolour Pad — Bright White 140 lb (300 gsm), Cold-Press Texture, 30 Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad in Bright White is a 140 lb (300 gsm) cold-press pad with 30 sheets of textured, acid-free paper engineered for all wet and mixed-media techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs durable, heavyweight paper with a lively cold-press texture and a vivid bright-white tone so painters can layer washes, lift colour, and add detail without early buckling or pigment loss. Made from 100% virgin wood pulp and FSC Certified production using hydro-power, it’s built for classroom use, plein air practice, and studio work alike. Each sheet accepts watercolour, gouache, acrylic, ink, and dry media while preserving colour clarity and handling abrasion from scrubbing or erasing.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper perform with multiple wet techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 300 gsm weight and cold-press surface balance absorbency with liftability: pigments sink in enough for smooth washes but still allow reactivation and scrubbing. That versatility means you can glaze, scrub back highlights, and layer both transparent and opaque media without rapidly degrading the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e140 lb \/ 300 gsm prevents early cockling under moderate washes\u003c\/li\u003e\n  \u003cli\u003eCold-press texture holds pigment and enhances granulation\u003c\/li\u003e\n  \u003cli\u003eBright white base keeps colours vivid and true\u003c\/li\u003e\n  \u003cli\u003eDurable for lifting, scrubbing, and multiple passes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for mixed media projects and inks?\u003c\/h3\u003e\n\u003cp\u003eYes — the stock is designed to accept wet and dry materials, so you can combine watercolour with gouache, acrylic ink, or pencil without severe bleed-through. The surface supports pen and ink detail work after washes have dried, and heavier acrylic layers sit on top without excessive buckling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with watercolour, gouache, acrylics, inks, pencil, and pen\u003c\/li\u003e\n  \u003cli\u003eCold-press tooth holds dry media and ink for crisp lines\u003c\/li\u003e\n  \u003cli\u003eSheet weight tolerates light acrylic layers and mixed techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat features make this pad suitable for students and professionals?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 combines archival-quality materials with environmentally-conscious manufacturing, offering dependable performance for learning and producing finished work. The 30-sheet pad format is convenient for classes, sketching sessions, and series pieces, while the bright-white colour enhances colour accuracy and contrast.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper for longer-lasting work\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp for consistent texture and strength\u003c\/li\u003e\n  \u003cli\u003eFSC Certified and made using hydro-power for sustainable production\u003c\/li\u003e\n  \u003cli\u003ePad format with 30 sheets is practical for study and display\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I prepare and care for the sheets during painting?\u003c\/h3\u003e\n\u003cp\u003eFor heavier washes, tape the sheet to a board to minimize warping; lighter washes often perform well without stretching thanks to the heavyweight stock. Always allow layers to dry thoroughly before overpainting, and avoid aggressive mechanical abrasion that could damage the paper’s surface sizing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTape edges to a rigid board for very wet techniques\u003c\/li\u003e\n  \u003cli\u003eLet washes fully dry before adding dense or opaque layers\u003c\/li\u003e\n  \u003cli\u003eUse gentle scrubbing tools to protect sizing and texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists, teachers, and students seeking a reliable cold-press sheet that handles washes, lifting, and mixed-media experiments will find the Fabriano 1264 pad useful. It’s ideal for classroom sets, plein-air painters who prefer a bright white surface, and illustrators who combine ink and watercolour, offering archival materials and environmentally-aware production in a convenient 30-sheet pad.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano 1264 suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its 140 lb\/300 gsm weight reduces buckling for moderate to heavy washes, though taping to a board is recommended for very wet techniques.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use ink and pen on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The cold-press surface accepts pen and ink for fine lines after washes dry and also holds pencil and coloured pencil well.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254486581585,"sku":"B092P5DZ22","price":33.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_a87cba48-ce7c-4d78-8d3f-30f6923e588f.jpg?v=1791677489"},{"product_id":"fabriano-unica-250-gsm-paper-pad-8-25-x-11-75-20-sheets-50-cotton-archival","title":"Fabriano Unica 250 GSM Paper Pad — 8.25 x 11.75, 20 Sheets, 50% Cotton Archival","description":"\u003cp\u003e\u003cstrong\u003eFabriano Unica is a heavyweight, 250 gsm paper pad designed for printmaking, drawing and light wet washes, offering a textured, flexible surface made with 50% cotton for durable, archival results.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDeveloped with input from printmakers at the Opificio della Rosa, Fabriano Unica combines traditional papermaking know‑how with artist feedback to deliver a sheet that tolerates a variety of techniques. The pad contains 20 sheets sized 8.25\" x 11.75\" (21 x 30 cm), making it convenient for studio experiments, small editions and studies. Its surface balances tooth and softness to accept inks, dry media and modest moisture without buckling or losing structure.\u003c\/p\u003e\n\n\u003ch3\u003eWhat printing and marking techniques work best on this paper?\u003c\/h3\u003e\n\u003cp\u003eUnica was trialed across engraving, etching, relief and monotype, and its construction supports both intaglio and surface printing. The 250 gsm weight gives the sheet enough body to withstand pressure from plates while maintaining good ink transfer and detail clarity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for etching, drypoint, linocut and monotype impressions\u003c\/li\u003e\n  \u003cli\u003eAccepts pencil, charcoal, pastel and sanguine with pleasant tooth\u003c\/li\u003e\n  \u003cli\u003eHandles light water-based washes without severe cockling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper’s composition affect longevity and handling?\u003c\/h3\u003e\n\u003cp\u003eContaining 50% cotton and being acid-free, Unica meets long-life standards and is produced with hydropower energy. These attributes improve dimensional stability, reduce yellowing over time and support conservation-friendly outcomes when works are stored properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e50% cotton for enhanced durability and tactile quality\u003c\/li\u003e\n  \u003cli\u003eAcid-free and ISO 9706 compliant for archival performance\u003c\/li\u003e\n  \u003cli\u003eManufactured using hydropower, reducing environmental footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will the texture and weight affect everyday studio use?\u003c\/h3\u003e\n\u003cp\u003eThe paper’s textured yet flexible surface is responsive to a range of tools: it holds fine lines from intaglio plates and gives enough tooth for dry media to adhere. At 250 gsm the sheets are thick enough to work on a press or by hand while remaining easy to cut, mount or frame when finished.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBalanced tooth for crisp ink capture and strong graphite\/pastel laydown\u003c\/li\u003e\n  \u003cli\u003e250 gsm weight reduces tear-through during embossing or heavy rubbing\u003c\/li\u003e\n  \u003cli\u003ePad format (20 sheets) keeps sheets flat and protected between uses\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the pad format provide for artists?\u003c\/h3\u003e\n\u003cp\u003eThe bound pad keeps sheets organized and protected, making it simple to take test prints, sketches or studies on the go. Each sheet can be removed cleanly for printing, framing or scanning, and the compact size fits most workspaces and standard scanners.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20-sheet pad offers a practical amount for series or study work\u003c\/li\u003e\n  \u003cli\u003eCompact 8.25\" x 11.75\" size works well for small editions and portfolios\u003c\/li\u003e\n  \u003cli\u003eEasy-to-remove sheets for mounting, framing or archival storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Fabriano Unica 250 gsm is aimed at printmakers, illustrators and fine-art students who need a versatile, archival sheet for mixed techniques. If you produce etchings, linocuts, monotypes or use dry media with occasional light washes, this pad offers a reliable, studio‑tested surface. It’s also a good choice for artists wanting a sustainably produced paper with professional handling and longevity.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano Unica suitable for etching and relief printing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Its 250 gsm weight and textured surface support etching, drypoint and relief techniques while preserving fine detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based washes on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light water-based washes are fine; the 250 gsm weight minimizes cockling, but heavy wet techniques may require heavier watercolour paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254554444113,"sku":"B074R6S9SK","price":35.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-unica-front-pad.jpg?v=1791680044"},{"product_id":"fabriano-watercolor-pad-1264-bright-white-30-sheet-140-lb-300gsm-cold-press-for-washes-mixed-media","title":"Fabriano Watercolour Pad 1264 — Bright White 30-Sheet, 140 lb (300gsm) Cold-Press for Washes \u0026 Mixed Media","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad Bright White is a 30-sheet pad of 140 lb (300 gsm) cold-press, textured watercolour paper built for wet techniques and mixed-media use.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs Fabriano’s archival-quality paper with a bright white surface and a reliable cold-press texture that suits washes, glazing, lifting, and detailed work. The 100% virgin wood pulp stock is acid-free and FSC Certified, produced using hydro-power, and sized to accept watercolour, gouache, acrylic, inks, and dry media without premature buckling or rapid feathering. Every sheet provides a resilient surface that supports scrubbing and reworking while preserving colour clarity on a bright white ground.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Fabriano 1264 paper handle wet techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 140 lb (300 gsm) weight and cold-press texture are formulated to resist over-wrinkling and to hold multiple wet layers. Surface sizing lets pigments sit on the paper for glazing while still allowing controlled lifts and scrubs when needed. Artists can expect predictable absorption and even washes across the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e140 lb \/ 300 gsm weight for stability with heavy washes\u003c\/li\u003e\n  \u003cli\u003eCold-press texture for balanced tooth and smoothness\u003c\/li\u003e\n  \u003cli\u003eSurface sizing supports glazing, lifting, and scrubbing\u003c\/li\u003e\n  \u003cli\u003eBright white ground for true-to-pigment colour rendering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad suitable for mixed media and different tools?\u003c\/h3\u003e\n\u003cp\u003eYes — the sheet accepts a wide variety of wet and dry media without rapid deterioration. Try watercolour, gouache, acrylic, acrylic ink, pen and ink, pencils, and coloured pencils on the same surface. For heavier acrylic or continuous immersion techniques, consider priming or using thicker supports, but standard wet-on-wet and layering work very well.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with watercolour, gouache, and inks\u003c\/li\u003e\n  \u003cli\u003eWorks with acrylic and acrylic ink for mixed-media pieces\u003c\/li\u003e\n  \u003cli\u003eSupports pencil, coloured pencil, and pen for detail work\u003c\/li\u003e\n  \u003cli\u003eNot pre-primed for heavy-bodied acrylic impasto without extra preparation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical details I should know before buying?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 30 sheets of 140 lb (300 gsm) paper in a bright white tone, ideal for colour accuracy and contrast. Pages are glued along one edge for easy removal and layout; the acid-free, 100% virgin wood pulp stock ensures long-term stability when stored properly. The pad’s manufacturing is FSC Certified and uses hydro-power, reflecting environmentally conscious production.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e30 sheets per pad, glued on one edge for clean tear-out\u003c\/li\u003e\n  \u003cli\u003eAcid-free and archival-minded materials for longevity\u003c\/li\u003e\n  \u003cli\u003eFSC Certified paper, produced using hydro-power\u003c\/li\u003e\n  \u003cli\u003eBright white surface for high colour fidelity and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I prepare and care for each sheet during painting?\u003c\/h3\u003e\n\u003cp\u003eTaping the sheet to a rigid board reduces buckling for heavy washes; allow even drying between layers to avoid edge lifting. For aggressive lifting, use a soft brush and small amounts of water rather than harsh scrubbing. Store unused sheets flat and keep completed works away from prolonged direct sunlight to preserve brightness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTape edges to a board to minimize buckling with heavy washes\u003c\/li\u003e\n  \u003cli\u003eLet layers dry fully before applying additional washes or lifting\u003c\/li\u003e\n  \u003cli\u003eUse gentle lifting techniques to avoid surface abrasion\u003c\/li\u003e\n  \u003cli\u003eStore flat and out of direct sunlight for best longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Watercolour Pad Bright White is designed for students, instructors, hobbyists, and professional painters who need a dependable cold-press sheet for wet techniques and mixed-media experiments. It’s a strong choice for workshops, classroom settings, portfolio studies, and studio practice where a bright white, archival-quality surface helps preserve colour accuracy and supports repeated reworking.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What weight and texture is the Fabriano 1264 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It is 140 lb (300 gsm) cold-press textured paper, suitable for wet techniques and mixed media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic and gouache on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—suitable for gouache and light-to-moderate acrylic; heavy-bodied acrylic may need priming.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254566502737,"sku":"B092NP98N6","price":34.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-pad-front-cover.jpg?v=1791680539"},{"product_id":"fabriano-11-14-drawing-pad-90-lb-spiral-bound-40-sheets-medium-texture-acid-free-paper","title":"Fabriano 11×14 Drawing Pad — 90 lb Spiral-Bound, 40 Sheets, Medium-Texture Acid-Free Paper","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Drawing Pad is a spiral-bound 11\"×14\" sketchbook with 40 sheets of 90 lb soft-white, medium-textured paper engineered for detailed dry-media work and light washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who need a reliable surface for pencils, coloured pencils, pens, charcoal, and pastels, this pad balances tooth and smoothness to capture fine lines while still allowing clean erasing and delicate washes. The pages are acid-free and FSC certified, produced using hydro-power, and micro-perforated so finished pieces tear out cleanly. The spiral binding lets you fold pages back for an unobstructed working area or lay the pad flat when you need a steady edge.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper feel when drawing fine details?\u003c\/h3\u003e\n\u003cp\u003eThe 90 lb (approximately 200 gsm) sheets have a medium texture with a silky finish that holds sharp points without feeling overly toothy. That balance preserves pencil and pen line quality while still accepting subtle shading and blending.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium tooth captures graphite and coloured pencil detail.\u003c\/li\u003e\n  \u003cli\u003eSilky finish reduces excessive smudging while allowing controlled blending.\u003c\/li\u003e\n  \u003cli\u003e90 lb weight resists buckling from light washes and layering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media can I use on these pages?\u003c\/h3\u003e\n\u003cp\u003eThis pad is optimised for dry media and light wet techniques: pencils, coloured pencils, ink, charcoal, soft and oil pastels, and restrained watercolour washes perform well. Heavy washes or saturated wet media are not recommended because the paper is designed primarily for dry work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for graphite, coloured pencil, and pen work.\u003c\/li\u003e\n  \u003cli\u003eCharcoal and soft pastels adhere nicely to the textured surface.\u003c\/li\u003e\n  \u003cli\u003eAccepts light washes without heavy cockling; avoid soaked brushwork.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features help when I finish a drawing?\u003c\/h3\u003e\n\u003cp\u003eMicro-perforations allow neat removal of completed sheets for framing or scanning, while the spiral binding provides full access to every page. The pad’s acid-free construction preserves artwork over time and the FSC certification indicates sustainable fibre sourcing and hydro-power production.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMicro-perforated edges tear out cleanly for presentation.\u003c\/li\u003e\n  \u003cli\u003eSpiral binding folds back for an unobstructed workspace.\u003c\/li\u003e\n  \u003cli\u003eAcid-free pages protect long-term colour and paper integrity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets and what size should I expect?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 40 sheets sized 11\" × 14\", a versatile format for studies, commissions, and finished drawings. This mid-sized dimension is large enough for detailed compositions while still portable for studio or plein-air sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e40 sheets provide ample working space for practice and projects.\u003c\/li\u003e\n  \u003cli\u003e11\" × 14\" fits most standard frames and scanners with minimal trimming.\u003c\/li\u003e\n  \u003cli\u003eSpiral-bound for easy page navigation and storage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists, students, and hobbyists seeking a dependable drawing pad that supports precise line work and textured techniques will appreciate the Fabriano 1264. It’s well-suited for sketching studies, finished pencil or coloured pencil illustrations, ink work, and pastel exploration where neat tear-out and archival-quality paper matter. If you need heavyweight watercolour paper or heavy mixed-media board, consider a product specifically made for saturated wet media; for dry-focused work with occasional light washes, this pad delivers reliable performance and eco-conscious manufacturing.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Fabriano 1264 suitable for watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It accepts light washes but isn’t meant for heavy watercolour or saturated wet techniques; use only restrained brushwork to avoid buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase thoroughly without damaging the paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—its acid-free, medium-textured surface erases cleanly while retaining tooth for continued work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254585508177,"sku":"B092MZZRSX","price":34.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_4e784a51-facd-458f-9e09-40ea3d64df8b.jpg?v=1791681195"},{"product_id":"fabriano-watercolor-pad-bright-white-1264-140-lb-300-gsm-cold-press-30-perforated-sheets","title":"Fabriano Watercolour Pad Bright White 1264 — 140 lb (300 gsm) Cold-Press, 30 Perforated Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad Bright White is a 140 lb (300 gsm) cold-press pad with bright-white, textured sheets designed for all wet and dry painting techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs heavyweight, archival-quality paper with a moderate cold-press texture so pigments bloom and lift predictably. Made from 100% virgin wood pulp and produced under FSC certification using hydro-power, each pad contains 30 sheets of bright-white paper that handle watercolour, gouache, acrylic ink, and dry media without early buckling or rapid deterioration.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper perform with heavy washes and repeated lifting?\u003c\/h3\u003e\n\u003cp\u003eThe 300 gsm weight resists warping under generous wet applications and scrubbing; you can lift pigment repeatedly without tearing the surface when you allow proper drying and use gentle tools. The cold-press texture keeps edges of blended washes natural while still accepting detail work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHeavy 140 lb \/ 300 gsm stock minimizes cockling during heavy washes\u003c\/li\u003e\n  \u003cli\u003eCold-press tooth supports granulation and controlled blending\u003c\/li\u003e\n  \u003cli\u003eDurable surface tolerates lifting and gentle scrubbing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media work best on this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThis paper is formulated for mixed wet and dry techniques used by students and professionals. It takes watercolour and gouache beautifully, accepts acrylic ink and pen-and-ink line work, and also performs well with pencil and coloured pencil overlays.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache for layered washes and glazing\u003c\/li\u003e\n  \u003cli\u003eAcrylic ink and pen-and-ink for sharp lines and detail\u003c\/li\u003e\n  \u003cli\u003ePencil and coloured pencil for finishing accents and sketches\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this pad archival and environmentally considerate?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 is acid-free and produced from 100% virgin wood pulp to ensure longevity and colour fidelity. The pad carries FSC certification and is manufactured using hydro-power, reflecting reduced environmental impact in production.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free stock for archival stability\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp for consistent fibre quality\u003c\/li\u003e\n  \u003cli\u003eFSC certified and made using hydro-power energy sources\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets come in a pad and what are practical sizing uses?\u003c\/h3\u003e\n\u003cp\u003eEach pad contains 30 perforated sheets, offering plenty of practice space for studies, finished pieces, and experiments. Bright-white colouring enhances colour contrast and makes it easier to judge value and hue during mixing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e30 perforated sheets for reuse or removal\u003c\/li\u003e\n  \u003cli\u003eBright-white surface improves colour clarity and value checks\u003c\/li\u003e\n  \u003cli\u003eSuitable for both classroom assignments and professional sketches\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Watercolour Pad Bright White suits art students, hobbyists, and professional artists seeking a reliable cold-press surface for wet techniques and mixed-media work. If you want heavyweight, archival-quality sheets that accept washes, inks, and dry media while supporting lifting and reworking, this pad provides consistent performance for studies, practice pieces, and finished artwork.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano 1264 paper suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 140 lb (300 gsm) the paper resists warping and tolerates generous washes with careful drying.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic and pen on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The cold-press surface accepts acrylic ink and pen-and-ink as well as watercolour, gouache, and dry media.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254601793873,"sku":"B092NG6VTZ","price":39.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_f072dadf-614c-4ca6-aebd-0ae9e146b087.jpg?v=1791681663"},{"product_id":"fabriano-watercolor-pad-1264-30-sheet-300-gsm-cold-press-bright-white-for-watercolor-mixed-media","title":"Fabriano Watercolour Pad 1264 — 30-Sheet 300 gsm Cold-Press, Bright White for Watercolour \u0026 Mixed Media","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad is a 30-sheet, 300 gsm cold-press pad in bright white built for water-based media and mixed techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis watercolour pad combines a durable cold-press texture with bright-white, 100% virgin wood pulp paper to give artists predictable handling for washes, glazing, lifting and layering. The 140 lb (300 gsm) weight supports wet techniques without excessive buckling while the acid-free, FSC-certified stock was produced with hydro-power. Whether you work in watercolour, gouache, acrylic ink or mixed media, these sheets are sized and textured to respond well to washes and reworking.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper perform with wet washes and lifting?\u003c\/h3\u003e\n\n\u003cp\u003eThe cold-press texture balances water absorption and surface tooth, allowing even washes while still permitting lifting and gentle scrubbing. The paper’s weight and internal sizing reduce bleeding and maintain shape during multiple passes, so you can rework areas without rapid pilling.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e300 gsm (140 lb) stock minimizes cockling under moderate water loads\u003c\/li\u003e\n  \u003cli\u003eCold-press texture provides enough tooth for pigment retention and detail\u003c\/li\u003e\n  \u003cli\u003eInternal sizing supports lifting and soft scrubbing without destroying fibres\u003c\/li\u003e\n  \u003cli\u003eBright white tone improves contrast and vivid colour rendering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media can I use on these sheets?\u003c\/h3\u003e\n\n\u003cp\u003eThese sheets accept a wide range of dry and wet media. They’re optimised for watercolour and gouache, and they also accommodate acrylic, acrylic ink, pen and ink, pencils and coloured pencils for mixed-media approaches.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache: smooth washes and glazing\u003c\/li\u003e\n  \u003cli\u003eAcrylic and acrylic ink: controlled application on heavier washes\u003c\/li\u003e\n  \u003cli\u003ePens and pencils: crisp lines on textured surface\u003c\/li\u003e\n  \u003cli\u003eMixed media: layered wet and dry techniques without rapid deterioration\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and format does the pad come in, and how is it constructed?\u003c\/h3\u003e\n\n\u003cp\u003eThe Fabriano 1264 pad contains 30 removable sheets bound into a top-padded pad for easy tear-away use. Each sheet is bright white and of consistent quality, designed to be detached cleanly for framing or mounting.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePad contains 30 sheets, glued at the top edge for controlled removal\u003c\/li\u003e\n  \u003cli\u003eBright white surface for accurate colour perception and reproduction\u003c\/li\u003e\n  \u003cli\u003eUniform 300 gsm weight across pages for consistent handling\u003c\/li\u003e\n  \u003cli\u003eAcid-free paper for long-lasting work stability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper responsibly made and archival-safe?\u003c\/h3\u003e\n\n\u003cp\u003eFabriano 1264 is made from 100% virgin wood pulp and carries FSC certification, indicating responsible fibre sourcing. The acid-free formulation helps reduce long-term yellowing, and the production process uses hydro-power to lower environmental impact.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFSC Certified: verified responsible forestry sources\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp for clean, consistent sheets\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition supports longevity of artworks\u003c\/li\u003e\n  \u003cli\u003eProduced using hydro-electric power to reduce carbon footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, students and hobbyists who need a reliable cold-press sheet for water-based media and mixed techniques will find this pad useful. It suits classroom use, sketching and finished pieces where bright-white paper and consistent sizing are important. If you frequently lift paint, work in layers, or combine ink and watercolour, the Fabriano 1264 delivers predictable surface response and archival-minded production—ideal for projects that move from practice to presentation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Fabriano 1264 watercolour pad suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 300 gsm (140 lb) the paper resists moderate buckling and handles multiple wet layers and reworking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic or pen and ink on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The cold-press surface accepts acrylic, acrylic ink, pen and ink, as well as pencils and mixed-media techniques.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254646456657,"sku":"B092NG92JD","price":52.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-pad-view.jpg?v=1791682884"},{"product_id":"fabriano-artistico-watercolor-block-5-x-7-extra-white-25-sheet-100-cotton-cold-pressed-four-sided-gluebound","title":"Fabriano Artistico Watercolour Block 5 x 7 Extra White — 25-Sheet 100% Cotton Cold-Pressed, Four-Sided Gluebound","description":"\u003cstrong\u003eFabriano Artistico Watercolour Block 5 x 7 in Extra White is a 25-sheet, four-sided gluebound pad of 100% cotton, cold-pressed watercolour paper sized inside and out for resilient, archival wet-media work.\u003c\/strong\u003e\n\n\u003cp\u003eDesigned for artists who want a portable, ready-to-work surface, this Fabriano Artistico block brings museum-quality paper into a compact format. The sheets are mould-made from 100% cotton and treated both internally and externally, so they absorb water and pigment cleanly while resisting breakdown. The cold-pressed finish gives a subtle tooth that suits washes, glazing, and detailed work with wet or dry media.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose a four-sided gluebound watercolour block?\u003c\/h3\u003e\n\u003cp\u003eA block glued on all edges keeps your paper flat without taping or stretching, so washes stay even and paper doesn't buckle as you work. It’s especially helpful when painting outdoors, in travel situations, or whenever you want to remove a finished sheet cleanly. The glue binding also keeps pages protected from dirt and transport damage until you’re ready to tear them out.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlue on all four sides holds paper flat during wet applications.\u003c\/li\u003e\n  \u003cli\u003eEasy sheet removal leaves a clean edge for presentation or framing.\u003c\/li\u003e\n  \u003cli\u003eCompact 5 x 7 size is travel-friendly and fits standard frames.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the 100% cotton, internally and externally sized paper affect painting?\u003c\/h3\u003e\n\u003cp\u003eCotton fibres create a sturdy, durable surface that resists pilling and allows multiple glaze layers without weakening. Internal sizing controls pigment absorption for predictable colour lift and reworking, while external sizing enhances surface durability and provides smoother brush strokes. Together they help maintain colour clarity and prevent pigment from sinking too deeply.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton offers long-term archival quality and resistance to wear.\u003c\/li\u003e\n  \u003cli\u003eInternal sizing ensures predictable pigment behavior and liftability.\u003c\/li\u003e\n  \u003cli\u003eExternal sizing improves surface durability and brush glide.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat types of media work well on this cold-pressed surface?\u003c\/h3\u003e\n\u003cp\u003eThe lightly textured cold-press finish is versatile: it accepts watercolour washes, detailed ink lines, and layering with gouache or tempera. It’s also suited for mixed-media approaches that combine wet paint with graphite, charcoal, or light acrylic applications. The paper’s strength means you can scrub or lift carefully without damaging the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for watercolour, gouache, tempera, and ink techniques.\u003c\/li\u003e\n  \u003cli\u003eCompatible with charcoal and graphite for combined drawing-painting work.\u003c\/li\u003e\n  \u003cli\u003eStrong enough for gentle lifting, glazing, and reworking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets and what presentation options does the block provide?\u003c\/h3\u003e\n\u003cp\u003eThis block contains 25 sheets in Extra White, offering a bright, clean ground for vivid colours and strong contrast. Once detached, sheets present a neat, deckled-free edge suitable for matting or simple framing; the small format fits many ready-made frames and is convenient for studies and finished pieces alike.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e25 sheets per block, each 5 x 7 inches in Extra White.\u003c\/li\u003e\n  \u003cli\u003eClean edges after removal for easy matting or framing.\u003c\/li\u003e\n  \u003cli\u003eSmall size ideal for plein air studies, sketchbooks, or giftable originals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: the Fabriano Artistico 5 x 7 Extra White block is made for watercolourists and mixed-media artists who want archival, professional-grade paper in a portable format. It suits students advancing their technique, plein-air painters needing a travel-ready pad, and experienced makers who value consistent sizing, cotton fibre strength, and a lightly textured surface for both loose washes and precise work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this block suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 100% cotton, cold-pressed paper with internal and external sizing handles multiple wet layers and careful lifting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylics or ink on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It's suitable for ink, gouache, tempera and light acrylic work, plus graphite and charcoal for mixed media.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55254892446033,"sku":"B094XTGQHR","price":36.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-block-front-cover.jpg?v=1791690770"},{"product_id":"fabriano-watercolour-paper-pad-12-5-x-18-cm-extra-white-25-sheets-300-g-m-fine-grain-archival","title":"Fabriano watercolour paper pad 12.5 x 18 cm Extra White — 25 sheets, 300 g\/m² fine-grain archival","description":"\u003cp\u003e\u003cstrong\u003eFabriano AEW BL 4CO 25F GF is a 12.5 x 18 cm pad of extra-white, fine-grain watercolour paper—25 sheets at 300 g\/m² designed for water-based and mixed-media painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact block by Fabriano offers artists a high-quality surface that resists aging and handles washes, glazes, and dry media with confidence. Manufactured without chlorine and acid-free, the paper maintains colour integrity over time while the fine texture provides enough tooth for controlled brushwork and delicate detail. Its convenient 12.5 x 18 cm size is ideal for studies, plein-air sketches, mockups, and small finished pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this paper suitable for watercolours and mixed media?\u003c\/h3\u003e\n\u003cp\u003eThe sheet is 300 g\/m² which gives it substantial thickness to accept multiple wet layers without excessive buckling. The fine-grain surface balances absorbency and liftability so pigments settle evenly but can be lifted or reworked when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e300 g\/m² weight reduces warping during wet techniques\u003c\/li\u003e\n  \u003cli\u003eFine grain texture supports both washes and detailed brushwork\u003c\/li\u003e\n  \u003cli\u003eAcid- and chlorine-free composition ensures archival stability\u003c\/li\u003e\n  \u003cli\u003eAble to take watercolour, gouache, ink, acrylic accents, and dry media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the 12.5 x 18 cm format fit into an artist’s workflow?\u003c\/h3\u003e\n\u003cp\u003eThe pocket-sized dimensions make this pad portable and useful for fast studies or travel painting. Artists can test colour mixes, practice techniques, or create a series of small works for framing or scanning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEasy to carry for plein-air sessions and urban sketching\u003c\/li\u003e\n  \u003cli\u003ePerfect for thumbnail studies or experiment pages\u003c\/li\u003e\n  \u003cli\u003eMultiple sheets allow sequence work or practice without wasting larger paper\u003c\/li\u003e\n  \u003cli\u003eEfficient for creating artwork intended for digital reproduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should you work on and care for these sheets to get the best results?\u003c\/h3\u003e\n\u003cp\u003eUse a light board or tape edges down if you prefer a flat surface; heavier washes will still require gentle drying to minimize cockling. Store the pad flat and away from direct sunlight to maintain whiteness and paper integrity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTape edges to a board for larger washes or soak-free lifting\u003c\/li\u003e\n  \u003cli\u003eBlot excess water rather than rubbing to protect the tooth\u003c\/li\u003e\n  \u003cli\u003eAllow full drying between glaze layers to avoid pigment bleeding\u003c\/li\u003e\n  \u003cli\u003eKeep sheets in a cool, dry place and out of direct sunlight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and compatible with print or reproduction?\u003c\/h3\u003e\n\u003cp\u003eThe Fabriano pad is acid- and chlorine-free and pH-neutral, which supports long-term colour stability and reduces yellowing. Its surface and weight also scan and photograph well, making it a good choice when you plan to reproduce or digitize finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003epH-neutral, acid-free composition for longevity\u003c\/li\u003e\n  \u003cli\u003eExtra-white base enhances colour brightness in scans\u003c\/li\u003e\n  \u003cli\u003e300 g\/m² thickness prevents warping during scanning\u003c\/li\u003e\n  \u003cli\u003eSuitable for both originals and digital archiving workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists and students who need a reliable, small-format watercolour pad for studies, travel, and mixed-media experiments will appreciate this Fabriano extra-white pad. It suits painters who want archival-quality sheets that accept water-based media and dry tools alike, and anyone seeking a compact, professional-grade surface for sketches, practice work, and finished small pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper good for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—at 300 g\/m² it tolerates multiple wet layers with minimal buckling when edges are taped down.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic or ink on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; the fine-grain surface accepts acrylic accents, ink, gouache, and dry media alongside watercolours.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55255099834705,"sku":"B0049UZBLA","price":36.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-extra-white-front-cover.jpg?v=1791697038"},{"product_id":"fabriano-venezia-pocket-drawing-notebook-10-x-15-cm-set-of-48-200-gsm-cartridge-stitched-binding","title":"Fabriano Venezia Pocket Drawing Notebook 10 x 15 cm Set of 48 — 200 gsm Cartridge, Stitched Binding","description":"\u003cstrong\u003eFabriano Venezia is a stitched pocket drawing notebook with 200 gsm white cartridge paper, presented in a set of 48 compact 10 x 15 cm sheets for sketching and gouache work.\u003c\/strong\u003e\n\nThis small-format journal pairs heavyweight Accademia-quality paper with a cover inspired by Venetian mosaic motifs from the San Marco area. The 200 gsm cartridge stock offers a sturdy surface that stands up to dry media, light washes, and layered techniques, while the compact size fits easily into bags, coat pockets, or small sketch kits. The notebook’s thread-stitched binding keeps pages secure and opens flat enough for uninterrupted drawing across the spread.\n\n\u003ch3\u003eHow will this paper perform for sketching and drawing?\u003c\/h3\u003e\n\u003cp\u003eThe Fabriano Accademia 200 gsm cartridge surface is engineered for stability and texture that suits a range of dry and mixed-media approaches. Its weight prevents easy buckling under moderate wetness and allows for erasing and reworking without tearing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e200 gsm thickness resists warping with light washes and gouache layers\u003c\/li\u003e\n  \u003cli\u003eTooth suitable for pencils, charcoal, and pastel detail\u003c\/li\u003e\n  \u003cli\u003eAcid-free white paper preserves tones over time\u003c\/li\u003e\n  \u003cli\u003eStitched binding reduces page loss and supports flat opening\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet media like gouache or watercolour?\u003c\/h3\u003e\n\u003cp\u003eYes — the heavier cartridge paper accommodates light gouache and restrained watercolour techniques, especially when you work in thin layers. For heavy washes or soaking, larger sheets or heavier paper are preferable, but for plein air gouache accents and layering, this notebook performs well.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for light gouache applications and glazing\u003c\/li\u003e\n  \u003cli\u003eBest results with controlled, thin washes to avoid over-saturation\u003c\/li\u003e\n  \u003cli\u003eWorks well for mixed dry-plus-wet approaches (pencil + light gouache)\u003c\/li\u003e\n  \u003cli\u003eCompact size ideal for quick colour studies and travel sketches\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the physical features and build quality?\u003c\/h3\u003e\n\u003cp\u003eThe notebook is thread-stitched rather than glued, which improves durability and allows it to open more evenly. The cover design echoes Venetian mosaic patterns, adding a tactile and visual identity that reflects Fabriano’s Italian heritage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e48 sheets of cartridge paper, 10 x 15 cm dimensions for portability\u003c\/li\u003e\n  \u003cli\u003eStitched spine for long-term page security and lay-flat use\u003c\/li\u003e\n  \u003cli\u003eAcid-free white paper preserves artwork without yellowing\u003c\/li\u003e\n  \u003cli\u003eRefined cover pattern inspired by San Marco mosaics for aesthetic appeal\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and store these notebooks?\u003c\/h3\u003e\n\u003cp\u003eKeep the sketchbooks flat and dry; avoid prolonged exposure to direct sunlight to prevent cover and paper discoloration. Use a protective pouch or sketchbook sleeve when carrying multiple items to prevent edge wear.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore in a cool, dry place to protect paper and cover finish\u003c\/li\u003e\n  \u003cli\u003eUse a water-resistant sleeve if carrying wet media work in transit\u003c\/li\u003e\n  \u003cli\u003ePress lightly when erasing to maintain paper tooth and surface integrity\u003c\/li\u003e\n  \u003cli\u003eAllow painted areas to dry fully before closing the notebook\u003c\/li\u003e\n\u003c\/ul\u003e\n\nWho is this for?\n\nThis Fabriano Venezia notebook is tailored for artists, illustrators, and travel sketchers who want a durable, portable pad with a premium paper surface. It’s particularly useful for those who favor pencil, charcoal, ink, or light gouache studies and who appreciate an attractive, heritage-inspired cover. If you need a compact, well-bound sketchbook for on-the-go mark-making or layered mixed-media studies without heavy wet work, this set delivers reliability and Italian design in a pocket-friendly format.\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for gouache?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 200 gsm cartridge paper handles light gouache and thin washes, best for controlled layering rather than heavy saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the notebook lay flat for sketching?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the thread-stitched binding allows the notebook to open flat enough for comfortable drawing across the spread.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55255100883281,"sku":"B004V8LY98","price":37.11,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-venezia-front-cover.jpg?v=1791697102"},{"product_id":"fabriano-watercolour-wet-media-pad-26x36-cm-12-sheets-300gsm-cold-pressed-fine-25-cotton","title":"Fabriano Watercolour \u0026 Wet Media Pad 26x36 cm — 12 Sheets, 300gsm Cold-Pressed Fine (25% Cotton)","description":"\u003cp\u003e\u003cstrong\u003eFabriano Watercolours and All Wet Media Pad is a 12-sheet, 300gsm cold-pressed paper pad with fine texture and 25% cotton, designed for watercolour and mixed wet techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Italian-made pad combines a fine cold-pressed surface with heavyweight paper to support washes, glazes, and layered wet media without rapid buckling or early bleed-through. The 26 x 36 cm size sits comfortably between A4 and A3, giving painters a generous working area while the long-side glued binding lets you remove sheets cleanly for framing or scanning. With archival-neutral pH and FSC certification, the pad suits studio practice, studies, and finished pieces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad handle water and multiple wet layers?\u003c\/h3\u003e\n\n\u003cp\u003eThe 300gsm weight and 25% cotton content make this sheet resilient to repeated wetting and reworking. The cold-pressed (fine) surface holds pigment and granulation while allowing controlled pigment flow across wet areas without the paper disintegrating.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e300 g\/m² (140 lb) thickness resists heavy washes and lifting.\u003c\/li\u003e\n  \u003cli\u003eFine cold-pressed texture balances paint pickup and detail.\u003c\/li\u003e\n  \u003cli\u003e25% cotton supports longer working time and subtle blending.\u003c\/li\u003e\n  \u003cli\u003epH neutral for improved archival stability compared to ordinary paper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I remove sheets cleanly and use them for framing or scanning?\u003c\/h3\u003e\n\n\u003cp\u003eThe pad is glued along the long side, so sheets can be detached with a straight edge or careful tear, leaving a neat edge for matting or digital reproduction. The surface accepts scanning and photography well, producing clear capture of textures and delicate washes.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLong-side glued binding facilitates clean sheet removal.\u003c\/li\u003e\n  \u003cli\u003eSheets are sized 26 x 36 cm for easy framing options.\u003c\/li\u003e\n  \u003cli\u003eFine texture reproduces detail accurately in scans or photos.\u003c\/li\u003e\n  \u003cli\u003e12 removable sheets allow practice pieces and finished works.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques and media work best on this paper?\u003c\/h3\u003e\n\n\u003cp\u003eThis pad is formulated for watercolour and other wet techniques such as gouache, ink washes, and light mixed-media approaches. It supports glazing, lifting, drybrush, and soft granulating washes, while being suitable for light pencil and ink underdrawing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIdeal for transparent and opaque watercolour layers.\u003c\/li\u003e\n  \u003cli\u003eSuitable for gouache, ink washes, and diluted acrylic glazing.\u003c\/li\u003e\n  \u003cli\u003eAccepts pencil, charcoal, or light ink under-sketching.\u003c\/li\u003e\n  \u003cli\u003eFine grain retains brushwork texture and pigment granulation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the paper’s specifications and environmental credentials?\u003c\/h3\u003e\n\n\u003cp\u003eThe pad contains twelve 300gsm sheets with a cold-pressed fine texture and 25% cotton fibre content. It carries a neutral pH for archival stability and is FSC-certified, reflecting responsible sourcing of the cellulose fibres.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e12 sheets, 300 g\/m² (140 lb), fine cold-pressed surface.\u003c\/li\u003e\n  \u003cli\u003e25% cotton for improved absorbency and longevity.\u003c\/li\u003e\n  \u003cli\u003eFSC-certified wood and pH neutral for archival quality.\u003c\/li\u003e\n  \u003cli\u003eMade in Italy, sized 26 x 36 cm (approx. 10 x 14 inches).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who paint with water-based media and need a durable, textured sheet for both practice and finished pieces will appreciate this Fabriano pad. It's a good match for hobbyists, students, and professionals wanting a mid-sized format that resists warping, reproduces texture well, and is ethically sourced. If you frequently work with layered washes, mixed wet techniques, or like to remove sheets for framing or scanning, this pad offers a reliable, studio-ready surface.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 300gsm with 25% cotton, it handles heavy water washes and reworking without quick buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use gouache and ink on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The fine cold-pressed surface supports gouache, ink washes, and light mixed-media techniques.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55255203840337,"sku":"B00XC3TPQC","price":37.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-watercolour-pad-front-cover.jpg?v=1791699726"},{"product_id":"fabriano-mixed-media-pad-9-x-12-40-sheets-250-gsm-heavyweight-paper-for-watercolor-pastel","title":"Fabriano Mixed Media Pad 9 x 12, 40 Sheets — 250 GSM heavyweight paper for watercolour \u0026 pastel","description":"\u003cp\u003e\u003cstrong\u003eFabriano Mixed Media Pad is a 9\" x 12\" gluebound art pad with 40 acid-free, 250 GSM sheets designed for layering drawing, watercolour, acrylic, and pastel techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Fabriano pad blends the weight and durability of watercolour paper with the surface responsiveness of drawing stock, giving artists a single sheet that accepts wet and dry media without heavy buckling or excessive texture loss. The 250 GSM paper offers substantial tooth for pastels and charcoal while still taking washes, glazes, and acrylic layers. Because pages are gluebound, you can remove finished pieces cleanly for framing or scanning, and the acid-free composition helps protect work from yellowing over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper handle wet media like watercolour and acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe 250 GSM weight provides stiffness that reduces cockling with moderate washes and thin acrylic glazes. The light grain texture holds pigment and allows for smooth blending while preventing colours from pooling unpredictably.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for light-to-medium watercolour washes without heavy buckling.\u003c\/li\u003e\n  \u003cli\u003eAccepts acrylic glazes and layered applications.\u003c\/li\u003e\n  \u003cli\u003eSurface maintains tooth for reworking and lifting pigment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad good for dry media—pencil, charcoal, and pastel?\u003c\/h3\u003e\n\u003cp\u003eThe mildly textured surface offers enough tooth for graphite, charcoal, and pastel to adhere well, while still allowing fine detail with pencils and pens. Fixatives will bond pastel and charcoal safely because the sheet is sturdy enough to tolerate the application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLight grain texture improves pastel and charcoal hold.\u003c\/li\u003e\n  \u003cli\u003eGraphite and coloured pencils produce sharp lines and gradations.\u003c\/li\u003e\n  \u003cli\u003ePaper thickness supports erasing and reworking without tearing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I remove sheets cleanly for framing or scanning?\u003c\/h3\u003e\n\u003cp\u003eYes—the gluebound pad is designed for easy page removal, producing clean edges with minimal tearing when pulled from the glue strip. That makes this pad convenient for producing loose artwork ready for matting, scanning, or mounting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGluebound spine allows one-sheet removal without ripping the sheet.\u003c\/li\u003e\n  \u003cli\u003eSheets remain flat when taped or mounted for scanning or photographing.\u003c\/li\u003e\n  \u003cli\u003eWorks well for portfolio pieces and mixed-media experiments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this Fabriano pad different from standard sketch or watercolour pads?\u003c\/h3\u003e\n\u003cp\u003eFabriano mixed media paper bridges the gap between drawing and watercolour grades by combining a resilient 250 GSM weight with a subtle textured tooth. It’s optimised for hybrid techniques—so you can sketch, wash, layer acrylics, and add pastel highlights on the same sheet without switching pads.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHybrid formulation handles both wet and dry applications.\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition preserves colour and paper integrity over time.\u003c\/li\u003e\n  \u003cli\u003eFormat and sheet count (40 sheets, 9\" x 12\") suit studies, travel, and studio use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists who experiment across media—illustrators, designers, and hobbyists—will appreciate the flexibility of a 250 GSM sheet that tolerates washes, paint layers, and dry media. If you switch between pencil, charcoal, watercolour, and acrylic within a single piece or want a reliable pad for mixed-technique studies, the Fabriano Mixed Media Pad gives you a durable, acid-free surface that keeps workflow efficient and results archival.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is 250 GSM thick enough for wet washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, 250 GSM handles light-to-moderate watercolour washes and thin acrylic glazes with minimal buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use fixative on this paper for pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the sturdy 250 GSM surface tolerates fixative applications to secure pastel and charcoal.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55255264002385,"sku":"B07FYYJVWX","price":36.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-mixed-media-pad-front-cover.jpg?v=1791701924"},{"product_id":"fabriano-mixed-media-pad-9-x-12-120-lb-200-gsm-spiral-bound-40-sheets-medium-texture-for-wet-dry-media","title":"Fabriano mixed media pad 9\" x 12\", 120 lb (200 gsm) spiral-bound — 40 sheets, medium texture for wet \u0026 dry media","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad is a 9\" x 12\" spiral-bound pad with 40 sheets of 120 lb medium-texture, specially sized paper built for both wet and dry techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad combines heavyweight support and versatile surface sizing so you can work confidently with pencil, charcoal, pastel, ink, marker, acrylic, gouache and light watercolour washes. The soft white tone gives colours room to breathe, while the medium grain creates tooth for drawing media without fighting smooth washes. The spiral binding keeps the pad flat and accessible; micro-perforations make clean sheet removal simple when you want to display, frame or scan your work.\u003c\/p\u003e\n\n\u003ch3\u003eHow well does this paper handle wet and dry media together?\u003c\/h3\u003e\n\u003cp\u003eDesigned with special sizing, the 120 lb sheets accept both drawing materials and controlled amounts of wet media. You can layer pencil and ink, add marker accents, and finish with light acrylic or watercolour washes without excessive buckling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e120 lb (approx. 200 gsm) supports moderate wet applications\u003c\/li\u003e\n  \u003cli\u003eMedium texture balances grip for dry media with smooth wash flow\u003c\/li\u003e\n  \u003cli\u003eSpecial surface sizing prevents feathering with ink and markers\u003c\/li\u003e\n  \u003cli\u003eSoft white tone preserves colour vibrancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the spiral and micro-perforation useful for artists?\u003c\/h3\u003e\n\u003cp\u003eThe spiral-bound format lets you fold pages back for unobstructed work and keeps the book flat on the table. Micro-perforations provide tidy removal so sheets separate cleanly for framing or scanning without tearing into the image area.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFull-page access for panoramic sketches and mixed-media layouts\u003c\/li\u003e\n  \u003cli\u003eMicro-perforated edges tear away neatly for finished pieces\u003c\/li\u003e\n  \u003cli\u003eDurable spiral holds pages securely through repeated use\u003c\/li\u003e\n  \u003cli\u003ePad format keeps loose sheets organized in one place\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and tools are best suited to this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThis sheet is built as a true mixed-media surface: it welcomes dry drawing, pigment-rich markers, and light-bodied wet treatments. Use it for studies, layered mixed-media pieces, illustrations, and finished works intended for reproduction or display.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePencil, coloured pencil and charcoal perform well on the medium tooth\u003c\/li\u003e\n  \u003cli\u003ePen and ink stay sharp with reduced bleed due to surface sizing\u003c\/li\u003e\n  \u003cli\u003eMarkers and gouache layer without excessive bleed-through\u003c\/li\u003e\n  \u003cli\u003eAcrylic and watercolour washes are suitable when applied moderately\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this environmentally responsible and archival-safe?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 paper is acid-free and FSC certified, reflecting a production approach that considers longevity and responsible sourcing. The pad is manufactured using hydro-power, which reduces the environmental footprint compared with fossil-fuel-based energy sources.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper helps prevent yellowing over time\u003c\/li\u003e\n  \u003cli\u003eFSC certification verifies sustainable fibre sourcing\u003c\/li\u003e\n  \u003cli\u003eHydro-power manufacturing lowers energy-related emissions\u003c\/li\u003e\n  \u003cli\u003eQuality surface is easily erasable for revisions and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Mixed Media Pad is ideal for students, illustrators, and mixed-media artists who need a single reliable surface for both drawing and light wet work. If you frequently combine pencils, inks and occasional washes, or want a studio pad that tears out cleanly for display, this 9\" x 12\" 40-sheet pad gives a balanced, archival-feeling base for experimentation and finished pieces alike.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFeatures: Acid-free; easily erasable; FSC Certified; made using Hydro-Power; pad contains 40 sheets; medium texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use watercolour on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — light to moderate watercolour washes work well; heavy soaking may cause slight buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the sheets are acid-free and FSC certified, suitable for durable artwork storage.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55255328063825,"sku":"B092NQYF6T","price":36.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-pad-front-cover.jpg?v=1791704403"},{"product_id":"fabriano-1264-watercolor-pad-bright-white-140-lb-300-gsm-cold-press-30-sheets","title":"Fabriano 1264 Watercolour Pad Bright White — 140 lb (300 gsm) Cold-Press, 30 Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad in Bright White is a 140 lb (300 gsm) cold-press pad with 30 sheets designed for all wet and mixed-media techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis premium pad pairs Fabriano’s long-standing papermaking expertise with a bright white surface that preserves colour vibrancy and contrast. The textured cold-press finish gives a reliable tooth for water control, lifting, and layering, while the heavyweight stock resists buckling and repeated scrubbing. It’s crafted from 100% virgin wood pulp, acid-free, FSC certified, and made using hydro-power for a more sustainable supply chain.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the 140 lb cold-press surface affect watercolour behavior?\u003c\/h3\u003e\n\u003cp\u003eThe 300 gsm cold-press texture balances pigment dispersion and water retention so washes settle predictably while still allowing for reworking. You’ll notice mid-level granulation and controlled bloom, useful for both smooth glazes and textured passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCold-press tooth helps with wet layering and controlled edges\u003c\/li\u003e\n  \u003cli\u003eHeavyweight sheet reduces cockling without stretching\u003c\/li\u003e\n  \u003cli\u003eBright white base enhances colour luminosity and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use other wet or dry media on this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper accepts watercolour, gouache, acrylic, acrylic ink, pen and ink, pencil, and coloured pencil. The sturdy sizing supports multiple techniques without premature breakdown of the surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for lifting, scrubbing, and rewetting\u003c\/li\u003e\n  \u003cli\u003ePerforms with both transparent and opaque media\u003c\/li\u003e\n  \u003cli\u003eWorks well with mixed-media approaches and ink details\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the environmental and material qualities of the paper?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 is made from 100% virgin wood pulp and is acid-free, which helps preserve artwork longevity. The pad is FSC certified and produced using hydro-power, reflecting Fabriano’s effort to reduce environmental impact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free sheets for archival stability\u003c\/li\u003e\n  \u003cli\u003eFSC certified sourcing for responsible forestry\u003c\/li\u003e\n  \u003cli\u003eHydro-power production lowers carbon footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad format and size influence studio or plein-air use?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 30 detachable sheets glued on one edge for easy removal and portability. The format suits classroom projects, practice studies, and finished pieces when mounted or taped down.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e30 sheets per pad for multiple studies or finished works\u003c\/li\u003e\n  \u003cli\u003eEdge-glued binding allows clean sheet removal\u003c\/li\u003e\n  \u003cli\u003eCompact and durable for travel or studio storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp paper\u003c\/li\u003e\n  \u003cli\u003eFSC Certified, made using Hydro-Power\u003c\/li\u003e\n  \u003cli\u003ePad contains 30 sheets\u003c\/li\u003e\n  \u003cli\u003eWorks for all wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Fabriano 1264 Watercolour Pad in Bright White is aimed at watermedia students, illustrators, and professional painters who need a reliable cold-press surface that supports reworking and mixed-media exploration. It’s also a strong choice for educators and studios seeking archival, sustainably produced paper that showcases colour clarity and texture while standing up to ambitious technique work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy washes without stretching?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140 lb (300 gsm) weight and cold-press sizing minimize buckling, supporting heavier washes and reworking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic paint on this Fabriano pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The paper accepts acrylic and acrylic ink, though heavier impasto may require a rigid support.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55293867458897,"sku":"B092P6Q4GX","price":40.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_64c4c838-3ef4-42f5-9076-b36976f41d77.jpg?v=1791926122"},{"product_id":"fabriano-venezia-drawing-book-6-9in-15-23cm-hardback-sketchbook-200gsm-paper-stitch-bound","title":"Fabriano Venezia Drawing Book 6×9in (15×23cm) — hardback sketchbook, 200gsm paper, stitch-bound","description":"\u003cp\u003e\u003cstrong\u003eFabriano Venezia Drawing Book is a 6×9 inch Italian-made hardback sketchbook with 200gsm Academy drawing paper and 48 stitch-bound sheets designed for confident dry-media work and everyday sketching.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHandmade in Italy, the Fabriano Venezia Drawing Book blends traditional papermaking with a compact, travel-ready format. The hardback cover—inspired by contemporary mosaic patterns—protects substantial 200gsm pages that take graphite, charcoal, coloured pencils and light ink washes with minimal bleed or buckling. At 6×9 inches (15×23 cm), it balances portability and working surface, making it a dependable companion for studio practice, observational sketching, and design drafts.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kind of paper is inside and how does it handle common dry media?\u003c\/h3\u003e\n\n\u003cp\u003eThe Venezia contains 200gsm Academy drawing paper, a medium-weight sheet that offers tooth and resilience for layered marks. It provides enough texture for charcoal and pastel while remaining smooth enough for fine graphite detail and coloured pencil layering.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e200gsm weight resists buckling with light washes and repeated erasing.\u003c\/li\u003e\n  \u003cli\u003eMedium tooth holds graphite, charcoal, and pastel glazes well.\u003c\/li\u003e\n  \u003cli\u003eSuitable for coloured pencils and ink pens when used carefully; heavy inking may show through.\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition helps preserve sketches over time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the book constructed and will it lie flat while I work?\u003c\/h3\u003e\n\n\u003cp\u003eThe drawing book is stitch bound with 48 sheets (96 pages), a traditional binding method that keeps signatures secure and durable. While not a spiral-bound pad, the stitch binding and hardback cover provide solid support; with gentle opening, it lies acceptably flat for most sketching angles.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e48 sheets stitch bound for long-term durability.\u003c\/li\u003e\n  \u003cli\u003eHardback cover protects pages during transport and storage.\u003c\/li\u003e\n  \u003cli\u003eBinding allows the book to open flat enough for sketching near the gutter.\u003c\/li\u003e\n  \u003cli\u003eCompact size fits into backpacks, satchels, and portfolio cases.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs the 6×9 size practical for travel and studio workflows?\u003c\/h3\u003e\n\n\u003cp\u003eYes — the 6×9 format is large enough to develop detailed studies but small enough to carry all day. It slips into most bags and offers a comfortable page area for figure sketches, urban studies, colour notes and thumbnail compositions while remaining unobtrusive.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e15×23 cm dimensions balance portability with usable drawing space.\u003c\/li\u003e\n  \u003cli\u003eHardback shell shields pages when carried daily.\u003c\/li\u003e\n  \u003cli\u003ePerfect for quick studies, on-site sketches and finished small works.\u003c\/li\u003e\n  \u003cli\u003eCompact footprint coordinates well with other drawing tools and reference material.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat visual style does the cover offer and why does it matter?\u003c\/h3\u003e\n\n\u003cp\u003eThe cover design draws inspiration from modern mosaics, giving the book an elegant, craft-oriented look that reflects Fabriano’s papermaking heritage. The hardback finish makes the sketchbook presentable in professional settings and durable enough for outdoor use.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMosaic-inspired hardback cover blends artful aesthetics with protection.\u003c\/li\u003e\n  \u003cli\u003eSturdy exterior reduces edge wear and page damage over time.\u003c\/li\u003e\n  \u003cli\u003eAttractive design makes it suitable for portfolios, gifts and client meetings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Fabriano Venezia Drawing Book is aimed at students, illustrators, designers and sketching enthusiasts who want a reliable, mid-weight paper in a compact hardback format. It works well as a primary travel sketchbook or as a studio companion for studies and drafts. If you need archival-minded paper with enough tooth for dry media, a durable binding, and a refined exterior, this Venezia notebook meets those needs without bulk.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use ink in the Fabriano Venezia Drawing Book?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light ink and fine pens work, but heavy wet media may bleed or buckle; use sparing washes or separate watercolour paper for heavy wet techniques.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the paper is acid-free which helps preserve sketches, though it’s best for dry media and light washes rather than long-term water-based work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55294236688721,"sku":"B004V8LYG6","price":41.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-venezia-front-cover_f3873203-064e-470d-b14f-f6758b3689d2.jpg?v=1791927803"},{"product_id":"fabriano-watercolour-paper-block-24x32-cm-200-g-m-25-cotton-20-sheet-glued-pad","title":"Fabriano Watercolour Paper Block 24x32 cm — 200 g\/m², 25% Cotton, 20-Sheet Glued Pad","description":"\u003cp\u003e\u003cstrong\u003eFabriano Watercolour Studio block is a 24 x 32 cm, 200 g\/m² fine-grain paper pad made from a 25% cotton blend, designed for water-based and mixed-media painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you need a reliable, affordable surface to practice watercolour, gouache, ink or mixed-media techniques, this Fabriano block balances absorption, durability and archival safety. The sheets are glued on all four edges to hold the paper flat while you work and remove cleanly when the paint has dried. With chlorine- and acid-free, pH-neutral fibres and internal plus external sizing, the sheet resists premature yellowing while giving predictable paint behaviour for students and hobbyists.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle watercolour washes and layering?\u003c\/h3\u003e\n\u003cp\u003eThe 200 g\/m² weight and fine grain allow for even wash application without excessive buckling when used moderately. Internal and external sizing control the absorbency, so pigments move and blend predictably rather than sinking instantly. For heavier lifting or extensive wet-on-wet work, allow drying between layers or use a light stretch.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e200 g\/m² supports multiple light washes without heavy warping\u003c\/li\u003e\n  \u003cli\u003eFine grain gives smooth transitions and preserves detail\u003c\/li\u003e\n  \u003cli\u003eInternal\/external sizing moderates pigment absorption for workable blending\u003c\/li\u003e\n  \u003cli\u003eGlued edges hold the sheet flat during painting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use other media on this Fabriano block?\u003c\/h3\u003e\n\u003cp\u003eYes — aside from watercolour, the paper accepts gouache, ink, acrylic washes, charcoal and pencil. The cotton content adds tooth and strength for dry media, while the cellulose fibres keep costs down. Avoid heavy impasto acrylic or thick texture gels; those techniques typically require a heavier substrate.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable: gouache, ink, diluted acrylic, charcoal, graphite\u003c\/li\u003e\n  \u003cli\u003eNot ideal: heavy impasto or thick acrylic gels\u003c\/li\u003e\n  \u003cli\u003eCotton (25%) gives improved durability for erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this paper archival and classroom-friendly?\u003c\/h3\u003e\n\u003cp\u003eFabriano formulated the sheets with chlorine- and acid-free materials and a neutral pH, which slows degradation and yellowing over time. The 20-sheet block format is economical for students and practice sessions, while the glued edges provide a tidy, portable surface that stays flat during wet work and releases cleanly when you tear off a finished piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eChlorine- and acid-free fibres help prevent discoloration\u003c\/li\u003e\n  \u003cli\u003eNeutral pH contributes to long-term stability\u003c\/li\u003e\n  \u003cli\u003e20 sheets glued on four sides for convenience and flatness\u003c\/li\u003e\n  \u003cli\u003eAffordable option for classes and study projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? If you are an art student, hobbyist or beginner painter seeking a dependable pad to learn techniques and create practice pieces, the Fabriano Watercolour Studio block is a practical, value-oriented choice. It gives predictable watercolour behavior, accepts a range of mixed media, and offers archival-safe fibres without the price of 100% cotton papers. Choose this block when you want a consistent, easy-to-use surface for exercises, study work and finished sketches at a convenient 24 x 32 cm size.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Fabriano paper good for wet-on-wet techniques?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 200 g\/m² paper handles moderate wet-on-wet work well, but very heavy wet techniques may require stretching or heavier paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic or ink on this block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can use ink, gouache and diluted acrylic washes; avoid heavy texture gels or dense impasto with this 200 g\/m² pad.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55294393876817,"sku":"B0060KT57S","price":40.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-watercolour-block-front-packaging.jpg?v=1791929140"},{"product_id":"fabriano-artist-pad-white-white-11-75-x-16-5-300gsm-acid-free-paper-top-glued-flip-cover","title":"Fabriano Artist Pad White White 11.75\" x 16.5\" — 300gsm Acid-Free Paper, Top-Glued Flip Cover","description":"\u003cstrong\u003eFabriano White White Pad is a top-glued artist pad of 20 sheets of smooth, acid-free 300gsm paper sized 11.75\" × 16.5\" for pastels, coloured pencil and marker work.\u003c\/strong\u003e\n\n\u003cp\u003eThis pad pairs heavyweight, archival-friendly stock with a neat flip-top binding, giving you a portable block of high-opacity, burnished white paper that stands up to layering and blending. The sheets are made from ECF cellulose pulp and printed with a subtle tone-on-tone cover design; the slick overcover folds back for easy access while keeping pages protected during storage or transport.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the 300gsm paper suitable for my pastel and marker techniques?\u003c\/h3\u003e\n\n\u003cp\u003eThe 300gsm (140 lb.) weight is dense enough to accept multiple layers without buckling, yet still responds well to powdery pastel abrasion and marker ink. Its robust surface supports burnishing and light erasing, so you can refine details without quickly wearing through the sheet.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e300gsm paper resists rippling under wet or heavy media\u003c\/li\u003e\n  \u003cli\u003eBurnished white tone improves colour contrast and vibrancy\u003c\/li\u003e\n  \u003cli\u003eTextured enough for pastel grip, smooth enough for marker strokes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad's top-glued binding and cover design help in practical use?\u003c\/h3\u003e\n\n\u003cp\u003eThe pad is glued along the top edge so pages stay neatly secured until you tear them away for framing or mounting. The cover bends back and folds over the glued edge to keep the remaining sheets flat and protected while you work, making it convenient for sketching on a lap, easel, or table.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTop-glued binding enables clean page removal without perforations\u003c\/li\u003e\n  \u003cli\u003eSlick cover resists scuffs and folds for transport durability\u003c\/li\u003e\n  \u003cli\u003eFold-back design keeps unfinished pages flat during sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and what is it made from?\u003c\/h3\u003e\n\n\u003cp\u003eThe sheets are acid-free, meaning they are formulated to reduce yellowing and deterioration over time compared with standard non-archival papers. They are manufactured from ECF (elemental chlorine-free) cellulose pulp, a common quality standard for artist-grade papers seeking longevity and consistent performance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition helps preserve artwork longer\u003c\/li\u003e\n  \u003cli\u003eECF cellulose pulp supports consistent fibre and texture\u003c\/li\u003e\n  \u003cli\u003eQuality control suited for student projects to finished pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow large is the pad and what creative uses does this size support?\u003c\/h3\u003e\n\n\u003cp\u003eAt 11.75\" × 16.5\", the pad occupies a mid-sized format that balances portability with a generous working area for studies, portraits, or composition experiments. The dimensions make it easy to store in portfolios or carry in a tote, while giving enough room for detailed pieces without needing to step up to sheet sizes that are harder to handle.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e11.75\" × 16.5\" ideal for head-and-shoulders studies, landscapes, and mixed-media thumbnails\u003c\/li\u003e\n  \u003cli\u003e20-sheet count keeps a compact weight for travel or classroom use\u003c\/li\u003e\n  \u003cli\u003eWorks well for practice runs, finished studies, and mixed-media samples\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, students, and hobbyists who want a durable, mid-weight pad for pastel, coloured pencil, marker, and light mixed-media exploration will find this Fabriano pad practical and dependable. It’s aimed at creators who need archival-friendly paper in a manageable pad format that protects unused sheets, supports multiple layers of media, and travels easily between studio, classroom, and plein-air sessions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Fabriano White White Pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 20 sheets of 300gsm paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on this 300gsm paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It tolerates light washes and marker, but heavy wet media may require heavier or watercolour-specific paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55294473994577,"sku":"B0774W36JK","price":40.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-white-white-pad-front-cover.jpg?v=1791930972"},{"product_id":"fabriano-mixed-media-pad-11-x-14-110-lb-60-sheet-spiral-bound-acid-free-medium-texture","title":"Fabriano Mixed Media Pad 11 x 14, 110 lb 60-Sheet Spiral-Bound — Acid-Free Medium Texture","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad is an 11\" x 14\" spiral-bound sketchbook with 60 sheets of 110 lb acid-free, medium-textured paper specially sized for both wet and dry techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad blends durable, lightly textured paper with a user-friendly spiral binding and micro-perforations so artists can work across media and remove finished pages cleanly. The sheets are soft white and treated to accept pencil, charcoal, marker, ink, acrylic, gouache and light watercolour washes without excessive buckling or feathering. Fabriano’s production follows FSC standards and uses hydro-power, delivering responsibly made paper with reliable handling for studio, classroom or plein-air work.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kinds of media can I use on this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThe paper’s special surface sizing balances absorbency and tooth, so a wide variety of techniques are compatible. It performs well with dry tools and tolerates light washes and water-based paints when applied sparingly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePencils, coloured pencils and charcoal — clean erasing and good tone building\u003c\/li\u003e\n  \u003cli\u003eGraphite, pen \u0026amp; ink and markers — limited bleed and crisp lines\u003c\/li\u003e\n  \u003cli\u003eAcrylics and gouache — thin layers and detail work\u003c\/li\u003e\n  \u003cli\u003eLight watercolour washes — careful application to avoid heavy buckling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad’s construction help during and after drawing?\u003c\/h3\u003e\n\u003cp\u003eThe spiral binding allows pages to lie flat so you can work across the full sheet, while micro-perforations let you detach pages neatly when you’re ready to display or scan them. The 110 lb weight gives stiffness for wet or layered techniques without needing extra support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral-bound design — full-page access and easy flipping\u003c\/li\u003e\n  \u003cli\u003eMicro-perforated edges — clean removal for framing or sharing\u003c\/li\u003e\n  \u003cli\u003e110 lb (approx. 300 gsm feel) — sturdy for mixed layers\u003c\/li\u003e\n  \u003cli\u003eMedium texture — enough tooth for grip without over-roughness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs the paper archival and environmentally responsible?\u003c\/h3\u003e\n\u003cp\u003eYes. The sheets are acid-free, reducing long-term yellowing, and Fabriano manufactures the pad under FSC certification using hydro-power energy sources. These choices reflect conservation-minded production without sacrificing paper quality.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper — improved longevity for artwork\u003c\/li\u003e\n  \u003cli\u003eFSC certified sourcing — sustainable fibre management\u003c\/li\u003e\n  \u003cli\u003eHydro-power production — lower carbon footprint in manufacturing\u003c\/li\u003e\n  \u003cli\u003eConsistent sizing — predictable performance across sheets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets and what size are included?\u003c\/h3\u003e\n\u003cp\u003eThis edition contains 60 sheets sized 11\" x 14\", offering a generous working area for studies, portraits, landscapes and mixed-media experiments. The pad’s sheet count provides a balance between a portable pad and enough pages to practice or complete a portfolio of small works.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e60 sheets per pad — ample practice and finished pieces\u003c\/li\u003e\n  \u003cli\u003e11\" x 14\" format — versatile mid-size canvas for most projects\u003c\/li\u003e\n  \u003cli\u003eMedium texture surface — suitable for both detail and expressive marks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Mixed Media Pad is ideal for students, hobbyists and professional artists who need a reliable, mid-weight paper that accepts multiple media. Choose this pad if you want responsibly produced, acid-free sheets that lie flat while you work and detach cleanly when you’re ready to present or digitize your pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use watercolour on Fabriano 1264 paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paper accepts light watercolour washes, but use thin layers to limit buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad suitable for markers and ink?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the sized surface reduces bleed so markers and pen-and-ink work cleanly.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55294509711697,"sku":"B092MZLLQP","price":58.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-pad-front-cover_2d303cec-cbaf-4399-87b1-bd00ae1ab858.jpg?v=1791931648"},{"product_id":"fabriano-hot-press-watercolor-pad-9-x-12-140-lb-50-sheets-smooth-satin-surface-for-detailed-watercolor-and-mixed-media-studie","title":"Fabriano Hot-Press Watercolour Pad 9\" x 12\" 140 lb, 50 Sheets — Smooth satin surface for detailed watercolour and mixed-media studie","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Hot-Press Watercolour Pad is a budget-friendly, machine-made cellulose sheet pad that delivers a smooth, absorbent surface ideal for watercolours, gouache, ink and mixed-media studies.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for students, beginners and hobbyists, this 9\" x 12\" pad contains 50 hot-press sheets at 140 lb. weight, offering a fine, satin-smooth finish that resembles the feel of cotton rag paper while keeping costs down. The paper is cottolpha cellulose, machine-made, and both internally and externally sized to control absorbency and allow crisp line work and vibrant washes. Because it’s acid-free, paintings retain colour integrity over time when stored properly.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-press surface affect paint behavior?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press treatment produces a flat, smooth face that keeps brush strokes and ink lines clean and detailed. Paint sits more on the surface compared with cold-press, letting you achieve sharp edges, fine details and layered glazing without as much visible texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmooth satin finish ideal for detailed botanical and architectural work\u003c\/li\u003e\n  \u003cli\u003eLess tooth means easier pen and ink overlays\u003c\/li\u003e\n  \u003cli\u003eGood for controlled washes and precise colour edges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad handle water-heavy techniques and multiple layers?\u003c\/h3\u003e\n\u003cp\u003eFabriano Studio’s sizing helps limit excessive buckling and bleed-through with moderate water use, so you can layer washes and add glazes. For very wet techniques or heavy lifting, use fewer simultaneous layers or secure sheets to a board to reduce cockling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eInternally and externally sized to manage absorbency\u003c\/li\u003e\n  \u003cli\u003e140 lb weight offers more stability than sketch paper\u003c\/li\u003e\n  \u003cli\u003ePad format makes it convenient for practice, sketches and studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat other media work well on this paper besides watercolour?\u003c\/h3\u003e\n\u003cp\u003eAlthough optimised for watercolour, the hot-press cellulose surface accepts gouache, acrylic washes, ink, charcoal and pencil cleanly. Its smoothness supports fine-line pens and detailed mixed-media pieces where texture would interfere with precision.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eInk and pen retain crisp, unbroken lines\u003c\/li\u003e\n  \u003cli\u003eGouache and acrylic washes perform with controlled absorption\u003c\/li\u003e\n  \u003cli\u003eGraphite and charcoal blend smoothly for underdrawings and tonal work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad constructed and what should I expect from the sheets?\u003c\/h3\u003e\n\u003cp\u003eThe pad is machine-made and glued at the top for easy sheet removal; it contains 50 white sheets in the standard 9\" x 12\" student size. Each sheet is acid-free, which helps preserve pigments when artworks are stored flat or in portfolios.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e50 detachable sheets bound at the top for convenient removal\u003c\/li\u003e\n  \u003cli\u003eAcid-free formulation supports archival-minded practice\u003c\/li\u003e\n  \u003cli\u003eAffordably priced for classroom use and repeated practice\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eWho is this for?\u003c\/strong\u003e Artists learning watercolour techniques, art students needing reliable practice paper, hobbyists exploring ink-and-wash or anyone who wants the smoothness of hot-press without the higher price of 100% cotton rag. If you require heavy-duty, archival fine art paper for gallery sales, consider higher-weight or cotton-based alternatives; for classwork, studies and precise ink-and-wash pieces, this Fabriano Studio pad balances performance and value.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-made\u003c\/li\u003e\n  \u003cli\u003eAcid-free\u003c\/li\u003e\n  \u003cli\u003eSized internally and externally\u003c\/li\u003e\n  \u003cli\u003ePad contains 50 sheets\u003c\/li\u003e\n  \u003cli\u003eExceptionally absorbent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper good for detailed pen and ink work?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The hot-press smooth surface holds fine pen lines crisply and prevents excessive feathering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use heavy wash techniques without tearing the paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Moderate washes work well; for very wet techniques, stretch sheets or use fewer simultaneous layers to reduce buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55295797395793,"sku":"B009YVLE3S","price":62.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-hot-press-front-cover_d0a62687-5561-4756-b280-7d1d28b4c570.jpg?v=1791940167"},{"product_id":"fabriano-black-pad-a3-11-75-x-16-5-black-sheets-20-pack-heavy-tooth-for-pencils-pastels-gel-pens","title":"Fabriano Black Pad A3 — 11.75\" x 16.5\" Black Sheets, 20-Pack — Heavy Tooth for Pencils, Pastels \u0026 Gel Pens","description":"\u003cp\u003e\u003cstrong\u003eFabriano Black Pad A3 is a top-quality pad of 20 deep-black, 11.75\" x 16.5\" sheets designed for pencils, pastels, light washes, gel pens, markers and creative presentation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned and made in Italy from ECF cellulose pulp, this Fabriano Black Pad offers a consistently dark surface that elevates contrast and colour vibrancy across a wide range of dry and light-wet techniques. Each pad is glued along the top with a fold-over cover so pages stay secure during transport yet lie flat for easy working. The paper weight and tooth strike a balance between surface durability and the ability to accept layering, making it useful for fine art, illustration, paper crafting and portfolio presentation.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this black paper perform with pencils and pastels?\u003c\/h3\u003e\n\u003cp\u003eThe dense black ground provides strong contrast that makes white, metallic and coloured pencils pop; pastels build rich, luminous layers without sinking into the sheet. The surface tooth holds pigment well, so you can achieve both soft blends and crisp highlights depending on tools and pressure.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGood tooth for layering and burnishing pastels\u003c\/li\u003e\n  \u003cli\u003eWhite and metallic pencils show high contrast\u003c\/li\u003e\n  \u003cli\u003eAccepts light erasing and reworking without tearing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use markers, gel pens or light water media on this pad?\u003c\/h3\u003e\n\u003cp\u003eYes—gel pens and pigment markers lay down clean, opaque lines that stand out on the black ground. Light water media such as ink washes or watery gouache can be used carefully, but heavy saturation may warp the sheet; test first when using water-heavy techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOpaque gel pens show true colour and brightness\u003c\/li\u003e\n  \u003cli\u003eAlcohol and pigment markers give vivid coverage with minimal bleed\u003c\/li\u003e\n  \u003cli\u003eLight ink or wash effects possible if applied sparingly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad constructed and how easy is it to work from?\u003c\/h3\u003e\n\u003cp\u003eThe pad is glued at the top edge and includes a black fold-over cover that protects pages and keeps them flat. Tear-off sheets separate cleanly from the glue line, and the cover can be folded back for a secure working surface or removed for presentation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued binding for tidy tear-off sheets\u003c\/li\u003e\n  \u003cli\u003eProtective black cover that folds back while you work\u003c\/li\u003e\n  \u003cli\u003ePad format is A3 (11.75\" x 16.5\") for large-scale sketches and compositions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical uses does this paper have beyond drawing?\u003c\/h3\u003e\n\u003cp\u003eBeyond drawing and painting trials, the heavy black sheets work well for paper crafting, creating custom matboards, mock-ups and professional portfolio displays. The uniform deep black is ideal for mounting small works or presenting contrast-heavy compositions to clients or galleries.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCut into custom mats or backing for prints\u003c\/li\u003e\n  \u003cli\u003eUse in scrapbooking, collage, and greeting-card projects\u003c\/li\u003e\n  \u003cli\u003ePresent finished pieces with a built-in dramatic background\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators, and craft makers who want a reliable, richly coloured black working surface in a convenient A3 pad. If you often work with opaque pens, metallics, pastels or mixed media and need consistent, presentation-ready sheets that are easy to remove and display, the Fabriano Black Pad A3 is a flexible option. Keep in mind that heavy water techniques may require additional support or testing—this pad shines when used for dry media, light washes, and presentation purposes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano Black Pad suitable for watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It accepts light water or ink washes, but heavy watercolour may buckle; test first or use minimal moisture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How are the sheets bound and removed?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Sheets are glued along the top edge for clean tear-off; the black cover folds back to protect pages.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296505643345,"sku":"B077TV6F57","price":50.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-black-pad-a3-front-cover.jpg?v=1791943517"},{"product_id":"fabriano-venezia-linen-bound-sketchbook-9-x-12-red-bordeaux-200-gsm-accademia-paper-48-sheets","title":"Fabriano Venezia Linen-Bound Sketchbook 9 x 12 Red Bordeaux — 200 GSM Accademia Paper, 48 Sheets","description":"\u003cstrong\u003eThe Fabriano Venezia Book 9\" x 12\" is a linen-bound artist sketchbook with 200 GSM Fabriano Accademia paper (48 sheets) built for dry media and light washes.\u003c\/strong\u003e\n\nThe Venezia Book is a premium Italian-made sketchbook that blends traditional bookbinding with heavyweight drawing paper. Its 9\" x 12\" format offers a portable working surface, while the 200 GSM Accademia sheets provide a tactile tooth that holds graphite, charcoal, coloured pencil and modest water media without buckling. The red Bordeaux linen cover, hand-finished spine and integrated satin ribbon give this journal an elegant, durable presence on the studio table or in a bag.\n\n\u003ch3\u003eHow well does the paper handle different drawing materials?\u003c\/h3\u003e\n\u003cp\u003eThe Accademia paper inside the Venezia Book is designed with a textured surface to grab and hold dry media while accepting light washes. It's acid-free and internally sized, which reduces smudging and helps preserve marks over time. Heavy layering of wet techniques will still show through, but the sheet weight minimizes warping under moderate moisture.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e200 GSM weight supports layered graphite, charcoal, and coloured pencil\u003c\/li\u003e\n\u003cli\u003eTextured tooth enhances shading and blending techniques\u003c\/li\u003e\n\u003cli\u003eInternal and external sizing reduces smearing and feathering\u003c\/li\u003e\n\u003cli\u003eSuitable for light water-based washes and mixed media experiments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes the binding and cover special?\u003c\/h3\u003e\n\u003cp\u003eThis Venezia Book uses classic Italian bookbinding craftsmanship paired with a refined linen cover in Red Bordeaux. The sewn binding keeps pages secure and allows the book to lie reasonably flat for drawing. A satin ribbon bookmark helps you keep track of works in progress, and the durable cover protects sheets from wear in transit.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraditional sewn binding increases longevity and page stability\u003c\/li\u003e\n\u003cli\u003eRed Bordeaux linen cover offers a sophisticated, protective finish\u003c\/li\u003e\n\u003cli\u003eSatin ribbon bookmark marks active pages neatly\u003c\/li\u003e\n\u003cli\u003eCompact 9\" x 12\" size balances workspace and portability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and durable is this sketchbook for travel and fieldwork?\u003c\/h3\u003e\n\u003cp\u003eAt 9\" x 12\" with 48 robust sheets, the Venezia Book is sized to slip into backpacks and tote bags without excess bulk. The linen-bound cover resists light scuffs and the sewn spine tolerates repeated opening, making it a practical companion for sketching on location. While not waterproof, its paper and cover withstand everyday travel handling.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight yet substantial 48-sheet count for multiple sessions\u003c\/li\u003e\n\u003cli\u003eCompact footprint fits common art bags and backpacks\u003c\/li\u003e\n\u003cli\u003eSturdy sewn spine endures frequent page-turning\u003c\/li\u003e\n\u003cli\u003eCover protects work from light wear during transport\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano Venezia Book suits artists, illustrators, and visual journalers who want archival-quality drawing paper in a refined, portable package. Choose it if you favor textured Accademia paper for graphite, charcoal or coloured pencil and want the option to add gentle washes. It's ideal for studio sketching, field studies, concept thumbnails and upscale gift giving to creative friends.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper in the Venezia Book archival and acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Accademia paper is acid-free and internally sized for long-lasting marks and reduced smearing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use watercolour in this sketchbook?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light washes and modest mixed-media applications work fine, but heavy wet techniques may cause buckling.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296661946705,"sku":"B004V8LYX4","price":57.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-venezia-book-front-cover.jpg?v=1791944876"},{"product_id":"fabriano-mixed-media-pad-9-x-12-white-150-sheet-108-lb-tape-bound-studio-fat-pad","title":"Fabriano Mixed Media Pad 9 x 12 White — 150-Sheet 108 lb Tape-Bound Studio Fat Pad","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Fat Pad 9 x 12 is a tape-bound mixed-media pad of 150 sheets of 108 lb (160 gsm) bright white paper designed to handle watercolour, acrylic, ink and dry media in layered artwork.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Fabriano Mixed Media Fat Pad blends the absorbency and surface tooth of watercolour and acrylic papers with the smoothness artists expect for drawing, giving you a single sheet stock that adapts to washes, glazes and pen work. With a bright white tone and robust sizing, each page resists buckling, lifting and bleed-through during multi-step techniques. Because it's tape-bound, you can remove sheets cleanly for framing or scanning while keeping the rest of the pad secure on your workspace.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kinds of paints and tools can I use on this paper?\u003c\/h3\u003e\n\u003cp\u003eThe 108 lb (160 gsm) weight and balanced sizing make it suitable for a wide range of media. It accepts wet media like light watercolour washes and acrylic layers, yet keeps enough tooth for pencils, charcoal and ink. Avoid extremely heavy impasto or prolonged soaking; the sheet is built for mixed techniques rather than thick oil or ceramic-like paste.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour: light to moderate washes and glazing\u003c\/li\u003e\n  \u003cli\u003eAcrylic: thin layers, stains and mixed glazing\u003c\/li\u003e\n  \u003cli\u003eDry media: graphite, coloured pencil, charcoal\u003c\/li\u003e\n  \u003cli\u003eInk and markers: minimal bleed with careful application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the paper for layering and erasing?\u003c\/h3\u003e\n\u003cp\u003eFabriano's sizing and 108 lb weight provide a resilient surface that tolerates lifting, erasing and multiple passes without rapid wear. The texture offers tooth for adhesion but won’t shred under normal erasing or gentle scrubbing. For aggressive scraping or heavy lifting, test on an edge sheet first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e150 sheets: plenty of practice and finished pieces\u003c\/li\u003e\n  \u003cli\u003eTape-bound edge: removes cleanly for presentation\u003c\/li\u003e\n  \u003cli\u003eBright white surface preserves colour vibrancy\u003c\/li\u003e\n  \u003cli\u003eTextured finish balances grain and smoothness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad fit into a studio or travel workflow?\u003c\/h3\u003e\n\u003cp\u003eThe 9 x 12 size balances portability and usable working area, making it convenient for sketching at a desk or working on studies and finished pieces in the studio. The relatively compact footprint fits most backpacks and flat portfolios, while the fat pad thickness keeps the sheets flat during work. Tape-binding secures pages when closed and allows for easy removal when you want to display or scan a finished piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompact 9 x 12 format: travel-friendly\u003c\/li\u003e\n  \u003cli\u003eThick fat pad: stays flat during extended sessions\u003c\/li\u003e\n  \u003cli\u003e150 sheets: long-lasting supply for studies and projects\u003c\/li\u003e\n  \u003cli\u003eEasy sheet removal for framing or scanning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Fabriano Studio Fat Pad 9 x 12 suits students, mixed-media illustrators and hobbyists who want one versatile paper that bridges wet and dry techniques without switching stocks. It’s ideal for artists practicing layering, colour studies, plein-air sketches with occasional washes, and anyone who values a bright-white sheet that preserves luminosity. If your work relies on heavy impasto or continuous heavy soaking, consider a heavier watercolour or canvas alternative, but for most mixed-media workflows this pad is a flexible, reliable choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad suitable for watercolour washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—it's fine for light to moderate watercolour washes and glazing, but avoid heavy soaking or prolonged saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use ink and markers on these sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—ink and markers work well with minimal bleed if applied carefully; testing a corner is recommended for aggressive markers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296712802641,"sku":"B07QFBWM84","price":65.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-fat-pad-front-cover.jpg?v=1791946637"},{"product_id":"fabriano-drawing-pad-18-x-24-in-20-sheet-90-lb-spiral-sketch-pad-medium-texture","title":"Fabriano Drawing Pad 18 x 24 in — 20-Sheet 90 lb Spiral Sketch Pad, Medium Texture","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Drawing Pad 18\" x 24\" is a 20-sheet, 90 lb. spiral sketch pad with a medium-textured soft white surface designed for precise drawing, clean erasing and light washes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhether you sketch, ink, or layer coloured pencils and pastels, this Fabriano drawing pad offers a reliable surface that balances tooth and smoothness. The soft white paper has a subtle texture that holds media without being overly rough, while the silky finish lets fine lines remain crisp. The 90 lb. weight is sturdy enough for repeated erasing and light wet techniques, and the spiral binding plus micro-perforation makes each sheet easy to remove for presentation or framing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the paper surface good for detailed work?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s medium texture provides enough tooth to grab pigment but stays refined for delicate lines. The silky finish reduces drag so pencils and pens glide evenly; charcoal and pastel still adhere well without excessive dusting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium texture balances grip and smoothness for fine detail\u003c\/li\u003e\n  \u003cli\u003eSoft white tone improves contrast without dulling colour\u003c\/li\u003e\n  \u003cli\u003eSilky finish reduces smudging during tight strokes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media can I use on this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThis sheet accepts a broad range of dry and light-wash techniques, making it a versatile choice for mixed-media drawing. Use it confidently with pencils, coloured pencils, pens, charcoal, soft and oil pastels, and light watercolour washes or ink washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePencil and coloured pencil for layered, precise work\u003c\/li\u003e\n  \u003cli\u003eInk and pen for crisp lines and fine cross-hatching\u003c\/li\u003e\n  \u003cli\u003eCharcoal and soft pastel for bold shading and texture\u003c\/li\u003e\n  \u003cli\u003eLight washes compatible thanks to 90 lb. paper weight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad handle erasing, removing pages and presentation?\u003c\/h3\u003e\n\u003cp\u003eThe 90 lb. paper erases cleanly, so revisions and corrections leave minimal residue on finished pieces. The spiral binding permits full-page access and easy rotation, while the micro-perforation ensures a tidy tear for framing or portfolio use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEasily erasable surface for iterative work and corrections\u003c\/li\u003e\n  \u003cli\u003eSpiral-bound to fold back for comfortable drawing angles\u003c\/li\u003e\n  \u003cli\u003eMicro-perforated sheets detach cleanly for display\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat certifications and sustainability features does Fabriano 1264 include?\u003c\/h3\u003e\n\u003cp\u003eFabriano combines traditional papermaking with modern sustainability: the sheets are acid-free to preserve artwork and the paper is FSC certified, made with hydro-power to reduce environmental impact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free to protect artwork from yellowing over time\u003c\/li\u003e\n  \u003cli\u003eFSC certified for responsible fibre sourcing\u003c\/li\u003e\n  \u003cli\u003eProduced using hydro-power, lowering its energy footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Artists, illustrators, design students and anyone who prefers a dependable, medium-textured paper for drawing, sketch studies, and mixed-media experiments. It suits creators who value clean erasing, easy page removal and a durable 90 lb. weight that handles layering and light washes without buckling. With 20 full-size 18\" x 24\" sheets, the Fabriano 1264 pad is particularly useful for large-format studies, figure drawing, and portfolio-ready pieces where sheet quality and presentation matter.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad suitable for light watercolour or washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 90 lb. sheets accept light washes and ink washes without significant buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 20 sheets, each measuring 18\" x 24\".\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296719126865,"sku":"B092MZNRD1","price":66.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-drawing-pad-front-cover.jpg?v=1791946916"},{"product_id":"fabriano-watercolor-pad-1264-bright-white-140-lb-300-gsm-cold-press-30-sheets","title":"Fabriano Watercolour Pad 1264, Bright White 140 lb (300 gsm) Cold-Press — 30 Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad in Bright White is a 30-sheet, 140 lb (300 gsm) cold-press pad designed for water-based and mixed-media techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs Fabriano’s archival papermaking with a bright white surface and a medium-textured cold-press tooth, providing a dependable sheet for washes, glazing, lifting and detail work. The 100% virgin wood pulp construction is acid-free and FSC certified, produced using hydro-power, so it fits both classroom use and professional practice. Each pad contains 30 sheets of 300 gsm paper that hold up to repeated wetting and scrubbing without excessive buckling or breakdown.\u003c\/p\u003e\n\n\u003ch3\u003eHow well does this paper handle heavy washes and repeated lifting?\u003c\/h3\u003e\n\u003cp\u003eThe 300 gsm weight and cold-press texture were selected to tolerate substantial moisture and multiple liftings. You can apply broad wet washes, lift highlights, and scrub areas for texture without the surface pilling quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e140 lb \/ 300 gsm weight minimizes buckling during extended wet work\u003c\/li\u003e\n  \u003cli\u003eCold-press tooth balances absorbency with pigment control\u003c\/li\u003e\n  \u003cli\u003eDurable enough for moderate scrubbing and reworking\u003c\/li\u003e\n  \u003cli\u003eBright white tone enhances colour vibrancy and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media and techniques are suitable for this pad?\u003c\/h3\u003e\n\u003cp\u003eThis sheet is formulated for water-based and compatible mixed media. In addition to traditional watercolour, it accepts gouache, acrylic, acrylic ink, pen-and-ink, pencil and coloured pencil, making it versatile for studies, finished pieces and mixed-media experiments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache for washes and opacity control\u003c\/li\u003e\n  \u003cli\u003eAcrylic and acrylic ink for sharper marks and layering\u003c\/li\u003e\n  \u003cli\u003ePencil, coloured pencil and pen for mixed-media details\u003c\/li\u003e\n  \u003cli\u003eWorks well for glazing, wet-on-wet and wet-on-dry approaches\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat archival and environmental features does the pad offer?\u003c\/h3\u003e\n\u003cp\u003eFabriano builds this pad with permanence and responsible sourcing in mind. The acid-free paper is made from virgin wood pulp and carries FSC certification; the mill utilizes hydro-power in production to reduce environmental impact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper for longer-lasting artwork\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp for consistent paper quality\u003c\/li\u003e\n  \u003cli\u003eFSC certified sourcing supports sustainable forestry\u003c\/li\u003e\n  \u003cli\u003eManufactured with hydro-power to lower energy footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad constructed and what does that mean for studio use?\u003c\/h3\u003e\n\u003cp\u003eThe pad format keeps sheets bound at the top, making it simple to remove finished pages or work through multiple studies. Its size and sheet count suit both classroom setups and the single-artist studio, where you might produce studies, practice exercises, or completed pieces on the same pad.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-bound pad for easy page access and removal\u003c\/li\u003e\n  \u003cli\u003e30 sheets provide a mix of practice and finished work\u003c\/li\u003e\n  \u003cli\u003eConsistent sheet sizing for framing and scanning\u003c\/li\u003e\n  \u003cli\u003eBright white finish makes scanning and reproduction clearer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists, art students and teachers who need a reliable cold-press paper for water-based techniques and mixed media will find the Fabriano 1264 pad well suited to their workflow. It’s a practical choice for those who want archival-quality, bright white sheets that stand up to washes, lifting and reworking while still being economical enough for study, portfolio pieces and classroom assignments.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic paint on Fabriano 1264?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 300 gsm cold-press surface accepts acrylic and acrylic ink for layering and detail alongside water-based techniques.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad resist buckling with heavy water application?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 140 lb\/300 gsm the paper reduces buckling during heavy washes and holds up to moderate lifting and scrubbing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296760512849,"sku":"B092NZKTVD","price":60.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_36f036e5-898e-4786-a978-528b771671bf.jpg?v=1791948511"},{"product_id":"fabriano-mixed-media-pad-18-x-24-110-lb-30-sheet-spiral-bound-large-format-with-medium-texture","title":"Fabriano Mixed Media Pad 18 x 24, 110 lb — 30-sheet spiral-bound large format with medium texture","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad (18\" x 24\", 110 lb) is a spiral-bound pad of 30 medium-texture, acid-free sheets designed for dry and light-wash wet techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis large-format mixed media pad combines a responsive, medium-textured surface with special sizing that accepts pencils, charcoal, pastels, markers, pen and ink, acrylics, gouache and light watercolour washes. Each 110 lb (approx. 300 gsm) sheet is soft white and made with eco-conscious processes, giving artists a durable, easily erasable surface that resists bleed-through while remaining pleasant to touch and layer on. Micro-perforations let you remove finished work cleanly, and the spiral binding folds flat so you can use the entire page.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this paper handle layering pencils, charcoal and pastel?\u003c\/h3\u003e\n\n\u003cp\u003eThe medium tooth and quality surface hold dry media well, allowing multiple layers without rapid deterioration of the sheet. Erasing is effective due to the acid-free sizing, while texture provides enough tooth for grip without too much abrasion.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e110 lb weight supports repeated layering of dry media\u003c\/li\u003e\n  \u003cli\u003eMedium texture gives grip for pastel and charcoal\u003c\/li\u003e\n  \u003cli\u003eQuality sizing reduces smudging and allows clean erasure\u003c\/li\u003e\n  \u003cli\u003eSoft white tone preserves colour fidelity of pencils and pastels\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques like light watercolour washes and gouache?\u003c\/h3\u003e\n\n\u003cp\u003eThe pad’s special internal sizing accepts light washes and thin applications of gouache or acrylic without immediate warping. It’s best suited for modest amounts of moisture—heavy glazing or prolonged soaking may still buckle the board.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSized to take light watercolour and thin gouache washes\u003c\/li\u003e\n  \u003cli\u003e110 lb weight reduces cockling compared with lighter papers\u003c\/li\u003e\n  \u003cli\u003eNot intended for heavy soaking or extended wet-on-wet techniques\u003c\/li\u003e\n  \u003cli\u003eGood for mixed approaches combining wet and dry media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features help in a studio or classroom setting?\u003c\/h3\u003e\n\n\u003cp\u003eThe spiral binding lets pages lie flat or fold back for single-handed work, while micro-perforations provide a neat tear-out edge for framing or scanning. The pad’s 18\" x 24\" size gives you ample room for large studies, figure work, and multi-media experiments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral-bound to open flat and access full sheet\u003c\/li\u003e\n  \u003cli\u003eMicro-perforations for easy, clean removal of finished pages\u003c\/li\u003e\n  \u003cli\u003e30 sheets per pad for extended practice or projects\u003c\/li\u003e\n  \u003cli\u003eLarge 18\" x 24\" format ideal for big compositions and layouts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper sustainably produced and archival?\u003c\/h3\u003e\n\n\u003cp\u003eFabriano’s pad is acid-free and FSC certified, produced using Hydro-Power processes that lower environmental impact. These attributes help preserve artwork over time and make the pad a responsible option for studios and schools.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper supports long-term preservation of artwork\u003c\/li\u003e\n  \u003cli\u003eFSC certification indicates responsible fibre sourcing\u003c\/li\u003e\n  \u003cli\u003eManufactured using Hydro-Power to reduce carbon footprint\u003c\/li\u003e\n  \u003cli\u003eSuitable for portfolio work and archival sketching when handled properly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Fabriano 1264 Mixed Media Pad is designed for students, illustrators, and mixed-media artists who want a large-format, versatile surface that balances dry-media tooth with the ability to accept light wet work. Its combination of weight, texture, and eco-conscious production makes it a strong choice for studio exercises, classroom assignments, plein air studies, and finished pieces that may be framed or scanned. If you need a 18\" x 24\" pad that performs across pencils, inks, markers, pastel and modest washes while offering easy page removal and responsible manufacturing, this mixed media pad is a dependable option.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey specifications:\u003c\/strong\u003e 30 sheets, 110 lb (approx. 300 gsm), medium texture, soft white, acid-free, spiral-bound with micro-perforations, FSC certified, hydro-power manufacturing.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Fabriano 1264 suitable for watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes for light watercolour washes and thin gouache, but avoid heavy soaking or prolonged wet-on-wet techniques.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what weight is the paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 30 sheets of 110 lb (approx. 300 gsm) medium-texture, acid-free paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55296814416209,"sku":"B092N1TYYW","price":73.32,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover-showing-spiral.jpg?v=1791949107"},{"product_id":"fabriano-artistico-watercolor-block-9-x-12-extra-white-20-sheet-100-cotton-hot-press-gluebound","title":"Fabriano Artistico Watercolour Block 9 x 12 Extra White — 20-Sheet 100% Cotton Hot-Press, Gluebound","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico Watercolour Block 9 x 12 Extra White is a gluebound, hot-press watercolour pad of 20 100% cotton sheets sized inside and out for archival, absorbent, and resilient painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact block brings Fabriano’s long-standing fine-art paper technology into a portable format: every sheet is mould-made from 100% cotton and glued on all four edges so you can paint edge-to-edge without stretching or taping. The extra white hot-press surface is smooth and accepts water-based media and dry media alike. Because the paper is both internally and externally sized, it balances absorbency with resistance to over-saturation, making it suitable for watercolours, gouache, ink, tempera, acrylic washes, pencil, charcoal and mixed-media work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the gluebound block help when I paint outdoors or on the go?\u003c\/h3\u003e\n\u003cp\u003eThe block’s gluebound edges keep sheets flat as you work, eliminating the need for a separate drawing board or taping down individual pieces. You can lay the block on your lap, an easel, or a portable palette and paint immediately. When a sheet is finished, you simply lift the glued edge to remove a clean, deckled-free sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued on all four sides for a flat working surface\u003c\/li\u003e\n  \u003cli\u003eNo stretching or taping required\u003c\/li\u003e\n  \u003cli\u003eQuick sheet removal with minimal edge tearing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Fabriano Artistico paper suitable for wet and dry techniques?\u003c\/h3\u003e\n\u003cp\u003eArtistico is mould-made from 100% cotton, which gives the sheet natural strength and an even, archival texture. Internal sizing controls how much water the fibre absorbs, while external sizing strengthens the surface to resist over-wicking. The hot-press finish is notably smooth, allowing for crisp detail from pens and brushes while still handling multiple wet layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton fibre for durability and soft, consistent tooth\u003c\/li\u003e\n  \u003cli\u003eInternal and external sizing for controlled absorbency\u003c\/li\u003e\n  \u003cli\u003eHot-press surface ideal for fine detail and smooth washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow many sheets and what size\/weight should I expect for projects?\u003c\/h3\u003e\n\u003cp\u003eThis block contains 20 sheets in a convenient 9 x 12-inch format, large enough for study pieces, plein air sketches, and finished small works. The sheet count balances usability with portability so you won’t carry excess weight while still having enough pages for multiple sessions. Each sheet’s thickness and sizing support layered techniques without immediate buckling or bleed-through when used properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20 sheets per block for multiple studies or finished pieces\u003c\/li\u003e\n  \u003cli\u003e9 x 12 inches — portable and studio-friendly\u003c\/li\u003e\n  \u003cli\u003eDesigned to accept layered water-based and dry media\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paper preserve my work long-term?\u003c\/h3\u003e\n\u003cp\u003eYes — Fabriano Artistico paper is acid- and chlorine-free and produced to archival standards, which helps preserve colour vibrancy and paper integrity over time. The use of 100% cotton fibres reduces long-term brittleness compared with wood-pulp papers. For best longevity, finished works should be framed or stored away from direct sunlight and high humidity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid- and chlorine-free for archival stability\u003c\/li\u003e\n  \u003cli\u003e100% cotton reduces yellowing and degradation\u003c\/li\u003e\n  \u003cli\u003eSuitable for framing or archival storage when dry\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano Artistico Watercolour Block 9 x 12 Extra White is designed for watercolourists, illustrators, urban sketchers and mixed-media artists who want a high-quality, portable paper that handles both delicate detail and wet washes. It’s a practical choice for students, professionals, and hobbyists seeking archival materials and a smooth hot-press surface that performs reliably in both studio and outdoor settings.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Fabriano Artistico is acid- and chlorine-free and made from 100% cotton for archival stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic or gouache on this block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The internal and external sizing and hot-press finish accept acrylic washes and gouache alongside watercolour and ink.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55297236271441,"sku":"B094XRVR1B","price":52.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-front-cover.jpg?v=1791950731"},{"product_id":"fabriano-artistico-extra-white-watercolor-block-7x10-20-sheets-140-lb-300-gsm-cold-press-cotton","title":"Fabriano Artistico Extra White Watercolour Block 7x10 — 20 Sheets, 140 lb\/300 GSM Cold-Press Cotton","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico Extra White Watercolour Block is a 7\" x 10\" gluebound pad of 20 heavy 140 lb (300 GSM) cold-press cotton sheets designed for professional watercolour and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis block pairs Fabriano’s classical mould-made, 100% cotton paper with a cold-press texture and all-around gluebinding so you can paint edge-to-edge without stretching or taping. The paper is both internally and externally sized, offering controlled absorbency and surface strength that stands up to multiple washes, lifts, and mixed-media layers. Its extra-white tone gives colours a bright, true base while the compact 7\" x 10\" format keeps the block travel-friendly.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose a gluebound watercolour block over loose sheets or a stretched sheet?\u003c\/h3\u003e\n\u003cp\u003eGluebound blocks eliminate the need to tape, stretch, or carry extra boards when working wet. The adhesive on all four sides holds the sheet flat as you paint, and you can remove the finished piece by carefully releasing the glue or sliding a palette knife under the edge.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAll-around gluebinding keeps paper flat through wet washes and scrubbing.\u003c\/li\u003e\n  \u003cli\u003eQuick to use outdoors or en plein air—no stretching required.\u003c\/li\u003e\n  \u003cli\u003eSheet removal allows clean deckled edges when lifted from the block.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the 140 lb \/ 300 GSM cold-press surface perform with different media?\u003c\/h3\u003e\n\u003cp\u003eThe mould-made Fabriano Artistico cold-press surface has a gentle tooth that accepts watercolour, gouache, acrylic washes, ink, and dry media like graphite and charcoal. Internal and external sizing help colours bloom predictably while preserving liftability and reworkability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour: controlled absorption for even washes and glazing.\u003c\/li\u003e\n  \u003cli\u003eGouache \u0026amp; acrylic: good tooth for layering and opacity.\u003c\/li\u003e\n  \u003cli\u003eInk\/graphite: tooth retains detail without excessive abrasion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Fabriano Artistico paper resilient for repeated techniques?\u003c\/h3\u003e\n\u003cp\u003eThis paper is 100% cotton and mould-made, giving it natural strength and elasticity. The double sizing (internal and surface) provides resistance to buckling and allows moderate scrubbing, lifting, and reworking without fibre collapse.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton fibres maintain structure during wet treatments.\u003c\/li\u003e\n  \u003cli\u003eChlorine- and acid-free construction for archival durability.\u003c\/li\u003e\n  \u003cli\u003eCold-press texture balances pigment hold with ease of blending.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable is the 7\" x 10\" block for travel and sketching outdoors?\u003c\/h3\u003e\n\u003cp\u003eThe compact size and secure glue edges make this block an easy choice for plein air painting, commuting, or sketchbook-style practice. It fits in most messenger bags, backpacks, and field kits while offering a professional-grade surface in a small footprint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e7\" x 10\" dimension is travel-friendly and wallet-sized for sketches.\u003c\/li\u003e\n  \u003cli\u003e20 sheets provide multiple studies without extra bulk.\u003c\/li\u003e\n  \u003cli\u003eGluebound edges protect sheets during transport and painting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: This Fabriano Artistico Extra White Watercolour Block suits watercolourists, mixed-media artists, and students seeking a professional, portable paper with archival cotton quality. It's especially helpful for artists who prefer painting directly without stretching their paper, travelers who need a dependable wet-media surface, and practitioners who work across watercolour, gouache, ink, and dry media.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylics and gouache on this block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140 lb cold-press cotton surface handles gouache and light acrylic washes, though heavy-bodied acrylic may require a heavier support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I remove a finished sheet from the gluebound block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Gently slide a palette knife under the glued edge or soak briefly and peel to release the sheet with clean edges.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55297258783057,"sku":"B092X99DBX","price":55.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-front-cover_b280b637-b540-407d-a09c-2f81faf5cd8e.jpg?v=1791951388"},{"product_id":"fabriano-watercolor-pad-9-x-12-cold-press-140-lb-300-gsm-50-sheets-student-grade-cotton-like-performance","title":"Fabriano Watercolour Pad 9 x 12 Cold-Press, 140 lb (300 gsm), 50 Sheets — Student-Grade Cotton-Like Performance","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Watercolour Pad is a student-priced, cold-pressed 9\" x 12\" pad with 140 lb (300 gsm) absorbent paper that performs like cotton rag for watercolour, gouache, ink, and mixed media.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Italy, this machine-produced pad combines a cotton\/alpha-cellulose blend with internal and external sizing to give reliable absorbency and lift for washes, layering, and pen work. The 50-sheet block is acid-free and designed to deliver the look and feel of higher-end papers while keeping costs accessible for students, hobbyists, and practicing artists who want consistent results without the premium price.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this pad handle wet watercolour washes?\u003c\/h3\u003e\n\n\u003cp\u003eThe cold-press surface offers a balanced tooth that holds pigment and water without excessive buckling. Internal sizing limits feathering so you can push and lift paint, while the sheet weight resists overworking in multiple wet layers.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e140 lb (300 gsm) thickness reduces cockling during moderate wetting.\u003c\/li\u003e\n  \u003cli\u003eCold-press texture gives controlled granulation and soft edges.\u003c\/li\u003e\n  \u003cli\u003eInternal and external sizing helps with lifting and glazing techniques.\u003c\/li\u003e\n  \u003cli\u003e50 full sheets let you practice washes and test mixes freely.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat other media can I use on this paper?\u003c\/h3\u003e\n\n\u003cp\u003eBeyond watercolour, the cotton\/alpha-cellulose blend accepts gouache, acrylic washes, ink, and charcoal. The surface tolerates wet and dry mediums, making it suitable for mixed-media studies and greeting-card layouts.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGouache and transparent watercolour respond well to the sized surface.\u003c\/li\u003e\n  \u003cli\u003eInk and pen keep crisp lines with minimal bleed when used with appropriate pens.\u003c\/li\u003e\n  \u003cli\u003eDry media like charcoal and pastel adhere to the cold-press tooth for texture.\u003c\/li\u003e\n  \u003cli\u003eSafe for light acrylic washes; heavier impasto may require heavier board support.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose this pad over higher-priced 100% cotton papers?\u003c\/h3\u003e\n\n\u003cp\u003eFabriano Studio aims to bridge quality and affordability by emulating the feel of cotton rag at a student-friendly price. The composition gives many of the handling benefits of cotton without the full cost, ideal for learning techniques or producing studies and drafts.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePerforms and feels similar to cotton rag for many watercolour techniques.\u003c\/li\u003e\n  \u003cli\u003eMachine-made consistency ensures uniform sheets across the pad.\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction preserves colour and prevents yellowing over time.\u003c\/li\u003e\n  \u003cli\u003eCost-effective for classrooms and practice sessions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I prepare and care for these sheets?\u003c\/h3\u003e\n\n\u003cp\u003eSheets come bound in a pad for convenience; remove and stretch if you need a perfectly flat surface for heavy wetting. Store unused pads flat in a cool, dry place to keep sizing and edges stable.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTape or glue edges to a board before heavy washes to reduce warping.\u003c\/li\u003e\n  \u003cli\u003eAllow layers to dry thoroughly between applications to avoid softening the sizing.\u003c\/li\u003e\n  \u003cli\u003eKeep away from direct sunlight for long-term storage to prevent fading.\u003c\/li\u003e\n  \u003cli\u003eUse a protective backing board when framing or shipping to maintain flatness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Fabriano Studio Watercolour Pad is ideal for students, hobbyists, art teachers, and anyone practicing watercolour and mixed-media techniques who wants a reliable, absorbent sheet without spending on fine-art cotton papers. It’s a practical everyday pad for classroom assignments, sketchbook experiments, greeting card projects, and studio trials where consistent handling and cost-efficiency matter.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—140 lb (300 gsm) reduces buckling for moderate to heavy washes but very heavy impasto may still need additional support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use ink and gouache on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—internal sizing supports ink and gouache with minimal feathering and good colour lift for layering.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55297352892753,"sku":"B005NQ27UM","price":71.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-watercolor-pad-front.jpg?v=1791954159"},{"product_id":"fabriano-studio-watercolor-pad-11x14-cold-press-140-lb-300-gsm-50-sheet-cold-press-texture-sizing","title":"Fabriano Studio Watercolour Pad 11x14 Cold-Press, 140 lb (300 gsm) 50-Sheet - Cold-Press Texture \u0026 Sizing","description":"\u003cp\u003e\u003cstrong\u003eFabriano Studio Watercolour Pad is a 11\" x 14\" cold-press pad with 140 lb (300 gsm) cotton\/alpha-cellulose paper designed for water media, gouache, acrylic, ink and mixed techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Italian-made pad delivers an affordable yet authentic watercolour surface that mimics the look and handling of cotton rag stock. Machine-made and internally plus externally sized, the sheets are acid-free and engineered to absorb and hold pigment while retaining texture and clarity. With 50 sheets per pad, it’s a practical choice for practice, studies, and finished pieces for students, hobbyists and instructors seeking reliable performance without premium pricing.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kind of painting and drawing techniques work best on this pad?\u003c\/h3\u003e\n\n\u003cp\u003eThe cold-press texture offers a balanced tooth that suits washes, layered glazes and drybrush work. It accepts watercolour, gouache and diluted acrylics well, and is also compatible with ink, charcoal and mixed-media approaches. Because it’s sized both internally and externally, pigment sits where you expect and lifts or layers predictably.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWatercolour washes and wet-on-wet techniques\u003c\/li\u003e\n  \u003cli\u003eGouache layering and opacity effects\u003c\/li\u003e\n  \u003cli\u003eInk line work and pen-and-wash combinations\u003c\/li\u003e\n  \u003cli\u003eCharcoal accents and light mixed-media additions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and absorbent is the paper for repeated reworking?\u003c\/h3\u003e\n\n\u003cp\u003eThe 140 lb (300 gsm) weight gives a sturdy surface that tolerates moderate scrubbing, lifting and reworking without immediate breakdown. Its absorbency is high enough to take pigment evenly but controlled by the internal sizing, so colours flow without excessive feathering. Expect good buckling resistance for the weight, and minimal colour dulling when layers dry.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e300 gsm weight for stronger wet handling\u003c\/li\u003e\n  \u003cli\u003eInternal sizing reduces over-saturation and preserves vibrancy\u003c\/li\u003e\n  \u003cli\u003eMachine-made consistency sheet-to-sheet\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition for longer archival stability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper suitable for finished artwork or mainly for practice?\u003c\/h3\u003e\n\n\u003cp\u003eWhile positioned for students and beginners, the pad’s cotton\/alpha-cellulose blend and traditional sizing make it capable of producing finished works. Many artists will use it for studies, portfolio pieces or greeting-card designs; for museum-grade archival needs, consider 100% cotton archival pads. Still, the Fabriano Studio pad offers a professional feel at an accessible price point.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAppropriate for class assignments, commissions and personal projects\u003c\/li\u003e\n  \u003cli\u003eGood choice for prints, scans and photographic reproduction\u003c\/li\u003e\n  \u003cli\u003eCost-effective alternative to 100% cotton without losing texture\u003c\/li\u003e\n  \u003cli\u003eMade in Italy with consistent manufacturing standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mount, dry or store sheets from this pad?\u003c\/h3\u003e\n\n\u003cp\u003eFor flat drying, tape edges to a board to reduce cockling on heavier washes, or stretch sheets if you need a very flat finish. For storage, keep sheets flat in a cool, dry place away from direct sunlight; the acid-free paper will resist yellowing if stored properly. If you remove sheets for framing, allow thorough drying before matting to avoid mould or adhesion issues.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTape down edges for even drying and minimal warping\u003c\/li\u003e\n  \u003cli\u003eStore flat in an acid-free folder or portfolio to protect surface\u003c\/li\u003e\n  \u003cli\u003eEnsure complete drying before varnishing or framing\u003c\/li\u003e\n  \u003cli\u003eTreated both internally and externally to improve handling and longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Fabriano Studio Watercolour Pad is aimed at art students, beginning painters and hobbyists who want a textured cold-press surface that behaves like higher-end cotton rag paper but at a budget-friendly price. It’s ideal for classroom use, sketchbook studies, greeting-card making and anyone experimenting with watercolour, gouache, inks or light mixed media. Professionals looking for consistent, dependable practice sheets or quick studies will also find it useful, while those needing museum-level archival permanence should opt for dedicated 100% cotton archival lines.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano Studio paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it is acid-free and machine-made with internal and external sizing, offering good longevity but not the same archival permanence as 100% cotton rag.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic paints on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — diluted acrylics and gouache work well, though heavy impasto acrylics may require a sturdier support or priming.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55297943306577,"sku":"B006A7MFJQ","price":69.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-pad-front-cover.jpg?v=1791961560"},{"product_id":"fabriano-watercolor-pad-hot-press-11-x-14-140-lb-50-sheet-smooth-hot-press-finish-student-grade-300gsm","title":"Fabriano Watercolour Pad Hot-Press 11\" x 14\" 140 lb 50-Sheet — Smooth hot-press finish, student-grade 300gsm","description":"\u003cstrong\u003eFabriano Studio Watercolour Pad is a hot-press, 140 lb (300 gsm) student-grade pad of 50 sheets designed for watercolour, gouache, acrylic, ink and mixed-media work that mimics the feel and absorbency of cotton rag paper.\u003c\/strong\u003e\n\n\u003cp\u003eThis 11\" x 14\" pad from Fabriano offers a smooth, hot-press surface at a price point tailored to beginners, students and practicing artists who want consistent performance without the cost of 100% cotton. Made from cottolpha cellulose and machine manufactured, the paper is internally and externally sized and acid-free, so colours sit cleanly on the page and resist unwanted discoloration over time. Because it’s highly absorbent yet smooth, the sheet handles washes, detail work, and wet layering with reliable drying times and predictable edges.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this hot-press paper perform with wet media?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press surface gives a smooth finish and tight tooth, so pigments flow evenly for detailed line work and crisp edges. Absorbency is high enough to accept multiple wet layers without excessive buckling when properly taped or stretched. Expect quick colour lift opportunities and good re-wetting behavior for blending and glazing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSized internally and externally to control absorbency and pigment spread\u003c\/li\u003e\n  \u003cli\u003e140 lb (300 gsm) weight resists moderate wetting and repeated lifting\u003c\/li\u003e\n  \u003cli\u003eSmooth hot-press finish ideal for fine detail, ink and gouache\u003c\/li\u003e\n  \u003cli\u003eMachine-made consistency across all 50 sheets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this pad with acrylic, ink or charcoal?\u003c\/h3\u003e\n\u003cp\u003eYes — the Fabriano Studio pad is versatile across many media. Acrylics and inks adhere well to the sized surface; charcoal and pencil mark clearly on the smooth hot-press texture. For heavy acrylic impasto or extremely wet techniques, consider priming or using heavier support, but for mixed-media washes and ink drawing it performs reliably.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcrylics: good for thin washes and light layering\u003c\/li\u003e\n  \u003cli\u003eInk: produces crisp lines and controlled spreads\u003c\/li\u003e\n  \u003cli\u003eCharcoal\/pencil: smooth surface allows detailed textures and tonal work\u003c\/li\u003e\n  \u003cli\u003eGouache: opaque layers sit evenly on the hot-press finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I prepare and care for sheets to prevent buckling?\u003c\/h3\u003e\n\u003cp\u003eTaping edges to a board or lightly stretching sheets before painting reduces warping during wet work. Because the pad is machine-made and not 100% cotton, it benefits from simple preparation for heavy wet techniques. Drying flat between layers and using a hairdryer on low can speed drying without overheating the paper.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSecure edges to a rigid board with low-tack tape for larger washes\u003c\/li\u003e\n  \u003cli\u003eUse light washes first to gauge absorbency before heavy wet layers\u003c\/li\u003e\n  \u003cli\u003eDry layers thoroughly to avoid unexpected pigment migration\u003c\/li\u003e\n  \u003cli\u003eStore pad flat in a cool, dry place to keep sheets in best condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Fabriano Studio different from professional cotton papers?\u003c\/h3\u003e\n\u003cp\u003eFabriano Studio aims to reproduce some of the tactile qualities of cotton rag at a more affordable cost by using a high-quality cottolpha cellulose and controlled sizing. While it won’t match the archival longevity and texture variety of 100% cotton, it gives students and hobbyists a dependable surface with similar absorbency and paint response for practice and finished studies.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCost-effective alternative to expensive cotton rag papers\u003c\/li\u003e\n  \u003cli\u003eMachine-made for even surface and predictable behavior\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction reduces risk of quick deterioration\u003c\/li\u003e\n  \u003cli\u003e50-sheet pad format convenient for classes and projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Fabriano Studio Watercolour Pad, hot-press 11\" x 14\", 140 lb., 50 sheets is aimed at students, beginners, teachers and hobby artists who need a smooth, absorbent surface for watercolour, ink, gouache, acrylic and pencil work. If you want a reliable, budget-friendly pad that behaves like higher-end rag paper for studies, classwork or affordable finished pieces, this pad is a practical choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for classroom use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pad is cost-effective, machine-made, and durable enough for student projects and repeated practice.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I stretch these sheets for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can tape or lightly stretch them, but for very heavy wet techniques a heavier or 100% cotton sheet is preferable.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55297943273809,"sku":"B009YVLDMK","price":68.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-studio-front-cover.jpg?v=1791961560"},{"product_id":"fabriano-mixed-media-pad-18-x-24-120-lb-25-heavyweight-sheets-spiral-bound-micro-perforated","title":"Fabriano Mixed Media Pad 18 x 24, 120 lb — 25 heavyweight sheets, spiral-bound, micro-perforated","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad (18\" x 24\", 120 lb.) is a spiral-bound pad of 25 medium-texture, soft-white sheets sized for both dry and wet art techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis mixed media pad combines heavyweight, specially sized paper with a versatile surface that responds well to pencils, inks, markers and light washes. Each pad contains 25 acid-free sheets on 120 lb. (approx. 300 gsm) stock, made with sustainable practices and finished with micro-perforations and a spiral binding so sheets lie flat or can be removed cleanly. The paper’s medium texture gives tooth for dry media while resisting buckling during moderate wet applications.\u003c\/p\u003e\n\n\u003ch3\u003eWhat creative techniques work best on this Fabriano pad?\u003c\/h3\u003e\n\u003cp\u003eThe 120 lb. paper is formulated to accept a wide range of media without premature feathering or heavy absorption. It’s ideal for layering coloured pencils, charcoal and pastels, and it stands up to diluted washes and acrylics when applied moderately.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePencil, coloured pencil and graphite for sharp detail and erasing\u003c\/li\u003e\n  \u003cli\u003eCharcoal and pastel for strong texture and blending\u003c\/li\u003e\n  \u003cli\u003eMarkers, pen \u0026amp; ink for clean lines with reduced bleed\u003c\/li\u003e\n  \u003cli\u003eAcrylic, gouache and light watercolour washes without excessive cockling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper handle wet media and eraseability?\u003c\/h3\u003e\n\u003cp\u003eThe sheets carry a special surface sizing that slows absorption so water-based paints behave predictably and layers remain workable. At the same time the paper accepts repeated erasing for dry media, letting you refine lines and highlights without harsh surface degradation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface sizing reduces rapid pigment absorption\u003c\/li\u003e\n  \u003cli\u003eModerate resistance to buckling with light-to-moderate washes\u003c\/li\u003e\n  \u003cli\u003eClean erasure and reworking for pencils and charcoal\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features make this pad easy to use in the studio or on location?\u003c\/h3\u003e\n\u003cp\u003eThe spiral binding allows the entire page to lie flat for drawing and painting, and micro-perforations let you detach pages neatly for framing, scanning, or sharing. The pad’s heavyweight sheets and durable construction suit both tabletop work and portable sketch sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral-bound spine for flat working surface and page-turning\u003c\/li\u003e\n  \u003cli\u003eMicro-perforated sheets for smooth removal\u003c\/li\u003e\n  \u003cli\u003e25 large-format 18\" x 24\" sheets for big compositions and studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper sustainably produced and archival-ready?\u003c\/h3\u003e\n\u003cp\u003eFabriano’s pad is acid-free and FSC certified, reflecting environmentally conscious sourcing and processing. Production uses Hydro-Power, which reduces the carbon footprint associated with paper manufacturing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free sheet composition for long-lasting colour stability\u003c\/li\u003e\n  \u003cli\u003eFSC certification for responsible fibre sourcing\u003c\/li\u003e\n  \u003cli\u003eManufactured using Hydro-Power to lower environmental impact\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Artists who need a reliable, heavyweight paper that performs across many techniques will appreciate this Fabriano 1264 pad. It’s well suited to illustrators, mixed-media artists, art students, and anyone who wants large-format sheets that can be reworked, removed cleanly, and hold up to moderate wet applications while remaining archival and sustainably made.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Fabriano 1264 paper suitable for light watercolour washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 120 lb. sheet with surface sizing resists light washes and reduces buckling with moderate water use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase graphite and charcoal from this pad without damaging the surface?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the medium-textured, acid-free surface accepts repeated erasing and reworking for dry media.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55298300281169,"sku":"B092MYLPHQ","price":75.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover-18x24.jpg?v=1791965558"},{"product_id":"fabriano-watercolor-pad-bright-white-140-lb-300-gsm-cold-press-30-perforated-sheets","title":"Fabriano Watercolour Pad Bright White 140 lb (300 gsm) Cold-Press — 30 Perforated Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad in Bright White is a 140 lb (300 gsm) cold-press pad of textured, acid-free watercolour paper designed for water-based media and mixed techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs Fabriano's long-standing papermaking expertise with an ultra-bright white surface that preserves colour vibrancy and contrast. The cold-press texture offers a balanced tooth that accepts washes, glazing, and detail work while still allowing lifting and gentle scrubbing. Made from 100% virgin wood pulp and FSC Certified, the pad is produced using hydro-power and comes with 30 perforated sheets, making it practical for study, sketching, classroom use, and finished illustrations.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper perform with wet techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 140 lb (300 gsm) weight and cold-press surface were selected to handle generous water without excessive buckling. Thin to medium washes sit evenly, while layered glazing holds colour separation. You can lift pigment and use scrubbing methods for texture without quickly destroying the surface, though very aggressive abrasion will eventually wear any sheet.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e140 lb \/ 300 gsm supports multiple wet layers\u003c\/li\u003e\n  \u003cli\u003eCold-press tooth balances wash absorption and detail\u003c\/li\u003e\n  \u003cli\u003eSuitable for lifting, scrubbing, and glazing techniques\u003c\/li\u003e\n  \u003cli\u003ePerforated edges for clean sheet removal\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media work best on Fabriano 1264?\u003c\/h3\u003e\n\u003cp\u003eAlthough optimised for watercolour, this paper accepts a wide range of media. Watercolour, gouache, and acrylic behave predictably; inks and pens hold crisp lines on the textured surface. Dry media such as graphite and coloured pencils also layer well for mixed-media pieces.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache: even absorption and colour clarity\u003c\/li\u003e\n  \u003cli\u003eAcrylic and acrylic ink: adheres well for mixed techniques\u003c\/li\u003e\n  \u003cli\u003ePen, ink, pencil: texture offers grip for precise marks\u003c\/li\u003e\n  \u003cli\u003eWorks for studies and finished artwork alike\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the material and sustainability details?\u003c\/h3\u003e\n\u003cp\u003eFabriano 1264 is manufactured from 100% virgin wood pulp and is acid-free to help preserve artwork over time. The pad is FSC Certified, reflecting responsible forest sourcing, and the production process uses hydro-power to reduce environmental impact. These credentials make it a practical choice for environmentally aware artists and institutions.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAcid-free stock for longevity\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp for consistent quality\u003c\/li\u003e\n  \u003cli\u003eFSC Certified sourcing\u003c\/li\u003e\n  \u003cli\u003eProduced using hydro-power energy\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is the pad formatted and how will it fit into my workflow?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 30 perforated sheets sized for easy removal and framing or scanning. The bright white tone enhances contrast and saturation, helping colours read clearly in photographs and scans. Its pad format is handy for sketchbook-style work, classroom distribution, or studio series that require uniform paper stock.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e30 sheets per pad, perforated for clean tearing\u003c\/li\u003e\n  \u003cli\u003eBright white surface boosts colour vibrancy\u003c\/li\u003e\n  \u003cli\u003ePad format suitable for classes, travel, and studio use\u003c\/li\u003e\n  \u003cli\u003eCompatibility with scanners and repro methods\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Fabriano 1264 Watercolour Pad, Bright White, suits students learning wet techniques, illustrators refining mixed-media approaches, and professionals who need a reliable, archival-feeling sheet for finished work. If you require a textured cold-press surface that balances absorbency with liftability and prefer certified, responsibly produced paper, this pad is designed to meet those needs without distracting colour shifts. It’s a versatile everyday choice for classrooms, workshops, plein-air sessions, and studio projects where consistent results and sustainable sourcing matter.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Fabriano 1264 suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 140 lb (300 gsm) the paper handles multiple medium washes and glazing with minimal buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylics or pens on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It accepts acrylic, acrylic ink, pen and ink, pencil and coloured pencil for mixed-media work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55298394587473,"sku":"B092NRRPZP","price":86.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover_68985768-a76e-45a0-9e34-016c788f32d5.jpg?v=1791966555"},{"product_id":"fabriano-artistico-extra-white-watercolor-block-12-x-16-in-140-lb-300-gsm-cold-press-20-sheet-gluebound","title":"Fabriano Artistico Extra White Watercolour Block 12 x 16 in, 140 lb\/300 GSM Cold-Press, 20-Sheet Gluebound","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico Extra White Watercolour Block is a 12\" x 16\" cold-press, 140 lb\/300 GSM, 20-sheet pad glued on all four sides for flat, portable watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis gluebound block pairs Fabriano's traditional mould-made 100% cotton paper with both internal and external sizing to create a resilient, absorbent surface that handles multiple media. The extra white tone and lightly textured cold-pressed surface make it versatile for watercolours, gouache, inks, acrylic washes, charcoal and graphite. Because each sheet remains secured until you finish a painting, the block minimizes buckling and is convenient for plein air sessions, studio practice, or classes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the cold-press surface affect watercolour performance?\u003c\/h3\u003e\n\u003cp\u003eThe cold-press texture offers a subtle tooth that grabs pigment and water while still allowing smooth washes. It balances granulation and soft edges, making it suitable for layered glazing or loose wet-in-wet techniques. The internal sizing moderates absorption, so pigments remain vibrant rather than being quickly wicked away.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLight texture for pigment separation and detail\u003c\/li\u003e\n  \u003cli\u003eGood for both controlled strokes and soft blends\u003c\/li\u003e\n  \u003cli\u003eSized to maintain colour intensity and workable drying time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this block prevent warping during wet painting?\u003c\/h3\u003e\n\u003cp\u003eYes — the block is gluebound on all four sides so sheets stay flat as you work, reducing edge curl and overall buckling. You can paint directly on the secured surface without taping or stretching, and release pages cleanly once dry. This makes it a practical choice when you need consistent flatness without extra setup.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFour-side gluebind keeps sheets flat while wet\u003c\/li\u003e\n  \u003cli\u003eIdeal for on-location painting without a board\u003c\/li\u003e\n  \u003cli\u003eSheets detach cleanly after drying for framing or scanning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich mediums besides watercolour work well on this paper?\u003c\/h3\u003e\n\u003cp\u003eFabriano Artistico is designed for multi-medium use: while optimised for watercolour, it also supports gouache, tempera and ink, and takes charcoal or graphite for mixed-media studies. The durable cotton fibre resists surface abrasion and reworking, so lifting and layering are achievable without rapid breakdown. Avoid heavy body acrylics or impasto techniques that require a rigid support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible: gouache, ink, tempera, charcoal, graphite\u003c\/li\u003e\n  \u003cli\u003eNot intended for heavy impasto acrylic or heavy texture mediums\u003c\/li\u003e\n  \u003cli\u003eSuitable for washes, glazing, and reworking techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the paper's archival and material qualities?\u003c\/h3\u003e\n\u003cp\u003eThis Artistico block is mould-made from 100% cotton and is both chlorine- and acid-free, offering archival stability for long-lasting artwork. The dual sizing (internal and external) balances absorbency and surface strength, and the 140 lb\/300 GSM weight is substantial enough for multiple passes without early fibre breakdown. These attributes make the block a reliable option for works intended to be kept, scanned or sold.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton for durability and archival quality\u003c\/li\u003e\n  \u003cli\u003eChlorine- and acid-free for long-term colour preservation\u003c\/li\u003e\n  \u003cli\u003e140 lb \/ 300 GSM weight supports layering and lifting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who paint en plein air, students who need a portable, no-prep surface, and studio painters who want consistent cold-press texture with archival cotton fibre will find this block practical and dependable. It suits anyone seeking a versatile paper that accommodates wet and dry techniques while providing a bright extra-white ground for clean colour reproduction.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The block is mould-made from 100% cotton and is chlorine- and acid-free for archival stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use gouache or ink on it?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It handles gouache, ink, tempera, charcoal and graphite in addition to watercolour.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55298611708241,"sku":"B092X3DTYF","price":95.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-block-front.jpg?v=1791968054"},{"product_id":"fabriano-1264-watercolor-pad-bright-white-140-lb-300-gsm-cold-press-20-sheets-acid-free-fsc","title":"Fabriano 1264 Watercolour Pad Bright White 140 lb (300 gsm) Cold-Press, 20 Sheets — Acid-Free, FSC","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pad in Bright White is a 140 lb (300 gsm) cold-press watercolour pad with textured, liftable paper made for all wet and mixed-media techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad pairs archival-quality materials with a reliably textured surface, giving artists — from students to professionals — a bright white sheet that responds predictably to washes, lifting, and reworking. The 20-sheet pad is manufactured from 100% virgin wood pulp, acid-free and FSC certified, produced using hydro-power for reduced environmental impact. Its sturdy cold-press texture balances tooth and absorbency so pigments sit well without bleeding through or losing vibrancy.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the paper perform with watercolour washes and lifting?\u003c\/h3\u003e\n\u003cp\u003eThe Fabriano 1264 surface is designed to accept washes evenly and allows moderate lifting and scrub techniques without quickly pilling. Pigments remain vivid on the bright white ground, and the sizing controls absorbency to prevent excessive spreading while still allowing rewetting of the paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCold-press texture provides enough tooth for granulation and wet-on-wet effects.\u003c\/li\u003e\n  \u003cli\u003eSizing balances absorbency for consistent edge control and glazing.\u003c\/li\u003e\n  \u003cli\u003eBright white tone enhances colour contrast and clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use other media besides watercolour?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad is suitable for a wide range of wet and dry media. Artists commonly combine watercolour with gouache, acrylic ink, pen and ink, pencil, or coloured pencil to build layers and detail work without worrying about rapid fibre breakdown.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks with gouache and acrylic ink for opaque or intense colour layers.\u003c\/li\u003e\n  \u003cli\u003ePen and ink or pencil hold detail well on the cold-press texture.\u003c\/li\u003e\n  \u003cli\u003eDurable surface tolerates gentle lifting and reworking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the paper’s archival and sustainability credentials?\u003c\/h3\u003e\n\u003cp\u003eThe sheets are acid-free and made from 100% virgin wood pulp, which helps prevent yellowing and deterioration over time. Fabriano’s FSC certification and hydro-power production highlight environmentally aware sourcing and lower energy use during manufacturing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free paper for long-term colour stability.\u003c\/li\u003e\n  \u003cli\u003e100% virgin wood pulp conserves paper performance and strength.\u003c\/li\u003e\n  \u003cli\u003eFSC certified and produced using hydro-power for reduced environmental impact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sheet count and weight should I expect, and how does that affect use?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 20 sheets of 140 lb (300 gsm) stock — thick enough to resist buckling under moderate washes but still manageable for blocking, stretching, and framing. The sheet weight supports multiple wet layers and some scrubbing without immediate fibre breakdown.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20 sheets per pad — suitable for studies, classwork, or ongoing projects.\u003c\/li\u003e\n  \u003cli\u003e140 lb \/ 300 gsm offers a sturdy surface for multiple wet passes.\u003c\/li\u003e\n  \u003cli\u003ePad format keeps sheets secure until you’re ready to remove them for mounting or framing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Fabriano 1264 Watercolour Pad Bright White is aimed at students, hobbyists, and professional artists who want a reliable cold-press paper that supports a variety of wet and mixed-media techniques. It’s ideal for classrooms, sketch studies, plein-air sessions where durability matters, and studio work that requires liftable sizing and a bright white base. If you need archival-quality sheets with consistent texture and environmentally conscious manufacturing, this pad is a practical, versatile choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy washes and reworking?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140 lb (300 gsm) cold-press stock handles moderate heavy washes and gentle reworking without immediate pilling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Fabriano 1264 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 20 sheets of 140 lb (300 gsm) bright white watercolour paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55298789704017,"sku":"B092P45DTM","price":90.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-front-cover-bright-white.jpg?v=1791969413"},{"product_id":"fabriano-watercolor-pad-18-x-24-glue-bound-3-pack-140-lb-300-gsm-cold-press-bright-white","title":"Fabriano Watercolour Pad 18 x 24 Glue-Bound 3-Pack — 140 lb (300 gsm) Cold-Press, Bright White","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Watercolour Pads are glue-bound 18\" x 24\" sketchbooks filled with 140 lb (300 gsm) cold-press, acid-free paper built for wet and dry techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis three-pack supplies large-format sheets in bright white, made in Italy on Hydro-Power and FSC-certified stock. The textured, cold-pressed surface accepts washes, lifting, and scrubbing while still handling pencil, ink, and gouache. Each pad has a fold-over cover and 30 sheets, giving artists a durable, archival surface to experiment on without worrying about warping or premature discoloration.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this paper suitable for watercolour and heavy wet techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 140 lb \/ 300 gsm weight and textured cold-press finish balance absorbency and tooth. It tolerates multiple wet layers and controlled scrubbing while keeping pigments vibrant thanks to its bright white tone. The acid-free composition preserves colour integrity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e140 lb (300 gsm) thickness reduces buckling under washes\u003c\/li\u003e\n  \u003cli\u003eCold-press texture holds pigment and water for layering\u003c\/li\u003e\n  \u003cli\u003eBright white fibre enhances colour clarity and contrast\u003c\/li\u003e\n  \u003cli\u003eAcid-free for long-lasting results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glue-bound format affect use and storage?\u003c\/h3\u003e\n\u003cp\u003eThe glue-bound spine with a fold-over cover keeps sheets secure and protected during transport while allowing flat working when opened carefully. Pads can be removed cleanly if you prefer to stretch or frame individual sheets. The compact binding also stacks easily in a studio or bag.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlue binding secures 30 sheets per pad\u003c\/li\u003e\n  \u003cli\u003eFold-over cover shields the top sheet and supports a portable studio\u003c\/li\u003e\n  \u003cli\u003eSheets can be detached for stretching or framing\u003c\/li\u003e\n  \u003cli\u003ePads stack neatly for storage or workshop use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media and techniques work best on this surface?\u003c\/h3\u003e\n\u003cp\u003eThe paper is formulated to accept a wide variety of wet and dry media, making it versatile for mixed-media applications. It stands up to water-based paints like watercolour and acrylic ink as well as heavier-bodied acrylic and gouache when applied with moderation. Dry media such as pencil, coloured pencil, and pen also perform well on the textured finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWatercolour and gouache respond well to washes and glazing\u003c\/li\u003e\n  \u003cli\u003eAcrylic inks and thinned acrylic allow expressive mark-making\u003c\/li\u003e\n  \u003cli\u003ePen, ink, pencil and coloured pencil layer cleanly on the tooth\u003c\/li\u003e\n  \u003cli\u003eSurface endures lifting and controlled scrubbing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad environmentally responsible?\u003c\/h3\u003e\n\u003cp\u003eYes — Fabriano produces these pads in Italy using Hydro-Power and holds FSC certification, reflecting sustainable paper sourcing and lower energy production. Choosing certified stock helps reduce environmental impact compared with non-certified alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade in Italy with Hydro-Power energy\u003c\/li\u003e\n  \u003cli\u003eFSC-certified paper sourcing\u003c\/li\u003e\n  \u003cli\u003eAcid-free to avoid harmful degradation over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who need large-format, archival watercolour paper that handles wet techniques and mixed media will appreciate this three-pack. It's suited for studio painters, plein air artists who work at a larger scale, illustrators experimenting with washes and inks, and teachers supplying class projects. The 30-sheet pads offer enough pages for practice and finished work while the durable, bright white cold-press surface supports both experimental and display-quality pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are included per pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each glue-bound pad contains 30 sheets of 140 lb (300 gsm) cold-press paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylic paint on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The textured surface takes acrylic and acrylic ink, though heavy body acrylics may require moderation or priming.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55298881061201,"sku":"B0GCBTYJ13","price":213.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover-18x24_e4c3f9ae-e8b9-4271-a61b-3b02ac367020.jpg?v=1791970321"},{"product_id":"fabriano-artistico-cold-press-watercolor-block-9x12-extra-white-140-lb-20-sheet-100-cotton-warp-resistant","title":"Fabriano Artistico Cold Press Watercolour Block 9x12\" Extra White 140 lb, 20-Sheet - 100% Cotton, Warp-Resistant","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico 140 lb. Cold Press 9x12\" Extra White is a 20-sheet, 100% cotton watercolour block designed for rich pigment lift, reliable texture, and warp-resistant painting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt for watercolourists, illustrators, and mixed-media artists, this Fabriano Artistico block offers extra-white, mould-made sheets glued on all four edges so you can paint with plenty of water without stretching or buckling. The cold-press surface provides a versatile medium-grain texture that holds washes and fine detail equally well. Acid-free and pH neutral, these archival-quality sheets preserve colour integrity and longevity for original artwork and prints.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the cold-press surface affect watercolour techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 140 lb (300 gsm) cold-press finish has a moderate tooth that balances wet pigment control and delicate detail. It accepts both wet-on-wet washes and drybrush texturing without the pigment seeping uncontrollably. Artists can achieve granulation, glazing, and layered washes while maintaining crisp edges where needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium grain texture for controlled wash edges and natural granulation\u003c\/li\u003e\n  \u003cli\u003eHolds multiple glaze layers without pilling\u003c\/li\u003e\n  \u003cli\u003eSuitable for both wet-heavy and detailed dry techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill a 20-sheet glued block prevent paper warping during painting?\u003c\/h3\u003e\n\u003cp\u003eThe sheets are glued on all four sides to form a block so the paper stays flat as you work and dries with minimal distortion. When you finish a piece, you can carefully release the sheet from the block with a palette knife or by scoring the glue line to preserve clean edges. This construction is ideal when you prefer to paint directly on the block rather than stretching individual sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFour-edge glue keeps sheets taut through heavy washes\u003c\/li\u003e\n  \u003cli\u003eEasy sheet release for clean edges after drying\u003c\/li\u003e\n  \u003cli\u003ePrevents buckling that can disrupt detailed work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat archival and material qualities does this Fabriano block offer?\u003c\/h3\u003e\n\u003cp\u003eFabriano Artistico blocks are mould-made from 100% cotton fibres, delivering superior absorbency and durability compared with wood-pulp papers. Being acid-free and pH neutral means artworks resist yellowing and degradation over time. The extra-white surface enhances colour contrast and clarity for both bright pigments and subtle washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton for long-term durability and even pigment behavior\u003c\/li\u003e\n  \u003cli\u003eAcid-free, pH neutral for archival safety\u003c\/li\u003e\n  \u003cli\u003eExtra-white tone improves colour brightness and reproduction fidelity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the 9x12\" size and 20-sheet count fit typical studio workflows?\u003c\/h3\u003e\n\u003cp\u003eThe 9 by 12 inch format is a popular, portable size for studies, on-location painting, and finished pieces that are easy to frame. With 20 sheets per block, you have enough repetitions for practice, experimentation, or a small series without committing to a full ream. The block is compact enough for travel and fits most standard frames or mattes with minimal trimming.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e9x12\" is convenient for plein air, studies, and small originals\u003c\/li\u003e\n  \u003cli\u003e20 sheets provide room for practice and finished work\u003c\/li\u003e\n  \u003cli\u003eCompact size fits common frames and portfolios\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Fabriano Artistico 140 lb Cold Press 9x12\" Extra White block is aimed at students, hobbyists, and professional artists who want archival, 100% cotton paper with a dependable medium-grain surface. Choose this block if you need a warp-resistant painting surface for wet techniques, want extra-white paper to boost colour vibrancy, and prefer the convenience of a glued block when working on location or during intensive studio sessions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 140 lb (300 gsm) cotton cold-press sheet tolerates generous water and multiple glaze layers without pilling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove sheets cleanly from the block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Sheets are glued on all four edges and can be released cleanly with a palette knife or by scoring the glue line.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55300589093201,"sku":"B004XC7AHW","price":60.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-block-front-cover_f60fb37b-f96e-4860-a190-2d0bc9f51ad4.jpg?v=1791974505"},{"product_id":"fabriano-mixed-media-pad-spiral-bound-7-x-10-3-pack-110-lb-160-gsm-medium-texture-micro-perforated","title":"Fabriano Mixed Media Pad Spiral-Bound 7 x 10, 3-Pack — 110 lb (160 gsm) Medium Texture, Micro-Perforated","description":"\u003cp\u003e\u003cstrong\u003eFabriano 1264 Mixed Media Pad is a spiral-bound, medium-textured, acid-free art pad made in Italy for dry and light-wash wet techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 3-pack of 7\" x 10\" pads offers artists a reliable, sustainably produced surface that balances tooth and sizing so pencils, inks, markers and light washes behave predictably. Each sheet is 110 lb. (160 gsm) weight, micro-perforated for clean removal, and backed by Fabriano’s long-standing papermaking expertise using Hydro-Power and FSC-certified fibre. The compact size and spiral binding make these pads practical for studio work, sketching on location, and mixed-media experiments.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kinds of media work well on this paper?\u003c\/h3\u003e\n\u003cp\u003eThe special sizing and medium texture are tuned to accept a wide array of dry media plus controlled wet applications. You can confidently layer pencil, coloured pencil, charcoal, pastel, pen and ink, markers and acrylic; light watercolour or gouache washes are also supported without immediate buckling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry media: graphite, charcoal, pastel, coloured pencil hold texture and blend nicely\u003c\/li\u003e\n  \u003cli\u003ePen and ink: crisp lines with minimal feathering\u003c\/li\u003e\n  \u003cli\u003eMarkers and acrylic: strong colour laydown with good absorption\u003c\/li\u003e\n  \u003cli\u003eLight washes: suitable for controlled watercolour and gouache washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and easy to use is the pad during creative work?\u003c\/h3\u003e\n\u003cp\u003eThe 110 lb. weight offers a sturdy feel while remaining portable; the spiral binding lets you fold the pad back or work across the full sheet. Micro-perforated pages tear out cleanly for framing or sharing, and the medium surface resists over-saturation during moderate wet techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpiral-bound edges fold back for single-handed sketching or flat studio use\u003c\/li\u003e\n  \u003cli\u003eMicro-perforation ensures neat page removal without ragged edges\u003c\/li\u003e\n  \u003cli\u003e110 lb. (160 gsm) thickness resists minor buckling from light washes\u003c\/li\u003e\n  \u003cli\u003eMedium texture provides tooth for layering and erasing without damage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper sustainably made and archival-safe?\u003c\/h3\u003e\n\u003cp\u003eFabriano produces these pads in Italy with Hydro-Power manufacturing and FSC-certified fibres, reflecting reduced environmental impact and responsible sourcing. The paper is acid-free, helping artwork remain stable over time when stored properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade using Hydro-Power to lower energy footprint\u003c\/li\u003e\n  \u003cli\u003eFSC certification indicates responsibly sourced wood fibre\u003c\/li\u003e\n  \u003cli\u003eAcid-free formulation supports long-term colour and paper stability\u003c\/li\u003e\n  \u003cli\u003eProduced by Fabriano’s traditional papermaking quality controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the 110 lb. pads handle heavier wet techniques?\u003c\/h3\u003e\n\u003cp\u003eThe 110 lb. sheets are designed for mixed-media versatility but are best for dry media and light wet washes. If your work routinely uses heavier watercolour or thick acrylic applications, consider the 120 lb. (200 gsm) option for additional stiffness and wet hold.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e110 lb. ideal for pencils, inks, markers, and light washes\u003c\/li\u003e\n  \u003cli\u003e120 lb. variant recommended for more sustained wet work\u003c\/li\u003e\n  \u003cli\u003eChoose heavier weight if you plan to scrub or rework areas with water\u003c\/li\u003e\n  \u003cli\u003eBoth weights maintain the same texture and sizing characteristics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Fabriano 1264 Mixed Media Pads suit students, illustrators, urban sketchers and mixed-media artists who want a small, portable pad that performs consistently across many techniques. The 3-pack gives an economical supply for classes, sketching sessions, or multi-step projects, while the spiral binding and micro-perforations make finished sheets easy to present or store.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eEach pad contains 60 sheets, offering plenty of practice and finished work\u003c\/li\u003e\n  \u003cli\u003eAvailable in 110 lb. (160 gsm) with 120 lb. (200 gsm) for wetter applications\u003c\/li\u003e\n  \u003cli\u003eAcid-free, medium textured paper with special sizing for mixed media\u003c\/li\u003e\n  \u003cli\u003eMade in Italy, FSC Certified and produced using Hydro-Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in each Fabriano 1264 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each pad contains 60 micro-perforated sheets, offering ample sheets for practice and finished pieces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use watercolour on the 110 lb. paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes for light washes and controlled watercolour; choose the 120 lb. (200 gsm) if you use heavier wet techniques.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55300731175249,"sku":"B0GC9LJLM4","price":81.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-1264-front-cover-7x10.jpg?v=1791974796"},{"product_id":"fabriano-artistico-extra-white-watercolor-block-12x18-140-lb-300gsm-hot-press-20-sheets-100-cotton-gluebound","title":"Fabriano Artistico Extra White Watercolour Block 12x18, 140 lb\/300gsm Hot-Press, 20 Sheets — 100% Cotton, Gluebound","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico Extra White Watercolour Block is a four-sided gluebound pad of 100% cotton, hot-pressed watercolour paper (140 lb \/ 300 gsm) in extra-white, ready for water-based and mixed-media painting without stretching.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 12\" x 18\" block contains 20 sheets of mould-made, acid- and chlorine-free paper that’s internally and externally sized for controlled absorbency and good lifting. The hot-press surface is particularly smooth, making it ideal for detailed watercolour work, pen-and-ink, tempera, gouache, acrylic washes and graphite or charcoal studies. Because the block is glued on all four edges, individual sheets remain flat during painting and are easy to remove once dry, which simplifies working on location or when you don’t want to tape and stretch sheets.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-press surface affect detail and wash handling?\u003c\/h3\u003e\n\u003cp\u003eThe hot-press finish produces a very smooth surface that holds fine line work and delicate washes evenly. Pigments sit on the surface a bit longer than on cold-press, which helps with sharp edges and glazing techniques. It’s also easier to achieve clean, crisp details with pens and fine brushes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHot-press smoothness for fine detail and pen work\u003c\/li\u003e\n  \u003cli\u003eControlled pigment flow for precise edges and glazing\u003c\/li\u003e\n  \u003cli\u003eGreat for mixed-media that needs a flat, fine surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paper stand up to repeated reworking or lifting?\u003c\/h3\u003e\n\u003cp\u003eYes — because Fabriano Artistico is both internally and externally sized, it resists overworking and allows you to lift colour or correct areas more easily than unsized papers. The 100% cotton fibre makes the sheet durable, so you can scrub slightly or use lifting techniques without damaging the surface prematurely.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eInternally and externally sized for controlled absorption\u003c\/li\u003e\n  \u003cli\u003e100% cotton for strength during rework and lifting\u003c\/li\u003e\n  \u003cli\u003e140 lb \/ 300 gsm thickness reduces cockling and supports layering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose a gluebound block instead of loose sheets?\u003c\/h3\u003e\n\u003cp\u003eA gluebound block keeps the paper flat while you paint, eliminating the need to stretch, tape or clamp sheets. This format is excellent for plein air painting, travel, and quick setups in the studio. When your painting is finished and dry, you lift the sheet from the glued edge to reveal a clean border if desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFour-side glue prevents warping during wet work\u003c\/li\u003e\n  \u003cli\u003ePortable and tidy for outdoor or travel use\u003c\/li\u003e\n  \u003cli\u003eEasy sheet removal with a neat deckled or border edge\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat media work well on this paper besides watercolour?\u003c\/h3\u003e\n\u003cp\u003eAlthough optimised for watercolour, the hot-press Fabriano Artistico accepts a range of media. It's suitable for ink, gouache, tempera, light acrylic washes, charcoal and graphite, making it a versatile choice for mixed-media artists and illustrators who need a smooth, absorbent surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePen \u0026amp; ink and technical drawing with sharp lines\u003c\/li\u003e\n  \u003cli\u003eGouache and tempera for opaque layering\u003c\/li\u003e\n  \u003cli\u003eLight acrylic glazes, charcoal and pencil for mixed techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who need archival, professional-quality paper that stays flat while working — including watercolourists who favor fine detail, illustrators working with ink, mixed-media painters layering washes and anyone who paints outdoors or on the go. The 12\" x 18\" size and 20-sheet count make it convenient for larger studies, finished pieces and series work without committing to a full sheet or stretcher.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey specifications:\u003c\/strong\u003e Fabriano Artistico Extra White, 100% cotton, hot-press, 140 lb \/ 300 gsm, 20 sheets, 12\" x 18\", mould-made, acid- and chlorine-free, internally and externally sized, four-side gluebound block.\u003c\/p\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use acrylics on Fabriano Artistico hot-press?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light acrylic washes and glazes work well, but heavy impasto acrylics may require a rigid support to prevent buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I remove a finished sheet from the block?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Gently lift from one glued edge using a palette knife or fingertip once fully dry to reveal a clean border.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55301945786705,"sku":"B094XSK48Q","price":88.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-front-block.jpg?v=1791981001"},{"product_id":"fabriano-artistico-extra-white-watercolor-block-14-x-20-in-hot-press-300-gsm-15-sheets","title":"Fabriano Artistico Extra White Watercolour Block, 14 x 20 in, Hot-Press 300 GSM, 15 Sheets","description":"\u003cp\u003e\u003cstrong\u003eFabriano Artistico Extra White Watercolour Block is a 14\" x 20\" hot-press, 300 GSM, 100% cotton, four-side glued pad of 15 ultra-smooth sheets built for precision watercolour, gouache, ink, and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis gluebound block uses Fabriano's traditional mould-made cotton paper, sized internally and externally to balance absorbency with surface strength. The hot-pressed finish yields an exceptionally smooth, bright extra-white surface that keeps fine detail sharp and colours vibrant. Because the block is glued on all four edges you can paint flat without stretching or taping, then remove the finished sheet cleanly when dry — ideal for studio work, plein air sessions, or when you need a stable portable surface.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the hot-pressed surface affect watercolour and detail work?\u003c\/h3\u003e\n\u003cp\u003eThe hot-pressed (HP) finish produces a very smooth, fine-grain surface that holds line work and delicate washes with clarity. Paint flows evenly across the sheet and granular textures are minimized, making it easier to achieve crisp edges and controlled glazing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtra-smooth surface ideal for fine-line ink and pen details\u003c\/li\u003e\n  \u003cli\u003eEven colour spread for thin glazes and controlled washes\u003c\/li\u003e\n  \u003cli\u003eLess natural granulation for clearer, detailed renderings\u003c\/li\u003e\n  \u003cli\u003eBright extra-white tone enhances colour contrast and highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use media other than watercolour on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper's 100% cotton composition and dual sizing (internal and external) accommodate a wide range of wet and dry media. The sheet resists buckling and retains tooth for drawing, yet it remains absorbent enough for gouache and acrylic washes without excessive bleed-through.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTempera and gouache layer smoothly on the sized surface\u003c\/li\u003e\n  \u003cli\u003eInk and graphite sit cleanly without sinking into fibres\u003c\/li\u003e\n  \u003cli\u003eLight acrylic washes perform well; heavier impasto may need support\u003c\/li\u003e\n  \u003cli\u003eCharcoal and pastel take advantage of the paper's tooth once primed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this block convenient for painting outdoors or on the go?\u003c\/h3\u003e\n\u003cp\u003eThe four-side gluebound block keeps sheets flat during painting, removing the need for stretching or heavy taping. You can paint directly on the top sheet and then lift the dry work by loosening the adhesive, which saves time and simplifies transport of finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGluebound edges keep paper taut while you work\u003c\/li\u003e\n  \u003cli\u003eSingle-sheet removal is clean when artwork is dry\u003c\/li\u003e\n  \u003cli\u003eCompact, portable format perfect for plein air sessions\u003c\/li\u003e\n  \u003cli\u003e15 sheets give multiple practice or finished pieces before reloading\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is Fabriano Artistico Extra White paper?\u003c\/h3\u003e\n\u003cp\u003eMade from 100% cotton and produced via a traditional mould-making method, this paper is both acid- and chlorine-free for long-term stability. The combined internal and external sizing strengthens the surface against repeated washes while preserving fibre integrity and colorfastness over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cotton fibres for longevity and resilience\u003c\/li\u003e\n  \u003cli\u003eChlorine-free and acid-free for archival performance\u003c\/li\u003e\n  \u003cli\u003eMould-made manufacture for consistent texture and absorbency\u003c\/li\u003e\n  \u003cli\u003eSized internally and externally to balance absorbency and durability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who prioritize fine detail, archival quality, and a portable workflow will appreciate this Fabriano Artistico Extra White 14\" x 20\" hot-press block. It's well suited for watercolourists who work with precise lines and glazing, illustrators combining ink and wash, and mixed-media creators wanting a smooth, resilient cotton surface. If you need bright, extra-white sheets that handle multiple wet passes without heavy buckling — whether in the studio or outdoors — this block offers a professional-grade, ready-to-use solution.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper archival and acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Fabriano Artistico block is made from 100% cotton and is both chlorine- and acid-free for archival stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove painted sheets from the block cleanly?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The block is gluebound on all four sides so single sheets can be removed cleanly when fully dry.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Fabriano","offers":[{"title":"Default Title","offer_id":55302895403345,"sku":"B09CJF6BHW","price":112.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/fabriano-artistico-block-front_27a17f61-633b-4806-bbaa-fa734c876c02.jpg?v=1791984222"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/fabriano-artistico-block-front_27a17f61-633b-4806-bbaa-fa734c876c02.jpg?v=1792143787","url":"https:\/\/craftiche.co.uk\/collections\/fabriano.oembed?page=3","provider":"Craftiche","version":"1.0","type":"link"}