{"title":"Daniel Smith","description":"\u003cp\u003eCraftiche stocks 301 Daniel Smith products. Prices run from £27 to £166.28, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Daniel Smith. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"daniel-smith-extra-fine-watercolor-half-pan-cadmium-yellow-medium-hue-hand-poured-travel-ready-pigment","title":"DANIEL SMITH Extra Fine Watercolour Half Pan — Cadmium Yellow Medium Hue, hand-poured travel-ready pigment","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Half Pan in Cadmium Yellow Medium Hue is a professional, hand-poured half-pan delivering a bright, stable yellow for mixing, glazing, and detailed watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDaniel Smith is known for a wide selection of artisan watercolours, and these hand-filled half pans let you customize a travel-ready or studio palette. Each half pan is made in small batches to achieve consistent pigment load and a smooth, workable surface that re-wets easily. The Cadmium Yellow Medium Hue offers the visual warmth of a traditional cadmium yellow with a formulation designed for lightfast handling and dependable mixing.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this half pan perform when re-wetting and lifting?\u003c\/h3\u003e\n\n\u003cp\u003eThe half pan is formulated to re-wet evenly and release predictable washes for both large areas and delicate details. Colours lift cleanly when worked with a damp brush, allowing controlled corrections, gradients, and soft edges without dragging pigment.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSmooth, even re-wetting for consistent washes\u003c\/li\u003e\n  \u003cli\u003eCrisp lifting for corrections and subtle highlights\u003c\/li\u003e\n  \u003cli\u003eGood granulation control when mixed with other pigments\u003c\/li\u003e\n  \u003cli\u003eReliable flow for glazing and layering techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the mixing and glazing characteristics of Cadmium Yellow Medium Hue?\u003c\/h3\u003e\n\n\u003cp\u003eThis yellow mixes readily with blues, greens, and reds to produce clean secondary colours and muted neutrals, making it a versatile primary in any palette. It creates transparent glazes when diluted and maintains colour strength in more concentrated mixtures, so you can preserve vibrancy or soften the tone as needed.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStrong tinting strength for vivid mixes\u003c\/li\u003e\n  \u003cli\u003eWorks well for warm greens with cooler blues\u003c\/li\u003e\n  \u003cli\u003eCreates subtle, transparent glazes for layered colour effects\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity when combined with earth pigments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this half pan suitable for travel, plein air, or professional studio use?\u003c\/h3\u003e\n\n\u003cp\u003eThe compact half-pan format is ideal for portable palettes yet sits securely in modular half-pan boxes for studio convenience. Hand-poured pans harden to a resilient surface that survives transportation and re-wets for use straight from the palette, so it fits the needs of field sketching and detailed studio compositions alike.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCompact size fits standard half-pan boxes and travel palettes\u003c\/li\u003e\n  \u003cli\u003eDurable, hand-poured surface resists crumbling during transport\u003c\/li\u003e\n  \u003cli\u003eEasy to re-wet on location or in the studio\u003c\/li\u003e\n  \u003cli\u003ePerfect for building a personalised 45-colour half-pan set\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I incorporate this into a custom half-pan set?\u003c\/h3\u003e\n\n\u003cp\u003eAdd this single Cadmium Yellow Medium Hue half pan to a modular half-pan tray to create a personalised 45-colour assortment. The half-pan format allows you to arrange hues by temperature, transparency, or favourite mixes, making it simple to design a workflow that matches your techniques.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAdd to any standard half-pan set as a single hand-poured insert\u003c\/li\u003e\n  \u003cli\u003eMix with other Daniel Smith colours for tailored palettes\u003c\/li\u003e\n  \u003cli\u003eOrganize pans by colour family or mixing intent for quick access\u003c\/li\u003e\n  \u003cli\u003eFill remaining slots with complementary warm and cool tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists seeking a premium, customisable paint palette will appreciate this hand-poured half pan. It suits watercolourists who value consistency, portability, and the option to create a tailored 45-colour half-pan collection — from travelling sketchbook painters to detailed studio illustrators who need dependable mixing and glazing performance.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I re-wet this half pan after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the hand-poured half pan re-wets evenly for consistent washes and controlled lifting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this hue mix well with blues to make greens?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — Cadmium Yellow Medium Hue mixes cleanly with blues to produce bright to muted greens depending on ratios.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55249153065297,"sku":"B084PB2B1D","price":30.01,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-cadmium-yellow-medium-hue-front-pan.jpg?v=1791633346"},{"product_id":"daniel-smith-watercolor-paint-cobalt-turquoise-5ml-mid-tone-teal-smooth-glazes","title":"DANIEL SMITH Watercolour Paint Cobalt Turquoise 5ml — Mid-Tone Teal, Smooth Glazes","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Watercolour 5ml Cobalt Turquoise is a dependable, non-staining teal with subtle granulation that performs equally well as a bold single-stroke colour or a smooth, blendable glaze.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 0.2 fl oz (5 ml) watercolour from Daniel Smith brings a predictable, mid‑tone turquoise that reads clean and bright on paper. It’s formulated to sit confidently as a standalone hue yet soften and layer with exceptional ease, making it a favourite for illustrators, plein-air painters, and anyone who wants both control and surprise from washes and glazes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Cobalt Turquoise behave in washes and glazes?\u003c\/h3\u003e\n\u003cp\u003eCobalt Turquoise lays down a smooth, even wash that keeps its vitality as it dries. In glazes it blends readily, allowing underlying layers to show through and creating subtle tonal shifts without clouding.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces clear, luminous washes with even settling.\u003c\/li\u003e\n  \u003cli\u003eMixes smoothly into glazes for translucent layering.\u003c\/li\u003e\n  \u003cli\u003eSustains colour intensity across multiple transparent layers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat texture and granulation effects can I expect?\u003c\/h3\u003e\n\u003cp\u003eThe pigment has a slight granulation that introduces delicate texture without overpowering detail. That gentle granulation is useful for adding organic surface interest or tone‑on‑tone effects without complicating fine linework.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSubtle grain adds natural variation in large areas.\u003c\/li\u003e\n  \u003cli\u003eSupports multi‑layer depth for landscape and botanical work.\u003c\/li\u003e\n  \u003cli\u003eRetains brushstroke definition when desired.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it mix with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eCobalt Turquoise mixes harmoniously with both cool and warm pigments, offering a versatile mid‑range teal that can shift toward green or blue depending on your companion colours. It responds well to glazing mediums and water control, making it ideal for progressive colour builds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMarries well with warm earths for muted teal tones.\u003c\/li\u003e\n  \u003cli\u003eBrightens with ultramarine or phthalo blues for vivid highlights.\u003c\/li\u003e\n  \u003cli\u003eWorks smoothly with glazing techniques and traditional watercolour brushes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical details should I know about this 5ml tube?\u003c\/h3\u003e\n\u003cp\u003eThe compact 5 ml size is designed for portability and trial use, giving artists a convenient way to test or travel with a trusted shade. The label lists the manufacturer model number and country of origin for reference.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVolume: 0.2 fl oz (5 ml) — travel friendly and economical for testing.\u003c\/li\u003e\n  \u003cli\u003eManufacturer model number: 284610029 for product tracking.\u003c\/li\u003e\n  \u003cli\u003eMade in USA with professional-grade pigment load.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Daniel Smith Cobalt Turquoise 5ml suits painters who want a reliable teal that’s as comfortable for crisp single-colour passages as it is for layered glazing. If you value consistent, non‑staining behavior with a touch of granulation for texture, and prefer a small, portable tube to experiment with mixes or to carry in a sketch kit, this pigment is a strong choice.\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eManufacturer Model Number: 284610029\u003c\/li\u003e\n  \u003cli\u003eCountry of Origin: USA\u003c\/li\u003e\n  \u003cli\u003eColour: Cobalt Turquoise\u003c\/li\u003e\n  \u003cli\u003eVolume: 0.2 fl oz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Daniel Smith Cobalt Turquoise lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it uses stable pigments designed for archival performance; check the tube or brand charts for specific lightfast ratings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 5ml tube suitable for travel sketching?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely — the 5ml size is compact and ideal for field sketching and testing new colour mixes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55249430348113,"sku":"B09595N77J","price":29.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-front-packaging.jpg?v=1791635551"},{"product_id":"daniel-smith-extra-fine-watercolor-stick-indanthrone-blue-12ml-highly-pigmented-rewettable-washes","title":"DANIEL SMITH Extra Fine Watercolour Stick — Indanthrone Blue 12ml, Highly Pigmented Rewettable Washes","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Stick in Indanthrone Blue is a portable, pigmented watercolour stick that produces rich, rewettable washes and vivid dry textures for sketching and finished work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 12ml stick delivers the same highly concentrated pigment performance that artists expect from Daniel Smith’s Extra Fine Watercolours, packaged as a convenient stick for direct application or rewetting with a brush. Indanthrone Blue is a deep, cool blue known for strong tinting strength and transparent clarity. The stick format is ideal for outdoor studies, mixed-media pieces, and quick value-mapping before committing to larger washes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this watercolour stick behave when wet versus dry?\u003c\/h3\u003e\n\u003cp\u003eApplied dry, the stick lays down a bold, velvety mark that can be left for textured effects or softened with blending. When rewet with a brush or sponge the pigment releases easily into a smooth, strongly pigmented wash that maintains transparency and intensity without grit.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry: directly sketch or rub for textured strokes and bold lines.\u003c\/li\u003e\n  \u003cli\u003eRewet: dissolves into even, richly coloured washes with water.\u003c\/li\u003e\n  \u003cli\u003eConsistency: creamy, highly responsive pigment — no gritty granulation.\u003c\/li\u003e\n  \u003cli\u003eTransparency: preserves luminous layering and glazing techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Indanthrone Blue a useful colour in a palette?\u003c\/h3\u003e\n\u003cp\u003eIndanthrone Blue is a deep, cool blue with strong tinting power that mixes predictably and holds chromatic depth in layers. It works well for darkening without muddying, deep skies, evening water, and for creating cool, saturated shadow passages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTinting strength: high — a little goes a long way in mixes.\u003c\/li\u003e\n  \u003cli\u003eMixing: combines cleanly with warm and neutral colours for rich secondary tones.\u003c\/li\u003e\n  \u003cli\u003eOptics: transparent nature maintains underlying layers and luminosity.\u003c\/li\u003e\n  \u003cli\u003eUse cases: landscapes, seascapes, portraits with cool shadows, and abstract work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this stick durable and lightfast for long-term work?\u003c\/h3\u003e\n\u003cp\u003eThe pigment has an ASTM lightfastness rating of Excellent and is made in the USA, so it’s suitable for artworks intended to last. The medium is classified as medium staining and non-granulating, offering stable, predictable results across applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: ASTM Excellent — good archival stability.\u003c\/li\u003e\n  \u003cli\u003eStaining: medium — allows some reworking while retaining permanence.\u003c\/li\u003e\n  \u003cli\u003eGranulation: non-granulating for smooth washes and mixes.\u003c\/li\u003e\n  \u003cli\u003eOrigin: manufactured in the USA to consistent quality standards.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow practical is the stick format for travel and studio use?\u003c\/h3\u003e\n\u003cp\u003eThe 12ml stick is compact and mess-reducing compared with tubes or pans, making it convenient for plein air sessions, sketchbooks, and urban sketching kits. It fits easily into a pencil roll, zipper pouch, or sketchbox and lets you draw directly onto paper for immediate marks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortability: slim, solid form for quick access on location.\u003c\/li\u003e\n  \u003cli\u003eApplication: use directly or create washes by lifting pigment with water.\u003c\/li\u003e\n  \u003cli\u003eStorage: reseal or cap in a small container to protect edges between sessions.\u003c\/li\u003e\n  \u003cli\u003eVersatility: comfortable for both detail work and large-area rubbing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a professional-grade, deeply pigmented blue in a portable format—ideal for illustrators, plein air painters, mixed-media artists, and students seeking reliable, highly reactive watercolour that performs both as a sketched mark-maker and a rewettable wash. This stick complements a studio palette as much as a travel kit for creatives who value intense colour, archival properties, and straightforward handling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct details:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrand: DANIEL SMITH\u003c\/li\u003e\n  \u003cli\u003eColour: Indanthrone Blue\u003c\/li\u003e\n  \u003cli\u003eVolume: 12ml stick\u003c\/li\u003e\n  \u003cli\u003eAttributes: Made in the USA, ASTM lightfastness: Excellent, medium staining, non-granulating, transparent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can the stick be reactivated with water?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the stick rehydrates readily; use a wet brush or sponge to lift pigment into smooth, intense washes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Indanthrone Blue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this pigment carries an ASTM lightfastness rating of Excellent for archival stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55250185716049,"sku":"B003ZHUCO4","price":29.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-indanthrone-blue-front-stick.jpg?v=1791638008"},{"product_id":"daniel-smith-extra-fine-watercolor-stick-organic-vermilion-12ml-concentrated-lightfast-artist-pigment","title":"DANIEL SMITH Extra Fine Watercolour Stick Organic Vermilion 12ml — Concentrated, Lightfast Artist Pigment","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour 12ml stick in Organic Vermilion is a concentrated, lightfast artist-grade watercolour in a convenient stick form for drawing, glazing and reactivating with water.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDANIEL SMITH watercolours are formulated for professional performance: high pigment load, careful grind, and pure gum arabic binder. The stick format gives the same pigment quality as the tubes and pans but in a portable, dry shape that reactivates with a wet brush or when drawn onto damp paper. Organic Vermilion offers a vivid warm red that mixes cleanly, lifts well when needed, and behaves predictably in washes and granulating mixes.\u003c\/p\u003e\n\n\u003ch3\u003eHow will an Organic Vermilion stick perform compared with tube or pan paints?\u003c\/h3\u003e\n\u003cp\u003eThe 12ml stick contains the identical pigments used in DANIEL SMITH’s tube and pan paints, simply dried and formed into a solid. When activated with water it releases colour like a full pan; a single stick can cover many washes because of its concentrated pigment load. Expect consistent tinting strength and excellent permanence that matches the brand’s standards.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSame pigments and pure gum arabic binder as tubes and pans\u003c\/li\u003e\n  \u003cli\u003eHighly concentrated — economical usage versus tubes\u003c\/li\u003e\n  \u003cli\u003eReacts quickly with a wet brush or damp paper\u003c\/li\u003e\n  \u003cli\u003eDesigned to match DANIEL SMITH lightfastness and permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best with this stick?\u003c\/h3\u003e\n\u003cp\u003eWatercolour sticks are versatile: use them dry for sketching and drawing, dissolve them into a palette for washes, or draw directly onto wet paper for textured strokes. Organic Vermilion’s warm red tone is effective for florals, skin undertones, sunsets, and mixing bold secondary colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry drawing for textured lines and mark-making\u003c\/li\u003e\n  \u003cli\u003eWet-on-wet washes after dissolving on a palette\u003c\/li\u003e\n  \u003cli\u003eLayering glazes to build depth and luminosity\u003c\/li\u003e\n  \u003cli\u003eMerging with other DANIEL SMITH colours for controlled mixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and reconstitute the 12ml stick for best results?\u003c\/h3\u003e\n\u003cp\u003eKeep the stick dry and capped when not in use to preserve performance; store in a cool, dry area away from direct sunlight. To reconstitute, apply a damp brush directly to the stick or rub the stick into a mixing tray and add water; both methods yield immediate, controllable paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCap or wrap after each session to prevent dust and drying\u003c\/li\u003e\n  \u003cli\u003eUse a moistened synthetic or sable brush for smooth reactivation\u003c\/li\u003e\n  \u003cli\u003eRub into a palette for larger washes or mix tints\u003c\/li\u003e\n  \u003cli\u003eOne stick approximates the coverage of multiple pans—economical for studio use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this product for? Artists at every level who want professional-grade pigment in a portable, low-mess format will appreciate the 12ml DANIEL SMITH watercolour stick. It’s ideal for plein-air painters, illustrators who combine drawing and wash work, students building a dependable palette, and professionals seeking a durable, vibrant Organic Vermilion that integrates cleanly with their existing DANIEL SMITH collection. Manufactured in the USA to the brand’s strict standards, this stick offers dependable lightfastness and the expressive qualities artists expect from DANIEL SMITH.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the stick pigment the same as the tubes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The stick uses the same high-quality pigments and gum arabic binder as DANIEL SMITH tube and pan paints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I reactivate the watercolour stick?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Wet a brush and draw it over the stick or rub the stick into a palette, then dilute to desired intensity with water.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55250752700753,"sku":"B003ZHUCPS","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-organic-vermillion-stick-front-packaging.jpg?v=1791639583"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-deep-scarlet-15ml-professional-grade-warm-red-with-high-tinting-power","title":"DANIEL SMITH Extra Fine Watercolour Paint — Deep Scarlet 15ml, Professional-Grade Warm Red with High Tinting Power","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Deep Scarlet (15ml) is a richly pigmented, professional-grade red paint formulated for strong tinting power, excellent lightfastness and reliable studio performance.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, DANIEL SMITH watercolours are engineered for artists who demand purity, permanence and consistent handling. Deep Scarlet is part of the Extra Fine line: a 15ml tube loaded with high-quality pigment (PR175) suspended in pure gum arabic with no fillers. This colour delivers a vibrant warm red with semi-transparent covering, medium staining, and stable archival properties suitable for fine art and illustration.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Deep Scarlet behave on paper and in washes?\u003c\/h3\u003e\n\u003cp\u003eDeep Scarlet lays down as a lively warm red that opens up smoothly for even large washes while still retaining strong tinting strength when mixed. It disperses predictably with water and maintains clarity when diluted, making it useful for glazes and layered colour work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent for luminous layered glazing\u003c\/li\u003e\n  \u003cli\u003eMedium staining — lifts partially but keeps good permanence\u003c\/li\u003e\n  \u003cli\u003eFlows evenly for broad washes and controlled edges\u003c\/li\u003e\n  \u003cli\u003eNon-granulating for uniform colour passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the pigment and permanence details I should know?\u003c\/h3\u003e\n\u003cp\u003eDeep Scarlet uses the PR175 pigment, selected and milled to DANIEL SMITH’s exacting standards. Each batch is tested for lightfastness and performance, and the Extra Fine line meets industry archival expectations so finished work resists fading under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PR175 for vivid warm red tones\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for long-term colour stability\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 safety labeling\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder, no fillers—maximum pigment load\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Deep Scarlet mix with other colours and media?\u003c\/h3\u003e\n\u003cp\u003eDeep Scarlet blends cleanly with other watercolours and plays well with DANIEL SMITH’s specialty ranges like PrimaTek and Luminescent colours. Its semi-transparency makes it an effective glazing pigment and it tints whites or neutrals without muddying mixtures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes smoothly to expand warm palettes and create muted midtones\u003c\/li\u003e\n  \u003cli\u003eRetains vibrancy when combined with cooler blues and greens\u003c\/li\u003e\n  \u003cli\u003eCompatible with watercolour grounds and masking techniques\u003c\/li\u003e\n  \u003cli\u003eWorks alongside Luminescent or PrimaTek paints for special effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does the 15ml tube format offer?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml tube provides enough paint for repeated use while keeping the pigment fresh between sessions. Tubes are convenient for palette loading, travel, and controlled dispensing so you avoid waste and can measure consistent mixes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompact tube for studio, plein air, and travel use\u003c\/li\u003e\n  \u003cli\u003eEasier palette loading and colour control than pans for many artists\u003c\/li\u003e\n  \u003cli\u003eLong shelf life when cap is secured and stored upright\u003c\/li\u003e\n  \u003cli\u003eConsistent grind and pigment concentration per tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Deep Scarlet in the 15ml Extra Fine format suits professional watercolourists, illustrators and serious hobbyists who need a dependable, vivid warm red with strong tinting power and lasting colorfastness. It’s ideal for anyone building a robust, archival watercolour palette and for artists who value unique, carefully milled pigments from a manufacturer known for variety and quality.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Deep Scarlet lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Deep Scarlet uses PR175 and is formulated for excellent lightfastness suitable for artwork display.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use the 15ml tube for plein air painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. The 15ml tube is portable, easy to load on a palette, and holds enough paint for outdoor sessions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251271680337,"sku":"B001PT8UVQ","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-deep-scarlet-front-tube.jpg?v=1791642852"},{"product_id":"daniel-smith-extra-fine-watercolor-titanium-white-15ml-tube-semi-opaque-high-lightfastness","title":"DANIEL SMITH Extra Fine Watercolour Titanium White 15ml Tube — Semi-Opaque, High Lightfastness","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Titanium White in a 15ml tube is a premium artist-grade white watercolour made for adding highlights, soft veils, and pastel mixes with excellent lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDANIEL SMITH’s Titanium White joins a 240+ colour catalogue crafted in Seattle to deliver consistently high pigment load, dependable permanence, and predictable handling. Formulated with pure gum arabic and carefully sized pigment particles, this Titanium White offers a semi-opaque to semi-transparent finish that blends smoothly with other watercolours and can be used straight from the tube for subtle highlights or soft washes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Titanium White behave in mixes and layers?\u003c\/h3\u003e\n\u003cp\u003eTitanium White from DANIEL SMITH is designed to tint and soften colours rather than fully opacify them. It mixes cleanly with other pigments to produce pastel tones and lighter tints without muddying, and it can be glazed over a wash to create luminous veils.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-opaque\/semi-transparent—adds soft highlights and tints\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly for pastel shades without dominating mixtures\u003c\/li\u003e\n  \u003cli\u003eUse sparingly for predictable tonal control\u003c\/li\u003e\n  \u003cli\u003eCan be applied directly from the tube for subtle localized lightening\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this white hold up over time and under light exposure?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are formulated and tested for permanence; Titanium White exhibits excellent lightfastness and meets ASTM standards. The pigment (PW6) is chosen for long-term colour retention so your highlights and tints remain stable when paintings are displayed properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness for archival stability\u003c\/li\u003e\n  \u003cli\u003eMeets ASTM D4236 and D5067 handling and permanence guidelines\u003c\/li\u003e\n  \u003cli\u003eNo fillers—high pigment load with pure gum arabic binder\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use this tube for best results?\u003c\/h3\u003e\n\u003cp\u003eWork with small amounts of Titanium White and build gradually; because it is semi-opaque, thin layers will produce subtle effects while thicker application increases coverage. Reactivate with a wet brush to create smooth glazes or apply thicker straight from the tube for targeted highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRewet with a brush for transparent glazes\u003c\/li\u003e\n  \u003cli\u003eApply directly from tube for controlled highlights\u003c\/li\u003e\n  \u003cli\u003eLayer over dried washes for soft veils of light\u003c\/li\u003e\n  \u003cli\u003eCombine with other pigments to make pastels and muted tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes DANIEL SMITH watercolours different from other brands?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH prioritizes pigment purity, carefully balanced particle size, and no fillers, producing vivid, reliable colours with superior permanence. Beyond Titanium White, the brand offers a vast palette—including PrimaTek mineral pigments, luminescent paints, and cadmium-hue alternatives—so artists can access unique effects and a consistent working experience across the line.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOver 240 colours available in 15ml tubes—the industry’s largest selection\u003c\/li\u003e\n  \u003cli\u003eUnique PrimaTek and Luminescent series for special textures and optical effects\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with strict batch testing for performance qualities\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: DANIEL SMITH Titanium White 15ml is suited to illustration artists, landscape and plein-air painters, botanical painters, and hobbyists who want a reliable white that blends predictably, resists fading, and integrates seamlessly with a large professional palette. If you need a high-quality white for subtle highlights, pastel mixing, or veiling effects without unexpected staining or granulation, this tube is a practical addition to any watercolour set.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Titanium White fully opaque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — it’s semi-opaque to semi-transparent, designed for subtle highlights and pastel mixes, not full coverage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does this meet archival standards?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated for excellent lightfastness and conforming to ASTM D4236 and D5067 standards.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251282526545,"sku":"B001PTCUV2","price":29.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-tube-front-label.jpg?v=1791642919"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-terre-verte-15ml-granulating-transparent-green","title":"DANIEL SMITH Extra Fine Watercolour Tube — Terre Verte 15ml, Granulating Transparent Green","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Terre Verte 15ml is an extra-fine, granulating green watercolour tube that delivers a transparent, earthy teal ideal for natural foliage, underpainting, and subtle tonal shifts.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, DANIEL SMITH watercolours are formulated for maximum pigment purity, dependable lightfastness, and expressive handling. Terre Verte (Green Earth) combines Viridian and Raw Umber pigments (PG 18, PBr 7) to yield a slightly granular, transparent green with non-staining behavior and reliable permanence. Packaged in a 15ml metal tube, this colour is part of DANIEL SMITH’s Extra Fine line — a collection designed to meet artist standards for pigment load and consistency without fillers.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Terre Verte different from standard greens?\u003c\/h3\u003e\n\u003cp\u003eTerre Verte is a classic “green earth” with an earthy, muted teal character rather than a bright, synthetic green. Its formulation emphasizes transparency and granulation, producing subtle texture and depth on paper. Because it’s non-staining and lightfast, it’s especially useful where lifting and subtle glazing are needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend of Viridian and Raw Umber pigments for muted, natural tones\u003c\/li\u003e\n  \u003cli\u003eTransparent with gentle granulation for organic texture\u003c\/li\u003e\n  \u003cli\u003eNon-staining, allowing easy lifting and reworking\u003c\/li\u003e\n  \u003cli\u003ePG 18, PBr 7 pigments tested for permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Terre Verte perform in landscapes and underpaintings?\u003c\/h3\u003e\n\u003cp\u003eTerre Verte excels as an underpainting or first wash for foliage, distant hills, and shadowed greens because it reads natural without overpowering subsequent layers. The granular look creates believable surface variation, and its transparency lets glazes build luminosity. Use it sparingly for cool middle tones or more heavily for moody, earthy shadows.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGreat for initial blocking-in of natural greens\u003c\/li\u003e\n  \u003cli\u003eBuildable washes that keep luminosity beneath glazes\u003c\/li\u003e\n  \u003cli\u003eGranulation enhances textured foliage and ground planes\u003c\/li\u003e\n  \u003cli\u003eCompatible with other DANIEL SMITH colours for complex mixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application techniques highlight Terre Verte’s strengths?\u003c\/h3\u003e\n\u003cp\u003eThis paint responds well to wet-on-wet for soft transitions and wet-on-dry for controlled edges and granulated marks. Lift while damp to create highlights, or layer thin glazes for richer colour depth without losing transparency. It also pairs well with warm browns and blues to create varied, realistic greens.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet-on-wet for soft, blended greens\u003c\/li\u003e\n  \u003cli\u003eWet-on-dry to preserve texture and granulation\u003c\/li\u003e\n  \u003cli\u003eLift damp washes for subtle highlights\u003c\/li\u003e\n  \u003cli\u003eLayer glazes for richer, translucent colour depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is this tube formulated and maintained for professional use?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH uses pure gum arabic as the binder and selects grind sizes to maximize pigment performance, avoiding fillers. Each 15ml tube contains a high pigment load tested for consistency and lightfastness. Store tubes capped, upright if possible, and keep away from extreme heat to preserve handling qualities and longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePure gum arabic binder, no fillers\u003c\/li\u003e\n  \u003cli\u003eOptimised pigment grind for granulation and tinting strength\u003c\/li\u003e\n  \u003cli\u003eASTM D4236 conformity and lightfast testing\u003c\/li\u003e\n  \u003cli\u003eStore capped, cool, and dry to extend life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a reliable, versatile green with classical roots and modern permanence will appreciate Terre Verte — from plein air painters and landscape artists to illustrators and mixed-media practitioners. Its transparent, granulating character makes it a practical choice for those who value subtle texture, easy lifting, and predictable mixing behavior in a professional-grade 15ml tube.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Terre Verte lightfast and permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Terre Verte uses PG 18 and PBr 7 pigments with excellent lightfastness and conforms to ASTM D4236.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift or glaze with this colour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Terre Verte is transparent and non-staining, allowing easy lifting when damp and successful glazing for layered effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251306479953,"sku":"B001PT8Y30","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-terre-verte-front-tube.jpg?v=1791643160"},{"product_id":"daniel-smith-permanent-green-extra-fine-watercolor-tube-15ml-transparent-lightfast","title":"DANIEL SMITH Permanent Green Extra Fine Watercolour Tube 15ml — Transparent, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Permanent Green is an extra-fine, highly lightfast 15ml watercolour tube that delivers transparent, vivid greens and clean mixtures for professional and student artists.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, DANIEL SMITH's Permanent Green is part of the brand’s Extra Fine Watercolour line, formulated to meet rigorous standards for pigment purity, permanence and handling. This 15ml tube uses a blend of PY 3 and PG 7 pigments to produce a transparent, medium-staining green with excellent lightfastness, ideal for glazing, layering and mixing without muddying. Each batch is tested to ensure consistent performance and reliable colour over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Permanent Green behave on paper?\u003c\/h3\u003e\n\u003cp\u003ePermanent Green is a transparent, non-granulating pigment that lifts well and supports delicate glazing. Its medium staining quality gives a balance between permanence and ease of rework, so you can glaze multiple layers or lift highlights where needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent, allowing underlayers to show through clearly\u003c\/li\u003e\n  \u003cli\u003eMedium staining — holds pigment while permitting limited lifting\u003c\/li\u003e\n  \u003cli\u003eNon-granulating for smooth washes and controlled edges\u003c\/li\u003e\n  \u003cli\u003eWorks well on cold- and hot-press watercolour paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat mixing and colour relationships work best with this green?\u003c\/h3\u003e\n\u003cp\u003ePermanent Green mixes clean, bright secondary colours with minimal muddiness thanks to its pigment choices. Pair it with warm yellows for vibrant lime tones or with cobalt and ultramarine blues for deep emeralds; mixing with reds yields subtle neutrals rather than harsh browns.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly with Hansa Yellow and Quinacridone colours\u003c\/li\u003e\n  \u003cli\u003eCombines with Cobalt Violet for striking complements\u003c\/li\u003e\n  \u003cli\u003eProduces controlled neutrals when combined with warm reds\u003c\/li\u003e\n  \u003cli\u003eExcellent for botanical and landscape palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and safe for artwork longevity?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Extra Fine Watercolours are formulated for permanence and tested for lightfastness; Permanent Green shows very good lightfast properties under normal display conditions. The paint conforms to ASTM D4236, and the 15ml tube format protects the pigment while allowing precise dispensing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVery good lightfastness rating\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 safety labeling\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder with no fillers for long-lasting colour\u003c\/li\u003e\n  \u003cli\u003e15ml tube offers controlled application and storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do artists use this colour most effectively?\u003c\/h3\u003e\n\u003cp\u003eArtists rely on Permanent Green for fresh foliage tones, transparent shadows and clear midtones in landscapes and botanical work. Its clean tinting strength makes it a reliable mixing base for palettes aimed at realism or controlled colour experiments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer thin glazes for depth without darkening underlying hues\u003c\/li\u003e\n  \u003cli\u003eUse as a primary green for leaves, grasses and reflective water\u003c\/li\u003e\n  \u003cli\u003eCombine with granulating PrimaTek colours for texture contrasts\u003c\/li\u003e\n  \u003cli\u003eIdeal for both plein air quick studies and studio-controlled compositions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Permanent Green in the 15ml DANIEL SMITH tube is suited to practicing artists, illustrators and serious students who need a dependable, archival green that mixes cleanly and retains colour over time. If you value pigment quality, consistent batches and a wide companion palette—DANIEL SMITH’s range of 240+ colours offers matching hues, specialty PrimaTek minerals and Luminescent options to expand your toolkit.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What pigments make up Permanent Green?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Permanent Green is formulated from PY 3 and PG 7, delivering a transparent, medium-staining green.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — Permanent Green has very good lightfastness and conforms to ASTM D4236 for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251333022033,"sku":"B001PTCTOK","price":30.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-permanent-green-front-tube.jpg?v=1791643381"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-piemontite-genuine-5ml-tube-primatek-granulating-texture","title":"DANIEL SMITH Extra-Fine Watercolour Paint, Piemontite Genuine 5ml Tube — PrimaTek Granulating Texture","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Piemontite Genuine is an extra-fine PrimaTek watercolour in a 5ml tube that delivers rich ruddy-violet tones and dramatic granulation for textured shadows and autumnal effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade by DANIEL SMITH in Seattle, this 5ml tube contains pigment ground from the Piemontite mineral and mixed with pure gum arabic to create a colour prized for its granulating behavior, deep carmine undertones, and reliable lightfastness. Part of the PrimaTek family, Piemontite Genuine gives artists a unique natural mineral texture not achievable with standard synthetic pigments. The smaller 5ml size offers an affordable way to sample a specialty colour while preserving the same quality standards used across DANIEL SMITH's full watercolour range.\u003c\/p\u003e\n\n\u003ch3\u003eWhat visual effects can Piemontite Genuine create in paintings?\u003c\/h3\u003e\n\u003cp\u003ePiemontite Genuine is known for pronounced granulation: pigment particles settle unevenly as washes dry, producing organic speckled textures and mineral-like surfaces. Its darkest mixes read as a deep ruddy violet, while diluted washes shift to warm violet-browns ideal for atmospheric shadows and mottled surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong granulation for textured skies, rocks, and foliage\u003c\/li\u003e\n  \u003cli\u003eDeep hue at full strength, warm carmine tones in lighter washes\u003c\/li\u003e\n  \u003cli\u003eUse alone or combine with transparent pigments for layered effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the 5ml tube fit into a working palette or travel kit?\u003c\/h3\u003e\n\u003cp\u003eThe 5ml size is compact and economical for artists who want to use Piemontite as an accent or experiment without committing to a larger tube. It's convenient for plein air sets, sketchbooks, and sample testing while maintaining the same pigment load and binder quality as larger DANIEL SMITH tubes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall footprint for travel palettes and field kits\u003c\/li\u003e\n  \u003cli\u003eAffordable way to try a PrimaTek colour before purchasing larger sizes\u003c\/li\u003e\n  \u003cli\u003eMatches performance of 15ml line for consistency across projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the handling and permanence characteristics of this paint?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates Piemontite Genuine to meet high industry standards: it uses pure gum arabic with no fillers, a pigment grind chosen to showcase the mineral’s natural texture, and testing for permanence. The colour is semi-transparent, low-staining, and rated for excellent lightfastness when used under normal display conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent body that layers well over other washes\u003c\/li\u003e\n  \u003cli\u003eLow staining for lifting and reworking in areas\u003c\/li\u003e\n  \u003cli\u003eProduced and tested to ASTM standards for artists’ paints\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow might Piemontite Genuine be combined with other colours?\u003c\/h3\u003e\n\u003cp\u003ePiemontite's warm violet-brown granulation makes it a versatile partner: it can deepen shadow areas, add earthy texture to leaves, or introduce subtle mineral tones when mixed with greens and ochres. Because it granulates, expect mixtures to retain some of that textured character, which can be used creatively to enhance realism and surface interest.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with transparent greens for aged foliage or moss effects\u003c\/li\u003e\n  \u003cli\u003eBlend with warm ochres to mute and enrich earth tones\u003c\/li\u003e\n  \u003cli\u003eLayer over luminous colours to create contrast between sheen and texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Piemontite Genuine in a 5ml tube is ideal for watercolourists wanting an authentic mineral texture without a big purchase. It's well suited to landscape and botanical painters seeking granulating shadows, illustrators exploring unique palettes, and students or advancing hobbyists sampling DANIEL SMITH’s PrimaTek collection. If you value high pigment concentration, consistent manufacturing standards, and the creative possibilities of naturally sourced pigments, this small tube is a practical addition to your watercolour toolkit.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Piemontite Genuine lightfast and permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. DANIEL SMITH formulates Piemontite Genuine for excellent lightfastness and permanence, made to ASTM standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Piemontite with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It mixes well, often retaining granulation—try with greens or ochres to create rich, textured shadows.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251417989457,"sku":"B014171DPS","price":29.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-piemontite-front-tube.jpg?v=1791643527"},{"product_id":"daniel-smith-luminescent-watercolor-iridescent-electric-blue-15ml-tube-pearlescent-shimmer-transparent-wash","title":"DANIEL SMITH Luminescent Watercolour Iridescent Electric Blue — 15ml tube, pearlescent shimmer \u0026 transparent wash","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Luminescent Iridescent Electric Blue is a 15ml tube of extra-fine watercolour that delivers a sheer, glowing blue with pearlescent shimmer ideal for reflective and iridescent effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered in Seattle and hand-formulated by DANIEL SMITH, this 0.5 fl oz Luminescent watercolour combines high-quality pigment with pure gum arabic to create a transparent, lightfast wash that catches light with a subtle metallic sheen. It’s part of DANIEL SMITH’s Luminescent line — a family of colours made for capturing shimmer, sparkle, and reflective surfaces like feathers, water highlights, and metallic accents. Each tube is tested for permanence and consistency so artists from hobbyists to professionals can rely on repeatable results.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this Luminescent colour behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThis Iridescent Electric Blue flows like a traditional watercolour but dries with an optical shimmer that reads as luminous in both thin glazes and layered passages. It’s transparent and often shows subtle separation of fine particles, producing a delicate granulation that enhances texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSheer, transparent base suitable for glazing and washes.\u003c\/li\u003e\n  \u003cli\u003eDries with pearlescent sheen — best viewed at angles under light.\u003c\/li\u003e\n  \u003cli\u003eCompatible with other DANIEL SMITH pigments for layered effects.\u003c\/li\u003e\n  \u003cli\u003eNon-filling formulation uses pure gum arabic for strong rewetting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best with Iridescent Electric Blue?\u003c\/h3\u003e\n\u003cp\u003eUse it for highlights, accents, and effects where shimmer is desired without heavy opacity. It blends well when lightly mixed into washes or applied on top of dried layers to add sheen. Try it with drybrush, wet-on-wet, or controlled glazing to experiment with intensity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet-on-wet for soft shimmery spreads across skies or water.\u003c\/li\u003e\n  \u003cli\u003eGlazing over opaque layers to produce luminous highlights.\u003c\/li\u003e\n  \u003cli\u003eDrybrush for subtle reflective strokes on feathers or metal.\u003c\/li\u003e\n  \u003cli\u003eMix sparingly with other watercolours to keep the iridescent quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and reliable is this tube for archival work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Luminescent paints are formulated to meet industry standards for permanence and lightfastness; this colour holds up well when used and stored appropriately. While iridescent pigments can present different fading characteristics than organic dyes, DANIEL SMITH tests batches to ensure the best possible stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade in the USA with tested pigment loads for consistency.\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness is rated excellent for long-term colour retention.\u003c\/li\u003e\n  \u003cli\u003eNon-staining and transparent, allowing for restoration or rework.\u003c\/li\u003e\n  \u003cli\u003ePackaged in a 15ml tube to preserve freshness and prevent waste.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I know about mixing and compatibility?\u003c\/h3\u003e\n\u003cp\u003eIridescent pigments behave differently than standard pigments; they are best used either on their own as top-layer accents or mixed sparingly to maintain sheen. They perform well with DANIEL SMITH’s Extra Fine line and are safe to use alongside PrimaTek and Cadmium Hues for complementary palettes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix lightly to retain pearlescent effect; heavy mixing can mute shimmer.\u003c\/li\u003e\n  \u003cli\u003ePairs well with granulating PrimaTek colours for textured contrasts.\u003c\/li\u003e\n  \u003cli\u003eUse clean water and brushes to prevent contamination of shimmer particles.\u003c\/li\u003e\n  \u003cli\u003eApply over dried layers for most pronounced reflective appearance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a reliable, artist-grade luminous blue for illustration, botanical highlights, wildlife plumage, water reflections, or mixed-media pieces will find this tube especially useful. It’s suitable for professional watercolourists who require archival performance as well as hobbyists exploring special optical effects. The 15ml tube size makes it practical for both studio use and plein air touch-ups.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness rating excellent\u003c\/li\u003e\n  \u003cli\u003eNon-staining\u003c\/li\u003e\n  \u003cli\u003eGranulating: yes\u003c\/li\u003e\n  \u003cli\u003eTransparent\u003c\/li\u003e\n  \u003cli\u003eIridescent Electric Blue 15ml Tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Luminescent colour lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — DANIEL SMITH tests this Luminescent colour and rates it excellent for lightfastness under recommended conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix it with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, but mix sparingly to preserve the pearlescent effect; use as a top glaze for strongest shimmer.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251420479825,"sku":"B001PTAUU0","price":29.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-luminescent-iridescent-electric-blue-front-tube.jpg?v=1791643550"},{"product_id":"daniel-smith-luminescent-watercolor-iridescent-russet-15ml-tube-shimmering-metallic-sheen","title":"DANIEL SMITH Luminescent Watercolour Iridescent Russet 15ml Tube — Shimmering Metallic Sheen","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Luminescent Watercolour in Iridescent Russet is a 15ml artist-grade tube offering a subtle metallic sheen and shimmering colour ideal for highlights, feathers, and reflective surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCrafted in Seattle by DANIEL SMITH, this Luminescent formula pairs finely milled pigments with pure gum arabic to create a transparent, shimmering wash that builds to vivid, pearlescent accents. The Iridescent Russet shade brings warm coppery-red depth with a reflective, light-catching surface that remains stable and reliable in studio and plein-air work. Like other DANIEL SMITH watercolours, it’s designed for high pigment load, consistent handling, and excellent permanence for archival results.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the Luminescent Iridescent Russet different from standard watercolours?\u003c\/h3\u003e\n\u003cp\u003eThis Luminescent paint contains specialty optical pigments that create a reflective, pearly finish, unlike ordinary transparent or opaque watercolours. It’s formulated to stay luminous when diluted or layered and to interact attractively with both light and dark washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOptical\/pearl pigments for shimmer without heavy opacity\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour with minimal binder\u003c\/li\u003e\n  \u003cli\u003eTransparent behavior allows glazing and layering over other colours\u003c\/li\u003e\n  \u003cli\u003eWorks well in combination with traditional and granulating pigments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use Iridescent Russet for realistic highlights and metallic effects?\u003c\/h3\u003e\n\u003cp\u003eApply thin glazed layers for subtle luminous shifts or use more concentrated brushstrokes for pronounced metallic highlights. Combine it sparingly with other pigments to retain sheen and avoid dulling the effect—ideal for feathers, jewellery, warm metallic surfaces, and botanical accents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on top of dried washes to emphasize light reflections\u003c\/li\u003e\n  \u003cli\u003eMix with clear water for faint sheen or use directly from the tube for strong highlights\u003c\/li\u003e\n  \u003cli\u003eAvoid mixing large amounts with opaque pigments to maintain shimmer\u003c\/li\u003e\n  \u003cli\u003eTry dry-brushing or lifting techniques to reveal texture and spark\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Luminescent Iridescent Russet durable and compatible with other Daniel Smith paints?\u003c\/h3\u003e\n\u003cp\u003eThe formulation is made to match DANIEL SMITH standards for permanence and handling; it layers well with other colours and participates in glazing and granulating effects. While luminescent pigments are not traditional earth or metal oxides, the paint is designed for stable studio use and typical watercolour applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eASTM lightfastness rated excellent for longevity\u003c\/li\u003e\n  \u003cli\u003eNon-staining and transparent, enabling lift and rework\u003c\/li\u003e\n  \u003cli\u003eCompatible with other DANIEL SMITH watercolours and mediums\u003c\/li\u003e\n  \u003cli\u003ePackaged in a 15ml tube for controlled dispensing and preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and store my 15ml tube to keep performance consistent?\u003c\/h3\u003e\n\u003cp\u003eKeep the cap tightly closed and store tubes in a cool, dry place away from direct sunlight. Proper storage preserves the binder and optical pigments so the iridescent character remains stable over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSeal cap immediately after use to prevent skinning\u003c\/li\u003e\n  \u003cli\u003eStore horizontally or upright in stable temperatures\u003c\/li\u003e\n  \u003cli\u003eClean the nozzle to avoid cross-contamination of pigments\u003c\/li\u003e\n  \u003cli\u003eUse within typical archival expectations for watercolours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want to add a controlled metallic shimmer to their palette—illustrators, wildlife painters, mixed-media practitioners, and anyone exploring luminous effects. If you need a reliable, artist-grade iridescent that layers, lifts, and integrates with a wide range of DANIEL SMITH colours, this 15ml Iridescent Russet tube is a compact, studio-ready option.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003cli\u003eASTM lightfastness rating excellent\u003c\/li\u003e\n\u003cli\u003eNon-staining\u003c\/li\u003e\n\u003cli\u003eGranulating: yes\u003c\/li\u003e\n\u003cli\u003eTransparent\u003c\/li\u003e\n\u003cli\u003eIridescent Russet 15ml Tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Iridescent Russet with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix sparingly to preserve shimmer. Heavy mixes with opaque pigments may reduce the iridescent effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this colour lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated to DANIEL SMITH standards with excellent ASTM lightfastness for stable results.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251422544209,"sku":"B001PTAV04","price":30.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-iridescent-russet-front-tube.jpg?v=1791643593"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-burnt-sienna-light-15ml-transparent-lightfast","title":"DANIEL SMITH Extra Fine Watercolour Paint — Burnt Sienna Light 15ml, Transparent \u0026 Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Extra Fine Watercolour in Burnt Sienna Light is a transparent, redder-than-usual burnt sienna in a 15ml tube, prized for its smooth mixing, reliable lightfastness and subtle granulation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who demand consistency and archival quality, this 15ml tube from DANIEL SMITH delivers a warm, versatile red-brown that works equally well in washes, glazes, and detailed passages. Formulated with high-purity pigments and gum arabic, it offers a clean tinting strength and predictable behavior on watercolour paper. The colour reads more transparent and slightly less granulating than the standard Burnt Sienna, making it an ideal choice when you want clarity in mixtures or a delicate flesh tone in pale washes.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Burnt Sienna Light behave in washes and glazes?\u003c\/h3\u003e\n\u003cp\u003eBurnt Sienna Light re-wets and flows smoothly, producing luminous, even washes. It retains transparency at thin concentrations and builds into richer red-brown tones without muddying when layered carefully.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent with excellent light transmission for glowing washes.\u003c\/li\u003e\n  \u003cli\u003eLess granulation than standard Burnt Sienna, so smoother gradients.\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength—use sparingly in mixed palettes.\u003c\/li\u003e\n  \u003cli\u003eReactivates cleanly for lifting and glazing techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat mixing possibilities does this pigment offer?\u003c\/h3\u003e\n\u003cp\u003eBecause Burnt Sienna Light leans redder and remains transparent, it mixes cleanly with blues, greens, and yellows to produce warm neutrals and muted earth tones. Its clarity makes it a dependable base for subtle skin tones and vintage browns without overpowering delicate hues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces warm neutrals when combined with cool blues (e.g., phthalo blue).\u003c\/li\u003e\n  \u003cli\u003eMixes with yellows for golden ochres and antique siennas.\u003c\/li\u003e\n  \u003cli\u003eCreate soft portrait undertones with light washes for skin colour.\u003c\/li\u003e\n  \u003cli\u003eMaintains luminosity in glazes and layered colour builds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this colour durable and suitable for finished artwork?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates paints to meet high industry standards for permanence; Burnt Sienna Light offers excellent lightfastness and archival stability. When applied and stored properly, it will retain its tone and transparency over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh lightfastness—suitable for gallery and archival work.\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder, no fillers, for stable pigment suspension.\u003c\/li\u003e\n  \u003cli\u003eConsistent particle grind to balance pigment load and handling.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA (Seattle) and batch-tested for quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store the 15ml tube for best results?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml tube is convenient for artists who want a reliable supply without excess waste. Store capped in a cool, dry place and keep out of direct sunlight; use a palette, keep pans moist for reactivation, or squeeze small amounts into a mixing tray.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCap tightly after use to prevent skinning and drying.\u003c\/li\u003e\n  \u003cli\u003eSqueeze onto a palette or re-wet directly from a wet brush.\u003c\/li\u003e\n  \u003cli\u003eUse with quality watercolour paper and brushes to show transparency.\u003c\/li\u003e\n  \u003cli\u003eCombine with DANIEL SMITH watercolours for a broad, consistent palette.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Burnt Sienna Light in the 15ml tube suits watercolourists from advanced hobbyists to professional illustrators and fine artists who need a dependable, slightly redder warm brown that mixes cleanly and preserves luminosity. It's especially useful for portraitists seeking subtle flesh undertones, landscape painters aiming for warm soil and bark tones, and any artist who values archival pigments and consistent performance from a trusted brand.\u003c\/p\u003e\n\n\u003cp\u003eFeatures include DANIEL SMITH's commitment to extra-fine pigment quality, transparent and granulating behavior suited to varied techniques, and a formulation that emphasizes permanence and colour purity. Pair this tube with other DANIEL SMITH colours, PrimaTek minerals, or Luminescent shades to expand your creative range.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Burnt Sienna Light lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated by DANIEL SMITH to meet high lightfastness and permanence standards suitable for long-lasting artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How does this differ from regular Burnt Sienna?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Burnt Sienna Light is redder, more transparent and slightly less granulating, giving smoother washes and clearer mixes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251477954897,"sku":"B01N4MCE4W","price":30.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-burnt-sienna-light-front-tube.jpg?v=1791643837"},{"product_id":"daniel-smith-cascade-green-extra-fine-watercolor-tube-15ml-granulating-mossy-mid-green-excellent-lightfastness","title":"DANIEL SMITH Cascade Green Extra-Fine Watercolour Tube 15ml — Granulating Mossy Mid-Green, Excellent Lightfastness","description":"\u003cstrong\u003eDANIEL SMITH Cascade Green is an extra-fine, mid-range granulating watercolour in a 15ml tube designed for artists seeking a durable, versatile mossy green with excellent lightfastness.\u003c\/strong\u003e\n\n\u003cp\u003eEngineered in Seattle and made with high-quality pigments and pure gum arabic, this 15ml tube of Cascade Green delivers the rich, natural greens inspired by the Cascade Mountains. It offers a cool, dark, slightly mossy tone straight from the tube, and reveals stunning clarity and subtle value shifts when diluted into washes. Formulated to meet strict industry standards and batch-tested for consistency, Daniel Smith watercolours are trusted by professionals and students alike.\u003c\/p\u003e\n\n\u003ch3\u003eWhat visual qualities does Cascade Green bring to my palette?\u003c\/h3\u003e\n\u003cp\u003eCascade Green is a mid-range cool green that granulates, producing textured, natural-looking surfaces ideal for foliage, landscapes, and atmospheric shadows. It maintains clarity in transparent washes and holds strong pigment strength when used straight from the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eColour family: cool, mossy mid-green\u003c\/li\u003e\n  \u003cli\u003eBehavior: semi-transparent with noticeable granulation\u003c\/li\u003e\n  \u003cli\u003eWash performance: clear, layered value shifts\u003c\/li\u003e\n  \u003cli\u003ePigment composition: PBr 7, PB 15 for balanced mixing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and lightfast is this Daniel Smith watercolour?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are formulated for permanence and tested for lightfastness; Cascade Green performs well over time for archival artwork. The formulation conforms to ASTM D4236 and is milled to optimize pigment load and stability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: excellent—suitable for gallery or archival work\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, no fillers\u003c\/li\u003e\n  \u003cli\u003eProduction: batch-tested for consistent performance\u003c\/li\u003e\n  \u003cli\u003eStandards: conforms to ASTM D4236\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Cascade Green behave in mixes and techniques?\u003c\/h3\u003e\n\u003cp\u003eThis colour mixes cleanly with other pigments, offering strong tints without muddying. Its semi-transparent, medium-staining nature and granulation add natural texture to skies, leaves, and rocky terrain when combined with washes and drybrush techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixing: blends well with yellows, blues, and earth tones\u003c\/li\u003e\n  \u003cli\u003eTechniques: ideal for granulating textures and layered glazing\u003c\/li\u003e\n  \u003cli\u003eTinting strength: robust—small amounts produce vivid shifts\u003c\/li\u003e\n  \u003cli\u003eCompatibility: pairs with PrimaTek and luminescent ranges for effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I expect from the 15ml tube format?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml tube provides a concentrated, easily portable supply—enough for many paintings while fitting into travel palettes. Tubes are milled to give the right particle size and pigment load, maximizing colour payoff with minimal binder.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 15ml (0.5 fl oz) single tube, pack of 1\u003c\/li\u003e\n  \u003cli\u003eUse cases: plein air kits, studio palettes, student sets\u003c\/li\u003e\n  \u003cli\u003eTexture: smooth from tube, granulates when rewet\u003c\/li\u003e\n  \u003cli\u003eStorage: resealable metal tube preserves paint between sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a dependable, richly pigmented green with natural granulation—landscape painters, botanical illustrators, plein-air artists, and anyone building a nuanced greens palette will find Cascade Green a versatile and lasting choice. If you value archival quality, consistent batch performance, and a tube that works well both in washes and straight from the tube, this Daniel Smith 15ml Cascade Green is tailored to your needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Cascade Green lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Cascade Green is formulated for excellent lightfastness and conforms to ASTM D4236 for durability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What size and pigment codes are in this tube?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This is a 15ml (0.5 fl oz) tube. Pigment information: PBr 7, PB 15; semi-transparent and granulating.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251667124561,"sku":"B001PTEWM2","price":29.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-cascade-green-front-tube.jpg?v=1791644174"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-french-ochre-15ml-tube-transparent-granulating","title":"DANIEL SMITH Extra Fine Watercolour Paint French Ochre 15ml Tube — Transparent, Granulating","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in French Ochre is a 15ml tube of highly lightfast, transparent, granulating pigment specially formulated for artists who want warm, stable ochre tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFrench Ochre from DANIEL SMITH delivers a warm, autumnal yellow-brown that sits between classic ochres and wheat tones. Formulated with high pigment load and pure gum arabic binder, this extra-fine watercolour offers dependable permanence and the subtle granulation that artists rely on for texture and atmospheric washes. Packaged in a convenient 15ml tube, it’s part of DANIEL SMITH’s extensive line of over 240 colours manufactured in Seattle to professional standards.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes French Ochre different from other ochres?\u003c\/h3\u003e\n\u003cp\u003eFrench Ochre is formulated for balanced warmth without heavy staining or excessive opacity, giving you a transparent, luminous wash. It granulates, creating natural texture in washes that reads as earth, field, or aged plaster. The pigment choice (PY 43) and the selected grind produce a stable, even response across wet and dry techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent, slightly granulating finish for organic texture\u003c\/li\u003e\n  \u003cli\u003ePY 43 pigment chosen for consistent colour and mixing behavior\u003c\/li\u003e\n  \u003cli\u003eNon-staining, easy to lift for glazes and corrections\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong tinting power\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour behave in mixes and glazes?\u003c\/h3\u003e\n\u003cp\u003eFrench Ochre blends cleanly with both warm and cool colours to create a wide range of natural browns, muted oranges, and subtle green-tinged earths. Its transparency preserves underlying layers, making it ideal for glazing strategies and layered approaches. Because it’s non-staining, you can lift or soften areas without muddying the overall mix.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes to warm neutrals when combined with reds or umbers\u003c\/li\u003e\n  \u003cli\u003eProduces soft glazes that preserve underlying texture and marks\u003c\/li\u003e\n  \u003cli\u003eCombines well with greens to mute intensity for landscapes\u003c\/li\u003e\n  \u003cli\u003eRetains luminosity in multiple transparent layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs French Ochre durable enough for professional work?\u003c\/h3\u003e\n\u003cp\u003eYes — DANIEL SMITH watercolours are manufactured and batch-tested for lightfastness and permanence to meet industry standards. This colour conforms to ASTM labeling where applicable and is designed to resist fading under normal display conditions when used and stored properly. The 15ml tube format protects the paint until used and makes it easy to control quantity on the palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh lightfastness and permanence for archival-quality results\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 standards\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder with no fillers for long-lasting colour\u003c\/li\u003e\n  \u003cli\u003ePackaged in 15ml aluminium tube to preserve freshness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do artists typically use French Ochre in paintings?\u003c\/h3\u003e\n\u003cp\u003eFrench Ochre is a go-to for natural landscapes, architectural washes, and subtle midtones in portraits. Its warm neutral character makes it excellent for underpainting and for building atmospheres such as late-afternoon light or harvested fields. Artists often use it alone for tonal studies or mix it to mute brighter pigments for realistic, earthy palettes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnderpainting and value studies for landscapes and still lifes\u003c\/li\u003e\n  \u003cli\u003eGlazing to create depth in skies and distant hills\u003c\/li\u003e\n  \u003cli\u003eTextural granulation for soils, rocks, and aged surfaces\u003c\/li\u003e\n  \u003cli\u003eTinting whites for warm highlights without overpowering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: DANIEL SMITH French Ochre in 15ml is suited for professional and serious hobbyist watercolourists who demand consistent lightfast colour, natural granulation, and transparent glazing capacity. If you need a dependable warm ochre for landscapes, architectural elements, or mixed palettes—and prefer paints formulated and tested to professional standards—this tube offers a compact, high-quality option to add to your palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH French Ochre lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. French Ochre is formulated for strong lightfastness and conforms to ASTM standards for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift French Ochre once applied?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is non-staining and allows lifting and softening for corrections and glazing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251738034513,"sku":"B001PTEQUA","price":30.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-french-ochre-front-tube.jpg?v=1791645088"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-mars-yellow-15ml-semi-transparent-high-lightfastness","title":"DANIEL SMITH Extra Fine Watercolour Paint Mars Yellow 15ml — Semi-Transparent, High Lightfastness","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Mars Yellow (15ml) is a stable, semi‑transparent brownish-yellow pigment engineered for strong lightfastness, subtle granulation and reliable mixing behavior.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube from DANIEL SMITH gives artists a professional-grade Mars Yellow (PY42) designed to perform consistently across washes, glazes and mixed palettes. Formulated with pure gum arabic and no fillers, the paint offers controlled staining, dependable permanence, and the kind of predictable handling that studio and plein-air painters depend on. It’s part of DANIEL SMITH’s extensive 240+ colour range and meets ASTM standards for artist materials.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does Mars Yellow look like on paper?\u003c\/h3\u003e\n\u003cp\u003eMars Yellow is a warm, slightly brownish yellow that sits between ochres and deeper earth tones. It reads as a muted yellow in washes, providing subtle warmth without the bright, fluorescent qualities of some organic yellows. Use it when you want restrained colour that won’t overpower a composition.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent, yielding luminous layered glazes\u003c\/li\u003e\n  \u003cli\u003eBrownish undertone for natural, earthy warmth\u003c\/li\u003e\n  \u003cli\u003eProduces restrained, muted yellow tones rather than vivid neon hues\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Mars Yellow behave when you paint with it?\u003c\/h3\u003e\n\u003cp\u003eThis pigment is formulated to be non-staining and to granulate slightly, giving texture and depth in larger washes. It mixes cleanly with blues and violets to create soft, muted greys and desaturated neutrals, and it retains good tint strength for glazing and subtle colour shifts.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLow staining — easier lifting and reworking in layers\u003c\/li\u003e\n  \u003cli\u003eGranulating action for natural texture in washes\u003c\/li\u003e\n  \u003cli\u003eMixes well to form soft neutrals with complementary colours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Mars Yellow durable and safe for fine art?\u003c\/h3\u003e\n\u003cp\u003eMars Yellow in this 15ml tube conforms to ASTM standards (D4236, D5067) and offers excellent lightfastness suitable for archival art. DANIEL SMITH tests each batch for performance, so you can rely on consistent pigment quality and long-term colour stability in finished works.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh lightfastness for museum-quality permanence\u003c\/li\u003e\n  \u003cli\u003eMeets ASTM safety and performance standards\u003c\/li\u003e\n  \u003cli\u003eManufactured and quality-tested in Seattle, USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Mars Yellow to the best effect in my palette?\u003c\/h3\u003e\n\u003cp\u003eMars Yellow is a versatile earth yellow that plays well in landscapes, architectural washes and muted portrait accents. It’s particularly useful for creating warm shadow areas, underpaintings that support cool glazes, or mixing with violets for sophisticated neutral tones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnderpainting warm shadows and skin undertones\u003c\/li\u003e\n  \u003cli\u003eCombine with violet or cool blues for balanced greys\u003c\/li\u003e\n  \u003cli\u003eLayered glazes preserve luminosity while adding depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Mars Yellow 15ml is aimed at watercolourists who want dependable, professional-grade earth yellow for studio and field work. It suits beginners who need a stable, forgiving yellow as well as advanced painters seeking granulating textures, archival lightfastness, and seamless mixing behavior. Because it’s part of DANIEL SMITH’s Extra Fine line, it’s a strong choice for anyone who values pigment purity and consistent manufacturing standards.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Mars Yellow lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. DANIEL SMITH Mars Yellow (PY42) offers excellent lightfastness and conforms to ASTM standards for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Mars Yellow with blues without muddying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mars Yellow mixes cleanly with cool blues to create soft, muted greys and neutrals rather than instant muddy tones.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251738460497,"sku":"B001PT6Y0U","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-mars-yellow-front-tube.jpg?v=1791645109"},{"product_id":"daniel-smith-extra-fine-watercolor-15ml-tube-undersea-green-granulating-lightfast","title":"DANIEL SMITH Extra Fine Watercolour 15ml Tube — Undersea Green, Granulating \u0026 Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Undersea Green is a 15ml tube of richly pigmented, granulating watercolour that blends French Ultramarine and Quinacridone Gold for sea‑inspired greens with excellent lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single 15ml tube from DANIEL SMITH delivers a carefully formulated, artist‑grade watercolour made in the USA. The colour Undersea Green is a distinctive medium‑staining green known for its granular texture and layered optical effects: the inorganic French Ultramarine component tends to settle and create subtle sedimentary granulation while the transparent Quinacridone Gold floats to produce warm golden halos. The result is a versatile, naturalistic green useful for marine scenes, foliage, and atmospheric passages.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Undersea Green different from ordinary greens?\u003c\/h3\u003e\n\u003cp\u003eUndersea Green is a composite hue that combines the physical granulation of French Ultramarine (PB29) with the clear, glowing quality of Quinacridone Gold (PO48, PY150). This contrast between sedimentary and transparent pigments generates a textured, layered look that is difficult to reproduce with single‑pigment greens.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDual‑pigment formula: granulating inorganic + transparent organic\u003c\/li\u003e\n  \u003cli\u003eVisually dynamic: granules plus warm halos for natural variation\u003c\/li\u003e\n  \u003cli\u003eMedium staining and semi‑transparent for glazing and lifts\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and tested for permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will Undersea Green behave in painting techniques?\u003c\/h3\u003e\n\u003cp\u003eThis colour is suitable for washes, granulating textures, and layered glazing. When applied wet it mixes smoothly; as it dries the ultramarine component can settle to form mottled patterns, and when used concentrated it produces deep, kelp‑like tones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet washes: smooth blends with subtle granulation on drying\u003c\/li\u003e\n  \u003cli\u003eDrybrush\/detail: retains pigment for textured strokes\u003c\/li\u003e\n  \u003cli\u003eGlazing: semi‑transparent buildable layers without muddying\u003c\/li\u003e\n  \u003cli\u003eMixing: combines well with ultramarines, moonglow, and quinacridones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow permanent and safe is this 15ml tube for archival work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Extra Fine Watercolours are produced to high industry standards for permanence and lightfastness. Each batch is tested and analyzed to ensure stable performance, and this tube adheres to safety labeling requirements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness for long‑lasting colour\u003c\/li\u003e\n  \u003cli\u003eFormulated with pure gum arabic binder — no fillers\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 for artist materials\u003c\/li\u003e\n  \u003cli\u003eMade in Seattle, Washington — quality‑controlled production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and combine Undersea Green in my palette?\u003c\/h3\u003e\n\u003cp\u003eUndersea Green is a flexible mid‑green that pairs well with cool blues, warm golds, and earth tones to suggest coastal plants, kelp forests, moss, and autumn leaves. Try it concentrated for richness or diluted for transparent washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with French Ultramarine for deeper sea tones\u003c\/li\u003e\n  \u003cli\u003ePair with Quinacridone Gold or Moonglow for luminous edges\u003c\/li\u003e\n  \u003cli\u003eCombine with earth ochres for natural foliage effects\u003c\/li\u003e\n  \u003cli\u003eUse lifting or granulation to create texture in skies and water\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking an expressive, high‑quality green that offers both granulation and warmth will appreciate this 15ml tube. It's ideal for watercolourists who want more variation and visual interest in marine, botanical, or atmospheric painting without sacrificing permanence. Whether you're a professional or a dedicated hobbyist, Undersea Green adds a unique, studio‑tested option to a versatile palette of over 240 DANIEL SMITH colours.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Undersea Green lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This DANIEL SMITH colour is formulated for excellent lightfastness and conforms to ASTM D4236 for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Undersea Green with other pigments?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It mixes well with ultramarines, quinacridones, and earth tones to create varied sea and foliage effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251738558801,"sku":"B001PTAX7K","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-undersea-green-front-tube.jpg?v=1791645112"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-tube-lamp-black-15ml-opaque-non-granulating-artist-black","title":"DANIEL SMITH Extra Fine Watercolour Paint Tube — Lamp Black 15ml, Opaque Non-Granulating Artist Black","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Lamp Black is an intensely opaque, archival black paint in a 15ml tube formulated for lasting, professional watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, DANIEL SMITH Extra Fine Watercolours are engineered for maximum pigment purity, dependable lightfastness, and consistent working properties. Lamp Black (PBk6) is a deep, cool black produced from the sooty residue of burned mineral oil and tar, offering artists an intense, velvety black that mixes cleanly and covers with strong opacity.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Lamp Black behave on paper and in mixes?\u003c\/h3\u003e\n\u003cp\u003eLamp Black is opaque and staining with a cool, sooty tone that sits well over transparent washes when you need solid darks. It is non-granulating and provides smooth, even coverage while remaining predictable in mixtures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOpaque coverage for strong shadows and silhouettes\u003c\/li\u003e\n  \u003cli\u003eStaining: good permanence on many papers\u003c\/li\u003e\n  \u003cli\u003eNon-granulating: smooth, even application\u003c\/li\u003e\n  \u003cli\u003eMixes well to darken colours without muddying them when used sparingly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat performance qualities and standards does this paint meet?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are formulated to meet strict industry requirements and each batch is tested for consistency and lightfastness. Lamp Black conforms to ASTM standards and is labeled with pigment PBk6, ensuring artists know its composition and permanence rating.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for archival work\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder with no fillers\u003c\/li\u003e\n  \u003cli\u003eConsistent grind and pigment load for predictable behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhen should I choose Lamp Black over other blacks or mixing options?\u003c\/h3\u003e\n\u003cp\u003eChoose Lamp Black when you want the deepest, most opaque cool black available in watercolour, especially for velvety darks, strong contrast, or when you need a non-granulating black that keeps a uniform appearance. For warmer or textured blacks, consider alternatives or mix Lamp Black with Burnt Sienna for a subtly warmed tone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBest for deep, opaque shadows and silhouettes\u003c\/li\u003e\n  \u003cli\u003eIdeal when a smooth, non-textured black is required\u003c\/li\u003e\n  \u003cli\u003eCombine with Burnt Sienna to warm the black slightly\u003c\/li\u003e\n  \u003cli\u003eWorks well for glazing when thinned carefully\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much paint is in the tube and how does it fit into the wider DANIEL SMITH line?\u003c\/h3\u003e\n\u003cp\u003eThis product is a 15ml tube — the standard size in DANIEL SMITH's extensive 240+ colour range. The 15ml format balances portability with enough paint for many sessions, and Lamp Black complements the brand's PrimaTek, Luminescent, and Cadmium Hues collections for expanded creative options.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e15ml tube, travel- and studio-friendly\u003c\/li\u003e\n  \u003cli\u003ePart of a 240+ colour palette from DANIEL SMITH\u003c\/li\u003e\n  \u003cli\u003ePairs with specialty lines like PrimaTek and Luminescent\u003c\/li\u003e\n  \u003cli\u003eAvailable alongside 5ml tubes, sticks, and dot cards for testing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Professional and dedicated watercolour artists, illustrators, and art students who need a strong, archival black that performs consistently in both studio paintings and on-location work. Lamp Black is especially useful for artists who require opaque, non-granulating blacks for high-contrast compositions, detailed ink-like marks, or reliable mixing with other pigments.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Lamp Black lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Lamp Black conforms to ASTM standards and offers excellent lightfastness for long-lasting results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Lamp Black be used to darken transparent colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well to darken hues, though use sparingly to avoid overpowering or muddying delicate tints.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251738657105,"sku":"B001PT6XTM","price":29.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-lamp-black-front-tube.jpg?v=1791645110"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-15ml-van-dyke-brown-strong-granulation-lightfast","title":"DANIEL SMITH Extra-Fine Watercolour Tube 15ml — Van Dyke Brown, Strong Granulation \u0026 Lightfast","description":"\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Van Dyke Brown (15ml) is a richly pigmented, lightfast brown with strong granulation and a reticulating texture ideal for warm shadows, vintage tones, and textured washes.\u003c\/strong\u003e\n\n\u003cp\u003eThis 15ml tube delivers DANIEL SMITH’s professional-grade formulation: high pigment load dispersed in pure gum arabic, tested for permanence and consistent working properties. Van Dyke Brown is a classic deep brown derived from a blend of siennas and umbers, offering semi-transparency and moderate staining behavior. Artists value this colour for its natural warmth, textured granulation, and reliable lightfastness when used in painting and mixed palettes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Van Dyke Brown behave on paper?\u003c\/h3\u003e\n\u003cp\u003eVan Dyke Brown shows pronounced granulation and a subtle reticulating effect when applied in washes, producing organic textures that mimic earthy surfaces. It performs as a semi-transparent pigment with moderate staining, so you can lift highlights but expect some permanence in heavier applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong granulation for textured washes and natural variations.\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent: preserves underlayers and glazing effects.\u003c\/li\u003e\n  \u003cli\u003eModerate staining: allows limited lifting for corrections.\u003c\/li\u003e\n  \u003cli\u003eReticulating quality accentuates rough-paper textures.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and archival?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are formulated and batch-tested to meet professional archival standards. Van Dyke Brown conforms to ASTM D4236 for labeling safety and offers excellent lightfastness so painted work maintains colour integrity over time when stored and displayed properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration ensures strong tinting strength.\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness rating for long-term colour stability.\u003c\/li\u003e\n  \u003cli\u003eManufactured in the USA with consistent quality control.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 for safe artist use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Van Dyke Brown in my palette and mixes?\u003c\/h3\u003e\n\u003cp\u003eVan Dyke Brown is versatile: use it straight from the tube for deep shadows or dilute for warm glazes and atmospheric effects. It blends well with earth tones, creating richer browns and muted neutrals, and can replace sepia in historical or vintage colour schemes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with yellows for warm umber and ochre variants.\u003c\/li\u003e\n  \u003cli\u003eCombine with blues for neutralized, muted shades.\u003c\/li\u003e\n  \u003cli\u003eIdeal for underpainting, tree trunks, and shadow work.\u003c\/li\u003e\n  \u003cli\u003eWorks on rough and cold-pressed papers to enhance granulation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical details should I know before buying?\u003c\/h3\u003e\n\u003cp\u003eThis product comes in a 15ml metal tube—the standard size for professional watercolours—making it easy to dose for washes or palette pans. The pigment designation is PBr 7, which helps you track mixing behavior and permanence across your collection.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTube size: 15ml, convenient for studio and plein-air use.\u003c\/li\u003e\n  \u003cli\u003ePigment indicator: PBr 7 for predictable mixing results.\u003c\/li\u003e\n  \u003cli\u003ePackaged and quality-tested in Seattle, Washington, USA.\u003c\/li\u003e\n  \u003cli\u003ePairs well with DANIEL SMITH sets, dots, and other single colours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Van Dyke Brown from DANIEL SMITH is aimed at watercolourists who want a deep, reliable brown that adds natural granulation and warmth to landscapes, portraits, and mixed-media pieces. Whether you are a professional illustrator, a landscape painter seeking textured earth tones, or a hobbyist building a robust palette, this tube offers professional-level performance and archival quality.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Van Dyke Brown lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. DANIEL SMITH Van Dyke Brown offers excellent lightfastness and conforms to ASTM D4236.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift this colour after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Partial lifting is possible due to moderate staining, but heavier applications will be more permanent.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251749503313,"sku":"B001PTCV0W","price":30.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-van-dyke-brown-front-tube.jpg?v=1791645266"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-permanent-red-15ml-tube-semi-transparent-lightfast","title":"DANIEL SMITH Extra Fine Watercolour Paint Permanent Red 15ml Tube — Semi-Transparent, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Permanent Red is a professional-grade, 15ml tube of richly pigmented, lightfast red designed for artists who need reliable hue, smooth suspension, and strong tinting power.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube from DANIEL SMITH delivers a classic, stop-sign red that mixes cleanly, performs well in wet-into-wet techniques, and meets the high manufacturing standards artists expect from this Seattle-based maker. Formulated with pure pigments and gum arabic (no fillers), the paint offers consistent handling and permanence. It’s part of DANIEL SMITH’s Extra Fine line, which includes more than 240 colours, including unique PrimaTek minerals and luminescent hues.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Permanent Red behave on paper and in washes?\u003c\/h3\u003e\n\u003cp\u003ePermanent Red is semi-transparent and staining, giving painters the ability to build layered washes and strong glazed passages without losing brilliance. It diffuses smoothly when added to wet areas, producing soft edges and vibrant colour fields suited to florals, signage, and graphic statements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent: preserves underlying layers in glazes.\u003c\/li\u003e\n  \u003cli\u003eStaining: anchors pigment to paper for layering.\u003c\/li\u003e\n  \u003cli\u003eExcellent flow: ideal for wet-into-wet blending.\u003c\/li\u003e\n  \u003cli\u003eNon-granulating: consistent surface and clean mixes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical qualities and safety standards does this tube meet?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH crafts each batch to exceed industry standards. This pigment formulation shows very good lightfastness, conforms to ASTM D4236 labeling practices, and is milled to an optimal grind that balances pigment load and binder for dependable performance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: very good for lasting colour integrity.\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, no fillers for true pigment strength.\u003c\/li\u003e\n  \u003cli\u003ePigment ID: PR 170 (F3RK-70) for consistent mixing behavior.\u003c\/li\u003e\n  \u003cli\u003eSafety compliance: conforms to ASTM D4236 labeling standards.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will Permanent Red mix with other colours and mediums?\u003c\/h3\u003e\n\u003cp\u003eThis Permanent Red mixes cleanly to produce vivid secondary hues without muddying, and its semi-transparent nature makes it excellent for glazing and colour-shifting mixtures. It also pairs well with DANIEL SMITH’s other lines—PrimaTek, Luminescent, and Cadmium Hues—allowing expressive combinations with unique optical or granulating effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClean mixes: strong tinting power for bright blends.\u003c\/li\u003e\n  \u003cli\u003eGlazing-friendly: keeps clarity in layered washes.\u003c\/li\u003e\n  \u003cli\u003eCompatible: pairs with PrimaTek and Luminescent ranges.\u003c\/li\u003e\n  \u003cli\u003eMix control: predictable behavior with transparent or opaque pigments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose a 15ml tube of DANIEL SMITH over other student or store-brand paints?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH focuses on pigment quality, lightfastness, and a wide colour roster—more than 240 shades—so artists can rely on consistent results and find unique pigments not available elsewhere. The 15ml tube size is suited to regular practice, plein air sessions, and studio work where both economy and performance matter.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional pigment loads for intense colour in small quantities.\u003c\/li\u003e\n  \u003cli\u003eExtensive palette options including exclusive colours.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA by a brand known for artist-grade standards.\u003c\/li\u003e\n  \u003cli\u003eTube sizing balances portability with enough paint for multiple projects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Permanent Red in a 15ml tube is ideal for serious watercolourists, illustration artists, and students who want a dependable, vivid red that stands up to glazing, mixes cleanly, and offers very good lightfastness. If you value pigment purity, consistent handling, and access to a broad colour family—plus the option to combine with DANIEL SMITH’s specialty PrimaTek or Luminescent paints—this tube is a practical and professional choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Permanent Red lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Permanent Red shows very good lightfastness and is labeled to ASTM D4236 standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with DANIEL SMITH PrimaTek colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with PrimaTek and other DANIEL SMITH ranges while keeping predictable tinting behavior.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750191441,"sku":"B001PTAVXG","price":30.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-permanent-red-front-tube.jpg?v=1791645290"},{"product_id":"daniel-smith-extra-fine-watercolor-lemon-yellow-15ml-transparent-high-lightfastness","title":"DANIEL SMITH Extra Fine Watercolour Lemon Yellow 15ml — Transparent, High Lightfastness","description":"\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Lemon Yellow (15ml) is a bright, highly lightfast primary yellow in a smooth, transparent tube designed for mixing, glazing, and clean, vibrant washes.\u003c\/strong\u003e\n\n\u003cp\u003eThis 15 ml tube from DANIEL SMITH puts a professional-grade, single-pigment lemon yellow (PY175) at your palette. Formulated with high pigment load and pure gum arabic binder, it offers consistent handling, dependable permanence, and the colour clarity artists expect from DANIEL SMITH. The paint is manufactured in Seattle, USA, and conforms to ASTM D4236.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Lemon Yellow behave on paper and in layers?\u003c\/h3\u003e\n\u003cp\u003eLemon Yellow is transparent and non-granulating, which makes it ideal for luminous glazes and subtle washes. It lifts and reactivates predictably with water, so you can build layers or soften edges without unexpected texture. Expect clean tints when mixed with other colours, and a bright appearance at full strength.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparency: transparent for luminous glazing\u003c\/li\u003e\n  \u003cli\u003eGranulation: non-granulating for even washes\u003c\/li\u003e\n  \u003cli\u003eStaining: low-staining for easier lifting and corrections\u003c\/li\u003e\n  \u003cli\u003eReactivation: re-wets and blends smoothly with water\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat mixing and colour relationships does this yellow support?\u003c\/h3\u003e\n\u003cp\u003eLemon Yellow provides a clean, cool yellow that mixes into clear greens with blues and yields soft, spring-like hues with warmer reds. Its transparency preserves underlying layers, making it a reliable choice for colour mixing where clarity is important. Use it as a primary yellow in palette systems that favor crisp, high-chroma results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWith blues: bright, clear greens\u003c\/li\u003e\n  \u003cli\u003eWith reds: warm tints and oranges when combined with warmer reds\u003c\/li\u003e\n  \u003cli\u003eTinting strength: strong, so small amounts produce bright mixtures\u003c\/li\u003e\n  \u003cli\u003eMixing note: maintains clarity due to transparency\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and safe for archival work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates Extra Fine Watercolours with a focus on pigment quality and lightfastness. Lemon Yellow (PY175) is described as having excellent lightfastness and is suitable for works where permanence matters. The product is manufactured to meet industry standards and is labeled in accordance with ASTM D4236.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: excellent for long-lasting colour\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, no fillers\u003c\/li\u003e\n  \u003cli\u003eStandards: conforms to ASTM D4236\u003c\/li\u003e\n  \u003cli\u003eMade in USA: formulated and milled in Seattle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use, store, and care for this 15ml tube?\u003c\/h3\u003e\n\u003cp\u003eThe 15 ml tube is sized for studio use and travel; squeeze gently to control paint flow and recap the tube after use to prevent skinning on the tip. Store in a cool, dry place away from direct sunlight; with proper storage the paint retains its working properties and colour integrity. For best results, use high-quality watercolour paper and brushes suited to transparent washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApplication: squeeze small amounts, dilute with water for washes\u003c\/li\u003e\n  \u003cli\u003eStorage: cool, dry, capped to avoid drying out\u003c\/li\u003e\n  \u003cli\u003eSurface: works best on good-quality watercolour paper or prepared grounds\u003c\/li\u003e\n  \u003cli\u003eCompatibility: mixes well with other DANIEL SMITH watercolours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who need a dependable, clean lemon primary for mixing, glazing, and bright washes will find this 15ml Lemon Yellow indispensable. It suits professional painters, illustrators, and serious students who value pigment purity, controllable transparency, and long-lasting results. If you want a transparent, non-granulating yellow that plays well with the broad DANIEL SMITH palette — including PrimaTek and Luminescent ranges — this tube is a practical, studio-ready choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Lemon Yellow lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Lemon Yellow (PY175) is rated with excellent lightfastness for long-lasting colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other DANIEL SMITH colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. Its transparency and clean tinting make it ideal for mixing with blues, reds, and other pigments.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750256977,"sku":"B00478FYHK","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-lemon-yellow-front-tube.jpg?v=1791645289"},{"product_id":"daniel-smith-extra-fine-watercolor-raw-umber-15ml-tube-archival-granulating-brown","title":"DANIEL SMITH Extra Fine Watercolour Raw Umber 15ml Tube — Archival, Granulating Brown","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour Raw Umber in a 15ml tube is a richly pigmented, archival brown that offers semi-transparent coverage with natural granulation for depth and reliable lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRaw Umber from DANIEL SMITH is an artist-grade, inorganic earth pigment (PBr7) formulated with pure gum arabic and milled to maximize colour load and handling. Packaged in a convenient 15ml tube, this colour is designed to meet professional standards for permanence and consistency. It mixes cleanly with many blues and violets to produce subtle, granulating neutrals and middle-value greys, making it a staple for landscapes, portraits, and studies that require dependable browns with textural interest.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Raw Umber perform for mixed palettes and neutrals?\u003c\/h3\u003e\n\u003cp\u003eRaw Umber blends predictably and yields muted, earthy mixes that are excellent for desaturating bright pigments without muddying them. Its semi-transparent character lets underlying layers show through, so it’s useful for glazing and building tone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes well with Cobalt Blue or Cobalt Violet for granulating grey variations\u003c\/li\u003e\n  \u003cli\u003eProduces stable, neutral browns and olive tones when combined with yellows\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent for layered glazing and subtle tonal shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the working properties and permanence of this tube?\u003c\/h3\u003e\n\u003cp\u003eThis 15ml formulation emphasizes lightfastness and pigment purity, with minimal binder to keep colour intensity high. The pigment’s inorganic nature provides long-term stability and low staining, suitable for archival work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness appropriate for professional artwork\u003c\/li\u003e\n  \u003cli\u003eLow staining with moderate tinting strength\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM standards (D4236, D5067) for artist materials\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques benefit most from this granulating earth pigment?\u003c\/h3\u003e\n\u003cp\u003eRaw Umber’s natural granulation creates subtle texture ideal for rugged or atmospheric surfaces. Use it where mineral or soil-like effects, depth, and soft edges are desired.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGranulating washes for rocky terrain and weathered surfaces\u003c\/li\u003e\n  \u003cli\u003eUnderpainting for portraits and still lifes to establish warm shadow masses\u003c\/li\u003e\n  \u003cli\u003eGlazing to adjust mood and unify diverse palette elements\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose DANIEL SMITH’s 15ml tube over other brands or formats?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH focuses on pigment quality and consistent milling to optimize particle size and colour strength. The 15ml tube offers a long-lasting, portable supply while maintaining the same formulation standards found across their extensive colour range.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration with pure gum arabic binder—no fillers\u003c\/li\u003e\n  \u003cli\u003ePart of a 240+ colour range including unique PrimaTek and Luminescent colours\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with batch testing for performance and permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: DANIEL SMITH Raw Umber 15ml tube suits professional and serious amateur watercolourists who want a dependable, archival brown for landscapes, portraits, tonal studies, and mixed-paint techniques. It’s also ideal for artists who value granulation and the ability to create nuanced neutrals without compromising lightfastness.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Raw Umber lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this Raw Umber (PBr7) offers excellent lightfastness suitable for professional watercolour work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use it for glazing and layering?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely — its semi-transparent, low-staining formula works well for glazing and building tonal depth.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750322513,"sku":"B001PT8XW2","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-raw-umber-front-tube.jpg?v=1791645290"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-nickel-titanate-yellow-15ml-semi-opaque-lightfast","title":"DANIEL SMITH Extra Fine Watercolour Paint Nickel Titanate Yellow 15ml — Semi-Opaque, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Nickel Titanate Yellow (15ml) is a high-pigment, lightfast yellow that lays down a slightly green-leaning, semi-opaque wash ideal for florals, fields, and subtle flesh mixtures.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle by DANIEL SMITH, this 15ml tube delivers the brand’s signature commitment to pigment purity, permanence, and carefully controlled grind. Nickel Titanate Yellow offers a reliable, versatile yellow with semi-opaque coverage, low staining behavior, and good lightfastness. It’s formulated to work cleanly in both concentrated passages and diluted glazes, giving artists a dependable yellow that mixes predictably with greens, purples, and other standard palette colours.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Nickel Titanate Yellow behave on paper?\u003c\/h3\u003e\n\n\u003cp\u003eThis pigment is semi-opaque in dense passages yet lifts well when diluted or rewet, allowing for layered techniques and corrections. It granulates slightly and shows low staining, which makes it easier to separate from darker pigments during glaze work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSemi-opaque coverage when applied thickly; translucent in washes.\u003c\/li\u003e\n  \u003cli\u003eLow staining: easier lifting and reworking of highlights.\u003c\/li\u003e\n  \u003cli\u003eSubtle granulation for texture in skies and fields.\u003c\/li\u003e\n  \u003cli\u003eConsistent rewetting and mixing behavior due to optimal pigment grind.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat colours and subjects is it best paired with?\u003c\/h3\u003e\n\n\u003cp\u003eNickel Titanate Yellow leans slightly toward green, so it mixes cleanly with blues to produce fresh, vibrant greens. It pairs beautifully with purple hues for lively floral tones and is excellent for sunlit grasses, lemon tones, field flowers, and nuanced flesh shadows.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCombine with phthalo or cerulean blues for clear greens.\u003c\/li\u003e\n  \u003cli\u003eMix with muted purples for natural floral highlights.\u003c\/li\u003e\n  \u003cli\u003eUse diluted for soft lemon washes and concentrated for opaque accents.\u003c\/li\u003e\n  \u003cli\u003eWorks well with other DANIEL SMITH pigments for consistent lightfast results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and safe is this watercolour for fine art?\u003c\/h3\u003e\n\n\u003cp\u003eDANIEL SMITH tests every batch to meet high industry standards for permanence and lightfastness. Nickel Titanate Yellow conforms to ASTM standards and uses pure gum arabic binder without fillers, giving stable, archival colour when applied and properly protected.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness for long-lasting vibrancy.\u003c\/li\u003e\n  \u003cli\u003eFormulated with pure gum arabic — no filler pigments.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 for safety and performance.\u003c\/li\u003e\n  \u003cli\u003eConsistent manufacturing quality across batches for predictable mixing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use this tube to get the best results?\u003c\/h3\u003e\n\n\u003cp\u003eSqueeze a small amount from the 15ml tube onto a mixing palette and hydrate with clean water to control intensity. Use a soft round brush for washes and a synthetic or sable blend for detail; lift with a damp brush where needed to retrieve highlights or soften edges.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStart with thin washes and build to denser pigment for semi-opaque accents.\u003c\/li\u003e\n  \u003cli\u003eLift while wet for corrections due to its low-staining nature.\u003c\/li\u003e\n  \u003cli\u003eMix on palette for colour studies, then layer on paper for depth.\u003c\/li\u003e\n  \u003cli\u003eStore tube tightly capped and away from direct heat for best shelf life.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a reliable, artist-grade yellow that balances opacity and liftability — from botanical painters and portraitists needing subtle flesh mixtures to landscape artists seeking fresh, sunlit greens. This 15ml tube fits studio use, plein-air kits, and student-to-professional workflows where consistent lightfast performance and unique handling characteristics are essential.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Nickel Titanate Yellow lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this colour has excellent lightfastness and meets ASTM permanence standards for archival work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift this colour once applied?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it is low staining and lifts cleanly when rewet, allowing for corrections and highlights.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750388049,"sku":"B001PTES5I","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-nickel-titanate-yellow-front-tube.jpg?v=1791645290"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-chinese-white-15ml-semi-transparent-high-permanence","title":"DANIEL SMITH Extra Fine Watercolour Tube — Chinese White 15ml, Semi-Transparent High-Permanence","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Chinese White is a professional-grade, semi-transparent titanium-based white paint in a 15ml tube, formulated for high permanence and reliable tinting strength.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single 15ml tube of Chinese White from DANIEL SMITH is part of a wide-ranging collection of more than 240 artisan watercolours made in the USA. Designed for artists who demand consistent handling, excellent lightfastness, and careful pigment grinding, this white is useful for lifting, highlights, glazing, and subtle corrections in watercolour work. It’s crafted with pure gum arabic and contains no fillers, offering a clean mixing behavior and dependable performance in washes and details.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes DANIEL SMITH Chinese White different from ordinary whites?\u003c\/h3\u003e\n\u003cp\u003eUnlike common filler-based whites, this Chinese White is formulated to provide durable, semi-transparent coverage with medium-high tinting power while remaining non-granulating and non-staining. It’s tested for permanence and conforms to ASTM standards for artist materials. That combination delivers predictable colour mixing and long-lasting results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent formula that lightens without overpowering\u003c\/li\u003e\n  \u003cli\u003eNon-granulating finish for smooth highlights and edges\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 for safety and performance\u003c\/li\u003e\n  \u003cli\u003eMade with pure gum arabic binder—no fillers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this tube perform in mixing and glazing?\u003c\/h3\u003e\n\u003cp\u003eChinese White from DANIEL SMITH mixes cleanly with other pigments, offering controlled tinting strength so you can subtly cool or lighten colours. It works well in thin glazes as well as in denser applications for highlights and small corrections. Because of its non-staining nature, it can be used for rework without permanently contaminating surrounding washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMedium-high tinting strength for predictable mixes\u003c\/li\u003e\n  \u003cli\u003eSuitable for thin glazes and spot highlights\u003c\/li\u003e\n  \u003cli\u003eNon-staining for easier corrections and layering\u003c\/li\u003e\n  \u003cli\u003eMixes smoothly with luminescent or granulating pigments\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this watercolour lightfast and archival for finished work?\u003c\/h3\u003e\n\u003cp\u003eYes—DANIEL SMITH watercolours are formulated with long-term permanence in mind; each colour is tested for lightfastness and pigment stability. Chinese White uses a stable white pigment (PW4) chosen to deliver lasting brightness. While all watercolours are subject to environmental factors, this tube adheres to stringent industry standards to protect your work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUses pigment PW4 for reliable permanence\u003c\/li\u003e\n  \u003cli\u003eManufactured under strict quality control and testing\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM standards for archival safety\u003c\/li\u003e\n  \u003cli\u003ePackaged in a sealed 15ml (0.5 fl oz) aluminium tube for freshness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use this paint in my studio practice?\u003c\/h3\u003e\n\u003cp\u003eThis 15ml tube is ideal for artists who need a dependable white for highlights, touch-ups, and subtle lightening across washes. Squeeze small amounts for fine-detail brushes or larger dollops for lifting and scraping techniques. Store with cap tight and avoid extreme temperatures to keep the paint consistent between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse sparingly for highlights and edges with a fine brush\u003c\/li\u003e\n  \u003cli\u003eAdd tiny amounts to mixes when you need a cooler or lighter tint\u003c\/li\u003e\n  \u003cli\u003eApply on slightly damp surfaces for smoother integration\u003c\/li\u003e\n  \u003cli\u003eCap tightly and keep away from direct heat or freezing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: DANIEL SMITH Chinese White 15ml suits professional and serious hobby watercolourists who want a high-quality white with predictable mixing behavior and archival performance. It’s also helpful for illustrators, botanical artists, and plein-air painters who need a durable white for detailing, corrections, and enhancing luminosity. If you value artist-grade pigments, precise handling, and US-made production, this tube is a reliable addition to your watercolour palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What size and pigment code is this DANIEL SMITH Chinese White?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This is a 15ml (0.5 fl oz) tube of Chinese White, identified with pigment PW4.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this Chinese White with granulating pigments?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly and won’t cause unwanted granulation, so it’s good for controlled tints and highlights.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750355281,"sku":"B001PT72ME","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-chinese-white-front-tube.jpg?v=1791645291"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-15ml-pearlescent-shimmer-iridescent-sheen-high-pigment","title":"DANIEL SMITH Extra Fine Watercolour Tube 15ml — Pearlescent Shimmer, Iridescent Sheen \u0026 High Pigment","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour 15ml Pearlescent Shimmer is a premium, lightfast watercolour in a squeezable tube that adds subtle iridescent sheen and professional-grade pigment performance to your paintings.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt in Seattle and trusted by artists worldwide, this 15ml pearlescent shimmer offers DANIEL SMITH's signature pigment purity and careful formulation. The colour combines finely milled pearlescent particles with high-quality pigment and gum arabic binder to produce a luminous effect that reactivates with water, mixes cleanly, and stands up to professional use. Tested for permanence and manufactured to strict standards, this tube joins DANIEL SMITH's expansive palette of more than 240 colours, including PrimaTek and luminescent lines.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Pearlescent Shimmer affect my watercolour washes and glazes?\u003c\/h3\u003e\n\u003cp\u003ePearlescent Shimmer adds a delicate reflective quality to transparent washes and layered glazes without heavy opacity. Applied thinly, it maintains the transparency typical of watercolours while catching light subtly; layered over dry passages it can lend a shimmering highlight or soft glow.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse diluted washes to preserve translucency and add sheen.\u003c\/li\u003e\n  \u003cli\u003eLayer sparingly for controlled shimmer on highlights.\u003c\/li\u003e\n  \u003cli\u003eMix with other transparent colours for reflective tints.\u003c\/li\u003e\n  \u003cli\u003eReactivates easily with a wet brush for blending and lifting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat working properties should I expect from this 15ml DANIEL SMITH tube?\u003c\/h3\u003e\n\u003cp\u003eThis extra-fine watercolour delivers high pigment load and consistent handling thanks to careful grind and pure gum arabic binder. It is formulated for excellent lightfastness and minimal fillers, producing dependable staining and transparency suitable for professional techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for strong colour and tinting strength.\u003c\/li\u003e\n  \u003cli\u003eNon-staining and transparent properties for glazing and lifts.\u003c\/li\u003e\n  \u003cli\u003eFinely controlled grind to encourage smooth rewetting and flow.\u003c\/li\u003e\n  \u003cli\u003ePackaged in a 15ml squeezable tube for precise dispensing and portability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Pearlescent Shimmer with other DANIEL SMITH colours?\u003c\/h3\u003e\n\u003cp\u003eYes—this pearlescent shimmer mixes cleanly with other transparent and semi-transparent DANIEL SMITH hues, creating subtle metallic or iridescent effects. Because the shimmer is designed to remain luminous without overpowering, small proportions can transform ordinary pigments into pearlescent variants.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine with transparent colours to keep sheen and clarity.\u003c\/li\u003e\n  \u003cli\u003eTest small mixes first to control intensity and opacity.\u003c\/li\u003e\n  \u003cli\u003ePairs well with luminescent and PrimaTek pigments for special effects.\u003c\/li\u003e\n  \u003cli\u003eAvoid heavy-bodied mixes if you need pure transparency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and use this watercolour for best longevity?\u003c\/h3\u003e\n\u003cp\u003eStore the tube tightly capped in a cool, dry place away from direct sunlight to maintain performance. Use a damp brush to lift paint from the tube, reseal after each session, and avoid contaminating the pigment with other colours to preserve lightfastness and reusability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep cap closed to prevent drying and contamination.\u003c\/li\u003e\n  \u003cli\u003eStore at moderate temperature away from heat or freezing.\u003c\/li\u003e\n  \u003cli\u003eClean tube threads after use to ensure a tight seal.\u003c\/li\u003e\n  \u003cli\u003eTest lightfastness in small studies for archival work planning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a professional pearlescent effect in a reliable, lightfast watercolour—suitable for illustrators, fine artists, and mixed-media painters who need a luminous highlight or subtle iridescence without sacrificing the handling of traditional watercolours. Whether you’re exploring luminosity in botanical details, metallic highlights in portraits, or atmospheric sheen in landscapes, this DANIEL SMITH 15ml Pearlescent Shimmer tube offers a convenient, studio-grade solution.\u003c\/p\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pearlescent watercolour lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: DANIEL SMITH formulates watercolours for excellent lightfastness; test mixes as needed for archival projects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this on mixed-media surfaces?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—reactivates with water and works over prepared surfaces, or use DANIEL SMITH Watercolour Ground for non-paper supports.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750519121,"sku":"B001PTAVRM","price":29.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-pearlescent-shimmer-front-tube.jpg?v=1791645290"},{"product_id":"daniel-smith-extra-fine-watercolor-15ml-tube-duochrome-desert-bronze-luminescent-transparent","title":"DANIEL SMITH Extra Fine Watercolour 15ml Tube, Duochrome Desert Bronze — Luminescent, Transparent","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour 15ml in Duochrome Desert Bronze is a luminescent, duochrome paint that shifts between warm terra-cotta and a metallic jade for iridescent effects in watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube from DANIEL SMITH belongs to their Luminescent line, formulated with finely milled mica pigments coated with reflective metal oxides to produce a shimmering, colour-shifting finish. Designed and made in Seattle, WA, the brand tests each batch for performance and lightfastness so artists can expect consistent mixing behavior, reactivity to water, and archival quality in their palettes.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Duochrome Desert Bronze change my watercolour process?\u003c\/h3\u003e\n\n\u003cp\u003eDuochrome Desert Bronze behaves best when used as a glaze or layered over darker pigments: the mica particles catch light differently than conventional pigments, revealing the alternate hue depending on viewing angle and underlying tones. It can also be blended with other watercolours to add subtle iridescence without overpowering the base colour.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eUse diluted washes for faint sheen; thicker applications intensify the metallic shift.\u003c\/li\u003e\n  \u003cli\u003eLayer over dark values to maximize contrast and the jade-like reflection.\u003c\/li\u003e\n  \u003cli\u003eMix sparingly into other paints to introduce shimmer without losing tint strength.\u003c\/li\u003e\n  \u003cli\u003eReactivates with water for reworking and glazing techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the technical attributes of this 15ml tube?\u003c\/h3\u003e\n\n\u003cp\u003eDANIEL SMITH Extra Fine Watercolours are made with high pigment loads and pure gum arabic binder—no fillers—so Desert Bronze yields strong colour payoff and dependable handling. The formula conforms to ASTM D4236, contains pigment blends including PW20 and PW6, and is non-staining and transparent with distinctive granulation potential where mineral particles settle.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSize: 15ml tube — consistent with the brand’s full professional range.\u003c\/li\u003e\n  \u003cli\u003ePigment notes: includes PW20 and PW6 for light-reflective base.\u003c\/li\u003e\n  \u003cli\u003eProperties: transparent, excellent lightfastness, non-staining, granulating effects.\u003c\/li\u003e\n  \u003cli\u003eSafety\/standards: conforms to ASTM D4236; manufactured in the USA.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich subjects and styles benefit most from a luminescent duochrome?\u003c\/h3\u003e\n\n\u003cp\u003eThis duochrome shines in works that call for iridescence or metallic sheen: wildlife plumage, insects, shells, wet surfaces, veins of mineral-rich rocks, or stylized fantasy elements. It also enhances realistic metallics—like pewter or copper—without the opacity of traditional metallic paints, letting watercolour’s translucency remain visible.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWildlife: feathers and insect wings with subtle sheen.\u003c\/li\u003e\n  \u003cli\u003eLandscape and still life: wet rocks, water reflections, and glints.\u003c\/li\u003e\n  \u003cli\u003eFantasy and illustration: shimmering costumes, scales, or magical effects.\u003c\/li\u003e\n  \u003cli\u003eMixed-media layering over darker underpainting for strong shift.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle this tube to keep performance consistent?\u003c\/h3\u003e\n\n\u003cp\u003eKeep the tube capped tightly and stored in a cool, dry place away from direct sunlight to preserve binder integrity and pigment behavior. Because luminescent pigments are fine mica particles, gentle stirring before use may re-suspend settled particles; avoid contaminating the tube with other colours to maintain purity of the duochrome effect.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSeal cap after each use to prevent drying or contamination.\u003c\/li\u003e\n  \u003cli\u003eStore upright or horizontal in a stable, shaded environment.\u003c\/li\u003e\n  \u003cli\u003eStir or knead gently if pigments settle—don’t introduce other pigments into the tube.\u003c\/li\u003e\n  \u003cli\u003eUse with soft brushes and glazing techniques to maximize sheen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? DANIEL SMITH Duochrome Desert Bronze is aimed at professional and advanced hobbyist watercolourists who want to capture iridescent effects and add a reflective shift to their work. It’s also ideal for illustrators and mixed-media artists seeking archival-quality luminescence in a convenient 15ml tube, and for anyone exploring DANIEL SMITH’s wider range of unique PrimaTek and Luminescent pigments.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Duochrome Desert Bronze lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — made and tested by DANIEL SMITH for excellent lightfastness and conforms to ASTM D4236.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix sparingly to preserve the duochrome effect; best used as glazes or layered over darker colours.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750912337,"sku":"B001PTCRY2","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-desert-bronze-front-tube.jpg?v=1791645310"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-15ml-italian-deep-ochre-granulating-lightfast","title":"DANIEL SMITH Extra Fine Watercolour Paint 15ml — Italian Deep Ochre, Granulating \u0026 Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Extra Fine Watercolour, 15ml tube in Italian Deep Ochre, is a warm, granulating transparent pigment designed for permanent, archival watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eItalian Deep Ochre from DANIEL SMITH is a carefully formulated artist-grade watercolour that blends rich, earthy warmth with dependable lightfastness. Made in Seattle, WA, the 15ml tube contains high pigment load with pure gum arabic binder and no fillers, giving consistent performance whether you’re glazing, lifting, or working wet-on-wet. This shade reads slightly darker than traditional yellow ochre and shows delicate granulation that adds texture and natural variation to landscapes, architectural studies, and vintage palettes.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Italian Deep Ochre different from regular ochres?\u003c\/h3\u003e\n\u003cp\u003eItalian Deep Ochre has a deeper, more rustic brown tone than standard yellow ochres and emphasizes granulation for visible particle separation. Its transparency lets underlying layers show through, making it ideal for layered techniques and subtle shadows.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDeeper, warmer hue than traditional yellow ochre\u003c\/li\u003e\n  \u003cli\u003eTransparent with pronounced granulating texture\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration for strong tinting power\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for archival results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this paint handle in mixing and glazing?\u003c\/h3\u003e\n\u003cp\u003eItalian Deep Ochre mixes cleanly and retains its granulating character when combined with other pigments, producing natural earthy mixes. Because it is transparent, it layers well without muddying colours when used sparingly in glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes well with cool blues and greens for muted shadows\u003c\/li\u003e\n  \u003cli\u003eMakes warm, rich neutrals with burnt siennas or umbers\u003c\/li\u003e\n  \u003cli\u003eSuitable for thin glazes to build depth without covering underlayers\u003c\/li\u003e\n  \u003cli\u003eMaintains granulation even in diluted washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Italian Deep Ochre suitable for professional and student use?\u003c\/h3\u003e\n\u003cp\u003eYes — this colour meets professional expectations for permanence and handling while remaining accessible to beginners. DANIEL SMITH’s quality control and ASTM-conforming formulation ensure consistent results across batches, making it a reliable choice for study pieces and finished artwork.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 standards\u003c\/li\u003e\n  \u003cli\u003eNon-staining and transparent for easier corrections\u003c\/li\u003e\n  \u003cli\u003eGood lightfastness for long-lasting work\u003c\/li\u003e\n  \u003cli\u003e15ml tube provides a practical amount for regular studio use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and use the 15ml tube to get the best results?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube capped and stored upright in a cool, dry place to preserve the binder and pigment quality. Use a moist palette or rewet on a ceramic mixing surface to retain working time; a little water goes a long way because of the concentrated pigment load.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore capped, upright, away from direct sunlight\u003c\/li\u003e\n  \u003cli\u003eRehydrate on a ceramic or metal palette to control wash strength\u003c\/li\u003e\n  \u003cli\u003eTest mixes on scrap paper to judge transparency and granulation\u003c\/li\u003e\n  \u003cli\u003eClean brushes promptly to preserve bristle condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who favor traditional, natural palettes — landscape painters, illustrators, and plein air artists — will appreciate Italian Deep Ochre’s warm, rustic presence and granulating texture. It’s also a strong choice for anyone building a professional watercolour set who wants a dependable, lightfast earth tone that behaves predictably in layers and mixes. Whether you’re completing a finished piece or experimenting with texture, this 15ml tube from DANIEL SMITH delivers archival quality and the subtle character of a mineral-rich ochre.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Italian Deep Ochre lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Italian Deep Ochre from DANIEL SMITH offers excellent lightfastness suitable for archival artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Italian Deep Ochre with other pigments?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. It mixes cleanly with blues, greens, umbers, and siennas while retaining granulation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251750945105,"sku":"B001PT6XP6","price":30.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-italian-deep-ochre-front-tube.jpg?v=1791645311"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-15ml-tube-graphite-gray-opaque-non-granulating-neutral-for-value-studies","title":"DANIEL SMITH Extra Fine Watercolour Paint 15ml Tube — Graphite Grey, Opaque Non-Granulating Neutral for Value Studies","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Graphite Grey (15ml) is a professional, highly lightfast synthetic-graphite pigment made for expressive, controllable grey washes and detailed tonal work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube of Graphite Grey from DANIEL SMITH delivers an opaque, non-granulating neutral designed to behave like graphite in watercolour form. Formulated with high pigment load and pure gum arabic binder, it disperses quickly in water and keeps predictable handling, making it ideal for value studies, architectural elements, aged surfaces and subtle shadowing. Every batch meets stringent quality testing and conforms to ASTM D4236 for artist safety and performance.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Graphite Grey behave on wet and dry paper?\u003c\/h3\u003e\n\u003cp\u003eGraphite Grey mixes and moves readily when wet, allowing smooth washes and seamless value transitions. When used dry it retains a textured, pencil-like quality that can be reactivated or softened using a subsequent glaze.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDisperses quickly in water for even washes and smooth gradations.\u003c\/li\u003e\n  \u003cli\u003eDry-brush marks hold texture and can be softened with a wet brush.\u003c\/li\u003e\n  \u003cli\u003eNon-granulating finish keeps surfaces flat where needed.\u003c\/li\u003e\n  \u003cli\u003eLow staining enables easier lifting and adjustments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat subjects and techniques suit this colour best?\u003c\/h3\u003e\n\u003cp\u003eGraphite Grey excels for subjects that rely on controlled neutral tones and subtle texture — think weathered wood, stone, architectural lines, and preliminary value sketches. It pairs well with transparent colours to cool or mute hues without muddying mixes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eValue sketches and monochrome studies that mimic pencil shading.\u003c\/li\u003e\n  \u003cli\u003eWeathered surfaces like fence posts, roofs, aged walls and stone.\u003c\/li\u003e\n  \u003cli\u003eUnderpainting for tempering bright colours or creating depth.\u003c\/li\u003e\n  \u003cli\u003eDry-brush texture work followed by softening glazes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the technical properties and safety notes?\u003c\/h3\u003e\n\u003cp\u003eThis paint is labeled PBk 10 and is manufactured to DANIEL SMITH’s Extra Fine standards: high pigment concentration, pure gum arabic binder, and no fillers. It offers excellent lightfastness, opaque coverage, non-granulating behavior and low staining, and complies with ASTM D4236.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PBk 10 (synthetic graphite-type pigment).\u003c\/li\u003e\n  \u003cli\u003eProperties: opaque, non-granulating, low staining, excellent lightfastness.\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, milled to optimised particle size.\u003c\/li\u003e\n  \u003cli\u003eSafety: conforms to ASTM D4236; made in USA (Seattle, WA).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and store this 15ml tube for best results?\u003c\/h3\u003e\n\u003cp\u003eStore upright in a cool, dry place and keep the cap securely closed to preserve the gum arabic binder and pigment strength. For mixing, start with small amounts—Graphite Grey tints strongly and blends cleanly with transparent colours for controlled neutrals.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse a palette well or moist pan to rehydrate small drops.\u003c\/li\u003e\n  \u003cli\u003eAdd water gradually to reach desired wash density.\u003c\/li\u003e\n  \u003cli\u003eMix with transparent pigments to cool or neutralize hues.\u003c\/li\u003e\n  \u003cli\u003eSeal tube after use to prevent skinning and hardening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a reliable, graphite-like grey with professional permanence will appreciate DANIEL SMITH Graphite Grey. It suits watercolourists from advanced beginners to professionals who want a consistent neutral for studies, architectural work, realistic textures, and mixed palettes. If you need a high-quality, predictable grey that lifts, layers and mixes cleanly—this 15ml Extra Fine tube is engineered for that purpose.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Graphite Grey lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Graphite Grey offers excellent lightfastness and meets DANIEL SMITH’s quality testing standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift this colour after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Graphite Grey is low-staining and can be lifted or softened with water and a brush.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251751076177,"sku":"B001PTAU82","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-graphite-gray-front-tube.jpg?v=1791645311"},{"product_id":"daniel-smith-luminescent-watercolor-paint-tube-interference-silver-15ml-iridescent-glaze","title":"DANIEL SMITH Luminescent Watercolour Paint Tube — Interference Silver 15ml, Iridescent Glaze","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Luminescent™ Watercolour in Interference Silver is a finely milled, extra-fine 15ml tube paint that adds shimmering iridescence and reflective sheen to watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle by DANIEL SMITH, this Interference Silver is part of the Luminescent line—specialty watercolours formulated to give paintings sparkle, metallic sheen, or pearlescent highlights without metallic flakes. The pigment is suspended in pure gum arabic with no fillers, and each tube is produced and tested to meet high industry standards for permanence and lightfastness. Interference Silver works best as a top glaze or mixed carefully with other colours to create shifting, reflective effects that catch light at different angles.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Interference Silver change the look of my watercolour paintings?\u003c\/h3\u003e\n\u003cp\u003eInterference Silver produces an iridescent sheen that appears to shift as viewing angle or light changes, enhancing textures such as feathers, water, glass, and metallic surfaces. It is designed to sit as a luminous glaze or to be layered sparingly over dry washes for subtle highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdds pearlescent or metallic-looking reflection without gritty particles\u003c\/li\u003e\n  \u003cli\u003eBest used as a final glaze or delicate scumble for shine\u003c\/li\u003e\n  \u003cli\u003eWorks with other DANIEL SMITH colours to create optical colour shifts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the working properties and handling tips for this 15ml tube?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Luminescent paints are finely ground for smooth suspension in gum arabic, offering consistent rewetting and flow from a brush. Interference Silver is transparent and non-staining; use a soft brush, control water to avoid washing away underlying work, and allow complete drying between layers for strongest effect.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent, light-catching finish—use thin glazes for best results\u003c\/li\u003e\n  \u003cli\u003eReactivates with water for easy adjustments and lifts when wet\u003c\/li\u003e\n  \u003cli\u003eAllow full drying before overpainting to preserve iridescence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Interference Silver permanent and suitable for professional work?\u003c\/h3\u003e\n\u003cp\u003eYes—this Luminescent colour is manufactured to meet DANIEL SMITH’s standards for pigment quality and permanence. It carries excellent ASTM lightfastness ratings where applicable and is formulated with high pigment load and pure gum arabic to minimize filler content, making it appropriate for archival watercolour pieces when used as intended.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade in the USA with tested pigment formulations\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration and no fillers for enduring colour\u003c\/li\u003e\n  \u003cli\u003eCompatible with DANIEL SMITH watercolours and grounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Interference Silver creatively in my painting practice?\u003c\/h3\u003e\n\u003cp\u003eInterference Silver is ideal for accents—think glints on water, reflective highlights on metallic objects, or subtle shimmer on wings and scales. Try glazing over dark underpaints to maximize the reflective shift or mix a tiny bit into varnish-like washes for controlled shine.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlaze over dark tones to amplify iridescence\u003c\/li\u003e\n  \u003cli\u003eApply with a dry brush for targeted sparkle on textures\u003c\/li\u003e\n  \u003cli\u003eCombine with DANIEL SMITH Luminescent or PrimaTek colours for unique effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists from advanced hobbyists to professionals who want archival-quality, specialty effects in watercolour paintings. If you seek a reliable, non-gritty pearlescent or metallic sheen to elevate highlights or create shifting reflections, DANIEL SMITH Luminescent Interference Silver in a 15ml tube offers a concentrated, easy-to-control option that integrates with the full range of DANIEL SMITH watercolours and supports layered, light-responsive techniques.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness rating excellent\u003c\/li\u003e\n  \u003cli\u003eNon-staining\u003c\/li\u003e\n  \u003cli\u003eGranulating: yes\u003c\/li\u003e\n  \u003cli\u003eTransparent\u003c\/li\u003e\n  \u003cli\u003eInterference Silver 15ml Tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Interference Silver with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix sparingly to preserve iridescence; best used as a glaze or small addition to adjust sheen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will Interference Silver remain lightfast in finished work?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Formulated for excellent permanence; follow DANIEL SMITH guidelines and avoid excessive UV exposure for best longevity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251751043409,"sku":"B001PTAUK0","price":29.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-interference-silver-front-tube.jpg?v=1791645310"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-duochrome-green-pearl-15ml-luminescent-granulating-pigment","title":"DANIEL SMITH Extra Fine Watercolour Tube — Duochrome Green Pearl 15ml, Luminescent Granulating Pigment","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Duochrome Green Pearl is an extra-fine 15ml watercolour that shifts between green and pearlescent tones, offering luminous shimmer and granulating texture for expressive washes and highlights.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube is part of DANIEL SMITH’s Extra Fine Watercolours — a line formulated for maximum pigment load, excellent lightfastness, and uniquely beautiful effects. Duochrome Green Pearl falls into the company’s luminescent offerings: engineered to produce optical sheen and subtle colour shifts that mimic iridescence. Like all DANIEL SMITH watercolours, it uses high-quality pigments and pure gum arabic binder, milled to a grind that emphasizes the pigment’s natural properties.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Duochrome Green Pearl behave on paper?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Green Pearl lays down as a semi-transparent green with a pearly, reflective overlay that becomes more visible at certain angles. It shows moderate granulation, creating textured surfaces ideal for organic subjects such as foliage and mineral surfaces. The paint reactivates easily with water, allowing for washes, glazes, and layered builds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent body for layering and glazing\u003c\/li\u003e\n  \u003cli\u003eVisible pearlescent sheen when light hits at angles\u003c\/li\u003e\n  \u003cli\u003eGranulation adds subtle texture in washes\u003c\/li\u003e\n  \u003cli\u003eEasily re-wets for blending or lifting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting subjects benefit most from this colour?\u003c\/h3\u003e\n\u003cp\u003eSubjects that call for iridescence, reflective highlights, or a jewel-like green benefit most. Use it for hummingbird feathers, metallic accents, dewey leaves, mineral textures, and stylized botanical work. It pairs well with darker neutrals and other luminescent or granulating pigments to emphasize sparkle and depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFeathers, insects, and iridescent wildlife details\u003c\/li\u003e\n  \u003cli\u003eLeaves, moss, and landscape accents with sheen\u003c\/li\u003e\n  \u003cli\u003eMineral textures and gemstone effects\u003c\/li\u003e\n  \u003cli\u003eDecorative highlights over darker washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and layer Duochrome Green Pearl?\u003c\/h3\u003e\n\u003cp\u003eBecause this is a luminescent pigment, apply it as a top layer or glaze to retain its sheen. Mix sparingly with transparent colours to preserve the pearly effect; heavy mixing with opaque pigments can reduce iridescence. For controlled texture, apply granulating companions or use dry-brush strokes to enhance speckled appearance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse as a final glaze for maximum shimmer\u003c\/li\u003e\n  \u003cli\u003eMild mixtures preserve pearlescence better than heavy tints\u003c\/li\u003e\n  \u003cli\u003eWork on slightly textured paper to show granulation\u003c\/li\u003e\n  \u003cli\u003eLayer over darker colours for reflective highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pigment durable and suitable for professional work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are manufactured and tested to high industry standards for permanence and consistency. While luminescent paints emphasize optical effects over opacity, the formulation focuses on lightfastness and stable performance typical of the brand’s Extra Fine line. Use archival paper and proper display methods for best longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated for strong pigment load and consistent performance\u003c\/li\u003e\n  \u003cli\u003eManufactured and milled in the USA by DANIEL SMITH\u003c\/li\u003e\n  \u003cli\u003ePair with archival papers and fixatives if long-term display is desired\u003c\/li\u003e\n  \u003cli\u003eFollow standard watercolour conservation practices\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists seeking a specialty green with iridescent and granulating character will find Duochrome Green Pearl especially useful. It’s ideal for illustrators, botanical and wildlife painters, and mixed-media artists who want a striking reflective accent that reads differently from every angle. If you enjoy experimenting with optical effects, layering, and texture, this 15ml tube gives a concentrated sample of DANIEL SMITH’s luminescent capabilities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Duochrome Green Pearl with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix lightly with transparent pigments to retain shimmer; heavy mixing can mute the pearlescent effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Daniel Smith watercolours focus on permanence and lightfastness, but follow archival display practices for best longevity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251751174481,"sku":"B001PT6WF2","price":29.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-duochrome-green-pearl-front-tube.jpg?v=1791645312"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-lunar-red-rock-15ml-granulating-violet-red-lightfast","title":"DANIEL SMITH Extra-Fine Watercolour Paint, Lunar Red Rock 15ml — Granulating Violet-Red, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Lunar Red Rock is an extra-fine, 15ml watercolour tube that delivers a granulating violet-red wash with excellent lightfastness and painter-friendly handling.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis richly pigmented 15ml tube from DANIEL SMITH gives artists a deep burgundy-violet colour that separates and granulates beautifully on textured paper. Formulated to meet professional standards, Lunar Red Rock offers reliable permanence and consistent performance. Packaged in the brand’s extra-fine line, this colour is made with a high pigment load and pure gum arabic binder for clean mixing and strong tinting power.\u003c\/p\u003e\n\n\u003ch3\u003eWhat visual effects can I expect from Lunar Red Rock?\u003c\/h3\u003e\n\u003cp\u003eLunar Red Rock produces an eye-catching granulation that settles into paper texture, creating natural-looking variations and reticulated patterns. It reads as a violet-leaning red in heavier applications and a soft rosy wash when diluted. The paint shows low staining, so lifted highlights are easier to retrieve.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGranulates strongly on cold-press and rough paper\u003c\/li\u003e\n  \u003cli\u003eViolet-red tone that shifts with dilution and layering\u003c\/li\u003e\n  \u003cli\u003eLow-staining behavior helps with lifts and corrections\u003c\/li\u003e\n  \u003cli\u003eReticulated, textured patterns in wet-on-wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Lunar Red Rock behave in mixes and glazing?\u003c\/h3\u003e\n\u003cp\u003eThis pigment mixes cleanly with other colours, adding depth and granulated texture without muddying mixtures. As a semi-transparent colour, it’s excellent for glazing and building colour depth in layers. It responds predictably when diluted, allowing controlled shifts from intense colour to delicate washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent for layered glazing and delicate tints\u003c\/li\u003e\n  \u003cli\u003eMarries well with neutrals, blues, and warm earth tones\u003c\/li\u003e\n  \u003cli\u003eMaintains granulation character in mixtures\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength — small amounts go a long way\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this watercolour durable and safe for archival work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates its extra-fine watercolours to meet strict industry standards for permanence; Lunar Red Rock exhibits excellent lightfastness for long-lasting results. The paint conforms to ASTM D4236, and each batch is tested for performance. For archival pieces, use high-quality watercolour paper and protect finished work with proper framing or storage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness for stable colour over time\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 labeling standards\u003c\/li\u003e\n  \u003cli\u003eHigh pigment concentration with pure gum arabic binder\u003c\/li\u003e\n  \u003cli\u003eProduced and tested in the USA (Seattle, WA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and store this 15ml tube for best results?\u003c\/h3\u003e\n\u003cp\u003eUse Lunar Red Rock straight from the tube onto a wet palette, or dilute on a ceramic mixing surface for washes. For maximum granulation, apply to damp paper and allow pigment to settle naturally. Store the tube capped tightly in a cool, dry place away from direct sunlight to preserve freshness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply wet-on-wet for strongest granulation effects\u003c\/li\u003e\n  \u003cli\u003eLayer semi-transparent glazes for depth without losing texture\u003c\/li\u003e\n  \u003cli\u003eKeep cap sealed and store in cool, shaded conditions\u003c\/li\u003e\n  \u003cli\u003eUse quality watercolour paper to emphasize granulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Lunar Red Rock is ideal for watercolourists who want a vivid, granulating red-violet that enhances landscapes, florals, portraits, and mixed palettes with natural texture. It suits professional artists and dedicated hobbyists seeking consistent lightfast performance, strong tinting strength, and expressive granulation in a convenient 15ml tube. If you value unique pigments and the ability to create richly textured washes, Lunar Red Rock is a useful addition to a full DANIEL SMITH collection.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Lunar Red Rock lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Lunar Red Rock has excellent lightfastness and is formulated for long-term colour stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What pigment is used in this colour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This colour is formulated with PR101 and delivers semi-transparent, granulating violet-red washes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251752517969,"sku":"B001PT6XYW","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-lunar-red-rock-front-tube.jpg?v=1791645332"},{"product_id":"daniel-smith-transparent-red-oxide-watercolor-tube-15ml-extra-fine-granulating-non-staining","title":"DANIEL SMITH Transparent Red Oxide Watercolour Tube 15ml — Extra-Fine, Granulating, Non-Staining","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Transparent Red Oxide is an extra-fine, highly transparent 15ml watercolour that delivers warm red-oxide tones with strong granulation and professional lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHand-milled in the USA, this 0.5 fl oz tube from DANIEL SMITH puts a rich, versatile red-oxide pigment in a premium gum arabic vehicle for consistent performance. Formulated to meet high industry standards and ASTM testing, the colour is ideal for artists who want a dependable, mixable pigment that produces warm underglazes, beautiful granulating textures, and reliable permanence.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Transparent Red Oxide behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThis colour is highly transparent and shows pronounced granulation, settling pigment particles into paper texture for organic, mineral-like patterns. It layers cleanly without heavy staining, making it simple to build glazes or lift highlights. Expect warm reddish-brown shifts as washes dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent—preserves layered luminosity and glazing effects\u003c\/li\u003e\n  \u003cli\u003eGranulating—creates textured, natural-looking surfaces\u003c\/li\u003e\n  \u003cli\u003eNon-staining—lifts and blends easily for corrections\u003c\/li\u003e\n  \u003cli\u003eWarm red-oxide undertone—works well for earth tones and warm shadows\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical qualities should artists know before buying?\u003c\/h3\u003e\n\u003cp\u003eDaniel Smith watercolours are formulated from high-quality pigments and pure gum arabic, milled to optimize pigment load and working properties. Transparent Red Oxide uses PR101 pigment and conforms to ASTM standards; batches are tested for lightfastness and consistency so you get predictable results every time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment: PR101 — classic iron oxide family\u003c\/li\u003e\n  \u003cli\u003eLightfastness: excellent — suitable for archival work\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic with no fillers\u003c\/li\u003e\n  \u003cli\u003eTube size: 15ml (0.5 fl oz) — travel-friendly and refillable in palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will this colour mix with other paints and fit into palettes?\u003c\/h3\u003e\n\u003cp\u003eTransparent Red Oxide is a versatile mixer: it tames overly bright primaries, strengthens earth palettes, and adds warm depth to shadows. Because it’s transparent and non-staining, it produces clear glazes and layered colour shifts without muddying mixtures. Use it with cool blues for muted browns or layer over ochres for glowing midtones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePairs well with ultramarine and phthalo blues for natural browns\u003c\/li\u003e\n  \u003cli\u003eGlazes over ochres to warm up landscapes and portraits\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity when mixed—good for controlled toning\u003c\/li\u003e\n  \u003cli\u003eCompatible with Daniel Smith PrimaTek and Luminescent ranges for special effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this paint best suited for? Professional and hobby watercolourists who want a dependable, archival red-oxide that offers natural granulation and excellent transparency will value this tube. It’s especially useful for landscape painters, urban sketchers, and anyone who builds layered glazes or enjoys subtle textural effects. Beginners who wish to invest in a high-quality core earth tone will also find it straightforward to use and forgiving in practice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Transparent Red Oxide lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pigment conforms to ASTM standards and is formulated for excellent lightfastness suitable for archival watercolour work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix this with other Daniel Smith colours easily?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely. Its transparency and non-staining nature make it ideal for clean glazes and predictable mixes with blues, ochres, and other earth tones.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251759333713,"sku":"B001PT8Y4E","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-transparent-red-oxide-front-tube.jpg?v=1791645392"},{"product_id":"daniel-smith-phthalo-blue-green-shade-extra-fine-watercolor-tube-15ml-transparent-high-chroma-staining","title":"DANIEL SMITH Phthalo Blue (Green Shade) Extra-Fine Watercolour Tube 15ml — Transparent, High-Chroma, Staining","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Phthalo Blue (Green Shade) extra-fine watercolour in a 15ml tube is a high-chroma, professional-grade pigment made for vivid, permanent washes and luminous mixes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description focuses on a staple colour in many painters’ palettes: a cool, intense phthalo blue with a green bias that delivers clean staining passages, brilliant glazes, and deep reflective shadows. Manufactured by DANIEL SMITH in Seattle, this formulation emphasizes lightfastness, pigment purity, and a professional gum arabic binder without fillers, so artists can rely on consistent performance across washes and mixes.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Phthalo Blue (Green Shade) behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThis pigment is highly staining and very transparent, producing saturated washes that maintain chroma when diluted. It does not granulate, so edges and gradients stay smooth, making it ideal for clear skies, clean shadows, and glazing layers where colour clarity matters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHighly staining—resists lifting once dry\u003c\/li\u003e\n  \u003cli\u003eTransparent—excellent for layered glazes\u003c\/li\u003e\n  \u003cli\u003eNon-granulating—smooth, even washes\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength—small amounts go far\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical mixing options does this blue offer?\u003c\/h3\u003e\n\u003cp\u003ePhthalo Blue (Green Shade) mixes exceptionally well to produce vibrant secondary colours and deep neutrals. Mix with warm yellows for vivid greens, with quinacridone or alizarin hues to make deep teals and darks, or combine with neutrals to create saturated shadow tones without muddiness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with Hansa Yellow for luminous greens\u003c\/li\u003e\n  \u003cli\u003eCombine with warm reds for teal and deep turquoise\u003c\/li\u003e\n  \u003cli\u003eUse with neutrals for controlled cool shadows\u003c\/li\u003e\n  \u003cli\u003eSmall additions dramatically alter tinting—test swatches recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint durable and archival for finished work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are formulated to meet high industry standards for permanence and lightfastness. This phthalo variant uses stable pigments and is tested for durability, making it suitable for works where long-term colour stability is important.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent lightfastness ratings where applicable\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder—no fillers added\u003c\/li\u003e\n  \u003cli\u003eManufactured and batch-tested in the USA for consistency\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use and store this 15ml tube for best results?\u003c\/h3\u003e\n\u003cp\u003eUse a moist palette, lifting small amounts with a wet brush to control intensity; because the pigment is very concentrated, a little makes vivid passages. Store caps tightly closed in a cool, dark place to preserve the binder and avoid skinning of leftover paint in the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDispense sparingly—high tinting strength\u003c\/li\u003e\n  \u003cli\u003eKeep tube capped and away from direct sunlight\u003c\/li\u003e\n  \u003cli\u003eUse on properly sized watercolour paper or prepared grounds\u003c\/li\u003e\n  \u003cli\u003eRe-wet dried paint from dot cards or pans for experimentation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a dependable, professional phthalo blue with a green bias—ideal for illustrators, landscape painters, botanical artists, and anyone needing intense, clean colour for glazing, skies, and reflective shadows. Whether you’re expanding a professional palette or selecting a first professional-grade tube, this 15ml Phthalo Blue (Green Shade) offers the concentration, permanence, and mixing versatility DANIEL SMITH is known for.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Phthalo Blue (Green Shade) lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—this DANIEL SMITH phthalo blue is formulated for excellent lightfastness and archival performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this colour granulate or lift easily?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—Phthalo Blue (Green Shade) is non-granulating and highly staining, so it resists lifting once dry.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251759268177,"sku":"B001PTCTYK","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-phthalo-blue-green-shade-front-tube.jpg?v=1791645395"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-phthalo-green-blue-shade-15ml-transparent-super-staining-high-chroma","title":"DANIEL SMITH Extra Fine Watercolour Tube — Phthalo Green Blue Shade 15ml, Transparent Super-Staining High-Chroma","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Phthalo Green Blue Shade is a transparent, super-staining green (PG7) made for vibrant glazes, deep darks, and clean colour mixing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDANIEL SMITH watercolours are formulated and milled in Seattle to meet professional standards for pigment load, permanence, and working properties. This 15ml tube of Phthalo Green Blue Shade delivers a concentrated black-green that shifts slightly toward blue, giving painters a versatile green that remains luminous when diluted and powerful when applied straight from the tube.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Phthalo Green Blue Shade different from other greens?\u003c\/h3\u003e\n\u003cp\u003ePhthalo Green Blue Shade (PG7) is an organic phthalocyanine pigment that reads as a deep, cool green with a bluish bias. It is known for intense tinting strength and transparency, so it creates vivid glazes and crisp colour mixes without muddying. Because it is super-staining, it holds well on the paper and resists lifting when used in later layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment concentration for strong chroma and economical use.\u003c\/li\u003e\n  \u003cli\u003eTransparent and non-granulating — ideal for clean glazing and layering.\u003c\/li\u003e\n  \u003cli\u003eSuper-staining: excellent for dark values and permanent washes.\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 for artist materials safety and performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will this colour behave in mixes and glazes?\u003c\/h3\u003e\n\u003cp\u003eIts bluish undertone lets you cool mixtures or push toward teal when combined with yellows, while maintaining clarity. Because Phthalo Green Blue Shade is so strong, use it sparingly in mixes to avoid overpowering other pigments. In glazing, thin applications preserve luminosity and create rich, layered colour effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes cleanly with yellows to make bright chartreuse tones.\u003c\/li\u003e\n  \u003cli\u003eCombines with reds for deep, cool shadows and muted darks.\u003c\/li\u003e\n  \u003cli\u003eThin glazes maintain transparency and create depth in landscapes and botanicals.\u003c\/li\u003e\n  \u003cli\u003eSmall additions go a long way—start light and build intensity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it perform on different watercolour papers and techniques?\u003c\/h3\u003e\n\u003cp\u003eOn hot-pressed paper the colour lays smoothly; on cold-pressed or rough textures it remains non-granulating and keeps even washes. Its staining quality makes it reliable for wet-on-wet backgrounds and decisive wet-on-dry detail work. Artists who lift paint for highlights should note that lifting this pigment is difficult once it dries.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHot-pressed: smooth, even colour with crisp edges.\u003c\/li\u003e\n  \u003cli\u003eCold-pressed\/rough: consistent transparency without granulation.\u003c\/li\u003e\n  \u003cli\u003eWet-on-wet: strong bleed and vibrant spreads; control with dilution.\u003c\/li\u003e\n  \u003cli\u003eWet-on-dry: excellent for defined brushwork; limited liftability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose DANIEL SMITH Extra Fine Watercolours for studio work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH emphasizes pigment purity and lightfastness across a broad palette, and this Phthalo Green Blue Shade benefits from that approach. Each 15ml tube is milled to an optimised grind and binder ratio using pure gum arabic and no fillers, giving consistent flow, re-wettability, and archival performance. The brand’s extensive colour range lets you match and layer with a wide selection of complementary hues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePure gum arabic binder with maximum pigment load and no fillers.\u003c\/li\u003e\n  \u003cli\u003eMade in the USA, batch-tested for performance and permanence.\u003c\/li\u003e\n  \u003cli\u003ePart of a 240+ colour library for wide creative options and unique pigments.\u003c\/li\u003e\n  \u003cli\u003eSuitable for fine art, illustration, botanical, landscape, and mixed-media use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a dependable, high-chroma green that stays true in mixes, builds luminous glazes, and performs consistently across papers. Whether you are a professional watercolourist refining palettes or an enthusiastic hobbyist exploring colour mixing, DANIEL SMITH Phthalo Green Blue Shade provides professional-grade transparency, staining power, and archival quality in a handy 15ml tube.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Phthalo Green Blue Shade lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Phthalo Green Blue Shade (PG7) is rated excellent for lightfastness and conforms to ASTM permanence standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift this colour after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Because it is super-staining, lifting is limited; light lifting may be possible when re-wetted but not reliably complete.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251760972113,"sku":"B001PTCTZE","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-tube-front-phthalo-green-blue-shade.jpg?v=1791645415"},{"product_id":"daniel-smith-luminescent-watercolor-paint-iridescent-blue-silver-15ml-metallic-sheen-transparent-glaze","title":"DANIEL SMITH Luminescent Watercolour Paint — Iridescent Blue Silver 15ml, Metallic Sheen \u0026 Transparent Glaze","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Luminescent Iridescent Blue Silver is a 15ml extra-fine watercolour tube that adds metallic sheen and subtle shimmer to washes and details.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis paint is part of DANIEL SMITH’s Luminescent range, formulated to create optical effects like iridescence and reflective glow that mimic feathers, metals, and wet highlights. Made in Seattle with high-quality pigments and pure gum arabic, this 0.5 fl oz tube delivers consistent, lightfast colour with a transparent, granulating character that mixes and layers cleanly.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Iridescent Blue Silver change my watercolour palette?\u003c\/h3\u003e\n\u003cp\u003eThis colour introduces a pearlescent sheen that sits on top of or within washes, allowing you to suggest metallic surfaces, wet highlights, or luminous accents without opaque gouache. It blends into other transparent paints to create luminous shifts and can be used sparingly for maximum effect.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProvides a metallic, reflective sheen when applied lightly or lifted for highlights.\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with transparent colours to add shimmer without muddiness.\u003c\/li\u003e\n  \u003cli\u003eWorks well over dry washes to create subtle reflective details.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the working properties and permanence of this tube?\u003c\/h3\u003e\n\u003cp\u003eDaniel Smith Luminescent paints are formulated for archival performance and professional use. This Iridescent Blue Silver is transparent, non-staining, and ASTM-rated for excellent lightfastness when used as intended, giving stable, long-lasting shimmer in finished work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtra-fine pigment ground to a balanced particle size for smooth application.\u003c\/li\u003e\n  \u003cli\u003eGum arabic binder with no fillers for strong pigment load and reactivity.\u003c\/li\u003e\n  \u003cli\u003eTested in batches to meet industry standards for permanence and consistency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I apply Iridescent Blue Silver for best effects?\u003c\/h3\u003e\n\u003cp\u003eYou can use this tube straight from the tube for dense reflective strokes or dilute it for luminous glazes. It reactivates with water, allowing lifting and softening; layering over dry colours delivers targeted sparkle while glazing thin washes creates an all-over sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse a damp brush to spread thin iridescent glazes over dried colour for subtle shimmer.\u003c\/li\u003e\n  \u003cli\u003eApply directly for concentrated metallic strokes on details like feathers or jewellery.\u003c\/li\u003e\n  \u003cli\u003eLift with a clean wet brush to create highlights or soften edges for gentle reflection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this colour granulate or affect texture in my painting?\u003c\/h3\u003e\n\u003cp\u003eYes—many Daniel Smith pigments are selected for their granulating tendencies, and the Luminescent line can reveal fine texture when used on textured paper. Granulation adds a tactile, natural surface quality that enhances atmospheric and mineral effects without obscuring the iridescent sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGranulates subtly on cold-pressed or rough papers for organic texture.\u003c\/li\u003e\n  \u003cli\u003eCombines with non-granulating colours to create layered depth and movement.\u003c\/li\u003e\n  \u003cli\u003eBest used with quality watercolour paper to show both sheen and texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want to introduce metallic or pearlescent highlights—illustrators, wildlife painters, and mixed-media creators—will find this 15ml tube handy for adding special optical effects without resorting to opaque metallics. If you value archival quality, predictable performance, and a wide palette of uniquely formulated colours, this Luminescent Iridescent Blue Silver is a professional-grade choice for enhancing details and creating luminous surfaces in watercolour work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness rating excellent\u003c\/li\u003e\n  \u003cli\u003eNon-staining\u003c\/li\u003e\n  \u003cli\u003eGranulating yes\u003c\/li\u003e\n  \u003cli\u003eTransparent\u003c\/li\u003e\n  \u003cli\u003eIridescent Blue Silver 15ml Tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this Luminescent paint lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Luminescent Iridescent Blue Silver is formulated and batch-tested to meet high lightfastness standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix it with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes cleanly with transparent watercolours to add shimmer without heavy opacity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251766804817,"sku":"B001PTAUS2","price":29.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-iridescent-blue-silver-front-tube.jpg?v=1791645507"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-prussian-blue-15ml-transparent-medium-high-staining","title":"DANIEL SMITH Extra Fine Watercolour Paint Prussian Blue (15ml) — Transparent, Medium-High Staining","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Prussian Blue (15ml) is a professional-grade, transparent blue paint prized for its strong staining, subtle granulation, and reliable lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube of Prussian Blue (PB27) is part of DANIEL SMITH’s Extra Fine line — a palette engineered for artists who demand colour purity, permanence, and consistent performance. Made in Seattle and formulated with high pigment load and pure gum arabic binder, this blue blends smoothly, disperses evenly in washes, and holds up to archival standards.\u003c\/p\u003e\n\n\u003ch3\u003eWhat visual qualities does Prussian Blue bring to a watercolour palette?\u003c\/h3\u003e\n\u003cp\u003ePrussian Blue delivers a cool, slightly green-leaning blue that is transparent and medium-to-high in staining power. It can produce even, luminous washes or more textured, granulating passages depending on dilution and paper choice.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent colour with clear, luminous washes\u003c\/li\u003e\n  \u003cli\u003eMedium–high staining for strong layering and glazing\u003c\/li\u003e\n  \u003cli\u003eSubtle granulation that adds texture in washes\u003c\/li\u003e\n  \u003cli\u003eWorks well mixed with warmer pigments for varied blue-grays\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this tube perform in washes, glazing, and lifting?\u003c\/h3\u003e\n\u003cp\u003eThe paint disperses readily for broad washes and holds its tint in thin layers without losing brilliance. Its staining tendency makes complete lifting difficult once layered, but that quality supports robust glazing and intense colour buildup.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEasily forms even large-area washes with minimal streaking\u003c\/li\u003e\n  \u003cli\u003eExcellent for transparent glazes and layered colour effects\u003c\/li\u003e\n  \u003cli\u003eModerate to difficult lifting after drying due to staining\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other DANIEL SMITH colours and cadmium hues\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint permanent and suitable for archival work?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Extra Fine Watercolours are formulated and tested to meet rigorous industry standards; Prussian Blue conforms to ASTM labeling and offers excellent lightfastness. That makes it a dependable choice when longevity and colour stability matter.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 standards\u003c\/li\u003e\n  \u003cli\u003eRated for strong lightfastness among comparable pigments\u003c\/li\u003e\n  \u003cli\u003eMade with high pigment load and pure gum arabic binder\u003c\/li\u003e\n  \u003cli\u003eProduced in the USA under controlled formulation and testing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do artists use this colour in practice?\u003c\/h3\u003e\n\u003cp\u003ePrussian Blue is versatile: useful for skies, deep water, cool shadows, and moody atmospheres. Its transparency makes it excellent for layering, while its slightly greener tone distinguishes it from other strong blues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for marine scenes, nocturnes, and cool shadow passages\u003c\/li\u003e\n  \u003cli\u003eCombine with warm yellows or earths to neutralize or create greys\u003c\/li\u003e\n  \u003cli\u003eMix with luminescent or granulating colours for special effects\u003c\/li\u003e\n  \u003cli\u003eApply in thin layers to retain luminosity, or use more concentrated for depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? This 15ml Prussian Blue suits professional artists, illustrators, and dedicated hobbyists who want archival-grade pigments with predictable behavior. It’s an excellent addition to any studio palette for those who value colour purity, dependable lightfastness, and the flexibility to create both smooth washes and textured granulation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Prussian Blue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Prussian Blue conforms to ASTM standards and offers strong lightfastness suitable for archival artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How concentrated is the 15ml tube for layering?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The 15ml tube contains a high pigment load ideal for multiple glazes and concentrated passages without losing intensity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251766837585,"sku":"B001PTAWCG","price":30.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-prussian-blue-front-tube.jpg?v=1791645506"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-tube-burnt-sienna-15ml-high-pigment-lightfast","title":"DANIEL SMITH Extra Fine Watercolour Paint Tube Burnt Sienna 15ml — High-Pigment, Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Burnt Sienna Extra Fine Watercolour is a high-pigment, lightfast 15ml tube that delivers warm, granulating earth tones ideal for professional and student watercolourists.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube offering from DANIEL SMITH brings a classic transparent-to-semi-transparent earth pigment formulated for permanence and consistent mixing. Made in Seattle with the brand’s exacting standards, this Burnt Sienna is engineered for dependable layering, attractive granulation, and clean mixing behavior. The formulation uses pure pigments with gum arabic binder and no fillers, so you get concentrated colour payoff in every brushstroke.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this Burnt Sienna perform for landscape and plein air painting?\u003c\/h3\u003e\n\u003cp\u003eBurnt Sienna is a foundational colour for landscapes—its warm brown-red tone can describe soil, tree bark, and distant hills while maintaining natural-looking transparency. It granulates nicely, adding texture and visual interest in washes and drybrush work. Because it mixes cleanly, it’s a reliable base for building shadow mixes or muted warm neutrals.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent to semi-transparent body for layered glazing\u003c\/li\u003e\n  \u003cli\u003eGranulating properties that create natural texture\u003c\/li\u003e\n  \u003cli\u003eCleans up and mixes without muddiness\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for long-lasting artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes DANIEL SMITH Extra Fine watercolours different from student-grade paints?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH selects high-quality pigments and optimizes grind and pigment load to maximize colour strength while minimizing inert binder. Each colour batch is tested for permanence and performance so professional expectations are met. The result is richer chroma, consistent handling, and superior longevity compared with economy paints.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePure pigment concentration—no fillers that dilute colour\u003c\/li\u003e\n  \u003cli\u003eOptimised grind for the colour’s characteristic effects\u003c\/li\u003e\n  \u003cli\u003eIndustry testing for lightfastness and consistency\u003c\/li\u003e\n  \u003cli\u003eMade in the USA to controlled production standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this tube behave in mixes and layered glazing?\u003c\/h3\u003e\n\u003cp\u003eBurnt Sienna from DANIEL SMITH maintains its warmth and transparency when mixed, making it excellent for subtle shadowing or building complex earthy neutrals. It tints strongly, so small amounts influence mixtures significantly, allowing precise control. In glazing, it lays down clear, stain-free layers that preserve the luminosity of underlying washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong tinting strength—use sparingly in mixtures\u003c\/li\u003e\n  \u003cli\u003eStays transparent in glazes to preserve luminosity\u003c\/li\u003e\n  \u003cli\u003eCompatible with the full DANIEL SMITH colour range\u003c\/li\u003e\n  \u003cli\u003eNon-sullying in consecutive layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pigment safe and archival for finished artwork?\u003c\/h3\u003e\n\u003cp\u003eThe paint conforms to ASTM standards and is formulated for permanence and lightfastness appropriate for display and sale. DANIEL SMITH provides information on pigment composition (PBr 7 for this colour) and tests batches to ensure consistent archival properties. As with all artist materials, allow painted work to dry fully and store or frame under suitable conditions to maximize longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMarked PBr 7 pigment identification\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067\u003c\/li\u003e\n  \u003cli\u003eDesigned for long-term colour stability\u003c\/li\u003e\n  \u003cli\u003eSuitable for professional, student, and hobby use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a dependable, richly pigmented Earth tone—whether you are a plein air painter, a studio artist building layered washes, or a student upgrading to artist-grade supplies—will find this 15ml Burnt Sienna from DANIEL SMITH a reliable and versatile addition to your palette. It pairs well with the full DANIEL SMITH lineup, including PrimaTek and Luminescent ranges, giving creative flexibility across realistic and expressive approaches.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Burnt Sienna lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Burnt Sienna is formulated for excellent lightfastness and conforms to ASTM permanence standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much paint is in this tube and who is it suited for?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The tube contains 15ml (0.5 fl oz), ideal for students and professionals seeking a long-lasting, high-pigment earth tone.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251767001425,"sku":"B001PTCXQO","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-burnt-sienna-front-tube.jpg?v=1791645507"},{"product_id":"daniel-smith-hookers-green-extra-fine-watercolor-15ml-tube-semi-transparent-lightfast","title":"DANIEL SMITH Hooker's Green Extra Fine Watercolour 15ml Tube, Semi-Transparent Lightfast","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Hooker's Green Extra Fine Watercolour in a 15ml tube is a professional-grade, semi-transparent green paint formulated for permanence, consistent performance, and rich mixing strength.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Extra Fine watercolour from DANIEL SMITH delivers a classic Hooker's Green in a convenient 15ml tube. Made in Seattle with high-quality pigments and pure gum arabic binder, the paint is formulated to meet rigorous industry standards for lightfastness and handling. Artists will find it dependable whether glazing, layering, or mixing on the palette.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes DANIEL SMITH Hooker's Green different from student-grade paints?\u003c\/h3\u003e\n\u003cp\u003eThis tube uses premium pigment loads and no fillers, resulting in stronger colour, cleaner mixes, and better permanence than student lines. Every batch is tested for performance, ensuring consistent behavior and reliable lightfastness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtra fine pigment grind for optimal colour strength and flow\u003c\/li\u003e\n  \u003cli\u003eNo fillers—pure gum arabic binder for true pigment expression\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness rated very good for lasting results\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with quality control on every batch\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour behave in washes, glazes, and mixes?\u003c\/h3\u003e\n\u003cp\u003eHooker's Green in this formulation is semi-transparent and offers reliable mixing properties. It’s suitable for layered glazing, smooth washes, and for producing darker greens or muted tones when combined with earths and blues.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent body gives luminous layered colour\u003c\/li\u003e\n  \u003cli\u003eLow staining means easier lift and reworking in some areas\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with cadmiums, blues, and ochres to expand palette\u003c\/li\u003e\n  \u003cli\u003eBalances pigment load with workable vehicle for smooth application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paint suitable for granulation or special effects?\u003c\/h3\u003e\n\u003cp\u003eHooker's Green Extra Fine is formulated with a focus on even coverage rather than heavy granulation. While not a granulating pigment, it pairs well with granulating PrimaTek or Luminescent colours for varied textures and optical effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-granulating for consistent brushstrokes and smooth colour fields\u003c\/li\u003e\n  \u003cli\u003eCombines with PrimaTek pigments for mineral-like texture contrasts\u003c\/li\u003e\n  \u003cli\u003eWorks with Luminescent paints to add subtle sheen or reflective highlights\u003c\/li\u003e\n  \u003cli\u003eIdeal when used with DANIEL SMITH grounds and mediums for mixed-surface techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and use the 15ml tube to maximize longevity?\u003c\/h3\u003e\n\u003cp\u003eKeep the capped tube sealed and stored in a cool, dry place away from direct sunlight to preserve pigment and binder quality. Use a palette knife to remove small amounts to avoid contaminating the tube and to maintain the paint’s purity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore upright, capped tightly to prevent skinning or drying\u003c\/li\u003e\n  \u003cli\u003eAvoid contaminating the tube with wet brushes or other pigments\u003c\/li\u003e\n  \u003cli\u003eUse on paper prepared with DANIEL SMITH Watercolour Ground for versatile surfaces\u003c\/li\u003e\n  \u003cli\u003eSuitable for sketching, studio work, and fine-detail glazing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Professional and dedicated watercolourists who want a dependable, high-quality Hooker's Green with excellent mixing behavior and proven lightfastness. It’s also a strong choice for advanced students building a professional palette or artists exploring mixed techniques with DANIEL SMITH’s wider range of pigments and specialty lines.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in the USA\u003c\/li\u003e\n  \u003cli\u003eASTM lightfastness rating very good\u003c\/li\u003e\n  \u003cli\u003eLow staining\u003c\/li\u003e\n  \u003cli\u003eGranulating: no\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent\u003c\/li\u003e\n  \u003cli\u003eHooker's Green 15ml Tube\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Hooker's Green lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this Extra Fine Hooker's Green has an ASTM lightfastness rating of very good for durable colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this tube for glazing and layering?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Absolutely — the semi-transparent, extra-fine formulation is well suited to glazing, washes, and controlled layering.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251767656785,"sku":"B001PTER2M","price":29.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-hookers-green-front-tube.jpg?v=1791645531"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-duochrome-violet-fantasy-15ml-luminescent-pearlescent-shift","title":"DANIEL SMITH Extra-Fine Watercolour Paint — Duochrome Violet Fantasy 15ml, Luminescent Pearlescent Shift","description":"\u003cp\u003e\u003cstrong\u003eDuochrome Violet Fantasy is a 15ml tube of Daniel Smith’s extra-fine luminescent watercolour that shifts from reflective violet to green over darker grounds.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle with Daniel Smith’s reputation for high pigment load and careful milling, this Luminescent watercolour uses mica-based pigments coated with metal oxides to produce a pearlescent, shifting effect. It’s formulated with pure gum arabic and no fillers, meeting industry standards for permanence and lightfastness while giving artists a unique optical shimmer not achievable with ordinary pigments.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Duochrome Violet Fantasy behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThis colour shows its duochrome quality best over dark or blackened areas, where the reflective mica catches light and reveals a secondary green shift. It’s semi-transparent and works beautifully as a glaze, layering over other colours without obscuring underlying details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBest results: glazed over dark watercolour or black paper\u003c\/li\u003e\n  \u003cli\u003eAppearance: reflective violet with an audible green shift in angled light\u003c\/li\u003e\n  \u003cli\u003eWorking properties: semi-transparent, mixes cleanly, enhances sheen\u003c\/li\u003e\n  \u003cli\u003eFinish: pearlescent, light-reflective surface when dry\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this luminescent colour with my regular paints?\u003c\/h3\u003e\n\u003cp\u003eYes — Duochrome Violet Fantasy mixes well but is most effective when used sparingly to preserve its luminescent character. Adding small amounts to washes or using it as a glaze keeps the mica particles visible and maintains the shifting effect.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixing tip: add to darker mixes for a subtle iridescent edge\u003c\/li\u003e\n  \u003cli\u003eGlazing tip: apply thin layers to build intensity without flattening the sheen\u003c\/li\u003e\n  \u003cli\u003eCompatibility: pairs with both traditional Daniel Smith colours and Cadmium Hues\u003c\/li\u003e\n  \u003cli\u003eAvoid: heavy opaques that can mask the mica particles\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface and techniques highlight its special qualities?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Violet Fantasy excels on cold-pressed and hot-pressed watercolour papers and shows dramatic effects on black or heavily pigmented grounds. Techniques that emphasize translucency — wet-on-wet glazing, drybrush highlights, and lifting to reveal underlayers — bring out the best of the duochrome shimmer.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePreferred supports: high-quality watercolour paper, black paper, or prepared grounds\u003c\/li\u003e\n  \u003cli\u003eTechniques: glazing, layering, drybrush accents, spotting reflective highlights\u003c\/li\u003e\n  \u003cli\u003eUse with: Daniel Smith Watercolour Ground for painting on unconventional surfaces\u003c\/li\u003e\n  \u003cli\u003eFinish handling: varnish or protective fixatives only if compatible with mica\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this Daniel Smith luminescent watercolour?\u003c\/h3\u003e\n\u003cp\u003eFormulated to Daniel Smith’s exacting standards, the paint offers excellent lightfastness and permanence typical of their extra-fine watercolours. The tube contains a high pigment concentration with gum arabic binder and no fillers, and it conforms to ASTM D4236 for artist materials.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfastness: excellent for a luminescent formulation\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, no unnecessary fillers\u003c\/li\u003e\n  \u003cli\u003eTesting: individual batch testing for performance qualities\u003c\/li\u003e\n  \u003cli\u003eSize: 15ml tube — concentrated, long-lasting in normal use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want to add iridescent, colour-shifting effects to nature, fantasy, or metallic subjects will find Duochrome Violet Fantasy a ready tool. It’s ideal for watercolourists who already use Daniel Smith paints and want a specialty hue for feathers, insects, seashells, metallic sheens, or decorative highlights, from professionals to adventurous hobbyists.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will Duochrome Violet Fantasy cover white paper opaquely?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No, it’s semi-transparent and performs best as glazes or highlights over darker areas rather than opaque coverage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paint lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, formulated for excellent lightfastness and permanence and conforms to ASTM D4236.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251767689553,"sku":"B001PTCS5U","price":30.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-duochrome-violet-fantasy-front-tube.jpg?v=1791645529"},{"product_id":"daniel-smith-gray-titanium-watercolor-paint-15-ml-warm-mid-tone-granulating-pw6","title":"DANIEL SMITH Grey Titanium Watercolour Paint 15 ml — Warm Mid-Tone Granulating PW6","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Grey Titanium 15ml is a mid-tone, warm grey watercolour (pigment PW6) prized for its subtle yellow undertone, soft granulation, and versatile semi-transparent\/semi-opaque behavior.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEngineered by DANIEL SMITH, this 15 ml tube of Grey Titanium brings a refined, textured grey useful for lifelike animal fur, muted urban surfaces, and textured foliage. The hue sits between cool and warm greys, leaning slightly warm, which helps it blend naturally into sunlit landscapes and dry habitats. Its granulating quality creates a tactile surface that reads as natural texture in washes and layered glazing, while the single-pigment formulation mixes cleanly with other colours to warm or soften mixtures without muddiness.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Grey Titanium perform for wildlife and animal painting?\u003c\/h3\u003e\n\u003cp\u003eGrey Titanium excels at rendering animals with dusty, muted coats—think deer, tortoise shells, elephants, and camouflage-feathered birds. The colour’s warm undertone and granulation add realistic depth to fur and skin without overpowering subtle highlights. Use it for mid-tone areas, soft shadows, or textured details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWarm mid-tone grey with slight yellow undertone mimics desert and savanna tones\u003c\/li\u003e\n  \u003cli\u003eGranulating particle texture suggests coarse fur and weathered hides\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent to semi-opaque coverage for layering and glazing\u003c\/li\u003e\n  \u003cli\u003eSingle pigment (PW6) mixes cleanly with other watercolours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this colour useful in landscapes and architecture?\u003c\/h3\u003e\n\u003cp\u003eGrey Titanium’s balanced warmth and granular structure make it ideal for depicting light-coloured trunks, twigs, sandy earth, and sun-bleached concrete. It reads as textured distance or weathered surfaces in washes and pairs well with greens, ochres, and blues to create believable scenes with atmospheric depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates textured tree trunks, shrubs, and dry ground tones\u003c\/li\u003e\n  \u003cli\u003eSubtle warmth prevents scenes from appearing too cool or sterile\u003c\/li\u003e\n  \u003cli\u003eWorks as a neutral base for urban washes suggesting concrete\u003c\/li\u003e\n  \u003cli\u003eGranulation adds natural-looking surface detail in mid- and background\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and apply Grey Titanium for best results?\u003c\/h3\u003e\n\u003cp\u003eBecause it’s a single pigment with semi-transparent\/semi-opaque properties, Grey Titanium mixes predictably and can both tint warm and soften cooler colours. Use light washes for delicate backgrounds, denser pigment for textured mid-tones, and lift or glaze to refine edges and highlights. Layering preserves granulation and creates dimensional colour shifts.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin washes for atmospheric backgrounds; heavier loads for textured mid-tones\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with other pigments to warm or neutralize tones\u003c\/li\u003e\n  \u003cli\u003eLayer and glaze to retain granulation without losing colour clarity\u003c\/li\u003e\n  \u003cli\u003eLiftable while wet for adjusting subtle highlights and textures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and reliable is the product for professional use?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours are produced to artist standards with a wide colour range and consistent pigment quality. This 15 ml tube delivers dependable performance in lightfastness and handling, letting you trust it across studies, finished pieces, and mixed-media work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eManufactured by DANIEL SMITH, a leading artist paint maker\u003c\/li\u003e\n  \u003cli\u003eSingle pigment (PW6) formula ensures predictable mixing behavior\u003c\/li\u003e\n  \u003cli\u003eCompact 15 ml tube for studio use or travel sketching\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with rigorous quality control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who paint realistic wildlife, natural history illustrators, plein-air landscape painters, and urban sketchers will all find Grey Titanium a dependable mid-tone grey that enhances textures and grounds colour palettes. Whether you need a warm neutral for subtle animal fur, a textured wash for branches and trunks, or a clean mixing grey to warm other pigments, this 15 ml tube offers professional-grade handling and granulation in a compact size for studio or fieldwork.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Grey Titanium a single pigment colour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this Grey Titanium uses pigment PW6, giving predictable mixing and clean colour behavior.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What subjects suit this grey best?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Ideal for dusty wildlife, dry landscapes, light tree trunks, and urban concrete washes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251767886161,"sku":"B07QC9377T","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-gray-titanium-front-tube.jpg?v=1791645527"},{"product_id":"daniel-smith-transparent-yellow-oxide-extra-fine-watercolor-tube-15ml-transparent-granulating","title":"DANIEL SMITH Transparent Yellow Oxide Extra Fine Watercolour Tube 15ml — Transparent, Granulating","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Transparent Yellow Oxide (15ml) is a professional-grade, transparent earth-yellow pigment prized for warm golden glazes, subtle granulation, and long-lasting lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube from DANIEL SMITH delivers a rich, amber-toned yellow made from PY42 that remains clear in washes and mixes. Formulated with pure gum arabic and no fillers, it’s part of DANIEL SMITH’s Extra Fine line — a range engineered for archival permanence, consistent performance, and the broadest palette options available to watercolourists.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Transparent Yellow Oxide behave on paper?\u003c\/h3\u003e\n\u003cp\u003eTransparent Yellow Oxide lays down as a warm, transparent wash that keeps mixtures luminous rather than muddy. It shows a moderate granulation that adds subtle texture without overpowering detail, and it reactivates smoothly with water for glazing and layering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparency retains underlying layers for clear glazes\u003c\/li\u003e\n  \u003cli\u003eModerate granulation creates natural, earthy texture\u003c\/li\u003e\n  \u003cli\u003eNon-staining character allows clean lifts and corrections\u003c\/li\u003e\n  \u003cli\u003eIdeal for warm midtones, sepia-like glazes, and natural light\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical qualities should artists expect?\u003c\/h3\u003e\n\u003cp\u003eThis pigment conforms to industry standards and is selected for lightfastness and stability. The paint is milled to an optimal particle size to balance pigment load with a reliable binder, producing consistent coverage and predictable mixing behavior.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment number: PY42\u003c\/li\u003e\n  \u003cli\u003eAttributes: transparent, granulating, non-staining\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and D5067 for artist materials\u003c\/li\u003e\n  \u003cli\u003eFormulation: high pigment concentration in gum arabic, no fillers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it mix and what palettes complement it?\u003c\/h3\u003e\n\u003cp\u003eTransparent Yellow Oxide mixes cleanly with cool blues for soft greens and with warm reds for muted oranges and browns. Because it is transparent and non-staining, it preserves colour clarity in glazes and layered washes, making it a dependable mixing colour for landscapes and natural subjects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine with ultramarine or phthalo blue for subtle greens\u003c\/li\u003e\n  \u003cli\u003eMix with quinacridone or alizarin hues for warm midtones and earth reds\u003c\/li\u003e\n  \u003cli\u003eLayer thin glazes to build depth without losing luminosity\u003c\/li\u003e\n  \u003cli\u003eUse with granulating blues for textured skies and rocks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want a reliable, archival earth-yellow that behaves predictably in mixes, glazes, and textured washes will appreciate this 15ml tube. It suits professional illustrators, plein-air painters, and students seeking a durable, high-pigment transparent yellow. Made in Seattle, WA, as part of DANIEL SMITH’s extensive colour range, this tube fits into any serious watercolour palette where permanence and clean mixing are priorities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Transparent Yellow Oxide lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This pigment offers excellent lightfastness and conforms to ASTM standards for artist materials.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift this colour once applied?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is non-staining and allows moderate lifting for corrections and reworking.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251780567377,"sku":"B001PT6ZMC","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-transparent-yellow-oxide-front-tube.jpg?v=1791645729"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-15ml-iridescent-gold-luminescent-metallic-glaze","title":"DANIEL SMITH Extra Fine Watercolour Tube 15ml — Iridescent Gold, Luminescent Metallic Glaze","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Iridescent Gold Extra Fine Watercolour is a 15ml luminescent tube paint that gives paintings a transparent, reflective golden sheen ideal for glazes, highlights, and metallic effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade by DANIEL SMITH in Seattle, this Extra Fine watercolour joins their Luminescent line of mica-based pigments formulated to catch and reflect light. The Iridescent Gold offers a stable, transparent metallic shimmer that works best over darker washes or mixed sparingly to maintain luminosity. Like all DANIEL SMITH watercolours, this 15ml tube is milled with pure gum arabic and high pigment load to balance colour intensity and handling.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Iridescent Gold behave on paper and in glazes?\u003c\/h3\u003e\n\u003cp\u003eIridescent Gold is designed primarily as a glazing and accent colour. It is transparent and reflects light, so it reads brightest when applied as a thin wash over darker values or layered as a final highlight. The mica particles remain visible in transparent layers, producing a shimmering, dimensional surface finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBest used as a glaze or final top layer for shimmer.\u003c\/li\u003e\n  \u003cli\u003eShows strongest contrast over darker or saturated underlayers.\u003c\/li\u003e\n  \u003cli\u003eMaintains a transparent, non-opaque metallic finish.\u003c\/li\u003e\n  \u003cli\u003eReactivates with water like standard watercolours for blending and lifting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and techniques work well with this luminescent watercolour?\u003c\/h3\u003e\n\u003cp\u003eWhile formulated for watercolour paper, Iridescent Gold responds well on any surface prepared for water media, including DANIEL SMITH Watercolour Ground. It excels with wet-on-dry glazing, drybrush highlights, and mixed washes, and it mixes readily with transparent watercolours to add a metallic sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse on cold-press or hot-press watercolour paper for different textures.\u003c\/li\u003e\n  \u003cli\u003eApply over Watercolour Ground to extend use to unconventional surfaces.\u003c\/li\u003e\n  \u003cli\u003eCombine with transparent pigments for subtle shimmer in mixes.\u003c\/li\u003e\n  \u003cli\u003eIdeal for drybrush highlights, edges, and fine metallic details.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs it lightfast, safe to use, and how concentrated is the pigment?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates watercolours for strong lightfastness and performance; Iridescent Gold conforms to ASTM D4236. The formula uses mica coated with metal oxides rather than heavy metals, resulting in a stable, reflective pigment. The 15ml tube contains a high pigment load balanced with gum arabic for reliable handling and rewetting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 for artist materials labeling.\u003c\/li\u003e\n  \u003cli\u003eMade from mica-based luminescent pigments (PW 20 listed in features).\u003c\/li\u003e\n  \u003cli\u003ePackaged in 15ml tube with high pigment concentration and no fillers.\u003c\/li\u003e\n  \u003cli\u003eRe-wettable and compatible with other DANIEL SMITH watercolours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Artists who need a dependable, luminous gold to enhance realism, fantasy, or decorative elements will value this paint. Illustrators, watercolourists painting nature subjects with iridescent effects (feathers, shells, wet surfaces), and mixed-media artists seeking a transparent metallic accent will find it particularly useful. It also suits educators and hobbyists exploring metallic glazing without resorting to opaque metallics or heavy-metal cadmiums.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Iridescent Gold with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix sparingly with transparent pigments to add shimmer; it remains most effective as a glaze or final highlight.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this safe and lightfast for artwork?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The paint conforms to ASTM D4236 and uses mica-based pigments designed for stable, long-lasting sheen.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251789316433,"sku":"B001PT8W1E","price":30.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-iridescent-gold-front-tube.jpg?v=1791645750"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-15ml-naphthamide-maroon-pr171-semi-transparent-low-staining","title":"DANIEL SMITH Extra-Fine Watercolour Paint 15ml — Naphthamide Maroon (PR171), Semi-Transparent Low-Staining","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Naphthamide Maroon is an extra-fine 15ml watercolour pigment that delivers a deep, slightly granular brown-violet with excellent lightfastness and versatile mixing behavior.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single-tube description covers a unique azo-based colour from DANIEL SMITH’s extensive 240+ colour range. Formulated for permanence and predictable performance, Naphthamide Maroon (PR171) offers artists a semi-transparent, low-staining hue that behaves more like an organic pigment while standing in for some traditional earth tones. Made in the USA and produced to meet strict quality standards, this 15ml tube is intended for watercolourists who want reliable colour strength, clear mixing results, and long-lasting lightfastness.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Naphthamide Maroon distinct from other maroons?\u003c\/h3\u003e\n\u003cp\u003eNaphthamide Maroon sits between Permanent Violet and Manganese Violet on the colour spectrum, giving it a richer brown-violet character than many standard maroons. Its pigment chemistry (PR171) provides stable colour that is only slightly granular and shows as a semi-transparent wash with low staining.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePR171 azo pigment for consistent tinting strength\u003c\/li\u003e\n  \u003cli\u003eSlight granulation for subtle texture without heavy grain\u003c\/li\u003e\n  \u003cli\u003eSemi-transparent behavior useful for glazing and layering\u003c\/li\u003e\n  \u003cli\u003eLow staining for easier lifting and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this watercolour perform in mixes and glazes?\u003c\/h3\u003e\n\u003cp\u003eNaphthamide Maroon mixes cleanly with other DANIEL SMITH colours, producing muted earth tones and rich shadows without turning muddy. Its semi-transparent nature is especially valuable for glazing, where it builds depth while preserving underlying layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces warm neutrals when mixed with warm yellows or ochres\u003c\/li\u003e\n  \u003cli\u003eCombines with blues for deep, complex purples and shadows\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity in thin glazes thanks to low staining\u003c\/li\u003e\n  \u003cli\u003eSuitable for both subtle washes and concentrated passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pigment durable and artist-grade?\u003c\/h3\u003e\n\u003cp\u003eYes — DANIEL SMITH watercolours are engineered for permanence and tested for consistent performance. Naphthamide Maroon conforms to ASTM D4236 and offers excellent lightfastness so your work retains its intended colour over time when displayed under appropriate conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMeets ASTM D4236 safety labeling standards\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness for archival stability\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder, no fillers, maximized pigment load\u003c\/li\u003e\n  \u003cli\u003eManufactured and quality-tested in Seattle, USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will this colour change my palette choices?\u003c\/h3\u003e\n\u003cp\u003eNaphthamide Maroon gives artists a flexible option between vibrancy and earthy restraint. It can substitute for certain umbers in darker passages, enrich portrait shadows, and add a sophisticated warmth to landscapes without overpowering mixtures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eActs as an alternative to traditional umbers for unique brown-violet tones\u003c\/li\u003e\n  \u003cli\u003eIdeal for subtle skin-shadowing and muted architectural details\u003c\/li\u003e\n  \u003cli\u003eAdds depth when layered over cooler transparent washes\u003c\/li\u003e\n  \u003cli\u003eWorks well with DANIEL SMITH PrimaTek and Luminescent ranges for special effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists from advanced students to professionals who value lightfast, reliable pigments will appreciate Naphthamide Maroon’s control and nuance. If you need a semi-transparent brown-violet that mixes cleanly, lifts reasonably well, and holds up over time, this 15ml DANIEL SMITH watercolour tube is a practical addition to any serious palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Naphthamide Maroon lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Naphthamide Maroon (PR171) offers excellent lightfastness and is formulated for long-lasting colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How staining is this watercolour?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It is low staining and semi-transparent, allowing easier lifting and clean glazing in layers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251789545809,"sku":"B001PTAVJK","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-naphthamide-maroon-front-tube.jpg?v=1791645752"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-15ml-manganese-blue-hue-granulating-transparent-turquoise","title":"DANIEL SMITH Extra-Fine Watercolour Paint 15ml — Manganese Blue Hue, Granulating Transparent Turquoise","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour 15ml — Manganese Blue Hue is a high-pigment, granulating turquoise blue paint formulated for professional watercolour effects and lasting lightfastness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube delivers DANIEL SMITH’s signature extra-fine formulation: concentrated pigment suspended in pure gum arabic with no fillers, engineered to give artists a stable, vibrant colour that reactivates with water. Manganese Blue Hue reproduces the cool turquoise tone artists have long valued, while offering strong mixing behavior, pleasing granulation and very good lightfastness. It’s part of DANIEL SMITH’s broad palette of 240+ colours, including mineral-based PrimaTek shades and optical luminescents.\u003c\/p\u003e\n\n\u003ch3\u003eWhy would a painter choose Manganese Blue Hue for a landscape or seascape?\u003c\/h3\u003e\n\u003cp\u003eManganese Blue Hue provides a clear, cool turquoise ideal for skies, shallow sea passages, or luminous pool reflections. Its transparency and granulating tendency create natural texture and depth without muddying adjacent mixes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent, medium-staining formulation for luminous washes\u003c\/li\u003e\n  \u003cli\u003eGranulates to suggest texture like distant surf or mineral-rich water\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with warm and cool pigments for varied atmospheres\u003c\/li\u003e\n  \u003cli\u003eVery good lightfastness preserves colour integrity over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pigment behave in mixes and washes?\u003c\/h3\u003e\n\u003cp\u003eThis hue blends predictably, offering vivid tints and subtle shifts when combined with warmer or earth tones. Because it’s medium-staining and transparent, it layers well and can be lifted or softened in wet techniques for controlled transitions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates clear tints when diluted for soft atmospheric effects\u003c\/li\u003e\n  \u003cli\u003eCombines well with non-staining semi-opaque pigments for mottled effects\u003c\/li\u003e\n  \u003cli\u003eRetains granulation when used in concentrated strokes or textured paper\u003c\/li\u003e\n  \u003cli\u003eCompatible with DANIEL SMITH’s other watercolour ranges and tools\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical attributes should studio artists know about this 15ml tube?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml tube offers a concentrated, travel-friendly size with consistent grind and pigment load. Each batch is tested to meet industry standards and manufactured in Seattle with pure gum arabic binder, ensuring a clean working vehicle and dependable rewetting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e15ml aluminium tube for precise dispensing and minimal waste\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder; no fillers used in the formula\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D4236 and is batch-tested for performance\u003c\/li\u003e\n  \u003cli\u003ePart of a 240+ colour system including PrimaTek and Luminescent lines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this a safe alternative to historic manganese blue pigments?\u003c\/h3\u003e\n\u003cp\u003eThe original manganese-based pigment is no longer used due to environmental and safety concerns; this Manganese Blue Hue reproduces that distinctive turquoise without the hazardous components. It offers a safer, lightfast substitute that retains the colour character artists expect.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated to resemble historic manganese blue without toxic by-products\u003c\/li\u003e\n  \u003cli\u003eSafe working properties and strong tinting strength\u003c\/li\u003e\n  \u003cli\u003eMaintains similar mixing and granulating behavior to the traditional shade\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who need a dependable, vivid turquoise with natural granulation — from plein-air painters and illustrators to studio watercolourists exploring textured washes and vibrant mixes. If you’re building a professional palette or seeking a reliable substitute for the classic manganese blue, this DANIEL SMITH 15ml tube offers concentrated pigment, consistent performance, and compatibility with a vast range of the brand’s specialty colours and mediums.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Manganese Blue Hue lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this hue has very good lightfastness and is formulated for long-lasting colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can it replace true manganese blue?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it reproduces the classic turquoise safely without the hazardous manganese compound.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251992379729,"sku":"B001PTAVEU","price":30.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-manganese-blue-hue-front-tube.jpg?v=1791646129"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-raw-sienna-15ml-semi-transparent-granulating","title":"DANIEL SMITH Extra Fine Watercolour Tube Raw Sienna 15ml — Semi-Transparent, Granulating","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in Raw Sienna is a professional 15ml tube of earth-toned pigment prized for its permanence, subtle granulation, and reliable mixing behavior.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRaw Sienna from DANIEL SMITH is an inorganic earth pigment formulated into an extra-fine watercolour designed for artists who need stable, traditional warm-brown hues. This 15ml tube offers a semi-transparent, granulating wash with excellent lightfastness, making it useful for washes, underpainting, and nuanced natural tones. The paint is made with high pigment load and pure gum arabic binder, milled to particle sizes that emphasize the pigment’s natural texture and working qualities.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Raw Sienna perform in washes and layered glazing?\u003c\/h3\u003e\n\u003cp\u003eRaw Sienna lays down as a warm, medium-intensity wash that is easy to control for both broad backgrounds and subtle glazing. Its semi-transparent nature helps build depth through successive layers without becoming muddy, while the pigment’s natural granulation adds organic surface variation suitable for landscapes and skin tones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-transparent — ideal for glazing and building colour depth\u003c\/li\u003e\n  \u003cli\u003eGranulates subtly for textured skies, earth, and natural surfaces\u003c\/li\u003e\n  \u003cli\u003eMixes cleanly with quinacridone and earth pigments for varied palettes\u003c\/li\u003e\n  \u003cli\u003eExcellent lightfastness ensures longevity of layered work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the handling characteristics—staining, rewetting, and tinting strength?\u003c\/h3\u003e\n\u003cp\u003eRaw Sienna is low-staining with moderate tinting strength, which makes it forgiving when lifting or softening edges. The 15ml tube delivers a creamy, rewettable paint that responds predictably to brushwork and water control, and it accepts lifting and reactivation well for corrections or soft transitions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLow staining — easier lifting and corrections\u003c\/li\u003e\n  \u003cli\u003eModerate tinting strength — mixes are controllable, not overpowering\u003c\/li\u003e\n  \u003cli\u003eReactivates reliably from dried washes for touch-ups\u003c\/li\u003e\n  \u003cli\u003eBalanced grind for pigment load without excess binder\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this colour fit into a professional watercolour palette?\u003c\/h3\u003e\n\u003cp\u003eRaw Sienna is a cornerstone earth tone that harmonizes with cool and warm pigments. It’s versatile for underpainting, warm midtones, and natural shadows, pairing especially well with Ultramarine, Burnt Sienna, Quinacridone Gold, and various greens to create believable landscapes and portraits.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks as a neutral warm base for landscape underpaintings\u003c\/li\u003e\n  \u003cli\u003eCombines with blues and greens to produce muted natural shades\u003c\/li\u003e\n  \u003cli\u003eEnhances skin tones when mixed sparingly with reds and yellows\u003c\/li\u003e\n  \u003cli\u003eCompliments granulating PrimaTek and Luminescent colours for texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose DANIEL SMITH Extra Fine Watercolour over student-grade paints?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH watercolours use high-quality pigments and pure gum arabic with no fillers, resulting in stronger colour, more permanent lightfastness, and predictable working properties. The brand’s rigorous batch testing and wide colour range (240+ colours) give artists access to unique pigments and specialty lines like PrimaTek and Luminescent paints not offered by most manufacturers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigher pigment concentration for truer colour and better mixing\u003c\/li\u003e\n  \u003cli\u003eTested for permanence and manufactured to strict industry standards\u003c\/li\u003e\n  \u003cli\u003eAccess to specialized pigments and unique hues in the DANIEL SMITH line\u003c\/li\u003e\n  \u003cli\u003eMade in the USA with consistent quality control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Practicing artists, illustrators, and serious hobbyists who need a dependable Raw Sienna that behaves predictably in washes, glazing, and mixed palettes. If you value lightfast pigments, subtle granulation, and the flexibility to mix natural earth tones or build layered depth, this 15ml tube from DANIEL SMITH is suited to studio work, plein air painting, and refined illustrative techniques.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Raw Sienna lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — formulated for excellent lightfastness and permanence, suitable for archival work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Raw Sienna be reactivated after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the Extra Fine formulation rewetts reliably for lifting and adjustments.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251992412497,"sku":"B001PT6Z54","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-raw-sienna-front-tube.jpg?v=1791646128"},{"product_id":"daniel-smith-extra-fine-watercolor-tube-duochrome-oceanic-15ml-luminescent-iridescent-green-gold-shift","title":"DANIEL SMITH Extra-Fine Watercolour Tube — Duochrome Oceanic 15ml, Luminescent Iridescent Green-Gold Shift","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Duochrome Oceanic 15ml is an extra-fine luminescent watercolour that shifts from green-gold to metallic gold sparkle for iridescent effects and rich, lightfast colour.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle by DANIEL SMITH, this 15ml tube is part of the Luminescent collection engineered for artists who need paints that show optical shimmer and nuanced colour shifts in different lighting. Formulated with high-purity pigments and gum arabic binder, Duochrome Oceanic delivers transparent, granulating washes that play beautifully with light and texture. The pigment choice and grind are optimised to balance a dense colour load with smooth handling, giving both professionals and hobbyists a dependable tool for paintings that require glow, sheen, or subtle metallic reflexes.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Duochrome Oceanic change the look of my watercolours?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Oceanic produces a two-tone effect: in some angles you’ll see a cool green-gold, and in others a bright metallic gold sparkle that catches highlights. The colour behaves transparently, so it layers well over underpainting and interacts with other pigments to create luminous transitions without masking underlying texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShifts between green-gold and metallic gold depending on viewing angle and light.\u003c\/li\u003e\n  \u003cli\u003eTransparent body for glazing and layered effects.\u003c\/li\u003e\n  \u003cli\u003eGranulation adds subtle surface texture and interest.\u003c\/li\u003e\n  \u003cli\u003eWorks well over dark or neutral underlayers to produce reflective highlights.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical qualities does this 15ml tube offer for studio or plein air work?\u003c\/h3\u003e\n\u003cp\u003eLike other DANIEL SMITH Extra Fine Watercolours, Duochrome Oceanic is manufactured to high standards for permanence and consistency. The formulation uses pure gum arabic binder with no fillers, and each batch is tested to ensure reliable flow, reactivation, and colour stability when dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 for artist materials safety labeling.\u003c\/li\u003e\n  \u003cli\u003eHigh pigment load with controlled particle size for dependable mixing and staining behavior.\u003c\/li\u003e\n  \u003cli\u003eExcellent re-wetability—reactivates easily from the dried state.\u003c\/li\u003e\n  \u003cli\u003eCompact 15ml tube is convenient for travel and palette setups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do artists use Duochrome Oceanic in practical painting techniques?\u003c\/h3\u003e\n\u003cp\u003eThis colour shines in areas where you want shimmer, iridescence, or subtle colour shifts—feathers, scales, water reflections, metallic accents, or focal highlights. Because it is transparent and granulating, it can be applied as delicate glazes or bolder strokes for textured sparkle, and it mixes predictably with other watercolours for custom effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply thin glazes to preserve the duochrome effect in highlights.\u003c\/li\u003e\n  \u003cli\u003eLayer over granulating pigments for enhanced surface variation.\u003c\/li\u003e\n  \u003cli\u003eAdd in small quantities to mixes for a luminous edge without overpowering base colours.\u003c\/li\u003e\n  \u003cli\u003eIdeal for detail work using a fine brush to place reflective accents.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Duochrome Oceanic durable and suitable for finished artwork?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH prioritizes permanence and lightfastness in its Extra Fine line, and Duochrome Oceanic is produced under strict quality controls to meet those expectations. While luminescent and specialty pigments can behave differently than single-pigment earths, this product is formulated for long-lasting display when used and stored properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated for strong colour permanence and predictable aging behavior.\u003c\/li\u003e\n  \u003cli\u003eUse standard archival practices—mounted and framed behind UV-protective glazing for best long-term results.\u003c\/li\u003e\n  \u003cli\u003eCompatible with DANIEL SMITH grounds and mediums for mixed-surface work.\u003c\/li\u003e\n  \u003cli\u003eManufactured and batch-tested in the USA for consistent quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want a compact, high-quality duochrome watercolour to introduce iridescent highlights and shifting colour into their work. It’s particularly useful for illustrators, nature painters, and mixed-media artists who need a reliable, lightfast luminescent paint in a travel-ready 15ml tube. Beginner painters curious about specialty pigments will also appreciate the straightforward handling and the dramatic visual payoff this colour provides.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Duochrome Oceanic with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It mixes well for luminous tints; use sparingly to retain duochrome shimmer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the 15ml tube travel-friendly for plein air painting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 15ml size is compact and convenient for plein air kits and palette setups.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251992445265,"sku":"B001PT6WHK","price":30.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-duochrome-oceanic-front-tube.jpg?v=1791646128"},{"product_id":"daniel-smith-extra-fine-watercolor-paint-tube-new-gamboge-15ml-transparent-high-pigment","title":"DANIEL SMITH Extra Fine Watercolour Paint Tube — New Gamboge 15ml, Transparent High-Pigment","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour in New Gamboge is a professional-grade, 15ml tube of vibrant, lightfast watercolour pigment formulated for lasting, reliable washes and clear glazing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Extra Fine series from DANIEL SMITH is hand-formulated in Seattle to deliver high pigment load, controlled pigment particle size, and pure gum arabic binder for maximum colour clarity and permanence. New Gamboge is one of the signature yellow-oranges in the DANIEL SMITH palette, offering clean transparency and predictable behavior when diluted or mixed. Each 15ml tube is tested for performance, making it a dependable choice for studio work, plein air painting, illustration, and mixed-media applications.\u003c\/p\u003e\n\n\u003ch3\u003eHow does New Gamboge perform in washes and glazes?\u003c\/h3\u003e\n\u003cp\u003eNew Gamboge lays down as a transparent, luminous wash that preserves paper texture and reactivates cleanly for glazing. It tints easily and maintains hue purity when layered, so it’s excellent for building warm underpaintings and luminous colour fields.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTransparent behavior ideal for layering and glazing\u003c\/li\u003e\n  \u003cli\u003eStrong tinting strength for bright, controllable mixes\u003c\/li\u003e\n  \u003cli\u003eReactivates predictably for lifting or soft edges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes DANIEL SMITH Extra Fine watercolours different from student paints?\u003c\/h3\u003e\n\u003cp\u003eExtra Fine tubes use higher pigment concentration, carefully selected grinding, and pure gum arabic instead of fillers, producing richer colour and superior permanence. Batches are laboratory-tested for consistency and lightfastness so professional results are repeatable across tubes and colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh pigment load for intense, lasting colour\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder—no unnecessary fillers\u003c\/li\u003e\n  \u003cli\u003eASTM-rated lightfastness to resist fading over time\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan New Gamboge be mixed with other DANIEL SMITH colours?\u003c\/h3\u003e\n\u003cp\u003eYes—New Gamboge blends cleanly with blues, greens, and reds to produce warm greens, muted earth tones, and glowing oranges. Because it is transparent and low-staining, you can mix subtle tonal variations without muddying the palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates warm greens with blues (e.g., phthalo or ultramarine)\u003c\/li\u003e\n  \u003cli\u003eBright oranges and warm tints when mixed with reds\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity in layered glazing and washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and work with the 15ml tube to get the best lifespan?\u003c\/h3\u003e\n\u003cp\u003eKeep the tube capped tightly and stored upright in a cool, dry place away from direct sunlight to preserve the gum arabic binder and pigment integrity. Squeeze small amounts onto a palette and re-seal the tube to avoid skinning or contamination.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore capped, upright, and away from heat or sunlight\u003c\/li\u003e\n  \u003cli\u003eUse a palette or mixing tray; reseal tube after dispensing\u003c\/li\u003e\n  \u003cli\u003eIf pigment skins on the palette, rewet with water to reclaim colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: DANIEL SMITH Extra Fine Watercolour in New Gamboge is aimed at professional and serious amateur watercolourists who want archival performance, clean transparency, and vivid warm-yellow tones. It's also suited for illustrators, botanical artists, and anyone seeking reliable mixing behavior and excellent lightfastness in a compact 15ml tube. Choose this tube if you value precise pigment handling, consistent manufacturing standards, and a palette that includes both classic and unique colours crafted for long-term use.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey specifications:\u003c\/strong\u003e 15ml (0.5 fl oz) tube; made in the USA; ASTM lightfastness rated excellent; transparent; low staining; extra fine formulation with pure gum arabic binder.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is New Gamboge lightfast and permanent?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. DANIEL SMITH Extra Fine New Gamboge carries an excellent ASTM lightfastness rating for durable colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I lift or rewet this watercolour after it dries?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. New Gamboge is reactivatable with water for lifting and softening edges, though lifting ability varies with paper and layer thickness.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251992510801,"sku":"B001PTAVKE","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-new-gamboge-front-tube.jpg?v=1791646129"},{"product_id":"daniel-smith-luminescent-watercolor-paint-iridescent-sunstone-15ml-tube-pearlescent-translucent-shimmer","title":"DANIEL SMITH Luminescent Watercolour Paint, Iridescent Sunstone 15ml Tube — Pearlescent Translucent Shimmer","description":"\u003cp\u003e\u003cstrong\u003eDaniel Smith Luminescent™ Watercolour in Iridescent Sunstone is a 15ml tube of shimmering, finely milled watercolour paint that adds pearlescent sparkle and translucent warmth to paintings.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, Daniel Smith’s Luminescent range is designed for artists who want subtle optical effects — a soft glint or metallic-like sheen — while retaining the handling and permanence of professional watercolours. Iridescent Sunstone is formulated to give a warm, reflective glow that works over glazes, in highlights, and in areas where you want a luminous lift without opaque coverage. The 15ml tube delivers a concentrated, rewettable pigment suspended in gum arabic, with the brand’s rigorous testing for lightfastness and consistency.\u003c\/p\u003e\n\n\u003ch3\u003eHow will Iridescent Sunstone change my watercolour palette?\u003c\/h3\u003e\n\u003cp\u003eIridescent Sunstone introduces a warm, shimmery accent that mixes cleanly with many colours and can be layered for varying intensity. Because it is translucent, it preserves underlying washes while adding reflective highlights that read as metallic or gem-like in the right light.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdds pearlescent highlights to florals, birds, and still lifes\u003c\/li\u003e\n  \u003cli\u003eMixes to subtly warm midtones without muddying\u003c\/li\u003e\n  \u003cli\u003eWorks as a glaze to create luminous depth\u003c\/li\u003e\n  \u003cli\u003eRetains translucency so underlying texture and granulation show through\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the technical properties and how should I use it?\u003c\/h3\u003e\n\u003cp\u003eDaniel Smith Luminescent paints are finely ground and bound in pure gum arabic, offering smooth flow, rewettable dried paint, and professional lightfastness standards. This colour is transparent with granulating tendencies depending on paper and technique, and it performs best with layered washes, glazing, and selective highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e15ml tube for controlled dispensing and travel-friendly size\u003c\/li\u003e\n  \u003cli\u003eTransparent, rewettable formulation that layers without clogging\u003c\/li\u003e\n  \u003cli\u003eCompatible with other Daniel Smith watercolours and mediums\u003c\/li\u003e\n  \u003cli\u003eBest on cold- or hot-pressed paper for visible sheen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it behave in mixes and glazes?\u003c\/h3\u003e\n\u003cp\u003eIridescent Sunstone blends into washes to produce warm, pearly tones while staying cleaner in mixtures than many metallics. Use small amounts for sheen, or build multiple thin glazes for stronger reflective effects without losing transparency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse sparingly to maintain shimmer without overpowering colour\u003c\/li\u003e\n  \u003cli\u003eLayer over dried washes to add targeted highlights and sparkle\u003c\/li\u003e\n  \u003cli\u003eCombine with non-staining pigments for bright, luminous tints\u003c\/li\u003e\n  \u003cli\u003eWorks well with lifting and drybrush techniques for texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this watercolour?\u003c\/h3\u003e\n\u003cp\u003eDaniel Smith watercolours are formulated and batch-tested to meet high industry standards for lightfastness and permanence. Although iridescent effects depend on pigment properties, the Luminescent line is manufactured for consistent working properties and lasting appearance when used and stored appropriately.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMade in the USA with tested pigment blends\u003c\/li\u003e\n  \u003cli\u003eExcellent ASTM lightfastness where applicable\u003c\/li\u003e\n  \u003cli\u003ePackaged in a sealable 15ml tube to protect freshness\u003c\/li\u003e\n  \u003cli\u003eReactivates with water for longevity of use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who want to introduce reflective, gem-like highlights—illustrators, botanical painters, mixed-media artists, and hobbyists seeking specialty effects—will find Iridescent Sunstone a flexible addition. It’s ideal for anyone wanting a professional-grade, transparent shimmer that layers easily over traditional watercolour washes or mixed-media surfaces prepared with watercolour ground.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Iridescent Sunstone be mixed with other Daniel Smith colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it mixes cleanly to create warm, pearly tints; use small amounts to preserve shimmer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Daniel Smith tests for permanence; Luminescent pigments are formulated for stable, long-lasting effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251997426001,"sku":"B001PTAV2M","price":30.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-iridescent-sunstone-front-tube.jpg?v=1791646195"},{"product_id":"daniel-smith-duochrome-emerald-extra-fine-watercolor-tube-15ml-luminescent-iridescent-sheen","title":"DANIEL SMITH Duochrome Emerald Extra-Fine Watercolour Tube 15ml — Luminescent, Iridescent Sheen","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Duochrome Emerald is a 15ml extra-fine luminescent watercolour that shifts between emerald and green-gold to give paintings a subtle iridescent sheen.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade by DANIEL SMITH in Seattle, this Duochrome Emerald tube is part of their Luminescent line — pigments created from mica particles coated with reflective oxides to capture the shimmer of feathers, petals and metallic highlights that ordinary watercolours can’t reproduce. Formulated with pure gum arabic and high pigment load, this colour blends with regular watercolours while preserving its unique reflective character and excellent permanence.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Duochrome Emerald behave on paper?\u003c\/h3\u003e\n\u003cp\u003eThis colour lays down as a transparent, luminous wash that reveals a subtle colour shift when the viewing angle or light changes. It can remain transparent for glazing and also be layered for stronger iridescence without becoming muddy.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTranslucent finish that keeps underlying layers visible\u003c\/li\u003e\n  \u003cli\u003eGranulating properties vary with mix and substrate\u003c\/li\u003e\n  \u003cli\u003eMaintains luminescence when mixed in moderate amounts\u003c\/li\u003e\n  \u003cli\u003eBest results on smoother, sized watercolour papers for even shimmer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the mixing and compatibility tips?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Emerald mixes readily with other DANIEL SMITH and professional watercolours, contributing a pearlescent shift without overpowering tint. Use small amounts in mixtures to retain the duochrome effect; building up thin translucent layers preserves both colour and sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStart with a little pigment — mica effects dilute quickly\u003c\/li\u003e\n  \u003cli\u003eGlaze over dry washes to add shimmer without disturbing underlying colour\u003c\/li\u003e\n  \u003cli\u003eAvoid heavy opaques which can mask the reflective particles\u003c\/li\u003e\n  \u003cli\u003ePairs well with warm greens, yellows, and muted browns for natural highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Duochrome Emerald durable and archival?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH formulates their watercolours to meet high industry standards for permanence and lightfastness. While luminescent paints use mica-based pigments, the binder and pigment selection aim to deliver reliable performance when used and stored correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eManufactured to ASTM D4236 safety standards\u003c\/li\u003e\n  \u003cli\u003ePure gum arabic binder with no fillers for greater pigment stability\u003c\/li\u003e\n  \u003cli\u003eSuitable for professional and student work with normal archival care\u003c\/li\u003e\n  \u003cli\u003eBest longevity when protected from prolonged direct sunlight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and care for this tube?\u003c\/h3\u003e\n\u003cp\u003eUse a damp brush to pick up paint directly from the 15ml tube or mix on the palette. Apply in thin layers for a luminous effect and protect finished pieces with UV-safe framing or conservation glazing if long-term display is intended.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRewet on palette or mix with water for washes and glazes\u003c\/li\u003e\n  \u003cli\u003eLayer transparent washes to intensify shimmer without clogging paper\u003c\/li\u003e\n  \u003cli\u003eClean brushes promptly to remove metallic particles\u003c\/li\u003e\n  \u003cli\u003eFrame under UV-filtering glass for prolonged display life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists seeking specialty pigments for botanical highlights, metallic glints, or subtle iridescence will appreciate Duochrome Emerald’s unique shift. It’s ideal for illustrators, plein-air painters, mixed-media artists, and anyone wanting to introduce a pearlescent green that behaves predictably in mixes and layers while remaining part of a professional, archival watercolour palette.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Duochrome Emerald be mixed with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix small amounts for best sheen retention; build layers to increase the iridescent effect without dulling colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this watercolour lightfast and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Formulated to meet industry standards and ASTM D4236; protect finished work from prolonged direct sunlight for best longevity.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251997557073,"sku":"B001PTATVA","price":30.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-duochrome-emerald-front-tube.jpg?v=1791646193"},{"product_id":"daniel-smith-luminescent-duochrome-cabo-blue-watercolor-tube-15ml-iridescent-blue-to-gold-sheen-for-glazing","title":"DANIEL SMITH Luminescent Duochrome Cabo Blue Watercolour Tube 15ml, Iridescent Blue-to-Gold Sheen for Glazing","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Luminescent Duochrome Cabo Blue is a 15ml professional watercolour that shifts from blue to metallic gold with an iridescent sheen, ideal for adding pearlescent highlights and colour-shifting glazes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade in Seattle, DANIEL SMITH's Luminescent line uses finely milled mica pigments coated with reflective metal oxides to produce optical effects ordinary watercolours can't replicate. This 0.5 fl oz tube of Duochrome Cabo Blue delivers a high-pigment, transparent wash that shows its luminescence best over darker grounds or layered as a glaze. The formula follows the brand's long-standing standards for pigment selection and grind, conforming to ASTM D4236 and offering reliable working properties for professional and hobby artists alike.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Duochrome Cabo Blue create its colour shift?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Cabo Blue owes its shifting appearance to mica-based pigments coated with metal oxides that reflect light differently at varying angles. Rather than relying on mixed pigments, the effect emerges from thin reflective particles suspended in gum arabic, so the sheen reads as a separate visual layer above the underlying paint.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eContains mica pigments with metallic oxide coatings for iridescence.\u003c\/li\u003e\n  \u003cli\u003eDisplays blue to gold-to-shimmering blue shifts depending on light and angle.\u003c\/li\u003e\n  \u003cli\u003eWorks best as a glaze over darker pigments to maximize contrast.\u003c\/li\u003e\n  \u003cli\u003eTransparent formula keeps underlying details visible while adding sparkle.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques highlight its luminescent qualities?\u003c\/h3\u003e\n\u003cp\u003eTechniques that favor thin, even layers or glazing will show off the duochrome effect most effectively. Apply as a transparent wash over a wet or dry base, or lift and rework edges to reveal contrast; you can also mix sparingly with other colours to introduce sheen without losing shift.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlazing over dark washes intensifies the colour shift.\u003c\/li\u003e\n  \u003cli\u003eThin, even layers preserve transparency and sparkle.\u003c\/li\u003e\n  \u003cli\u003eUse dry-brush or lifted highlights for selective shimmer.\u003c\/li\u003e\n  \u003cli\u003eMix minimally with other pigments to retain iridescence.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pigment archival and how does it perform in mixes?\u003c\/h3\u003e\n\u003cp\u003eDANIEL SMITH Luminescent paints meet strict production standards and are formulated to be stable in typical painting conditions. The mica-based particles are inert, offering excellent longevity when used and stored properly; mixes will adopt some shimmer but strong dilution or heavy mixing can reduce the optical effect.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConforms to ASTM D4236 and is manufactured with quality controls.\u003c\/li\u003e\n  \u003cli\u003eNon-staining and transparent—good for layering without muddying.\u003c\/li\u003e\n  \u003cli\u003eMixes retain some luminosity if added sparingly.\u003c\/li\u003e\n  \u003cli\u003eBest stored capped and out of direct heat\/light to preserve handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I use this tube in real projects and subjects?\u003c\/h3\u003e\n\u003cp\u003eDuochrome Cabo Blue is designed for subjects that benefit from a pearly or metallic shine—feathers, fish scales, metallic objects, and fantasy elements. It’s perfect for accenting detailed work, adding glints in landscapes, or giving spot highlights that shift as the viewer moves.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFeathers, insect wings, and iridescent animal markings for natural realism.\u003c\/li\u003e\n  \u003cli\u003eMetallic reflections on jewellery, hardware, and architectural details.\u003c\/li\u003e\n  \u003cli\u003eFantasy elements like dragon scales, mermaid tails, and magical glows.\u003c\/li\u003e\n  \u003cli\u003eSubtle overlays in skies, water, and snow to convey light shifts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who want to expand their palette with specialty optical effects will find Duochrome Cabo Blue especially rewarding—professional illustrators, wildlife painters, urban sketchers, and mixed-media creators who need a dependable, high-quality luminescent paint. Beginners intrigued by iridescent effects will appreciate working with a 15ml tube that balances ease of use with strong pigment load, while experienced painters will value DANIEL SMITH's consistent grind, archival standards, and the unique colour-shifting behavior that can’t be replicated with ordinary pigments.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix Duochrome Cabo Blue with other watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — mix sparingly. Heavy mixing can reduce the duochrome shimmer; use it as a glaze or add small amounts to preserve the iridescent effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What surfaces work best for Luminescent watercolours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Cold-press or hot-press watercolour paper shows the effect well; darker underlayers amplify the shift. Can also be used on prepared grounds.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251997589841,"sku":"B001PTEQH8","price":30.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-luminescent-cabo-blue-front-tube.jpg?v=1791646191"},{"product_id":"daniel-smith-goethite-brown-ochre-extra-fine-watercolor-15ml-granulating-lightfast-earth-pigment","title":"DANIEL SMITH Goethite (Brown Ochre) Extra Fine Watercolour 15ml — granulating, lightfast earth pigment","description":"\u003cp\u003e\u003cstrong\u003eDANIEL SMITH Extra Fine Watercolour 15ml in Goethite (Brown Ochre) is a richly granulating, lightfast earth pigment that delivers warm tea-to-tan washes and reliable permanence for professional watercolour work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 15ml tube contains Daniel Smith’s carefully milled Goethite (Brown Ochre), a natural iron-based pigment prized for its warm, muted brown tones and interesting granulation. Sourced from a high-purity deposit south of Moscow and formulated with pure gum arabic and no fillers, this paint is designed for artists who want durable colour that behaves predictably in washes, glazes, and textured effects.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Goethite-Brown Ochre behave on paper?\u003c\/h3\u003e\n\u003cp\u003eGoethite lays down as a deep, warm brown at full strength and lifts to a soft tan or tea tone when diluted. It shows pronounced granulation — pigment particles settle into paper texture to create subtle variegation — and reads as semi-transparent, making it easy to layer without fully obscuring underlying washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMasstone: rich dark brown; dilute to warm tan washes\u003c\/li\u003e\n  \u003cli\u003eGranulation: visible particle separation for textured effects\u003c\/li\u003e\n  \u003cli\u003eTransparency: semi-transparent for glazing and layering\u003c\/li\u003e\n  \u003cli\u003eStaining strength: low, allowing easier lifting and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this colour last and mix well with other paints?\u003c\/h3\u003e\n\u003cp\u003eYes. This Goethite meets high permanence standards and exhibits excellent lightfastness, so finished work retains its tone over time. It mixes cleanly with both earth tones and brighter pigments to create muted neutrals, warm shadows, or natural-looking soils and architecture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLightfast: formulated for archival stability\u003c\/li\u003e\n  \u003cli\u003eCompatible: mixes well with quinacridones, ultramarines, and yellows\u003c\/li\u003e\n  \u003cli\u003eColour control: tints remain warm and predictable\u003c\/li\u003e\n  \u003cli\u003eUses: ideal for landscapes, studies, and vintage palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat technical details should artists know before buying?\u003c\/h3\u003e\n\u003cp\u003eGoethite (Brown Ochre) is identified as PY43 and conforms to ASTM D4236 safety standards. Daniel Smith selects grind and pigment load to balance a high pigment concentration with a workable vehicle, giving you consistent handling and reliable rewetting from the tube.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePigment index: PY43\u003c\/li\u003e\n  \u003cli\u003eBinder: pure gum arabic, no fillers\u003c\/li\u003e\n  \u003cli\u003eSize: 15ml squeezable metal tube for controlled dispensing\u003c\/li\u003e\n  \u003cli\u003eStandards: tested and formulated for permanence and reusability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Goethite effectively in my paintings?\u003c\/h3\u003e\n\u003cp\u003eUse Goethite for natural shadows, aged surfaces, tree trunks, and underpainting to establish warm midtones. Its granulating quality is especially effective on cold-pressed or textured papers where the pigment can settle into the tooth and create organic variation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnderpainting: warm base for skin tones or landscapes\u003c\/li\u003e\n  \u003cli\u003eTextures: enhance grain and stone with granulation\u003c\/li\u003e\n  \u003cli\u003eMixing: mute bright colours without muddying them\u003c\/li\u003e\n  \u003cli\u003eDetail work: low staining lets you lift highlights and edges\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who value archival-quality pigments, subtle natural hues, and tactile surface effects will appreciate Daniel Smith’s Goethite (Brown Ochre). Whether you’re a professional painter building a refined palette, a plein-air artist needing dependable earth tones, or an experimental watercolourist chasing granulating textures, this 15ml tube offers a concentrated, stable colour that integrates easily with Daniel Smith’s broad colour range.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is DANIEL SMITH Goethite lightfast?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This Goethite formulation has excellent lightfastness and is formulated for long-term colour stability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What pigment index is Goethite?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Goethite (Brown Ochre) uses pigment PY43 and conforms to ASTM D4236 safety standards.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"DANIEL SMITH","offers":[{"title":"Default Title","offer_id":55251997622609,"sku":"B001PTCSCS","price":30.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/daniel-smith-goethite-front-tube.jpg?v=1791646192"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/daniel-smith-jean-haines-box-front.jpg?v=1792143675","url":"https:\/\/craftiche.co.uk\/collections\/daniel-smith.oembed?page=16","provider":"Craftiche","version":"1.0","type":"link"}