{"title":"Clairefontaine","description":"\u003cp\u003eCraftiche stocks 47 Clairefontaine products, including \u003ca href=\"\/collections\/pastel-paper\"\u003epastel paper\u003c\/a\u003e (32) and \u003ca href=\"\/collections\/drawing-paper\"\u003edrawing paper\u003c\/a\u003e (14). Prices run from £23.86 to £121.92, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Clairefontaine. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"clairefontaine-painton-grey-paper-pad-a5-250gsm-30-sheet-mid-grey-pad-for-pencil-pastel-gouache","title":"Clairefontaine Paint'ON Grey Paper Pad — A5 250gsm, 30-sheet mid-grey pad for pencil, pastel \u0026 gouache","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'ON Grey Paper Pad is a 250 gsm A5 pad of mid-grey, fine-tooth sheets designed for dry and mixed-media techniques like pencil, pastel, ink, gouache and light oil work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad brings a neutral mid-tone foundation that helps colours sit naturally and makes both highlights and shadows read more clearly. Each sheet is 250 grams per square meter (gsm), acid-free and pH neutral, offering surface strength and longevity for sketching, layering and finished pieces. The compact A5 format and 30-sheet pad make it convenient for travel, studies or studio projects where a consistent grey ground is beneficial.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the grey tone affect my artwork?\u003c\/h3\u003e\n\u003cp\u003eA mid-grey ground shortens the tonal range you must render, so highlights and darker values pop without needing to cover the entire white of the paper. It provides an immediate middle value that helps you judge contrast, colour temperature and saturation more accurately. For artists who like working from mid-tones, it speeds up the layering process and gives a neutral backdrop that interacts well with both warm and cool pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNeutral mid-tone that preserves both highlights and shadows\u003c\/li\u003e\n  \u003cli\u003eImproves value judgment and colour balance\u003c\/li\u003e\n  \u003cli\u003eMakes white highlights more luminous against the grey\u003c\/li\u003e\n  \u003cli\u003eReduces need for extensive underpainting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich media work best on 250 gsm Paint'ON paper?\u003c\/h3\u003e\n\u003cp\u003eThe 250 gsm weight is sturdy enough for many dry techniques and light applications of wet media. It’s ideal for pencil, coloured pencil, charcoal, pastel, ink, gouache and light oil washes. While heavy impasto or saturated washes may buckle, the surface accepts layering and erasure without quickly wearing through.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent: graphite, charcoal, coloured pencil, soft pastel\u003c\/li\u003e\n  \u003cli\u003eGood: ink, fineliner, gouache, light watercolour washes\u003c\/li\u003e\n  \u003cli\u003eCautious use: thin oil glazes; avoid heavy impasto\u003c\/li\u003e\n  \u003cli\u003eDurable surface for repeated blending and lifting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper’s texture and quality influence technique?\u003c\/h3\u003e\n\u003cp\u003eThe fine rough grain provides subtle tooth that grips pigment yet allows smooth transitions. It’s textured enough to hold pastel and graphite particles, while still permitting clean ink lines and controlled gouache application. Because the pad is acid-free and pH neutral, finished works resist yellowing and are suitable for long-term keeping or mounting.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine rough tooth offers grip for dry media and layering\u003c\/li\u003e\n  \u003cli\u003eAccepts erasing and burnishing without rapid degradation\u003c\/li\u003e\n  \u003cli\u003eAcid-free, pH neutral for archival stability\u003c\/li\u003e\n  \u003cli\u003eConsistent texture across 30 sheets for repeatable results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the A5 pad format provide?\u003c\/h3\u003e\n\u003cp\u003eAt A5, the pad is small enough for sketchbooks, studies and portable practice sessions but large enough to produce detailed compositions. The pad format keeps sheets together for safe transport and quick reference, and the 30-sheet quantity gives a balance between longevity and compactness for on-the-go use. It’s also an economical choice for students and hobbyists who want consistent quality without buying large single sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortable A5 size fits backpacks and art bags easily\u003c\/li\u003e\n  \u003cli\u003e30 sheets provide enough practice space without excess bulk\u003c\/li\u003e\n  \u003cli\u003ePad format protects edges and keeps a neat stack of work\u003c\/li\u003e\n  \u003cli\u003eGreat for studies, thumbnails, and finished small pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Paint'ON Grey Paper Pad suits students, sketch artists, illustrators and mixed-media creators who prefer a mid-tone ground for rapid value decisions and layered work. It’s particularly useful for those who combine dry techniques like pencil and pastel with occasional ink or gouache accents and value archival quality in a compact, travel-friendly format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media like watercolour on this 250gsm paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light washes and gouache work well, but avoid heavy watercolour saturation or thick impasto—250gsm is best for dry media and light wet applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Paint'ON paper archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The paper is acid-free and pH neutral, suitable for long-term storage and preservation of your artwork.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55253551841617,"sku":"B079Q42NXZ","price":32.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-a5-front-cover.jpg?v=1791660273"},{"product_id":"clairefontaine-manga-storyboard-pad-a4-55-g-100-sheet-glued-pad-with-pre-printed-frames-turquoise-guides","title":"Clairefontaine Manga Storyboard Pad A4 55 g — 100-Sheet Glued Pad with Pre-Printed Frames \u0026 Turquoise Guides","description":"\u003cb\u003eClairefontaine Manga Storyboard Glued Pad is an A4, 100-sheet sketch pad of 55 g\/m² slightly transparent paper pre-printed with simple manga frames and light blue guidelines for tracing and layout.\u003c\/b\u003e\n\n\u003cp\u003eThis glued storyboard pad measures 8.3 × 11.7 inches (A4) and is designed for sequential art planning, character layout and panel composition. Each sheet is printed with two different frame options and faint turquoise blue guides to help you proportion panels and position characters. The 55 gsm white paper offers enough opacity to draw clean pencil or ink lines while allowing light tracing from beneath — handy for iterating thumbnails and refining poses.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad support manga and comic layout work?\u003c\/h3\u003e\n\u003cp\u003eThe pre-printed frames and guideline system let you focus on storytelling rather than measuring panels. Two frame styles on each page give quick variety for pacing scenes, and the subtle blue lines remain visible for guidance without overpowering your artwork.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo frame configurations per sheet for varied panel layouts\u003c\/li\u003e\n  \u003cli\u003eTurquoise blue guides for consistent character placement\u003c\/li\u003e\n  \u003cli\u003e100 glued sheets for sequential planning and revisions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I trace or transfer sketches using this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — the 55 g\/m² paper is slightly transparent, enabling lightbox-style tracing or simple overlay tracing with minimal bleed-through. That transparency makes iterating poses and refining expressions quicker while keeping earlier drafts intact.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSlight translucency suitable for tracing and refining sketches\u003c\/li\u003e\n  \u003cli\u003eWorks well with pencil, fineliners and light marker use\u003c\/li\u003e\n  \u003cli\u003eGlue-bound top edge allows clean sheet removal for scanning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper practical for inking and finishing art?\u003c\/h3\u003e\n\u003cp\u003eThe sheet weight is optimised for line work and draft-stage inking rather than heavy marker saturation. It performs best with pencils, technical pens, brush pens and light marker layers; for heavy marker rendering consider thicker art paper for final colour work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e55 gsm white stock holds inked lines cleanly with minimal feathering\u003c\/li\u003e\n  \u003cli\u003eNot intended for heavy alcohol marker layering or heavy washes\u003c\/li\u003e\n  \u003cli\u003eGlue binding keeps sheets flat for steady inking and scanning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad for? If you storyboard manga pages, rough out comic sequences, or need a compact pad to plan character staging and scene flow, this Clairefontaine glued pad is geared toward students, hobbyists and professional artists who prioritize quick iteration. The A4 size fits standard scanners and portfolios, the light blue guidelines speed up consistent layouts, and the 100-sheet glued pad gives you a dependable stack of pages to draft entire chapters or many short sequences. For final rendered pages or heavy colouring choose heavier stock, but for layouts, thumbnails and linework this pad streamlines the creative process without adding excess bulk.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Clairefontaine storyboard pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 100 glue-bound sheets ideal for sequential sketching and revisions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for tracing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 55 g\/m² sheets are slightly transparent and work well for tracing and light transfer.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55253572485457,"sku":"B01DPM6WVU","price":32.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-storyboard-pad-front-cover.jpg?v=1791660562"},{"product_id":"clairefontaine-painton-mixed-media-pad-a5-250gsm-20-sheet-extra-white-acid-free","title":"Clairefontaine Paint'ON mixed-media pad A5 — 250gsm 20-sheet extra-white, acid-free","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'ON is a heavyweight, extra-white A5 pad designed for mixed-media work that balances absorption and tooth for both wet and dry techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 20-sheet glued pad contains 250gsm, 100% cellulose sheets with a pronounced double-sided grain that adapts to a wide range of media. The paper is PEFC-certified, acid-free and pH-neutral, making it suitable for practice pieces, finished artworks and studiowork where archival stability and versatility matter. Its compact A5 size and glued edge make it easy to carry, display or detach pages cleanly.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper perform with wet media like gouache or acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe heavyweight 250gsm construction resists warping and supports multiple wet layers without immediate saturation or tearing. Its absorption rate is tuned so pigments behave predictably while allowing reworking and layering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e250gsm weight minimizes cockling under washes and multiple coats\u003c\/li\u003e\n  \u003cli\u003eGood absorption prevents pooling while letting pigments blend\u003c\/li\u003e\n  \u003cli\u003eSupports gouache and thin acrylic layers; suitable for ink washes\u003c\/li\u003e\n  \u003cli\u003eDurable surface tolerates light scrubbing and lifting techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surface side should I use for pencil, ink or precision work?\u003c\/h3\u003e\n\u003cp\u003ePaint'ON offers a double-surface: a pronounced grain for textured effects and a near-smooth face for detailed line work. Choose the smooth side when you need crisp edges and controlled pen strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePronounced grain enhances relief and texture for dry media\u003c\/li\u003e\n  \u003cli\u003eSmoother face improves pen, marker and fine graphite performance\u003c\/li\u003e\n  \u003cli\u003eBoth sides accept erasing and layering with minimal abrasion\u003c\/li\u003e\n  \u003cli\u003eA5 format keeps fine-control compositions portable and manageable\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I preserve finished pieces and how easy is page removal?\u003c\/h3\u003e\n\u003cp\u003eThe pad is glued along one edge to hold sheets securely during work yet allows clean detachment when you want to remove a finished page. Because the paper is acid-free and pH-neutral, completed drawings and paintings retain their colour and structure longer.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued pad construction for neat removals without tearing\u003c\/li\u003e\n  \u003cli\u003eAcid-free, pH-neutral for improved archival stability\u003c\/li\u003e\n  \u003cli\u003ePEFC-certified fibres from managed forests\u003c\/li\u003e\n  \u003cli\u003eExtra-white surface preserves colour contrast and brightness\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad a good value for learners and professional artists?\u003c\/h3\u003e\n\u003cp\u003eThe 20-sheet A5 pad is compact and cost-effective, ideal for sketching, studies, and finished small-format works. Its multi-technical nature makes it useful for students exploring different media as well as professionals who need a portable, reliable paper for mixed-media experiments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e20 sheets at 250gsm for practice and finished small artworks\u003c\/li\u003e\n  \u003cli\u003eA5 size fits sketchbooks, backpacks and small portfolios\u003c\/li\u003e\n  \u003cli\u003eVersatile for pencil, pen, marker, gouache, ink and light acrylic\u003c\/li\u003e\n  \u003cli\u003eProduced by Clairefontaine, a trusted fine-arts paper maker\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Paint'ON A5 is aimed at students, illustrators, illustrators-on-the-go, hobbyists and professional artists who want a durable mixed-media paper in a portable format. If you need a reliable surface that handles both delicate lines and wet layering without immediate buckling—and that detaches cleanly for display or scanning—this 250gsm glued pad is a practical choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Clairefontaine Paint'ON suitable for heavy acrylic layers?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It supports light to moderate acrylic layers; very heavy impasto may still cause buckling over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase graphite and rework the surface?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—both sides tolerate erasing and reworking with minimal surface damage thanks to the 250gsm weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55254447620433,"sku":"B06XZQ2GG9","price":23.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-front-cover-a5-glued-pad.jpg?v=1791676368"},{"product_id":"clairefontaine-painton-a5-multi-technique-paper-pad-40-sheets-250gsm-natural-heavyweight-acid-free","title":"Clairefontaine Paint'ON A5 Multi-Technique Paper Pad, 40 Sheets 250gsm Natural — Heavyweight, Acid-Free","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'ON is a heavyweight, multi-technique A5 glued pad of 40 acid-free sheets designed to handle both dry and wet media with minimal warping.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis A5 pad from Clairefontaine contains 40 sheets of 250gsm natural-coloured, 100% cellulose paper engineered for artists who want a single surface that works for pencils, pens, gouache, ink and acrylic. With a very light tooth for fine detail, strong absorption and a glued binding that lets you remove sheets cleanly, the Paint'ON pad balances durability and precision for studies, mixed-media experiments and finished pieces.\u003c\/p\u003e\n\n\u003ch3\u003eHow well does this paper manage wet media like gouache or thin acrylics?\u003c\/h3\u003e\n\u003cp\u003eThe 250gsm weight gives the Paint'ON paper enough stiffness and sizing to accept multiple thin layers without excessive buckling. Its absorption capacity prevents pigments from pooling while preserving surface integrity so you can apply several coats.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e250gsm heavyweight reduces warping with wet washes\u003c\/li\u003e\n  \u003cli\u003eGood absorption for even pigment laydown\u003c\/li\u003e\n  \u003cli\u003eSupports several layers of gouache or thin acrylic\u003c\/li\u003e\n  \u003cli\u003eNatural colour helps mid-tones register accurately\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad suitable for detailed drawing and pen work?\u003c\/h3\u003e\n\u003cp\u003eYes — the paper features a very light grain that allows fine lines and subtle tonal transitions. It pairs well with pencil, fineliners, markers and ink, giving crisp edges and clean strokes without excessive bleed-through.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVery light tooth for precise line work\u003c\/li\u003e\n  \u003cli\u003e100% cellulose offers consistent surface feel\u003c\/li\u003e\n  \u003cli\u003eMinimal feathering with ink and pens\u003c\/li\u003e\n  \u003cli\u003eAcid-free, pH neutral for long-term preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow convenient is the glued A5 pad format for studio and travel use?\u003c\/h3\u003e\n\u003cp\u003eThe compact A5 size and glued spine make this pad portable and practical for sketching on the go or organizing studies in a tidy stack. Sheets detach cleanly at the glue edge so you can remove finished pieces without tearing and keep works flat for framing or scanning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued pad with clean sheet removal\u003c\/li\u003e\n  \u003cli\u003eA5 footprint fits backpacks and small desks\u003c\/li\u003e\n  \u003cli\u003e40 sheets provide good value for practice and projects\u003c\/li\u003e\n  \u003cli\u003eNatural colour offers a neutral ground for studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat archival qualities does this paper offer?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Paint'ON is acid-free and pH-neutral, which helps safeguard sketches and finished works over time. The paper is PEFC-certified, reflecting responsible fibre sourcing and quality consistent with fine-arts use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free, pH neutral for longevity\u003c\/li\u003e\n  \u003cli\u003ePEFC-certified sustainable sourcing\u003c\/li\u003e\n  \u003cli\u003eDurable 250gsm weight for handling and storage\u003c\/li\u003e\n  \u003cli\u003eSuitable for keeping or exhibiting finished pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Paint'ON A5 glued pad is aimed at students, illustrators and mixed-media artists who need a single, reliable surface for experiments and finished small-format pieces. It is especially useful for anyone who wants the flexibility to switch between pencils, pens and paint without changing paper, and for creatives who value a portable pad that preserves work quality over time.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use heavy acrylic paint directly on this 250gsm paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It accepts thin to moderate acrylic layers well; very heavy impasto may still cause buckling on 250gsm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets easy to remove without tearing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The glued spine is designed for clean detachment so sheets remove neatly for framing or scanning.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55255307354449,"sku":"B00VHZ49KO","price":36.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-a5-front-cover_d002ed96-5ec3-471b-b08d-aabd5703a5ea.jpg?v=1791703662"},{"product_id":"clairefontaine-black-multi-technique-paper-pad-a4-250gsm-20-sheets-slightly-textured-acid-free","title":"Clairefontaine Black Multi-Technique Paper Pad A4, 250gsm — 20 Sheets, Slightly Textured Acid-Free","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine's Paint'ON A4 black multi-technique pad is a heavy-weight, slightly textured 250gsm paper pad designed for mixed-media work on intense black grounds.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued A4 pad contains 20 acid-free, pH-neutral sheets made from 100% cellulose and PEFC-certified fibres. The paper's black tint and subtle tooth make it a versatile base for both dry media (pencil, graphite, pens) and various wet techniques (ink, gouache, acrylic). Its heavyweight construction resists scratching and supports multiple layers, while the surface highlights metallics, whites and iridescent pigments for dramatic contrast.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle wet media like gouache or acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe 250gsm weight and slightly rough grain give the sheet enough body to accept washes and heavier applications without excessive buckling. Absorption is balanced so pigments sit nicely on the surface while still allowing layering and reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports multiple coats of gouache and acrylic without tearing.\u003c\/li\u003e\n  \u003cli\u003eGood absorption prevents pooling while keeping colour intensity.\u003c\/li\u003e\n  \u003cli\u003eSlight texture helps pigments adhere and creates tactile effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use pens, pencils and metallics on this black paper?\u003c\/h3\u003e\n\u003cp\u003eYes — the dark ground is especially effective for white, metallic and iridescent inks, and the paper accepts graphite and felt-tip pens with clear results. The subtle tooth gives dry media enough bite to lay down visible marks without excessive smudging.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWhite gel pens and metallic inks appear vivid against the black tint.\u003c\/li\u003e\n  \u003cli\u003ePencils and graphite show with controlled contrast and texture.\u003c\/li\u003e\n  \u003cli\u003eInk lines remain crisp thanks to the surface grip and absorbency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this pad suitable for preserving finished artwork?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad is acid-free and pH-neutral, which helps preserve colour and paper integrity over time. Sheets are glued into a pad for neat storage, and the finish allows clean removal when you want to display or frame a piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free, pH-neutral paper minimizes long-term discoloration.\u003c\/li\u003e\n  \u003cli\u003ePEFC certification indicates responsible forest sourcing of fibres.\u003c\/li\u003e\n  \u003cli\u003eGlued spine keeps work together but allows easy detachment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and quantity does this product include for projects?\u003c\/h3\u003e\n\u003cp\u003eThis listing is for an A4 pad (approximately 21 x 29.7 cm) containing 20 heavyweight 250gsm sheets — a compact, portable format that fits standard frames and sketchbooks. It’s a convenient size for studies, portfolios, or experimentation without wasting larger sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eA4 format is frame-friendly and easy to scan or photograph.\u003c\/li\u003e\n  \u003cli\u003e20 sheets provide enough room for multiple studies or layered pieces.\u003c\/li\u003e\n  \u003cli\u003ePad format is travel-ready and stacks neatly in a studio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators and hobbyists who want a reliable black base for mixed-media work will find this Clairefontaine Paint'ON pad well suited to experimentation with both dry and wet techniques. It’s especially useful for creators who employ white or metallic media for high-contrast effects, professionals assembling small portfolios, and students exploring surface and layering without needing oversized paper.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy acrylic layers?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 250gsm the paper supports several acrylic coats with minimal tearing or buckling when applied carefully.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove sheets from the pad without damage?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The glued spine keeps sheets secure but allows clean detachment for framing or scanning.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55257023709521,"sku":"B07P88Z46Q","price":41.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-front-cover.jpg?v=1791716796"},{"product_id":"clairefontaine-painton-grey-paper-pad-a4-250-g-m-30-sheets-mid-grey-heavyweight-for-dry-opaque-media","title":"Clairefontaine Paint'On Grey Paper Pad A4 250 g\/m², 30 Sheets — Mid-Grey Heavyweight for Dry \u0026 Opaque Media","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'On Grey Paper Pad is a heavyweight A4 pad (250 g\/m²) with 30 mid‑grey sheets designed for dry media and opaque techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad provides a consistent mid‑grey ground that helps artists judge values and contrasts while working with pencils, inks, gouache, pastel or oil sticks. The 250 g\/m² paper is sturdy enough to accept repeated layers and light lifting, and each acid‑free sheet is bound in a neat A4 pad that lies flat for studio or portable use.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the mid-grey surface change my drawing workflow?\u003c\/h3\u003e\n\u003cp\u003eThe grey tone gives an immediate middle value so highlights and shadows read more clearly from the start. That saves time establishing tonal balance and makes white media and erasures pop without overworking darks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNeutral mid‑grey ground for accurate value comparisons\u003c\/li\u003e\n  \u003cli\u003eWhite highlights show strongly against the surface\u003c\/li\u003e\n  \u003cli\u003eReduces need for an initial wash or base coat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat media work best on Clairefontaine 250 g\/m² Paint'On paper?\u003c\/h3\u003e\n\u003cp\u003eThis heavy, textured sheet is made for dry techniques and opaque media. It accepts pencil, charcoal and pastel with good tooth, and handles ink lines and gouache or oil stick without excessive buckling when used responsibly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for pencil, ink, charcoal and pastel\u003c\/li\u003e\n  \u003cli\u003eCompatible with gouache and oil sticks in light to moderate layers\u003c\/li\u003e\n  \u003cli\u003eAcid‑free and PH neutral for longer archival stability\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the pad hold up to erasing, layering and mixed media tests?\u003c\/h3\u003e\n\u003cp\u003eThe 250 g\/m² weight gives the sheet structure for erasing and multiple passes, so you can lift highlights and rework values. For heavy wet applications combine with a heavier support or work in limited washes to avoid cockling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHeavyweight stock resists tearing during erasure\u003c\/li\u003e\n  \u003cli\u003eSuitable for layering dry materials and light opaque washes\u003c\/li\u003e\n  \u003cli\u003ePad format keeps sheets flat and portable for studio or travel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and quantity are included, and is the paper archival?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 30 A4 sheets sized for standard printing and sketchbook use. All sheets are acid‑free and pH neutral, helping preserve work over time when stored properly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eA4 (210 × 297 mm) — convenient for scanning and framing\u003c\/li\u003e\n  \u003cli\u003e30 sheets per pad for multiple studies or finished pieces\u003c\/li\u003e\n  \u003cli\u003eAcid‑free, pH neutral paper for cleaner long‑term storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Paint'On Grey Paper Pad suits students, illustrators and hobby artists who prefer a middle‑tone ground and need a reliable heavyweight sheet for dry media, selective opaque work or value‑focused studies. Choose this pad when you want consistent grey paper in an A4, 30‑sheet format that travels easily between desk and classroom.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper good for gouache?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 250 g\/m² sheet accepts light gouache layers, but avoid heavy wet buildups to prevent buckling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase charcoal on this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the heavyweight, textured surface tolerates erasing and reworking with minimal damage.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55294361043281,"sku":"B079QBH6MB","price":44.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-a4-front-cover.jpg?v=1791928622"},{"product_id":"clairefontaine-pastelmat-360gsm-pastel-card-sheets-brown-pack-of-5-24-32cm-textured-for-layering","title":"Clairefontaine Pastelmat 360gsm Pastel Card Sheets – Brown, Pack of 5, 24×32cm, Textured for Layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat is a 360gsm textured card designed to hold many pastel layers without fixative, supplied here as five 24×32cm brown sheets for professional dry and mixed-media work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelMat combines a unique tooth and resilient surface that accepts vigorous pastel strokes and delicate blending while resisting saturation and abrasion. These acid-free, neutral-pH sheets come in a warm brown tone that enhances mid-tone compositions and speeds up value mapping. At 360gsm, the board is sturdy enough for framing or repeated reworking, and it tolerates limited wet techniques and alcohol-based media without losing its grip.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose this brown 360gsm PastelMat for pastel work?\u003c\/h3\u003e\n\u003cp\u003eThe brown colour provides an instant mid-tone that helps artists judge lights and darks more quickly and reduces time spent covering a white ground. The specially formulated surface clings to pigment so you can layer multiple passes without the surface becoming greasy or saturated.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrown ground creates a ready midtone for faster composition planning.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness resists buckling and feels substantial when handled.\u003c\/li\u003e\n  \u003cli\u003eSurface engineered for high pigment grab and multiple layers.\u003c\/li\u003e\n  \u003cli\u003eAcid-free and neutral pH for archival stability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does PastelMat handle layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelMat’s balanced tooth allows you to lay down bold strokes and also to feather soft gradients with smudging tools. Because the surface is neither overly abrasive nor overly smooth, pigments sit in place and you can build depth without needing heavy fixatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts repeated pastel passes without saturation effects.\u003c\/li\u003e\n  \u003cli\u003eEnables both energetic marks and subtle shading techniques.\u003c\/li\u003e\n  \u003cli\u003eHolds pastel when lightly blended or when lifted with erasers.\u003c\/li\u003e\n  \u003cli\u003eCompatible with soft and hard pastels as well as pastel pencils.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or mixed-media on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — while designed for dry pastels, the paper tolerates limited wet approaches: light washes, gum arabic or alcohol-based techniques won’t immediately compromise the tooth. Heavy soaking should be avoided to prevent warping, but modest moisture can enrich textures and deepen tones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports light washes and spot wetting without losing grain.\u003c\/li\u003e\n  \u003cli\u003eAlcohol-based media compatible in moderation for mixed-media effects.\u003c\/li\u003e\n  \u003cli\u003eUse minimal moisture and allow thorough drying between layers.\u003c\/li\u003e\n  \u003cli\u003e360gsm weight reduces warping compared with lighter sheets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and pack details should I expect?\u003c\/h3\u003e\n\u003cp\u003eThis listing contains five monochrome sheets measuring 24×32cm (roughly A4 landscape proportion). The compact format is convenient for studies, finished pieces, or for testing colour choices before scaling up to larger supports.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFive brown sheets per pack — ready for practice or display.\u003c\/li\u003e\n  \u003cli\u003e24×32cm dimensions suitable for sketches and small finished works.\u003c\/li\u003e\n  \u003cli\u003ePackaged flat to maintain surface integrity during shipping.\u003c\/li\u003e\n  \u003cli\u003eIdeal for classroom sets, travel sketching, or studio studies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine PastelMat 360gsm brown sheets are aimed at pastel artists, illustrators, and mixed-media creatives who want a stable, archival-toned ground that speeds up value work and supports intensive layering. It’s well suited for students testing techniques, professional artists building final pieces, and hobbyists seeking a forgiving surface that pairs well with both soft and hard pastels.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PastelMat suitable for soft and hard pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The textured surface accepts both soft and hard pastels, allowing multiple layers and detailed work without rapid saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the sheets warp if I use light washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Minimal wet techniques are supported, but avoid heavy soaking; the 360gsm weight reduces warping compared with thinner papers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55294376706385,"sku":"B06ZY6KNC1","price":42.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-front-packaging-pastelmat-brown.jpg?v=1791928752"},{"product_id":"clairefontaine-pastelmat-heavyweight-pastel-paper-pad-18-x-24-cm-360-g-m-white-glued-12-sheet","title":"Clairefontaine Pastelmat heavyweight pastel paper pad 18 x 24 cm — 360 g\/m², white, glued 12-sheet","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat White is a 18 x 24 cm glued pad of heavyweight 360 g\/m² paper designed for dry media and pastels, offering a textured surface that grips pigment while allowing fine detail.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact pad puts Clairefontaine’s specialty Pastelmat paper in a convenient glued format: 12 sheets of smooth-but-tooth white paper sized 18 x 24 cm. The heavy 360 gsm weight resists warping and handles layering, erasing, and blending without losing surface integrity. Because the pad is glued at the top, individual sheets lift cleanly for removal, mounting, or reference, making it practical for studies, plein air sketches, and finished pastel pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat materials and techniques suit this pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is formulated for dry techniques: soft and hard pastels, charcoal, sanguine, graphite, and coloured pencils all perform well. The surface texture is engineered to hold multiple layers of pigment while preserving crisp lines and rich colour saturation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² weight prevents buckling with heavy pastel layers\u003c\/li\u003e\n  \u003cli\u003eTextured tooth retains pastel particles for vibrant colour\u003c\/li\u003e\n  \u003cli\u003eWorks with erasing and blending tools without surface damage\u003c\/li\u003e\n  \u003cli\u003eSuitable for detail work using pencils or fine charcoal\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued binding affect use and presentation?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s top glue binding keeps pages secure during transport and studio work yet allows sheets to be removed neatly when you’re ready to mount or frame. It’s ideal for sequential studies, workshops, or carrying a small selection of ready-to-use sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued edge enables clean tear-off without ragged edges\u003c\/li\u003e\n  \u003cli\u003ePad stays flat while drawing, improving control\u003c\/li\u003e\n  \u003cli\u003eCompact size fits sketchbooks and small backpacks\u003c\/li\u003e\n  \u003cli\u003e12-sheet count balances practice and preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper perform for layering and erasing?\u003c\/h3\u003e\n\u003cp\u003eThe heavier 360 gsm stock holds multiple pigment layers without collapsing, so you can build depth with successive pastel applications. It also withstands gentle erasing techniques, allowing artists to refine highlights and correct compositions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDense fibre structure reduces dust loss when blending\u003c\/li\u003e\n  \u003cli\u003eAllows lift-off and reworking for highlights and corrections\u003c\/li\u003e\n  \u003cli\u003eSupports fixatives if you choose to seal completed work\u003c\/li\u003e\n  \u003cli\u003eConsistent white tone enhances colour accuracy and contrast\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who work primarily with dry media and want a reliable, heavyweight paper in a portable pad format will appreciate Clairefontaine Pastelmat White 18 x 24 cm. It’s suited to students learning pastel techniques, hobbyists doing studies and portraits, and professional artists producing small-format finished pieces. The glued top makes it practical for classes, outdoor work, and sequential practice while the 360 gsm sheet quality provides the durability needed for layering, erasing, and presentation-ready results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 gsm Pastelmat holds oil pastels, but expect different blending behavior—test fixative compatibility first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I frame sheets removed from the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Sheets remove cleanly from the glued edge and can be mounted and framed without trimming.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55294429200721,"sku":"B0090LNSNQ","price":45.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover.jpg?v=1791930002"},{"product_id":"clairefontaine-pastelmat-no-6-pastel-card-pad-18-24-cm-anthracite-360gsm-12-sheets-tooth-surface-for-layered-pastels","title":"Clairefontaine Pastelmat No.6 Pastel Card Pad 18×24 cm Anthracite — 360gsm, 12 Sheets, Tooth Surface for Layered Pastels","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat No.6 is a 360gsm, anthracite-coloured pastel card pad designed to hold multiple layers of dry and mixed-media pastels without saturation or fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued block contains 12 acid-free sheets sized 18 x 24 cm with a toothy yet soft surface engineered specifically for pastel work. The distinctive Pastelmat texture grips pigment for vibrant strokes, supports both energetic and subtle techniques, and remains stable when used with wet media or alcohol-based methods. A crystal interleaf protects each page, and the glued edge allows easy removal while keeping sheets secure during transport.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat help my pastel layers look richer?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface is slightly abrasive but not harsh, creating friction that catches pigment particles without destroying their softness. That balance lets you build many layers while maintaining colour intensity and avoiding the muddying that happens on overly smooth or overly rough papers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight supports heavy pigment loads without buckling.\u003c\/li\u003e\n  \u003cli\u003eAnthracite tone enhances highlights and midtones for dramatic contrast.\u003c\/li\u003e\n  \u003cli\u003eSurface holds both broad strokes and fine detail firmly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or fixatives on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat tolerates light wetting and adhesive applications without losing its gripping surface. While it performs exceptionally for dry pastel, it also accepts diluted washes and alcohol-based mediums, retaining grain and colour hold, though typical caution with heavy saturation is advised.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable when lightly dampened or when adhesives are applied.\u003c\/li\u003e\n  \u003cli\u003eCompatible with alcohol-based techniques without major surface change.\u003c\/li\u003e\n  \u003cli\u003eAcid-free composition helps long-term preservation after mixed-media use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and sheet protection does this pad include?\u003c\/h3\u003e\n\u003cp\u003eThe pad measures 18 × 24 cm — a compact, studio- and travel-friendly size — and includes 12 sheets. Each sheet is separated by a crystal interleaf to prevent smudging; the glued binding allows clean removal when you’re ready to frame or store completed work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad dimensions: 18 x 24 cm (approx. A5+).\u003c\/li\u003e\n  \u003cli\u003e12 sheets of 360gsm anthracite card per pad.\u003c\/li\u003e\n  \u003cli\u003eCrystal paper interleaves protect finished drawings during handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this archival and suitable for finished pieces?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Pastelmat is acid-free with neutral pH, so it’s appropriate for artworks you want to keep or exhibit. The 360gsm weight and durable surface help artworks survive framing and display without premature deterioration when stored correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition for increased longevity.\u003c\/li\u003e\n  \u003cli\u003eHeavyweight card minimizes warping under framing.\u003c\/li\u003e\n  \u003cli\u003eProven Clairefontaine manufacturing quality for fine-art uses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: artists who work primarily in dry pastels but want the flexibility to experiment with mixed-media and light wet techniques will appreciate this pad. It suits students, hobbyists and professional pastel painters seeking a reliable, archival surface with a dark ground that enhances colour contrast and expedites layered work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 360gsm surface holds oil pastels well, allowing layering and strong colour payoff without rapid saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I frame finished sheets without additional mounting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, sheets are heavy and stable for framing, but using archival mounting or backing is recommended for long-term display.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55296641827153,"sku":"B071RCF1VG","price":45.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad.jpg?v=1791944319"},{"product_id":"clairefontaine-pastelmat-pastel-card-sheets-light-blue-24-32cm-pack-of-5-360gsm-archival-surface-for-layering-and-blending","title":"Clairefontaine PastelMat Pastel Card Sheets — Light Blue 24×32cm Pack of 5, 360gsm archival surface for layering and blending","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat is a heavyweight, lightly textured 360gsm card designed to hold multiple layers of pastel pigments without saturation, supplied as a pack of five 24×32 cm light-blue sheets.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pack of five PastelMat sheets from Clairefontaine gives artists a consistent, archival surface engineered specifically for dry pastel and mixed-media use. The paper’s unique balance of tooth and tenderness grips pastel particles while allowing blending and reworking, and it remains stable with light wetting or alcohol-based techniques. Acid-free and pH-neutral, these sheets are made for studio work, finished pieces, and experimental layering.\u003c\/p\u003e\n\n\u003ch3\u003eHow does PastelMat improve layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelMat’s surface is formulated to accept many successive pigment layers without clogging or losing bite. You can build dense, saturated tones and also feather soft gradations with the same sheet because the paper’s adhesion is steady across multiple passes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight prevents buckling during heavy work or light wetting\u003c\/li\u003e\n  \u003cli\u003eSurface grips pastels for both bold strokes and subtle smudging\u003c\/li\u003e\n  \u003cli\u003eSupports numerous reworks without saturation or grain collapse\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or solvent techniques on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — PastelMat tolerates gentle wetting and alcohol-based solvents without losing its characteristic texture or adhesive quality. It is not paperboard in the sense of dissolving; the sheet retains grip and can be sealed or varnished after full drying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with light water washes and gum arabic sizing\u003c\/li\u003e\n  \u003cli\u003eResistant to alcohol mediums without grain smoothing\u003c\/li\u003e\n  \u003cli\u003eStable for mixed-media pieces combining wet and dry passages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat formats and archival properties does this pack offer?\u003c\/h3\u003e\n\u003cp\u003eThis listing contains five monochrome sheets in a convenient 24 × 32 cm size, perfect for studies, portfolios, or framed works. Clairefontaine manufactures PastelMat as an acid-free, neutral-pH paper so completed artwork keeps colour and structural integrity over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePack of 5 sheets, each 24 × 32 cm (approx. 9.5 × 12.6 in)\u003c\/li\u003e\n  \u003cli\u003e360gsm weight for durability and professional presentation\u003c\/li\u003e\n  \u003cli\u003eAcid-free and neutral pH for long-term preservation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho benefits most from using these light-blue PastelMat sheets?\u003c\/h3\u003e\n\u003cp\u003eThese light-blue Clairefontaine sheets are ideal for artists wanting a mid-tone ground to jumpstart compositions or to add luminous atmospheric layers. They suit professional pastelists, art students exploring techniques, illustrators using layered mixed media, and hobbyists seeking a premium, ready-to-use surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional pastel artists needing archival, layerable paper\u003c\/li\u003e\n  \u003cli\u003eStudents and instructors for classroom practice and portfolio pieces\u003c\/li\u003e\n  \u003cli\u003eMixed-media creators who combine pastel with light wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine PastelMat cards are made for anyone who wants to combine vigorous pastel application with fine blending, preserve artworks long-term, and work on a consistent, mid-tone surface. The convenient 24×32 cm size and five-sheet pack make it easy to experiment, complete small to medium pieces, or prepare studies before committing to larger formats.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is PastelMat suitable for oil pastel and charcoal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. PastelMat accepts oil pastel and charcoal well, offering grip for bold marks and soft blending without quick saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the paper buckle if I use light water washes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Minimal buckling occurs thanks to the 360gsm weight; light wetting is supported and the sheet remains usable when dried flat.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55296740983121,"sku":"B06ZXX4Y33","price":50.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-sheet.jpg?v=1791947795"},{"product_id":"clairefontaine-black-paper-pad-a5-20-sheets-250gsm-heavyweight-slight-rough-grain","title":"Clairefontaine Black paper pad A5 — 20 sheets, 250gsm heavyweight, slight rough grain","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'ON is a heavyweight, slightly textured black paper pad built for mixed-media — ideal for layered dry and wet techniques on durable 250gsm, acid-free sheets.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis A5 glued pad contains 20 black-tinted, 250gsm sheets engineered to balance absorption and surface strength. The paper’s subtle rough grain enhances colour vibrancy, lets metallics and highlights stand out, and tolerates multiple passes of gouache, ink, acrylic, and dry media without delaminating. PEFC-certified and pH-neutral, the pad preserves work quality while offering the convenience of a removable sheet format for display or scanning.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper perform with wet media like gouache and acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe 250gsm weight and 100% cellulose composition give the sheet enough substance to accept several wet layers without warping or tearing. Its slightly rough surface holds pigment and lets translucent highlights sit on top for strong contrasts on a black ground.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports multiple coats of gouache and acrylic with minimal buckling\u003c\/li\u003e\n\u003cli\u003eGood surface absorption prevents excessive pooling or runs\u003c\/li\u003e\n\u003cli\u003eRough grain helps paints and opaque pigments adhere evenly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use pencils, pens, and markers on this black paper?\u003c\/h3\u003e\n\u003cp\u003eYes — the texture works well with dry drawing tools as well as pens and felt-tip markers. Light and metallic inks show up distinctly, and the surface resists scratching so you can layer and refine details.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGraphite and coloured pencils produce clear marks and shading\u003c\/li\u003e\n\u003cli\u003eOpaque pens and metallic inks maintain brightness on black\u003c\/li\u003e\n\u003cli\u003eSurface hardness resists erosion from erasing or reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill my finished pieces detach cleanly from the pad and last over time?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s glued spine keeps sheets secure during work while allowing clean removal when you want to display or store a piece. The acid-free, pH-neutral paper combined with PEFC certification means artworks retain quality without yellowing from paper acidity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGlue-bound A5 format for easy sheet removal without tearing\u003c\/li\u003e\n\u003cli\u003eArchival-safe: acid-free and pH-neutral for longevity\u003c\/li\u003e\n\u003cli\u003ePEFC certification indicates sustainably sourced cellulose\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sort of finishes and effects does the black tint enable?\u003c\/h3\u003e\n\u003cp\u003eBlack paper intensifies contrast and gives metallics, iridescents, and light tones extra pop. The slightly rough grain enhances textured strokes and can create rich, atmospheric backgrounds for illustrations or mixed-media pieces.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDark ground amplifies luminous highlights and iridescent paints\u003c\/li\u003e\n\u003cli\u003eRough surface adds tactile depth and visible brush or pencil texture\u003c\/li\u003e\n\u003cli\u003eGreat for high-contrast illustration, lettering, and decorative details\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators, and hobbyists who want a compact, reliable pad for experimenting with contrast and mixed techniques will appreciate the Clairefontaine Paint'ON A5 pad. It’s suited to sketching, study pieces, small finished works, and craft projects where a black background and archival quality matter — especially for creators who layer wet and dry media and need a sturdy 250gsm paper that preserves vivid results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for multiple wet layers?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 250gsm sheets tolerate several wet layers of gouache or acrylic with minimal warping and strong pigment adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove sheets from the pad without damage?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The glued spine allows clean detachment so you can remove sheets for framing or scanning without tearing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55296814219601,"sku":"B07PBJW1HC","price":39.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-pad-front-cover.jpg?v=1791949107"},{"product_id":"clairefontaine-painton-multi-technique-a4-mixed-media-pad-250-g-m-20-sheets-grained-smooth-extra-white-acid-free","title":"Clairefontaine Paint'ON Multi-Technique A4 Mixed-Media Pad, 250 g\/m², 20 Sheets — Grained \u0026 Smooth, Extra-White Acid-Free","description":"\u003cstrong\u003eClairefontaine Paint'ON Multi-Technique A4 pad is a 20-sheet, 250 g\/m² paper block designed for mixed-media work with one grained side and one smooth side.\u003c\/strong\u003e\n\n\u003cp\u003eThis A4 pad from Clairefontaine brings heavyweight, extra-white paper to artists who blend wet and dry media. Each glued pad contains 20 sheets of 250 g\/m² paper that’s textured on one face and smooth on the other, offering a versatile surface for acrylics, gouache, ink, pencil, and light washes. The acid-free, pH-neutral composition helps protect artwork from yellowing over time, while the practical block format keeps sheets aligned and ready for studio or field use.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the two-sided surface help with different techniques?\u003c\/h3\u003e\n\u003cp\u003eThe dual-face design gives you two distinct working options within one sheet. Use the grained side to provide tooth for dry media and better paint anchorage; flip to the smooth side when you need even washes, fine line work, or detailed ink. This flexibility reduces the need to switch pads during a session and speeds up experimentation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGrained side: improved grip for pencil, charcoal, pastel, and heavy-bodied paint.\u003c\/li\u003e\n  \u003cli\u003eSmooth side: ideal for precise ink, markers, and flat washes.\u003c\/li\u003e\n  \u003cli\u003e250 g\/m² weight: supports light to moderate wet applications without easy buckling.\u003c\/li\u003e\n  \u003cli\u003eExtra-white tone: enhances colour contrast and clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the pad stand up to wet media like acrylic or ink washes?\u003c\/h3\u003e\n\u003cp\u003eThe 250 g\/m² paper is engineered for mixed techniques and tolerates moderate wet work such as diluted acrylics, gouache, and ink. Because it’s denser than standard sketch paper, it resists rapid distortion, but extremely heavy or repeated wet layers may still cause some cockling. Mounting or taping edges can further reduce movement for intensive wet applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for diluted acrylics, gouache, ink washes, and layered media.\u003c\/li\u003e\n  \u003cli\u003eModerate wetness supported thanks to 250 g\/m² weight.\u003c\/li\u003e\n  \u003cli\u003eUse edge-taping for heavy water techniques to minimize buckling.\u003c\/li\u003e\n  \u003cli\u003eAcid-free construction helps preserve colours over time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does the glued pad format offer?\u003c\/h3\u003e\n\u003cp\u003eThe glued A4 pad keeps sheets neatly stacked and easy to remove without damaging adjacent pages. It’s portable for sketching on location and tidy for studio use; simply lift or tear sheets from the glued edge. The pad also protects unused sheets from dust and spills, making storage straightforward.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued binding allows clean sheet removal.\u003c\/li\u003e\n  \u003cli\u003eA4 size: convenient for portfolios, scanning, and framing.\u003c\/li\u003e\n  \u003cli\u003e20 sheets: a compact supply for practice or project studies.\u003c\/li\u003e\n  \u003cli\u003ePad protects remaining sheets during transport and storage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the paper’s archival quality affect finished pieces?\u003c\/h3\u003e\n\u003cp\u003eBecause this Clairefontaine paper is acid-free and pH neutral, it slows yellowing and degradation compared with non-archival alternatives. While not a substitute for museum-grade conservation for long-term display, it’s a dependable choice for lasting sketches, studies, and finished mixed-media works destined for framing or digital archiving.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free and pH neutral: reduces likelihood of yellowing.\u003c\/li\u003e\n  \u003cli\u003eExtra-white surface enhances scanned and photographed artwork.\u003c\/li\u003e\n  \u003cli\u003eAppropriate for storing, framing, or digitizing completed sheets.\u003c\/li\u003e\n  \u003cli\u003eNot intended as a replacement for specialized conservation paper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Paint'ON Multi-Technique A4 250 g\/m² pad is aimed at students, hobbyists, and professional artists who need a versatile, portable paper option for mixed media. It suits anyone who values a dual-surface sheet for quick experiments, studies, or small finished pieces, and who prefers the convenience of a glued pad in A4 format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad good for acrylics?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 250 g\/m² paper handles moderate acrylic and gouache applications; heavy wet layers may need edge-taping.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the paper is acid-free and pH neutral to help prevent yellowing over time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55297272578385,"sku":"B06Y152MK8","price":43.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-front-cover_a7095043-5415-4be2-9376-9701f8e95caa.jpg?v=1791951812"},{"product_id":"clairefontaine-pastelmat-card-18-x-24-cm-assorted-12-sheet-pack-360gsm-textured-pastel-paper","title":"Clairefontaine Pastelmat Card 18 x 24 cm Assorted 12-Sheet Pack, 360gsm Textured Pastel Paper","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Card is a heavyweight, textured drawing board (360 gsm) in 18×24 cm sheets, provided in a 12-sheet assorted-colour bloc for dry media like pastel, charcoal and pencil.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese compact Pastelmat sheets combine a subtle tooth with a dense, cotton-rich paper core designed to hold layers of dry media. The 18 x 24 cm size is convenient for sketchbooks, studies and finished small-format works, and the assortment includes four complementary tones to help artists judge contrast and colour without priming. Each sheet resists smudging while allowing lift and blending, so it works well for both quick studies and layered pieces.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose Pastelmat Card for pastel and charcoal work?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's surface is engineered to grab pigment and build multiple layers without flaking off. Its weight and texture make it stable under erasing and reworking, while the sheet-edge format fits easily in portfolios and frames.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight for stability and minimal buckling\u003c\/li\u003e\n  \u003cli\u003eConsistent micro-tooth accepts pastel, charcoal, and pencil\u003c\/li\u003e\n  \u003cli\u003eStrong tooth for layering and delicate blending\u003c\/li\u003e\n  \u003cli\u003ePre-cut 18×24 cm sheets ready for framing or mounting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do the assorted colours help my artwork?\u003c\/h3\u003e\n\u003cp\u003eHaving Dark Green, Light Green, Dark Blue and White sheets provides pre-toned grounds to influence mood, midtones and highlights without extra priming. Artists can save time establishing atmosphere and value relationships by choosing a surface that complements their palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDark Green and Dark Blue enhance midtone depth and richer shadows\u003c\/li\u003e\n  \u003cli\u003eLight Green offers a warm midtone for natural subjects\u003c\/li\u003e\n  \u003cli\u003eWhite works as a neutral ground for full-value range work\u003c\/li\u003e\n  \u003cli\u003eMixing tones in a series creates cohesive visual studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best on these sheets?\u003c\/h3\u003e\n\u003cp\u003ePastelmat Card is optimised for dry techniques: soft pastels, hard pastels, pastel pencils, charcoal, sanguine and graphite all adhere well. It tolerates light erasing and scraping, and pigments can be lifted selectively for highlights or textures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft pastels layer richly without excessive dust loss\u003c\/li\u003e\n  \u003cli\u003eCharcoal and sanguine produce clear, textural marks\u003c\/li\u003e\n  \u003cli\u003ePencil and pastel pencils retain crisp detail on the tooth\u003c\/li\u003e\n  \u003cli\u003eEasily accepts blending by finger, stump, or cloth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and prepare the sheets for use?\u003c\/h3\u003e\n\u003cp\u003eKeep the bloc flat and dry to avoid warping; store away from direct sunlight to protect colours. For mounting, use archival adhesive or tape at the edges and consider a fixative sparingly if desired for display or transport.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore flat in a cool, dry place to prevent curling\u003c\/li\u003e\n  \u003cli\u003eMount on rigid backing for framing or display\u003c\/li\u003e\n  \u003cli\u003eUse archival tape or spray fixative according to media needs\u003c\/li\u003e\n  \u003cli\u003eHandle edges to avoid oil transfer from hands onto the surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Card is aimed at artists and students who work in dry media and want a reliable, small-format surface for studies, portfolio pieces or finished small works. It's especially useful for pastel painters, charcoal artists and illustrators who value a heavy, textured paper that supports layering, blending and reworking without frequent surface breakdown.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on Pastelmat Card?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — Pastelmat Card is designed for dry techniques like pastels, charcoal and pencil, not for water-based or oil paints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are these sheets suitable for framing without backing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: For best results, mount on a rigid backing before framing to prevent buckling and protect the paper over time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55297286472017,"sku":"B01HMW5T5Y","price":46.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-packaging.jpg?v=1791952220"},{"product_id":"clairefontaine-pastelmat-glued-pad-24x30-cm-360gsm-textured-heavyweight-paper-12-sheets-assorted-tones","title":"Clairefontaine Pastelmat glued pad 24x30 cm, 360gsm textured heavyweight paper — 12 sheets, assorted tones","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat glued pad is heavyweight, textured paper designed specifically for dry media—360 gsm sheets in a convenient 24 x 30 cm glued pad.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad gathers 12 heavyweight Pastelmat sheets in four useful tones so artists can sketch, layer pastels and charcoals, or finish detailed dry-media work without taping or stretching. The textured surface grips pigment for rich colour and easy blending while the glued edge keeps pages secure and accessible for studio or plein-air use.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this Pastelmat pad suitable for dry techniques?\u003c\/h3\u003e\n\u003cp\u003eThe paper's tooth and density were developed to hold powdered pigments, pencils and sticks without falling apart. At 360 gsm the sheet resists heavy work and multiple erasures while allowing vibrant layering and subtle blending.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight prevents buckling under heavy pastel application\u003c\/li\u003e\n  \u003cli\u003eTextured “mat” surface captures powdered pigments for strong adhesion\u003c\/li\u003e\n  \u003cli\u003eIdeal for lead, sanguine, charcoal, pastel sticks and pastel pencils\u003c\/li\u003e\n  \u003cli\u003eWorks with blending tools and careful erasing without disintegration\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued pad format benefit everyday use?\u003c\/h3\u003e\n\u003cp\u003eThe glued top edge keeps sheets together for neat storage yet allows clean removal when you’re ready to display or frame a finished piece. This format is portable and keeps individual sheets protected from dust and damage in a studio bag.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top keeps sheets aligned and protected while drawing\u003c\/li\u003e\n  \u003cli\u003eEasy to tear off a single sheet for framing or scanning\u003c\/li\u003e\n  \u003cli\u003eCompact 24 x 30 cm size fits most sketchbooks and portfolio folders\u003c\/li\u003e\n  \u003cli\u003eLightweight and travel-friendly for field studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich colours are included and how do they affect your work?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 12 sheets across four base tones—white, sienna, brown and anthracite—so you can choose a background that complements your palette and reduces the need for underpainting. Mid- and dark-toned papers help conserve dark pigments and enhance highlights, while white gives maximum luminosity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWhite for full-value range and bright highlights\u003c\/li\u003e\n  \u003cli\u003eSienna and brown for warm mid-tones and tonal studies\u003c\/li\u003e\n  \u003cli\u003eAntracite for high-contrast and dramatic highlights\u003c\/li\u003e\n  \u003cli\u003eAssorted selection saves time preparing backgrounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should you care for and finish artwork on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eHandle sheets by the edges to avoid transferring oils; fixatives formulated for pastels can be applied lightly if needed. When framing, use spacers or a mat to protect pigment from direct glass contact and consider a spray fixative test on a scrap first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHandle by edges to prevent smudging from skin oils\u003c\/li\u003e\n  \u003cli\u003eApply fixative sparingly and test first on a spare sheet\u003c\/li\u003e\n  \u003cli\u003eUse framing spacers or a mat to avoid pigment-to-glass contact\u003c\/li\u003e\n  \u003cli\u003eStore unused pad flat and away from humidity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine 96007C Pastelmat glued pad is aimed at artists and students who work primarily in dry media—pastelists, charcoal artists, illustrators and mixed-media painters—who need a robust, portable paper that supports heavy layering and precise detail. Its compact 24 x 30 cm dimensions and assortment of neutral grounds make it a practical choice for studio practice, classroom use and on-location sketching.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the paper weight of the Clairefontaine Pastelmat pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 gsm, sturdy enough for heavy dry media and repeated blending.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and which colours are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad contains 12 sheets in white, sienna, brown and anthracite.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298301690193,"sku":"B0018BUSM0","price":67.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_14e17a63-add4-425d-b35a-79313d821c1d.jpg?v=1791965581"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-6-24-30cm-anthracite-360gsm-12-sheets-heavyweight-tooth-for-layering","title":"Clairefontaine Pastelmat Pastel Card Pad No.6 24×30cm Anthracite 360gsm, 12 Sheets — Heavyweight, Tooth for Layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat No.6 is a 24 × 30 cm glued pad of 12 anthracite 360 g\/m² sheets designed to optimise dry pastel layering and mixed techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMade for artists who want a responsive, non-abrasive surface with strong pigment grip, this Pastelmat block combines a slightly textured velvety feel with a durable card core. Each sheet is acid-free and separated by a crystal paper spacer so finished pieces stay protected, while the glued spine lets you remove sheets cleanly when a work is complete.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve pastel layering and detail?\u003c\/h3\u003e\n\u003cp\u003eThe surface is engineered to hold multiple pigment layers without quickly saturating, allowing both bold marks and subtle transitions. The tooth is balanced: it gives enough bite to secure pastel dust while remaining forgiving for blending and reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² heavyweight card for stability and reduced buckling\u003c\/li\u003e\n  \u003cli\u003eAnthracite tone enhances contrast and reduces need for ground layers\u003c\/li\u003e\n  \u003cli\u003eSurface grips soft and hard pastels as well as pastel pencils\u003c\/li\u003e\n  \u003cli\u003eMultiple passes of pigment possible before surface saturation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or mixed techniques on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat retains its texture and adhesion when exposed to light moisture or certain solvents, so artists can combine dry pastel with limited wet applications. The card resists disintegration and keeps its grain, enabling experiments with diluted washes or solvent blending.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts careful, low-volume wet techniques without losing tooth\u003c\/li\u003e\n  \u003cli\u003eCompatible with alcohol-based methods where minimal saturation is used\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity when gently reworked after wetting\u003c\/li\u003e\n  \u003cli\u003eNot a substitute for heavy watercolour washes or sustained immersion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size, protection and finishing features does the pad offer?\u003c\/h3\u003e\n\u003cp\u003eThe No.6 format measures 24 × 30 cm and contains 12 sheets bound in a glued block for neat storage and easy sheet removal. A thin crystal interleaf protects each drawing so pastel dust and smudging are minimised during handling and transport.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad — convenient for studies and small finished works\u003c\/li\u003e\n  \u003cli\u003eCrystal paper between leaves for surface protection\u003c\/li\u003e\n  \u003cli\u003eGlues along the spine for tidy tear-away release\u003c\/li\u003e\n  \u003cli\u003eAnthracite colour reduces glare and boosts tonal depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does archival quality affect my artwork's longevity?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Pastelmat is acid-free and pH neutral, which helps slow paper degradation and preserves colour integrity over time. While pastel pieces still benefit from framing under glass or with a protective spray (per your technique), the base substrate meets fine-art standards for permanence.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free fibres for improved archival stability\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² weight supports mounting and framing\u003c\/li\u003e\n  \u003cli\u003eNeutral pH reduces yellowing risk over decades\u003c\/li\u003e\n  \u003cli\u003eProduced by Clairefontaine with fine-arts focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat No.6 pad suits advanced students, professional artists and hobbyists who frequently work in dry pastel, pastel pencil or mixed dry\/wet approaches. It’s especially useful if you prefer a mid-dark ground to enhance highlights and midtones, want durable sheets that resist warping, and value archival-grade materials for finished pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for charcoal and pastel pencils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The textured surface holds both charcoal and pastel pencils well, allowing layering and erasing without rapid surface wear.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I wet the paper or use solvent blending?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light wetting and controlled solvent blending are possible; avoid heavy soaking to preserve the card’s structure and grain.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298725708113,"sku":"B071R2WN5Y","price":55.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-anthracite.jpg?v=1791968842"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-5-12-sheets-30x40cm-360gsm-glued-block-assorted-colours-archival","title":"Clairefontaine Pastelmat Pastel Card Pad No.5 — 12 sheets 30x40cm, 360gsm glued block, assorted colours, archival","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Pad No.5 is a 30 x 40 cm glued block of 360gsm pastel card in four assorted shades, engineered to hold multiple pigment layers for dry and mixed pastel techniques.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Pastelmat block (Ref 96115C) contains 12 heavyweight sheets — three each of dark green, light green, dark blue and white — with protective interleaving and an easy-tear glued spine. The surface sits between abrasive and velvety: it’s slightly toothy to grip pastel without the sanding feel, yet smooth enough to allow soft gradations and energetic strokes. Acid-free and neutral pH, the pad is built to preserve artwork while supporting wet applications and alcohol-based mediums without losing its surface properties.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve layering and colour intensity?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s engineered surface holds pigment more efficiently than many conventional papers, letting you apply several layers without the look of saturation or the need for fixatives. Pigments remain vibrant because the paper grips and spreads particles evenly, helping both bold marks and delicate blending to read clearly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight prevents warping under heavy pastel or light wash.\u003c\/li\u003e\n  \u003cli\u003eUnique surface texture supports multiple layers without clogging.\u003c\/li\u003e\n  \u003cli\u003eAssorted base colours enhance midtones and contrast options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or alcohol with this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat tolerates moisture and alcohol-based media while keeping its gripping texture intact. That makes it suitable for mixed-media approaches where you might seal areas, apply a light wash, or blend with a solvent without disturbing the underlying tooth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains grain and adherence after being dampened or gummed.\u003c\/li\u003e\n  \u003cli\u003eSuitable for combining dry pastel with light water or solvent work.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness resists buckling when moistened.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes, protection, and presentation does the block offer?\u003c\/h3\u003e\n\u003cp\u003eThe pad delivers 12 sheets at a studio-friendly 30 x 40 cm format with crystal paper between each sheet to protect finished pieces. The glued block design keeps pages secure yet allows clean removal when you’re ready to display or frame a work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12-sheet glued block for easy sheet detachment.\u003c\/li\u003e\n  \u003cli\u003eCrystal interleaving prevents smudging during storage and transport.\u003c\/li\u003e\n  \u003cli\u003eFour base colours (dark green, light green, dark blue, white) included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this paper archival and safe for finished artwork?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is acid-free with a neutral pH to support long-term preservation of your drawings. Using archival materials throughout your workflow will help artworks age with minimal deterioration when stored or framed correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free composition for archival stability.\u003c\/li\u003e\n  \u003cli\u003eNeutral pH minimizes long-term discoloration.\u003c\/li\u003e\n  \u003cli\u003eHeavyweight 360gsm supports framing without additional backing in many cases.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists working predominantly with dry pastel who want a versatile, archival surface that accepts strong strokes and subtle blends; mixed-media creatives who combine pastel with light washes, gumming, or solvent blending; art students and professionals needing consistent, heavyweight sheets in a compact, protective block. Clairefontaine’s Pastelmat No.5 is designed for anyone seeking a reliable substrate that keeps pigments vivid while allowing multiple working methods.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet blending?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light wetting and gumming while keeping its surface grain and pigment grip intact.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick is the paper and how many sheets are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets of 360gsm pastel card in a 30 x 40 cm glued block with protective interleaving.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298766307665,"sku":"B01HMW5UF8","price":80.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-block.jpg?v=1791969196"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no6-anthracite-30x40-cm-360gsm-12-sheets-for-dry-media","title":"Clairefontaine PastelMat Pastel Card Pad No6 — Anthracite 30x40 cm, 360gsm, 12 Sheets for Dry Media","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat No6 is a heavyweight, fine-textured anthracite pastel card pad (360 g\/m², 30 x 40 cm) made for dry media and soft pastels.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pastel card pad from Clairefontaine pairs a robust 360 gsm weight with a subtly textured surface in a deep anthracite tone, providing a mid-dark ground that enhances colour contrast and reduces the need for heavy underpainting. The pad contains 12 sheets sized 30 x 40 cm (No6), designed specifically to accept and hold dry media — from soft and hard pastels to charcoal, sanguine, and graphite — while resisting crumbling and dust migration during work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the anthracite tone affect pastel and charcoal work?\u003c\/h3\u003e\n\u003cp\u003eThe deep grey of the PastelMat pad creates a neutral, mid-dark background that makes both lights and darks read more dramatically without altering pigment chemistry. It helps artists judge values quickly and allows subtle highlights to pop, reducing the need for priming or layering an initial ground.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eImproves value contrast for highlights and midtones\u003c\/li\u003e\n  \u003cli\u003eNeutral grey that won’t shift colour temperature\u003c\/li\u003e\n  \u003cli\u003eWorks well for both colour and monochrome studies\u003c\/li\u003e\n  \u003cli\u003eReduces time spent laying down base tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat media and techniques are compatible with this 360 gsm card?\u003c\/h3\u003e\n\u003cp\u003ePastelMat No6 is engineered for dry techniques: soft and hard pastels, charcoal, sanguine, graphite and pastel pencils all adhere reliably to the surface. The 360 g\/m² weight prevents buckling and supports light erasing, blending, and fixative application, while still permitting delicate layering and scumbling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal for soft and hard pastels and pastel pencils\u003c\/li\u003e\n  \u003cli\u003eAccepts charcoal, sanguine and graphite cleanly\u003c\/li\u003e\n  \u003cli\u003eHeavy 360gsm prevents warping during erasure and blending\u003c\/li\u003e\n  \u003cli\u003eCompatible with workable fixatives and framing without distortion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and portable is the pad for studio and plein-air use?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s heavy paper weight and stitched or glued binding (depending on batch) keep sheets flat and protected, while the 30 x 40 cm format balances a large working area with easy transport. Each sheet can be removed for framing or mounting, and the sturdy pack survives sketchbook bags and backpacks without edge damage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm stock holds up to erasing and reworking\u003c\/li\u003e\n  \u003cli\u003e30 x 40 cm size fits backpacks and standard frames\u003c\/li\u003e\n  \u003cli\u003e12 sheets give multiple studies per pad or staged projects\u003c\/li\u003e\n  \u003cli\u003ePad design protects sheets from dirt during travel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical finishing and presentation options work best?\u003c\/h3\u003e\n\u003cp\u003eBecause the paper is heavyweight and archival, finished pieces can be mounted, framed under glass, or sealed with a workable fixative to preserve pastel layers. The anthracite ground also reduces the need for tinted mats or backgrounds when presenting pieces meant to emphasize highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMount directly on board or use archival hinges for framing\u003c\/li\u003e\n  \u003cli\u003eWorkable fixatives enhance permanence without surface bleed\u003c\/li\u003e\n  \u003cli\u003eAnthracite complements both white and warm mats for display\u003c\/li\u003e\n  \u003cli\u003eSuitable for portfolio sheets or finished framed pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine PastelMat No6 is aimed at pastelists, charcoal artists, illustrators and students who want a reliable mid-tone ground with a strong tooth and professional weight. It suits studio artists needing archival support and plein-air creatives who want a portable, resilient pad that elevates contrast and simplifies the underpainting process.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the PastelMat suitable for fixatives?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 360gsm sheet accepts workable and final fixatives without visible warping when applied correctly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I frame finished pieces directly from the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — sheets are heavyweight and can be mounted or framed under glass after light surface sealing if desired.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298889744721,"sku":"B071R2WBDL","price":76.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front.jpg?v=1791970300"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no5-24x30-cm-360-gsm-12-coloured-sheets-dark-light-green-dark-blue-white","title":"Clairefontaine PastelMat Pastel Card Pad No5 24x30 cm - 360 gsm, 12 Coloured Sheets (Dark\/Light Green, Dark Blue, White)","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine PastelMat No5 is a heavyweight pastel card pad (360 gsm) offering 12 coloured sheets in 24×30 cm designed for dry media like pastel, charcoal and pencil.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pad brings together heavyweight, textured paper and a curated palette to support sketching, finished pastel work and mixed-media dry techniques. Each sheet in the 12-sheet bloc is 24 by 30 centimetres and made at 360 grams per square metre, giving a rigid surface that grips powdery pigments without excessive dusting. The selection of Dark Green, Light Green, Dark Blue and White provides tonal options for mid-tones, accents and underpainting, useful for studies and completed pieces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the surface handle different dry media?\u003c\/h3\u003e\n\u003cp\u003eThe PastelMat surface is engineered to accept a range of dry materials. Its tooth is pronounced enough to hold layers of pastel, charcoal and sanguine, yet smooth enough for pencil detail work. You can blend with tools or fingers while maintaining good adhesion.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong tooth for pastel and charcoal layering\u003c\/li\u003e\n  \u003cli\u003eStable surface for pencil and sanguine line work\u003c\/li\u003e\n  \u003cli\u003eMinimal flaking—less dust loss than loose pastel paper\u003c\/li\u003e\n  \u003cli\u003eDurable for erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the pad support finished artwork or just studies?\u003c\/h3\u003e\n\u003cp\u003eBecause each sheet is 360 gsm, the paper is sturdy enough for finished pieces as well as preparatory sketches. Sheets can be framed or mounted directly, though hinging or backing is recommended for long-term display to prevent warping. The colour options allow you to build compositions without priming a white ground.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm offers rigidity suitable for display\u003c\/li\u003e\n  \u003cli\u003eSingle sheets can be removed for framing\u003c\/li\u003e\n  \u003cli\u003eColoured grounds reduce need for base layers\u003c\/li\u003e\n  \u003cli\u003eGood stability under fixatives if desired\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes and colour assortment are included?\u003c\/h3\u003e\n\u003cp\u003eThis Bloc No5 contains twelve sheets at 24×30 cm, a handy mid-size for sketches and small finished works. The pack mixes four colours—Dark Green, Light Green, Dark Blue and White—so you can choose a ground that complements your subject or atmosphere. The variety makes it easy to test values and colour relationships.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad, each 24 x 30 cm\u003c\/li\u003e\n  \u003cli\u003eFour colours: Dark Green, Light Green, Dark Blue, White\u003c\/li\u003e\n  \u003cli\u003eCompact size is travel- and studio-friendly\u003c\/li\u003e\n  \u003cli\u003eConsistent paper weight across all sheets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and use these sheets for best results?\u003c\/h3\u003e\n\u003cp\u003eWork on a flat, clean surface to make the most of the PastelMat texture. Fixatives can be applied if you need to secure multiple layers, but test first on a scrap. Store the pad flat or upright in a dry place to avoid bending and moisture absorption.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep pad flat during use to prevent flexing\u003c\/li\u003e\n  \u003cli\u003eTest fixatives on a corner before full application\u003c\/li\u003e\n  \u003cli\u003eUse light masking for clean edges when framing\u003c\/li\u003e\n  \u003cli\u003eStore away from humidity and direct sunlight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily in dry media—pastellists, charcoal specialists, pencil illustrators and students—will appreciate the sturdy weight and practical mid-size. The coloured grounds save time when establishing mood or mid-tones, while the heavy 360 gsm stock supports finished pieces destined for framing or portfolio use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for oil pastel?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 gsm surface accepts oil pastels but expect stronger tooth and possible light abrasion; test layering and fixative first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove individual sheets for framing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, individual sheets detach from the bloc and can be mounted or framed; use backing or hinging for long-term stability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298889908561,"sku":"B01HMW5TTA","price":67.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_21a691c6-efa8-4573-b5f5-6026f1df3601.jpg?v=1791970301"},{"product_id":"clairefontaine-pastelmat-glued-pad-18-x-24-cm-assorted-colours-12-sheets-360-gsm-heavyweight-tooth-for-pastel-charcoal","title":"Clairefontaine Pastelmat glued pad 18 x 24 cm, Assorted colours — 12 sheets, 360 gsm heavyweight tooth for pastel \u0026 charcoal","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat glued pad is a heavyweight, coloured-paper pad (18 x 24 cm, 360 gsm) designed specifically for dry media and pastels, supplied with 12 sheets in four muted tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIdeal for artists who work with charcoal, pastel, sanguine or graphite, this glued pad combines a tactile, toothy surface with robust weight so you can layer, lift and blend without bleed-through. The four included background colours—maize, buttercup, dark grey and light grey—give you immediate tonal options for mid-tones, highlights or moody studies. The compact 18 x 24 cm format is convenient for sketchbooks, plein-air studies, and portfolio samples while the glued edge keeps sheets secure until you need them.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes Pastelmat appropriate for dry techniques?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface has a fine tooth engineered to hold pigment particles while allowing controlled lifting and blending. At 360 gsm the paper supports heavy layering and repeated erasing without warping or tearing. Its composition minimizes dust migration and keeps colours vivid against the coloured grounds.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight resists buckling from heavy buildup and erasure.\u003c\/li\u003e\n  \u003cli\u003eTextured surface grips pastel, charcoal and pencil consistently.\u003c\/li\u003e\n  \u003cli\u003eColoured sheets act as instant mid-tone or mood backgrounds.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format secures pages for portable use and flat working.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will the four included colours change my workflow?\u003c\/h3\u003e\n\u003cp\u003eHaving maize, buttercup, dark grey and light grey ready in the pad speeds up tonal decisions and study setups. Warm tones (maize, buttercup) enhance flesh tones and warm highlights; greys create neutral bases for dramatic contrast or monochrome work. You can test composition and value quickly without priming or gesso.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaize and buttercup provide warm mid-tone foundations.\u003c\/li\u003e\n  \u003cli\u003eDark grey deepens shadows and intensifies contrast.\u003c\/li\u003e\n  \u003cli\u003eLight grey helps judge values and refine highlights.\u003c\/li\u003e\n  \u003cli\u003eSwitch colours mid-project for studies of mood and light.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I erase and layer on this paper without damage?\u003c\/h3\u003e\n\u003cp\u003eYes — the sturdy 360 gsm weight and firm tooth let you layer multiple passes of chalk, pastel or charcoal and still lift or lighten areas without tearing. The surface withstands gentle scraping or kneaded eraser work to create highlights. For heavy removal use moderate pressure; the sheet remains stable for continued refinement.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMultiple layering supported without bleed-through.\u003c\/li\u003e\n  \u003cli\u003eSafe for kneaded and vinyl erasers for controlled highlights.\u003c\/li\u003e\n  \u003cli\u003eHolds detail after blending and reworking.\u003c\/li\u003e\n  \u003cli\u003eDurable edge binding keeps the work flat while you adjust.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and practical is the 18 x 24 cm glued pad?\u003c\/h3\u003e\n\u003cp\u003eThe compact format fits most art bags and backpacks, making it a strong choice for travel and plein-air sketching. The glued top edge keeps sheets intact while you work and lets you remove a finished page cleanly. Twelve sheets give enough variety to test techniques or produce a small series without wasting space.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e18 x 24 cm size is easy to carry and store.\u003c\/li\u003e\n  \u003cli\u003eGlued pad keeps pages secure during transport.\u003c\/li\u003e\n  \u003cli\u003eTwelve sheets let you experiment across colours and media.\u003c\/li\u003e\n  \u003cli\u003eFlat sheets are ready for framing or mounting when removed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists, illustrators and students who favour dry media and need a reliable, heavy-weight coloured paper for studies, finished pieces or portfolio samples. If you work in pastels, charcoal, sanguine or graphite and want immediate tonal backgrounds plus a durable surface for repeated layering and erasure, this Clairefontaine Pastelmat glued pad is a practical studio and travel choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What media work best on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Dry media like soft pastels, charcoal, sanguine and graphite perform best on Pastelmat's textured 360 gsm surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what sizes are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad includes 12 sheets at 18 x 24 cm in maize, buttercup, dark grey and light grey.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298899509585,"sku":"B0018BY0HO","price":46.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_e78a2199-f9b5-465b-801c-898269444fbe.jpg?v=1791970477"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-2-30x40cm-12-sheets-360gsm-assorted-neutral-tones-acid-free","title":"Clairefontaine Pastelmat Pastel Card Pad No.2 30x40cm (12 Sheets, 360gsm) – Assorted Neutral Tones, Acid-Free","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Pastel Card Pad No.2 is a 12-sheet, 360gsm glued pad of specially textured pastel paper in four assorted tones, made for layering dry and mixed techniques without excessive abrasion.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 30 x 40 cm Pastelmat pad from Clairefontaine brings a unique, lightly toothy surface engineered to accept multiple pigment layers while preserving vivid colour and detail. Each glued block contains 12 sheets (three sheets each of white, sienna, brown and anthracite) separated by protective interleaving paper so finished work stays safe. The heavyweight 360gsm card is acid-free and pH-neutral to help artworks remain stable over time, and the sheets detach cleanly from the block for framing or mounting.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper perform with dry pastels?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is designed to hold successive pastel strokes without quickly filling or flattening, enabling both bold marks and delicate blends. Its grip is strong enough for layered work yet smooth enough to lift and rework pigments when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight supports heavy pastel application without buckling.\u003c\/li\u003e\n  \u003cli\u003eSurface grip retains pigment for multiple layers without saturation.\u003c\/li\u003e\n  \u003cli\u003ePermits energetic strokes and subtle shadings equally well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet or mixed media on this paper without damaging texture?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat tolerates a surprising range of wet techniques without losing its tooth. Whether you apply light washes, use gum arabic or alcohol-based media, the sheet maintains its surface integrity and pigment-holding ability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable grain even after light wetting or fixatives like gum arabic.\u003c\/li\u003e\n  \u003cli\u003eCompatible with alcohol-based techniques while preserving texture.\u003c\/li\u003e\n  \u003cli\u003eAllows mixed-media experiments without turning to overly abrasive substrates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size, colours and protection features are included in the pad?\u003c\/h3\u003e\n\u003cp\u003eThe pad measures 30 x 40 cm, a convenient working size for studies or finished pieces. It contains four neutral tones to help artists choose backgrounds that complement their palette, and each sheet is protected with crystal interleaving to keep pigments from transferring.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets total: 3 each of white, sienna, brown and anthracite.\u003c\/li\u003e\n  \u003cli\u003eCrystal paper interleaves between sheets for transport and storage protection.\u003c\/li\u003e\n  \u003cli\u003eGlueless edge allows clean removal of single sheets for framing or scanning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow will this paper age and preserve my pastel work?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine Pastelmat is acid-free and pH-neutral, built to offer archival stability for drawings and studies. Using archival materials and proper framing will help your artwork resist yellowing and degradation over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free, neutral pH stock reduces long-term paper deterioration.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness gives dimensional stability for framing under glass.\u003c\/li\u003e\n  \u003cli\u003eRecommended to use archival fixatives and mountings for best longevity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Pastelmat No.2 pad suits dry pastel artists, portrait and landscape painters, and mixed-media makers who want a robust yet receptive surface for layering and reworking pigments. It is also well suited to students and professionals looking for consistent tones and archival weight in a manageable 30 x 40 cm format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and colours are included?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets total: three each of white, sienna, brown and anthracite.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for wet techniques?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light wetting and certain mixed-media methods without losing its grain.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298899673425,"sku":"B002W2D0L0","price":76.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-packaging.jpg?v=1791970474"},{"product_id":"clairefontaine-pastelmat-glued-pad-18x24-cm-12-sheets-360gsm-textured-paper-in-4-neutral-tones-for-dry-media","title":"Clairefontaine Pastelmat glued pad 18x24 cm, 12 sheets, 360gsm textured paper in 4 neutral tones for dry media","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat glued pad is heavyweight, textured paper in an 18 x 24 cm format, ready for dry media and pastels with 12 pre-torn sheets in four neutral tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for artists who work primarily with dry media, this Clairefontaine Pastelmat pad combines a robust 360 gsm cellulose surface with a fine tooth that locks pigment while allowing smooth blending. The glued edge keeps sheets secure until you need them, and the assortment of white, sienna, brown and anthracite supports colour planning and contrast studies without mounting or priming.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface interact with dry media?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat texture offers a balance of grip and lift: it holds pastel, charcoal and pencil layers without flattening them, while permitting effective erasing and scumbling. Pigments sit on the surface, creating luminous layers and strong adherent marks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight prevents buckling under heavy applications\u003c\/li\u003e\n  \u003cli\u003eTooth is toothy enough for pastel grip yet smooth for pencil detail\u003c\/li\u003e\n  \u003cli\u003eSupports sanguine, charcoal, graphite and all dry pastel types\u003c\/li\u003e\n  \u003cli\u003eAllows layering and selective removal for highlights and texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sizes and sheet options are included in this pad?\u003c\/h3\u003e\n\u003cp\u003eThis glued pad contains twelve sheets in the compact 18 x 24 cm (approx. 7\" x 9.5\") format—portable yet roomy enough for studies and finished pieces. The glued binding keeps paper flush and simplifies tearing a clean edge when you want to remove a sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad for repeated practice or small projects\u003c\/li\u003e\n  \u003cli\u003eFour neutral colours: white, sienna, brown, anthracite to test value and hue\u003c\/li\u003e\n  \u003cli\u003eCompact 18 x 24 cm size ideal for sketchbooks, studies and framing\u003c\/li\u003e\n  \u003cli\u003eGlued edge secures sheets and enables neat detachment\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques and workflows benefit most from this paper?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is tailored for dry techniques—traditional pastel, pastel pencil, charcoal, sanguine and graphite all perform well. It suits studio pieces, plein-air sketches, preparatory studies and mixed-media finishes that stay predominantly dry.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse for layered pastel work, building colour depth without sinking pigment\u003c\/li\u003e\n  \u003cli\u003ePerfect for detailed graphite and pastel pencil drawings on a toned ground\u003c\/li\u003e\n  \u003cli\u003eGreat for quick value studies in different background tones\u003c\/li\u003e\n  \u003cli\u003eCompatible with fixative application when a final sealing is required\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do the included colours affect composition and colour choices?\u003c\/h3\u003e\n\u003cp\u003eThe four neutral backgrounds—white, sienna, brown and anthracite—give immediate options for mood and contrast. Choosing a mid-tone or dark ground can reduce time spent laying base layers and helps establish atmosphere and mid-values from the start.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWhite for high-key works and pure colour vibrancy\u003c\/li\u003e\n  \u003cli\u003eSienna and brown for warm mid-tone grounds and skin studies\u003c\/li\u003e\n  \u003cli\u003eAnthracite for dramatic contrast and nocturnal themes\u003c\/li\u003e\n  \u003cli\u003eMixing backgrounds encourages experimentation with highlights and negative space\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists and students who prefer dry media and need a reliable, portable surface will appreciate this Clairefontaine Pastelmat pad. It’s well suited for pastelists, charcoal artists, portrait and landscape sketchers, and anyone wanting a heavy, textured sheet in multiple neutral tones for studies or completed small works.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for wet media?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — the Pastelmat surface is designed for dry media like pastels, charcoal and pencils; wet media may warp or damage the paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use a fixative on these sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — standard spray fixatives can be applied, but test first on a corner to confirm desired finish and avoid darkening.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298899607889,"sku":"B0018BW53A","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_3093614d-f939-4c0d-b2c8-fd3d3e2619e3.jpg?v=1791970474"},{"product_id":"clairefontaine-pastelmat-pastel-card-pad-no-4-18-24cm-12-sheets-360gsm-textured-pastel-surface-assorted-muted-colours","title":"Clairefontaine Pastelmat Pastel Card Pad No.4 18×24cm (12 Sheets) - 360gsm Textured Pastel Surface, Assorted Muted Colours","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Pad No.4 is a glued 12-sheet block of textured 360gsm card specially formulated to hold multiple layers of pastel pigment without fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastel artists who want a reliable, archival substrate, this pad contains twelve 18×24cm sheets in four muted tones — dark blue, light blue, wine and sand (three sheets each). The Pastelmat surface is engineered to grip dry pastels, charcoal and pastel pencils while still accepting lighter blending and multiple layers. Each sheet is separated by crystal tissue to protect finished work, and the acid-free composition preserves colour and paper quality over time.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from other pastel papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat strikes a balance between tooth and smoothness: it isn't as abrasive as sanded papers nor as plush as velour surfaces. That unique texture lets you build intense colour layers without quickly saturating the paper or needing heavy fixatives, while offering consistent adhesion for both soft and hard pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight gives strong support and minimal warping during layering.\u003c\/li\u003e\n  \u003cli\u003eMid-level grain grips pigment yet allows blending and subtle gradations.\u003c\/li\u003e\n  \u003cli\u003eCompatible with dry pastels, charcoal and pastel pencils without rapid saturation.\u003c\/li\u003e\n  \u003cli\u003eAccepts light washes and alcohol without losing texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or fixatives on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — while primarily intended for dry pastel, Pastelmat tolerates selective wet treatments and adhesives without losing its gripping surface. The sheet’s structure remains stable when lightly dampened or varnished, but heavy saturation is not recommended if you want to preserve the original tooth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports gentle water-based washes or diluted media.\u003c\/li\u003e\n  \u003cli\u003eResists degradation from alcohol-based tools and light gumming.\u003c\/li\u003e\n  \u003cli\u003eFor heavy wet applications, test a scrap first to check texture retention.\u003c\/li\u003e\n  \u003cli\u003eFixatives can be used sparingly; many artists layer without fixative due to strong pigment hold.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical specs and how is the pad constructed?\u003c\/h3\u003e\n\u003cp\u003eThe pad is a glued block of twelve 18×24cm sheets, each 360gsm for rigidity and archival strength. Between each artwork sheet is a protective crystal tissue to prevent smudging and transfer; the glued edge allows easy removal while keeping unused sheets neatly secured.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 18 × 24 cm (convenient for studies, plein-air pieces, and framing).\u003c\/li\u003e\n  \u003cli\u003eContents: 12 sheets — 3 dark blue, 3 light blue, 3 wine, 3 sand.\u003c\/li\u003e\n  \u003cli\u003eProtection: crystal paper interleaves to safeguard finishes.\u003c\/li\u003e\n  \u003cli\u003eAcid-free, neutral pH supports long-term preservation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for?\u003c\/p\u003e\n\u003cp\u003eThis Clairefontaine Pastelmat pad is aimed at serious hobbyists and professional artists working primarily in dry pastel, pastel pencils and charcoal who need a resilient, archival surface that encourages layering and tonal depth. It’s also suited for illustrators and mixed-media creators who want a textured base that tolerates selective wet interventions. If you prefer a paper that holds pigment securely while letting you blend and refine multiple passes, the Pastelmat No.4 pad offers a compact, portable set of tones to jumpstart sketches, studies and finished pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for oil pastel or soft pastel?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat works well with both oil and soft pastels, but oil pastels may alter the tooth over heavy coverage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets acid-free and archival?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pad is acid-free with neutral pH to help preserve artwork over time.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55298899738961,"sku":"B00XPPZPHK","price":52.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-cover.jpg?v=1791970474"},{"product_id":"clairefontaine-pastelmat-pastel-card-sheets-50x70-cm-pack-of-5-360gsm-brown-textured-surface-for-dry-pastels","title":"Clairefontaine Pastelmat Pastel Card Sheets 50x70 cm - Pack of 5, 360gsm Brown, Textured Surface for Dry Pastels","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat is a heavyweight 360gsm textured card designed for pastels, offering a grippy, durable surface that accepts many layers of pigment without a fixative.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese five large 50 x 70 cm sheets in warm brown give artists a consistent, acid-free foundation engineered specifically for dry pastel work. The paper’s unique surface sits between abrasive and velvety, holding bold strokes and subtle blending alike while remaining stable when used with light wetting or alcohol techniques. Each sheet’s neutral pH ensures long-term preservation of your drawings.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat handle multiple pastel layers?\u003c\/h3\u003e\n\u003cp\u003eThe surface is formulated to hold additional pigment so you can build up both intense marks and delicate gradations without quickly filling the tooth. Because the texture resists saturation, colours stay vibrant and you can continue layering without smearing or flattening the surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360gsm weight supports heavy applications without warping.\u003c\/li\u003e\n  \u003cli\u003eAdherent tooth retains both hard and soft pastel particles.\u003c\/li\u003e\n  \u003cli\u003eAllows repeated layering without early saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix wet techniques or fixatives with these sheets?\u003c\/h3\u003e\n\u003cp\u003ePastelmat tolerates light wetting and gumming while keeping its grip and grain, so careful mixed-media experiments are possible. However, avoid heavy washes that could overly saturate the paper; the sheet is optimised for dry pastel first and foremost.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMaintains texture after limited wetting or alcohol-based media.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for heavy watercolour washes.\u003c\/li\u003e\n  \u003cli\u003eWorks well with spray fixatives when applied sparingly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the 50 x 70 cm brown sheets for my work?\u003c\/h3\u003e\n\u003cp\u003eThe large format gives you room for expansive compositions, studies, or multiple smaller works on one sheet, while the brown tone provides a mid-value ground that helps establish warmth and contrast immediately. Using a toned base reduces the need to block in midtones and can speed up the development of highlights and shadows.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e50 x 70 cm offers ample surface for larger pieces.\u003c\/li\u003e\n  \u003cli\u003eBrown ground creates instant midtones and enhances colour contrast.\u003c\/li\u003e\n  \u003cli\u003ePack of 5 sheets lets you test variations or keep backups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow well does this paper preserve a finished pastel piece?\u003c\/h3\u003e\n\u003cp\u003eThe Clairefontaine Pastelmat sheets are acid-free and pH neutral, designed for archival stability. When stored and framed properly behind glass or acrylic with a protective mount, artworks made on this paper have a stable base that resists yellowing or degradation from the substrate.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free construction reduces long-term deterioration.\u003c\/li\u003e\n  \u003cli\u003e360gsm thickness supports mounting and framing.\u003c\/li\u003e\n  \u003cli\u003eNeutral pH suitable for fine art preservation practices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Passionate pastel artists, illustrators, and fine-art students who want a heavyweight, large-format sheet that balances tooth and smoothness for multi-layered pastel work. Whether you are building layered portraits, expressive landscapes, or experimental mixed-media pieces, these Clairefontaine Pastelmat sheets provide a reliable, archival surface to develop professional results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are Clairefontaine Pastelmat sheets acid-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Pastelmat sheets are acid-free with a neutral pH for long-term preservation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or alcohol on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Limited wetting and alcohol-based techniques are supported, but avoid heavy washes to prevent saturation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299155951953,"sku":"B002N7A2J2","price":99.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-packaging_735153f1-84f7-4f94-80f8-be8d2249118f.jpg?v=1791971898"},{"product_id":"clairefontaine-painton-a4-250gsm-assorted-colour-paper-pad-24-sheets-heavyweight-slight-rough-grain","title":"Clairefontaine Paint'ON A4 250gsm Assorted Colour Paper Pad, 24 Sheets — Heavyweight Slight Rough Grain","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Paint'ON is a heavyweight, multi-technique A4 paper pad—24 sheets in six assorted colours—designed to handle both dry and wet media without buckling.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad brings together 100% cellulose sheets with a slight rough grain and 250gsm weight, offering a balanced surface that accepts pencil, ink, gouache and acrylic. Each pad contains four sheets of six different coloured or textured papers so you can test finishes and tones without committing to a whole block. PEFC-certified, acid-free and pH neutral, the pad is built for creative experimentation and archive-friendly preservation.\u003c\/p\u003e\n\n\u003ch3\u003eHow well does Paint'ON work with wet media like gouache and acrylic?\u003c\/h3\u003e\n\u003cp\u003eThe 250gsm weight and good absorption rate let the paper accept several layers of gouache or thin acrylic washes with minimal buckling. The slight tooth holds pigment and allows controlled blending while resisting surface scratching when layering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e250gsm heavyweight resists warping under multiple coats\u003c\/li\u003e\n  \u003cli\u003eSlight rough grain helps paint adhere and blend\u003c\/li\u003e\n  \u003cli\u003eGood absorption prevents long drying puddles\u003c\/li\u003e\n  \u003cli\u003eSupports ink washes and light glazing techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use Pens, Pencils and Markers on this paper without bleed or smudging?\u003c\/h3\u003e\n\u003cp\u003eThe paper’s finish accepts dry media cleanly: pencils, fineliners and markers lay down crisp lines while felt-tip pens behave predictably. Because the sheets are acid-free and pH neutral, lines stay sharp and are less likely to degrade over time.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e100% cellulose surface for stable graphite and coloured pencil marks\u003c\/li\u003e\n  \u003cli\u003eSuitable for fineliners and waterproof inks\u003c\/li\u003e\n  \u003cli\u003eLess feathering with quality markers thanks to the grain\u003c\/li\u003e\n  \u003cli\u003eEdges detach from the glued pad cleanly without tearing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does the assorted pack include and who benefits from it?\u003c\/h3\u003e\n\u003cp\u003eThe pad contains 24 A4 sheets: four sheets each of six different colours or textured finishes from the Paint'ON range. This variety is ideal for artists testing colour relationships, illustrators trying tonal backgrounds, and students exploring mixed-media workflows.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e4 sheets × 6 distinct papers for experimentation\u003c\/li\u003e\n  \u003cli\u003eAssorted colours and surfaces to compare effects side-by-side\u003c\/li\u003e\n  \u003cli\u003eCompact A4 size fits sketchbooks, portfolios and scanners\u003c\/li\u003e\n  \u003cli\u003eGreat value for sampling the Paint'ON range\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable and archival is this Clairefontaine paper?\u003c\/h3\u003e\n\u003cp\u003eMade from PEFC-certified cellulose and formulated acid-free and pH neutral, the paper is intended to preserve artworks without significant yellowing or breakdown. The heavyweight stock also makes finished pieces more robust for handling and display.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAcid-free, pH neutral construction for longer life\u003c\/li\u003e\n  \u003cli\u003ePEFC certification confirms sustainable sourcing\u003c\/li\u003e\n  \u003cli\u003e250gsm thickness provides sturdiness for framing or scanning\u003c\/li\u003e\n  \u003cli\u003eSheets detach cleanly for storage or presentation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine Paint'ON A4 250gsm assorted pad is aimed at mixed-media artists, illustrators, art students and hobbyists who want a single pad that bridges drawing and painting techniques. If you need sample colours, reliable surface texture for layers, and archival-quality paper in a portable A4 format, this pad offers practical versatility and Clairefontaine quality for experimentation and finished work alike.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for heavy acrylic applications?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — at 250gsm it tolerates multiple thin-to-moderate acrylic layers, though very heavy impasto may require priming or board support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I remove sheets without tearing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the glued pad is designed for clean detachment so you can remove works intact for framing or scanning.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299540615505,"sku":"B07VR1NT2T","price":61.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-painton-front-cover-a4.jpg?v=1791973373"},{"product_id":"clairefontaine-pastelmat-pad-heavyweight-pastel-paper-30-40-cm-360gsm-assorted-dark-light-blue-wine-sand-12-sheets","title":"Clairefontaine Pastelmat Pad heavyweight pastel paper 30×40 cm — 360gsm, Assorted Dark\/Light Blue Wine Sand, 12 sheets","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Pad is a heavyweight, toothy pastel paper pad (30 x 40 cm, 360 gsm) designed to hold multiple layers of dry media without smudging.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBuilt for artists who work in charcoal, pencil, sanguine and dry pastels, this pad delivers a consistent surface that grips pigment while allowing easy blending and lifting. The 30 x 40 cm sheets come in a curated palette of Dark Blue, Light Blue, Burgundy (Wine) and Sand, so you can start sketches and finished pieces on coloured grounds tailored to your composition.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper improve pastel and dry-media work?\u003c\/h3\u003e\n\u003cp\u003eThe slightly abrasive, velvety texture bites into pastel and charcoal, helping pigments stay put through multiple passes. Because the sheets are 360 gsm, they resist buckling and stand up to erasing and reworking without tearing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh tooth surface for excellent pigment adhesion\u003c\/li\u003e\n  \u003cli\u003eThick 360 gsm weight reduces curling and warping\u003c\/li\u003e\n  \u003cli\u003eCompatible with layering, blending, lifting and burnishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for sketching, studies and finished pieces?\u003c\/h3\u003e\n\u003cp\u003eYes — the uniform surface and sturdy weight make these sheets equally useful for quick studies and more refined finished works. Coloured grounds let you establish mid-tones immediately, saving time and creating richer contrasts with highlights and darks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e12 sheets per pad for practice and final artwork\u003c\/li\u003e\n  \u003cli\u003eAssorted colours provide ready-made midtone options\u003c\/li\u003e\n  \u003cli\u003eDurable enough for mounting or framing without reinforcement\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat tools and techniques pair best with Pastelmat?\u003c\/h3\u003e\n\u003cp\u003ePastelmat performs best with dry techniques: soft and hard pastels, charcoal, graphite, sanguine and pastel pencils. It also accepts blending stumps, cloths and gentle erasing; the surface remains stable after multiple corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft\/hard pastels and pastel pencils stick reliably\u003c\/li\u003e\n  \u003cli\u003eCharcoal and graphite create clean lines with good contrast\u003c\/li\u003e\n  \u003cli\u003eBlending and lifting tools work without damaging the sheet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and durable is the pad for studio or plein air use?\u003c\/h3\u003e\n\u003cp\u003eThe pad’s 30 x 40 cm format is large enough for expressive work but compact for transport. The weight of each sheet and the glued pad construction keep pages flat during use and protect unused sheets when carried in a bag or portfolio.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConvenient 30 x 40 cm size for sketchbooks or small easels\u003c\/li\u003e\n  \u003cli\u003eGlazed\/finished pad edge keeps pages together on the go\u003c\/li\u003e\n  \u003cli\u003e360 gsm paper resists damage from erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who favor dry media — from beginners exploring pastel techniques to experienced illustrators and fine artists — will appreciate Clairefontaine Pastelmat’s reliable tooth, substantial 360 gsm weight and ready-to-use coloured sheets. The assorted palette and 12-sheet format suit studio practice, classes, and outdoor sketches, offering a durable, colour-ready ground that helps you focus on tone and texture rather than surface limitations.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Clairefontaine Pastelmat suitable for oil pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It’s optimised for dry media; oil pastels may not adhere the same way and can alter the surface feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase work without tearing the sheet?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 360 gsm weight and durable surface allow gentle erasing and reworking without tearing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299621486929,"sku":"B00XPPZPE8","price":67.56,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_d72fbefc-e41e-4cb0-a150-0413482827ca.jpg?v=1791973441"},{"product_id":"clairefontaine-pastelmat-pastel-pad-white-24x30-cm-360-gsm-glued-pad-12-archival-sheets-for-dry-media","title":"Clairefontaine Pastelmat Pastel Pad White 24x30 cm — 360 gsm glued pad, 12 archival sheets for dry media","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat White is a heavyweight, fine-textured glued pad (24 x 30 cm, 360 gsm) designed for dry media and pastels, offering 12 archival-quality sheets that hold pigment and tooth without excessive dusting.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhether you work in soft or hard pastel, charcoal, sanguine, graphite, or mixed dry techniques, this glued pad provides a reliable, lightly textured surface that enhances colour saturation and grip. The 360 gsm weight prevents warping and allows for multiple layers, while the glued top edge keeps sheets secure and easy to remove for framing or scanning. It’s made by Clairefontaine, a well-known paper maker, and is offered here in a neutral white that preserves colour brightness and tonal contrast.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat texture is engineered to catch pigment and hold it in place, reducing excessive smudging and allowing for dense layering without losing vibrancy. The paper’s tooth provides enough bite for both delicate shading and bold strokes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 gsm weight keeps layers from pushing through.\u003c\/li\u003e\n  \u003cli\u003eEven surface texture distributes pastel evenly.\u003c\/li\u003e\n  \u003cli\u003eMinimizes dust scatter compared with very loose-textured papers.\u003c\/li\u003e\n  \u003cli\u003eWhite ground preserves true hues and high-key values.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for charcoal, graphite, and sanguine as well?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat is formulated for all dry media. Its surface accepts charcoal and graphite cleanly while maintaining enough tooth for sanguine and conte to adhere without smudging excessively.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCharcoal produces deep blacks with good control.\u003c\/li\u003e\n  \u003cli\u003eGraphite lays down smoothly for detailed work.\u003c\/li\u003e\n  \u003cli\u003eSanguine and conte keep crisp edges and texture.\u003c\/li\u003e\n  \u003cli\u003eSuitable for blending and lift techniques common to dry media.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued (top-bound) format help in practice?\u003c\/h3\u003e\n\u003cp\u003eThe glued top binding secures sheets for stable drawing and keeps your workspace tidy. When a sheet is finished, it detaches cleanly at the glue line so you can mount or scan with minimal edge damage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued edge prevents loose pages while working.\u003c\/li\u003e\n  \u003cli\u003eEasy, neat tear-off for display or scanning.\u003c\/li\u003e\n  \u003cli\u003ePad stays flat on a drawing board or easel.\u003c\/li\u003e\n  \u003cli\u003eCompact pad size (24 x 30 cm) is portable yet large enough for detailed studies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does 360 gsm offer for finished pieces?\u003c\/h3\u003e\n\u003cp\u003eAt 360 gsm the paper is rigid enough to resist cockling and supports multi-layered techniques without needing heavy backing. It’s durable for handling, framing, and light fixative use when required.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduces warping from heavy layering or light fixatives.\u003c\/li\u003e\n  \u003cli\u003eHandles erasing and reworking with minimal surface damage.\u003c\/li\u003e\n  \u003cli\u003eStable for scanning and photographic reproduction of artwork.\u003c\/li\u003e\n  \u003cli\u003eArchival weight suitable for longer-lasting pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat White glued pad fits artists who use dry media and want a dependable, mid-sized surface for studio work, studies, or finished pieces. It’s suited to students sharpening pastel and charcoal technique, professional artists layering colour-rich pastel compositions, and illustrators who need a stable, easy-to-tear sheet for presentation. If you prefer a restrained white ground that preserves colour brilliance and value contrasts while offering excellent pigment grip, this 12-sheet 24 x 30 cm pad is a practical choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are in the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets, each measuring 24 x 30 cm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the paper suitable for fixatives and framing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. At 360 gsm it tolerates light fixative and framing, though test your fixative first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55299672670545,"sku":"B009N9P7VQ","price":68.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_5c444738-5227-4e38-af0b-fcb008cb66c6.jpg?v=1791973595"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-7-x-9-in-18x24-cm-360g-12-sheets-4-palette-colors","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 - 7 x 9½ in (18x24 cm), 360g, 12 Sheets, 4 Palette Colours","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 4 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel while reducing dust and stick wear.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Clairefontaine's Pastelmat in a compact 7 x 9½ inch (18 x 24 cm) format, presented in four rich palette colours: dark blue, light blue, wine, and sand. Each 360 g sheet combines a distinctive tooth and velvety feel that sits between traditional Ingres and sanded papers, giving pastel artists more control for painterly marks, fine lines, and layered work. Glassine interleaving protects surfaces between pages so finished or in-progress pieces remain clean inside the pad.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad change the way pastels apply and blend?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's micro-velvet texture grabs pigment more efficiently than Ingres papers but without the abrasive grit of sanded boards. That surface lets soft pastels lay down buttery strokes while still allowing controlled blending and subtle gradations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth provides even pigment pickup and smooth transitions.\u003c\/li\u003e\n  \u003cli\u003eSupports multiple layers without quickly clogging the surface.\u003c\/li\u003e\n  \u003cli\u003eEnables both soft blending and crisp, fine-line detail.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad help me use less pastel and create less dust?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is engineered to retain more pigment per stroke so pastel sticks wear down more slowly than on coarser sanded sheets. The surface also produces reduced airborne dust, making cleanup easier and minimizing material loss.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsumes pastel sticks roughly 30% more slowly versus typical sanded papers.\u003c\/li\u003e\n  \u003cli\u003eLower dust production keeps studio areas cleaner and colours stronger.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages protect finished work from smudging.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I combine wet techniques or erase without damaging the surface?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is surprisingly durable: it tolerates light water or solvent-based underpainting and handles careful erasing better than grittier surfaces. That versatility allows mixed-media workflows and corrective work without losing tooth or tearing the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts light washes for underpainting with proper drying time.\u003c\/li\u003e\n  \u003cli\u003eSuits precision erasing (including magic erasers) for highlights and corrections.\u003c\/li\u003e\n  \u003cli\u003eHolds up to layering without delamination or excessive abrasion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and presentation-ready is the Palette No. 4 pad?\u003c\/h3\u003e\n\u003cp\u003eAt 7 x 9½ inches and glued at the top, this pad is easy to carry, ideal for sketching outdoors or working in small studio spaces. The four palette colours give artists ready-made background options for studies and finished pieces alike.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompact size fits most sketch bags and tabletop easels.\u003c\/li\u003e\n  \u003cli\u003eGlued edge allows single-sheet removal and keeps pages secure while working.\u003c\/li\u003e\n  \u003cli\u003eTwelve heavyweight 360 g sheets offer durability and good framing compatibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat Glued Pad Palette No. 4 is suited to pastelists who want a mid-tooth surface that balances painterly softness with fine-detail capacity. It's a good match for artists who blend frequently, work in layers, need lower pastel consumption, or who like to combine light washes with pastel. The compact pad format is also convenient for students, plein-air painters, and anyone seeking protected, presentation-ready sheets in attractive background tones.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—Pastelmat accepts light water or solvent-based underpaintings when allowed to dry, enabling mixed-media approaches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Palette No. 4 pad and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 sheets, each 7 x 9½ inches (18 x 24 cm) and 360 g weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300757684561,"sku":"B0BCH2VJ1Y","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-cover_7d457ada-f5f8-4512-9273-be4afa61047d.jpg?v=1791975153"},{"product_id":"clairefontaine-pastelmat-pastel-paper-pad-palette-no-6-charcoal-grey-9-12-in-360g-12-sheet-velvety-tooth","title":"Clairefontaine Pastelmat Pastel Paper Pad Palette No.6 Charcoal Grey 9½×12 in 360g 12-Sheet Velvety Tooth","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 6 is a heavyweight, charcoal-grey pastel paper pad (9½ × 12 in, 360g) designed to hold multiple layers of pastel with painterly control while protecting each sheet with glassine interleaving.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work with soft pastels, coloured pencils, charcoal or mixed-media washes, this glued pad delivers a resilient, velvety surface that sits between traditional Ingres paper and coarser sanded sheets. The Pastelmat surface offers more tooth than classic drawing papers without the abrasiveness that shortens pastel sticks quickly. Each 12-sheet pad is glued at the top for easy flip-through and includes glassine separators to protect finished work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface change pastel handling?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered to pick up and hold pigment more evenly than typical drawing papers while remaining less abrasive than sanded supports. That balance produces buttery strokes, smooth blends and the ability to build many layers without rapidly wearing down sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth captures pigment for vivid colour with less dust.\u003c\/li\u003e\n  \u003cli\u003eSupports painterly strokes—soft, broad coverage and fine detail alike.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastels about 30% slower than sanded papers, saving materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, lift and correct on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat offers controlled blending and reliable erasure. Its unique texture enables precise smudging and feathering while still allowing lift-and-correct techniques with erasers or magic erasers. The surface tolerates multiple adjustments without degrading quickly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless layered blending with predictable gradations.\u003c\/li\u003e\n  \u003cli\u003eClean lifting and selective removal for highlights and corrections.\u003c\/li\u003e\n  \u003cli\u003eSuitable for fine-line work as well as soft tonal transitions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat compatible with mixed-media and washes?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile: it can take light water or solvent-based washes to establish underpaintings, then accept pastel application once dry. Unlike heavily gritted sanded papers, it remains stable for detailed work after wet treatments and won’t flake or crumble under normal mixed-media use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds light washes for underpainting without losing tooth.\u003c\/li\u003e\n  \u003cli\u003eMaintains structural integrity when layering pastels over dried washes.\u003c\/li\u003e\n  \u003cli\u003eWorks well with charcoal, pencil, soft pastel and pastel pencil.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does this glued pad offer for studio and plein-air use?\u003c\/h3\u003e\n\u003cp\u003eThe pad format is convenient for sketching, studies and finished works: top-glued binding keeps sheets secure, and glassine interleaving protects completed pages. The 9½ × 12 inch size is portable yet large enough for detailed compositions, and 360g weight provides a stable, warp-resistant support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTop-glued pad for easy page-turning and tear-off sheets.\u003c\/li\u003e\n  \u003cli\u003eGlassine separators between pages to prevent smudging in storage.\u003c\/li\u003e\n  \u003cli\u003e360g stock resists buckling when applying washes or heavy layers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists, illustrators and mixed-media artists who want a premium, reusable-feeling surface that blends like a painting ground while preserving delicate details. It suits students learning layering techniques, professional artists reducing pastel consumption, and anyone who needs a durable, portable pad that protects finished sheets with glassine interleaves.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size is the pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This glued pad contains 12 sheets, each 9½ x 12 inches (24 x 30 cm) at 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or solvent washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes; Pastelmat tolerates light water or solvent-based underwashes and accepts pastel once fully dry.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300759093585,"sku":"B0BCH5294K","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-charcoal-grey.jpg?v=1791975175"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-18-24-cm-7-9-in-12-sheets-360-g-velvety-tooth-for-rich-pastel-layering","title":"Clairefontaine Pastelmat Glued Pad Palette No. 3 — 18×24 cm (7×9½ in), 12 sheets, 360 g — Velvety tooth for rich pastel layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 3 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel with painterly blending while protecting each sheet with glassine interleaving.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad contains twelve 360 g\/m² white Pastelmat sheets sized 7 x 9½ inches (18 x 24 cm). Pastelmat's unique velvet-like surface offers more tooth than traditional Ingres papers yet is less abrasive than sanded boards, producing soft, buttery marks and reducing pastel consumption and dust. Each sheet in the pad is separated by a glassine protector to preserve finished work and keep adjacent sheets clean.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered for controlled layering: the texture grabs pigment but still allows smooth transitions, so you can build colour depth without quickly exhausting pastel sticks. Blending works predictably with fingers, stumps, or soft brushes and supports subtle painterly effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety surface holds multiple layers of pigment for richer tones\u003c\/li\u003e\n  \u003cli\u003eAllows precise smudging and soft gradations with minimal graininess\u003c\/li\u003e\n  \u003cli\u003eSupports both gentle blending and stronger, defined marks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad wear down expensive pastels faster than other surfaces?\u003c\/h3\u003e\n\u003cp\u003eCompared with abrasive sanded papers, Pastelmat consumes stick material more slowly. Its composition reduces the rate at which pastel is abraded away, so you use less product for similar coverage while still getting strong adhesion and colour saturation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRated to consume pastel about 30% slower than many sanded surfaces\u003c\/li\u003e\n  \u003cli\u003eProduces less airborne dust, making cleanup easier\u003c\/li\u003e\n  \u003cli\u003eRetains pigment firmly, reducing fallout from finished areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I combine washes or underpaintings with pastel on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is durable and tolerant of mixed techniques. It accepts light water or solvent-based washes for underpainting, and it remains stable when layered with dry pastel on top, opening up mixed-media workflows without rapid degradation.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStable enough for light aqueous or solvent underlayers\u003c\/li\u003e\n  \u003cli\u003eSurface stays intact while accepting subsequent pastel layers\u003c\/li\u003e\n  \u003cli\u003eSuitable for fine-line detail work as well as broader strokes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does the glued pad format provide for studio and travel use?\u003c\/h3\u003e\n\u003cp\u003eThe glued-pad construction keeps sheets together and makes it simple to remove a single sheet cleanly. The compact 18 x 24 cm size is convenient for studies, small finished pieces, or travel sketching, while glassine interleaves protect both finished pages and unused sheets.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued spine allows easy sheet removal and flat working surface\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent smudging and transfer\u003c\/li\u003e\n  \u003cli\u003e12 heavyweight 360 g\/m² sheets per pad — portable and archival-feeling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily in soft pastel but want more painterly control, lower pastel consumption, and a surface that tolerates mixed-media underpainting will find this pad useful. It suits students and professionals making studies, finished small-format pieces, or travelling with a reliable, non-abrasive pastel ground. If you want a durable, velvety paper that balances tooth and smoothness while protecting each sheet, this Clairefontaine Pastelmat glued pad is engineered for that purpose.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this paper suitable for detailed pastel lines?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat's velvety surface supports fine lines and crisp detail while remaining less abrasive than sanded papers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include protective sheets between pages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Each sheet is separated by a glassine interleave to prevent smudging and protect finished work.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300827939153,"sku":"B0BCH656FJ","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_d31cea1f-af4d-491c-bad1-c661cb8ee272.jpg?v=1791975767"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-9-5-12-in-12-sheets-360-g-m-velvet-surface-sanguine-sand-beige-grey","title":"Clairefontaine Pastelmat Glued Pad Palette No.7 9.5×12 in — 12 sheets, 360 g\/m² velvet surface, sanguine\/sand\/beige\/grey","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 7 is a heavyweight, velvety-surfaced pastel pad that grips pastel and charcoal for painterly, layerable results while protecting sheets with glassine interleaves.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat from Clairefontaine is designed for artists who want the lifting, blending, and layering control of a textured ground without the harsh abrasiveness of sanded papers. This glued pad contains twelve 360 g\/m² sheets in a balanced palette of sanguine red, sand, beige, and dark grey, each sheet separated by glassine protectors for travel and storage. The 9 1\/2 x 12 inch (24 x 30 cm) format is convenient for studies, plein-air work, and finished pieces that require a sturdy support capable of handling multiple techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat's surface change the way pastels behave?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is velvet-like with more tooth than traditional Ingres papers but is gentler than sanded grounds, so pigments lay down smoothly while still biting into the sheet. This balance lets you achieve broad, buttery strokes and precise details in the same composition.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong yet soft tooth for solid pigment adhesion\u003c\/li\u003e\n  \u003cli\u003eEnables painterly marks as well as fine line work\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust compared with gritty sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill I be able to blend and layer without losing colour intensity?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat surface supports multiple layers while preserving hue and depth. Because it consumes pastel more slowly, you can build chroma and value through successive applications without quickly burning through expensive sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports gradual layering to intensify colour or mute tones\u003c\/li\u003e\n  \u003cli\u003eAllows controlled blending for smooth transitions or textured effects\u003c\/li\u003e\n  \u003cli\u003eApproximately 30% lower pastel consumption versus many sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use wet techniques or erase details on this paper?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept water- or solvent-based underpaintings, expanding your mixed-media options. It also tolerates careful erasing—specialty erasers and magic erasers can lift pigment while leaving the ground intact for refinements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHandles washes for underpainting or tone blocking\u003c\/li\u003e\n  \u003cli\u003eMaintains strength after limited moisture exposure\u003c\/li\u003e\n  \u003cli\u003eCleanable with erasers for highlights and corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features does the glued pad format offer?\u003c\/h3\u003e\n\u003cp\u003eThe glued binding keeps sheets secure while allowing you to remove pages cleanly when you finish a work. Glassine interleaves protect each sheet, making this pad suitable for sketching on the go and for storage without smudging adjacent pages.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued pad for neat tearing or leaving a tear-bound sketchbook edge\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent transfer and damage\u003c\/li\u003e\n  \u003cli\u003eCompact 9 1\/2 x 12 in size fits common portfolios and backpacks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 7 is aimed at pastelists, charcoal artists, and mixed-media painters who favor a surface that blends the best traits of traditional textured papers and modern pads. It suits students developing technique, experienced artists seeking archival, low-dust performance, and anyone who wants a reliable, durable sheet for layered colour work and refined detail. Choose this pad when you need a portable, protected supply of heavyweight pastel paper in a curated range of useful background colours.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the paper weight and size?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 g\/m² and the pad size is 9 1\/2 x 12 inches (24 x 30 cm).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the pages protected between sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, every page is separated by a glassine interleaf to prevent smudging and abrasion.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300828102993,"sku":"B0BCH4YF31","price":76.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_03ddd72d-b7b5-47fb-805a-cec140d7e000.jpg?v=1791975769"},{"product_id":"clairefontaine-pastelmat-glued-pad-30x40-cm-palette-no-2-360g-12-sheets-sienna-white-brown-charcoal","title":"Clairefontaine Pastelmat Glued Pad 30x40 cm Palette No.2 — 360g, 12 Sheets (Sienna\/White\/Brown\/Charcoal)","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a heavyweight, velvety-surfaced pastel pad (30 x 40 cm, 360g) with 12 colour-coordinated sheets and glassine interleaves designed for layered, painterly pastel work.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad gathers four versatile tones—sienna, white, brown, and charcoal grey—on 12 durable 360 g\/m² Pastelmat sheets that grip pastel differently from traditional Ingres and sanded papers. Each sheet is separated by glassine protectors to keep finished surfaces clean, and the pad format keeps your pages flat and portable whether you work in the studio or on location.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface change the way I use pastels?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a finely textured, velvety tooth that holds layers firmly while remaining softer than sanded papers. That balance makes it easier to create broad, buttery strokes as well as crisp details without quickly wearing down expensive pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStrong velvety tooth for secure pigment adhesion.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers—gentler on pastels and tools.\u003c\/li\u003e\n  \u003cli\u003eEnables both painterly marks and precise lines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend and layer on these sheets without losing colour depth?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat's structure supports multiple layers of pigment and controlled blending to deepen tones and refine transitions. Artists can build up colour intensity while retaining luminosity because the surface consumes less pastel than grittier alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent control for soft gradients and sharp accents.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks about 30% slower than sanded papers.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust compared with coarser surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs the pad suitable for mixed media or experimental underpaintings?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile and resilient—able to accept water or solvent-based washes for underpainting without falling apart. It also stands up to erasing and reworking, making it a practical choice for mixed-media approaches and detailed corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with light washes for underpainting.\u003c\/li\u003e\n  \u003cli\u003eDurable enough for repeated erasing and reworking.\u003c\/li\u003e\n  \u003cli\u003eGood for combining pastel with graphite or ink for fine lines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical pad details I should know before buying?\u003c\/h3\u003e\n\u003cp\u003eThis is a glued pad of 12 sheets in a convenient 12 x 15 3\/4 inch (30 x 40 cm) format, printed in four useful tones that can serve as midtones or backgrounds. Glassine sheets protect artwork between pages, and the 360 g\/m² weight gives a stable, archival-feeling substrate for finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad size: 12 x 15 3\/4 inches (30 x 40 cm).\u003c\/li\u003e\n  \u003cli\u003ePaper weight: 360 g\/m² for sturdiness and reduced cockling.\u003c\/li\u003e\n  \u003cli\u003eContents: 12 sheets in sienna, white, brown, charcoal grey; glassine interleaves.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format keeps pages flat and portable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: The Clairefontaine Pastelmat Glued Pad Palette No. 2 suits pastel artists who want a professional-grade surface that balances tooth and smoothness—ideal for portrait, landscape, and experimental mixed-media work. It's particularly useful for artists who prefer slower pastel consumption, clean transport with glassine protection, and a selection of built-in background tones to accelerate tone decisions and value planning.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets removable from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Sheets can be detached from the glued edge for framing or mounting while glassine interleaves protect adjacent pages.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet media on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light water or solvent-based washes for underpainting are supported; heavy soaking is not recommended to avoid warping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300835967313,"sku":"B0BCH3WK5W","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_jpg.jpg?v=1791975811"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5-12-in-24-30-cm-12-sheets-palette-no-1-360-g-m-velvety-surface-for-painterly-layering","title":"Clairefontaine Pastelmat Glued Pad 9.5×12 in (24×30 cm) 12 sheets Palette No.1 — 360 g\/m² velvety surface for painterly layering","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No.1 is a heavyweight, velvety-surfaced pastel pad that captures soft pastels and enables painterly layering with minimal dust.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastel artists who want a middle ground between traditional Ingres papers and gritty sanded surfaces, this glued pad gives you a dependable, absorbent base that preserves fine detail while reducing pastel consumption. Each 9 1\/2 x 12 inch (24 x 30 cm) sheet is 360 g\/m² and comes in a set of 12, with glassine interleaving to protect finished work and keep sheets clean in the studio or on location. The Palette No.1 colorway includes Maize, Buttercup, Dark Grey, and Light Grey sheets to help you choose an ideal undertone for portraits, landscapes, or still life.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat compare to sanded or Ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat offers more tooth than Ingres-style papers, giving pastels something to bite into, yet it is noticeably less abrasive than sanded boards. That balance makes it easier to achieve painterly strokes and fine lines without wearing pastel sticks down as quickly as sanded surfaces do.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMore tooth than smooth papers for better pigment grip\u003c\/li\u003e\n  \u003cli\u003eSofter than sanded papers, preserving pastel sticks and reducing dust\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad blending and delicate marks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques does this glued pad support in practical use?\u003c\/h3\u003e\n\u003cp\u003eThe velvety surface is built for layering, blending, and light rescues like erasing highlights. It also accepts water or solvent washes for underpainting, so you can combine pastel with mixed-media approaches while keeping control over tonal values.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer multiple colours to refine tone and depth\u003c\/li\u003e\n  \u003cli\u003eBlend precisely with tools or fingers for smooth transitions\u003c\/li\u003e\n  \u003cli\u003eUse gentle washes for underpaintings, then work dry pastels on top\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad stretch or buckle with mixed-media washes?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust and non-flaking, tolerating moderate water or solvent-based washes without disintegrating. Because the sheets are heavy (360 g\/m²), they resist warping better than lighter papers, but heavier washes or repeated wetting may still cause slight cupping—mount or block if you require perfectly flat results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360 g\/m² weight reduces warping under moderate washes\u003c\/li\u003e\n  \u003cli\u003eHolds water and solvent-based underpaintings without losing tooth\u003c\/li\u003e\n  \u003cli\u003eRecommended to mount for highly wet techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the glued pad format help studio and plein-air work?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets secure until you need them and makes it easy to tear off a prepared surface without damaging edges. Glassine interleaving between pages protects finished pieces from smudging while you carry the pad in a bag or store it on a shelf.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge for clean sheet removal and edge consistency\u003c\/li\u003e\n  \u003cli\u003eGlassine guards prevent smudging between pages\u003c\/li\u003e\n  \u003cli\u003ePortable 9 1\/2 x 12 inch size fits backpacks and small easels\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Pastelmat Glued Pad Palette No.1 is ideal for pastel artists who want a practical, versatile surface that supports painterly techniques, careful detail work, and mixed-media underpainting. It suits beginners who need forgiving, low-dust paper, intermediate artists refining layering skills, and professionals who value colour-variant sheets for fast tonal decisions. If you prioritize reduced pastel wear, minimal dust, and a durable sheet that accepts washes, this pad is a reliable studio and plein-air choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are included and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets, each 9 1\/2 x 12 inches (24 x 30 cm), 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water or solvent washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—Pastelmat tolerates moderate water or solvent-based washes, but mount heavier wet work to avoid slight cupping.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836032849,"sku":"B0BCH432SN","price":82.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-palette-no1.jpg?v=1791975812"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-6-charcoal-grey-30-40-cm-360-g-12-sheets-velvety-tooth","title":"Clairefontaine Pastelmat Glued Pad Palette No.6 — Charcoal Grey 30×40 cm, 360 g, 12 Sheets, Velvety Tooth","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 6 is a heavyweight, charcoal-grey glued pad engineered to hold multiple layers of pastel while offering a velvety, painterly surface that’s less abrasive than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 12-sheet glued pad (12 x 15 3\/4 inches \/ 30 x 40 cm) uses Pastelmat’s distinctive 360 g\/m² texture to secure pastel pigment, reduce dust and extend the life of expensive sticks. Each sheet is separated by a glassine protector so finished work and in-progress pages remain clean. The surface balances strong tooth with a softer hand, giving you control for both broad, buttery strokes and fine-line detail.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface was designed to accept many successive layers of pigment without quickly saturating or becoming overly abrasive. You can build subtle midtones and deep darks while maintaining crisp edges where needed, and blends remain stable after multiple passes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVelvety tooth that grabs pastel for multiple layers\u003c\/li\u003e\n\u003cli\u003eSupports precise blending and smooth tonal transitions\u003c\/li\u003e\n\u003cli\u003eMinimizes pastel consumption versus sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad work for both soft pastels and fine detail work?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat strikes a middle ground between traditional Ingres-style papers and heavily sanded boards. Its surface is substantial enough to hold soft, creamy pastel marks yet refined enough for controlled lines and erasing work without damaging the sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess abrasive than sanded options for fine-line control\u003c\/li\u003e\n\u003cli\u003eHolds soft pastel and allows for delicate erasures with minimal damage\u003c\/li\u003e\n\u003cli\u003eUseful for both broad colour fields and intricate textures\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does it affect pastel stick consumption and dust?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is formulated to reduce pigment waste and airborne dust while retaining colour saturation. Artists typically find pastel sticks last longer on this surface, and fewer reapplications are needed to reach deep values.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConsumes pastel at an estimated 30% slower rate than sanded papers\u003c\/li\u003e\n\u003cli\u003eCreates less loose dust for a cleaner studio\u003c\/li\u003e\n\u003cli\u003eGlassine interleaves protect sheets and finished pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use washes or solvents on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes. The pad is strong and versatile enough to accept water- or solvent-based underpaintings and mixed-media approaches. The surface retains its integrity when layered with washes and later reworked with pastel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDurable 360 g\/m² sheet supports wet underlayers\u003c\/li\u003e\n\u003cli\u003eMaintains tooth after washes for further pastel application\u003c\/li\u003e\n\u003cli\u003eIdeal for mixed-media workflows that combine paint and pastel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists who want a professional-grade surface that blends painterly effects with fine detail capability. It’s well suited for studio artists, instructors, and advanced students who need durable, archival-weight sheets that reduce pastel waste and protect work between sessions. If you seek a charcoal-grey ground to enhance midtones and contrast while preserving delicate highlights, this glued pad offers a reliable, gallery-ready foundation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets come in the Palette No. 6 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad includes 12 glued sheets, each separated by glassine protectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, the 360 g\/m² paper is sturdy enough for water or solvent washes before applying pastel.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836065617,"sku":"B0BCH5HF6N","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad-charcoal-grey.jpg?v=1791975811"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5x12-in-palette-no-5-12-sheets-360gsm-dark-light-green-white-dark-blue","title":"Clairefontaine Pastelmat Glued Pad 9.5x12 in Palette No.5 — 12 Sheets, 360gsm, Dark \u0026 Light Green, White, Dark Blue","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 5 is a heavyweight, velvety pastel paper pad that delivers painterly pastel layering, precise blending, and reduced pastel consumption for professional and hobby artists.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad collects 12 sheets of Clairefontaine's Pastelmat in a compact 9½ x 12 inch (24 x 30 cm) format, featuring four carefully selected tones: dark green, light green, white, and dark blue. At 360 g\/m² the paper is robust enough to accept multiple layers, light washes, and repeated erasing while maintaining its tooth and structure. The surface is engineered to give soft pastels a buttery, painterly response while still supporting fine-line work and controlled detail.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do artists choose Pastelmat over traditional sanded or velour papers?\u003c\/h3\u003e\n\n\u003cp\u003ePastelmat combines a pronounced tooth with a softer, non-abrasive finish that sits between conventional ingres papers and aggressively sanded surfaces. It grips pastel pigments well without shredding sticks, producing less dust and allowing smoother blending movements.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety surface with strong tooth but no gritty abrasion.\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks more slowly than sanded papers, saving materials.\u003c\/li\u003e\n  \u003cli\u003eSupports fine lines and detailed work that many sanded papers struggle with.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust for cleaner studios and easier cleanup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad perform for layering, blending, and erasing?\u003c\/h3\u003e\n\n\u003cp\u003ePastelmat's specialized surface is made to accept many layers of pigment while preserving clarity and vibrancy. Blending remains responsive, enabling soft transitions and painterly textures, and the surface tolerates gentle erasure for highlights and corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBuilt to accept multiple layers without saturation or flaking.\u003c\/li\u003e\n  \u003cli\u003eAllows precision blending for smooth gradations and subtle colour shifts.\u003c\/li\u003e\n  \u003cli\u003eCompatible with kneaded erasers and detail erasure tools for lifting highlights.\u003c\/li\u003e\n  \u003cli\u003eWorks well with fixatives when desired, due to its stable fibre and sizing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use Pastelmat with water media or solvents?\u003c\/h3\u003e\n\n\u003cp\u003eAlthough designed primarily for dry media, Pastelmat is resilient and will tolerate limited water or solvent-based underpaintings. The sheet's strength and sizing help prevent warping and allow mixed-media approaches when applied carefully.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds up to light washes and solvent-based underlayers without losing tooth.\u003c\/li\u003e\n  \u003cli\u003eDry thoroughly before applying pastels to avoid lifting or paper damage.\u003c\/li\u003e\n  \u003cli\u003eSuitable for mixed-media techniques when used conservatively and tested first.\u003c\/li\u003e\n  \u003cli\u003eRobust 360 g\/m² weight reduces buckling from minimal moisture exposure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat do the included colours and pad format mean for studio workflow?\u003c\/h3\u003e\n\n\u003cp\u003eThe Palette No. 5 pad packs four useful background tones—dark green, light green, white, and dark blue—so you can start compositions on contrasting grounds that affect mood and underpainting. The glued-edge pad format keeps sheets secure while you work and makes it easy to remove finished pieces cleanly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFour tonal options let you test colour relationships without priming or tinting.\u003c\/li\u003e\n  \u003cli\u003eGlued pad edge holds sheets in place while you work and tears out smoothly.\u003c\/li\u003e\n  \u003cli\u003e9½ x 12 in size is portable and fits most portfolios and framing sizes.\u003c\/li\u003e\n  \u003cli\u003e12 sheets give a compact supply for experimentation or small commissions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 5 suits pastelists who want a professional, versatile paper that balances tooth and softness—ideal for artists exploring painterly pastel techniques, layered colour work, or mixed-media pieces that require a durable, high-quality support. It's also a practical choice for students and instructors seeking consistent, easy-to-use sheets that minimize pastel waste while enabling both broad, expressive strokes and refined detail.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for soft and hard pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts both soft and hard pastels well, allowing smooth layering and precise detail with less consumption than sanded papers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use light washes on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Light water or solvent washes are tolerated, but dry the sheet fully before applying pastels to avoid damage or lifting.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55300836131153,"sku":"B0BCGYLBXW","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-view-palette-5.jpg?v=1791975812"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-30-40-cm-12-sheets-360g-velvety-surface","title":"Clairefontaine Pastelmat Glued Pad Palette No. 7 — 30×40 cm (12 sheets), 360g velvety surface","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 7 is a heavyweight, velvety-surfaced pastel pad that grips pigment like a sanded sheet but remains smooth enough for fine detail and multiple layers.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad collects 12 sheets of Clairefontaine's Pastelmat in a handy palette format sized 30 x 40 cm (12 x 15 3\/4 inches). Each 360 g\/m² page is engineered to accept soft pastels, pencil, charcoal and light washes while slowing pastel consumption and reducing dust. The pad includes glassine sheet protectors between pages to keep finished work clean and preserve the textured surface while you work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is uniquely textured: more tooth than traditional Ingres papers but less abrasive than sanded boards. That balance lets pigments anchor firmly without excessive wear on sticks, so marks stay vibrant while remaining blendable for painterly effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety texture produces dense colour with fewer layers.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded paper, reducing pastel waste.\u003c\/li\u003e\n  \u003cli\u003eSupports fine lines and textured strokes without crumbling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, layer and erase on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat was developed for controlled blending and layering: colours mix smoothly, can be built up in multiple passes, and respond well to erasing techniques. The surface tolerates soft reworking and accepts light solvent or water-based underpainting without collapsing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless smudging and feathered transitions for realistic gradients.\u003c\/li\u003e\n  \u003cli\u003eMultiple layers possible without losing tooth or depth.\u003c\/li\u003e\n  \u003cli\u003eClean lifting with rubber erasers or magic erasers for highlights.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad help me save on pastel supplies?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine reports that Pastelmat consumes pastel sticks at a slower rate than typical sanded papers, which means fewer sticks needed to cover the same area. The surface also produces less airborne dust, keeping your workspace tidier and extending the life of expensive pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAbout 30% slower pastel consumption versus sanded surfaces.\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust for cleaner studios and easier cleanup.\u003c\/li\u003e\n  \u003cli\u003eStrong surface that withstands repeated reworking and erasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical features come with the glued pad format?\u003c\/h3\u003e\n\u003cp\u003eThe glued-pad construction holds sheets securely while you work and makes it simple to tear out a finished page without fraying edges. Each sheet is separated by a glassine protector to prevent smudging between pages, preserving both finished pieces and unused surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge keeps pages flat and stable during drawing.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect pigments and the next sheet.\u003c\/li\u003e\n  \u003cli\u003eConvenient size (30 x 40 cm) fits easels, portfolios and frames.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 7 is aimed at pastel artists who want a refined, multifunctional surface: hobbyists building technique, dedicated pastel painters chasing rich, layered colour, and mixed-media artists who need a paper that accepts light washes and fine detail. It’s especially useful if you prefer minimal pastel dust, longer-lasting sticks, and a pad format that’s tidy and travel-friendly.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for light washes and mixed media?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent underpainting and supports mixed-media layering without losing its tooth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are included in Palette No. 7?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad includes 12 sheets, each 30 x 40 cm (12 x 15 3\/4 inches), at 360 g\/m² weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301194187089,"sku":"B0BCH568W8","price":116.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_9b9033dc-877d-4c47-ae66-3d53580d715e.jpg?v=1791977775"},{"product_id":"clairefontaine-pastelmat-glued-pad-7-x-9-in-18x24-cm-12-sheet-palette-360-g-m-maize-buttercup-grey-velvety-tooth-low-dus","title":"Clairefontaine Pastelmat Glued Pad 7 x 9½ in (18x24 cm), 12-Sheet Palette — 360 g\/m² Maize\/Buttercup\/Grey, Velvety Tooth \u0026 Low Dus","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 1 is a heavyweight, velvety-surfaced pastel pad that holds multiple layers of pigment while reducing pastel dust and stick wear.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat is engineered for pastel artists who want the grip of a toothy paper without the scratchy abrasiveness of traditional sanded papers. This glued pad contains 12 sheets of 360 g\/m² Pastelmat in a curated palette (Maize, Buttercup, Dark Grey, Light Grey) sized 7 x 9½ inches (18 x 24 cm), with glassine interleaving to protect finished pages and preserve the surface between uses.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat's surface differ from other pastel papers?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is organic and velvety: it provides noticeably more tooth than ingres-style sheets but is softer than sanded boards, giving you bite without excess abrasion. That balance preserves delicate edges and fine-line work while still accepting heavy pigment layering.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth that holds pastel particles securely.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers—gentler on pastel sticks.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both bold applications and detailed line work.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages protect finished work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, and erase on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes—Pastelmat lets you build multiple layers of colour with precise blending and retains tonal clarity as you work. Because it grips pigment well, you can blend with tools or fingertips and still lift or refine areas using erasers without destroying the surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports controlled blending for soft transitions and painterly effects.\u003c\/li\u003e\n  \u003cli\u003ePermits multiple pigment layers to deepen tone and saturation.\u003c\/li\u003e\n  \u003cli\u003eWorks with gentle erasing methods; \"magic\" erasers can remove pastel cleanly.\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust produced compared with sanded alternatives.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat save my pastel sticks and reduce waste?\u003c\/h3\u003e\n\u003cp\u003ePastelmat consumes pastel sticks more slowly than traditional sanded papers—typically around 30% less—so it stretches the life of expensive pigments. The paper’s grip means less vigorous rubbing to achieve coverage, which limits powder loss and keeps more pigment on the sheet.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduced pastel consumption extends stick longevity.\u003c\/li\u003e\n  \u003cli\u003eLower dust output helps keep studios cleaner and preserves details.\u003c\/li\u003e\n  \u003cli\u003eGood for economy when using high-cost artist-grade pastels.\u003c\/li\u003e\n  \u003cli\u003eStrong enough to accept water- or solvent-based underpaintings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow portable and protected is the glued pad format?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad design keeps pages together for easy transport and on-the-spot sketching while preserving the textured surface until you’re ready to remove a sheet. Glassine interleaving between pages prevents smudging and protects completed pieces from abrasion in a bag or portfolio.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued edge keeps sheets secure during travel and storage.\u003c\/li\u003e\n  \u003cli\u003eGlassine protector between sheets prevents accidental smearing.\u003c\/li\u003e\n  \u003cli\u003eCompact 7 x 9½ in size fits most sketch bags and small easels.\u003c\/li\u003e\n  \u003cli\u003e12 heavy 360 g\/m² sheets provide a durable working surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad for? Artists who favor pastel as a primary medium—whether beginners exploring techniques or professionals refining complex, layered work—will appreciate this pad’s balance of tooth and smoothness. It suits studio practice, plein-air sketching, and mixed-media approaches that include washes or solvent work beneath pastel. If you want a dependable, protective pad that reduces pastel waste while enabling painterly effects and fine detail, the Clairefontaine Pastelmat Palette No. 1 is tailored to those needs.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for erasing and corrections?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts gentle erasing and precision removal with magic erasers without damaging the surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use wet underpaintings on this paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat is strong enough to take water- or solvent-based washes as underlayers before pastel application.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301208211793,"sku":"B0BCH2CZ2K","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_a9eaeae7-d6eb-42eb-9e65-ca1f8bc5727b.jpg?v=1791977821"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-5-30-x-40-cm-12-sheets-360-g-velvety-surface","title":"Clairefontaine Pastelmat Glued Pad – Palette No.5, 30 x 40 cm, 12 Sheets, 360 g Velvety Surface","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 5 is a heavyweight, velvety art pad designed to hold multiple layers of pastel, offering painterly marks with less abrasion than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad from Clairefontaine contains 12 sheets of Pastelmat in dark green, light green, white, and dark blue at a generous 360 g\/m² weight and 30 x 40 cm (12 x 15¾ in) size. Each sheet is protected by a glassine interleaf to keep pastel surfaces clean and transport-ready. Pastelmat's engineered surface gives pastel pigments something between the tooth of Ingres and the bite of sanded papers, so you can build colour, blend precisely, and preserve fine detail without excessive pastel wear.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat improve pastel blending and layering?\u003c\/h3\u003e\n\u003cp\u003ePastelmat's dense velvet-like surface grabs pigment firmly while still allowing smooth movement for blending. Because pigments sit on the surface rather than sinking in, you can layer many applications to increase colour depth and adjust tones precisely.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVelvety tooth that accepts multiple layers without rapid saturation.\u003c\/li\u003e\n\u003cli\u003eEnables smooth transitions with tortillon, finger, or soft cloth blending.\u003c\/li\u003e\n\u003cli\u003eSupports both bold scumbled marks and delicate feathering for detail.\u003c\/li\u003e\n\u003cli\u003eLess pastel dust and slower consumption compared with sanded papers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad withstand wet underpaintings or mixed-media techniques?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is more tolerant of light washes and solvent work than many traditional pastel papers. Its strength and composition let you apply water- or solvent-based underlayers, then work pastels on top without the sheet disintegrating or losing tooth.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e360 g\/m² stock resists cockling from light washes.\u003c\/li\u003e\n\u003cli\u003eCan accept water-soluble or solvent underpainting before pastel application.\u003c\/li\u003e\n\u003cli\u003eHolds up to erasing and gentle reworking without tearing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Pastelmat affect pastel stick consumption and cleanup?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is formulated to reduce how quickly pastel sticks are used compared with coarse sanded papers. It captures pigments efficiently, resulting in less pastel dust and lower material usage while keeping colours vivid.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApproximately 30% slower pastel consumption than many sanded boards.\u003c\/li\u003e\n\u003cli\u003eGlassine interleaves between sheets minimize smudging during storage and transport.\u003c\/li\u003e\n\u003cli\u003eSurface dust is reduced, making workspace cleanup easier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Palette No. 5 useful for finished work and studies?\u003c\/h3\u003e\n\u003cp\u003eThe mixed palette of dark green, light green, white, and dark blue makes this pad versatile for landscapes, studies, and compositional underlayers. Each sheet’s size (30 x 40 cm) is convenient for framing and scanning, while the glued pad format keeps pages secure for sketching en plein air or in-studio planning.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAssorted sheet colours support varied tonal backgrounds and mood studies.\u003c\/li\u003e\n\u003cli\u003ePad format with glued edge keeps loose sheets aligned and portable.\u003c\/li\u003e\n\u003cli\u003e360 g\/m² weight offers professional durability for finished pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Artists who work primarily in soft pastel, pastel pencils, or mixed media and want a professional surface that balances tooth and smoothness will value this Clairefontaine Pastelmat pad. It suits advanced students building layered colour, plein-air painters needing protected pages, and illustrators who require fine-line control without the abrasive grit of sanded boards. If you want a receptive, long-lasting surface that reduces pastel waste and keeps your work clean, this Palette No. 5 glued pad is a practical studio and travel choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the sheets removable from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — sheets are glued along one edge for secure transport and can be carefully removed for framing or scanning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does Pastelmat work with pastel pencils?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the velvety surface accepts pastel pencils and supports fine details as well as softer pastel sticks.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301251531089,"sku":"B0BCH5TW2S","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front-cover_817ebd6c-f250-49bd-85d6-9821db43a7b1.jpg?v=1791977911"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-30-x-40-cm-360-g-m-12-sheets-velvety-tooth","title":"Clairefontaine Pastelmat Glued Pad Palette No. 3 — 30 x 40 cm, 360 g\/m², 12 sheets, velvety tooth","description":"\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 3 is a heavyweight, velvety-surfaced pastel pad that locks pigment for painterly layers while remaining gentle on pastel sticks.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad from Clairefontaine delivers a textured, velvet-like support designed specifically for pastel and mixed-media artists who want strong tooth without the abrasiveness of sanded boards. Each 30 x 40 cm (12 x 15 3\/4\") sheet is 360 g\/m², offering stiffness and durability for multiple layers, washes, and erasures. The pad includes glassine interleaving between sheets to protect finished work and preserve the surface condition until you’re ready to use it.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this paper handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s engineered surface grips pigment so painters can build depth with repeated layers while retaining control for smooth transitions. It enables both soft, buttery strokes and detailed marks without excessive fading of earlier layers.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth holds multiple pigment layers for richer colour.\u003c\/li\u003e\n  \u003cli\u003eSupports precise blending and feathering with minimal smudging.\u003c\/li\u003e\n  \u003cli\u003eWorks well with soft and hard pastels for varied techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this pad wear down my pastel sticks faster?\u003c\/h3\u003e\n\u003cp\u003eNo — Pastelmat was developed to reduce abrasive wear compared with sanded papers, so artists use less pastel over time. Its surface consumes pigment more slowly and produces less dust, making it economical and tidier in use.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEstimated ~30% lower pastel consumption versus sanded supports.\u003c\/li\u003e\n  \u003cli\u003eProduces less loose dust for a cleaner studio workspace.\u003c\/li\u003e\n  \u003cli\u003eSurface remains stable through multiple passes, reducing stick waste.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use washes or solvents with Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad is robust enough for underpaintings and light washes, whether water-based or solvent-based, expanding mixed-media possibilities. The board maintains integrity so you can combine painting and pastel techniques without delamination.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds up to controlled water or solvent applications as underlayers.\u003c\/li\u003e\n  \u003cli\u003eRetains surface tooth after moderate wet treatments and drying.\u003c\/li\u003e\n  \u003cli\u003eCompatible with erasing tools like magic erasers for corrections.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat size and protection does this glued pad provide?\u003c\/h3\u003e\n\u003cp\u003eThis is the Palette No. 3 glued pad in a practical 30 x 40 cm format, ideal for studies and finished pieces. Each sheet is glued along one edge for easy removal, and glassine sheets protect every page to prevent smudging and abrasion while stored in the pad.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad format: 12 x 15 3\/4 inches (30 x 40 cm), convenient for framing.\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² heavyweight sheets for stiffness and handling.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleavers between pages protect completed work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who work primarily with pastels but want more versatility—illustrators, portraitists, urban sketchers, and mixed-media painters—will benefit from Pastelmat’s balance of grip and smoothness. It’s especially useful to artists who need a surface that supports layering, washes, fine detail, and tidy studios by reducing dust and stick wear. Whether you’re creating detailed line work or building broad, painterly passages, this Clairefontaine glued pad offers a reliable, professional-grade foundation.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — the 360g sheets can take controlled water or solvent-based washes as underpaintings without warping.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in the Palette No. 3 pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The glued pad contains 12 sheets, each 30 x 40 cm, with glassine paper between pages.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301570658641,"sku":"B0BCH2G1GD","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_1dd5e6f7-dc72-4a0a-ad16-8f4f60f48dd0.jpg?v=1791978993"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-7-18x24-cm-7x9-360-g-m-12-sheets-sanguine-red-neutral-tones","title":"Clairefontaine Pastelmat Glued Pad Palette No. 7 — 18x24 cm (7x9½), 360 g\/m², 12 Sheets, Sanguine Red \u0026 Neutral Tones","description":"\u003cstrong\u003eClairefontaine Pastelmat Palette No. 7 is a heavyweight, velvety pastel pad designed to hold many layers of pastel while reducing dust and stick consumption.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Pastelmat in Palette No. 7 tones — sanguine red, sand, beige and dark grey — sized 7 x 9½ inches (18 x 24 cm) on robust 360 g\/m² stock. Pastelmat bridges the gap between traditional Ingres papers and coarse sanded surfaces: it offers more tooth than laid paper for dependable pigment grip but without the abrasive grit that wears sticks quickly. Each sheet is separated by glassine to protect finished work and keep colours pristine while stored in the pad.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from sanded or ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a unique velvety texture that grabs pastel firmly, enabling painterly and precise marks without the heavy wear or powder created by sanded substrates. It’s engineered to let you layer and blend with control while keeping the surface smooth enough for fine details and erasing when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth holds pigment securely without aggressive abrasion.\u003c\/li\u003e\n  \u003cli\u003eAccepts many layers so artists can build complex colour and depth.\u003c\/li\u003e\n  \u003cli\u003eLess pastel consumption and reduced dust compared to sanded papers.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad, buttery strokes and fine line work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques work best on this glued pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile for a wide range of pastel methods: tight, detailed realism; loose, expressive strokes; and underpainting with water- or solvent-based washes. Its surface responds to blending tools, fingers, and erasers while maintaining structure across repeated reworkings.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayering: build dozens of thin or thick layers for richer tones.\u003c\/li\u003e\n  \u003cli\u003eBlending: soft tools and stumps blend cleanly without clogging the tooth.\u003c\/li\u003e\n  \u003cli\u003eErasing: lift highlights precisely using kneaded erasers or melamine sponges.\u003c\/li\u003e\n  \u003cli\u003eMixed media: holds light washes and solvent techniques for underpainting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does this pad affect pastel consumption and studio cleanup?\u003c\/h3\u003e\n\u003cp\u003eThe surface is formulated to retain more pigment on the sheet, which reduces how quickly pastel sticks are used and limits loose dust. That efficiency makes it economical for frequent practice or multi-layered pieces and simplifies cleanup compared with coarser surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApproximately 30% slower pastel wear versus sanded papers.\u003c\/li\u003e\n  \u003cli\u003eProduces less airborne dust, improving studio cleanliness.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect each sheet and finished work in the pad.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical details should I know about the pad itself?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps sheets together for easy handling and travel while allowing individual removal as needed. At 360 g\/m² and 18 x 24 cm, these pages are durable enough for repeated reworking and small-format finished pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSize: 7 x 9½ inches (18 x 24 cm), convenient for studies and finished small works.\u003c\/li\u003e\n  \u003cli\u003eWeight: 360 g\/m² provides stiffness and resistance to warping.\u003c\/li\u003e\n  \u003cli\u003eCount: 12 sheets with glassine protectors between pages.\u003c\/li\u003e\n  \u003cli\u003eColour selection: sanguine red, sand, beige, dark grey — useful backgrounds for warm or cool compositions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: artists who want a premium pastel surface that blends the handling of traditional papers with the pigment-holding power of sanded boards. It’s ideal for portrait, landscape, and illustrative work where layering, clean blending, and finer detail are important — especially for those looking to conserve pastel sticks and reduce studio dust.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I erase highlights on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat allows lifting with kneaded erasers and melamine sponges for precise highlights without damaging the surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this pad good for mixed-media underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The 360g sheet accepts light water or solvent washes as underpaintings while still holding pastel layers on top.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301614240081,"sku":"B0BCH4YN4G","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_9ef97cf6-9be4-4274-b814-65e0eb199884.jpg?v=1791979168"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-9-x-12-in-12-sheets-360-g-m-4-tone-pack","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 — 9½ x 12 in, 12 Sheets, 360 g\/m², 4-Tone Pack","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 4 is a glued pad of heavyweight velvety-surfaced sheets designed to grab pastels like sanded papers but work smoothly like traditional ingres stock.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad contains 12 sheets of 360 g\/m² Pastelmat in four rich tone options (dark blue, light blue, wine, sand) sized 9 1\/2 x 12 inches (24 x 30 cm). Each page is separated by a glassine interleaf to protect finished work and keep pastel dust and smudging to a minimum. The surface balances tooth and softness so artists can layer, blend, and erase with greater control while using less pastel material.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat’s surface differ from sanded or Ingres papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat provides a textured, velvety “tooth” that holds pigment firmly but is less abrasive than traditional sanded grounds. This allows for painterly strokes and fine detail without rapid stick wear or excessive dust.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMore tooth than Ingres for better pigment adherence\u003c\/li\u003e\n  \u003cli\u003eSmoother and less abrasive feel than sanded paper\u003c\/li\u003e\n  \u003cli\u003eEnables both soft blending and crisp lines\u003c\/li\u003e\n  \u003cli\u003eConsumes pastel sticks more slowly than sanded surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, and erase on these sheets?\u003c\/h3\u003e\n\u003cp\u003eYes — the Pastelmat surface excels at controlled blending and supports multiple pigment layers without saturating or flaking off. Erasing and lifting colour works well, and you can use soft tools, stumps, or even magic erasers for selective corrections.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSupports many thin or thicker pigment layers for depth\u003c\/li\u003e\n  \u003cli\u003eClean blending with stumps, fingers, or brushes\u003c\/li\u003e\n  \u003cli\u003eSafe to lift colour for highlights and adjustments\u003c\/li\u003e\n  \u003cli\u003eMinimal pastel dust production compared with sanded papers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat suitable for mixed techniques and underpainting?\u003c\/h3\u003e\n\u003cp\u003ePastelmat holds up to light washes and solvent- or water-based underpaintings, giving artists flexibility to combine media. The sheet’s strength and surface stability mean you can lay down an underpainting then build pastel layers without damaging the support.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurable 360 g\/m² weight resists warping from washes\u003c\/li\u003e\n  \u003cli\u003eAccepts acrylic or watercolour underlayers in many cases\u003c\/li\u003e\n  \u003cli\u003eWorks with both soft and harder pastel sticks\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect wet or finished surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical benefits does the glued pad format provide?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets neat and portable while allowing single-page removal for framing or mounting. The 9 1\/2 x 12 inch size is convenient for studies, final pieces, or travel; the glued edge provides a firm working border and tidy storage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued edge secures pages during drawing or transport\u003c\/li\u003e\n  \u003cli\u003eGlassine separators preserve finished pages from smudging\u003c\/li\u003e\n  \u003cli\u003eCompact, standard size for easy framing and scanning\u003c\/li\u003e\n  \u003cli\u003e12 sheets let you test tones and techniques across colours\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Palette No. 4 suits pastel artists who want a balance between grip and smoothness — from plein air painters and studio illustrators to students exploring painterly pastel techniques. It’s ideal for creators who prefer controlled blending, cleaner work with less dust, and a heavyweight support that tolerates light washes and repeated corrections.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick are the Pastelmat sheets?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360 g\/m² heavyweight stock, sturdy enough for light washes and repeated layering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are the pages separated to prevent smudging?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — each page includes a glassine interleaf to protect finished surfaces and reduce pastel transfer.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301791842641,"sku":"B0BCH5ZP3C","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front.jpg?v=1791979993"},{"product_id":"clairefontaine-pastelmat-glued-pad-7-x-9-palette-no-2-sienna-white-brown-charcoal-360g-velvety-tooth-12-sheets","title":"Clairefontaine Pastelmat Glued Pad 7 x 9½ Palette No.2 — Sienna, White, Brown, Charcoal; 360g velvety tooth, 12 sheets","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a 7 x 9½\" (18 x 24 cm) 360g, 12-sheet pad with a velvety, high-tooth surface engineered to hold pastels securely while enabling painterly layering and precise blending.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad pairs Clairefontaine's Pastelmat paper technology with four versatile palette colours — sienna, white, brown and charcoal grey — and comes with glassine interleaving to protect finished pages. The surface sits between traditional Ingres papers and sanded boards: it has more tooth than ingres-style sheets but lacks the harsh abrasiveness of grit papers, so you can build colour depth and refine fine details without excessive pastel wear.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad change the way pastels behave?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface grabs pigment efficiently, allowing strokes to stay vivid and layered. Marks lay down with a soft, buttery feel that resembles painting, so you can blend broadly or keep crisp edges depending on pressure and tools.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnique velvety tooth for stronger pigment adhesion\u003c\/li\u003e\n  \u003cli\u003ePainterly response: soft strokes that blend like paint\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers, better for delicate lines\u003c\/li\u003e\n  \u003cli\u003eReduced pastel dust and slower material consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is versatile: it accepts wet or solvent underpaintings, supports multiple layers of dry pastel, and responds well to erasing for highlights. Because it holds pigment firmly, you can use heavy layering, fine detail work, or broad atmospheric blending with ease.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayering: build depth without shredding pastel sticks\u003c\/li\u003e\n  \u003cli\u003eBlending: smudge or feather pigments precisely with tools\u003c\/li\u003e\n  \u003cli\u003eUnderpainting: compatible with water or solvent washes\u003c\/li\u003e\n  \u003cli\u003eErasing: lift colour cleanly for highlights or corrections\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the pad for studio work and travel?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps sheets secure while the glassine interleaving preserves finished pages from smudging. The 360g weight gives each sheet body and resistance to warping, so it performs well in studio sessions or on-location sketches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge allows easy tear-out while keeping pad intact\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets protect completed artwork between pages\u003c\/li\u003e\n  \u003cli\u003e360g weight resists buckling when working with light washes\u003c\/li\u003e\n  \u003cli\u003eCompact 7 x 9½\" size fits sketchboxes and backpacks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Palette No. 2 colour selection?\u003c\/h3\u003e\n\u003cp\u003eThe quartet of sienna, white, brown and charcoal grey gives artists immediate value: mid-tone grounds, neutral values and both warm and cool base options to influence colour temperature and mood. Ground choice affects contrast and how subsequent layers read, making these four tones practical for many subjects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSienna warms sketches and enriches skin tones\u003c\/li\u003e\n  \u003cli\u003eWhite brightens and makes highlights pop\u003c\/li\u003e\n  \u003cli\u003eBrown provides a natural mid-tone base for landscapes and figures\u003c\/li\u003e\n  \u003cli\u003eCharcoal grey gives a cool, high-contrast foundation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: artists who want a premium pastel surface that balances tooth and gentleness — ideal for pastel painters, illustrators refining line work, and sketchers who layer colour. If you want a sheet that reduces pastel consumption, accepts underpainting, and still allows fine detail without gritty abrasion, the Clairefontaine Pastelmat Glued Pad Palette No. 2 is a practical, travel-friendly choice.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for wet underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat can take light water or solvent-based washes for underpainting before applying dry pastels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size does this pad include?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets at 7 x 9½\" (18 x 24 cm), each 360g in weight.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301797052753,"sku":"B0BCH7S2QQ","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_jpg_3836aded-42f2-4d05-9185-d05e75860056.jpg?v=1791980038"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-6-charcoal-grey-7-9-in-360-g-12-sheets-velvety-tooth-for-layered-pastel","title":"Clairefontaine Pastelmat Glued Pad Palette No.6 — Charcoal Grey 7×9½ in, 360 g, 12 Sheets, Velvety Tooth for Layered Pastel","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 6 is a heavyweight, charcoal-grey glued pad designed for pastel artists who want a velvety, highly toothy surface that holds many layers without the abrasive grit of sanded paper.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Pastelmat glued pad by Clairefontaine combines a resilient 360 g\/m² board with a soft, fabric-like finish that grips pastel pigment efficiently while allowing painterly blending and fine detail work. Each sheet includes a glassine interleaving to protect finished pages, and the glued edge keeps sheets secure yet easy to remove. This Palette No. 6 pad (7 x 9½ inches \/ 18 x 24 cm) offers portability and a compact working area ideal for studies, commissions, and exploration of underpainting techniques.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Pastelmat surface affect pastel application?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface is engineered to give more bite than traditional Ingres-style papers without the coarse grain of sanded boards. It accepts both soft and harder pastel sticks, creating smooth, buttery marks while still catching fine particles for strong colour payoff.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety texture gives rich colour deposit with less effort.\u003c\/li\u003e\n  \u003cli\u003eHolds multiple layers without losing tooth for deeper tones.\u003c\/li\u003e\n  \u003cli\u003eSuitable for delicate lines as well as broad strokes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat reduce my pastel consumption and dust?\u003c\/h3\u003e\n\u003cp\u003eBecause the surface grips pigment more efficiently than many sanded alternatives, you’ll typically use less pastel to reach desired saturation. The controlled adhesion also translates to lower airborne dust from finished work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSlower consumption of pastel sticks compared with sanded sheets.\u003c\/li\u003e\n  \u003cli\u003eLess loose dust simplifies cleanup and framing preparation.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves prevent smudging between sheets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I blend, layer, or use washes on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is versatile for blending and layering and stands up well to water- or solvent-based underpaintings. The surface supports gradual build-up of pigments and lets you refine colours and tones with ease.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEffortless precision blending with fingers, stumps, or brushes.\u003c\/li\u003e\n  \u003cli\u003eAccepts washes or thin underlayers for mixed-media approaches.\u003c\/li\u003e\n  \u003cli\u003eEnables multiple passes without rapid surface breakdown.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I correct or erase on this paper without damaging it?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface allows for controlled erasing and corrections unlike very gritty boards. You can lift pigment locally using gentle erasers or specialized cleaning foam without destroying the texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eErases cleanly with kneaded or magic erasers for highlights.\u003c\/li\u003e\n  \u003cli\u003eSpot corrections keep surrounding pigment intact.\u003c\/li\u003e\n  \u003cli\u003eDurable board structure resists tearing during work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Palette No. 6 is aimed at pastelists who want a compact, durable pad that combines the best traits of toothy papers and smoother boards. It's ideal for professionals doing detailed pieces, students practicing layering and blending, and mixed-media artists who use washes before applying pastel. If you value pigment economy, precise blending, and a surface that withstands multiple revisions, this 7 x 9½\" charcoal-grey glued pad is a useful addition to your art supplies.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat suitable for soft and hard pastels?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat accepts both soft and hard pastels, providing good pigment grip and allowing fine details as well as broader strokes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include sheet protectors between pages?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Each sheet is separated by a glassine interleaving to protect finished pieces and minimize smudging.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301797118289,"sku":"B0BCH3W4L5","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-cover_ed7901e5-4057-4665-907d-26b9cdfdecc0.jpg?v=1791980039"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-3-white-24x30-cm-360gsm-12-sheets-velvety-heavyweight-pastel-paper","title":"Clairefontaine Pastelmat Glued Pad - Palette No. 3 White 24x30 cm, 360gsm, 12 Sheets - Velvety, Heavyweight Pastel Paper","description":"\u003cstrong\u003eClairefontaine Pastelmat Palette No. 3 is a heavy-weight, velvety pastel pad that grips pigments like a painterly ground while remaining smoother than sanded paper.\u003c\/strong\u003e\n\n\u003cp\u003eThis glued pad contains 12 sheets of Pastelmat (24 x 30 cm \/ 9 1\/2 x 12 inches) in white on 360 g paper, designed to make pastel work more controlled, layered, and versatile. Each sheet is protected by glassine interleaving to keep finished pages clean, and the sturdy surface balances tooth and smoothness so artists can build colour, blend precisely, and use washes or solvents without sacrificing detail.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from traditional pastel and sanded papers?\u003c\/h3\u003e\n\u003cp\u003ePastelmat combines a noticeable tooth that holds pigment better than classic Ingres-style sheets but avoids the aggressive grit of sanded boards. The result is a surface that captures soft, buttery marks while still allowing for finer lines and less abrasive wear on pastel sticks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStronger bite than traditional laid papers for improved pigment adhesion.\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers to reduce pastel consumption and dust.\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad painterly strokes and precise detailing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques are easiest to achieve on this pad?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is particularly well suited to layering, blending, and creating painterly effects where colour mixing and soft transitions matter. It also accepts light washes for underpainting and can be gently erased to create highlights or correct details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWet or solvent-based underpainting without destroying the tooth.\u003c\/li\u003e\n  \u003cli\u003eMultiple pigment layers for richer tones and depth control.\u003c\/li\u003e\n  \u003cli\u003eClean erasing for highlights and fine corrections with minimal damage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill using this paper save my pastel sticks and reduce dust?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is engineered to use pigment more efficiently: it holds pastel particles securely so you need fewer passes to achieve saturation. That firmer hold and smoother abrasion profile also produce noticeably less loose dust than many sanded alternatives.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eConsumes pastel at a slower rate—about 30% less than many sanded papers.\u003c\/li\u003e\n  \u003cli\u003eCreates minimal pastel dust for a cleaner workspace and reduced waste.\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect finished sheets from smudging between pages.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I care for and present finished sheets from the pad?\u003c\/h3\u003e\n\u003cp\u003eEach sheet comes separated by a glassine protector; keep finished works flat and interleaved to prevent smudging. For display, consider light framing with a spacer to avoid surface contact, and store unused sheets in a dry, flat place to preserve the paper's tooth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep glassine between completed pages to protect surfaces.\u003c\/li\u003e\n  \u003cli\u003eFrame with matting or spacers to prevent abrasion from glazing.\u003c\/li\u003e\n  \u003cli\u003eStore pad flat and away from moisture to maintain paper strength.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Clairefontaine Pastelmat Palette No. 3 is ideal for pastel artists who want a middle ground between soft laid papers and coarse sanded boards—suitable for illustrators, portrait artists, landscape painters, and hobbyists who value layering, clean blending, and reduced pastel wear. The 9 1\/2 x 12 inch glued pad format is convenient for sketching studies, finished pieces, and practice sessions where durability and a painterly surface are priorities.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with wet underpaintings?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent-based washes as underpainting without losing its tooth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in this pad and what size are they?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This glued pad contains 12 sheets, each 9 1\/2 x 12 inches (24 x 30 cm) on 360 g paper.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301836144977,"sku":"B0BCH7466Z","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_0be8cb9e-05c6-440c-bf34-57db2588dd04.jpg?v=1791980357"},{"product_id":"clairefontaine-pastelmat-glued-pad-9-5-12-in-24-30-cm-palette-no-2-12-sheets-360-g-m-sienna-white-brown-charcoal-grey","title":"Clairefontaine Pastelmat Glued Pad 9.5×12 in (24×30 cm) Palette No.2 — 12 sheets, 360 g\/m², Sienna\/White\/Brown\/Charcoal Grey","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 2 is a heavyweight, velvety-surfaced pastel pad designed to hold multiple layers of pastel while offering smoother, painterly blending than sanded papers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis glued pad brings Clairefontaine’s Pastelmat surface in a convenient 12-sheet format sized 9½ × 12 inches (24 × 30 cm). Each sheet is 360 g\/m² with a unique soft-toothed finish that grips pastel pigment reliably, yet remains gentle enough for fine-detail work and erasing. Glassine interleaving protects pages during storage and transport so individual pieces stay clean and ready for framing or further work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat differ from sanded paper and Ingres?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is engineered to offer the best of both worlds: more tooth than traditional Ingres but a noticeably less abrasive feel than sanded boards. The result is a surface that accepts multiple layers of pigment without rapidly wearing down pastel sticks or producing excessive dust.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety grip—captures pastel particles for strong colour adhesion.\u003c\/li\u003e\n  \u003cli\u003eSmoother than sanded paper—safer for fine lines and delicate blending.\u003c\/li\u003e\n  \u003cli\u003eLower pastel consumption—sticks last longer compared with coarse surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat painting techniques work well on this Pastelmat pad?\u003c\/h3\u003e\n\u003cp\u003eIts balanced tooth supports a wide range of approaches: soft, buttery strokes, tight detailed marks, layered glazing, and even water- or solvent-based underpainting. The surface holds each application cleanly so you can build depth without losing control of edges or highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDirect pastel strokes for vivid coverage and saturated colour.\u003c\/li\u003e\n  \u003cli\u003eFeathered blending for smooth transitions and subtle gradations.\u003c\/li\u003e\n  \u003cli\u003eMixed-media underlayers—accepts thin washes for tonal foundations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad protect and preserve individual sheets?\u003c\/h3\u003e\n\u003cp\u003eClairefontaine supplies glassine interleaving between each sheet to prevent smudging and abrasion while stacked. The glued top edge keeps pages aligned and makes it easy to tear out finished works cleanly for display or framing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlassine sheets reduce transfer and preserve surface cleanliness.\u003c\/li\u003e\n  \u003cli\u003eGlued pad format secures pages but allows neat removal when needed.\u003c\/li\u003e\n  \u003cli\u003e360 g\/m² weight maintains flatness and resists buckling under light washes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Pastelmat save me money on pastel sticks and dust control?\u003c\/h3\u003e\n\u003cp\u003eBecause the surface holds pigment more efficiently, artists typically use less pastel compared with traditional sanded boards. The pastel binding also creates less airborne dust, which helps maintain a cleaner workspace and reduces material waste.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReduced pastel consumption extends the life of sticks and dust-free blending tools.\u003c\/li\u003e\n  \u003cli\u003eLess airborne dust improves studio cleanliness and eases cleanup.\u003c\/li\u003e\n  \u003cli\u003eDurable surface tolerates repeated erasing without losing tooth.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this pad for? The Clairefontaine Pastelmat Glued Pad Palette No. 2 is aimed at pastelists who want a flexible, professional surface: from students learning layering and blending to experienced artists seeking painterly effects, detailed line work, or a stable base for mixed-media underpainting. It’s particularly useful for anyone who wants stronger colour payoff with less pastel waste and reliable protection between sheets.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based washes on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat withstands light water or solvent-based underwashes and remains stable for subsequent pastel layers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Are pages easy to remove from the glued pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The pad is glued at the top for secure stacking yet designed to let sheets tear away cleanly when needed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55301863997777,"sku":"B0BCH4J6TT","price":80.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_01e2e275-b100-495f-b3cd-5ee5524bbe4e.jpg?v=1791980455"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-4-30-x-40-cm-12-sheets-360-g-dark-blue-light-blue-wine-sand","title":"Clairefontaine Pastelmat Glued Pad Palette No.4 — 30 x 40 cm (12 sheets, 360 g) Dark Blue\/Light Blue\/Wine\/Sand","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Glued Pad Palette No. 4 is a heavyweight, velvety-surfaced pastel pad in four rich tones (dark blue, light blue, wine, sand) engineered to hold layers of pastel with painterly results and reduced pastel consumption.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glued pad contains twelve 360 g\/m² sheets sized 30 x 40 cm (12 x 15 3\/4 in) and includes glassine interleaving between pages to protect finished work. Pastelmat’s proprietary surface sits between traditional Ingres papers and abrasive sanded boards — offering a pronounced tooth that grips pigment efficiently while remaining soft enough for fine lines, erasing, and detailed finishing. The Palette No. 4 assortment provides four complementary ground colours so you can choose a midtone or experiment with colour relationships from the first layer.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Pastelmat change the way pastels apply and blend?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s surface accepts pigment in a way that encourages broad, buttery marks as well as precise strokes. You can layer colours without quickly exhausting pastel sticks, and blending remains controlled — letting you push tones while keeping edges clear when needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvety tooth that holds pigment firmly for vibrant colour.\u003c\/li\u003e\n  \u003cli\u003eFacilitates painterly strokes and soft gradations with less dust.\u003c\/li\u003e\n  \u003cli\u003eAllows multiple layers without rapid depletion of pastel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this paper work with wet underpaintings or erasing techniques?\u003c\/h3\u003e\n\u003cp\u003eYes — Pastelmat is engineered to tolerate light water or solvent washes, so you can establish underpainting before applying pastels. Because the surface is less abrasive than sanded papers, it also responds well to careful erasing and fine-detail work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with thin water- or solvent-based washes for mixed-media approaches.\u003c\/li\u003e\n  \u003cli\u003eResilient enough for lifting pigment with erasers or magic erasers.\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity for detailed line work and reworking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does the pad format and colour selection benefit my workflow?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad keeps sheets secure while you work and includes glassine interleaves to protect each drawing. The four-colour palette in this pad gives you built-in background options that can speed up compositional decisions and influence mood without extra priming.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGlued top edge holds sheets during working; easy to remove when finished.\u003c\/li\u003e\n  \u003cli\u003eGlassine sheets between pages prevent smudging and protect finished pieces.\u003c\/li\u003e\n  \u003cli\u003eIncludes dark blue, light blue, wine, and sand for varied tonal starting points.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Pastelmat affect pastel consumption and studio cleanliness?\u003c\/h3\u003e\n\u003cp\u003ePastelmat’s formulation reduces how much pastel is transferred from sticks to paper, which stretches expensive materials further and produces less airborne dust. Less consumption means lower replacement costs and a tidier workspace.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSurface uses approximately 30% less pastel than typical sanded papers.\u003c\/li\u003e\n  \u003cli\u003eGenerates minimal dust, improving cleanup and air quality in the studio.\u003c\/li\u003e\n  \u003cli\u003eDurable sheets stand up to repeated reworking without breaking down quickly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? The Clairefontaine Pastelmat Glued Pad Palette No. 4 is aimed at pastel artists who want a versatile, heavy-weight surface that supports painterly techniques, careful detailing, and mixed-media underpainting. It’s ideal for professionals and serious hobbyists who value colour-rich grounds, longer-lasting pastels, and the convenience of a protected pad format.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Pastelmat compatible with water-based underpainting?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Pastelmat tolerates light water or solvent washes so you can create underpaintings before applying pastel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets and what size are in this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The pad contains 12 glued sheets sized 30 x 40 cm (12 x 15 3\/4 inches), weight 360 g\/m².\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55302843269457,"sku":"B0BCH5QK3V","price":118.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-top-view.jpg?v=1791983858"},{"product_id":"clairefontaine-pastelmat-pastel-pad-30x40-cm-palette-no-1-360g-12-sheets-maize-grey-mid-tone-grounds","title":"Clairefontaine Pastelmat Pastel Pad 30x40 cm Palette No. 1 - 360g, 12 Sheets, Maize \u0026 Grey Mid-tone Grounds","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 1 is a heavyweight, velvety pastel pad that holds multiple layers of pastel for painterly effects while reducing pastel consumption and dust.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for pastel artists who want the control of fine papers without the harsh abrasion of sanded surfaces, this glued pad combines a soft, toothy finish with robust 360g weight and glassine interleaves to protect each sheet. The palette pack includes twelve 30 x 40 cm sheets in coordinated maize, buttercup, dark grey, and light grey tones, giving a ready-made range of mid-tone grounds for quick starts and refined colour work.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this surface feel and handle pastel differently?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is velvety and noticeably toothier than classic Ingres papers but much gentler than sanded boards. It allows pastels to adhere firmly without shredding sticks, enabling smoother, painterly marks and finer detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOrganic velvety texture that grips pastel pigments evenly\u003c\/li\u003e\n  \u003cli\u003eLess abrasive than sanded papers, preserving pastel sticks\u003c\/li\u003e\n  \u003cli\u003eSuitable for both broad strokes and delicate lines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer, blend, or erase on this paper?\u003c\/h3\u003e\n\u003cp\u003eYes. Pastelmat supports multiple layers and precise blending while still allowing effective erasure when needed. You can build depth and adjust colour intensity without quickly exhausting your pastel supply.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent control for blending and soft transitions\u003c\/li\u003e\n  \u003cli\u003eAllows many pigment layers with stable adhesion\u003c\/li\u003e\n  \u003cli\u003ePastel can be lifted or refined using erasers and blending tools\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill using Pastelmat reduce pastel waste or dust?\u003c\/h3\u003e\n\u003cp\u003eThe dense tooth of Pastelmat uses pigment more conservatively than sanded papers, lowering consumption and creating less airborne dust. That makes it economical and cleaner in studio environments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApproximately 30% slower pastel consumption versus sanded papers\u003c\/li\u003e\n  \u003cli\u003eProduces less dust, simplifying cleanup\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaves protect finished sheets from smudging\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat versatile for mixed techniques and detail work?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept light washes and solvents, yet fine enough for precise line work—offering real versatility between painterly and illustrative approaches. It holds up well to erasing and reworking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAccepts both dry pastel and limited water\/solvent underpainting\u003c\/li\u003e\n  \u003cli\u003eStrong 360g weight resists cockling and handling\u003c\/li\u003e\n  \u003cli\u003eGood for fine line detail compared with coarser sanded surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this pad is for: Artists who want a middle ground between soft papers and abrasive boards — especially pastel painters seeking lush, buttery marks, extended layering, and less material waste. The Palette No. 1 pack with maize, buttercup, dark grey, and light grey sheets is ideal for portraiture, landscapes, studies, and preparatory work where mid-tone grounds speed up composition and colour decisions.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick is the Pastelmat paper?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each sheet is 360g weight, sturdy enough for layering, light washes, and repeated handling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does the pad include protective interleaving?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—each sheet is separated by glassine protectors to prevent smudging between pages.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55303315652945,"sku":"B0BCH1HHDP","price":121.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-pad-front_47a10bf5-87b1-433c-a01b-4ed63d5ef4a8.jpg?v=1791985241"},{"product_id":"clairefontaine-pastelmat-glued-pad-palette-no-5-7-x-9-in-18-24-cm-12-sheets-360g-greens-blues","title":"Clairefontaine Pastelmat Glued Pad Palette No. 5 — 7 x 9½ in (18×24 cm), 12 sheets 360g, greens \u0026 blues","description":"\u003cp\u003e\u003cstrong\u003eClairefontaine Pastelmat Palette No. 5 is a heavyweight glued pad with twelve 360g sheets in dark green, light green, white and dark blue, designed to hold pastel layers cleanly while reducing dust and stick wear.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePastelmat reimagines the drawing surface for pastel artists who want strong pigment grip without the heavy abrasion of sanded papers. The pad’s velvety, durable sheets allow buttery pastel application, controlled layering and easy corrections, and each page is protected by a glassine interleaving to keep colours pristine between sessions. Sized at 7 x 9½ inches (18 x 24 cm), this Palette No. 5 glued pad is convenient for studies, plein-air work, and finished pieces that benefit from deep colour fields in green and blue tones.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this pad handle pastel layering and blending?\u003c\/h3\u003e\n\u003cp\u003eThe Pastelmat surface is engineered to accept multiple layers without flattening or filling in unevenly. It grabs pigment efficiently so you can build depth with fewer strokes, and its texture supports smooth blending while retaining edge clarity for fine detail.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e360g heavyweight sheet resists buckling when layered\u003c\/li\u003e\n  \u003cli\u003eSurface holds successive pastel layers for richer colour\u003c\/li\u003e\n  \u003cli\u003eBalanced tooth—enough grip for pigment, low abrasion for sticks\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaving prevents colour transfer between pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I erase or correct marks on Pastelmat?\u003c\/h3\u003e\n\u003cp\u003eYes — the pad tolerates precise erasing and lifting without losing its integrity. Gentle mechanical erasers or specialty sponges remove pigment cleanly; the paper returns to a usable surface for further work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with kneaded and vinyl erasers for selective corrections\u003c\/li\u003e\n  \u003cli\u003eMagic erasers and gentle lifting recover highlights effectively\u003c\/li\u003e\n  \u003cli\u003eSurface durability supports repeated local erasing and reworking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs Pastelmat suitable for wet underpainting or using solvents?\u003c\/h3\u003e\n\u003cp\u003ePastelmat is robust enough to accept light water- or solvent-based washes as underlayers, expanding its use beyond dry pastel techniques. The sheet dries flat and keeps its tooth, allowing you to combine media for mixed-technique approaches.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds light washes without significant distortion\u003c\/li\u003e\n  \u003cli\u003eMaintains surface integrity after drying for pastel application\u003c\/li\u003e\n  \u003cli\u003eEnables mixed-media workflows with careful solvent use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat practical advantages does this pad offer for studio and travel use?\u003c\/h3\u003e\n\u003cp\u003eThe glued pad format keeps pages secure and portable, while the 7 x 9½\" size fits sketchbooks and tote bags easily. Glassine separators protect finished pages, and the compact format is ideal for quick studies or layered compositions on the go.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePad binding keeps sheets organized and transport-ready\u003c\/li\u003e\n  \u003cli\u003eCompact size fits backpacks and art portfolios for plein air work\u003c\/li\u003e\n  \u003cli\u003eGlassine interleaving preserves finished or in-progress sheets\n  \u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Artists who use soft pastels, pastel pencils or mixed media and want a surface that combines strong pigment grip with lower stick wear. This pad fits study sessions, colour tests and finished pieces for students, hobbyists and professional pastelists seeking dependable texture and tidy storage between pages.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How many sheets are in this pad?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The Palette No. 5 glued pad contains 12 sheets of 360g Pastelmat.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use water-based underpainting on Pastelmat?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, Pastelmat accepts light water or solvent washes and holds up for subsequent pastel layers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":55303753236817,"sku":"B0BCH2Z6M9","price":59.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/clairefontaine-pastelmat-front-pad_0709b350-7e18-484e-aac6-b55b31ae4d4b.jpg?v=1791985880"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/clairefontaine-pastelmat-front-pad_273c66f6-a7e7-4cee-9053-d1c3eff31d54.jpg?v=1792143790","url":"https:\/\/craftiche.co.uk\/collections\/clairefontaine.oembed?page=2","provider":"Craftiche","version":"1.0","type":"link"}