{"title":"Amaco","description":"\u003cp\u003eCraftiche stocks 71 Amaco products, including \u003ca href=\"\/collections\/pottery-glazes\"\u003epottery glazes\u003c\/a\u003e (48), \u003ca href=\"\/collections\/varnishes-paint-finishes\"\u003evarnishes \u0026amp; paint finishes\u003c\/a\u003e (10), \u003ca href=\"\/collections\/pottery-clay\"\u003epottery clay\u003c\/a\u003e (4) and \u003ca href=\"\/collections\/modelling-clay-compounds\"\u003emodelling clay \u0026amp; compounds\u003c\/a\u003e (3). Prices run from £26.63 to £136.17, including VAT.\u003c\/p\u003e\u003cp\u003eCraftiche is an independent UK online retailer and is not affiliated with Amaco. Sizes, materials and specifications are shown on each product page.\u003c\/p\u003e","products":[{"product_id":"amaco-rub-n-buff-metallic-wax-2-color-kit-gold-silver-15ml-blendable-gilding-wax-for-antiquing","title":"AMACO Rub n Buff Metallic Wax 2-Colour Kit — Gold \u0026 Silver 15ml, Blendable Gilding Wax for Antiquing","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub n Buff 2-Colour Kit is a pair of concentrated metallic wax tubes—Gold Leaf and Silver Leaf—in 15 ml sizes designed to add gilded highlights, antiqued patinas, and polished accents to craft, décor, and restoration projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact waxing kit gives hobbyists, makers, and restorers an easy way to introduce real metallic sheen without the mess of liquid gilding. Each 15 ml tube combines fine metallic powders with carnauba wax to produce a buttery, blendable finish that buffs onto wood, metal, glass, ceramic, and many porous surfaces. The small tubes are concentrated: a little goes a long way, making them economical for touch-ups or detailed embellishment across multiple projects.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply these metallic waxes to get a clean, even finish?\u003c\/h3\u003e\n\u003cp\u003eApplication is intentionally simple and forgiving—no special tools required. Use a clean, dry finger, a cotton ball, or a soft cloth to rub a small amount of wax into the surface and then buff to the desired shine. Thin layers give subtle sheen; heavier burnishing produces a high-gloss, polished look.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWork in small areas: apply sparingly and blend with circular motions.\u003c\/li\u003e\n  \u003cli\u003eBuff with a soft cloth to increase luster; leave light for a matte effect.\u003c\/li\u003e\n  \u003cli\u003eUse on porous or primed surfaces for best adhesion and durability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich materials and projects are best suited for Gold Leaf and Silver Leaf Rub n Buff?\u003c\/h3\u003e\n\u003cp\u003eThese waxes were formulated for versatility: they adhere well to wood, metal, plaster, ceramic, glass, resin and many painted surfaces. They’re ideal for picture frames, furniture accents, decorative moulding, props, cosplay armor details, and small restoration spots where metallic highlights are desired without full gilding processes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRestore worn frame edges or raised details with precise strokes.\u003c\/li\u003e\n  \u003cli\u003eAdd highlights to carved furniture, trim, or décor accents.\u003c\/li\u003e\n  \u003cli\u003eEmbellish craft and cosplay elements for realistic metallic effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage will I get from each 15 ml tube and how durable is the finish?\u003c\/h3\u003e\n\u003cp\u003eEach 15 ml (.5 oz) tube is highly concentrated—thin applications can cover up to about 20 square feet, depending on surface texture and application method. The carnauba-wax base gives a smooth, resilient finish that resists mild handling; for pieces subject to heavy wear, consider sealing or spot-testing first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEstimate coverage: light decorative highlighting yields the best economy.\u003c\/li\u003e\n  \u003cli\u003eFor frequently touched areas, topcoat with a compatible clear sealer if needed.\u003c\/li\u003e\n  \u003cli\u003eStore tubes capped to prevent drying and retain performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this set is for: makers who want reliable, easy-to-use metallic accents without specialist equipment, decorators refreshing vintage pieces, and prop or costume creators needing small-batch gilding. The AMACO Rub n Buff 2-Colour Kit offers two classic shades—Gold Leaf and Silver Leaf—so you can mix, match, and layer tones for antique, luxe, or modern metallic looks. Its compact tubes are convenient for hobby tables, restoration benches, and craft kits, delivering economical coverage and controllable shine for detailed work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Rub n Buff on nonporous surfaces like glass or metal?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—Rub n Buff adheres to many nonporous surfaces, but adhesion and durability improve on lightly sanded or primed areas.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I change the sheen from matte to high gloss?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Apply a thin layer for a matte look; buff more vigorously or add layers for increased gloss and burnish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55249097294161,"sku":"B0BB37W2DL","price":29.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-front-packaging.jpg?v=1791632492"},{"product_id":"amaco-velvet-underglaze-hunter-green-2-oz-lead-free-smooth-matte-to-satin-ceramic-underglaze","title":"AMACO Velvet Underglaze Hunter Green 57 g — Lead-Free, Smooth Matte-to-Satin Ceramic Underglaze","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-376 in Hunter Green is a lead-free, richly pigmented 2 oz underglaze formulated for consistent, matte-to-satin colour on bisque and greenware.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 59 mL jar of Hunter Green Velvet Underglaze delivers a dependable, opaque green ideal for hand-painting, stenciling, and detailed surface work on ceramics. AMACO’s Velvet Underglaze line is made to provide smooth application, good coverage in small quantities, and reliable colour retention under clear glazes. Because it’s lead-free, it’s suitable for classroom, studio, and hobby use where safety and predictable results matter.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this underglaze behave during application?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet formula spreads smoothly and maintains brushstrokes without extreme running, making it good for both controlled detail and broader coverage. It adheres well to bisque or leather-hard greenware and is easy to thin with water for washes or built-up for opacity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApplies well with brushes, sponges, or slip-trailing tips\u003c\/li\u003e\n  \u003cli\u003eThins uniformly with water for shading and washes\u003c\/li\u003e\n  \u003cli\u003eHolds fine lines and details without excessive bleeding\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Hunter Green stay true after glazing and firing?\u003c\/h3\u003e\n\u003cp\u003eThis underglaze is formulated for predictable colour through most common clear glazes; finishes can range from soft matte to satin depending on your top glaze. For best results, test a fired sample with your chosen transparent glaze and kiln schedule to confirm final tone and surface sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDesigned for layering under transparent or translucent glazes\u003c\/li\u003e\n  \u003cli\u003eCompatible with common studio clear glazes for varied finishes\u003c\/li\u003e\n  \u003cli\u003eRecommended: test tile to verify final colour and gloss\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat safety, storage, and cleanup practices should I follow?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet Underglaze is labeled lead-free, reducing toxic exposure risk compared with leaded products; standard studio safety still applies. Keep containers sealed, store in a cool place, and clean tools with water immediately after use to avoid dried residue.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLead-free formulation suitable for schools and home studios\u003c\/li\u003e\n  \u003cli\u003eStore upright, tightly capped to prevent skinning\u003c\/li\u003e\n  \u003cli\u003eWash brushes and tools with water before product dries\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much area will a 2 oz jar cover and how should I prepare my piece?\u003c\/h3\u003e\n\u003cp\u003eA 2 oz (59 mL) jar is ideal for accents, trim work, or a few small pieces rather than full coverage of many large items. Prepare bisque ware by cleaning dust and oils; for greenware, smooth surfaces first to prevent drag and ensure even application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e2 oz suits detail work, test tiles, or small projects\u003c\/li\u003e\n  \u003cli\u003eClean bisque thoroughly for best adhesion and even tone\u003c\/li\u003e\n  \u003cli\u003eApply thin layers and build opacity gradually to conserve product\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Velvet Underglaze in Hunter Green is aimed at ceramic students, hobbyists, and studio artists who need a reliable, lead-free green for detail work, small projects, or testing colour combinations. It’s particularly useful when you want controlled brushstrokes, easy thinning, and the ability to layer before a clear glaze finish. If you’re preparing test tiles, accenting wheel-thrown pieces, or teaching in a classroom setting, this compact 2 oz size offers convenience and minimal waste while still producing vivid, reproducible results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Velvet Underglaze V-376 lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this Velvet Underglaze is formulated as lead-free, suitable for classrooms and hobby use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this underglaze under a clear glaze?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it’s designed to be used beneath transparent glazes; always test a fired sample to confirm final colour and finish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55249118855505,"sku":"B00A6WOMZ6","price":26.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-v376-hunter-green-front-label.jpg?v=1791632839"},{"product_id":"amaco-rub-n-buff-metallic-gilding-paste-spanish-copper-15ml-tube-high-metallic-durable-finish","title":"AMACO Rub n Buff metallic gilding paste - Spanish Copper 15ml tube, high-metallic durable finish","description":"\u003cstrong\u003eAMACO Rub n Buff Spanish Copper is a concentrated 15ml gilding wax that delivers a durable, high-metallic finish for furniture, frames, and decorative accents.\u003c\/strong\u003e\n\nAMACO Rub n Buff combines imported carnauba waxes, fine metallic powders, and carefully selected pigments into a creamy, spreadable metal wax. In a single 15ml tube, the Spanish Copper shade offers a rich copper tone with metallic sheen that adheres to wood, metal, plaster, and more, making it a popular choice for touch-ups, antiquing, and finishing small projects.\n\n\u003ch3\u003eHow do I apply Rub n Buff for a consistent metallic finish?\u003c\/h3\u003e\n\u003cp\u003eApplication is simple and forgiving: a small amount goes a long way. Apply with a fingertip, soft cloth, or artist brush, then buff gently to your desired sheen. Work in thin layers to build colour and avoid streaks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse a dab no larger than a pea for small surfaces;\u003c\/li\u003e\n  \u003cli\u003eSpread evenly with a soft cloth or foam brush;\u003c\/li\u003e\n  \u003cli\u003eBuff with a lint-free cloth for high shine;\u003c\/li\u003e\n  \u003cli\u003eLayer thin coats for deeper colour without texture build-up.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Rub n Buff adhere to different surfaces like wood, metal, or plaster?\u003c\/h3\u003e\n\u003cp\u003eYes—Rub n Buff bonds well to a wide range of substrates when applied to a clean, dry surface. For best results, lightly sand glossy areas or apply a primer on very slick plastics and metals.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on painted and raw wood, metal, plaster, resin, and glass (with primer);\u003c\/li\u003e\n  \u003cli\u003eRemove dirt, grease, and wax before applying;\u003c\/li\u003e\n  \u003cli\u003eTest in an inconspicuous spot when unsure of adhesion;\u003c\/li\u003e\n  \u003cli\u003eConsider a clear topcoat for high-traffic surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Rub n Buff for antiquing and restoration projects?\u003c\/h3\u003e\n\u003cp\u003eRub n Buff is ideal for creating aged highlights and restoring worn details—its thin wax formula sits in crevices to accent textures and raised edges. Layer it strategically, then gently remove excess to reveal natural shadows and depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to raised details and quickly wipe back for subtle highlights;\u003c\/li\u003e\n  \u003cli\u003eUse darker base paints then top with Spanish Copper for authentic patina effects;\u003c\/li\u003e\n  \u003cli\u003eBlend with other Rub n Buff shades for custom tones;\u003c\/li\u003e\n  \u003cli\u003eSeal with a clear wax or lacquer to protect the finish if needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage will a 15ml tube provide?\u003c\/h3\u003e\n\u003cp\u003eThe 15ml tube is highly concentrated—small projects and accent areas will yield the best value. Expect to cover many small frames, hardware pieces, or a few large decorative elements depending on application thickness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOne tube is ideal for trim, hardware, and multiple small crafts;\u003c\/li\u003e\n  \u003cli\u003eCoverage varies by porosity and technique used;\u003c\/li\u003e\n  \u003cli\u003eUse sparingly on large surfaces or purchase multiple tubes for full furniture projects;\u003c\/li\u003e\n  \u003cli\u003eStore tightly capped to preserve freshness between uses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\nWho is this for?\n\nAMACO Rub n Buff Spanish Copper 15ml is aimed at DIYers, furniture refinishers, frame restorers, and craftmakers who need a fast, controllable metallic finish without the equipment or mess of spray metals. It suits anyone restoring antiques, adding metallic accents, or experimenting with gilded details on small-to-medium projects. If you want precise control, minimal setup, and a product formulated with carnauba wax and fine metallic powders, this compact tube is a practical addition to your toolkit.\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I topcoat Rub n Buff for extra durability?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. A clear wax or lacquer can protect the finish—test compatibility on a scrap first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Rub n Buff toxic or require special ventilation?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Use in a well-ventilated area and avoid skin contact; follow tube safety instructions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55249890869585,"sku":"B0002IXURK","price":27.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-spanish-copper-front-tube.jpg?v=1791637572"},{"product_id":"amaco-rub-n-buff-metallic-wax-european-gold-15ml-tube-concentrated-gilding-finish-for-furniture-frames-crafts-easy-to-buff","title":"AMACO Rub n Buff metallic wax — European Gold 15ml tube, concentrated gilding finish for furniture, frames \u0026 crafts, easy to buff","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub n Buff European Gold is a concentrated metallic wax in a 15 ml tube that delivers a rich, gilded finish for furniture, frames, decor and craft projects.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis compact tube contains a blend of fine metallic powders suspended in wax, engineered so a tiny amount covers a surprisingly large area. It’s designed for quick, controllable application on surfaces like wood, metal, ceramic, glass and many painted finishes. Because the product is highly pigmented and easily buffed, you can produce anything from a delicate antique hint to a brilliant high-shine accent without complicated tools or long setup times.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply Rub n Buff for clean, consistent results?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward: use a dry finger, a soft cloth or a cotton swab to pick up a very small amount, then rub it onto the area and buff to the desired sheen. Work in thin layers to avoid uneven buildup and cure the finish by polishing with a clean, soft cloth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse sparing strokes; a little product travels far.\u003c\/li\u003e\n  \u003cli\u003eApply to clean, dry surfaces for best adhesion.\u003c\/li\u003e\n  \u003cli\u003eBuff with increasing pressure for higher gloss.\u003c\/li\u003e\n  \u003cli\u003eRemove excess with a soft brush from crevices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces take the metallic wax best?\u003c\/h3\u003e\n\u003cp\u003eRub n Buff performs well on porous and smooth surfaces alike; it adheres to wood, painted pieces, metal, glass, plaster, ceramic and resin. Porous substrates like raw wood or matte paint often accept the wax more evenly, while slick finishes may benefit from light surface scuffing first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRaw or sealed wood: great for warm, aged highlights.\u003c\/li\u003e\n  \u003cli\u003ePainted furniture: ideal for distressing or edging.\u003c\/li\u003e\n  \u003cli\u003eMetal and glass: creates bright accents with minimal product.\u003c\/li\u003e\n  \u003cli\u003eCraft materials: suitable for frames, moulds, and props.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I control the finish from matte to high shine?\u003c\/h3\u003e\n\u003cp\u003eThe final look depends entirely on how much you buff. A sheer, brushed-on layer produces a soft, antiqued patina; more vigorous polishing yields a mirror-like metallic sheen. Because the product is wax-based, the finish can be adjusted even after initial application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLight buffing: subtle, aged look with gentle reflection.\u003c\/li\u003e\n  \u003cli\u003eModerate buffing: satin metallic with clear colour payoff.\u003c\/li\u003e\n  \u003cli\u003eHeavy burnishing: bright, reflective gilding comparable to leafing.\u003c\/li\u003e\n  \u003cli\u003eLayering: build depth by applying additional thin coats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat should I know about coverage and longevity?\u003c\/h3\u003e\n\u003cp\u003eEach 15 ml tube is formulated to be economical—only a small amount is needed to cover sizable areas. Because the formula is wax-based, the finish is durable when buffed and can resist light handling; for surfaces that need more abrasion resistance, consider a clear topcoat compatible with wax finishes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSingle 15 ml tube can address multiple small projects or accent large pieces.\u003c\/li\u003e\n  \u003cli\u003eBest longevity when applied to clean, prepped areas and buffed thoroughly.\u003c\/li\u003e\n  \u003cli\u003eFor high-traffic items, seal with a compatible clear coat if desired.\u003c\/li\u003e\n  \u003cli\u003eStore capped in a cool, dry place to maintain consistency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Creators, decorators, restorers and hobbyists who want quick, controllable gilding without the expense or complexity of traditional leafing. AMACO Rub n Buff European Gold is well suited for furniture refreshes, frame highlights, cosplay details, prop finishing and small restoration tasks where a refined metallic accent is needed. Its small tube format makes it handy for makers, decorators and studios that value both precision and economical use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does Rub n Buff need a sealer?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Not required for display pieces; for high-traffic items use a compatible clear topcoat to boost abrasion resistance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much surface does one 15 ml tube cover?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: A little goes a long way—one tube can accent or cover several small projects; coverage varies by application technique.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55250824331601,"sku":"B0B336T63S","price":29.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-european-gold-front-tube.jpg?v=1791640416"},{"product_id":"amaco-velvet-underglaze-ceramic-paint-baby-blue-2-oz-matte-smooth-flow-finish","title":"AMACO Velvet Underglaze Ceramic Paint, Baby Blue 2 oz — Matte, Smooth-Flow Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze in V-325 Baby Blue is a creamy, matte underglaze designed for precise ceramic decoration and consistent colour on bisque and fired clay.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 oz (59 mL) jar of Baby Blue Velvet Underglaze delivers a soft, velvety finish ideal for painting fine details, layering, and glazing accents. Formulated to flow smoothly from brushes and resist running, it offers dependable coverage on pottery, sculpture, and decorative ceramics. Because firing conditions and techniques vary, tableware intended for food use should be tested after firing to confirm safety and durability.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Velvet Underglaze behave when painted on bisque?\u003c\/h3\u003e\n\n\u003cp\u003eVelvet Underglaze goes on creamy and holds brush strokes well, making it suitable for both line work and broad coverage. It dries to a matte, velvety surface that can be left as-is or sealed with a clear glaze.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSmooth, non-runny consistency for controlled application\u003c\/li\u003e\n  \u003cli\u003eGood opacity in thin layers for colour build-up\u003c\/li\u003e\n  \u003cli\u003eAdheres reliably to bisque and low-fired clay\u003c\/li\u003e\n  \u003cli\u003eCompatible with top glaze applications after firing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing and finishing steps work best with Baby Blue V-325?\u003c\/h3\u003e\n\n\u003cp\u003eApply undelrgulaze to bisque ware, allow to dry thoroughly, then fire according to your clay and glaze system. A clear glaze can be applied after the underglaze firing to create a glossy, food-safe surface if your materials test as dinnerware.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eBisque first, then paint and let air-dry fully before firing\u003c\/li\u003e\n  \u003cli\u003eFollow kiln schedules compatible with your clay body\u003c\/li\u003e\n  \u003cli\u003eTop-coat with compatible clear glaze for gloss and protection\u003c\/li\u003e\n  \u003cli\u003eTest finished pieces for intended use, especially dinnerware\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich techniques benefit most from this 2 oz Baby Blue size?\u003c\/h3\u003e\n\n\u003cp\u003eThe 2 oz jar is ideal for small projects, touch-ups, and studio classes where economy and portability matter. It’s convenient for practicing brushwork, filling small areas, and adding colour accents without committing to a larger container.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDetail painting and line work with fine brushes\u003c\/li\u003e\n  \u003cli\u003eLayering and blending small colour areas\u003c\/li\u003e\n  \u003cli\u003eTravelling artists and workshop kits\u003c\/li\u003e\n  \u003cli\u003eSample testing before buying larger quantities\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this underglaze safe for tableware and how should I verify it?\u003c\/h3\u003e\n\n\u003cp\u003eAMACO Velvet Underglaze is formulated for ceramic decoration, but finished dinnerware safety depends on firing temperature, glaze interactions, and studio conditions. Producers must test completed pieces under their specific processes to confirm suitability for food contact.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTest fired pieces for leachables and durability\u003c\/li\u003e\n  \u003cli\u003eUse a compatible clear glaze and appropriate kiln schedule\u003c\/li\u003e\n  \u003cli\u003eAvoid cross-contamination during application and firing\u003c\/li\u003e\n  \u003cli\u003eDocument your firing profile and test results for quality control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Ceramic artists, hobbyists, educators, and studio potters who want a dependable, soft-matte baby blue underglaze for detailed painting, small projects, or colour sampling. If you need controlled application, easy layering, and a compact container for workshops or travel, this 2 oz AMACO Velvet Underglaze in V-325 Baby Blue is a practical choice. Remember to test finished ware if you intend pieces for food use.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I glaze over AMACO Velvet Underglaze?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — you can apply a compatible clear glaze over the fired underglaze, but always test your materials and firing schedule before producing tableware.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What is the best way to store an open 2 oz jar?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Keep the jar tightly sealed, stored upright at room temperature, and away from direct sunlight to preserve consistency.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55252986560849,"sku":"B00A6VW6BE","price":31.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-underglaze-baby-blue-front-jar.jpg?v=1791654979"},{"product_id":"amaco-velvet-underglaze-dark-green-v-353-2-oz-velvety-opaque-lead-free","title":"AMACO Velvet Underglaze Dark Green V-353 57 g — Velvety, Opaque, Lead-Free","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-353 is a smooth, richly pigmented dark green underglaze in a 2 oz (59 mL) bottle designed to deliver velvety, opaque colour on bisque or greenware before clear glaze firing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact 2-ounce jar of AMACO Velvet Underglaze in Dark Green (V-353) offers potters and ceramic artists a dependable, lead-free colorant that sits beneath a clear or transparent glaze. Its velvety formula is formulated to apply evenly, retain brushstroke control, and fire to a consistent dark green tone on earthenware and other low-fire clay bodies. Because it's an underglaze, it performs well for both detailed painting and larger areas of colour, and it’s compatible with most clear glazes suitable for low-fire temperatures.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes this underglaze different from a standard glaze?\u003c\/h3\u003e\n\u003cp\u003eUnderglazes are concentrated colorants meant to be applied before a clear glaze, unlike glazes that often form a coloured glass layer. AMACO’s Velvet Underglaze is designed for opacity and brushability, keeping fine detail without running during a clear glaze firing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSpecifically formulated for underglaze application under clear glazes.\u003c\/li\u003e\n  \u003cli\u003eVelvety, smooth finish that reduces streaking and patchiness.\u003c\/li\u003e\n  \u003cli\u003eLead-free, suitable for studio and classroom use where safety matters.\u003c\/li\u003e\n  \u003cli\u003eFires reliably at recommended low-fire temperatures for earthenware.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply AMACO Velvet Underglaze for best results?\u003c\/h3\u003e\n\u003cp\u003eApply to clean bisque or greenware using a brush, sponge, or slip-trailing technique depending on the effect you want. Thin with water for washes or use straight from the bottle for solid coverage; allow layers to dry before adding more to control bleeding and achieve crisp lines.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse multiple thin coats for even colour; avoid over-wetting the surface.\u003c\/li\u003e\n  \u003cli\u003eDry each coat thoroughly to maintain detail and prevent lifting.\u003c\/li\u003e\n  \u003cli\u003eSeal with a clear glaze appropriate for your firing cone after underglaze application.\u003c\/li\u003e\n  \u003cli\u003eTest-fire a sample to confirm colour and compatibility with your glaze.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich projects and techniques benefit most from this dark green underglaze?\u003c\/h3\u003e\n\u003cp\u003eThis shade is ideal for botanical motifs, accents on functional ware, and layered underpainting where a deep, consistent green is needed. The velvet texture lends itself well to both painterly strokes and solid fills, making it versatile for studios, schools, and hobbyists.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDetailed brushwork like leaves, stems, and graphic patterns.\u003c\/li\u003e\n  \u003cli\u003eFull-surface coverage on small pieces such as mugs, tiles, or figurines.\u003c\/li\u003e\n  \u003cli\u003eSlip-trailing or sgraffito work after the underglaze has dried.\u003c\/li\u003e\n  \u003cli\u003eLayering with other underglaze colours for depth and shading.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I care for pieces finished with this underglaze?\u003c\/h3\u003e\n\u003cp\u003eAfter you apply the underglaze and allow it to dry, cover the piece with a compatible clear glaze and fire according to the glaze and clay body instructions. Finished ware should be handled per usual ceramic care: avoid thermal shock and use food-safe glazes if the piece will contact food.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAlways glaze over underglaze before firing to protect the surface.\u003c\/li\u003e\n  \u003cli\u003eFollow firing schedules recommended for your clay and clear glaze.\u003c\/li\u003e\n  \u003cli\u003eAllow fully cooled pieces to avoid cracking or crazing from sudden temperature changes.\u003c\/li\u003e\n  \u003cli\u003eFor functional ware, choose a clear glaze labeled food-safe after firing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Velvet Underglaze V-353 Dark Green (2 oz) is suited for ceramic hobbyists, art instructors, and professional potters who need a compact, easy-to-use underglaze with dependable coverage and a deep green finish. It’s particularly helpful for those working at low-fire temperatures who want consistent colour, fine detail control, and a lead-free formulation for safer studio environments.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Velvet Underglaze V-353 lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — this Velvet Underglaze is formulated lead-free, suitable for classroom and studio use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this underglaze on functional pottery?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, when covered with a food-safe clear glaze and fired properly, it can be used on functional pieces.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55253365522769,"sku":"B0044SGR8S","price":32.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-undersglaze-dark-green-front-bottle.jpg?v=1791658033"},{"product_id":"amaco-velvet-underglaze-ceramic-paint-2-oz-v-341-blue-green-high-opacity-matte-finish","title":"AMACO Velvet Underglaze ceramic paint - 59 ml V-341 Blue Green, high-opacity matte finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-341 Blue Green is a smooth, matte 2 oz underglaze formulated to deliver rich, opaque colour on bisque and greenware for detailed ceramic work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAMACO’s Velvet Underglaze in Blue Green (V-341) is a concentrated, lead-free ceramic underglaze designed for artists, students, and hobbyists who want consistent colour and easy application. It dries to a low-sheen, velvety surface that accepts overglazes and clear glazes without shifting the hue, making it ideal for both brushwork and transfer techniques. The 2 oz (59 mL) bottle is convenient for testing palettes, small projects, or adding a new accent colour to your studio collection.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this underglaze perform on bisque and greenware?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet formula lays down smoothly with good opacity, allowing even coverage in one or two passes. It adheres well to both bisque-fired pieces and greenware, resisting flaking during handling when used as directed. Colours stay true after glaze firing, giving predictable results for repeatable finishes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-opacity pigment for strong coverage\u003c\/li\u003e\n  \u003cli\u003eWorks on bisque and unfired greenware\u003c\/li\u003e\n  \u003cli\u003eStable colour through glaze firing\u003c\/li\u003e\n  \u003cli\u003eMinimal brushstroke visibility for smooth finishes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application techniques work best with AMACO Velvet Underglaze?\u003c\/h3\u003e\n\u003cp\u003eVelvet Underglaze is versatile: brush, sponge, stencil, or airbrush (when thinned) all produce good results. For fine detail, use a soft sable or synthetic round brush; for larger fields, a flat wash brush or sponge gives even coverage. Allow proper drying between layers to prevent lifting and to maintain crisp edges.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush: detailed lines and shading\u003c\/li\u003e\n  \u003cli\u003eSponge: soft, uniform application on curved surfaces\u003c\/li\u003e\n  \u003cli\u003eStencil\/transfer: crisp graphic patterns\u003c\/li\u003e\n  \u003cli\u003eAirbrush (thinned): seamless gradients and large areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this underglaze work with clear glazes and overglazes?\u003c\/h3\u003e\n\u003cp\u003eYes—AMACO Velvet Underglaze is formulated to accept both clear glazes and overglaze decorations without significant alteration of the base colour. Test firing is recommended when combining with specialty glazes to confirm final surface effects. Use compatible clear glazes applied evenly to avoid gloss pooling or colour migration.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with standard clear glazes\u003c\/li\u003e\n  \u003cli\u003eAccepts overglaze decoration after firing when instructions followed\u003c\/li\u003e\n  \u003cli\u003eTesting advised for specialty or reactive glazes\u003c\/li\u003e\n  \u003cli\u003eMaintains underlying colour integrity under clear layers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and care for this 2 oz bottle?\u003c\/h3\u003e\n\u003cp\u003eKeep the bottle tightly capped and stored upright in a cool, dry place away from direct sunlight to preserve pigment stability. Shake gently before use to re-suspend pigments, and clean the nozzle after each session to avoid clogging. If a thicker consistency develops, thin sparingly with distilled water and test on a scrap tile.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTightly reseal cap after each use\u003c\/li\u003e\n  \u003cli\u003eStore upright, away from heat and sunlight\u003c\/li\u003e\n  \u003cli\u003eShake before application to ensure uniform pigment\u003c\/li\u003e\n  \u003cli\u003eThin with small amounts of distilled water only if necessary\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Velvet Underglaze V-341 Blue Green in 2 oz is aimed at ceramicists, teachers, students, and makers who need a dependable, lead-free underglaze for detailed work and predictable firing results. Its compact size suits classroom supplies, personal studios, and artists experimenting with colour palettes. Choose this shade if you want a cool, muted blue-green with a soft matte finish that layers well under clear glazes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Velvet Underglaze lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. AMACO Velvet Underglaze is formulated lead-free for studio and classroom use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply a clear glaze over this underglaze?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply a compatible clear glaze after the underglaze dries; test firings are recommended for specialty glazes.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55253406974289,"sku":"B0044SAZ72","price":31.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-underglaze-front-label.jpg?v=1791658435"},{"product_id":"amaco-velvet-underglaze-medium-blue-2-oz-semi-translucent-velvety-matte-finish-lead-free","title":"AMACO Velvet Underglaze Medium Blue 59 ml — semi-translucent velvety matte finish, lead-free","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-326 Medium Blue is a 2 oz, semi-translucent underglaze that fires to the true jar colour and dries to an unglazed velour-like finish.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2-ounce jar of AMACO Velvet Underglaze in Medium Blue (V-326) delivers a smooth, velvety surface ideal for detailed ceramic decoration. Formulated to remain true to the jar colour after firing, it blends easily with other Velvet Underglazes to expand your palette. The product is lead-free and non-toxic, making it suitable for studio, classroom, and hobby use where safe handling is required.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this underglaze affect the final look of my pottery?\u003c\/h3\u003e\n\u003cp\u003eWhen fired, the Velvet Underglaze produces a semi-translucent layer that preserves the jar’s Medium Blue tone while leaving an unglazed, soft-textured appearance like velour. It’s designed for surface decoration rather than glossy protection, so the tactile finish remains matte unless a clear glaze is applied on top.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSemi-translucent coverage that fires to jar colour\u003c\/li\u003e\n  \u003cli\u003eUnglazed velvety surface unless sealed with a clear overglaze\u003c\/li\u003e\n  \u003cli\u003eSuitable for layering, undercuts, and detailed line work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this Medium Blue with other colours to customize shades?\u003c\/h3\u003e\n\u003cp\u003eYes — AMACO Velvet Underglazes are formulated to be mixed, allowing you to create hundreds of custom hues. Start with small test mixes to dial in the exact tone and record proportions for consistent results in future firings.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixable with other Velvet Underglazes for custom palettes\u003c\/li\u003e\n  \u003cli\u003eTest on sample tiles to preview fired colour and translucency\u003c\/li\u003e\n  \u003cli\u003eMixing maintains the same velour-like finish after firing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application methods and firing notes should I follow?\u003c\/h3\u003e\n\u003cp\u003eApply Velvet Underglaze with brushes, sponges, or fine applicators for precise decoration. It’s versatile enough for both broad washes and intricate details. Follow your clay and kiln firing schedule; the product is designed to fire to true colour across common ceramic firing ranges.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush or sponge application for smooth, even coverage\u003c\/li\u003e\n  \u003cli\u003eCan be used on greenware or bisque — test for best adhesion\u003c\/li\u003e\n  \u003cli\u003eFire according to your clay body and kiln specifications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this safe for classroom and studio use?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet Underglaze is lead-free and non-toxic, formulated for safe handling in supervised environments. Standard studio safety practices — gloves, good ventilation, and avoiding ingestion — should still be observed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLead-free and non-toxic formulation\u003c\/li\u003e\n  \u003cli\u003eAppropriate for educational and home studios with usual precautions\u003c\/li\u003e\n  \u003cli\u003eStore jars tightly closed to prevent drying between sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Potters, ceramic artists, teachers, and hobbyists who want a reliable Medium Blue underglaze with a velvet-like matte finish will find AMACO Velvet Underglaze V-326 ideal. It’s especially useful for decorative projects that emphasize surface texture and colour fidelity, for artists who mix colours to build custom palettes, and for classrooms that require non-toxic materials. If you need a true jar-to-fired colour with easy mixing and a soft unglazed look, this 2 oz jar is a compact, studio-friendly option.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this underglaze keep its colour after firing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. AMACO Velvet Underglaze fires to the jar’s true Medium Blue tone, retaining colour fidelity when fired correctly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply a clear glaze over this product?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. You can top it with a clear glaze if you want a glossy, sealed surface instead of the natural velvety finish.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55253711094097,"sku":"B0044SETGK","price":32.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-underglaze-medium-blue-front-jar.jpg?v=1791663200"},{"product_id":"amaco-velvet-underglaze-v-313-red-brown-2-oz-warm-cocoa-to-chocolate-brown-usable-on-wet-or-bisque-clay","title":"AMACO Velvet Underglaze V-313 Red Brown 57 g — warm cocoa-to-chocolate brown, usable on wet or bisque clay","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet V-313 Red Brown is a 2 oz underglaze that produces a warm cocoa-to-chocolate brown, usable on wet clay, bisque, and at multiple firing temperatures.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2-ounce jar of AMACO Velvet V-313 Red Brown gives potters and ceramic artists a versatile warm brown that shifts in tone with firing temperature and finishing glaze. It belongs to the Velvet “V” family of underglazes, known for a soft, velour surface when left unglazed and for predictable, rich colour under clear glazes. Use it on wet or bone-dry clay before firing, or paint it onto Cone 04 bisque and fire under a clear glaze to develop deeper, more saturated browns.\u003c\/p\u003e\n\n\u003ch3\u003eHow will the colour change with different firing temperatures?\u003c\/h3\u003e\n\u003cp\u003eThe V-313 Red Brown reads as a warm cocoa with reddish undertones at Cone 05, darkens noticeably by Cone 5, and moves toward a deep chocolate hue at Cone 10. These shifts allow you to plan your palette around the final firing range and to experiment for nuanced browns. Keep in mind a clear glaze will intensify depth at any cone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCone 05: warm cocoa with red highlights\u003c\/li\u003e\n  \u003cli\u003eCone 5: darker, richer brown\u003c\/li\u003e\n  \u003cli\u003eCone 10: deep chocolate tone\u003c\/li\u003e\n  \u003cli\u003eClear gloss glaze: increases saturation and sheen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhen and how should I apply Velvet V-313 to my pottery?\u003c\/h3\u003e\n\u003cp\u003eYou can apply this underglaze directly to wet or bone-dry clay prior to bisque firing, or paint it on Cone 04 bisque and then top with a compatible glaze before the glaze firing. For an unglazed soft velour finish, leave it exposed; for a satin or glossy final look, use a clear matte or gloss glaze. Thin with water for washes, or layer and mix with other Velvet colours to expand your palette.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to wet or bone-dry clay before bisque firing\u003c\/li\u003e\n  \u003cli\u003ePaint on Cone 04 bisque, then glaze and fire to Cone 05–10\u003c\/li\u003e\n  \u003cli\u003eMix with other underglazes to create custom shades\u003c\/li\u003e\n  \u003cli\u003eUse clear glazes to deepen and protect the colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs AMACO Velvet V-313 food safe and lead-free?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet underglazes are lead-free, but the unglazed velvet finish is not suitable for food or drink contact. To make a food-safe surface, apply and fire AMACO LG-10 Clear Transparent Gloss Glaze (sold separately) over the underglaze according to the recommended firing schedule. Always follow manufacturer instructions for application and firing to ensure safety.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eVelvet formula is lead-free\u003c\/li\u003e\n  \u003cli\u003eUnglazed velvet finish: not food-safe\u003c\/li\u003e\n  \u003cli\u003eFood-safe only when covered with AMACO LG-10 Clear Transparent Gloss Glaze\u003c\/li\u003e\n  \u003cli\u003eFollow glaze manufacturer firing and application guidelines\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finishing options and surface effects can I expect?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet series offers a soft, velour appearance when left unglazed, a satin effect with clear matte glazes, and intensified colour and gloss with clear gloss glazes. Because the underglaze mixes well, you can layer colours for texture or blend them for subtle gradients. The 2 oz. jar is convenient for testing, touch-ups, and detailed painting work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnglazed: soft velour texture\u003c\/li\u003e\n  \u003cli\u003eClear matte glaze: satin finish\u003c\/li\u003e\n  \u003cli\u003eClear gloss glaze: deeper, glossy colour\u003c\/li\u003e\n  \u003cli\u003e2 oz jar: ideal for detail work and colour testing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Velvet V-313 Red Brown is aimed at ceramic students, hobbyists, and professional potters who want a reliable warm brown underglaze that responds to firing temperature and surface glazing. It’s especially useful for artists who paint detailed work, experiment with colour mixing, or need a small jar for trials and touch-ups. If you require food-safe wares, plan to top this underglaze with AMACO LG-10 Clear Transparent Gloss Glaze and follow the recommended firing schedule.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use V-313 on greenware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — apply AMACO Velvet V-313 to wet or bone-dry clay before bisque firing for good adhesion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a clear glaze for food safety?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — cover with AMACO LG-10 Clear Transparent Gloss Glaze and fire as directed to make surfaces food-safe.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55253717287249,"sku":"B0044SH0Z2","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-v-313-front-label.jpg?v=1791663395"},{"product_id":"amaco-gum-solution-1-pint-glaze-conditioner-restores-thick-glazes-slows-drying-for-smoother-brushability","title":"AMACO Gum Solution 473 ml glaze conditioner — restores thick glazes, slows drying for smoother brushability","description":"\u003cp\u003e\u003cstrong\u003eAMACO 1-Pint Gum Solution is a non-toxic glaze conditioner that restores thick glazes, improves brushability, and slows drying to help you get smooth, even glaze application.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for potters and ceramic artists, this ready-to-use gum solution blends into glazes to soften tackiness, reduce drag during brushing, and extend working time so you can achieve uniform coverage. ACMI AP non-toxic certified and conforming to ASTM D-4236, it’s formulated to be safe for studio use and effective when reviving old or overloaded glaze mixes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does AMACO Gum Solution make glazes easier to brush?\u003c\/h3\u003e\n\u003cp\u003eThe solution alters glaze consistency so your brush glides instead of pulling or skipping across the surface. It’s particularly helpful when a glaze has thickened with age or when a thinner, more workable finish is needed for layered techniques.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAdd a small amount to thinned glaze to restore creamy texture.\u003c\/li\u003e\n  \u003cli\u003eReduces brush drag for smoother, streak-free strokes.\u003c\/li\u003e\n  \u003cli\u003eHelps achieve even coats over detailed work and sculpted surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the correct way to thin old, thick glazes with this product?\u003c\/h3\u003e\n\u003cp\u003eStart by adding water to bring the glaze closer to a creamy consistency, then mix in about one tablespoon of Gum Solution per pint and adjust as needed. Stir thoroughly and test on a sample tile to fine-tune the ratio for your specific glaze and technique.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFirst thin with water, then incorporate Gum Solution gradually.\u003c\/li\u003e\n  \u003cli\u003eTest on a scrap piece to confirm brushability and coverage.\u003c\/li\u003e\n  \u003cli\u003eAdd more product sparingly—only until desired flow is achieved.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Gum Solution affect drying and cracking of glazes?\u003c\/h3\u003e\n\u003cp\u003eYes — it slows the surface drying rate so glazes have more time to level before they set, which reduces the chance of fast-skinning and resultant cracking. This longer open time helps glazes settle smoothly and minimizes defects caused by premature drying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtends glaze drying time for better leveling.\u003c\/li\u003e\n  \u003cli\u003eReduces fast-skinning and surface cracking during application.\u003c\/li\u003e\n  \u003cli\u003eUseful for multi-coat glazing and working in warm or dry studio conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Gum Solution is ideal for ceramicists, pottery studios, and art educators who need a reliable way to revive older glazes, refine brush application, or prevent glazing defects caused by rapid drying. It’s a practical addition to classroom supplies and professional studios, especially when working with underglaze pencils or crayons—spraying a diluted gum coat seals colours before clear glazing to stop smearing. Because it is ACMI AP non-toxic and meets ASTM D-4236, it’s suitable for general studio environments where safety and consistent results matter.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much Gum Solution should I add to thick glaze?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Thin glaze with water first, then add about one tablespoon of Gum Solution per pint and increase sparingly until brushability improves.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Gum Solution safe for classroom use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it is ACMI AP non-toxic certified and conforms to ASTM D-4236, making it appropriate for studio and classroom settings.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55253725249873,"sku":"B0044SBAL2","price":31.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-gum-solution-front-bottle.jpg?v=1791663617"},{"product_id":"amaco-rub-n-buff-metallic-wax-finish-european-gold-0-5-fl-oz-2-pack-burnishable-high-shine","title":"AMACO Rub 'n Buff Metallic Wax Finish — European Gold 15 ml (2-Pack), Burnishable High-Shine","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub 'n Buff in European Gold is a concentrated wax-based metallic finish that quickly transforms surfaces with a durable, lustrous gold sheen.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for craft, restoration, and home-decor projects, this compact 0.5-fluid-ounce tube contains a blend of carnauba wax, refined metallic powders, and pigments that deliver a burnishable, high-impact metallic look in minutes. The product applies smoothly to clean, dry surfaces or over existing paint and polishes to a reflective finish that other paints and coatings can’t replicate. Each tube covers approximately 20 square feet, and this listing includes two tubes so you’ll have enough for multiple small projects or one larger application.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply Rub 'n Buff to get a consistent metallic finish?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward: a little goes a long way. Work a small amount with a fingertip or a soft cloth, spread evenly, then buff to the desired sheen. For best results, apply in thin layers and build up until you reach the depth of colour and shine you want.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStart with a clean, dry surface free of dust and grease.\u003c\/li\u003e\n  \u003cli\u003eUse a tiny dab — one tube covers about 20 sq ft.\u003c\/li\u003e\n  \u003cli\u003eRub in circular motions and buff with a soft cloth for shine.\u003c\/li\u003e\n  \u003cli\u003eOvercoat painted surfaces only after testing adhesion on a hidden spot.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich materials will this European Gold metallic wax adhere to?\u003c\/h3\u003e\n\u003cp\u003eRub 'n Buff bonds to many substrates including wood, metal, plaster, ceramic, glass, and sealed or painted surfaces. It’s versatile for both decorative touch-ups and full-frame treatments, but adhesion and longevity improve on smooth, sealed bases.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks on raw and sealed wood, picture frames, furniture trim.\u003c\/li\u003e\n  \u003cli\u003eSuitable for metal accents, hardware, and small metal repairs.\u003c\/li\u003e\n  \u003cli\u003eCan highlight details on plaster, ceramics, or moldings.\u003c\/li\u003e\n  \u003cli\u003eAlways test on a small area when using on glossy paints or plastics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does the metallic finish last and how do I maintain it?\u003c\/h3\u003e\n\u003cp\u003eThe wax-based finish resists dulling when buffed and handled gently; longevity depends on use and exposure. For decorative items and indoor decor, maintain shine by dusting and occasional gentle buffing. Avoid abrasive cleaning and prolonged outdoor exposure to preserve the metallic appearance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurable for indoor decorative use when gently handled.\u003c\/li\u003e\n  \u003cli\u003eNot recommended as a heavy-wear protective coating on high-friction surfaces.\u003c\/li\u003e\n  \u003cli\u003eKeep out of direct weather exposure to prevent weathering.\u003c\/li\u003e\n  \u003cli\u003eRefresh by reapplying a fine layer and buffing as needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use European Gold Rub 'n Buff for restoration and faux finishes?\u003c\/h3\u003e\n\u003cp\u003eYes — its concentrated metallic pigments and waxy binder make it ideal for antiquing, accenting detail, and simulating aged metal. It’s favored for picture frames, decorative trim, stenciled highlights, and small furniture accents where controlled metallic effects are required.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate antiqued edges by applying then wiping back selectively.\u003c\/li\u003e\n  \u003cli\u003eLayer with glazes or varnishes after testing compatibility.\u003c\/li\u003e\n  \u003cli\u003eUse for fine-detail gilding or highlighting carved surfaces.\u003c\/li\u003e\n  \u003cli\u003eTwo-tube pack provides extra material for matching finishes across pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Craftspeople, DIY decorators, frame restorers, and hobbyists who want a compact, easy-to-use metallic finish without the mess of liquid gilding will appreciate AMACO Rub 'n Buff European Gold. It’s tailored for small-to-medium projects needing precise application and a burnishable, decorative gold sheen — especially where control and minimal setup matter. If you need a paint-like coverage for large exterior surfaces, consider a different product; if you want concentrated metallic detail and quick results, this is a practical, shelf-stable solution.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePlease refer to the title for the exact description of the item.\u003c\/li\u003e\n  \u003cli\u003eAll of the products showcased throughout are 100% Original Brand Names.\u003c\/li\u003e\n  \u003cli\u003eHigh quality items at low prices to our valued customers.\u003c\/li\u003e\n  \u003cli\u003e100% Satisfaction Guaranteed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much area does one 0.5 oz tube cover?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: One 0.5-ounce tube covers about 20 square feet when applied thinly and evenly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Rub 'n Buff on painted furniture?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it can be applied over painted surfaces, but test adhesion on a small inconspicuous area first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254061482321,"sku":"B01J606UN0","price":30.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-european-gold-front-packaging.jpg?v=1791667733"},{"product_id":"amaco-velvet-underglaze-amethyst-v-381-2-oz-deep-grape-purple-velvety-matte-or-gloss-finish","title":"AMACO Velvet Underglaze Amethyst V-381, 57 g — Deep Grape Purple, Velvety Matte or Gloss Finish","description":"\u003cstrong\u003eAMACO Velvet V-381 Amethyst is a rich, deep grape underglaze for bisque or unfired clay that yields velvety unglazed surfaces and deep, vibrant colour under clear glaze.\u003c\/strong\u003e\n\n\u003cp\u003eThis 2 oz. (59 mL) jar of AMACO Velvet V-381 Amethyst is formulated to give potters and ceramic artists a dependable purple tone that responds to firing temperature. At Cone 05 the colour appears vivid and grape-like; by Cone 5 it darkens into a stronger plum, and toward Cone 10 the hue shifts toward deep violet with slight colour loss. Use it on wet or bone-dry clay, or apply to Cone 04 bisque and top with glaze for fired results from Cone 05 through Cone 10.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply AMACO Velvet Amethyst for best results?\u003c\/h3\u003e\n\u003cp\u003eApplication is flexible: brush on to wet clay for integrated texture or paint onto bone-dry or bisque ware for precise coverage. If you want the soft velour finish, leave the underglaze unglazed; to protect functional ware and intensify the hue, apply a clear glaze before firing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to wet, bone-dry, or Cone 04 bisque surfaces.\u003c\/li\u003e\n  \u003cli\u003eBrush, sponge, or spray for different textures and opacity levels.\u003c\/li\u003e\n  \u003cli\u003eAllow layers to dry between coats to avoid running or tackiness.\u003c\/li\u003e\n  \u003cli\u003eCover with AMACO clear glaze to make the colour deeper and food-safe.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat colour changes should I expect across different firing temperatures?\u003c\/h3\u003e\n\u003cp\u003eTemperature affects saturation and tone: this Amethyst underglaze is brightest at lower mid-range firings and grows deeper as heat increases, then may slightly fade in the highest temperatures. Plan your kiln schedule based on the final shade you want rather than assuming a single look.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCone 05: vivid grape, high colour saturation.\u003c\/li\u003e\n  \u003cli\u003eCone 5: darker plum, richer depth and intensity.\u003c\/li\u003e\n  \u003cli\u003eCone 10: deep violet but with modest loss of brilliance.\u003c\/li\u003e\n  \u003cli\u003eClear glaze at any cone deepens and slightly alters the final tone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix AMACO Velvet Amethyst with other colours, and is it food safe?\u003c\/h3\u003e\n\u003cp\u003eYes—these Velvet underglazes are formulated to blend well, letting you create custom shades by mixing different V-series colours. However, unglazed Velvet finishes are not recommended for surfaces that contact food or drink; only pieces glazed with a compatible clear glaze and properly fired become food-safe.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other AMACO Velvet colours to expand your palette.\u003c\/li\u003e\n  \u003cli\u003eUnglazed Velvet gives a velour texture—beautiful for décor pieces.\u003c\/li\u003e\n  \u003cli\u003eTo achieve food safety, top with AMACO LG-10 Clear Transparent Gloss (sold separately) and fire correctly.\u003c\/li\u003e\n  \u003cli\u003eAMACO Velvet is lead-free, suitable for studio use when glazed appropriately.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Velvet V-381 Amethyst suits hobbyists, ceramics students, and professional potters who want a reliable purple underglaze for decorative or functional work (when glazed). It’s ideal for artists seeking a soft, velvety unglazed look on sculptural pieces, as well as makers who prefer to layer and mix colours before sealing with gloss or satin clears for durable, intensified finishes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use AMACO Velvet Amethyst on greenware and bisque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply to wet or bone-dry clay and to Cone 04 bisque; fire to Cone 05–10 depending on desired final tone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the unglazed Velvet finish food safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Unglazed Velvet is not for food contact. Use AMACO clear glaze and fire properly to make pieces food-safe.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254422323537,"sku":"B00A6VXVUO","price":35.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-amethyst-front-packaging.jpg?v=1791675735"},{"product_id":"amaco-velvet-underglaze-v-387-bright-red-2-oz-59-ml-velour-finish-clear-glaze-compatible","title":"AMACO Velvet Underglaze V-387 Bright Red - 2 oz (59 mL) velour finish, clear-glaze compatible","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet V-387 Bright Red is a 2 oz (59 mL) underglaze that yields a soft, velvety crimson on unfired clay and deepens to cherry red as firing temperature increases.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUse this richly pigmented underglaze on wet or bone-dry clay, or apply it to bisque before glazing and firing. The Velvet line is formulated to produce a velour-like surface when left unglazed and becomes more vibrant under a clear glaze. V-387 shows its brightest red at Cone 05, shifts darker at Cone 5, and moves toward deep cherry tones by Cone 10. This jar contains 2 ounces (59 mL) of lead-free pigment designed for creative colour mixing and consistent results across firing ranges.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply AMACO V-387 Bright Red for the best surface look?\u003c\/h3\u003e\n\u003cp\u003eApply while the clay is wet or bone-dry, or decorate on bisque ware at Cone 04. If you want the characteristic velvety finish, leave the underglaze unglazed; if you prefer brighter, saturated colour and a durable surface, cover it with a clear glaze before final firing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush or sponge on to wet or bone-dry clay, or paint on Cone 04 bisque.\u003c\/li\u003e\n  \u003cli\u003eFor velour texture, leave unglazed (not for food-contact surfaces).\u003c\/li\u003e\n  \u003cli\u003eFor colour depth and food-safe pieces, top with a clear glaze and fire.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing temperatures change the colour of this underglaze?\u003c\/h3\u003e\n\u003cp\u003eV-387 Bright Red responds predictably across common ceramic firing ranges. Expect a vivid crimson at low-fire Cone 05, a deeper red at mid-fire Cone 5, and a rich cherry red at high-fire Cone 10. These shifts allow you to plan colour outcomes based on your kiln schedule.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCone 05: vivid, bright crimson finish.\u003c\/li\u003e\n  \u003cli\u003eCone 5: slightly darker, richer red tones.\u003c\/li\u003e\n  \u003cli\u003eCone 10: deep cherry red with increased saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix AMACO Velvet underglazes with other colours and make food-safe pieces?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet series mixes readily so you can expand your palette and custom-blend shades. However, unglazed Velvet finishes are not suitable for surfaces that will contact food or drink; to make a piece food-safe, apply and fire a compatible clear glaze over the underglaze.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix V-387 with other Velvet colours to create new hues.\u003c\/li\u003e\n  \u003cli\u003eDo not use unglazed Velvet on food-contact surfaces.\u003c\/li\u003e\n  \u003cli\u003eUse AMACO LG-10 Clear Transparent Gloss (sold separately) and fire appropriately for food-safe results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much product is in the jar and what safety notes should I know?\u003c\/h3\u003e\n\u003cp\u003eThis jar contains 2 oz (59 mL) of lead-free underglaze pigment. Follow standard studio safety: avoid ingestion, use ventilation when spraying, and do not use unglazed Velvet surfaces for food or drink. For food-safe finishes, seal with a compatible clear glaze and fire to the recommended temperature.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eContents: 2 ounces \/ 59 milliliters of V-387 Bright Red.\u003c\/li\u003e\n  \u003cli\u003eLead-free formulation suitable for ceramic decoration.\u003c\/li\u003e\n  \u003cli\u003eFood safety achieved only when glazed with an approved clear glaze and fired properly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Ceramic artists, hobbyists, students, and instructors who want a versatile, mixable red underglaze with a distinctive velour option. V-387 is ideal for those painting detailed designs, layering colours, or experimenting with colour shifts across low- to high-fire kilns. Choose this 2 oz jar when you need a concentrated, reliable red that performs consistently whether left matte or sealed under clear glaze.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can AMACO V-387 be used on wet clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply V-387 to wet or bone-dry clay, or on Cone 04 bisque before glazing and firing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Velvet underglaze food-safe as-is?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Velvet left unglazed is not food-safe; apply and fire a clear glaze like AMACO LG-10 for food-contact safety.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254487794001,"sku":"B00A6W0LQ0","price":35.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-v387-bright-red-front-jar.jpg?v=1791677531"},{"product_id":"amaco-velvet-underglaze-v-375-maroon-2-oz-rich-burgundy-velour-finish-deepens-under-clear-glaze","title":"AMACO Velvet Underglaze V-375 Maroon, 59 ml — Rich Burgundy Velour Finish, Deepens Under Clear Glaze","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet V-375 Maroon Underglaze is a rich deep burgundy 2 oz. underglaze that yields a soft velour look unglazed and deepens to intense oxblood tones under clear glaze at mid-range firings.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 oz. jar of AMACO Velvet V-375 Maroon is formulated for use on both wet\/unfired clay and bisque, giving potters predictable colour results across Cone 05 through Cone 5, with some burn-out beginning by Cone 10. The Velvet line is designed for a soft, matte appearance when left unglazed and for vivid, saturated colour when layered under a clear gloss or matte glaze. It mixes easily with other underglazes to expand your palette.\u003c\/p\u003e\n\n\u003ch3\u003eHow will V-375 Maroon behave at different firing temperatures?\u003c\/h3\u003e\n\u003cp\u003eThe Maroon starts as a soft, velour burgundy at Cone 05 and becomes noticeably deeper and more oxblood-like around Cone 5. Past Cone 5 toward Cone 10 the colour can start to thin or burn out, so expect reduced saturation at higher temperatures. Choose your firing range based on the final tone you want.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCone 05: soft, rich burgundy with velvety surface when unglazed\u003c\/li\u003e\n  \u003cli\u003eCone 5: deeper, more intense oxblood shade, especially under clear glaze\u003c\/li\u003e\n  \u003cli\u003eCone 10: gradual colour burnout; expect lighter or uneven saturation\u003c\/li\u003e\n  \u003cli\u003eClear glaze at Cone 05–5 intensifies and deepens the hue\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this underglaze on wet clay and bisque?\u003c\/h3\u003e\n\u003cp\u003eYes — AMACO Velvet underglazes are formulated to adhere to both unfired (wet or bone dry) clay and standard bisque (Cone 04). Apply as you would any underglaze, then either fire directly or top with a compatible glaze before firing to your target cone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to wet or bone-dry clay for direct firing\u003c\/li\u003e\n  \u003cli\u003ePaint onto Cone 04 bisque, then cover with glaze before firing\u003c\/li\u003e\n  \u003cli\u003eCompatible with clear gloss and clear matte glazes\u003c\/li\u003e\n  \u003cli\u003eLayering or mixing expands available shades and effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface finishes can I achieve with V-375 Maroon?\u003c\/h3\u003e\n\u003cp\u003eLeft unglazed, the Velvet formula gives a soft, velour-like finish with subtle depth. A clear matte glaze will preserve a satin appearance while slightly deepening colour; a clear gloss glaze will boost richness and produce a more saturated, jewel-like result.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnglazed: velour, matte texture and subdued colour\u003c\/li\u003e\n  \u003cli\u003eClear matte glaze: satin finish with enhanced depth\u003c\/li\u003e\n  \u003cli\u003eClear gloss glaze: highest colour saturation and shine\u003c\/li\u003e\n  \u003cli\u003eMix with other underglazes for custom tones and layering\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I mix and apply this underglaze for consistent results?\u003c\/h3\u003e\n\u003cp\u003eStir the jar thoroughly before use to ensure consistency. Apply in thin, even layers with a brush or sponge; multiple thin coats produce more uniform colour than a single heavy coat. Test firings on the same clay body and firing schedule you’ll use for finished pieces for the most reliable match.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStir well to homogenize pigments before application\u003c\/li\u003e\n  \u003cli\u003eUse thin multiple coats for even, controllable coverage\u003c\/li\u003e\n  \u003cli\u003eTest on your clay and firing schedule to predict final tone\u003c\/li\u003e\n  \u003cli\u003eCombine with other Velvet colours to broaden palette\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Velvet V-375 Maroon is suited to ceramic artists, hobbyists, and studio potters who want a dependable deep burgundy underglaze that works on wet clay and bisque, offers velour textures unglazed, and becomes richly saturated under clear glazes at mid-range firing temperatures. It’s ideal for decorative surface work, layered colour techniques, and artists seeking a stable oxblood tone in a compact 2 oz. jar.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply AMACO Velvet Maroon to wet clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply to wet or bone-dry clay and fire, or paint on Cone 04 bisque then glaze and fire between Cone 05 and Cone 5 for best colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the Maroon stay the same at Cone 10?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. The colour deepens up to Cone 5 but begins to burn out by Cone 10, producing lighter or less even saturation.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254524035409,"sku":"B00A6WJDZU","price":35.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-v375-maroon-front-jar.jpg?v=1791678961"},{"product_id":"amaco-velvet-underglaze-v-370-velour-black-2-oz-jar-deep-warm-black-velour-matte-to-glossy-finish","title":"AMACO Velvet Underglaze V-370 Velour Black, 59 ml jar — deep warm black, velour matte to glossy finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-370 Velour Black is a deep, warm black underglaze in a 2 oz jar that fires true to colour, giving a soft velour look when unglazed and richer tones under clear glazes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 2 oz (59 mL) Velvet Underglaze from AMACO offers a semi-translucent, creamy application that can be used on wet clay, bone-dry pieces, or bisque. Designed to fire reliably between Cone 05 and Cone 10, V-370 Velour Black behaves consistently across firings: it reads as a warm, deep black at low temperatures and develops depth and warmth at higher cones. The formula is lead-free, AP certified non-toxic, and, when applied and fired under AMACO LG-10 Clear Glaze, has been tested for dinnerware safety.\u003c\/p\u003e\n\n\u003ch3\u003eHow will V-370 Velour Black look straight from the jar and after firing?\u003c\/h3\u003e\n\u003cp\u003eThe underglaze appears as a rich, creamy black in the jar and applies smoothly for even coverage. After firing it remains true to the applied colour: unglazed areas have a soft velour texture, a matte glaze yields a satin finish, and a gloss glaze intensifies the depth and sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnglazed finish resembles velour—soft, slightly matte surface.\u003c\/li\u003e\n  \u003cli\u003eCover with AMACO LM-10 Transparent Matt Glaze for a satin appearance.\u003c\/li\u003e\n  \u003cli\u003eCover with AMACO LG-10 Clear Gloss Glaze to deepen and brighten tones.\u003c\/li\u003e\n  \u003cli\u003eColour stability from Cone 05 through Cone 10; tones deepen with higher temperatures.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this underglaze on wet clay and bisque?\u003c\/h3\u003e\n\u003cp\u003eYes—AMACO Velvet Underglazes are formulated for versatility. They can be brushed on wet, bone-dry, or bisque-fired clay, allowing you to decorate at multiple stages of the making process without losing colour fidelity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to wet clay for painterly, blended effects.\u003c\/li\u003e\n  \u003cli\u003ePaint on bone-dry clay before the first firing for permanent colour.\u003c\/li\u003e\n  \u003cli\u003eUse on Cone 04 bisque and then glaze for final firing between Cone 05–10.\u003c\/li\u003e\n  \u003cli\u003eWorks well under clear glazes and with other AMACO products.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I mix or layer V-370 to expand my palette?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet Underglazes are designed to be mixed together to produce hundreds of custom shades. They layer and blend easily, so you can create subtle gradients, rich tones, or nuanced accents simply by combining small amounts.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix with other AMACO Velvet colours to create unique blacks and dark neutrals.\u003c\/li\u003e\n  \u003cli\u003eLayer underglazes for depth; allow lower layers to dry before adding top layers.\u003c\/li\u003e\n  \u003cli\u003eTest small mixes on sample tiles and fire to check final colour and behavior.\u003c\/li\u003e\n  \u003cli\u003eCompatible with both matte and gloss clear glazes for varied surface results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing and safety notes should I keep in mind?\u003c\/h3\u003e\n\u003cp\u003eFire V-370 between Cone 05 and Cone 10 for consistent results; colour will deepen at higher cones. The product is lead-free and AP certified non-toxic. For dinnerware use, follow AMACO’s instructions and cover painted pieces with LG-10 Clear Glaze before firing to meet tested safety conditions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRecommended firing range: Cone 05–10; colour warms with higher cones.\u003c\/li\u003e\n  \u003cli\u003eLead-free and AP certified non-toxic formulation.\u003c\/li\u003e\n  \u003cli\u003eDinnerware safety established when used under AMACO LG-10 Clear Glaze and fired properly.\u003c\/li\u003e\n  \u003cli\u003eAlways test under your kiln conditions before production runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Ceramists, pottery studio instructors, art students, and hobbyists who want a dependable, richly pigmented black underglaze that works across stages of production. If you need a versatile, mixable colour that gives velvety unglazed textures or intense glossed finishes, AMACO V-370 Velour Black delivers consistent, studio-ready results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO V-370 safe for dinnerware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it is lead-free and AP certified non-toxic; dinnerware safety is validated when used under AMACO LG-10 Clear Glaze and fired as directed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply Velvet Underglaze to wet clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — AMACO Velvet Underglazes can be applied to wet, bone-dry, or bisque clay before firing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254549856593,"sku":"B0044SF14O","price":33.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-v370-front-packaging.jpg?v=1791679812"},{"product_id":"amaco-velvet-underglaze-v-389-flame-orange-2-oz-layerable-cone-05-10-color-velour-finish","title":"AMACO Velvet Underglaze V-389 Flame Orange, 57 g — Layerable Cone 05–10 Colour, Velour Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet V-389 Flame Orange is a versatile underglaze that gives a bright carrot-orange at low fire and deep persimmon tones at high temperatures.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse this 2 oz. jar of Velvet underglaze to add vivid, layerable colour before glazing or to create a soft velour surface when left unglazed. Formulated for application on wet or bone-dry clay as well as Cone 04 bisque, V-389 adapts to different firing ranges: it appears brightest around Cone 05, darkens by Cone 5, and shifts toward a richer persimmon at Cone 10. For food-safe pieces, combine with an approved clear glaze; when left unglazed the texture is decorative but not suitable for functional ware that contacts food or drink.\u003c\/p\u003e\n\n\u003ch3\u003eHow will V-389 Flame Orange look after firing at different cones?\u003c\/h3\u003e\n\u003cp\u003eThe final hue depends on firing temperature. At low-fire (around Cone 05) expect a vivid red-orange; mid-range firings deepen the tone, and high-fire results in a darker persimmon shade. Plan colour progression when designing multi-fired or mixed-temperature work.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCone 05: bright, carrot-like red-orange\u003c\/li\u003e\n  \u003cli\u003eCone 5: noticeably darker, richer orange-red\u003c\/li\u003e\n  \u003cli\u003eCone 10: deep persimmon with muted warmth\u003c\/li\u003e\n  \u003cli\u003eCovering with clear glaze intensifies the final colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhen and how should I apply this underglaze?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet underglaze is formulated for flexible application timing: brush onto wet clay, bone-dry surfaces, or on bisque ware at Cone 04. If you plan to glaze to make the piece functional, apply a clear glaze over the underglaze before the final firing to the intended cone range.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply thin, even coats with a soft brush for uniform coverage\u003c\/li\u003e\n  \u003cli\u003eCan be used on wet, leather-hard, bone-dry, or bisque clay\u003c\/li\u003e\n  \u003cli\u003eIf using on bisque, fire to Cone 05–10 after glazing\u003c\/li\u003e\n  \u003cli\u003eAllow underglaze to dry fully before applying clear glaze\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finishes and effects can I achieve with Velvet underglaze?\u003c\/h3\u003e\n\u003cp\u003eLeft unglazed, AMACO Velvet produces a soft, velour-like surface perfect for matte decorative pieces. Apply a clear matte or gloss glaze to change both the sheen and colour intensity—matte gives a satin appearance while gloss deepens and brightens the hue. Mix with other underglazes to create custom shades.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnglazed: soft velour texture, decorative only\u003c\/li\u003e\n  \u003cli\u003eClear matte glaze: satin finish, subdued sheen\u003c\/li\u003e\n  \u003cli\u003eClear gloss glaze: intensified, vibrant colour\u003c\/li\u003e\n  \u003cli\u003eIntermix with other V-series colours for custom palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this product safe for functional pottery and how should I use it for food-safe pieces?\u003c\/h3\u003e\n\u003cp\u003eBy itself, unglazed Velvet underglaze is not recommended for surfaces that contact food or drink. For food-safe results, top with an appropriate clear gloss glaze and fire according to the glaze manufacturer’s instructions. AMACO LG-10 Clear Transparent Gloss Glaze is commonly used to achieve a durable, food-safe surface when paired with underglazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUnglazed Velvet: decorative only, not food-safe\u003c\/li\u003e\n  \u003cli\u003eFor functional ware: apply clear gloss glaze over underglaze\u003c\/li\u003e\n  \u003cli\u003eFollow glaze firing schedule for food-safety claims\u003c\/li\u003e\n  \u003cli\u003eProduct is lead-free when used as directed\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this best for? Ceramic artists, hobbyists, and students who want a reliable, mixable underglaze with predictable colour shifts across firing ranges will appreciate AMACO Velvet V-389 Flame Orange. It’s well suited to decorative pieces, layered underglaze techniques, and projects that require a bright low-fire orange or a deeper high-fire tone when combined with clear glazes. Avoid leaving it unglazed on functional surfaces unless you add a certified food-safe clear glaze.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use AMACO Velvet V-389 on wet clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply to wet, bone-dry, or Cone 04 bisque; allow to dry before glazing or firing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this underglaze food-safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Unglazed Velvet is not food-safe. To make functional ware, top with a certified clear gloss glaze and fire accordingly.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254630596945,"sku":"B00A6WGCHC","price":35.32,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-v-389-front-packaging.jpg?v=1791682393"},{"product_id":"amaco-velvet-underglaze-intense-yellow-2-oz-smooth-matte-high-pigment-ceramic-paint","title":"AMACO Velvet Underglaze Intense Yellow 57 g — Smooth, Matte, High-Pigment Ceramic Paint","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-391 Intense Yellow is a rich, lead-free underglaze in a smooth, velvety formula sized at 2 ounces for precise detailing on ceramics.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Intense Yellow underglaze from AMACO is designed for potters, students, and hobbyists who need a concentrated, consistent colour for decorating bisque or greenware before firing. The Velvet line is formulated to flow smoothly from brushes or fine tools, leaving a matte, paint-like surface that withstands firing and accepts clear glazes on top. The 2 oz (59 mL) container is convenient for testing palettes, small projects, and travel-friendly studio kits.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this underglaze perform on bisque or greenware?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet underglaze adheres well to both bisque-fired and unfired clay, allowing for layered work and sharp lines. It offers strong pigmentation so a few brushstrokes deliver good coverage without repeated heavy applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApplies smoothly for clean brushwork and fine details\u003c\/li\u003e\n  \u003cli\u003eGood coverage with minimal thinning required\u003c\/li\u003e\n  \u003cli\u003eCompatible with most clay bodies when applied and fired per instructions\u003c\/li\u003e\n  \u003cli\u003eAccepts clear overglaze without bleeding when fully dry\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing and finishing steps are recommended?\u003c\/h3\u003e\n\u003cp\u003eAfter applying AMACO Velvet Underglaze, allow the piece to dry thoroughly before firing to minimize movement or smudging. Fire according to your clay and glaze schedules; this product is formulated to mature under typical ceramic firing ranges and be stable under clear glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry completely before handling or applying additional layers\u003c\/li\u003e\n  \u003cli\u003eBisque-firing first permits more predictable colour results\u003c\/li\u003e\n  \u003cli\u003eSeal with a compatible clear glaze and follow glaze firing temperature guidelines\u003c\/li\u003e\n  \u003cli\u003eAvoid heavy application that could crack or flake during drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Intense Yellow in my designs?\u003c\/h3\u003e\n\u003cp\u003eIntense Yellow is ideal for highlights, floral centres, signage, and bright accents. Its concentrated hue makes it effective in underpainting, sgraffito contrast, and mixed-media ceramic decoration.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer with other Velvet colours for custom shades\u003c\/li\u003e\n  \u003cli\u003eUse with resist techniques to preserve crisp edges\u003c\/li\u003e\n  \u003cli\u003eMix small amounts with clear glaze for translucent tints\u003c\/li\u003e\n  \u003cli\u003ePerfect for adding focal points and colour pops on functional ware\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle this 2 oz jar?\u003c\/h3\u003e\n\u003cp\u003eKeep the jar tightly sealed when not in use to prevent drying and skin formation. Store at moderate room temperature away from direct sunlight to preserve pigment stability and consistency.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReseal lid after each use to maintain workability\u003c\/li\u003e\n  \u003cli\u003eUse within a reasonable timeframe to avoid viscosity changes\u003c\/li\u003e\n  \u003cli\u003eShake or stir gently if slight separation occurs before application\u003c\/li\u003e\n  \u003cli\u003eLabel containers when mixing custom blends for future reference\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Velvet Underglaze V-391 Intense Yellow 2 oz is suited to studio potters, ceramic teachers, art students, and craft hobbyists who need a reliable, highly pigmented yellow for detail work and accent colour. The small size is also practical for trialing new palettes or building a portable travel set without committing to larger jars.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Velvet Underglaze lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. AMACO Velvet Underglaze V-391 Intense Yellow is formulated lead-free and suitable for decorative ceramic use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I glaze over this underglaze?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Once dry and fired appropriately, apply a compatible clear glaze over the underglaze for protection and gloss.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254636724561,"sku":"B00A6WNNN8","price":34.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-underglaze-front-label_84cbd153-799c-4cf9-8934-a1e11fb9bfb1.jpg?v=1791682577"},{"product_id":"amaco-rub-n-buff-metallic-wax-3-color-kit-15-ml-antique-gold-grecian-gold-gold-leaf-for-furniture-frames-restoration","title":"AMACO Rub n Buff Metallic Wax 3-Colour Kit — 15 ml Antique Gold, Grecian Gold \u0026 Gold Leaf for Furniture, Frames \u0026 Restoration","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub n Buff 3 Colour Kit is a trio of concentrated metallic waxes—Antique Gold, Grecian Gold and Gold Leaf—in 15 ml tubes designed to add gilded detail and shine to furniture, frames, crafts and restorations.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact kit supplies three popular gold tones in easy-to-use, creamy wax form so you can highlight edges, revive hardware, or introduce metallic accents without complicated tools. Each 15 ml tube blends fine metallic powders with carnauba wax for a smooth, buildable finish that bonds to wood, metal, ceramic, glass and other porous surfaces. Because the wax is highly pigmented and buffs to the desired sheen, it’s ideal for light antiquing, decorative highlights and small-area gilding.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this kit make gilding simpler for small projects?\u003c\/h3\u003e\n\u003cp\u003eInstead of loose leaf or messy adhesives, these waxes apply directly from the tube and are shaped using a finger or soft cloth. The texture allows precise placement on trim, raised details, or small decorative elements so you can control coverage and effect without heat or solvents.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThree 15 ml tubes for targeted use and less waste\u003c\/li\u003e\n  \u003cli\u003eDirect-apply wax eliminates sizing and leafing steps\u003c\/li\u003e\n  \u003cli\u003eWorks on varied materials: wood, metal, ceramic, glass\u003c\/li\u003e\n  \u003cli\u003eBuffable finish lets you dial in subtle patina or high shine\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application techniques produce the best results?\u003c\/h3\u003e\n\u003cp\u003eStart with a clean, dry surface and apply a small amount by tapping with a fingertip or soft cloth. Work the wax into crevices, then buff lightly for satin sheen or vigorously for a mirror-like gleam; you can layer shades for depth or blend to customize tone.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply sparingly—one tube covers multiple small pieces\u003c\/li\u003e\n  \u003cli\u003eLayer or mix Antique Gold, Grecian Gold, and Gold Leaf for contrast\u003c\/li\u003e\n  \u003cli\u003eBuff with cotton or microfibre for smooth shine\u003c\/li\u003e\n  \u003cli\u003eBest adhesion on porous or lightly sanded surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill the finish stand up to everyday handling on furniture or frames?\u003c\/h3\u003e\n\u003cp\u003eThe carnauba-wax base gives a durable, waxy surface that resists light abrasion and handles normal display use well; long-term wear depends on surface prep and traffic. For areas with heavy handling or exposure, combine the Rub n Buff finish with a compatible clear topcoat to extend longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurable for decorative accents and light-use surfaces\u003c\/li\u003e\n  \u003cli\u003eTopcoat recommended for high-touch pieces or outdoor exposure\u003c\/li\u003e\n  \u003cli\u003eEasy touch-ups—reapply small amounts as needed\u003c\/li\u003e\n  \u003cli\u003eNon-liquid application minimizes drips and excess\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage can I expect from each tube?\u003c\/h3\u003e\n\u003cp\u003eThese concentrated 15 ml tubes are economical: a small amount spreads thinly and polishes out to cover many decorative details. Coverage varies by substrate texture and application thickness, but a single tube can handle numerous trim pieces or a variety of small craft projects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eOne 15 ml tube covers up to roughly 20 square feet in thin applications\u003c\/li\u003e\n  \u003cli\u003eIdeal for frames, mouldings, small furniture accents, and crafts\u003c\/li\u003e\n  \u003cli\u003eConcentrated formula reduces the amount needed per project\u003c\/li\u003e\n  \u003cli\u003ePerfect for experimenting with layered or blended effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: Creators restoring antiques, crafters refining cosplay and props, DIY decorators highlighting furniture details, and artists seeking portable, high-impact metallics will find this AMACO trio useful. If you want quick gilded accents with precise control and minimal setup, the Rub n Buff 3 Colour Kit offers three complementary gold shades in a travel-friendly format suitable for both beginners and experienced makers.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I layer the three gold shades together?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Apply thin layers and buff between coats to blend tones for depth and custom colour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need a sealer after using Rub n Buff?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Not always; a clear topcoat is advisable for high-wear areas or outdoor exposure to increase durability.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55254986228049,"sku":"B0BB38MGR1","price":37.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-front-tubes.jpg?v=1791694894"},{"product_id":"amaco-claycrete-papier-mache-powdered-modeling-paste-1-lb-bag-lightweight-pure-white-non-toxic-sets-in-30-min","title":"AMACO Claycrete Papier Mache powdered modelling paste — 1 lb bag, lightweight pure-white, non-toxic, sets in ~30 min","description":"\u003cp\u003e\u003cstrong\u003eAMACO Claycrete® Papier Mache is a powdered, non-toxic papier-mâché that mixes with water to create a lightweight, pure-white modelling paste that begins setting in about 30 minutes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eClaycrete® comes as a one-pound bag of finely blended powder formulated to yield a smooth, clingable paste for armatures, WireForm® frameworks, and sculpting projects. The formula is engineered to dry white at room temperature, stay lightweight when finished, and accept additional layers and detail work without slipping. Store-bought artists and classroom instructors will appreciate the economical coverage and predictable working time.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I prepare and mix AMACO Claycrete® for sculpting?\u003c\/h3\u003e\n\u003cp\u003eBegin by shaking the closed bag to evenly redistribute ingredients, then gradually sprinkle the powder into clean water while stirring until you reach a smooth paste. Adjust the water for thicker modelling or thinner application layers; mix thoroughly to avoid lumps.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake the sealed 1 lb bag before opening for consistent results\u003c\/li\u003e\n  \u003cli\u003eAdd powder slowly to water and stir to a paste consistency\u003c\/li\u003e\n  \u003cli\u003eThicker paste for sculpting, thinner for coating armatures\u003c\/li\u003e\n  \u003cli\u003eNon-toxic formulation means safe classroom handling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the working time and drying behavior of this papier-mâché?\u003c\/h3\u003e\n\u003cp\u003eClaycrete® begins to set in approximately 30 minutes, giving you a reliable initial working period for shaping and adhering additions. After modelling, it air-dries to a bright white finish at room temperature; drying time varies with thickness and humidity but the material remains lightweight when cured.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStarts setting in about 30 minutes for basic shaping\u003c\/li\u003e\n  \u003cli\u003eDried surface is pure white without baking\u003c\/li\u003e\n  \u003cli\u003eThinner layers dry faster; expect longer times for solid fills\u003c\/li\u003e\n  \u003cli\u003eLightweight final pieces suitable for hanging and display\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill additions and surface details stick to Claycrete®?\u003c\/h3\u003e\n\u003cp\u003eYes — once mixed into paste form Claycrete® clings readily to clean armatures and previously set material, allowing you to build up layers and add fine detail. It won’t stick to your hands as you work, but new bits adhere to the piece easily for smooth layering and refinement.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGood adhesion to wire armatures and existing layers\u003c\/li\u003e\n  \u003cli\u003eClings to clean surfaces, making layering straightforward\u003c\/li\u003e\n  \u003cli\u003eWon't adhere to skin, maintaining a tidy workspace\u003c\/li\u003e\n  \u003cli\u003eCompatible with WireForm® products for armature support\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage does one 1 lb bag provide and how economical is it?\u003c\/h3\u003e\n\u003cp\u003eOne pound of Claycrete® yields about 97.5 cubic inches of paste; 18 bags will produce roughly one cubic foot of solid material. That coverage makes the 1 lb bag a cost-effective choice for projects needing light-weight mass or multiple small sculptures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e1 lb bag = 97.5 cubic inches of finished paste\u003c\/li\u003e\n  \u003cli\u003e18 bags ≈ 1 cubic foot of material\u003c\/li\u003e\n  \u003cli\u003eIdeal for small to medium sculptures or layered applications\u003c\/li\u003e\n  \u003cli\u003eEconomical for classrooms and repeating projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Claycrete® is aimed at hobbyists, art teachers, prop makers, and sculptors who want a predictable, easy-to-mix papier-mâché that dries white and stays lightweight. It's especially useful when working with wire armatures like WireForm®, for classroom projects that require non-toxic materials, and for artists who need a reliable setting window and good surface adhesion for layered detail work.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixes with water to form a paste\u003c\/li\u003e\n  \u003cli\u003eFinished products are very lightweight\u003c\/li\u003e\n  \u003cli\u003eStarts setting in 30 minutes\u003c\/li\u003e\n  \u003cli\u003eDries white at room temperature\u003c\/li\u003e\n  \u003cli\u003e1 lb. bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Claycrete® safe for classroom use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Claycrete® is non-toxic powder that mixes with water, suitable for supervised classroom and home projects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does Claycrete® take to dry fully?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It starts setting in about 30 minutes; full air-dry time depends on thickness and humidity, with thin layers drying much faster.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55255250108753,"sku":"B003W0KPGE","price":36.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-claycrete-front-packaging.jpg?v=1791701241"},{"product_id":"amaco-rub-n-buff-metallic-wax-kit-3-x-15ml-grey-shades-ebony-silver-leaf-pewter-for-furniture-gilding-antiquing","title":"AMACO Rub n Buff Metallic Wax Kit — 3 x 15ml Grey Shades (Ebony, Silver Leaf, Pewter) for Furniture, Gilding, Antiquing","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub n Buff Wax Metallic Finish Grey Kit is a trio of 15 ml metallic waxes (Ebony, Silver Leaf, Pewter) designed to add durable, buffed metallic highlights to furniture, crafts, frames, and restorations.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact set delivers three complementary grey-toned gilding waxes that spread smoothly and buff to varying sheens. Each 15 ml tube contains a carnauba-wax-based formula with finely ground metallic powders intended for accenting details, antiquing surfaces, and creating brushed-metal or aged highlights on wood, metal, ceramic, and more. The formulation is concentrated, so small amounts cover a surprising area and let you control the final luster by how much you buff.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply these metallic waxes for the cleanest finish?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward—use a clean, dry finger, a soft cloth, or a small brush to work a tiny amount of wax into the area you want to highlight. Buff in circular or linear strokes until you reach your desired sheen. For best adhesion and an even result, apply to clean, dry, and, when possible, slightly porous surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse fingertip or lint-free cloth for fine control and subtle highlights.\u003c\/li\u003e\n  \u003cli\u003eApply sparingly; a little spreads far and avoids buildup in crevices.\u003c\/li\u003e\n  \u003cli\u003eBuff more vigorously for high shine, lightly for a soft, aged look.\u003c\/li\u003e\n  \u003cli\u003eTest on an inconspicuous area before committing to a full surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces accept Rub n Buff best and what prep is needed?\u003c\/h3\u003e\n\u003cp\u003eThese waxes work well on porous or painted wood, metal, plaster, ceramic, and composite materials; they also adhere to many existing finishes for decorative accents. Light sanding or cleaning removes contaminants and promotes even coverage. Avoid wet or oil-rich surfaces that can repel the wax.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWood: sand, remove dust, then apply for raised grain highlights.\u003c\/li\u003e\n  \u003cli\u003eMetal: clean and dry; works for distressed or faux-metal treatments.\u003c\/li\u003e\n  \u003cli\u003eCeramic\/glass: scuff lightly for better mechanical grip.\u003c\/li\u003e\n  \u003cli\u003ePainted pieces: test compatibility; seal if necessary after finishing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much product will I need and what finish variations can I create?\u003c\/h3\u003e\n\u003cp\u003eEach 15 ml tube is highly concentrated—one tube can cover up to about 20 square feet for light accenting—so the kit lasts for multiple small projects. By changing application thickness and buffing intensity you can achieve anything from a whisper of metallic sheen to a bright, polished look. Mixing small amounts of the three shades expands your palette for warm-to-cool grey effects and subtle antiquing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLight wash: very thin layer, minimal buffing for aged patina.\u003c\/li\u003e\n  \u003cli\u003eMedium accent: moderate application and burnish for visible metallics.\u003c\/li\u003e\n  \u003cli\u003eHigh polish: thicker layer with vigorous buffing for mirror-like shine.\u003c\/li\u003e\n  \u003cli\u003eShade mixing: blend Ebony, Silver Leaf, and Pewter for custom tones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat safety and cleanup steps should I follow?\u003c\/h3\u003e\n\u003cp\u003eClean-up is simple—wipe away excess wax with mineral spirits or a mild solvent for tools and cloths, and wash hands after use. Work in a well-ventilated area and keep tubes capped to prevent drying. Store in a cool, dry place away from heat sources and open flames.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse gloves if prolonged skin contact is a concern.\u003c\/li\u003e\n  \u003cli\u003eClean brushes and cloths promptly to prevent hardened residue.\u003c\/li\u003e\n  \u003cli\u003eKeep out of reach of children and pets; not intended for toys or food contact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Rub n Buff Wax Metallic Finish Grey Kit is aimed at makers, furniture restorers, prop builders, framers, and crafters who want precise metallic accents without specialized equipment. It’s also ideal for DIY decorators updating small furniture pieces, hobbyists creating cosplay or props, and antique enthusiasts reintroducing subtle metallic highlights to vintage items. If you value control over sheen, compact packaging, and a trio of coordinating grey tones, this kit gives you economical, versatile gilding options.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Rub n Buff be used over existing paint?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—clean and lightly scuff painted surfaces first. Test a small area to ensure adhesion and appearance before treating the whole piece.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How long does each 15 ml tube last?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each tube is concentrated; for accenting you can cover roughly up to 20 sq ft, depending on how heavily you apply it.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55255255712081,"sku":"B0BB393DV6","price":34.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-kit-front-packaging.jpg?v=1791701474"},{"product_id":"amaco-potters-choice-pc-25-textured-turquoise-16-oz-ceramic-glaze-cone-5-6-layerable-gloss-for-textured-pottery","title":"AMACO Potter's Choice PC-25 Textured Turquoise 473 ml Ceramic Glaze — Cone 5-6, Layerable Gloss for Textured Pottery","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-25 Textured Turquoise is a 16 oz. mid-high fire ceramic glaze that delivers subtle turquoise where thin and rich aqua where thick, and it layers beautifully on textured pottery.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 16 oz. jar of AMACO Potter's Choice PC-25 Textured Turquoise is formulated for firing to Cone 5-6 in oxidation and is applied to bisque-fired ware (Cone 04). Designed as a versatile, layerable glaze, it produces green-beige tones in thin applications and vivid aqua-turquoise where the glaze pools or is applied more heavily. It works especially well on textured surfaces and can be combined with other AMACO Potter's Choice, Celadon, or Shino glazes to achieve varied visual effects without requiring reduction firing or extremely high temperatures.\u003c\/p\u003e\n\n\u003ch3\u003eHow will PC-25 look on textured pottery?\u003c\/h3\u003e\n\u003cp\u003ePC-25 enhances texture by gathering in recesses and thinning on raised surfaces, creating natural contrast between peaks and valleys. The glaze's flowing character provides depth and subtle variegation rather than a flat colour finish.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePools in depressions to create deeper aqua highlights.\u003c\/li\u003e\n  \u003cli\u003eThins on ridges to reveal green-beige undertones.\u003c\/li\u003e\n  \u003cli\u003eGlossy finish that emphasizes surface detail.\u003c\/li\u003e\n  \u003cli\u003eCompatible with carved, stamped, or slip-textured ware.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing and application steps give the best results?\u003c\/h3\u003e\n\u003cp\u003eApply PC-25 to a bisque-fired piece (Cone 04), allow even drying, and fire in oxidation to Cone 5-6 for intended colour development. Thin or multiple coats will shift the appearance, so test on sample tiles to dial in the exact look you want.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush, dip, or pour onto Cone 04 bisque ware.\u003c\/li\u003e\n  \u003cli\u003eDry thoroughly before firing to avoid crawling.\u003c\/li\u003e\n  \u003cli\u003eFire to Cone 5-6 in an oxidation atmosphere.\u003c\/li\u003e\n  \u003cli\u003eExperiment with thin coats, uneven brushing, or layering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer PC-25 with other glazes and clays?\u003c\/h3\u003e\n\u003cp\u003eYes—PC-25 is formulated to layer well with other Potter’s Choice glazes and works on AMACO stoneware and porcelain clays. Layering can create reactive edges, streaking, and pooled colour variations without needing reduction firing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with AMACO Potter’s Choice \"PC\" series.\u003c\/li\u003e\n  \u003cli\u003ePlays well with AMACO Celadon \"C\" and Shino \"SH\" glazes for varied effects.\u003c\/li\u003e\n  \u003cli\u003eSuitable for stoneware and porcelain bodies from AMACO.\u003c\/li\u003e\n  \u003cli\u003eSome colours may require special application techniques—test mixes first.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage will one 16 oz. jar provide?\u003c\/h3\u003e\n\u003cp\u003eA single 16 oz. jar covers a modest number of small to medium pieces or several test tiles, with coverage varying by application method and coat thickness. Plan additional jars for larger runs or heavy layering to ensure consistent results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush application uses more glaze per square inch than dipping.\u003c\/li\u003e\n  \u003cli\u003eThicker coats reduce coverage but intensify aqua tones.\u003c\/li\u003e\n  \u003cli\u003eDip-coating delivers even coverage and more efficient use.\u003c\/li\u003e\n  \u003cli\u003eAlways mix well and measure for reproducible batches.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Potter's Choice PC-25 Textured Turquoise is ideal for ceramic artists, craft potters, teachers, and hobbyists who want a reliable mid-high fire turquoise glaze that emphasizes texture and layers well. If you seek predictable Cone 5-6 results, want to create pooled and variegated surfaces without reduction firing, or enjoy combining glazes for custom finishes, PC-25 offers a straightforward, testable route to vibrant turquoise and aqua effects on stoneware and porcelain.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What cone is AMACO PC-25 fired to?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire AMACO PC-25 in oxidation to Cone 5-6 after applying to Cone 04 bisque.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can PC-25 be layered with other glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—PC-25 layers well with other Potter's Choice, Celadon, and Shino glazes for varied effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55256139006289,"sku":"B0044SGZQW","price":52.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-pc25-front-jar.jpg?v=1791711050"},{"product_id":"amaco-celadon-glaze-pint-glacier-high-fire-glossy-transparent-glaze-pre-mixed-16-oz-for-textured-pottery","title":"AMACO Celadon Glaze Pint — Glacier high-fire glossy transparent glaze, pre-mixed 473 ml for textured pottery","description":"\u003cp\u003e\u003cstrong\u003eAMACO Celadon Glaze in Glacier is a lead-free, high-fire, glossy transparent pint glaze designed to pool beautifully on textured pottery and is ready to brush onto bisque-fired pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIf you work with stoneware or high-fire ceramics and want a dependable, glassy transparent glaze that accentuates carving and texture, AMACO Celadon Glacier delivers consistent, clear results. This pre-mixed 16 oz (473 ml) pint saves time in the studio—no mixing required—and is formulated for high-temperature firings. Glacier produces subtle green-blue celadon tones where it pools and remains clean and translucent on flat surfaces, making it ideal for both detailed surface work and all-over coatings.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Glacier behave in high-fire firings?\u003c\/h3\u003e\n\u003cp\u003eGlacier is engineered for high-fire kilns and matures to a glossy, transparent finish without clouding or developing lead-related issues. It flows slightly during firing, which encourages pooling in recessed areas while staying relatively even on raised surfaces. Expect predictable shrinking and good adherence to properly prepared bisque surfaces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMatures at high-fire temperatures—stable gloss and transparency\u003c\/li\u003e\n  \u003cli\u003eFlows enough to pool in carved or textured areas\u003c\/li\u003e\n  \u003cli\u003eFormulated to avoid cloudiness on smooth surfaces\u003c\/li\u003e\n  \u003cli\u003eAdheres reliably to bisque-fired clay bodies when applied correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat results can I expect on textured or carved pottery?\u003c\/h3\u003e\n\u003cp\u003eGlacier highlights texture by collecting in recesses to create depth and contrast, while shallow ridges and flat planes retain a thinner, clearer coat. The transparent quality allows clay body colour and underglazes to show through, so layering with stains or slips produces nuanced effects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDeep pools reveal richer celadon tones in carved details\u003c\/li\u003e\n  \u003cli\u003eThin areas remain glossy and translucent for contrast\u003c\/li\u003e\n  \u003cli\u003eWorks well over underglaze decoration without obscuring detail\u003c\/li\u003e\n  \u003cli\u003eEnhances tactile surfaces like combing, stamping, and sgraffito\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and prepare Glacier for best results?\u003c\/h3\u003e\n\u003cp\u003eGlacier comes pre-mixed for immediate use; brush on evenly or build layers for greater depth. Apply to clean, bisque-fired ware and avoid applying overly thick coats in one pass—two thinner coats yield better control of pooling and reduce running. Clean brush tools after use and store the pint tightly sealed to prolong shelf life.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush on to bisque-fired pottery—no mixing needed\u003c\/li\u003e\n  \u003cli\u003eTwo thin coats recommended over one heavy coat\u003c\/li\u003e\n  \u003cli\u003eWipe rims and footrings before firing to prevent sticking\u003c\/li\u003e\n  \u003cli\u003eSeal lid after use; clean brushes with warm water\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Glacier work with my existing clay and decoration techniques?\u003c\/h3\u003e\n\u003cp\u003eYes—Glacier is versatile and pairs well with a range of stoneware clay bodies and common decorative methods. Because it’s transparent and glossy, it’s especially useful over slips, underglaze linework, and textured surfaces to emphasize depth without hiding your base decoration.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible with most high-fire stoneware and porcelain bodies\u003c\/li\u003e\n  \u003cli\u003eClear finish preserves underglaze and slip details\u003c\/li\u003e\n  \u003cli\u003eIdeal for both functional ware and sculptural pieces when properly fired\u003c\/li\u003e\n  \u003cli\u003eLead-free formulation suitable for studio and classroom use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eWho is this for?\u003c\/strong\u003e AMACO Celadon Glacier in the pint size is designed for potters, ceramic artists, instructors, and hobbyists who need a ready-to-use, high-fire transparent glaze that brings out texture and underglaze work. It’s a good choice for studio classes, small-batch production, and artists refining surface detail—anyone seeking a reliable, glossy celadon effect without the time or mess of mixing raw materials.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Celadon Glacier food-safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: AMACO Celadon Glacier is lead-free, but verify glaze safety for functional ware by following firing guidelines and testing in your kiln and with your clay body.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to thin or mix this pint before use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—this pint is pre-mixed and ready to brush onto bisque-fired pieces; stir gently if slight settling occurs.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294373626193,"sku":"B07RMLD6GG","price":45.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-celadon-glacier-front.jpg?v=1791928713"},{"product_id":"amaco-wax-resist-for-pottery-16-fl-oz-jar-brushable-non-toxic-acmi-certified","title":"AMACO Wax Resist for Pottery 473 ml jar — Brushable Non-Toxic, ACMI Certified","description":"\u003cp\u003e\u003cstrong\u003eAMACO Jar Wax Resist 16 FL Oz is a brushable, non-toxic wax that blocks glaze, slip, and underglaze on greenware or bisque to create clean unglazed areas and layered surface effects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAMACO's jar wax resist is formulated for ceramicists who need a reliable way to prevent glaze adhesion in selected areas. Supplied in a 16 fl oz (472 ml) jar, this ACMI-certified, ASTM D-4236-compliant wax can be applied to greenware or bisque to reserve surface details, produce crisp lines, or prepare for resist techniques that reveal contrasting textures after firing.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use this wax resist on my pottery?\u003c\/h3\u003e\n\u003cp\u003eApply the wax directly where you want to keep glaze or slip from sticking. Use a soft brush for even coverage, allow it to dry thoroughly, then glaze over or around the treated area; the resist will lift or burn away during firing to leave the reserved surface exposed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush on to greenware or bisque for immediate resist protection\u003c\/li\u003e\n  \u003cli\u003eThin layers give better edge control; multiple coats increase resistance\u003c\/li\u003e\n  \u003cli\u003eDry fully before glazing to avoid smearing\u003c\/li\u003e\n  \u003cli\u003eFires out in kiln, leaving crisp unglazed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat types of projects benefit most from AMACO wax resist?\u003c\/h3\u003e\n\u003cp\u003eThis wax resist works well for both functional and decorative ceramics where you want precise unglazed lines, reserved clay textures, or layered glazing effects. It's suitable for single-piece studio work as well as classroom demonstrations and small-batch production.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSignature trim or foot rings left unglazed on functional ware\u003c\/li\u003e\n  \u003cli\u003eLayered glazing where underlying colour must remain visible\u003c\/li\u003e\n  \u003cli\u003ePattern work and sgraffito that require protected areas\u003c\/li\u003e\n  \u003cli\u003eEducational settings—non-toxic, safer to handle for students\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs the product safe and how is it packaged?\u003c\/h3\u003e\n\u003cp\u003eAMACO Jar Wax Resist is ACMI certified non-toxic and conforms to ASTM D-4236, making it appropriate for studio and classroom use with normal handling precautions. It comes in a 16 fl oz (472 ml) jar; AMACO also offers larger gallon sizes for heavier production needs.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eACMI Certified Non-Toxic—suitable for studio and school use\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D-4236 for art material labeling\u003c\/li\u003e\n  \u003cli\u003eAvailable in pint and gallon jars for different usage levels\u003c\/li\u003e\n  \u003cli\u003eStored in a resealable jar to keep product usable between sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and clean up after using wax resist?\u003c\/h3\u003e\n\u003cp\u003eKeep the jar tightly closed and store at room temperature away from direct heat to preserve consistency. Clean brushes and tools with a suitable solvent recommended for waxes before the wax cures on bristles; once dry on ceramic, it burns away during firing so mechanical removal is rarely needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eReseal jar to prevent skinning and contamination\u003c\/li\u003e\n  \u003cli\u003eUse brush cleaner or solvent for immediate tool cleanup\u003c\/li\u003e\n  \u003cli\u003eAllow treated ware to dry fully before glazing\u003c\/li\u003e\n  \u003cli\u003eWax burns out in kiln—no abrasive removal required post-fire\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramic artists, hobbyists, pottery instructors, and production studios who need a dependable, non-toxic resist for controlled glazing and decorative techniques will find AMACO Jar Wax Resist 16 FL Oz practical and easy to use. It fits small studios and classroom environments where safety, consistency, and clean results are priorities, and it's available in larger sizes for those doing higher-volume work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply wax resist to unfired clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. AMACO wax resist can be applied to greenware or bisque; ensure it dries before glazing for best results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will the wax contaminate my glaze during firing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. The wax burns out in the kiln, leaving clean unglazed areas without affecting fired glaze surfaces.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294385357137,"sku":"B0044SGO3Q","price":44.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-jar-wax-resist-front-view.jpg?v=1791928930"},{"product_id":"amaco-air-dry-modeling-clay-10-lb-gray-pliable-low-crack-formula-for-hand-sculpting-wheel-use","title":"AMACO Air Dry Modelling Clay 4.54 kg Grey — pliable, low-crack formula for hand sculpting \u0026 wheel use","description":"\u003cp\u003e\u003cstrong\u003eAMACO 4630-3C Air Dry Modelling Clay is a versatile 10-pound grey clay formulated for hand sculpting, wheel-throwing, and air-dry finishing that hardens without kiln firing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 10 lb grey air-dry clay from AMACO offers a balanced, all-purpose formula for students, hobbyists, and studio artists who want a reliable medium that dries to a firm, workable hardness. It handles like traditional modelling clay on the wheel or by hand, and its neutral grey tone provides a useful base for paints, stains, and surface treatments. While pieces dry hard, they require careful handling to avoid impact damage; for added durability you can seal with shellac or opt to fire the clay to cone 04 for permanent hardness and glazing.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this clay perform for hand sculpting and fine detail work?\u003c\/h3\u003e\n\u003cp\u003eThe AMACO grey air-dry formula is pliable enough for refined shaping and retains tool marks clearly, making it suitable for realistic texture and fine detailing. Its consistency supports both additive and subtractive techniques without crumbling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSoft but cohesive texture that holds edges and incised details\u003c\/li\u003e\n  \u003cli\u003eResponsive to knives, loop tools, and texture stamps\u003c\/li\u003e\n  \u003cli\u003eMinimal cracking when dried slowly and evenly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this clay on a potter’s wheel and still air-dry the results?\u003c\/h3\u003e\n\u003cp\u003eYes — this AMACO clay is formulated for wheel-throwing as well as hand modelling. Thrown pieces should dry gradually to reduce stress and uneven shrinkage; wedging and consistent wall thickness help ensure stable results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGood plasticity for centering and pulling walls on the wheel\u003c\/li\u003e\n  \u003cli\u003eEven drying advised—turn pieces periodically during drying\u003c\/li\u003e\n  \u003cli\u003eThickness and uniformity lower the risk of warping or cracking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finishing and sealing options are recommended?\u003c\/h3\u003e\n\u003cp\u003eOnce fully dry, surfaces accept paints, stains, and washes readily. For better impact resistance and moisture protection, seal finished pieces with shellac; alternatively, the clay can be fired to cone 04 for permanent durability and the option to glaze.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePaint with acrylics or underglaze-compatible colours after drying\u003c\/li\u003e\n  \u003cli\u003eSeal with shellac to increase strength and water resistance\u003c\/li\u003e\n  \u003cli\u003eOptional kiln firing to cone 04 allows glazing and increased permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I dry and store projects to prevent breakage?\u003c\/h3\u003e\n\u003cp\u003eDry projects slowly and evenly to reduce surface cracks and internal stress. Store unused clay in airtight packaging or a sealed container with minimal air exposure to retain moisture and workability.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry on all sides—rotate or flip pieces during drying\u003c\/li\u003e\n  \u003cli\u003eKeep walls uniform thickness to promote even drying\u003c\/li\u003e\n  \u003cli\u003eSeal leftover clay in plastic and a resealable bag to avoid hardening\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this product for: AMACO 4630-3C Air Dry Modelling Clay (10 lb, Grey) is ideal for classroom use, community studios, hobby sculptors, and artists who want a flexible medium that performs on the wheel and at the bench without immediate kiln access. It suits makers preparing painted or sealed finished pieces, those practicing throwing and hand-building techniques, and creatives who may later choose to fire and glaze pieces for permanence.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this clay safe to air-dry without a kiln?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. AMACO air-dry clay hardens without firing, but pieces must dry slowly and be handled carefully to avoid breakage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can finished pieces be made waterproof?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can seal dried pieces with shellac to increase strength and water resistance; firing to cone 04 also allows glazing for permanence.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294418157905,"sku":"B0038NYJP8","price":70.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-front-packaging.jpg?v=1791929743"},{"product_id":"amaco-rub-n-buff-metallic-wax-trio-3-travel-size-tubes-ebony-silver-leaf-pewter-for-durable-burnished-finish","title":"AMACO Rub 'N Buff Metallic Wax Trio — 3 Travel-Size Tubes (Ebony, Silver Leaf, Pewter) for Durable Burnished Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub 'N Buff Metallic Finish trio delivers three concentrated wax-metal pastes—Ebony, Silver Leaf, and Pewter—in travel-size tubes for fast, durable metallic highlights on furniture, crafts, and decor.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThese compact 1\/2 fl oz tubes contain a wax-based metallic paste formulated from carnauba waxes, reflective metallic powders, and colour pigments to recreate polished metal effects without plating or spray equipment. The paste spreads smoothly with a finger, cloth, or brush and buffs to a lasting sheen, making it ideal for small restoration tasks, accenting trim, or elevating DIY projects with authentic metallic luster.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply AMACO Rub 'N Buff for the best metallic result?\u003c\/h3\u003e\n\u003cp\u003eApplication is quick and forgiving: squeeze a small amount, rub it into the surface, then buff to the desired shine. It adheres to many substrates and builds richly with multiple thin layers rather than a single heavy coat.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWork on a clean, dry surface; remove dust and grease first.\u003c\/li\u003e\n  \u003cli\u003eUse finger for detailing, cloth for broad areas, or a soft brush for grooves.\u003c\/li\u003e\n  \u003cli\u003eApply thin layers and buff with a microfibre cloth for bright sheen.\u003c\/li\u003e\n  \u003cli\u003eCure time is immediate to the touch; full durability increases with light handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces accept these wax-metal pastes effectively?\u003c\/h3\u003e\n\u003cp\u003eRub 'N Buff bonds well to wood, metal, glass, plaster, painted surfaces, and many rigid plastics—making it versatile for restorations, frames, moldings, and decorative objects. Porous or very glossy surfaces may need light sanding or a primer for improved adhesion.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent on furniture edges, picture frames, and carved details.\u003c\/li\u003e\n  \u003cli\u003eWorks on glass accents and ceramic trim for metallic highlights.\u003c\/li\u003e\n  \u003cli\u003eUse on painted or sealed surfaces after light scuffing for grip.\u003c\/li\u003e\n  \u003cli\u003eAvoid flexible vinyls or silicone-like plastics unless tested first.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the finishing and maintenance expectations for the metallic wax?\u003c\/h3\u003e\n\u003cp\u003eAfter buffing, the finish gives a burnished metallic look that resists normal handling. It’s a surface-level decoration rather than a thick protective coat, so heavy abrasion or outdoor exposure will eventually reduce the sheen.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBuff to desired shine; more buffing = higher gloss.\u003c\/li\u003e\n  \u003cli\u003eNot a heavy-duty protective layer—reapply to refresh worn areas.\u003c\/li\u003e\n  \u003cli\u003eIndoor items maintain finish longer; seal with clear topcoat for extra durability.\u003c\/li\u003e\n  \u003cli\u003eStore tubes capped and in a cool, dry place to preserve paste quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix the Ebony, Silver Leaf, and Pewter shades for custom tones?\u003c\/h3\u003e\n\u003cp\u003eYes—these concentrated pastes blend easily to create intermediary metallic shades or to mute brightness for antiqued effects. Mix on a palette or directly on the project, then blend and buff until the tone and sheen match your design intent.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine small amounts on a scrap first to test colour balance.\u003c\/li\u003e\n  \u003cli\u003eLayer different shades—apply darker base, then highlight with lighter paste.\u003c\/li\u003e\n  \u003cli\u003eUse cloth or finger to feather transitions for natural variation.\u003c\/li\u003e\n  \u003cli\u003eCleanup is simple with mineral spirits or mild solvent if needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: Makers, furniture restorers, frame shops, prop designers, and home decorators who need compact, high-impact metallic finishes will value this AMACO three-colour assortment. Each 1\/2 fl oz tube lets you sample multiple effects or keep touch-up colour on hand, while the wax-based formula is ideal for precision work, accenting details, and refreshing small areas without the mess of aerosols or heavy metal leaf.\u003c\/p\u003e\n\n\u003cp\u003eFeatures include the three included 0.5 fl oz tubes (Ebony, Silver Leaf, Pewter), a long shelf life, and a formula of imported carnauba waxes and metallic powders. Apply with finger, cloth, or brush and buff for a lasting luster—perfect for furniture, antiques, glass, crafts, and more.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How much product is in each tube?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Each tube contains 1\/2 fl oz (approximately 15 ml) of wax-metal paste.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Rub 'N Buff suitable for outdoor use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: It can be used outdoors but needs a clear protective topcoat for long-term weather resistance.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294462361937,"sku":"B07QYCJNZ3","price":42.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-trio-front-packaging.jpg?v=1791930711"},{"product_id":"amaco-rub-n-buff-metallic-gilding-wax-kit-5-x-15ml-gold-shades-for-finishing-restoration","title":"AMACO Rub N Buff Metallic Gilding Wax Kit — 5 x 15ml Gold Shades for Finishing \u0026 Restoration","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub N Buff Gold Kit is a set of five 15 ml metallic gilding waxes designed to add rich gold highlights, antique patinas, and high-shine finishes to furniture, frames, decor and craft projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact kit brings together Antique Gold, Autumn Gold, European Gold, Gold Leaf and Grecian Gold in easy-to-use tubs of Rub 'n Buff wax. Formulated from fine metallic powders blended into a carnauba-wax base, each tube spreads thinly, buffs smoothly, and lets you dial the luster from subtle sheen to polished brilliance. The small tubes are economical — a little goes a long way — and work on wood, metal, ceramic, plaster, glass and other porous or prepared surfaces for accenting details, restoring trims, or creating hand-crafted gilded effects.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply AMACO Rub N Buff for the best finish?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward and forgiving: use a clean, dry finger, a soft cloth, or a cotton swab to pick up a tiny amount and rub it into raised details or flat planes. Buff gently to blend and then burnish more vigorously where you want higher shine. For consistent results, test on a scrap piece first to determine how much product and buffing intensity you prefer.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse finger or soft cloth for precise control and smooth blending.\u003c\/li\u003e\n  \u003cli\u003eApply sparingly — thin layers spread farther and dry faster.\u003c\/li\u003e\n  \u003cli\u003eBuff lightly for satin, longer for glossy highlights.\u003c\/li\u003e\n  \u003cli\u003eTest on a similar material before finishing your main piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces take this gilding wax well?\u003c\/h3\u003e\n\u003cp\u003eRub 'n Buff bonds best to porous or slightly textured surfaces but also looks great on sealed wood, metal, ceramic, plaster, and painted finishes when the surface is clean. For very smooth, nonporous substrates like high-gloss plastic, scuff lightly with fine grit sandpaper or use a primer for better adhesion. Avoid heavy application on slick surfaces unless you prepare them first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal: raw or painted wood, plaster, ceramics, and aged metal.\u003c\/li\u003e\n  \u003cli\u003ePrepared: sealed surfaces after light sanding or priming.\u003c\/li\u003e\n  \u003cli\u003eLess ideal: very glossy plastics without surface prep.\u003c\/li\u003e\n  \u003cli\u003eCleaning: remove dust and oils before applying.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat finishes and effects can I create with the five included shades?\u003c\/h3\u003e\n\u003cp\u003eThe kit’s range of gold tones lets you match historic metals, create layered patinas, or pick a single shade for consistent accenting. Antique Gold and Grecian Gold are excellent for aged, muted looks; Autumn Gold and European Gold give warm mid-tones; Gold Leaf provides bright, classic gilding sparkle. Mix or layer shades to achieve depth and lifelike metallic variations on frames, furniture details, props, and DIY decor.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAntique Gold: muted, timeworn highlights for restoration.\u003c\/li\u003e\n  \u003cli\u003eAutumn\/European Gold: warm mid-tones for decorative accents.\u003c\/li\u003e\n  \u003cli\u003eGold Leaf: bright, reflective gilding for showpieces.\u003c\/li\u003e\n  \u003cli\u003eLayer or blend shades to create dimension and patina.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow much coverage will each 15 ml tube provide?\u003c\/h3\u003e\n\u003cp\u003eEach 15 ml tube contains a concentrated blend of metallic powder and wax, so a small amount covers surprisingly far. Coverage depends on surface texture and how thinly you apply the wax, but one tube can cover many small accents or area highlights on multiple projects. For large surfaces, plan to use several tubes and apply in thin passes to maintain an even luster.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEstimated coverage: up to roughly 20 sq ft with very thin application.\u003c\/li\u003e\n  \u003cli\u003eTexture matters: smoother areas require less product per square inch.\u003c\/li\u003e\n  \u003cli\u003eUse sparingly and build layers for controlled results.\u003c\/li\u003e\n  \u003cli\u003eStore tubes tightly sealed to preserve consistency between uses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Creators, restorers, and decorators who want a compact, professional-feeling gilding solution will find this AMACO kit useful. It’s ideal for crafters working on frames, trim, small furniture, props, cosplay accessories, and mixed-media pieces — anyone who needs a range of gold tones in a portable, economical format without brushes or solvents. Because the product buffs on with simple tools and dries to an adjustable sheen, both hobbyists and detail-focused professionals can achieve refined metallic accents quickly and with minimal cleanup.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Rub N Buff be used on painted surfaces?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — it adheres well to painted or primed surfaces when they are clean; light sanding improves adhesion on glossy paint.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How do I increase shine after application?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Buff the wax vigorously with a soft cloth or burnish with a fingertip; more pressure yields higher gloss.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294587339089,"sku":"B0BB3BLYZW","price":43.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-front-packaging_a27820b7-4c4f-45d8-87f8-126af3dec5a1.jpg?v=1791932573"},{"product_id":"amaco-potters-choice-glaze-pc-55-chun-plum-16-oz-translucent-mid-high-fire-pink-red-layerable-over-textures","title":"AMACO Potter's Choice glaze PC-55 Chun Plum 473 ml — translucent mid-high fire pink-red, layerable over textures","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-55 Chun Plum is a pink-red, translucent mid-high fire glaze that produces warm coppery reds and tan breaks over textures when fired to Cone 5–6 in oxidation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eChun Plum (PC-55) joins AMACO's Potter's Choice line to give ceramic artists a dependable, layerable glaze that evokes classic Asian copper-red effects without requiring a reduction kiln or Cone 10 firing. This 16 oz (473 mL) jar of liquid glaze goes on smoothly over Cone 04 bisque and matures in oxidation at Cone 5–6, offering translucent colour with texture-enhancing tan breaks. It works well alone or layered over other Potter's Choice, Celadon, and Shino glazes to achieve warmer reds and soft pink highlights.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply PC-55 Chun Plum for the best colour?\u003c\/h3\u003e\n\u003cp\u003eApply Chun Plum to a fully dry, Cone 04 bisque ware using brushing, dipping, or spraying. Evenness of coats affects the final appearance: thin coats bring forward delicate translucency and texture breaks, while multiple or heavier coats deepen the pink-red tones.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush or spray on for thin, even coverage.\u003c\/li\u003e\n  \u003cli\u003eDip or multiple coats to intensify red tones.\u003c\/li\u003e\n  \u003cli\u003eAllow each coat to dry before reapplying to prevent crawling.\u003c\/li\u003e\n  \u003cli\u003eWipe glaze from foot to avoid sticking in the kiln.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat results can I expect when firing to Cone 5–6 in oxidation?\u003c\/h3\u003e\n\u003cp\u003eFired in oxidation at Cone 5–6, Chun Plum produces translucent pink-red hues with light tan breaks that appear where glaze pools or thins over textured surfaces. The glaze is formulated to mimic reduction reds seen at higher cones while remaining stable and predictable in oxidation firings.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWarm pink to red range, depending on thickness and layering.\u003c\/li\u003e\n  \u003cli\u003eTan colour-breaks highlight texture and carved detail.\u003c\/li\u003e\n  \u003cli\u003eConsistent response across AMACO stoneware and porcelain clays.\u003c\/li\u003e\n  \u003cli\u003eWorks in standard electric or gas oxidation kilns without reduction.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer Chun Plum with other glazes for different effects?\u003c\/h3\u003e\n\u003cp\u003eYes — Chun Plum is designed for layering. Overlapping it with other Potter's Choice, Celadon, or Shino glazes creates warmer tones, subtle pink highlights, or complex variegated surfaces depending on the sequence and thickness of applications.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer over lighter glazes for warm pink highlights.\u003c\/li\u003e\n  \u003cli\u003eUndercoating with other colours gives deeper, richer reds.\u003c\/li\u003e\n  \u003cli\u003eTest combinations on sample pieces to dial in desired effects.\u003c\/li\u003e\n  \u003cli\u003eSome colours may need uneven or multiple coats for optimal results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: AMACO Potter's Choice PC-55 Chun Plum is made for hobbyists, studio potters, and teaching environments seeking accessible mid-high fire glazes that deliver reduction-like red tones in an oxidation kiln. It's especially useful for artists working with stoneware or porcelain who want reliable, layerable colour that accentuates texture and carved detail without the expense and complexity of high-temperature reduction firing.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: At what cone do I fire AMACO Chun Plum?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire chun plum in oxidation to Cone 5–6 after applying to Cone 04 bisque.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I layer Chun Plum with other AMACO glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Layer with Potter's Choice, Celadon, or Shino glazes to warm tones and add pink-red highlights.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294589043025,"sku":"B00A6VWJMU","price":43.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-chun-plum-front-label.jpg?v=1791932593"},{"product_id":"amaco-potters-choice-indigo-float-glaze-16-oz-cone-5-6-oxidation-lead-free-reduction-style-indigo","title":"AMACO Potter's Choice Indigo Float glaze 473 ml — cone 5–6 oxidation, lead-free reduction-style indigo","description":"\u003cstrong\u003eAMACO Potter's Choice PC-23 Indigo Float is a 16 oz, lead-free glaze that gives electric kiln firings the rich, reduction-style indigo finish without a reduction kiln.\u003c\/strong\u003e\n\n\u003cp\u003eThis one-pint glaze is formulated to mimic the deep, layered blues and subtle variegation seen in cone 10 reduction firings while firing in oxidation at cone 5–6. Use it solo for a consistent indigo surface or layer it over other glazes and raw clay to develop streaks, blooms and soft edges. Best results are achieved when applied to Cone 04 bisque ware and fired according to AMACO's recommended cone range. The PC series brings studio favourites into a user-friendly format.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use Indigo Float to get authentic reduction-like effects?\u003c\/h3\u003e\n\u003cp\u003eApply PC-23 to bisque-fired pieces and fire in an oxidation (electric) kiln at cone 5–6 to produce the intended colour response. Layering and application thickness influence variegation, so experiment on test tiles before committing to a piece.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to Cone 04 bisque for best colour development.\u003c\/li\u003e\n  \u003cli\u003eBrush, dip or pour depending on desired texture and coverage.\u003c\/li\u003e\n  \u003cli\u003eThicker applications yield deeper colour and subtle crawling.\u003c\/li\u003e\n  \u003cli\u003eLayer over other glazes for added depth and unexpected patterns.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this glaze work in my electric kiln and is it safe?\u003c\/h3\u003e\n\u003cp\u003eYes — PC-23 was designed specifically for oxidation firing in electric kilns to reproduce reduction-style surfaces without a reduction atmosphere. AMACO labels the Potters' Choice series as lead-free, making it suitable for studio use when fired correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated for cone 5–6 oxidation firings in electric kilns.\u003c\/li\u003e\n  \u003cli\u003eLead-free composition when used as directed.\u003c\/li\u003e\n  \u003cli\u003eFollow kiln and ventilation best practices for safe firing.\u003c\/li\u003e\n  \u003cli\u003eAlways confirm food-safety and testing if ware is functional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and test this glaze for consistent results?\u003c\/h3\u003e\n\u003cp\u003eStart with test tiles: bisque at Cone 04, then apply thin, medium and thick coats of Indigo Float. Note drying behavior, brush marks, and interactions with underlying glazes, then document firing results to reproduce effects on final pieces.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate test tiles using your clay body and Bisque Cone 04.\u003c\/li\u003e\n  \u003cli\u003eTest single coats, double coats, and layered combinations.\u003c\/li\u003e\n  \u003cli\u003eRecord firing schedule and cooling rates for repeatability.\u003c\/li\u003e\n  \u003cli\u003eAdjust application method to control drips and gloss level.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Potters, studio artists and hobbyists looking to achieve classic reduction-style indigo blues in an electric kiln will value AMACO Potters' Choice Indigo Float. It’s ideal for those who want reliable, repeatable colours without investing in a reduction gas kiln, and for ceramicists who enjoy layering glazes to develop complex surfaces. Use it in classrooms, studios or home workshops to expand your palette with a trusted, lead-free option that responds well to experimentation and controlled firing.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can AMACO Indigo Float be fired in an electric kiln?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It's formulated to fire in oxidation at cone 5–6 in electric kilns to mimic reduction effects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is the Potters' Choice Indigo Float lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The PC series, including Indigo Float, is labeled lead-free when used and fired as directed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294589108561,"sku":"B00A6W3XWY","price":42.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-potters-choice-indigo-float-front-label.jpg?v=1791932592"},{"product_id":"amaco-celadon-high-fire-gloss-glaze-c-20-cobalt-16-oz-transparent-deep-blue-pools-in-texture","title":"AMACO Celadon High-Fire Gloss Glaze C-20 Cobalt 473 ml — Transparent Deep Blue, Pools in Texture","description":"\u003cp\u003e\u003cstrong\u003eAMACO Celadon C-20 Cobalt is a high-fire, transparent glossy blue glaze designed to pool in textures and accent the form of ceramic ware.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBring a rich, historic blue to your ceramics with this 16 oz. jar of AMACO Celadon C-20 Cobalt High Fire Gloss Glaze. Formulated for mid‑to‑high firing, this transparent gloss emphasizes surface detail and enhances the natural tones of the clay beneath. It was inspired by traditional celadon finishes and is intended for artists who want deep colour that gathers attractively in carved or stamped textures.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply AMACO Celadon C-20 for best results?\u003c\/h3\u003e\n\n\u003cp\u003eFor a saturated, even finish, apply three coats to properly fired Cone 04 bisque ware. Allow each coat to dry fully before adding the next; shake the jar well before use to ensure even pigment distribution. After glazing, fire to Cone 5–6 to develop the intended gloss and depth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eApply three thin, even coats to Cone 04 bisque.\u003c\/li\u003e\n  \u003cli\u003eLet each coat dry completely between applications.\u003c\/li\u003e\n  \u003cli\u003eFire to Cone 5–6 for final maturation and gloss.\u003c\/li\u003e\n  \u003cli\u003eShake jar vigorously before glazing for consistent colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix C-20 Cobalt with other AMACO glazes or modifiers?\u003c\/h3\u003e\n\n\u003cp\u003eYes — AMACO Celadon C-series glazes are formulated to be fully mixable so you can create custom shades and translucencies. Use AMACO Celadon C-11 Mixing Clear to tone down saturation or increase transparency without altering the glaze chemistry. Celadon glazes also pair well with AMACO Potter's Choice (PC) glazes when layered: a typical combination is three coats of Celadon followed by three coats of a PC glaze.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% mixable with other C-series Celadon glazes.\u003c\/li\u003e\n  \u003cli\u003eUse C-11 Mixing Clear to soften or clarify colour.\u003c\/li\u003e\n  \u003cli\u003eCompatible layering technique with PC Potter's Choice glazes.\u003c\/li\u003e\n  \u003cli\u003eAllows custom hues while maintaining stable firing behavior.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface effects and finishes can I expect from this cobalt celadon?\u003c\/h3\u003e\n\n\u003cp\u003eC-20 produces a deep, glossy blue that pools attractively in recesses and highlights raised areas, making texture more pronounced. Because it is transparent, the underlying clay body colour influences the final tone, so experimenting with different clays yields varied results. The glaze’s gloss finish enhances shine and depth across smooth and textured pieces alike.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDeep blue that accentuates carved or stamped textures.\u003c\/li\u003e\n  \u003cli\u003eTransparent formula lets clay colour show through.\u003c\/li\u003e\n  \u003cli\u003eGlossy surface with pleasing pooling in low areas.\u003c\/li\u003e\n  \u003cli\u003eWorks on both wheel-thrown and handbuilt forms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there firing or compatibility considerations I should know?\u003c\/h3\u003e\n\n\u003cp\u003eFire C-20 to mid-high temperatures (Cone 5–6) as recommended; firing lower or higher can change gloss and colour intensity. Test tiles and layered samples before committing to a final piece, especially when mixing with other glazes or using different clay bodies. Follow kiln and safety best practices for ceramic glazes and materials.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDesigned to mature at Cone 5–6 for intended effect.\u003c\/li\u003e\n  \u003cli\u003eTest samples recommended when mixing or layering glazes.\u003c\/li\u003e\n  \u003cli\u003ePerformance varies with clay body colour and texture.\u003c\/li\u003e\n  \u003cli\u003eObserve standard kiln firing and safety procedures.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramics artists, pottery students, and hobbyists seeking a historically inspired, deep blue gloss that enhances textures will appreciate AMACO Celadon C-20 Cobalt. It’s well suited for creators who like to mix and experiment with glazes, those layering surfaces for complex effects, and anyone wanting a reliable mid-high fire transparent gloss for functional and decorative ware.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What temperature do I fire AMACO Celadon C-20 to?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire to Cone 5–6 for intended gloss and colour development; test to confirm results with your clay.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix C-20 with other AMACO Celadon glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. C-series Celadons are 100% mixable; use C-11 Mixing Clear to reduce saturation or increase transparency.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294651793745,"sku":"B00OA73F6U","price":45.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-celadon-c20-cobalt-front-label.jpg?v=1791933923"},{"product_id":"amaco-celadon-high-fire-gloss-glaze-c-01-obsidian-16-oz-deep-black-pooling-mixable","title":"AMACO Celadon High-Fire Gloss Glaze C-01 Obsidian, 16 oz — Deep Black Pooling, Mixable","description":"\u003cp\u003e\u003cstrong\u003eAMACO Celadon C-01 Obsidian is a deep, high-fire gloss glaze that creates rich black pooling and dramatic accents on textured pottery.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 16 oz. jar of AMACO Celadon High Fire Gloss Glaze in C-01 Obsidian is formulated for mid- to high-fire ceramics (fire to Cone 5-6) and was inspired by classic ancient glazes. It delivers a glossy, deep black finish that becomes especially striking where it pools in recesses and highlights surface texture. The Celadon C series is transparent and designed to be 100% mixable so you can customize shade, intensity, and transparency when paired with AMACO mixing clears or other glazes.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply this glaze for best results?\u003c\/h3\u003e\n\u003cp\u003eFor consistent coverage and the richest black, apply three even coats to Cone 04 bisque ware, allowing the glaze to dry between coats. Shake the jar thoroughly before glazing to reincorporate settled minerals and pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply 3 coats to Cone 04 bisque, letting each coat dry before the next.\u003c\/li\u003e\n  \u003cli\u003eFire glazed pieces to Cone 5-6 for the proper gloss and depth.\u003c\/li\u003e\n  \u003cli\u003eStir or shake well before use to ensure uniform colour and flow.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface effects will Obsidian create on my pottery?\u003c\/h3\u003e\n\u003cp\u003eObsidian pools in recesses and emphasizes texture, producing contrast between raised and indented areas. On smoother surfaces it yields a consistent deep gloss, while on textured pieces it creates dramatic black accents that recall historic celadon and tenmoku finishes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates pooling in cracks and low spots for natural shading.\u003c\/li\u003e\n  \u003cli\u003eHighlights texture and carving by darkening recesses.\u003c\/li\u003e\n  \u003cli\u003eProvides a uniform glossy black on flat or wheel-thrown forms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix Obsidian with other glazes or clear to change transparency?\u003c\/h3\u003e\n\u003cp\u003eYes — the Celadon C series is formulated to be 100% mixable, allowing you to blend Obsidian with other Celadon colours or AMACO Celadon C-11 Mixing Clear to soften the intensity. Mixing lets you tailor opacity and hue before application.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine with Celadon C-11 Mixing Clear to reduce opacity and tone down blackness.\u003c\/li\u003e\n  \u003cli\u003eMix with other Celadon colours for custom dark hues and effects.\u003c\/li\u003e\n  \u003cli\u003eTest small samples before full application to confirm desired results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill Obsidian work under other AMACO glazes like Potter’s Choice?\u003c\/h3\u003e\n\u003cp\u003eObsidian Celadon is compatible in layering schemes and looks especially striking beneath AMACO Potter’s Choice glazes when used thoughtfully. A common approach pairs three coats of Celadon with three coats of Potter’s Choice for layered depth and surface interest.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer three coats of Celadon, then three coats of Potter’s Choice for complex finishes.\u003c\/li\u003e\n  \u003cli\u003eUse test tiles to check interactions and final colour after firing.\u003c\/li\u003e\n  \u003cli\u003eAvoid overly thick build-up that can run during firing; follow recommended coat counts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramists, potters, and hobbyists who want a reliable high-fire black gloss that accentuates texture and pools attractively will appreciate AMACO Celadon C-01 Obsidian. It suits wheel-thrown and handbuilt forms, surface-carved pieces, and anyone who mixes glazes to achieve tailored tones. If you fire to Cone 5-6 and enjoy experimenting with layered or mixed glazes, Obsidian provides a dark, glossy foundation that highlights your clay’s form and detail.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing range is required for AMACO Celadon C-01 Obsidian?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire to Cone 5-6 after applying three coats to Cone 04 bisque for proper gloss and maturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin or mix this glaze to change opacity?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Mix with AMACO Celadon C-11 Mixing Clear or other Celadon colours to adjust transparency and colour.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294654284113,"sku":"B00OA1CH7E","price":45.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-celadon-obsidian-front-jar.jpg?v=1791934058"},{"product_id":"amaco-rub-n-buff-metallic-wax-4-color-kit-4-x-15-ml-antique-gold-silver-leaf-gold-leaf-ebony-gilding-wax-for-furniture-an","title":"AMACO Rub n Buff Metallic Wax 4-Colour Kit (4 x 15 ml) — Antique Gold, Silver Leaf, Gold Leaf \u0026 Ebony; Gilding Wax for Furniture an","description":"\u003cp\u003e\u003cstrong\u003eAMACO Rub n Buff 4-Colour Metallic Wax Kit is a set of four concentrated gilding waxes—Antique Gold, Silver Leaf, Gold Leaf, and Ebony—designed to add metallic highlights, patina, and fine detailing to furniture, frames, crafts, and restoration projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis compact kit contains four 15 ml tubs of richly pigmented metallic wax that spread smoothly and buff to a luminous sheen. The paste-like formula adheres to raised surfaces and edges, making it ideal for highlighting detail, creating antiqued finishes, or touching up worn ornamentation without heavy buildup. It cleans up with mineral spirits and layers easily over paints, primers, or bare substrates when testing adhesion first.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I apply Rub n Buff to furniture and trim?\u003c\/h3\u003e\n\u003cp\u003eApplication is straightforward: use a fingertip, soft cloth, or small brush to pick up a tiny amount, rub it into the surface, then wipe or buff away the excess to reveal a metallic accent. Work in small areas and build colour gradually to control the intensity and prevent streaking.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTools: cotton rag, foam brush, or artist brush for fine details\u003c\/li\u003e\n  \u003cli\u003eTechnique: apply, then remove surplus with a clean cloth for a subtle sheen\u003c\/li\u003e\n  \u003cli\u003eDry time: surface-ready immediately; full adhesion after buffing\u003c\/li\u003e\n  \u003cli\u003eCleanup: mineral spirits or solvent on tools; wipe hands thoroughly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich surfaces accept AMACO Rub n Buff best?\u003c\/h3\u003e\n\u003cp\u003eRub n Buff adheres well to painted wood, MDF, plaster, metal, and many primed surfaces; testing on a small hidden area first is recommended. Porous or raw surfaces may absorb more product, so a primer or sealer increases uniformity and ease of buffing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIdeal: sealed wood, painted furniture, picture frames, metal accents\u003c\/li\u003e\n  \u003cli\u003eAcceptable with prep: plaster, ceramics, and primed polymers\u003c\/li\u003e\n  \u003cli\u003eLess ideal: highly flexible plastics without a suitable primer\u003c\/li\u003e\n  \u003cli\u003eTip: seal with a clear topcoat for high-wear areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix colours and create antique finishes with this kit?\u003c\/h3\u003e\n\u003cp\u003eYes—these concentrated metallic waxes blend easily for custom tones and layered patinas. Use a small amount of each colour to experiment; rubbing two colours together on a palette or directly on the piece produces subtle antique effects and depth.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMixing: blend on a palette or apply sequential layers and buff\u003c\/li\u003e\n  \u003cli\u003eDistressing: apply, then sand lightly for a worn look\u003c\/li\u003e\n  \u003cli\u003ePatina: layer darker Ebony beneath metallics for aged depth\u003c\/li\u003e\n  \u003cli\u003eControl: small amounts and gradual layering avoid heavy buildup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow long does the finish last and how do I care for it?\u003c\/h3\u003e\n\u003cp\u003eWhen applied and buffed correctly, the metallic wax provides durable decorative highlights; however, it is best used where direct abrasion is limited. For surfaces that see frequent handling or cleaning, protect the finish with a clear lacquer, wax sealer, or polyacrylic to extend longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDurability: stable decorative finish when not exposed to heavy wear\u003c\/li\u003e\n  \u003cli\u003eProtection: clear topcoat recommended for tabletops and high-touch areas\u003c\/li\u003e\n  \u003cli\u003eMaintenance: gentle cleaning with soft cloth and non-abrasive cleaners\u003c\/li\u003e\n  \u003cli\u003eTouch-ups: easy to reapply small amounts for maintenance\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Makers, furniture restorers, DIY decorators, and hobbyists who want to add professional-looking metallic highlights without complex tooling will find this AMACO kit useful. The four compact 15 ml colours suit small projects, sample work, or travel, offering flexibility for gilding accents, antiquing details, and creating custom metallic effects on a wide range of decorative surfaces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Rub n Buff permanent after application?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: The finish is durable for decorative use but benefits from a clear topcoat in high-wear areas for long-term protection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Rub n Buff over painted surfaces?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—apply over fully cured paint or primer; test a small area first to ensure adhesion and desired effect.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55294885855569,"sku":"B0BB51ZKJ8","price":39.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-rub-n-buff-front-packaging_7707f69a-fa02-4d09-8cb3-e07e65615d97.jpg?v=1791935799"},{"product_id":"amaco-potters-choice-glaze-pc-53-ancient-jasper-16-oz-lead-free-reduction-style-glaze-for-cone-5-6","title":"AMACO Potter's Choice glaze PC-53 Ancient Jasper, 473 ml — lead-free reduction-style glaze for cone 5-6","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice Glaze PC-53 Ancient Jasper is a 16 oz, lead-free glaze formulated to reproduce the look of reduction firing at cone 5-6 when applied to cone 04 bisque.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis one-pint jar of Ancient Jasper from AMACO's Potter's Choice line delivers the rich, complex tones and surface variations artists expect from reduction firing, but without the need for a gas kiln or extremely high temperatures. Designed for ceramicists who want authentic, earthy results on electric kilns, this glaze works great alone or layered over other glazes to build depth and interest. It's non-toxic and safe for standard studio use.\u003c\/p\u003e\n\n\u003ch3\u003eHow does Ancient Jasper create a reduction-style surface without a reduction kiln?\u003c\/h3\u003e\n\n\u003cp\u003eAMACO engineered the PC series to mimic reduction characteristics through specific glaze chemistry that responds to mid-range firing. When fired to cone 5-6 over a cone 04 bisque, the glaze blooms, shifts colour, and develops variegated texture similar to higher cone reduction effects. This lets you achieve those prized mottled and muted tones with standard electric kilns.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFormulated to react at cone 5-6 for reduction-like shading and variation.\u003c\/li\u003e\n  \u003cli\u003eBest results when applied over cone 04 bisque for predictable surface development.\u003c\/li\u003e\n  \u003cli\u003eCreates layered depth similar to cone 10 reduction without extra equipment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the application and firing recommendations for best results?\u003c\/h3\u003e\n\n\u003cp\u003eApply Potter's Choice Ancient Jasper in even coats to bisque-fired ware and allow adequate drying between layers. Fire to cone 5-6 according to your kiln’s schedule; slight adjustments in soak or firing speed can emphasize different surface effects. Avoid over-thinning—use the manufacturer’s recommended viscosity for consistent coverage.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eApply to cone 04 bisque for best, repeatable results.\u003c\/li\u003e\n  \u003cli\u003eFire to cone 5-6; adjust ramp\/soak to modify bloom and texture.\u003c\/li\u003e\n  \u003cli\u003eUse alone or over other glazes to create layered colour and surface interest.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this glaze safe and suitable for studio use?\u003c\/h3\u003e\n\n\u003cp\u003eYes—AMACO's Potter's Choice Ancient Jasper is lead-free and non-toxic when used as directed. It is produced for artistic and functional ceramics within the recommended firing range. As with any glaze work, follow standard studio safety: ventilate during spraying, wear gloves and mask when handling dry materials, and follow disposal guidelines for excess glaze.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLead-free, non-toxic formulation for studio use.\u003c\/li\u003e\n  \u003cli\u003eFollow safety practices: ventilation, PPE, and proper cleanup.\u003c\/li\u003e\n  \u003cli\u003eNot a food-surface safety claim—use manufacturer guidelines for functional ware.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I use Ancient Jasper to create unique finishes?\u003c\/h3\u003e\n\n\u003cp\u003eLayer this glaze with glossy, matte, or textured underglazes to create streaks, speckles, and pooled effects. Brush, dip, or spray application all yield different aesthetics: brushing emphasizes brushwork, dipping gives even coverage, and spraying creates subtle gradients. Test tiles are invaluable—small changes in thickness or layering will dramatically alter the final look.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLayer with other glazes for speckled or variegated effects.\u003c\/li\u003e\n  \u003cli\u003eTry brushing, dipping, or spraying to vary finish and texture.\u003c\/li\u003e\n  \u003cli\u003eAlways test on sample tiles to dial in colour and thickness outcomes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Potters, studio artists, educators, and hobbyists who want authentic reduction-style results on electric kilns will benefit most from AMACO Potter's Choice Ancient Jasper. It’s ideal for makers seeking earthy, vintage-inspired surfaces without investing in high-temperature or gas-fired equipment. If you value predictable mid-fire performance, layering potential, and a lead-free formula, this 16 oz glaze is a practical choice for expanding your palette of ceramic finishes.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What cone should I fire Ancient Jasper to?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire to cone 5-6 for intended reduction-like effects; apply over cone 04 bisque for best results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this glaze lead-free and safe for studio use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, AMACO Potter's Choice Ancient Jasper is lead-free and non-toxic when used with standard studio safety precautions.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55295696929105,"sku":"B00KF18I08","price":43.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-potters-choice-front-packaging.jpg?v=1791938818"},{"product_id":"amaco-potters-choice-glaze-deep-firebrick-pc-59-1-pt-lead-free-pint-for-cone-5-6-oxidation-red","title":"AMACO Potter's Choice glaze Deep Firebrick PC-59, 473 ml — lead-free pint for Cone 5–6 oxidation red","description":"\u003cstrong\u003eAMACO Potter's Choice Deep Firebrick PC-59 is a lead-free, non-toxic pint of high-fire glaze formulated to deliver rich reduction-fire effects in oxidation kilns at Cone 5–6.\u003c\/strong\u003e\n\n\u003cp\u003eThis one-pint glaze is designed for ceramicists who want an authentic, deep red firebrick finish without working in a gas kiln. Formulated for application over Cone 04 bisque, Deep Firebrick can be used by itself or layered with other AMACO PC series glazes to build depth, variegation, and surface interest. The Potter's Choice line is made to give studio potters consistent results in oxidation firing, producing classic finishes that mimic reduction atmospheres while remaining safe and lead-free.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply Deep Firebrick for best results?\u003c\/h3\u003e\n\u003cp\u003eFor reliable coverage, apply to pieces that have been bisque-fired to Cone 04; this ensures the glaze bonds properly and reduces pinholing. Use brushing, dipping, or spraying techniques depending on piece size and desired texture, and allow each coat to dry fully before adding another layer.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush: thin, even coats—2–3 coats for full opacity\u003c\/li\u003e\n  \u003cli\u003eDip: maintain clean glaze slurry, drain excess for even thickness\u003c\/li\u003e\n  \u003cli\u003eSpray: 15–20 psi and multiple light passes for smooth surfaces\u003c\/li\u003e\n  \u003cli\u003eDry between coats to avoid runs and pooling\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing schedule and kiln atmosphere work best?\u003c\/h3\u003e\n\u003cp\u003eAMACO PC-59 Deep Firebrick is formulated to mature between Cone 5 and Cone 6 in an oxidation (electric) kiln. It is optimised to produce reduction-like red tones under these conditions, so follow your usual Cone 5–6 firing curve and allow for proper cooling to stabilise the colour.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eTarget range: Cone 5–6 (approx. 2167–2232°F \/ 1186–1222°C)\u003c\/li\u003e\n  \u003cli\u003eKiln type: oxidation (electric) firing\u003c\/li\u003e\n  \u003cli\u003eRamp: follow standard soak or controlled cooling for colour consistency\u003c\/li\u003e\n  \u003cli\u003eTest pieces: fire samples to dial in results on your clay body\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan Deep Firebrick be combined with other glazes or techniques?\u003c\/h3\u003e\n\u003cp\u003eYes—this glaze layers well, opening creative possibilities when used with transparent or reactive glazes for highlights, streaking, or variegated surfaces. Consider underglazes, wax resist, or textured clay to influence where the glaze pools and how the colour breaks.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer with clear or satin glazes for depth and sheen variation\u003c\/li\u003e\n  \u003cli\u003eUse wax resist or masking for sharp edges and two-tone effects\u003c\/li\u003e\n  \u003cli\u003eApply over textured surfaces for natural pooling and streaks\u003c\/li\u003e\n  \u003cli\u003eAlways test compatibility and fit on your clay body first\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramics students, studio potters, hobbyists, and educators who need a dependable, lead-free red glaze that performs in electric kilns will find AMACO Potter's Choice Deep Firebrick PC-59 a solid choice. It’s especially useful for those seeking reduction-like aesthetics without operating a gas kiln, and for makers who plan to layer or experiment with surface treatments. Purchase a pint for testing and small projects, or stock up for larger runs when you’ve dialed in the exact look you want.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Potter's Choice Deep Firebrick lead-free?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. PC-59 is formulated as a lead-free, non-toxic glaze suitable for studio and educational use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What cone should I fire this glaze to?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire Deep Firebrick in an oxidation kiln to Cone 5–6 for best colour development.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296221282641,"sku":"B00A6VWD5I","price":45.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-deep-firebrick-front-pint.jpg?v=1791941800"},{"product_id":"amaco-celadon-mixing-clear-gloss-glaze-16-oz-c-11-high-fire-clear-zinc-free-mid-high-fire-finish","title":"AMACO Celadon Mixing Clear Gloss Glaze 473 ml (C-11) — High-Fire Clear, Zinc-Free Mid-High Fire Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Celadon C-11 Mixing Clear is a high-fire, transparent gloss glaze designed to dilute other Celadon colours or serve as a stand-alone clear finish for ceramics.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis 16 oz. jar of C-11 Mixing Clear provides potters and ceramic artists a consistent, mid-high fire gloss that preserves surface texture, enhances clay body colour, and blends smoothly with AMACO Celadon lines. Zinc-free and relatively stiff in viscosity, it pairs well with most underglazes and is formulated to be fully mixable with other Celadon \"C\" glazes so you can customize transparency and hue. Follow simple application and firing steps for reliable, repeatable results.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply AMACO C-11 Mixing Clear for best results?\u003c\/h3\u003e\n\u003cp\u003eApply three even coats to Cone 04 bisque ware, allowing each coat to dry before adding the next. After glazing, fire the piece to Cone 5-6 to mature the glaze and achieve a glossy, durable surface.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake the jar well before use to ensure uniform consistency.\u003c\/li\u003e\n  \u003cli\u003eUse a soft brush or dipping method for even coverage.\u003c\/li\u003e\n  \u003cli\u003eAllow full drying between coats to avoid runs or pinholes.\u003c\/li\u003e\n  \u003cli\u003eFire to Cone 5-6 for proper gloss and transparency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix C-11 with other glazes or use it alone?\u003c\/h3\u003e\n\u003cp\u003eC-11 Mixing Clear was created specifically to dilute Celadon glazes and adjust transparency, but it also functions perfectly as a clear gloss on its own. It is 100% mixable with other AMACO Celadon \"C\" glazes, giving you control over strength and shading.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBlend small test batches to dial in colour and opacity.\u003c\/li\u003e\n  \u003cli\u003eWorks well over underglazes; some velvet shades may be muted.\u003c\/li\u003e\n  \u003cli\u003eUse as a clear topcoat for depth and sheen on textured surfaces.\u003c\/li\u003e\n  \u003cli\u003eCompatible with AMACO Potter's Choice for layered effects (3 coats each recommended).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and underglazes are compatible with this clear glaze?\u003c\/h3\u003e\n\u003cp\u003eC-11 is suitable for most ceramic clay bodies and accepts a range of underglazes, improving colour depth and preserving texture. It’s zinc-free and formulated to be stable at mid-high firing temperatures.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply over Cone 04 bisque-fired pieces as instructed.\u003c\/li\u003e\n  \u003cli\u003ePairs well with underglazes and PC Potter's Choice glazes for varied finishes.\u003c\/li\u003e\n  \u003cli\u003eNote: may mute some Velvet underglaze tones like V-315, V-316, V-323.\u003c\/li\u003e\n  \u003cli\u003eBest results when used within recommended firing schedule (Cone 5-6).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I test mixes and avoid unexpected effects?\u003c\/h3\u003e\n\u003cp\u003ePerform small test tiles and document ratios when mixing C-11 with coloured Celadon glazes. Because the glaze alters transparency and colour intensity, testing prevents surprises and builds a reference for repeatable results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreate sample tiles using consistent application methods and firing cycles.\u003c\/li\u003e\n  \u003cli\u003eLabel each test with glaze ratio, coat count, and firing details.\u003c\/li\u003e\n  \u003cli\u003eCheck how the clear affects velvet-type underglazes before committing.\u003c\/li\u003e\n  \u003cli\u003eAdjust water or glaze thickness to control flow and coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Celadon C-11 Mixing Clear is ideal for ceramicists, studio potters, and hobbyists who want a reliable, mixable clear gloss for mid-high fire work. It benefits those seeking to customize Celadon colours, protect and enhance textured surfaces, or finish pieces with a transparent, durable shine without added zinc. If you value predictable mixing behavior, clear colour enhancement, and a professional gloss at Cone 5-6, C-11 is a practical addition to your glaze toolkit.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing temperature is required for AMACO C-11 Mixing Clear?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire glazed pieces to Cone 5-6 after applying three coats to Cone 04 bisque for proper maturity and gloss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix C-11 with other Celadon colours?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes — C-11 is 100% mixable with other AMACO Celadon glazes to adjust transparency and hue; test small batches first.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296275218769,"sku":"B00OAAV7JE","price":45.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-celadon-c11-front-jar.jpg?v=1791942147"},{"product_id":"amaco-potters-choice-glaze-arctic-blue-pc-21-1-pt-cone-5-6-lead-free-reactive-reduction-style-blue","title":"AMACO Potters Choice glaze Arctic Blue PC-21 473 ml — cone 5–6 lead-free, reactive reduction-style blue","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potters Choice Arctic Blue (PC-21) is a 1-pint, lead-free glaze formulated to give authentic reduction-fire blue tones in oxidation kilns at cone 5–6.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for potters who want the look of reduction firing without a gas kiln, this Arctic Blue pint from AMACO’s Potters Choice line produces nuanced blues and reactive surface effects when fired on cone 5–6. The PC series is AP certified and created to apply easily over a Cone 04 bisque; it also layers well with other glazes to produce variegated, painterly finishes. Use it in an electric kiln to achieve reduction-style depth, shine, and streaking that often appear only at higher temperatures.\u003c\/p\u003e\n\n\u003ch3\u003eHow does AMACO Arctic Blue recreate reduction-fire looks in an electric kiln?\u003c\/h3\u003e\n\u003cp\u003eArctic Blue is formulated to mimic the colour shifts and surface reactions of cone 10 reduction while firing in oxidation atmospheres at cone 5–6. The chemistry encourages subtle variegation and soft transitions between blue tones and lighter highlights.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDesigned for cone 5–6 oxidation firing; yields reduction-style colour.\u003c\/li\u003e\n  \u003cli\u003eReacts with clay body and underlayers to create depth and streaking.\u003c\/li\u003e\n  \u003cli\u003eProduces glossy to semi-gloss finishes depending on application thickness.\u003c\/li\u003e\n  \u003cli\u003eAP certified and lead-free for safer studio use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply Arctic Blue for best results?\u003c\/h3\u003e\n\u003cp\u003eStart with a clean, dry Cone 04 bisque and stir the glaze thoroughly. Apply in thin, even coats—usually two to three—allowing each coat to dry; thicker application increases pooling and depth but may affect gloss and texture.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse brushing, dipping, or spraying for even coverage.\u003c\/li\u003e\n  \u003cli\u003eApply over compatible clear or coloured underglazes for layered effects.\u003c\/li\u003e\n  \u003cli\u003eWipe foot and clean kiln wash areas to avoid sticking.\u003c\/li\u003e\n  \u003cli\u003eFire to cone 5–6 in oxidation for intended finish.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface effects and finishes can I expect from PC-21?\u003c\/h3\u003e\n\u003cp\u003eArctic Blue typically finishes as a cool, reactive blue with soft transitions and occasional lighter highlights where the glaze thins. The outcome depends on application thickness, clay body colour, and whether it’s layered with other glazes or slips.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRange from pale, sky-blue to deeper, clouded blue tones.\u003c\/li\u003e\n  \u003cli\u003eSubtle variegation and streaking in pooled areas.\u003c\/li\u003e\n  \u003cli\u003eGloss level varies from semi-gloss to full gloss based on thickness.\u003c\/li\u003e\n  \u003cli\u003eWorks well over darker slips for richer contrast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Potters Choice Arctic Blue (PC-21) is ideal for ceramic artists, hobbyists, and teaching studios that want dependable, lead-free glazes producing reduction-style blues without installing a gas reduction kiln. It’s suited to makers who layer glazes for one-of-a-kind surfaces, instructors seeking AP certified, safe materials for classrooms, and potters using electric kilns aiming for consistent cone 5–6 results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Arctic Blue glaze lead-free and safe for functional ware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Potters Choice Arctic Blue (PC-21) is lead-free and AP certified; follow firing and application instructions for safe use on functional ceramics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing cone should I use for best results with PC-21?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire Arctic Blue in oxidation to cone 5–6 as recommended to achieve the intended reduction-style blue effects.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296712278353,"sku":"B00KEYGY48","price":52.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-arctic-blue-jar-front.jpg?v=1791946613"},{"product_id":"amaco-potters-choice-pc-45-dark-green-high-fire-glaze-pint-16-oz-layerable-cone-5-6-satin-gloss-ceramic-glaze","title":"AMACO Potter's Choice PC-45 Dark Green High-Fire Glaze Pint (473 ml) — Layerable Cone 5–6 Satin-Gloss Ceramic Glaze","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-45 Dark Green is a ready-to-use, layerable liquid ceramic glaze that produces rich green surfaces when fired at mid to high temperatures (Cone 5–6).\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis pint-sized (16 oz \/ 473 mL) jar from AMACO is formulated to recreate the depth and variation of reduction firing while working in an oxidation kiln at Cone 5–6. Potter's Choice glazes are beloved by hobbyists and studio potters for their predictable results, strong colour response, and compatibility with layering techniques. PC-45 Dark Green behaves well over a variety of underglazes and slips, making it a versatile option for tableware, decorative ceramics, and sculptural work.\u003c\/p\u003e\n\n\u003ch3\u003eHow will PC-45 Dark Green behave during a Cone 5–6 firing?\u003c\/h3\u003e\n\u003cp\u003ePC-45 is engineered for mid-high fire oxidation kilns and matures reliably at Cone 5–6. Expect consistent melting and a stable surface that can range from satin to glossy depending on application thickness and the underglaze beneath it.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMatures at Cone 5–6 (oxidation kiln)\u003c\/li\u003e\n  \u003cli\u003eProduces rich, layered dark green tones\u003c\/li\u003e\n  \u003cli\u003eSurface finish varies with application—thin coats satin, thicker coats more glossy\u003c\/li\u003e\n  \u003cli\u003eCompatible with typical stoneware clay bodies fired to the same cone\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I layer PC-45 over other glazes or underglazes for different effects?\u003c\/h3\u003e\n\u003cp\u003eYes. Potter's Choice is specifically designed to layer well so you can create depth, variegation, and reactive surfaces without needing reduction firing. Experiment with transparent or semi-opaque underglazes and resist techniques to reveal contrasting colours through the dark green.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLayer over stains, underglazes, or slips for varied tones\u003c\/li\u003e\n  \u003cli\u003eUse wax resist or sgraffito to let underlayers show through\u003c\/li\u003e\n  \u003cli\u003eTest small tiles for predictable colour blending before larger pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat application tips improve coverage and reduce defects?\u003c\/h3\u003e\n\u003cp\u003eApply PC-45 in even coats to avoid drips, crawl, or pinholes. Thin, multiple layers achieve more uniform colour and reduce the risk of running; if brushing, use soft bristles and allow each coat to dry before reapplying.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake or stir thoroughly before use to homogenize particles\u003c\/li\u003e\n  \u003cli\u003eApply 2–3 thin coats for even colour and fewer drips\u003c\/li\u003e\n  \u003cli\u003eEnsure bisque is clean and fired to recommended temperature for adhesion\u003c\/li\u003e\n  \u003cli\u003eFire according to kiln ramp and soak schedules recommended for Cone 5–6\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle this pint of glaze?\u003c\/h3\u003e\n\u003cp\u003eKeep the jar sealed and stored in a cool, dry place to preserve consistency. If the glaze separates, a thorough stir will restore its working viscosity; do not dilute with water beyond small adjustments for brushing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore tightly capped to prevent skinning or contamination\u003c\/li\u003e\n  \u003cli\u003eStir well before each use; use clean tools to avoid cross-contamination\u003c\/li\u003e\n  \u003cli\u003eIf thickened, thin sparingly with distilled water and test before full application\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Potter's Choice PC-45 Dark Green Pint is aimed at ceramics students, hobby potters, and studio artists who want reduction-like green tones at Cone 5–6 without a reduction kiln. It's also useful for potters seeking a dependable, layerable glaze for tableware, decorative ware, and small-batch production where consistent mid-high-fire results are required.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing range is AMACO PC-45 Dark Green made for?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: PC-45 Dark Green is formulated to mature in an oxidation kiln at Cone 5–6.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I layer this glaze over underglazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It layers well over underglazes and slips to create depth and varied green tones.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296722436433,"sku":"B00KF0UES8","price":53.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-pc45-dark-green-front-label.jpg?v=1791947018"},{"product_id":"amaco-potters-choice-palladium-metallic-glaze-palladium-opaque-pint-cone-5-6-high-shine","title":"AMACO Potter's Choice Palladium Metallic Glaze — Palladium Opaque Pint, Cone 5\/6 High-Shine","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-04 Palladium is an opaque, metallic glaze that fires to a mirrorlike, reflective surface ideal for sculptural and decorative ceramics at Cone 5\/6.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis Palladium formula from AMACO's Potter's Choice line creates a high-shine, silver-like surface that reads as metal on pottery, tiles, and sculpture. Formulated for mid-fire kilns, it produces unique reduction-style metallic effects even in oxidation firings, and it pairs well with textured or smooth clay bodies. Because it is not formulated for food contact, it is best used for decorative pieces and art objects that benefit from a glossy, reflective finish.\u003c\/p\u003e\n\n\u003ch3\u003eWhat kind of surface and visual effects can I expect from Palladium?\u003c\/h3\u003e\n\u003cp\u003ePalladium yields a bright, mirrorlike metallic sheen with depth and subtle variegation depending on application thickness and firing conditions. Surfaces can range from near-solid chrome-like coverage to areas of speckling that reveal underlying textures and colours.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-gloss, reflective finish resembling polished metal\u003c\/li\u003e\n  \u003cli\u003eOpaque coverage with potential for thin areas to show texture\u003c\/li\u003e\n  \u003cli\u003eVaried surface effects influenced by layering and firing atmosphere\u003c\/li\u003e\n  \u003cli\u003eBest colour and reflectivity achieved at Cone 5\/6\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and fire PC-04 Palladium for optimal results?\u003c\/h3\u003e\n\u003cp\u003eApply the glaze evenly by brushing, dipping, or spraying, taking care to avoid thick drips that can blister. Fire to a mid-range temperature (Cone 5\/6) following your kiln's ramp schedule; slight reduction tendencies in oxidation firing contribute to the metallic quality.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush, dip, or spray application; smooth out drips for uniform reflectivity\u003c\/li\u003e\n  \u003cli\u003eRecommended firing: Cone 5\/6 (mid-fire) with a consistent ramp\u003c\/li\u003e\n  \u003cli\u003eMinor reduction in oxidation can enhance metallic appearance\u003c\/li\u003e\n  \u003cli\u003eAllow kiln to cool fully before unloading to preserve surface\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan Palladium be combined with other glazes or used over underglaze?\u003c\/h3\u003e\n\u003cp\u003eYes — Palladium responds well to layering and can be overlaid on compatible glazes and underglaze decorations to create complex, dimensional surfaces. Test small samples first, as the metallic layer can obscure delicate underglaze work or react unpredictably with certain base glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExcellent for layering; try over dark or contrast base glazes for depth\u003c\/li\u003e\n  \u003cli\u003eUnderglaze patterns may show through if applied thinly beneath the metallic\u003c\/li\u003e\n  \u003cli\u003eCombine with matte or transparent glazes for mixed-texture effects\u003c\/li\u003e\n  \u003cli\u003eAlways test-fire combinations to verify interaction and adhesion\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs AMACO Palladium suitable for functional pottery or foodware?\u003c\/h3\u003e\n\u003cp\u003ePalladium is formulated as a decorative metallic glaze and is not food safe. Use it for non-functional pieces, sculptural work, display ware, and other projects where surface appearance is the priority rather than food contact safety.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eNot recommended for items that hold food or drink\u003c\/li\u003e\n  \u003cli\u003eIdeal for sculptures, vases, decorative tiles, and display pieces\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D-4236 labeling standards for art materials\u003c\/li\u003e\n  \u003cli\u003ePerfect where reflective, glassy finishes are desired over utility\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Potter's Choice PC-04 Palladium is made for ceramic artists, instructors, and makers who want a strong metallic effect at mid-fire temperatures. It's suited to studio potters exploring metallic surfaces, schools teaching decorative glazing techniques, and sculptors seeking a high-reflective finish on non-food pieces. If you need a dependable, layer-friendly metallic glaze for Cone 5\/6 projects, Palladium delivers a distinctive, glassy metal look that stands out in decorative work.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing temperature is best for AMACO Palladium?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire at Cone 5\/6 (mid-fire) for optimal metallic reflectivity and surface development.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use Palladium on functional tableware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No — this glaze is decorative and not rated food safe; use on sculptural or display pieces only.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296731775313,"sku":"B00KEY9RVK","price":51.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-palladium-front-pint.jpg?v=1791947395"},{"product_id":"amaco-air-dry-modeling-clay-10-lb-white-block-sculpting-wheel-throwing-ready","title":"AMACO Air Dry Modelling Clay — 4.54 kg White Block, Sculpting \u0026 Wheel-Throwing Ready","description":"\u003cp\u003e\u003cstrong\u003eAMACO 4630-2B Air Dry Modelling Clay is a versatile white clay that sculpts easily, air-dries to a hard finish, and can be painted, sealed, or kiln-fired for added durability.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 10-pound block of white all-purpose clay from AMACO is formulated for handbuilding, sculpting, and even wheel-throwing. It dries evenly at room temperature when allowed to cure slowly on all sides, producing a firm surface that accepts paint, washes, and sealants. For projects that require greater permanence or a glazed surface, this clay also withstands firing to cone 04.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I dry and finish pieces made with this clay?\u003c\/h3\u003e\n\u003cp\u003eDry finished pieces gradually in a stable, draft-free area to avoid cracking. Rotate and support forms so air reaches all sides; thicker sections benefit from extended drying times. After fully dry, surface treatments like paint, shellac, or glaze (if fired) enhance appearance and longevity.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDry slowly and evenly; avoid direct heat sources\u003c\/li\u003e\n  \u003cli\u003eSupport thin edges during drying to prevent warping\u003c\/li\u003e\n  \u003cli\u003ePaint after complete drying; seal with shellac to add strength\u003c\/li\u003e\n  \u003cli\u003eOptional: bisque and glaze by firing to cone 04 for permanence\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use AMACO air dry clay on a potter’s wheel?\u003c\/h3\u003e\n\u003cp\u003eYes — this formula is suitable for wheel-throwing as well as hand modelling and sculpting. It has sufficient plasticity to throw simple forms, but wheel use may require good throwing technique and attention to wall thickness for even drying. Trim and finish while leather-hard for best results.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eWorks for throwing small to medium pieces on the wheel\u003c\/li\u003e\n  \u003cli\u003eMaintain consistent wall thickness for even drying\u003c\/li\u003e\n  \u003cli\u003eTrim at leather-hard stage for crisp foot and edges\u003c\/li\u003e\n  \u003cli\u003eAir-dry or fire to cone 04 depending on final use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat decoration and sealing options are recommended?\u003c\/h3\u003e\n\u003cp\u003eOnce fully dried, AMACO air dry clay accepts acrylics, underglaze-style paints, and washes very well. For outdoor or functional items, apply shellac or a waterproof sealer to protect the surface. If you prefer a fired finish, the clay can be bisque-fired to cone 04 and glazed like traditional ceramics.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePaint with acrylics or water-based paints after drying\u003c\/li\u003e\n  \u003cli\u003eSeal with shellac to improve strength and water resistance\u003c\/li\u003e\n  \u003cli\u003eFire to cone 04 and glaze for ceramic permanence\u003c\/li\u003e\n  \u003cli\u003eAvoid using unsealed pieces for prolonged moisture exposure\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow durable is the air-dried clay compared to kiln-fired clay?\u003c\/h3\u003e\n\u003cp\u003eAir-dried pieces become firm but remain more fragile than kiln-fired ceramics; handle them with care to avoid chips or breaks. Sealing with shellac increases surface strength and water resistance but won’t fully match the toughness of a glazed, fired piece. For high durability needs, consider firing to cone 04.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAir-dry creates a solid but more delicate finish than fired clay\u003c\/li\u003e\n  \u003cli\u003eShellac adds strength and moisture protection for functional use\u003c\/li\u003e\n  \u003cli\u003eFiring to cone 04 produces greater hardness and permanence\u003c\/li\u003e\n  \u003cli\u003eUse supports and careful handling during and after drying\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: AMACO 4630-2B 10-pound white air dry modelling clay suits students, hobbyists, art teachers, and studio artists who need a flexible, easy-to-shape material for sculptures, practice throwing, prototypes, and classroom projects. It’s a good choice when you want the convenience of air-drying combined with the option to fire for permanence later. Choose this clay when you need a forgiving white body that accepts paint and sealers, offers predictable drying behavior, and gives the option to transition finished work into the kiln if you want tile- or ceramic-quality results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can AMACO air dry clay be fired in a kiln?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. This clay can be fired to cone 04 for increased hardness and to accept glaze.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Do I need to seal air-dried pieces before use?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Sealing with shellac is recommended for added strength and water resistance, especially for functional items.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296733053265,"sku":"B0038NYJR6","price":70.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-4630-2b-front-packaging.jpg?v=1791947444"},{"product_id":"amaco-shino-glaze-sh-22-acai-matte-16-oz-cone-5-6-mid-high-fire-rich-blue-to-brown-iron-matte","title":"AMACO Shino Glaze SH-22 Acai Matte 473 ml — Cone 5–6 mid-high fire, rich blue-to-brown iron matte","description":"\u003cp\u003e\u003cstrong\u003eAMACO Shino SH-22 Acai Matte is a 16 oz. mid-high fire ceramic glaze that produces rich blue-to-brown shading and a traditional iron-rich matte surface when fired to Cone 5–6.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for stoneware and porcelain, this single-bottle glaze yields varied results depending on how you apply it: thin coats reveal warm rust undertones while heavier applications develop denser, opaque blue-brown tones. It’s formulated to be brushed onto Cone 04 bisque then fired in oxidation to Cone 5–6, and it plays nicely with other AMACO Shino and Potter’s Choice glazes for layered effects.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply AMACO Shino SH-22 Acai to get the best shading?\u003c\/h3\u003e\n\n\u003cp\u003eApplication thickness controls the final look: light coats favor the warmer iron-rust base, while thicker coverage shifts the colour toward a solid, opaque Acai tone. Brush, dip, or pour techniques all work; allow coats to dry between layers and test on a small bisque piece before committing to a large piece.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eApply to Cone 04 bisque for consistent adhesion and predictability.\u003c\/li\u003e\n  \u003cli\u003eThin coats (one light brush) bring out warm brown\/rust highlights.\u003c\/li\u003e\n  \u003cli\u003eThicker builds produce deep blue-brown opaque surfaces.\u003c\/li\u003e\n  \u003cli\u003eSand or wash bisque lightly for better wetting and even coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix or layer this glaze with other AMACO colours?\u003c\/h3\u003e\n\n\u003cp\u003eYes—Shino SH-22 is designed to blend and layer well. You can mix it with other Shino shades to modulate matte versus gloss qualities, or layer it over AMACO Potter’s Choice glazes to create contrasting textures and colour depth.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eBlend different Shino bottles for custom matte or semi-matte finishes.\u003c\/li\u003e\n  \u003cli\u003eLayer over Potter’s Choice glazes for streaking or iron-effect accents.\u003c\/li\u003e\n  \u003cli\u003eTest small mixes to confirm melt behavior and opacity before large runs.\u003c\/li\u003e\n  \u003cli\u003eStir well; strained mixes reduce pinholes and firing defects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing schedule and clay bodies are recommended for reliable results?\u003c\/h3\u003e\n\n\u003cp\u003eAMACO Shino SH-22 is made for mid-high fire ceramics and performs best when fired to Cone 5–6 in an oxidation kiln. It’s formulated to suit both red and white clay bodies, but outcomes will shift with iron content and porosity—test to dial in your preferred look.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eFire in oxidation to Cone 5–6 for intended Shino effects.\u003c\/li\u003e\n  \u003cli\u003eApply to Cone 04 bisque; then fire to final temperature in one continuous program.\u003c\/li\u003e\n  \u003cli\u003eExpect different colour balance on red versus white clays due to body influence.\u003c\/li\u003e\n  \u003cli\u003eUse kiln wash or stilts where necessary to prevent sticking on unglazed footrings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I avoid common glazing issues like blistering or running?\u003c\/h3\u003e\n\n\u003cp\u003eProper surface prep, correct application thickness, and well-controlled firing reduce defects. Overly thick glazes can blister or run—keep build even and use kiln shelves protected with kiln wash or stilts at contact points.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWipe bisque clean of dust and grease before glazing to improve adhesion.\u003c\/li\u003e\n  \u003cli\u003eApply even coats; avoid pooling at edges or footrings to prevent runs.\u003c\/li\u003e\n  \u003cli\u003eAllow complete drying between coats and before loading the kiln.\u003c\/li\u003e\n  \u003cli\u003eUse kiln wash or stilts and fire on a stable schedule to reduce blemishes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramists and students seeking a versatile, iron-rich matte glaze for mid-high firing will appreciate AMACO Shino SH-22 Acai. It’s a good choice for studio potters, classroom settings, and hobbyists who want predictable cone 5–6 behavior with creative layering potential. If you enjoy experimenting with application thickness, blending glazes, and achieving traditional Shino-inspired surfaces on stoneware or porcelain, this 16 oz. jar is a practical starting point.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing cone is required for AMACO Shino SH-22 Acai?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire in oxidation to Cone 5–6 after applying to Cone 04 bisque for intended results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will this glaze work on red clay?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It’s formulated for red and white clay bodies, though the base colour may shift with the clay.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296733413713,"sku":"B075MYZWZ7","price":50.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-shino-sh22-acai-matte-front-label.jpg?v=1791947470"},{"product_id":"amaco-potters-choice-glaze-albany-slip-brown-pint-16-oz-mid-fire-cone-5-6-oxidation-ready","title":"AMACO Potter's Choice Glaze Albany Slip Brown Pint (473 ml) - Mid-Fire Cone 5-6, Oxidation-Ready","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice Glaze PC-32 Albany Slip Brown is a pint of mid-fire, oxidation-ready glaze that reproduces the warm, variegated look of reduction-fired Albany Slip without a reduction kiln.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis glaze is formulated to achieve the earthy, vintage brown tones and flowing surface textures typically associated with high-fire reduction firings, but it matures at Cone 5-6 in an oxidation atmosphere. That means you can get those desirable visual effects in a standard electric kiln or any oxidation setup, saving you the expense and complexity of a gas reduction system. The product comes in a 16 oz (473 ml) pint container and is part of AMACO's Potter's Choice line designed for potters and ceramic artists who want consistent, studio-friendly mid-fire results.\u003c\/p\u003e\n\n\u003ch3\u003eWhat visual effects can I expect from Albany Slip Brown in oxidation?\u003c\/h3\u003e\n\u003cp\u003eAlbany Slip Brown produces warm, deep browns with subtle variegation and flowing streaks where the glaze pools. Depending on application thickness and firing schedule, it can range from opaque, rustic brown to areas with slightly glossy, darker runs that mimic reduction atmospheres.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRich, earthy brown base tones with natural variation\u003c\/li\u003e\n  \u003cli\u003ePooling highlights that create darker streaks and drips\u003c\/li\u003e\n  \u003cli\u003eWorks well layered over textured or carved surfaces for contrast\u003c\/li\u003e\n  \u003cli\u003eMatures at Cone 5-6—no reduction atmosphere required\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and fire this pint of Potter's Choice glaze?\u003c\/h3\u003e\n\u003cp\u003eApply Albany Slip Brown to leather-hard or bisque ware with brushing, dipping, or spraying; multiple thin coats usually give the most predictable results. Fire in an oxidation kiln to Cone 5-6 following your kiln manufacturer's ramp and soak recommendations for mid-fire glazes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush: 2–3 thin even coats, allow drying between coats\u003c\/li\u003e\n  \u003cli\u003eDip: single or double dip with slight draining to avoid runs\u003c\/li\u003e\n  \u003cli\u003eSpray: thin, even passes for smooth, uniform coverage\u003c\/li\u003e\n  \u003cli\u003eFire: oxidation kiln to Cone 5-6 (follow kiln-specific schedules)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this glaze fit into my existing studio workflow and clay bodies?\u003c\/h3\u003e\n\u003cp\u003eYes—AMACO Potter's Choice glazes are formulated for compatibility with common mid-fire clay bodies when fired in oxidation. They are a practical choice for studios that want reduction-like aesthetics without changing clay bodies or investing in reduction kilns.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDesigned for mid-fire clay bodies fired to Cone 5-6\u003c\/li\u003e\n  \u003cli\u003eGood adhesion on typical bisque-fired surfaces\u003c\/li\u003e\n  \u003cli\u003eMay be layered or used with other Potter's Choice glazes for varied effects\u003c\/li\u003e\n  \u003cli\u003eTest on a sample tile to match glaze, thickness, and firing schedule\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there safety or handling notes I should know?\u003c\/h3\u003e\n\u003cp\u003eHandle glazes with standard ceramic-studio precautions: avoid inhalation of dry materials, wear gloves when skin contact is prolonged, and clean up spills promptly. Note that this product contains substances listed under California Proposition 65; follow local regulations and safety guidance.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eContains components listed under Prop 65—see label for details\u003c\/li\u003e\n  \u003cli\u003eUse gloves and eye protection when handling liquids and powders\u003c\/li\u003e\n  \u003cli\u003eAvoid creating dust from dry materials; work in a ventilated area\u003c\/li\u003e\n  \u003cli\u003eStore tightly sealed and out of reach of children\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Potter's Choice Albany Slip Brown Pint is suited to studio potters, hobbyists, and ceramics instructors who want reliable mid-fire results with a classic, reduction-like brown finish. It's ideal for artists seeking earthy tones for functional ware, decorative pieces, or textured surfaces without the time and expense of high-temperature reduction firing. Always test on your clay body and firing schedule to dial in the exact look you want.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Does Albany Slip Brown require a reduction kiln?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No, it’s formulated to fire in oxidation at Cone 5-6 and gives reduction-like brown effects without a reduction kiln.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What size is the container and how much does it cover?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: This is a 16 oz (473 ml) pint; coverage varies with application but typically coats several small to medium pieces with 2–3 brush layers.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296763101521,"sku":"B007VERCOA","price":52.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-albany-slip-brown-front-label.jpg?v=1791948623"},{"product_id":"amaco-teachers-palette-glaze-tp-64-carrot-16-oz-vivid-one-step-orange-gloss-for-cone-04-05","title":"AMACO Teacher's Palette Glaze — TP-64 Carrot 454 g, Vivid One-Step Orange Gloss for Cone 04–05","description":"\u003cp\u003e\u003cstrong\u003eAMACO Teacher's Palette TP-64 Carrot is a vivid, one-step gloss glaze in a true red-orange carnelian tone designed for low-fire ceramic decoration.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis 16 oz (473 mL) bottle of AMACO Teacher's Palette TP-64 Carrot delivers an opaque, consistent orange gloss that is formulated for Cone 04 bisque and fired to Cone 05. It’s part of AMACO’s TP line of one-step gloss decorating glazes that are intermixable, classroom-friendly, and concentrated so the colour in the bottle closely matches the result after firing. Ideal for pottery studios, schools, hobbyists, and professional artists who need reliable, bold colour in a single application.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I use TP-64 Carrot on my bisque pieces?\u003c\/h3\u003e\n\u003cp\u003eApply TP-64 Carrot directly to thoroughly dry, Cone 04 (or lower) bisque ware with a brush, sponge, or airbrush. Fire the glazed piece to Cone 05 following kiln manufacturer schedules for low-fire glazes. The glaze produces a glossy, even surface when applied at recommended thickness and fired correctly.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake bottle well before use to ensure uniform pigment.\u003c\/li\u003e\n  \u003cli\u003eBrush coats: 1–3 thin coats for even coverage, allow drying between coats.\u003c\/li\u003e\n  \u003cli\u003eAirbrush: thin with distilled water if necessary for smoother spraying.\u003c\/li\u003e\n  \u003cli\u003eFire to Cone 05 for final gloss and durability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this glaze different from student or craft paints?\u003c\/h3\u003e\n\u003cp\u003eUnlike surface paints, TP-64 Carrot chemically bonds to bisque and vitrifies during firing to become a durable, glossy ceramic glaze. It is formulated for pottery firing, giving colour permanence and a fired sheen you cannot achieve with non-ceramic pigments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFires to an integrated glassy surface rather than sitting on top of the clay.\u003c\/li\u003e\n  \u003cli\u003eConcentrated formulation gives true-to-bottle colour after firing.\u003c\/li\u003e\n  \u003cli\u003eIntermixable with other Teacher's Palette glazes for expanded hues.\u003c\/li\u003e\n  \u003cli\u003eDesigned for classroom safety and ease of use with minimal steps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix TP-64 Carrot with other AMACO glazes and what results can I expect?\u003c\/h3\u003e\n\u003cp\u003eYes — TP-64 Carrot mixes readily with other AMACO Teacher’s Palette and Teacher’s Palette Light Gloss glazes to create custom shades and intermediate tones. Mixing expands your colour options and helps you achieve subtle gradations or bold new colours while maintaining consistent firing behavior.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCombine small test batches first to preview colour after firing.\u003c\/li\u003e\n  \u003cli\u003eMix with light gloss variants to create softer, translucent effects.\u003c\/li\u003e\n  \u003cli\u003eRecord ratios to reproduce favourite mixes reliably.\u003c\/li\u003e\n  \u003cli\u003eUse thorough stirring to avoid streaks or uneven firing results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and handle the glaze for best longevity?\u003c\/h3\u003e\n\u003cp\u003eKeep the bottle tightly sealed, stored upright in a cool, dry place away from freezing temperatures. Before long gaps in use, shake the bottle and strain if you see settling; this preserves the glaze consistency and prevents clogging when brushing or airbrushing.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eStore at room temperature, protect from direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eSeal cap after each use to avoid skinning or contamination.\u003c\/li\u003e\n  \u003cli\u003eIf thickened, dilute slightly with distilled water and remix fully.\u003c\/li\u003e\n  \u003cli\u003eLabel mixed batches with date and ratio for classroom use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Teacher's Palette TP-64 Carrot is suited to educators, ceramics students, hobby potters, and studio artists who need a dependable, vibrant orange gloss glaze for low-fire work. It’s especially helpful in classroom settings because it’s easy to use in one step, intermixes for creative exploration, and gives predictable colour and gloss after firing.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing temperature does TP-64 Carrot require?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: TP-64 Carrot is a low-fire glaze applied to Cone 04 bisque and fired to Cone 05 for final gloss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I thin TP-64 for airbrushing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Thin slightly with distilled water and strain before airbrushing for smooth spray and even coverage.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296783941969,"sku":"B007VEOUY0","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-teachers-palette-tp64-carrot-front-bottle.jpg?v=1791949045"},{"product_id":"amaco-velvet-underglaze-jet-black-16-oz-satin-matte-velour-finish-mixable","title":"AMACO Velvet Underglaze Jet Black 454 g — Satin-Matte Velour Finish, Mixable","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-361 Jet Black is a 16 oz non-toxic underglaze that fires to a soft, velvety black finish and can be intermixed to create countless custom shades.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis underglaze arrives in a one-pint jar and is formulated to produce a satin-matte, velour-like surface when used alone or a richer, denser black when covered with a clear gloss glaze. It fires true to the colour in the jar and is lead-free, making it suitable for classroom and studio use. Because Velvet Underglaze is semi-translucent, it layers well and blends into palettes, giving ceramicists precise control over tone and surface depth.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this underglaze affect the finished look of my pottery?\u003c\/h3\u003e\n\u003cp\u003eVelvet Underglaze yields a soft matte surface that resembles velvet when left under a transparent matte glaze; using a clear gloss topcoat intensifies and deepens the black. The semi-translucent formula keeps some surface texture visible, so brushwork and slips show through for visual richness.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eProduces a satin-matte, velour-like finish under matte glaze\u003c\/li\u003e\n  \u003cli\u003eIntensifies to a deep, glossy black under clear gloss glaze\u003c\/li\u003e\n  \u003cli\u003eSemi-translucent nature preserves surface detail and brush texture\u003c\/li\u003e\n  \u003cli\u003eFires to the jar colour for predictable results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix this colour with other underglazes to make new shades?\u003c\/h3\u003e\n\u003cp\u003eYes — AMACO Velvet Underglaze is designed for mixing. Combine Jet Black with other Velvet shades or opaque underglazes to create gradients, muted tones, or richer blacks; small additions have a strong impact, so test mixes on sample tiles first.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eIntermixable to build hundreds of custom colours\u003c\/li\u003e\n  \u003cli\u003eSmall amounts of black dramatically alter value and contrast\u003c\/li\u003e\n  \u003cli\u003eTest on bisque tiles to confirm firing results before production\u003c\/li\u003e\n  \u003cli\u003eCompatible with other AMACO underglaze lines for broader palettes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I apply and fire AMACO Velvet Underglaze for best results?\u003c\/h3\u003e\n\u003cp\u003eApply to bisque ware with a brush, sponge, or airbrush for even coverage; thin with water if needed. After underglaze application and drying, use a transparent matte or gloss glaze according to the look you want, then fire according to the glaze manufacturer’s temperature recommendations.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApply to bisque-fired pieces for optimal adherence\u003c\/li\u003e\n  \u003cli\u003eThin with water for airbrushing or fine detail work\u003c\/li\u003e\n  \u003cli\u003eTop with clear matte for velvety finish or gloss for deeper colour\u003c\/li\u003e\n  \u003cli\u003eFollow glaze firing schedule recommended by your clear glaze\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this product safe for classroom and home studios?\u003c\/h3\u003e\n\u003cp\u003eAMACO Velvet Underglaze is labeled non-toxic and lead-free, making it suitable for educational settings and home studios when used with normal studio safety practices. Practice ventilation, avoid inhaling dry powders, and clean tools and surfaces to maintain a safe workspace.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLead-free and non-toxic formulation\u003c\/li\u003e\n  \u003cli\u003eAppropriate for schools and community studios with supervision\u003c\/li\u003e\n  \u003cli\u003eStandard ceramic safety precautions still apply\u003c\/li\u003e\n  \u003cli\u003eWash brushes and tools after use to prevent cross-contamination\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramists, art teachers, hobbyists, and studio professionals who want a dependable, velvety jet black underglaze that blends easily and fires predictably will find this 16 oz jar useful. It’s especially handy for artists who mix custom palettes, need consistent firing results, or prefer a tactile matte surface that can be intensified with a gloss finish for contrast and depth.\u003c\/p\u003e\n\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Will AMACO Velvet Underglaze V-361 fire to the same colour as in the jar?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes, it fires true to jar colour, though final tone shifts slightly with matte or gloss topcoats.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this underglaze over glaze or only on bisque?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Apply primarily to bisque ware for best adhesion; overglaze use is not recommended without testing.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55296795640145,"sku":"B0044SGMGK","price":59.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-jet-black-front-jar.jpg?v=1791949063"},{"product_id":"amaco-potters-choice-glaze-true-celadon-1-pint-lead-free-oxidation-glaze-for-stoneware-porcelain","title":"AMACO Potter's Choice Glaze — True Celadon 473 ml, lead-free oxidation glaze for stoneware \u0026 porcelain","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-40 True Celadon is a one-pint, lead-free glaze formulated to reproduce the classic cone-10 reduction celadon look in an oxidation kiln without high-temperature firing or reduction gas.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis one-pint glaze gives potters the timeless pale green, translucent celadon surface familiar from high-fired reduction ceramics — but designed for convenient firing in oxidation atmospheres. It blends smoothly, applies evenly to stoneware and porcelain bodies, and matures to its intended visual effects when used and fired according to AMACO’s instructions. The formula is non-toxic and lead-free, making it suitable for functional ware when used properly.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this glaze mimic cone-10 reduction celadon in an oxidation kiln?\u003c\/h3\u003e\n\u003cp\u003eAMACO’s PC-40 True Celadon is engineered to develop the soft, depthy green and subtle pooling associated with traditional reduction celadon, while maturing in oxidation firings. It contains colorants and fluxes balanced to react in oxygen-rich kilns so you can achieve similar surface qualities without specialized reduction equipment.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFormulated to simulate cone-10 reduction colour and translucency in oxidation firings\u003c\/li\u003e\n  \u003cli\u003eFlows and pools to reveal shading and depth on textured surfaces\u003c\/li\u003e\n  \u003cli\u003eCompatible with standard electronic or gas oxidation kilns\u003c\/li\u003e\n  \u003cli\u003eRequires correct application thickness and firing schedule for best results\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich clay bodies and firing ranges work best with this glaze?\u003c\/h3\u003e\n\u003cp\u003ePC-40 is suitable for both stoneware and porcelain clays and is intended for oxidation kiln firings. While it reproduces reduction-style celadon, you don’t need to reach extreme high temperatures — follow AMACO’s recommended cone range to avoid overfiring or crawling.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePerfect for stoneware and porcelain bodies\u003c\/li\u003e\n  \u003cli\u003eFormulated for oxidation firings — consult product guidelines for cone range\u003c\/li\u003e\n  \u003cli\u003eApply tests on your specific clay to dial in atmosphere and thickness\u003c\/li\u003e\n  \u003cli\u003eCan be layered or used with underglazes for decorative effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat are the practical details: safety, size, and handling?\u003c\/h3\u003e\n\u003cp\u003eThis glaze comes in a 1-pint container that stores and pours easily for studio use. It’s labeled lead-free and non-toxic, but standard ceramic studio precautions (glove and mask use during mixing, ventilation for dry materials) are still recommended to handle materials safely.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCapacity: 1 pint — convenient for trials and small batches\u003c\/li\u003e\n  \u003cli\u003eLead-free and non-toxic formulation when used as directed\u003c\/li\u003e\n  \u003cli\u003eShake or stir before use to ensure uniform consistency\u003c\/li\u003e\n  \u003cli\u003eTest and adjust application thickness to control final colour and texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow can I get consistent results from batch to batch?\u003c\/h3\u003e\n\u003cp\u003eConsistency comes from controlled application, documented firing schedules, and test tiles. Keep notes on clay body, number of coats, dry\/rehydrate time between coats, and exact firing profile so you can reproduce the desired celadon surface reliably.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMake test tiles on the same clay body you’ll use for finished pieces\u003c\/li\u003e\n  \u003cli\u003eRecord application method (brush, dip, spray), number of coats, and firing schedule\u003c\/li\u003e\n  \u003cli\u003eAdjust thickness: thinner coats enhance translucency, thicker coats encourage pooling\u003c\/li\u003e\n  \u003cli\u003eStore the pint sealed and shake well before reuse to maintain uniformity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho this is for: AMACO Potter's Choice PC-40 True Celadon is aimed at hobbyist and professional potters who want the aesthetic of traditional celadon without installing or running a reduction kiln. It’s a practical choice for studio artists working with stoneware or porcelain who need a reliable, lead-free one-pint glaze for testing, small production runs, or decorative pieces. If you value ease of use, predictable oxidation results, and a classic celadon palette in manageable quantities, this glaze is designed for your workflow.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use PC-40 on porcelain and stoneware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. PC-40 is compatible with both porcelain and stoneware and is formulated for oxidation firings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this glaze safe for functional ware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: AMACO labels PC-40 as lead-free and non-toxic; follow firing and use instructions to ensure safety for functional pieces.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297139605841,"sku":"B0044SD0VU","price":46.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-true-celadon-front-pint.jpg?v=1791949739"},{"product_id":"amaco-clear-lead-free-liquid-gloss-glaze-for-ceramics-pint-16-oz-brush-on-cone-04-shiny-texture-enhancing-finish","title":"AMACO Clear Lead-Free Liquid Gloss Glaze for Ceramics, Pint (473 ml) — Brush-On Cone 04, Shiny Texture-Enhancing Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO LG-10 is a clear, lead-free liquid gloss glaze that brushes on bisque ware and fires to a shiny, texture-enhancing finish.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis clear gloss glaze is formulated for easy brushing on cone 04 bisque clay and yields a bright, glass-like surface after firing. Because it’s lead-free and non-toxic, LG-10 is suitable for classroom and studio use where safety is a priority. The glaze flows slightly in the kiln to accentuate textures and smooth out minor application irregularities, making it a practical choice for ceramics projects that need a dependable transparent topcoat.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this glaze affect surface texture and detail?\u003c\/h3\u003e\n\u003cp\u003eWhen fired, the clear gloss melts and levels, emphasizing raised textures and revealing the depth of underglaze or clay body details. The fluidity during firing enhances carved lines and brushwork without obscuring fine patterns.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFlows to create a smooth, reflective surface\u003c\/li\u003e\n  \u003cli\u003eHighlights textures and brush marks on ceramics\u003c\/li\u003e\n  \u003cli\u003eMaintains transparency to show underlying colours or clay\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I brush it directly onto bisque and what firing does it require?\u003c\/h3\u003e\n\u003cp\u003eYes — LG-10 is designed to be brushed directly onto cone 04 bisque-fired pieces. It performs well with typical studio firing schedules for low-fire glazes, producing consistent gloss at the recommended temperature.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush-on application for convenient studio use\u003c\/li\u003e\n  \u003cli\u003eIntended for cone 04 bisque-fired clays\u003c\/li\u003e\n  \u003cli\u003ePint (16 oz) size covers multiple small to medium projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this safe for classroom and home pottery projects?\u003c\/h3\u003e\n\u003cp\u003eAMACO LG-10 is a lead-free, non-toxic glaze, which makes it a safer choice for educational and hobby settings. Standard precautions for handling wet glaze materials still apply, such as avoiding ingestion and minimizing dust.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLead-free formulation suitable for community use\u003c\/li\u003e\n  \u003cli\u003eNon-toxic when handled according to standard studio practices\u003c\/li\u003e\n  \u003cli\u003eEasy clean-up from brushes and tools when wet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat sort of defects does this glaze help minimize?\u003c\/h3\u003e\n\u003cp\u003eThe glaze’s flowing behavior during firing helps reduce the appearance of minor brush strokes, pinholes, and uneven application. It won’t fix major surface imperfections but can correct small inconsistencies to give a more uniform final look.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eLevels minor brush marks and thin spots\u003c\/li\u003e\n  \u003cli\u003eCan reduce small surface blemishes after firing\u003c\/li\u003e\n  \u003cli\u003eMaintains clarity so repairs do not hide underlying design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO LG-10 is ideal for ceramic students, hobby potters, art teachers, and studio artists seeking a reliable clear gloss that is safe for shared spaces. Choose this pint-sized container when you need a brushable, transparent finish that enhances textures and protects painted surfaces without introducing lead into your workflow.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use LG-10 directly on greenware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Brush LG-10 onto bisque-fired (cone 04) ware; applying to greenware is not recommended.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this glaze food-safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: AMACO LG-10 is lead-free and non-toxic, but follow manufacturer guidance for food-surface use and firing schedules before serving food.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297234993489,"sku":"B0044S97QW","price":50.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-lg-10-front-pint-glaze.jpg?v=1791950708"},{"product_id":"amaco-velvet-underglaze-16-oz-medium-blue-smooth-opaque-finish-ap-certified-ceramic-underglaze-for-pottery","title":"AMACO Velvet Underglaze 473 ml Medium Blue — smooth, opaque finish, AP-certified ceramic underglaze for pottery","description":"\u003cp\u003e\u003cstrong\u003eAMACO Velvet Underglaze V-326 Medium Blue is a 16 oz concentrated ceramic underglaze that delivers a smooth, opaque medium-blue finish for bisque and clay projects.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBring consistent, vivid colour to pottery, sculptures, and classroom ceramics with this water-based, AP-certified underglaze from AMACO. Formulated for easy brushing, layering, and detailing, this Medium Blue shade offers reliable coverage on buff, white, and coloured clays. It’s supplied in a convenient 16 oz (473 mL) jar, making it practical for studios, schools, and hobbyists who need a dependable mid-tone blue.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this underglaze behave on different clay bodies?\u003c\/h3\u003e\n\n\u003cp\u003eAMACO Velvet Underglaze applies smoothly and bonds well to most bisque-fired and greenware clays, producing even colour after firing. Tone and absorption will vary slightly with clay porosity, so test on your specific body before production runs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStrong adhesion to bisque-fired pieces for predictable results.\u003c\/li\u003e\n  \u003cli\u003eShows slightly lighter on highly porous clays; test first.\u003c\/li\u003e\n  \u003cli\u003eSuitable for buff, white, and coloured clay surfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I use this on functional pottery or food-related ware?\u003c\/h3\u003e\n\n\u003cp\u003eThis underglaze is AP certified, indicating it meets safety standards for non-toxic art materials, but it is not considered food-safe on its own. To use on functional ware that contacts food, top with a glaze tested and certified for lead and cadmium release per ASTM C738-94.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAP certified for safe handling in studio and classroom settings.\u003c\/li\u003e\n  \u003cli\u003eNot for direct food contact without an appropriate overglaze.\u003c\/li\u003e\n  \u003cli\u003eFollow ASTM C738-94 testing for final food-surface safety.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat techniques work best with AMACO Velvet Underglaze V-326?\u003c\/h3\u003e\n\n\u003cp\u003eThis medium-blue underglaze is versatile: ideal for brushing, detailed line work, and layering with other underglazes or glazes. It responds well to thinning for washes or using straight from the jar for opaque coverage.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eBrush on for even, opaque coverage and crisp edges.\u003c\/li\u003e\n  \u003cli\u003eThin with water for translucent washes and subtle shading.\u003c\/li\u003e\n  \u003cli\u003eLayer with other colours for depth without flaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I store and prepare the underglaze for best results?\u003c\/h3\u003e\n\n\u003cp\u003eKeep the jar tightly sealed and stored in a cool, dry place to preserve consistency and prevent skinning. Stir thoroughly before use and strain if you need an ultra-smooth application for fine details.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eReseal cap after each use to prevent drying.\u003c\/li\u003e\n  \u003cli\u003eStir or shake to redistribute settled pigments evenly.\u003c\/li\u003e\n  \u003cli\u003eStrain before use to remove lumps for fine-line work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? Ceramics teachers, community studio potters, and home hobbyists who want a reliable medium-blue underglaze will appreciate AMACO Velvet Underglaze V-326. It’s designed for frequent use in educational settings and small studios, offering consistent colour, easy handling, and compatibility with common glazing workflows when paired with an appropriate overglaze for functional pieces.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Velvet Underglaze V-326 food-safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No—it's AP certified but not food-safe alone; use a tested overglaze compliant with ASTM C738-94 for food contact.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I layer this underglaze with others?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes—layering works well; apply wet-on-dry or thin with water for washes to build depth without flaking.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297249771857,"sku":"B0044SAV2Q","price":59.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-velvet-underglaze-medium-blue-front.jpg?v=1791951168"},{"product_id":"amaco-stonex-self-hardening-air-dry-clay-5-lb-white-ready-to-use-sandable","title":"AMACO Stonex Self-Hardening Air-Dry Clay 2.27 kg — White, Ready-to-Use, Sandable","description":"\u003cb\u003eAMACO Stonex™ Self-Hardening Clay is a ready-to-use, moist white air-dry clay that hardens without firing and accepts paints and metallic finishes.\u003c\/b\u003e\n\n\u003cp\u003eThis 5 lb (2.27 kg) package of AMACO Stonex arrives pliable and moisture-conditioned so you can begin sculpting immediately. Formulated for studio, classroom, and hobby use, the clay dries to a firm, durable white body that can be sanded, carved, or decorated with a wide range of surface treatments. It conforms to ASTM D4236 and is made in the USA.\u003c\/p\u003e\n\n\u003ch3\u003eHow long does Stonex clay take to dry and harden?\u003c\/h3\u003e\n\u003cp\u003eDrying time depends on piece thickness, humidity, and airflow; thin pieces can be touch-dry in 24–48 hours while thicker forms may take several days. Plan for slow, even drying to minimize cracking—turn and thin sections if needed.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eThin elements: typically 24–48 hours to firm\u003c\/li\u003e\n  \u003cli\u003eMedium-thick pieces: 2–4 days with good ventilation\u003c\/li\u003e\n  \u003cli\u003eVery thick sculptures: several days to a week, allow gradual drying\u003c\/li\u003e\n  \u003cli\u003eUse a moist wrap or rehydrate with water while working\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surface finishes and paints work on AMACO Stonex?\u003c\/h3\u003e\n\u003cp\u003eOnce fully dry, this white clay takes a wide variety of finishes. You can apply school-grade paints, acrylics, tempera, metallic Rub 'n Buff, or liquid crayons for colour and texture. Sealing with a varnish or acrylic medium improves durability for handled objects.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCompatible: acrylics, tempera, school paints, Rub 'n Buff, liquid crayons\u003c\/li\u003e\n  \u003cli\u003eSanding and priming improve smooth finishes\u003c\/li\u003e\n  \u003cli\u003eTopcoat with clear varnish for water resistance\u003c\/li\u003e\n  \u003cli\u003eNot intended for kiln firing—air dry only\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I work the clay longer if it starts to stiffen?\u003c\/h3\u003e\n\u003cp\u003eYes—this clay can be re-softened with small amounts of water while you sculpt. Keep a spray bottle or damp sponge handy to revive edges and blend joins; store unused portions in airtight bags to preserve moisture between sessions.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eRehydrate with light spritzes or a damp sponge\u003c\/li\u003e\n  \u003cli\u003eStore in sealed plastic to maintain workability\u003c\/li\u003e\n  \u003cli\u003eCut away dried outer skin to access fresh clay inside\u003c\/li\u003e\n  \u003cli\u003eAvoid oversaturating—work in stages for best texture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Stonex Self-Hardening Clay suits students, educators, hobbyists, and small-studio artists who want a convenient, no-kiln white clay. It’s useful for rapid prototyping, classroom projects, decorative objects, and mixed-media art that will be painted or finished after air drying. Choose this 5 lb package when you need an economical, ready-to-use block of white clay that meets ASTM D4236 safety labeling standards and is produced in the United States.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is AMACO Stonex oven- or kiln-safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: No. Stonex is an air-dry, self-hardening clay and should not be fired in a kiln or oven.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I paint the clay right after drying?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Once fully dry and firm, paint with acrylics, tempera, Rub 'n Buff, or liquid crayons and seal if needed.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297271431505,"sku":"B000FA1JZU","price":70.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-stonex-front-package.jpg?v=1791951751"},{"product_id":"amaco-kiln-wash-for-shelves-4-lb-carton-non-toxic-acmi-certified-for-studio-school-use","title":"AMACO Kiln Wash for Shelves — 1.81 kg carton, non-toxic, ACMI certified for studio \u0026 school use","description":"\u003cp\u003e\u003cstrong\u003eAMACO 4-Pound Carton Kiln Wash is a non-toxic shelf coating that protects kiln shelves and makes glaze drips easy to remove during glaze firings.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDesigned for ceramicists, studios, and schools, this kiln shelf wash creates a protective barrier that reduces direct glaze contact with shelves, extending shelf life and simplifying cleanup after firing. ACMI certified non-toxic and conforming to ASTM D-4236, the product is formulated to be user-friendly while delivering dependable performance for a wide range of glaze firings.\u003c\/p\u003e\n\n\u003ch3\u003eHow does this kiln wash protect my kiln shelves?\u003c\/h3\u003e\n\u003cp\u003eThe kiln wash forms a thin, heat-stable layer between glaze and shelf surface so glaze drips don’t bond to the shelf. Applied at approximately 1\/16\" thickness, it reduces abrasion and chemical attack from glazes, extending shelf longevity and reducing replacement costs.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eCreates a heat-resistant barrier that prevents glaze from fusing to shelves\u003c\/li\u003e\n  \u003cli\u003eMinimizes surface wear and pitting over many firings\u003c\/li\u003e\n  \u003cli\u003eMakes fired glaze drips peel or flake off for easier cleanup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I apply AMACO kiln wash for best results?\u003c\/h3\u003e\n\u003cp\u003eApply an even coat over a clean, dry shelf, aiming for a thin 1\/16\" layer. Allow each coat to dry thoroughly before firing; multiple thin coats are better than one thick one to avoid cracking or uneven coverage.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrush or trowel on a uniform coat, avoiding lumps\u003c\/li\u003e\n  \u003cli\u003eLet the wash dry fully before loading the kiln\u003c\/li\u003e\n  \u003cli\u003eReapply after several firings or if the layer becomes damaged\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWill this kiln wash change glaze appearance or firing results?\u003c\/h3\u003e\n\u003cp\u003eProperly applied kiln wash is designed to prevent adhesion without affecting glaze colour or texture on the ware. Keep wash off the bottoms of pots and areas intended to be glossy; accidental contact can leave a matt or textured spot on the fired glaze.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eUse careful placement and clean-up to avoid transfer to glazed surfaces\u003c\/li\u003e\n  \u003cli\u003eTest on sample pieces if firing unusual glazes or temperatures\u003c\/li\u003e\n  \u003cli\u003eSafe for standard glaze firings when applied correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat certifications and safety standards does this product meet?\u003c\/h3\u003e\n\u003cp\u003eThis kiln wash carries ACMI non-toxic certification and conforms to ASTM D-4236 labeling standards, indicating it has been reviewed for safe use in educational and studio environments. These certifications help studios and classrooms meet safety expectations for art materials.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eACMI certified non-toxic — suitable for schools and studios\u003c\/li\u003e\n  \u003cli\u003eConforms to ASTM D-4236 for material labeling and safety info\u003c\/li\u003e\n  \u003cli\u003eAvailable in multiple sizes to fit different studio needs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO 4-Pound Carton Kiln Wash is aimed at potters, ceramic teachers, community studios, and hobbyists who want to protect kiln shelves, simplify post-firing cleanup, and reduce the frequency of shelf replacement. It’s especially useful where frequent glaze firings occur or where multiple users share kiln space and consistent shelf protection is needed.\u003c\/p\u003e\n\u003ch3\u003eIngredients\u003c\/h3\u003e\n\u003cp\u003eKiln Shelf Wash\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: How thick should I apply AMACO kiln wash?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Apply about a 1\/16\" layer—thin and even. Multiple thin coats dry better than one thick coat.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I use this kiln wash in a school or studio?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. It is ACMI certified non-toxic and conforms to ASTM D-4236, making it suitable for educational and studio settings.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297272119633,"sku":"B0044S9JWO","price":73.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-kiln-wash-front-carton.jpg?v=1791951792"},{"product_id":"amaco-velvet-underglaze-for-ceramics-electric-blue-16-oz-jar-smooth-opaque-finish","title":"AMACO Velvet Underglaze for Ceramics - Electric Blue 473 ml Jar, Smooth Opaque Finish","description":"\u003cstrong\u003eAMACO Velvet Underglaze in V-386 Electric Blue is a smooth, richly pigmented ceramic underglaze designed for consistent colour and easy application on greenware and bisque.\u003c\/strong\u003e\n\n\u003cp\u003eThis 16 oz (473 mL) jar of Electric Blue Velvet Underglaze delivers a velvety, opaque finish that potters, schools, and studios rely on for vibrant, reliable results. AP Certified for low toxicity in art use, it’s formulated to brush, sponge, or transfer onto clay surfaces and maintain its colour through firing when used according to instructions. Note: not for direct food contact unless a tested overglaze meeting ASTM C738-94 standards is applied.\u003c\/p\u003e\n\n\u003ch3\u003eHow will this underglaze behave during application?\u003c\/h3\u003e\n\u003cp\u003eThe Velvet formula spreads smoothly and levels on both greenware and bisqueware, minimizing brushstrokes and giving near-solid coverage in fewer coats. It’s forgiving for layering and mixing, so you can build intensity or create subtle washes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eBrushes and sponges apply easily with even coverage\u003c\/li\u003e\n  \u003cli\u003eLayerable for deeper hues or blended effects\u003c\/li\u003e\n  \u003cli\u003eLevels to reduce visible brush marks\u003c\/li\u003e\n  \u003cli\u003eCompatible with greenware and bisque surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat firing and safety considerations should I follow?\u003c\/h3\u003e\n\u003cp\u003eThis underglaze is formulated for ceramic firing schedules typical in studios and classrooms. It is AP Certified but is not safe for food contact unless sealed with an overglaze tested per ASTM C738-94 for lead and cadmium release.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFirable in standard bisque and glaze firing cycles\u003c\/li\u003e\n  \u003cli\u003eUse tested overglaze for food-safe surfaces\u003c\/li\u003e\n  \u003cli\u003eFollow kiln and studio safety practices during firing\u003c\/li\u003e\n  \u003cli\u003eStore capped in a cool, dry place to preserve quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does Electric Blue perform in design and finishes?\u003c\/h3\u003e\n\u003cp\u003eElectric Blue gives a bold, saturated colour ideal for accents, full-body coverage, or detailed work. It pairs well with both matte and glossy glazes, and it holds fine lines and detail when used with underglaze pencils or brushes.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSaturated hue for strong visual impact\u003c\/li\u003e\n  \u003cli\u003eWorks well under glossy or matte glazes\u003c\/li\u003e\n  \u003cli\u003eMaintains detail for line work and stamps\u003c\/li\u003e\n  \u003cli\u003eMixable with other underglazes for custom shades\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO V-386 Electric Blue Velvet Underglaze is ideal for ceramics educators, hobby potters, and professional studios seeking a dependable, richly coloured underglaze. Choose this 16 oz jar when you need enough volume for class sets or multiple projects, plus a formula that layers, blends, and fires predictably while meeting AP safety standards for art materials.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is this underglaze food safe?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Not by itself. Use a glaze tested for lead and cadmium release per ASTM C738-94 to make pieces safe for food contact.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I apply it to greenware?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. The Velvet formula is designed for both greenware and bisque and levels well with brush or sponge application.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297281130833,"sku":"B0044S8YY8","price":58.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-electric-blue-front.jpg?v=1791952073"},{"product_id":"amaco-celadon-high-fire-gloss-glaze-c-21-sky-16-oz-translucent-blue-cone-5-6-pooling-finish","title":"AMACO Celadon High-Fire Gloss Glaze C-21 Sky, 473 ml — Translucent Blue, Cone 5–6 Pooling Finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Celadon C-21 Sky is a 16 oz. high-fire transparent gloss glaze that produces a lively blue, pooling beautifully on textured pottery and accenting clay surfaces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis mid-high fire Celadon gloss delivers a translucent, glossy blue inspired by classic celadon finishes. Formulated for firing to Cone 5-6 and designed to be fully mixable with other Celadon \"C\" glazes, it highlights texture, lets the underlying clay colour show through, and can be adjusted with AMACO C-11 Mixing Clear for softer or more transparent results. Each 16 oz. jar should be shaken well before use and applied over bisque ware for best results.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply AMACO Celadon C-21 Sky for the best gloss and pooling?\u003c\/h3\u003e\n\n\u003cp\u003eFor consistent results, apply three even coats to Cone 04 bisque, allowing the glaze to dry between each coat. Proper layering encourages the characteristic pooling in recesses while maintaining an even gloss on raised areas.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eShake jar thoroughly to remix settled pigments.\u003c\/li\u003e\n  \u003cli\u003eBrush, dip, or pour three coats with drying time between coats.\u003c\/li\u003e\n  \u003cli\u003eFire glaze to Cone 5–6 for recommended maturity.\u003c\/li\u003e\n  \u003cli\u003eAvoid overly thick single coats to prevent crawling or runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan I mix C-21 Sky with other glazes or adjust its transparency?\u003c\/h3\u003e\n\n\u003cp\u003eYes — AMACO Celadon \"C\" series glazes are 100% formulated to mix with each other, enabling endless colour variations. To reduce saturation and increase clarity, blend C-21 Sky with AMACO Celadon C-11 Mixing Clear.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMix different Celadon \"C\" glazes for custom hues.\u003c\/li\u003e\n  \u003cli\u003eAdd C-11 Mixing Clear to soften colour and boost translucency.\u003c\/li\u003e\n  \u003cli\u003eTest small batches to dial in the exact look before large runs.\u003c\/li\u003e\n  \u003cli\u003eWorks well as an underlayer beneath AMACO \"PC\" Potter's Choice glazes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat effects does C-21 Sky create on textured or carved pottery?\u003c\/h3\u003e\n\n\u003cp\u003eC-21 Sky emphasizes surface relief by pooling in depressions and thinning on raised areas, producing a natural depth often associated with traditional celadon ware. The transparent gloss enhances the clay body’s colour and any underlying decoration without hiding fine details.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePools deepen in carved lines, crevices, and textured surfaces.\u003c\/li\u003e\n  \u003cli\u003eThin film on raised textures yields contrast and dimension.\u003c\/li\u003e\n  \u003cli\u003eTransparent finish preserves stamped or underglaze patterns.\u003c\/li\u003e\n  \u003cli\u003eIdeal for both stoneware and earthenware bodies fired to mid-high temperatures.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow do I troubleshoot common glazing issues with this product?\u003c\/h3\u003e\n\n\u003cp\u003eMost problems stem from application or firing variations. Control coat thickness, ensure proper drying between coats, and confirm kiln temperature to minimize defects like pinholing, crawling, or overly matte spots.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePinholing: allow full drying and reduce firing speed through critical temperature ranges.\u003c\/li\u003e\n  \u003cli\u003eCrawling: avoid greasy surfaces and don’t overapply a single heavy coat.\u003c\/li\u003e\n  \u003cli\u003eUneven gloss: check bisque porosity and maintain consistent coat thickness.\u003c\/li\u003e\n  \u003cli\u003eColour variation: test on the same clay body and firing schedule planned for final pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for? AMACO Celadon C-21 Sky is suited for studio potters, ceramic artists, educators, and craft hobbyists who want a reliable high-fire transparent blue that enhances texture and allows creative mixing. Whether you’re aiming for traditional celadon effects, layering with Potter's Choice glazes, or developing new colour mixes, this 16 oz. jar offers a versatile starting point for experimentation and consistent kiln results.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing range is recommended for AMACO Celadon C-21 Sky?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire to Cone 5–6 after applying three coats to Cone 04 bisque for best results.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I mix C-21 Sky with other AMACO glazes?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Celadon \"C\" glazes are fully mixable; use C-11 Mixing Clear to soften colour and increase transparency.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297355481425,"sku":"B00OA79HTO","price":50.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-celadon-c21-sky-front-jar.jpg?v=1791954229"},{"product_id":"amaco-potters-choice-glaze-pc-52-deep-sienna-speckle-16-oz-cone-5-6-mid-high-speckled-russet-finish","title":"AMACO Potter's Choice Glaze PC-52 Deep Sienna Speckle 473 ml — Cone 5-6 mid-high, speckled russet finish","description":"\u003cp\u003e\u003cstrong\u003eAMACO Potter's Choice PC-52 Deep Sienna Speckle is a 16 oz mid-high fire glaze that delivers a warm, translucent russet finish with dark speckles, firing beautifully at Cone 5-6 for reduction-like results in oxidation kilns.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis single jar of AMACO Potter's Choice PC-52 Deep Sienna Speckle provides potters a convenient way to achieve rich, stoneware-inspired colour without high-temperature or reduction firing. It’s formulated to be applied over Cone 04 bisque and matured at Cone 5-6, producing a deep sienna tone with characteristic black speckles. The glaze mixes well with other Potter’s Choice, Celadon, and Shino glazes for layered effects; note that the speckles can settle and may clog sprayers, so thorough mixing and appropriate application methods are recommended.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I apply and fire the Deep Sienna Speckle glaze?\u003c\/h3\u003e\n\n\u003cp\u003eApply PC-52 to a clean, fired Cone 04 bisque surface using brushing, dipping, or spraying—keeping in mind speckle behavior. Fire in oxidation to Cone 5-6 for best colour and speckle development; thicker layers deepen the russet tone and increase colour saturation.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStir thoroughly before use to disperse speckles evenly.\u003c\/li\u003e\n  \u003cli\u003eBrush, dip, or spray; speckles may clog fine spray tips.\u003c\/li\u003e\n  \u003cli\u003eFire to Cone 5-6 in an oxidation kiln for intended finish.\u003c\/li\u003e\n  \u003cli\u003eApply thicker coats for a richer, more concentrated colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat surfaces and clays work best with this Potter’s Choice glaze?\u003c\/h3\u003e\n\n\u003cp\u003ePC-52 is formulated for stoneware and porcelain clays and is compatible with all AMACO stoneware\/porcelain bodies. It performs predictably on Cone 04 bisque and is especially effective when layered over other AMACO glazes for visual depth and variation.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDesigned for AMACO stoneware and porcelain clays.\u003c\/li\u003e\n  \u003cli\u003eApply to Cone 04 bisque prior to firing to Cone 5-6.\u003c\/li\u003e\n  \u003cli\u003eLayer-friendly with Potter’s Choice, Celadon, and Shino lines.\u003c\/li\u003e\n  \u003cli\u003eTest on your clay body first for exact colour and speckle distribution.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow does layering or mixing affect the final appearance?\u003c\/h3\u003e\n\n\u003cp\u003eLayering PC-52 with other glazes creates varied surfaces that mimic reduction stoneware without a reduction kiln. Combining thin and thick coats or using contrasting base glazes can reveal speckling, translucency, and subtle colour transitions for customised results.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThin undercoats can produce lighter, more variegated tones.\u003c\/li\u003e\n  \u003cli\u003eThicker top coats intensify russet depth and concentrate speckles.\u003c\/li\u003e\n  \u003cli\u003eTry underglaze or different Potter’s Choice shades for contrast.\u003c\/li\u003e\n  \u003cli\u003eAllow for test tiles to predict interaction and texture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAre there handling tips to avoid speckle settlement or spray clogging?\u003c\/h3\u003e\n\n\u003cp\u003eBecause PC-52 contains visible black speckles, mechanical settling and spray tip clogging are possible. Keep the jar well mixed during use, strain for spraying when necessary, and adjust spray equipment to larger nozzle sizes to maintain consistent coverage.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eStir or invert jar frequently to keep speckles suspended.\u003c\/li\u003e\n  \u003cli\u003eStrain through appropriate mesh if spraying to prevent clogs.\u003c\/li\u003e\n  \u003cli\u003eUse larger spray nozzles and moderate atomization settings.\u003c\/li\u003e\n  \u003cli\u003eStore upright and re-stir before each glaze session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: AMACO Potter's Choice PC-52 Deep Sienna Speckle is ideal for hobbyists, studio potters, and ceramics educators who want reduction-like, speckled stoneware aesthetics at Cone 5-6 in an oxidation kiln. It's well suited to artists who layer glazes to create depth, those working with AMACO clay bodies, and makers seeking a reliable, mid-fire glaze that adds warm russet tones with natural-looking speckling.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: What firing temperature is required for PC-52 Deep Sienna Speckle?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Fire PC-52 in oxidation to Cone 5-6 after applying to Cone 04 bisque for intended colour and speckle development.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can I spray this glaze without clogging?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: You can spray it, but strain first and use larger nozzles; speckles may settle and clog fine tips unless mixed and filtered.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"AMACO","offers":[{"title":"Default Title","offer_id":55297373962577,"sku":"B00A6WNO82","price":53.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/files\/amaco-pc52-deep-sienna-speckle-front-jar.jpg?v=1791954861"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1086\/5567\/3681\/collections\/amaco-bisque-fix-front-packaging.jpg?v=1792143732","url":"https:\/\/craftiche.co.uk\/collections\/amaco.oembed?page=3","provider":"Craftiche","version":"1.0","type":"link"}